#marvel modern era epic collection

[ultrameganicolaokay]

The Epic Marvel Podcast looks at the Spider-Gwen: Ghost Spider Epic Collection, Vol. 1 ‘Edge of Spider-Verse’ the first title in a whole new line: the Modern Era Epic. It comes out in the first week of May.

[hexhomos]

HI! hope your day is treating you well, i’ve been interested in doomreed for some time but cape comics are sort of daunting to me just because there’s so much content and i really don’t know where to begin. what do you suggest? thank you!

STRAIGHT OUT THE GATE ill say, read [ "My Dinner With Doom" ] (this is a rly high-qual upload, open it up on desktop!)

It's a key issue oneshot with a lil bit of backstory retelling, featuring a private dinner that happens in the 00's - a good entrance point if you're curious about doomreed in summarization + generally speaking a Real Good Comic overall.

LONG POST INCOMING THIS IS A LONG POST / click readmore

the fantastic four are one of marvel's darling old founding teams so there is pretty much... endless archival, ongoing, multimedia and games content popping up all the time.

They are also kinda one of the rare teams where the growth of the characters is consistent? The kids are allowed to grow older and events from every major run are carried/referenced by the next author so if you want to do chronological there's a lot of incentive and fun stuff.

If you wanna dip your toes into the F4 as a concept, check out:

*the #1 issue of Fantastic Four By Waid & Wieringo (1997) *Mythos: Fantastic Four (2007) [ *The FF (1994) movie that is up for free on youtube!! ] *Fantastic Four (2022) by Ryan North as the current ongoing!

(Some) Singles centered on Doom/Doomreed:

*Fantastic Four (1961) Annual 2 is Doom's original backstory issue *Marvel Two-in-One (2017) by Zdarsky issue #11 & Annual #1 are both crazy good but they spoil big events/conclusions from previous runs if u care abt that!!! (My current fav fic came from these issues.) *Doomgate (novel) by Jeffrey Lang is a good option if you want something that is mostly prose, instead of a comic or movie

NOW BEFORE YOU JUMP AHEAD WITH ANYTHING I *am* following [ this reading guide ] which breaks down specific issues relevant to their relationship as a line through all the different authors over the years.

[ There's also this 2021 guide w/ a few other story/AU highlights! The author said u can send the blog questions and theyll answer too ]

The 'Modern era' (late 90s/00s/10s/Now) Starts with Waid and McDuffie's stuff. The latter wrote My Dinner with Doom!

If you're scared by all the names, don't be - when searching for the issues, just pay attention to the year, # number & author/artist creds.

What I'm reading/liveblogging rn is Hickman's Secret wars era, generally regarded as yaoi ketamine; It's a good epic narrative entrance point if you want to jump into it, and it eventually led into this huge marvel event that changed the multiverse and even brought miles morales into the main timeline, so its BIG and it happened in multiple books - the best way to go about it is;

Pre-hickman:

Fantastic Four (1961) #551 #552 #553 ➡️ (these introduce main ideas we will touch again in secret wars)

Fantastic Four (1961) #558 to #562 ➡️

Doom appears in these too, first/last issues more heavily. Stuff here will be ref'd during the next era.

If you're having fun and want to keep reading you can! Just know that the next storyarc has gathered a largely mixed response bc..... its Millar going hammywammy....... not that necessary.......

anyway when you see hickmans name in the cover STOP and

Jump to actual Hickman secret wars era:

Fantastic Four by Jonathan Hickman: The complete collection➡️

(optional, side plot) If you like Val + Doom, read specifically; *Fantastic Four (2014) #3 & #5 + Fantastic Four Annual (2014) #1 *Agent of Asgard #6 & #7 *Avengers World (2014) #15 & #16

New Avengers (2013) ➡️ check issues on picture, or, if you're a completionist, look for 'Avengers by Jonathan Hickman; complete collection' and skim for the doom/reed relevant bits. There's a lot of characters here but this is a buildup to the big secret wars. Secret Wars (2015) ➡️ (All issues!) Infamous Iron Man (2016) ➡️bendis' doom writing is not very good but hang in there because right after him: Marvel 2-In-One (2017) ➡️ (All issues!) is a banger. Yaoi btw.

You can basically read all the future/past ones as listed, or starting from the beginning of that author's period without worrying, bc they aren't as indebted to each other storywise.

You can also start somewhere else if you want or check out other single issues on the reading guides; It's not a crime! There's a lot of stuff with different takes and genres, I'm slowly chipping away at the secret wars era bc its just very thick and like a serious television drama attempt, except its also insanely funny sometimes.

(I'm still making my way through it so that's what I have at the moment!)

[donnatroyprincessofthemyscira]

MARVEL COMICS NEW RELEASES FOR 09/06/2023

Amazing Spider-Man #31 (2nd Printing Cover A Humberto Ramos), $9.99

Amazing Spider-Man #31 (2nd Printing Cover B Skan), $9.99

Amazing Spider-Man #31 (2nd Printing Cover C Skan Virgin Variant), AR

Amazing Spider-Man #33 (Cover A John Romita Jr.), $3.99

Amazing Spider-Man #33 (Cover B Patrick Gleason), AR

Amazing Spider-Man #33 (Cover C Giada Perissinotto Disney100 Ms. Marvel Variant), AR

Amazing Spider-Man #33 (Cover D Giada Perissinotto Disney100 Ms. Marvel Black & White Variant), AR

Amazing Spider-Man #33 (Cover E Joey Vazquez), AR

Black Panther #4 (Cover A Taurin Clarke), $3.99

Black Panther #4 (Cover B Mahmud Asrar), AR

Black Panther #4 (Cover C Lucas Werneck Stormbeakers Variant), AR

Captain Marvel By Kelly Thompson Volume 1 TP, $34.99

Captain Marvel Volume 10 Revenge Of The Brood Part 2 TP, $15.99

Daredevil Guardian Devil Gallery Edition HC, $50.00

Doctor Strange #7 (Cover A Alex Ross), $3.99

Doctor Strange #7 (Cover B Greg Land), AR

Doctor Strange #7 (Cover C Stephanie Hans), AR

Fantastic Four #11 (Cover A Alex Ross), $3.99

Fantastic Four #11 (Cover B Alexander Lozano), AR

Fantastic Four #11 (Cover C Greg Land), AR

Ghost Rider Wolverine Weapons Of Vengeance Omega #1 (Cover A Ryan Stegman), $4.99

Ghost Rider Wolverine Weapons Of Vengeance Omega #1 (Cover B Scott Williams), AR

Immortal X-Men #15 (Cover A Mark Brooks), $3.99

Immortal X-Men #15 (Cover B Phil Noto Quiet Council Variant), AR

Immortal X-Men #15 (Cover C Joshua Sway Swaby), AR

Incredible Hulk #2 (2nd Printing Cover A Nic Klein), $3.99

Incredible Hulk #2 (2nd Printing Cover B Leinil Francis Yu), AR

Loki Modern Era Epic Collection Volume 2 Everything Burns TP, $39.99

Magneto #2 (Cover A Todd Nauck), $3.99

Magneto #2 (Cover B Lee Garbett), AR

Magneto #2 (Cover C Larry Houston X-Men 60th Anniversary Variant), AR

Mighty Marvel Masterworks The Incredible Hulk Volume 3 Less Than Monster More Than Man TP (Jack Kirby Direct Market Cover), $15.99

Mighty Marvel Masterworks The Incredible Hulk Volume 3 Less Than Monster More Than Man TP (Leonardo Romero Book Market Cover), $15.99

