#masaaki hiraoka
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皇帝円舞曲 第1部 平岡正明 ビレッジセンター出版局 装釘=岩瀬聡、装画=木村タカヒロ
#皇帝円舞曲 第1部#皇帝円舞曲#masaaki hiraoka#satoshi iwase#岩瀬聡#takahiro kimura#木村タカヒロ#anamon#古本屋あなもん#あなもん#book cover
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https://page.auctions.yahoo.co.jp/jp/auction/1147980146
地獄系24 平岡正明評論集 装幀:横田登美子 http://anamon.net/?pid=73917426
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2023/03/31 English
BGM: Ocean Colour Scene - The Day We Caught The Train
Today I worked late. This morning I wrote some ideas on my memo pad with Kotarou Sawaki's "Chain Smoking". Although it can sound strange, it's a fact that I can't remember the things I forgot completely. I write the memo because I don't forget the ideas, but the function of forgetting things is just a waste? It was for over 2 years since I started writing my memo and diary in English, and I can see how many things I forgot until now by reading them again. Even today, I certainly felt huge anxiety this morning. But, after going out of my group home, I tried to enjoy Bowling For Soup's music and Koutarou Sawaki then I could get recovered. In short, I forgot the anxiety. How should I treat this function of forgetting things?
Forgetting precious things... For example, as a fact, I have read this "Chain Smoking" a few times. But I have forgotten almost all of that content. I would forget it even from now. Then reading can mean as a waste of time? I just want to enjoy the words which go through my brain, so it's OK... thinking about this lets me think an episode Keijirou Suga tells us in his "Don't worry because we can't read any books completely". A Japanese legendary intellectual, Kazuo Watanabe, read a book which he had read once seriously (he even tried to write something on its pages). Me, I can't remember Junichiro Tanizaki's "Naomi" completely even though I had read it once passionately. But it's a life.
A Facebook user invited me to an online meeting on Next Sunday. I tried to make my schedule to join it. I have to gain the skill of speaking and listening as the ability of English, so I hope I can make practice about them... maybe I would keep on learning English in the rest of my life. Learning English has a severe way. It must be profound. I couldn't complete that learning. I am thankful for English because this learning leads me to another connection and broadens my world. I talked with a Russian woman on WhatsApp and she taught me about that meeting. How would it work? I just do what I can do with the spirit of "I am no one else".
By the way, Koutarou Sawaki must have many topics to write. I'm now reading "Chain Smoking" after "Bourbon Street", and find that every essay gives me many clues to write my diary like this. How can he find these topics? I want to write how I misunderstood in the past like Sawaki. In English, I once used to say "I enjoyed itself" instead of "I enjoyed myself" (other people would think that is strange). I misunderstood that Masaaki Hiraoka. a Japanese critic, named his book as "Marilyn Monroe: Chase that hip". These things are really embarrassing so I can't forget, but it seems they have a worth to remember because I can write some writings by them.
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平岡正明「犯罪あるいは革命に関する諸章」 装画=渡辺千尋
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皇帝円舞曲 第3部 平岡正明 ビレッジセンター出版局 装釘=岩瀬聡、装画=木村タカヒロ
#皇帝円舞曲 第3部#皇帝円舞曲#masaaki hiraoka#satoshi iwase#岩瀬聡#takahiro kimura#木村タカヒロ#anamon#古本屋あなもん#あなもん#book cover
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皇帝円舞曲 第2部 平岡正明 ビレッジセンター出版局 装釘=岩瀬聡、装画=木村タカヒロ
#皇帝円舞曲 第2部#皇帝円舞曲#masaaki hiraoka#satoshi iwase#岩瀬聡#takahiro kimura#木村タカヒロ#anamon#古本屋あなもん#あなもん#book cover
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過渡期だよ、おとっつぁん Part 3.[ちょっと左翼篇] 過渡期時間論 平岡正明 秀英書房 装丁=河野清
#過渡期だよ、おとっつぁん Part 3.[ちょっと左翼篇] 過渡期時間論#過渡期時間論#過渡期だよ、おとっつぁん#masaaki hiraoka#平岡正明#河野清#anamon#古本屋あなもん#あなもん#book cover
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筒井康隆断筆をめぐるケンカ論集 平岡正明 ビレッジセンター出版局 装幀=前島敏彦
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大山倍達を信じよ-ゴッドハンド本紀 平岡正明 秀英書房 装幀=前島敏彦
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犯罪あるいは革命に関する諸章 平岡正明 大和書房 装画・装本=渡辺千尋
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エンターテインメントなんちゃって-過渡期だよ、おとっつあん Part 1 美学篇 平岡正明 秀英書房 カバーカット=ゴルゴ13 174話「沸騰・第四帝国」(ビッグコミック連載)より
#エンターテインメントなんちゃって-過渡期だよ、おとっつあん Part 1 美学篇#エンターテインメントなんちゃって#masaaki hiraoka#平岡正明#ゴルゴ13#takao saito#さいとう・たかを#anamon#古本屋あなもん#あなもん#book cover
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筒井康隆はこう読めの逆襲 平岡正明 CBSソニー出版 装幀=平野甲賀
#筒井康隆はこう読めの逆襲#masaaki hiraoka#平岡正明#yasutaka tsutsui#筒井康隆#koga hirano#平野甲賀#anamon#古本屋あなもん#あなもん#book cover
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永久男根16 平岡正明 イザラ書房
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団鬼六・暗黒文学の世界 平岡正明・岡庭昇=編 三一書房
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キネマ三国志 平岡正明 アートン イラストレーション=ハピイ氏橋、ブックデザイン=福田真
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武道論 大山倍達・平岡正明 徳間書店 カバーデザイン=上田晃郷
#武道論#masutatsu oyama#mas.oyama#大山倍達#masaaki hiraoka#平岡正明#akisato ueda#上田晃郷#anamon#古本屋あなもん#あなもん#book cover
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