Moon Knight #27 (Cover A Stephen Segovia), $3.99

Moon Knight #27 (Cover B Elena Casagrande Stormbreakers Variant), AR

Moon Knight #27 (Cover C Salvador Larroca), AR

Red Goblin Volume 1 It Runs In The Family TP, $17.99

Scarlet Witch #8 (Cover A Russell Dauterman), $3.99

Scarlet Witch #8 (Cover B W. Scott Forbes), AR

Scarlet Witch #8 (Cover C Oscar Vega), AR

She-Hulk By Mariko Tamaki TP, $39.99

Silk #5 (Of 5)(Cover A Dave Johnson), $3.99

Silver Surfer Rebirth Legacy #1 (Cover A Ron Lim), $3.99

Silver Surfer Rebirth Legacy #1 (Cover B Frank Miller), AR

Silver Surfer Rebirth Legacy #1 (Cover C Frank Miller Virgin Variant), AR

Silver Surfer Rebirth Legacy #1 (Cover D Ryan Brown), AR

Silver Surfer Rebirth Legacy #1 (Cover E Rom Lim), AR

Silver Surfer Rebirth Legacy #1 (Cover F John Tyler Christopher Negative Space Variant), AR

Spider-Gwen Annual #1 (Cover A R1C0), $4.99

Spider-Gwen Annual #1 (Cover B Mirka Andolfo), AR

Spider-Gwen Annual #1 (Cover C Jeehyung Lee Spider-Gwen Variant), AR

Spider-Gwen Annual #1 (Cover C Jeehyung Lee Spider-Gwen Virgin Variant), AR

Spider-Man 2099 Dark Genesis TP, $15.99

Star Wars #38 (Cover A Stephen Segovia), $4.99

Star Wars #38 (Cover B Chris Sprouse Return Of The Jedi 40th Anniversary Variant), AR

Star Wars #38 (Cover C E.M. Gist Cody The Clone Wars 15th Anniversary Variant), AR

Star Wars #38 (Cover D John Tyler Christopher Action Figure Variant), AR

Star Wars #38 (Cover E Josemaria Casanovas Droids Connecting Variant), AR

Star Wars Dark Droids #2 (Cover A Leinil Francis Yu), $4.99

Star Wars Dark Droids #2 (Cover B E.M. Gist), AR

Star Wars Dark Droids #2 (Cover C John Tyler Christopher Action Figure Variant), AR

Star Wars Dark Droids #2 (Cover D Rachael Stott Scourged Variant), AR

Star Wars Dark Droids #2 (Cover E Rachael Stott Scourged Virgin Variant), AR

Star Wars Dark Droids #2 (Cover F Josemaria Casanovas Droids Connecting Variant), AR

Ultimate Invasion #2 (Of 4)(2nd Printing Cover A Bryan Hitch), $5.99

Venom #23 (2nd Printing Cover A Ken Lashley), $3.99

Venom #23 (2nd Printing Cover B Ryan Stegman), AR

Venom By Al Ewing And Ram V Volume 4 Illumination TP, $15.99

X-Men #26 (Cover A Lucas Werneck), $3.99

X-Men #26 (Cover B Alex Ross X-Men Connecting Variant Part D), AR

X-Men #26 (Cover C Alex Ross X-Men Connecting Sketch Virgin Variant Part D), AR

X-Men #26 (Cover D Javier Garron Marvel Icon Variant), AR

X-Men #26 (Cover E Mark Brooks Corner Box Variant), AR

X-Men #26 (Cover F Jorge Molina X-Men 60th Anniversary Variant), AR

X-Men #26 (Cover G Russell Dautermant Trading Card Variant), AR

ACONYTE

Moon Knight Age Of Anubis Marvel Multiverse Missions Adventure SC, $16.95

DYNAMIC FORCES

Silver Surfer #42 (Jim Starlin Personal File Copy Signed By Jim Starlin), AR

MARVEL PRESS

Marvel Beginnings Hulk’s Big Feelings Board Book HC, $10.99

Spider-Man’s Bad Connection HC, $16.99

Merchandise

Captain America #1 Poster, AR

Daredevil #1 Poster, AR

Deadpool Rear Cable Guy, AR

Invincible Iron Man And X-Men Poster, AR

Justice League Aquaman Trident 74 Inch Replica, AR

Marvel Magic Comic Book Set Black Panther, AR

Marvel Magic Comic Book Set Doctor Strange, AR

Marvel Magic Comic Book Set Spider-Man, AR

Predator Vs. Wolverine #1 Poster, AR

Spidey And His Amazing Friends Ghost Spider Action Figure, AR

Spidey And His Amazing Friends Mile Morales Action Figure, AR

Spidey And His Amazing Friends Spidey Action Figure, AR

Thor Loki Frost Giant Glow In The Dark POP Vinyl Figure, AR

Copyright © GoCollect All rights reserved

[seogoogle1]

The Timeless Appeal: Exploring the World of Watch Museums

Introduction: In an era dominated by digital timekeeping devices, the allure of traditional watches endures. For aficionados and casual observers alike, the intricate craftsmanship and rich history behind timepieces hold a timeless fascination. Enter the realm of watch museum, where horological marvels are preserved and showcased, offering visitors a journey through centuries of innovation and style. In this article, we delve into the captivating world of watch museums, exploring their significance, collections, and the stories they tell.

The Significance of Watch Museums: Watch museums serve as guardians of horological heritage, preserving the legacy of timekeeping craftsmanship for future generations. They are sanctuaries where the evolution of watchmaking is meticulously documented, from the rudimentary sundials of antiquity to the intricate complications of modern luxury timepieces. These institutions not only celebrate the technical mastery of watchmakers but also provide insights into the cultural, economic, and social contexts in which these timepieces were created.

Collections: A Window Into Horological History: Central to the allure of watch museum is their remarkable collections, which offer a glimpse into the evolution of timekeeping technology and design. Visitors are treated to an array of exhibits featuring everything from ancient timekeeping devices to contemporary haute horlogerie creations. Among the highlights are:

Antiquity to Renaissance: Witness the ingenuity of ancient civilizations with exhibits showcasing early timekeeping devices such as sundials, water clocks, and hourglasses. Marvel at the craftsmanship of Renaissance-era clocks, with their intricate mechanisms and ornate designs.

Pocket Watches and Wristwatches: Explore the transition from pocket watches to wristwatches, a revolution that transformed timekeeping from a practical necessity to a fashionable accessory. Admire the elegant designs of vintage pocket watches, each telling its own story of bygone eras. Discover iconic wristwatches that have defined entire epochs, from the sporty elegance of Rolex Submariners to the understated sophistication of Patek Philippe Calatravas.

Complications and Innovations: Delve into the world of horological complications, where watches transcend mere timekeeping to become works of mechanical art. Admire the precision of tourbillons, the musicality of minute repeaters, and the astronomical complexity of perpetual calendars. Learn how watchmakers push the boundaries of innovation with groundbreaking materials, such as ceramic, carbon fiber, and even meteorite dials.

Haute Horlogerie: Experience the pinnacle of watchmaking excellence with exhibits dedicated to haute horlogerie. Marvel at the craftsmanship of master watchmakers as they create mechanical marvels adorned with precious metals, gemstones, and intricate engravings. Explore limited-edition timepieces that embody the epitome of luxury and exclusivity, each bearing the mark of centuries-old traditions.

The Stories Behind the Watches: Beyond their technical brilliance and aesthetic beauty, watches carry stories that resonate with collectors and enthusiasts alike. Watch museums provide a platform for these narratives to unfold, offering insights into the lives of those who created, owned, and wore these timepieces.

Historical Significance: Many watches housed in museums have historical significance, having witnessed pivotal moments in history or been owned by prominent figures. From the timepiece worn by a renowned explorer on an epic voyage to the watch gifted to a world leader during diplomatic negotiations, each has a story to tell about the human experience.

Artistic Expression: Watches are not just instruments for measuring time; they are also expressions of artistry and craftsmanship. Behind every intricate dial, finely engraved case, and meticulously decorated movement lies the creative vision of master artisans. Watch museums celebrate these artistic endeavors, showcasing watches as both functional objects and works of art.

Technological Innovation: The history of watchmaking is a testament to human ingenuity and innovation. Watch museum chronicle the evolution of timekeeping technology, from the invention of the escapement mechanism to the development of quartz and atomic timekeeping. Through interactive exhibits and educational programs, visitors gain a deeper understanding of the scientific principles that underpin horology.

Cultural Significance: Watches often reflect the cultural values and societal trends of their time. Whether it's the elegance of Art Deco design or the utilitarian aesthetics of military watches, each timepiece is imbued with the spirit of its era. Watch museums explore these cultural nuances, providing valuable insights into the social history of timekeeping.

Conclusion: In a world where time is measured in microseconds and digital displays dominate our daily lives, watch museums offer a refreshing perspective on the art and science of timekeeping. Through their rich collections, engaging exhibits, and immersive experiences, these institutions celebrate the timeless appeal of watches and the enduring legacy of those who create them. Whether you're a seasoned collector, a curious enthusiast, or simply someone with an appreciation for craftsmanship and history, a visit to a watch museum is sure to leave a lasting impression. So, step into the world of horological wonders and embark on a journey through time like no other.

Website: https://watchmuseum.org

[deccanodysseytrain]

Delve into the Rich Cultural Tapestry of the Deccan Odyssey

Day 1: Mumbai — Gateway to India

Your adventure begins in Mumbai, where you will board the Deccan Odyssey cultural at the Chhatrapati Shivaji Terminus. Mumbai, often called the city of dreams, is a bustling metropolis brimming with cultural landmarks. You will visit the iconic Gateway of India, a symbol of the city’s rich colonial past. Next, explore the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (Prince of Wales Museum), housing a vast collection of artifacts. Lastly, experience the historic Dhobi Ghat, an open-air laundromat that offers a glimpse into Mumbai’s traditional lifestyle.

Day 2: Nashik — The Wine Capital

On the second day, the Deccan Odyssey cultural arrives in Nashik, renowned for its vineyards and wineries. Participate in exclusive wine tasting sessions and learn about India’s burgeoning wine industry. In addition, you will visit the Panchavati temples, significant for their association with the epic Ramayana. This day combines cultural exploration with a taste of modern luxury.

Day 3: Ellora Caves — Architectural Marvels

Next, the train takes you to the Ellora Caves, a UNESCO World Heritage site. A guided tour will help you uncover the historical significance of these caves, which house Hindu, Buddhist, and Jain temples. Notably, the Kailasa temple, carved from a single rock, stands as a testament to ancient India’s architectural prowess. The intricate sculptures and carvings tell stories of a bygone era, offering a deep cultural insight.

Day 4: Aurangabad — Mughal Heritage

Day 5: Ajanta Caves — Ancient Art

The fifth day brings you to the Ajanta Caves, another UNESCO World Heritage site. These caves are famed for their ancient murals and sculptures depicting Buddhist tales. A guided tour will provide detailed insights into the art and history of the caves. The serene surroundings and artistic grandeur make this a highlight of the journey.

Day 6: Kolhapur — A Blend of Tradition and Modernity

In Kolhapur, visit the New Palace and Shalini Palace, both architectural marvels with historical significance. Explore the vibrant local markets, known for Kolhapuri chappals and traditional crafts. This day offers a perfect blend of historical exploration and cultural immersion.

Day 7: Goa — Portuguese Influence

Goa, with its unique blend of Indian and Portuguese cultures, is your next destination. Explore the historic sites of Old Goa, including the Basilica of Bom Jesus and Se Cathedral. These landmarks reflect Goa’s colonial past and religious significance. Enjoy the local cuisine and experience the vibrant culture that makes Goa a favorite among travelers.

Day 8: Sindhudurg — Coastal Beauty

Day 9: Pune — The Cultural Hub

Your final destination is Pune, a city rich in history and culture. Visit the Aga Khan Palace, which played a significant role in India’s independence movement. Explore Shaniwar Wada, a historical fortification with a rich past. Pune’s vibrant arts and music scene will leave you with lasting memories of your https://www.deccanodyssey.co.uk/cultural-odyssey#cultural-odyssey-itinerary

This cultural odyssey itinerary aboard the Deccan Odyssey cultural is designed to provide a comprehensive understanding of India’s rich heritage. From the bustling streets of Mumbai to the serene caves of Ajanta, every stop on this journey offers a unique cultural experience. The Deccan Odyssey cultural journey is not just a train ride; it’s an immersive exploration of India’s soul.

[chotisk]

Tulsi Smarak Bhavan Museum: A Tribute to a Literary Legend

Nestled in the serene town of Ayodhya, the Tulsi Smarak Bhavan Museum stands as a poignant tribute to Goswami Tulsidas, one of India's most revered poets and saints. This museum, dedicated to preserving and promoting the legacy of Tulsidas, offers visitors a deep dive into his life, works, and the cultural heritage he helped shape.

Historical Background

Goswami Tulsidas, born in the 16th century, is best known for his epic poem "Ramcharitmanas," a retelling of the Sanskrit Ramayana in the vernacular Awadhi language. His work has had a profound impact on Indian culture, literature, and religious practices. The Tulsi Smarak Bhavan Museum was established to honor his contributions and to serve as a center for cultural and literary activities.

Architecture and Design

The Tulsi Smarak Bhavan Museum is an architectural marvel, blending traditional Indian design with modern amenities. The building itself is an embodiment of simplicity and elegance, reflecting the spirit of Tulsidas's teachings. Its design incorporates elements typical of North Indian architecture, such as arched doorways, domed structures, and intricate carvings, creating an atmosphere that transports visitors back to the time of Tulsidas.

Exhibits and Collections

The museum houses an extensive collection of artifacts, manuscripts, and artworks related to Tulsidas and his works. Key exhibits include:

Manuscripts and Texts: The museum boasts an impressive collection of ancient manuscripts of "Ramcharitmanas" and other works by Tulsidas. These manuscripts, written on palm leaves and paper, provide invaluable insights into the literary heritage of the period.

Portraits and Sculptures: Numerous portraits and sculptures of Tulsidas, as well as depictions of scenes from the Ramayana, adorn the museum. These artworks highlight the deep reverence for Tulsidas and his contribution to Indian culture.

Audio-Visual Presentations: To engage visitors of all ages, the museum features audio-visual presentations that narrate the life story of Tulsidas and the significance of his works. These presentations use a mix of storytelling, animation, and dramatization to bring the poet's legacy to life.

Cultural Artifacts: The museum also displays cultural artifacts from the 16th century, providing a glimpse into the daily life, traditions, and customs of the time. These artifacts help contextualize the era in which Tulsidas lived and wrote.

Educational and Cultural Activities

Beyond its role as a repository of historical artifacts, the Tulsi Smarak Bhavan Museum serves as a vibrant cultural hub. The museum organizes a variety of educational and cultural activities aimed at promoting the literary and cultural heritage of India. These activities include:

Literary Workshops: Regular workshops on poetry, storytelling, and literature are held to inspire new generations of writers and poets.

Cultural Performances: The museum hosts cultural performances, including classical music concerts, dance recitals, and theatrical adaptations of Tulsidas's works, fostering a deeper appreciation of Indian arts and culture.

Seminars and Lectures: Scholars and experts are invited to deliver lectures and seminars on topics related to Tulsidas, his works, and their impact on Indian society.

School Programs: Special programs are designed for school students, encouraging them to learn about Tulsidas and Indian literary heritage through interactive sessions and educational tours.

Significance and Impact

The Tulsi Smarak Bhavan Museum plays a crucial role in preserving the legacy of Tulsidas and promoting India's rich cultural heritage. It serves as a beacon of knowledge and inspiration, drawing scholars, students, and tourists from across the globe. By celebrating the life and works of Tulsidas, the museum not only honors a literary giant but also ensures that his teachings and values continue to resonate with future generations.

Conclusion

best time to visit hong kong Bhavan Museum is more than just a repository of artifacts; it is a living monument to the enduring legacy of Goswami Tulsidas. It stands as a testament to the power of literature to transcend time and inspire countless generations. A visit to this museum offers a profound and enriching experience, allowing visitors to connect with the cultural and literary soul of India.

[streamingfanatic1963]

Marvel Books 3/19/24|ASTONISHING X-MEN MODERN ERA EPIC COLLECTION: GIFTE...

[mikesavagenewcanaanusa]

Unleashing Power and Passion: Mike Savage's Affair with Muscle Cars

Mike Savage Muscle Cars

In the realm of high-octane horsepower and roaring engines, few names evoke as much enthusiasm as Mike Savage. A resident of the muscle car haven, Mike has become synonymous with his passion for these iconic American vehicles, particularly his love for the raw power and classic allure of muscle cars.

The term "muscle car" conjures images of powerful engines, sleek designs, and the unmistakable growl that sends shivers down the spine of any car enthusiast. For Mike Savage, this automotive category represents more than just a collection of vehicles; it's a way of life, a thrilling journey into the heart of American automotive history.

Mike's fascination with muscle cars is deeply rooted in their rich heritage. Harking back to the golden era of the 1960s and 1970s, muscle cars were born out of a desire for speed, performance, and a bold statement on the open road. These were the years when names like Mustang, Camaro, and Challenger became synonymous with power, capturing the imaginations of a generation.

At the center of Mike Savage's collection is the iconic Ford Mustang, a quintessential representation of American muscle. From the early models of the 1960s to the modern iterations, Mike has an appreciation for the Mustang's evolution. He notes how each generation brings a unique blend of style, technology, and, of course, unbridled power under the hood.

Mike Savage's garage is a haven for muscle car enthusiasts, housing a curated collection that spans various makes and models. His eyes light up as he talks about the distinct features of each car, from the aggressive lines of the Chevrolet Camaro to the timeless charm of the Dodge Challenger. Each vehicle in his collection tells a story, a chapter in the epic tale of muscle cars.

Beyond the visceral pleasure of driving these powerful machines, Mike Savage cherishes the community that comes with being a muscle car enthusiast. Car shows, rallies, and gatherings provide opportunities for like-minded individuals to share stories, swap tips, and revel in the glory of these automotive marvels. Mike emphasizes the camaraderie among muscle car enthusiasts, a bond forged by a shared love for speed and style.

While Mike Savage appreciates the modern advancements in automotive technology, he is quick to acknowledge the timeless appeal of classic muscle cars. The rumble of a big-block V8, the scent of burning rubber, and the thrill of acceleration – these are experiences that transcend eras. Mike believes that the classic muscle car will always hold a special place in the hearts of enthusiasts, offering a connection to a bygone era of unbridled automotive passion.

In the world of Mike Savage, muscle cars aren't just machines; they are living, breathing embodiments of American automotive culture. From restoring vintage classics to embracing the cutting-edge performance of modern muscle, Mike's journey through the world of horsepower is a testament to the enduring allure of these iconic vehicles. As he continues to revitalize and celebrate these powerful machines, Mike Savage stands as a living tribute to the legacy of muscle cars, ensuring that their roar will echo through the roads for generations to come.

[brandonnease]

Unleash the Force: Crafting an Extraordinary Star Wars Action Figure Collection

The Star Wars universe has been captivating fans for over four decades, and for many enthusiasts, building a remarkable Star Wars action figure collection is a passion project that lets them immerse themselves in a galaxy far, far away. From the classic figures that launched the franchise in 1977 to the latest additions inspired by new films and series, creating an epic Star Wars action figure collection is thrilling. In this guide, we'll navigate the journey of curating a phenomenal Star Wars action figure collection, blending vintage treasures with modern marvels.

Setting the Stage: Initiating Your Collection

Every collector's odyssey begins with the first step, and for a Star Wars action figure collector, that means careful planning and strategy.

1. Define Your Focus:

The Star Wars action figure universe is vast, encompassing characters from the original trilogy, prequels, sequels, and spin-off series. Decide if you want to concentrate on a particular era, characters from a specific film, or an overarching theme within the Star Wars galaxy. Having a clear focus will make your collection more cohesive and satisfying.

2. Establish a Realistic Budget:

Collecting can be an expensive endeavor, so it's crucial to establish a budget from the outset. Consider factors like the rarity of figures, their condition, and their age when determining your budget. This will help you manage your finances effectively while pursuing your collecting dreams.

3. Cultivate Your Knowledge:

Before you dive into the world of Star Wars action figures, invest time in research and education. Familiarize yourself with the various toy lines, figure variations, and grading systems, especially if you're interested in vintage pieces. Engaging with online collector forums and communities can be invaluable for gaining knowledge and connecting with like-minded enthusiasts.

4. Vintage or Modern?

A fundamental decision you'll face is whether to focus on vintage figures from the original Kenner line or embrace modern releases. Vintage figures hold historical significance and nostalgic value, while modern figures offer an extensive range of characters and typically easier availability. Some collectors opt for a mix of both to bridge the generations of Star Wars fandom.

The Quest Begins: Acquiring Your Star Wars Action Figures

With your collecting strategy in place, it's time to embark on the exciting journey of acquiring Star Wars action figures. Here are some tips to help you on your quest:

1. Scout Local Stores:

Begin your search by exploring local toy shops, comic book stores, and hobby shops. These establishments often carry a diverse selection of Star Wars action figures, both vintage and modern. It's also an opportunity to meet fellow collectors and discover hidden gems.

2. Online Marketplaces:

The internet has revolutionized the collecting world, offering access to a vast array of figures through platforms like eBay, Amazon, and specialized collectible marketplaces. Be vigilant when shopping online, checking product descriptions meticulously, verifying seller reputations, and asking questions to ensure authenticity and condition.

3. Attend Conventions and Toy Shows:

Conventions and toy shows are treasure troves for collectors, featuring vendors who specialize in rare and vintage figures. These events provide unique opportunities to find coveted pieces and network with other collectors. Don't hesitate to engage in negotiations to secure the best deals.

4. Join Collector Communities:

Participate in online collector communities and forums such as Rebelscum and The Imperial Gunnery. These platforms offer a wealth of information, trading possibilities, and the chance to connect with fellow collectors. It's an ideal way to stay informed about the latest releases and trends in the hobby.

The Art of Display: Showcasing Your Collection

Collecting Star Wars action figures isn't just about accumulation; it's also about the art of displaying them to celebrate the characters and the Star Wars legacy.

1. Dedicate a Display Area:

Designate a dedicated space in your home to showcase your collection. Consider utilizing shelves, display cases, or cabinets to keep your figures organized, protected, and dust-free. Adequate lighting enhances the visual appeal of your display.

2. Create an Organized Layout:

Arrange your figures in a way that tells a narrative. Group figures by movie, character affiliations, or iconic scenes. Some collectors even enjoy reenacting memorable moments from the films by positioning their figures accordingly.

3. Safeguard Your Investments:

Preserving the condition of your collection is vital, especially for vintage figures. Protect them from dust, moisture, and direct sunlight, which can cause deterioration over time. Investing in display cases with UV protection and implementing regular cleaning routines will ensure their longevity.

4. Document Your Collection:

Maintain a detailed record of your collection, including each figure's name, release date, and condition. This documentation serves as a valuable resource for insurance purposes and future reference.

The Force Guides You: The Joys of Collecting

Collecting Star Wars action figures is more than a hobby; it's a journey that connects fans across generations. As your collection grows, you'll experience the thrill of finding rare gems, the nostalgia of cherished characters, and the fulfillment of watching your display evolve.

1. Celebrate Milestones:

Acknowledge significant milestones in your collecting journey. Whether it's completing a series, obtaining a cherished grail figure, or attending Star Wars-themed events, take time to commemorate your achievements and share the joy with fellow collectors.

2. Exercise Patience and Persistence:

Some figures may prove elusive or costly, but patience and persistence often yield rewards. Continue searching, forging connections with other collectors, and exploring events—you may stumble upon that coveted piece sooner than you think.

3. Engage with the Community:

Collecting Star Wars action figures is a shared experience. Engage with the collector community by sharing your collection on social media, attending conventions, and participating in discussions. The friendships you build with fellow collectors can enhance your overall collecting experience.

4. Plan for the Future:

Consider the long-term future of your collection, whether it's passing it down to future generations of Star Wars fans or exploring options for selling or donating your cherished pieces to ensure their legacy endures.

In conclusion, constructing a remarkable Star Wars action figure collection is an adventure that blends passion, dedication, and the thrill of discovery. With a defined focus, a reasonable budget, and a profound love for the Star Wars galaxy, you can embark on this exhilarating journey, crafting a collection that reflects your enduring devotion to the iconic franchise. May the Force be with you as you curate your Star Wars masterpiece, one action figure at a time.

[ultrameganicolaokay]

The Epic Marvel Podcast provides an overview of the Modern Era Epic line, books already released and books announced for the coming months.

[sineala]

Tony Stark and Arthuriana

Coming to you by special request, a very long post about 616 Tony's interest in Arthuriana, with a focus on all of Tony's run-ins with Morgan le Fay!

I feel like I should disclaim the extent of my knowledge here, which is that I still haven't managed to read anywhere near every issue of Iron Man -- at least, not yet, anyway -- so I'm just going by the things I know I've read, and Morgan le Fay's Marvel wiki entry is frustratingly under-cited, so it's very possible I've missed something relevant, but I'm pretty sure I've got the big stuff down. My other disclaimer here is that I'm not as big an Arthurian nerd as Tony is, which is to say that most of my familiarity comes from modern retellings -- T. H. White's The Once and Future King, Marion Zimmer Bradley's The Mists of Avalon, Mary Stewart's The Crystal Cave, Rosemary Sutcliff's Sword at Sunset -- and not so much the usual classic sources on the Matter of Britain, though I've read bits and pieces of them.

(This is because I wanted to read versions of them that were as close to the original as possible but so far have not ended up finishing any of them because, well, that's hard. So I've never read the Mabinogion because I do not know Welsh. I've got the Norton Critical Edition of Malory's Le Morte d'Arthur, which is probably the best student edition if you're looking for something without modernized spellings, as I was. I've also got -- well, okay, it's my wife's but I'm borrowing it -- a relatively recent Boydell & Brewer edition (ed. Reeve, tr. Wright) of Geoffrey of Monmouth's Historia Regum Britanniae (History of the Kings of Britain), which is, you guessed it, in Latin with a facing English translation. I haven't gotten very far in it because, in case you didn't know this about Latin texts, the beginning is pretty much always the hardest, so I gave up and read some Plautus adaptations instead. Anyway, if for some reason you too want to read Geoffrey of Monmouth in the original Latin I'd recommend that one, but I can't recommend any particular English translations because I've never read one by itself. I bet you didn't think you'd be getting Latin prose recommendations in this post. I mean, maybe you did; it is me, after all.)

Okay. Right. King Arthur. Here we go.

We've got:

Flashbacks to Tony's childhood in late Iron Man volume 1

A brief discussion of Morgan's origin story and Avengers #187

Iron Man vol 1 #149-150: Doomquest

What If vol 1 #33: What if Iron Man was trapped in the time of King Arthur?

Iron Man vol 1 #249-250: Recurring Knightmare

Iron Man: Legacy of Doom #1-4

Avengers vol 3 #1-4: The Morgan Conquest

Civil War: The Confession

Mighty Avengers vol 1 #9-11: Time Is On No One's Side

In terms of universe-internal chronology, we know from Iron Man #287, from 1992, that Tony has been a fan of King Arthur since childhood. This is an issue of a fandom-favorite arc which features Tony having a lot of childhood flashbacks, including the famous "Stark men are made of iron" line (in #286) that for some reason MCU fandom decided it loved; I mean, seriously, I've seen that quoted in way more MCU fic than 616 fic. But slightly later, in #287, we get an entire page devoted to Tony's love of King Arthur.

The narration reads: "Over the next few years, I learned as my father intended. Discipline of body. Strength of character. But in what free time I was allowed, I worked my way through the school's library. At thirteen, I discovered Mallory [sic], who showed me a whole new world. A world of dedication to a cause greater than oneself. Of chivalry and honor. And the fantastic deeds -- of armored heroes."

The art shows Tony as a child sitting under a tree, reading a book labeled Mort D'Arthur by Mallory [sic] -- no, don't ask me why nobody at Marvel checked how to spell either the name of the book or its author -- and daydreaming of King Arthur, the Sword in the Stone, knights, et cetera. Just in case you somehow missed the extremely blatant hint that we are meant to understand that Tony's knight obsession heavily influenced him becoming Iron Man as an adult, we see one of his armors mixed in with all the drawings of knights. So, yes, canonically Tony is Iron Man at least partly because he's a giant King Arthur nerd, which I think is so very sweet. I love him. He's such a dork!

(This issue is currently in print in the Iron Man Epic Collection War Machine, should you need your own copy.)

This isn't actually the only reference to Tony as a King Arthur fanboy in this era of canon, either; a little later, in IM #298, we see that one of Tony's passwords is actually "Mallory." (Yeah, no, they still couldn't spell. But it's cute.)

But in terms of actual publication order, this is definitely not the first time we have seen in canon that Tony is into Arthuriana, as I'm sure you all know. I would assume, in fact, that giving Tony a childhood interest in Arthuriana is because Doomquest is one of the most beloved Iron Man story arcs of all time, and that all started at least a decade before IM #287 here was published.

The villain of Doomquest -- the one who isn't Doctor Doom, at least -- is Morgan le Fay. Yes, that Morgan le Fay. Yes, Arthur's evil half-sister Morgan le Fay. Yes, all of this King Arthur stuff is canonically real history on Earth-616. Morgan's first appearance in Marvel, per the wiki, was in Black Knight #1 (1955), which I have not read, and judging by the summary I feel like this is probably just supposed to be a straight-up comic retelling of Arthurian legends for kids; I don't think Marvel really had the whole Marvel Universe in mind as a concept in 1955, so I'm not sure this was meant to connect to anything else. I feel like this is another one of those instances of Marvel discovering that they can write comics about characters in the public domain for free -- like, I'm pretty sure that's how we also ended up with, like, Norse, Greek, and Roman mythology wedged into 616.

As far as I can tell from the wiki, the first time Morgan tangled with the Avengers (or indeed the larger 616 universe) in any way actually predated Doomquest -- it was in an early arc in Spider-Woman (#2-6) and then Avengers #187, which came out in 1979, actually right when Demon in a Bottle was happening over in Iron Man comics. If you read #187, Iron Man is not in it because he's off the team due to his drinking problem and also his accidentally murdering the Carnelian ambassador problem. So Wonder Man's filling in instead. This issue is part of Michelinie's rather sporadic Avengers run, which makes sense, I guess, considering where we see Morgan next.

Anyway, Avengers #187 is the classic issue where Wanda is possessed by Chthon, but what you may not remember from Chthon's backstory (I sure didn't!) is that he was summoned by Morgan le Fay because she was the first person who tried to wield the Darkhold to summon him. As you can imagine, this did not work out especially well for her and her followers and they had to seal Chthon away in Wundagore Mountain, which was where Wanda found him. (The Spider-Woman stuff is only slightly earlier and also appears to be about Morgan and the Darkhold; the Darkhold is not one of the areas of 616 canon I am especially conversant with, alas. It's on my to-read list.)

Doomquest, as you probably know, was a classic Iron Man two-parter in Layton & Michelinie's first Iron Man run that set up Tony and Doom as rivals; Doomquest itself was IM #149-150, in 1981, and then in their second IM run they came back and did a sequel in 1989, Recurring Knightmare (IM #249-250), and then the much later four-part sequel to that was the 2008 miniseries Iron Man: Legacy of Doom, which was also by Layton & Michelinie but generally does not seem to be as popular as the first two parts. They've all been reprinted, if you're looking for copies; I have a Doomquest hardcover that collects the first four issues and then a separate Legacy of Doom hardcover. Currently in the Iron Man Epic Collection line there's a volume called Doom, which confusingly only collects the 249-250 part of the storyline (as well as surrounding issues), because for some reason the first Layton & Michelinie run isn't in Epics yet but the second one is. So the beginning of Doomquest isn't currently in print, as far as I can tell. I'm sure you can find it anyway.

So what's Doomquest about? Okay, so you remember how Doctor Doom's mother's soul is stuck in hell for all eternity? Well, Doom's obviously interested in getting her back, and the strategy he has embarked on is to try to team up with other powerful magicians who can help him out, and he thinks Morgan le Fay would be a good choice, for, uh, his quest. Doom's quest. A Doomquest, if you will. (If you've ever read Doctor Strange & Doctor Doom: Triumph & Torment, you're familiar with the part where he later ends up waylaying Strange for this and they go to hell together. And if you haven't read Triumph & Torment, you really should, because it's amazing.)

So Doom is off to his time machine to go team up with Morgan le Fay and Tony thinks Doom is up to something -- Doom has been stealing components for his time machine from a lot of people, including Tony -- and he follows him and it turns out one of Doom's lackeys has a grudge and wants to trap Doom in the past forever, and Tony gets caught up in it. Now they're both in Camelot. Surprise! #149 is actually all setup; they don't get to Camelot until #150.

IM #150 begins with Doom and Tony thrown back into the past; there's a fandom-famous splash page of them locked in combat, only to realize that they have found themselves in Camelot.

They are then discovered by knights; Doom would very much like to attack them, but Tony, who naturally would be happy to LARP Camelot forever, persuades him to play nice. Also Doom thinks Iron Man is only Tony's bodyguard so he keeps referring to him as "lackey," much to Tony's annoyance. Somehow everyone thinks they're sorcerers. Can't imagine why. The knights take them to meet King Arthur himself, and Tony has clearly had his introduction all ready to go, as he introduces himself in a timeline-appropriate manner, says he's here to apprehend Doom, and demonstrates his "magic" by levitating Arthur's throne. Doom's response is essentially "I'm the king of Latveria," which is, y'know, also valid. So they're guests at Camelot for the night while Arthur figures out what to do with them.

We then have a page devoted to Tony alone in his room, musing sadly about how alien he feels, how he doesn't know if he'll ever get home, how he could never fit in here without his beloved technology. Then a Sexy Lady shows up to keep him company for the night, and he decides maybe it's not all bad. Thanks, Marvel. I guess they can't all be winners.

Doom is using his evening much more productively; he compels one of the servants to tell him where Morgan's castle is, because he's still interested in having that team-up. Then he jets off. Literally. He has a jetpack.

The next morning Arthur's like "one of you is still here and one of you has punched a hole through the castle wall and flown off to join Morgan so I guess I know which of you is more trustworthy." He then explains to Tony who Morgan is, because Tony professes ignorance, because clearly we had not yet retconned in Tony's love of Arthuriana. Tony offers to go fight Doom and Morgan with Arthur; meanwhile, Morgan and Doom have teamed up and Morgan has offered to help get Doom's mother out of hell if he commands her undead armies against Arthur because for Reasons she can't command them herself anymore. So that's a thing that happens.

So, yes, it's Tony and Arthur versus Doom and Morgan. Fight fight fight!

Tony tries Doom first but then decides to hunt Morgan down, and in the ensuing fight we get what I think is Tony's first ever "I hate magic," a complaint that we all know he still makes even to this day.

Anyway, Tony freezes a dragon with Freon (mmm, technology) and Morgan gets upset and disappears, so the battle comes to an end, and of course Doom is extremely mad at Tony because he blames Tony for Morgan not sticking around to save Doom's mom, because I guess Doom trusted her to keep her word? Weird. (Like I said, for the next chapter of Doom saving his mother, go read Triumph & Torment.)

Doom says if he and Tony work together, the components in both of their armors can send them both home. So Tony has to trust Doom. Which he does, because he really has no other choice. They build a time machine and Tony makes Doom agree to a 24-hour truce when they get back, so they can both get home. So it all works out okay, and they end up in the present, and Doom tells him, ominously, that they will meet again. Okay, then. That concludes the original Doomquest. It's fun! You can see why fandom likes it.

So that's all well and good, but you might have noticed that Tony's ability to get home hinged on Doom actually being trustworthy. And Doom was. But what if Doom hadn't been? What if he'd just stranded Tony in Camelot forever As you may have surmised from the form of that question, that is in fact a question Marvel asked themselves, because, yes, there's a What If about this! What If v1 #33 is "What if Iron Man was trapped in the time of King Arthur?"

The divergence point from canon, as you can probably guess, is the very end of Doomquest. Instead of Doom bringing Tony home, he deceives him and leaves him in Camelot. And since Tony cannibalized a lot of the tech from his armor to make the time machine, he doesn't have a way to go home.

This is not a story where Tony comes up with a way to go home after all. He really doesn't get to go home. But instead of drowning his sorrows in mead -- because, remember, Demon in a Bottle has already happened and Tony is sober now -- he decides he might as well just play the hand he's dealt. So with what's left of his armor, he defeats some enemies that Morgan rounds up to send against Camelot. And for his services, he's knighted. He is now Sir Anthony.

Tony acknowledges that he is both living the dream and would also like very, very much to go home.

He does end up having some fun in Camelot; it's not all miserable. But he obviously doesn't want to be there.

So if you're at all familiar with King Arthur, you know how this goes, right? Arthur fights Mordred and Mordred kills him. And that does happen in this version. Except Tony is right there, and with his dying words, Arthur asks Tony to rule Camelot... and Tony agrees.

So, yes, Tony Stark becomes king of the Britons after Arthur's death and he never goes home again. The end. Man, I love What Ifs.

Heading back to main 616 continuity, there is still more of this arc to go. The original Doomquest was only two issues, yes, but it was popular enough that Layton & Michelinie did a sequel a hundred issues later, in their second run of Iron Man, and that's Iron Man #249-250, Recurring Knightmare. (In the intervening issues were Denny O'Neil's IM run, specifically the second drinking arc (#160-200), and then Layton & Michelinie came back and most famously gave us Armor Wars (#225-232). I would have to say that Armor Wars is definitely the standout fandom-favorite arc of their second IM run; for their first one, I think a lot of people would have a hard time choosing between Doomquest and Demon.) But anyway, yes. Recurring Knightmare.

Recurring Knightmare is... well, the best way I can describe it is "a trip." It is definitely a sequel to Doomquest, and it is also definitely not a sequel you  would ever have expected to see for Doomquest.

Much like #149, #249 is pretty much just setup. Fun setup, but the big action is in the next issue. We open with Doom in Latveria, on his throne, pondering which of his servants he should have disintegrated. Anyway, he's just hanging out there when a mysterious object appears. In California, Tony is suited up and entertaining the crowd at a mall opening when the same object also appears! He takes it to his lab. Please note that this is after the Kathy Dare incident, so Tony is still recovering and is walking with a cane. Doom sees on the news that Iron Man has found the same object, which cannot be carbon-dated, and he shows up at Tony's house. He criticizes Tony's taste in art.

Anyway, Doom basically orders Tony to work with him. Tony refuses, and then Doom sends some robots to attempt to steal Tony's version of the object because he thinks if he has them both he will be powerful. Doom manages to steal it, and when he puts the pieces together, both he and Tony disappear.

So where do they go, you might ask? Camelot?

Not exactly. The future! There is a great callback to the Doomquest splash page.

It turns out they are in London in 2093. Merlin brought them there. Tony still hates magic. And in the future, King Arthur is still there, except he is now a child, because he has been reborn. But he does remember Tony from Doomquest, at which point Tony kneels. Doom, of course, is not impressed. He asks why they have been brought to the future.

The answer is that things are going wrong in the future. If you do not personally remember United States politics in the 1980s, I need you to google the words "Strategic Defense Initiative" right now. I'll wait.

Back with me? Okay, so this is a future where Reagan's Star Wars program actually happened the way he wanted it to, and the satellites are still hanging around the Earth in the future and messing everything up, and Arthur and Merlin need Tony and Doom's help to stop them. Doom once again flies away with his jetpack, of course.

Tony is game to help, but he's not in an armor that can stay in space for long. This is when Merlin takes him and Arthur to the mall and Tony manages to get everything to upgrade his armor at Radio Shack. You see what I meant about this issue being weird.

Tony is out in space trying to disarm the SDI platform, which is where he runs into his future descendant, Andros Stark, who is in armor you will probably recognize from Iron Man 2020. He is referred to as "the resurrected spawn of Iron Man 2020" so I assume he's actually directly related to Arno rather than a direct descendant of Tony; Wiki confirms that Arno is his grandfather. This is all from way before Arno was contemporaneous with Tony in canon. Anyway, he's fighting Tony.

Oh, by the way, Future Doom exists. Future Doom would like to rule this future Earth and for some reason Andros would like to help him. Meanwhile, Present Doom finds out from Merlin that he can't leave except by magic and he can't leave without Tony, so he is reluctantly on Tony's side.

They need help from the Lady of the Lake, except the lake has been paved over and is now a parking lot. Merlin makes the lake come back and then of course they get Excalibur. Arthur is a kid, so he can't wield a longsword; Doom assumes he's going to take it because he is basically a king, and he's pretty grumpy when the sword picks Tony. Tony then uses Excalibur to destroy the space lasers, and I bet that is a sentence you never thought you would read. It's pretty cool. Tony concludes that magic has its good points. Tony stops Andros and Doom stops, uh, himself, and the world is saved and they get to go home. Also, Doom finds out Tony is Iron Man, but when Merlin sends them back he conveniently erases their memories, so neither of them remember anything about this and Tony's secret is still safe. And that's the sequel to Doomquest.

And if you think that's weird, wait until you see Legacy of Doom.

Iron Man: Legacy of Doom is a four-issue miniseries from 2008, also by Layton and Michelinie. Even though it's from 2008, it's set during a much more classic time in Iron Man, continuing on from where we left off in this Doomquest saga. We start with a framing story in 2008. Tony, who has Extremis now, is busy scrapping some of his older armors and reviewing his logs when he suddenly remembers that there was a whole thing with Doom that happened that he seems to have forgotten about until right now. So the whole thing is narrated by Tony in flashback.

Tony's in space fixing a satellite when a hologram of Doom shows up and summons him to Latveria. It's not really clear why Doom needs Tony's help in particular here, but Doom tells Tony that he's discovered that Mephisto would like to bring about the end of the world, which Doom finds, and I quote, "presumptive." So Doom has his Time Cube, and with it he takes Tony to hell.

(Yes, I promise this is relevant to Doomquest. There will be some Arthuriana shortly.)

Doom brings Tony to Mephisto, and it turns out it's a setup! Doom trades Tony for an item he wants from Mephisto, leaves, and Tony's going to be trapped in hell forever! Oh no! (I mean, he's not. But it's quite a cliffhanger.)

At the beginning of issue #2, we find out what the Arthurian connection is, which is that we learned that after the events of Doomquest, Morgan had been granted sanctuary by Mephisto in exchange for a shard of Excalibur that she had somehow stolen. Doom still wants Morgan's help with some magic -- he doesn't mention what it is here, but he says he needs someone of Pendragon blood, and that'd be her -- so he traded Tony to Mephisto in exchange for, I'm guessing, Morgan and the Excalibur shard.

I have probably mentioned this elsewhere, but Legacy of Doom #2 is one of my favorite issues of Iron Man ever, solely because of the next scene. We return to Tony in hell. Howard Stark is also in hell, and he is now a demon, and Tony has to fight him. Mephisto brings popcorn and watches. This is the one time in canon when Tony actually confronts his father, and okay, yes, it's a fistfight in hell and Howard is a demon, but that's comics for you. Howard spends several pages insulting Tony -- specifically insulting his masculinity, but that's a whole other essay -- until he finally insults Maria too, and that's when Tony fights back, because his mother taught him to be good. Honestly if you're a Tony fan I'd recommend this issue just for that scene.

Anyway, we go back to the Doom and Morgan plot, and Morgan casts the spell Doom wanted, which was fusing the Excalibur shard with Doom's armor. Then Doom sends her back to Camelot rather than hell, because he's still mad that she never helped him get his mom out of hell like she said she would.

Tony freezes Howard with Freon -- yes, the same trick he pulled on the dragon back in Doomquest -- and tells him, "You're no father of mine." It is immensely satisfying.

(I had been going to mention that I thought it was a shame that neither canon nor fandom seems to have really engaged with this confrontation, and I know canon never believes in narrative closure but fandom sure does -- and then, anyway, it occurred to me that since the framing story of Tony remembering this is set when Tony has Extremis, there's a very good chance that he no longer remembers remembering it. Goddammit, Marvel.)

(If I got to retcon one canon thing about Tony, I think "the entirety of World's Most Wanted" is up there. I mean, okay, a lot of things are up there, but WMW is definitely on the shortlist.)

Okay. Tony has now engineered his way out of hell, and he's back with Doom in Latveria. Doom has Excalibur. Doom would very much like to fight him. While wielding Excalibur. You get the sense that this is going to be bad. Another cliffhanger!

Legacy of Doom #3 opens with Tony destroying Doom's lab to buy time and running away from Doom and Excalibur. I should probably mention that Doom still doesn't know Tony is Iron Man (anymore), so he thinks he is dealing only with Iron Man, Tony Stark's lackey. Meanwhile, some scientists at SI think there's something weird going on with space. Meanwhile meanwhile, Tony is in a forest taking a breather when a mysterious old man walks up to him.

It's Merlin! Surprise! Merlin wants Tony's help to stop Doom from doing whatever he's doing with Excalibur. The sword makes you invincible and the scabbard makes you invulnerable, so Merlin sends Tony to Scotland on a fetch quest for the scabbard. Doom has now magically sent the sword in search of the scabbard, so the sword flies away to meet it and Doom follows. Turns out the thing that's wrong with space is a thing that's going to hit Earth at the exact place Tony and Doom are. What a coincidence! So Tony and Doom get trapped in a stone circle and fight some stone warriors and then Tony ends up with the scabbard. And by "ends up with," I mean it fuses to his armor. Next issue!

Legacy of Doom #4 is when things really, really get weird. A giant demon made of eyes (???) appears, and this demon is apparently what Doom had been preparing to fight (because it's mad that Doom stole one of its spellbooks), and now he can't, because the sword and the scabbard aren't together. Thanks, Shellhead.

That's when Merlin shows up and says all is not lost. They can defeat the demon... if they put the sword into the scabbard.

"But I'm the scabbard now!" Tony says, uncomprehending.

"Yes," Merlin says. "You are."

Then Tony gets it.

So, yes, Doom has to, um, penetrate Tony. With Excalibur. I love comics. I love comics so much.

So that's a thing that happens.

And then Tony flies off and, I guess, resolves to never, ever think about any of this again.

We head back to the framing story, in which Tony, now having remembered all of this, flies to Britain, buys the land the lake is on, and paves it over, presumably so it will be there for Merlin to bring back in Iron Man #250. The end.

Whew.

Okay, yeah, I know I didn't have to summarize the whole thing, but Legacy of Doom here really is one of my favorite Iron Man miniseries. And I just want to share the love. Please read it. It's great.

But the Arthuriana fun doesn't end there! In fact, now we get an Arthurian-themed arc that actually isn't in Iron Man comics. It's in Avengers! Iron Man is involved, though.

(There is also apparently a Morgan arc in Avengers #240. I actually haven't read it. It seems to be yet another Spider-Woman arc. I get the impression that this isn't really Arthuriana other than having Morgan in it fighting Jess, though, so it doesn't seem quite as relevant. Morgan also apparently has some appearances in FF, Journey into Mystery, and Marvel Team-Up, but those seem like more of just basic villainy. Also, probably not involving Tony.)

Kurt Busiek's 1998 Avengers run, volume 3, is in large part the kind of Avengers run that is a nostalgic love letter to older comics. Heroes are heroes and villains are villains and good triumphs over evil. The Avengers all live in the mansion and are BFFs. I love it. It does assume that you are already a fan of the Avengers, because it starts out by summoning pretty much everyone who has ever been an Avenger and is available to the mansion, and that is... a lot of people. Thirty-nine, by my count. Also, when the entire team is magically whisked away, we are treated to the following narration, as Steve disappears: "And Captain America's last thought, as the world goes white around him, and he with it -- is that Iron Man would hate this."

The narration doesn't tell you why Iron Man would hate this, or how Captain America would know that Iron Man hates this. This is not explained later on. But if you have read comics -- or if you have read the above summary of Doomquest -- you know that Tony is absolutely, one hundred percent, thinking, "I hate magic." And Steve knows it.

The reference is not relevant to the plot; if you don't get it, you'll be fine. But that's what I mean when I say this is a nostalgia run. There are definitely Easter eggs for people who have read a bunch of comics. Busiek does this a whole lot in his work -- there's a reason you can buy an annotated edition of Marvels -- and, yeah, it happens here too. Just know that there will be references you're not getting, if you're new to comics.

Anyway. So Busiek's run actually starts out with an Arthurian arc, #1-4, "The Morgan Conquest." The name is a dead giveaway. Yes, Morgan le Fay is back. Again. For once, Doom is not involved.

The Avengers are all back from their sojourn on Counter-Earth after fighting Onslaught -- don't worry about it -- and mysterious things are happening. There are a lot of monster attacks. So pretty much everyone who has ever been an Avenger is summoned to the mansion, at which point we learn from Thor about some mystical artifacts that are being stolen. (They are the Norn Stones and also the Twilight Sword. That sounds like something from a Zelda game, doesn't it?) The Avengers go to try to stop this, end up in Tintagel, and then they run into Mordred. He wants to capture Wanda, presumably for Magic Reasons. Morgan le Fay casts a spell on all of them, reshaping reality. Yes, all of them. Surprise!

So now all the Avengers are living in a medieval castle and/or town; Morgan is their queen, and thanks to the power of mind-control they are all basically living in Ye Olden Times. The Avengers are all some variety of knight, except for Wanda, who is chained up in the dungeon so Morgan can steal her magic and use it to fuel all this reality-warping.

Wanda calls for help, and that snaps Steve (Yeoman America!) out of the mind control (or altered reality or whatever you want to call it) pretty fast, because Steve's always been very good at resisting mind control, and then Steve promptly goes and snaps Clint out of it, because I guess Steve is also good at inspiring people to snap out of mind control. "Oh, man!" Clint says. "Not another alternate reality! Not again!" (I assume he's referring to Counter-Earth? Maybe?)

So Steve and Clint go around reassembling the Avengers and orienting them as to reality. They get Jan and Monica easily, but then Steve insists on trying to get Tony because, I guess, he likes Tony and would really like to hang around Tony, who is half-naked and asleep in his bedroom, and certainly I am reading nothing whatsoever into this. Clint tells Steve it's not going to work. Tony has historically been fairly susceptible to mind control; it was only pretty recently at this point that he'd been doing Kang's bidding in The Crossing. But the more serious impediment is that this is Tony Stark and he would obviously like to LARP being a knight forever and ever. Tony, therefore, does not believe Steve, and throws him and Clint out of his bedroom and into the barracks.

"Iron Man's a good guy, normally," Clint says. "But he's waaay too into his whole nobleman/lord of the manor trip. That spell musta hit him right where he lives!"

Clint speaks the truth, clearly.

Anyway, they go around and manage to make pretty much every Avenger in the room other than Tony snap out, and attempt to rebel against Morgan while Tony is stil fighting them because he is Still A Knight. There's a lot of punching, because some of the Avengers still aren't free; they weren't ones Steve found.

The day is saved when Wanda manages to channel Wonder Man and break free. This gives the Avengers a fighting chance against Morgan and the Avengers are all lending Wanda their power when Tony finally snaps out of it and is on the side of good. 

Then they take Morgan down, go home, and attempt to figure out which of these thirty-nine people should be on the active Avengers team. Hooray.

But that's not the end of Morgan le Fay showing up to screw around with Tony's life! There's more to come! Not much, but there is one that I know of, and at least one more memorable reference. 

(I haven't read all her appearances or anything, but one of them definitely involves Tony; I can't swear that he doesn't appear in any of the other books Morgan shows up in, but it'd be a cameo for him, because I only know of one more arc that she's in in a book that Tony stars in.)

In a few more years, we have now entered the part of Marvel Comics history where Brian Michael Bendis writes all the Avengers books at the same time for, like, seven years running. It was sure A Time. There were a lot of word bubbles.

And the thing about Bendis is, Bendis looooooves Doomquest. If you're familiar with the very end of his tenure at Marvel where he made Doom be Iron Man after Tony got knocked into a coma in Civil War II, you have probably figured out already that he likes Doom. But he also likes Doomquest, specifically.

I mean, if nothing else, the giant splash page in The Confession where Maleev redrew the climactic Doomquest fight while Bendis had Tony talk about how deeply meaningful to his understanding of the world this all was -- and how it allowed him to predict Civil War -- was probably a big clue, right?

As far as I am aware, Morgan le Fay makes exactly one more appearance in Tony's life. And that's in Mighty Avengers vol 1 #9-11. Only one of those issues is named, so I'm going to assume the arc is named after it: Time Is On No One's Side.

You remember Mighty Avengers, right? The deal with the Avengers books at the time was that after Bendis exploded the mansion and made the team disband in Avengers Disassembled, the main Avengers book was no longer called just Avengers. Instead, the main Avengers book was New Avengers, and that was the only Avengers book. Then Civil War happened, Steve got killed, and New Avengers became the book about what was left of the SHRA resistance (i.e., Steve's side) after the war. So about halfway through New Avengers, Mighty Avengers starts up, and Mighty Avengers is about an extremely fucked-up and grief-stricken Tony Stark trying to run the official government-sanctioned Avengers team, with Carol's help. This is the comic with the arc where Tony turned into naked girl Ultron. You remember.

So, anyway, there's this Mighty Avengers arc where Doom is Up To Something (there are symbiotes and a satellite involved) and somehow Tony and the Avengers end up in Latveria, punching Doom. Also, by the way, Doom is visiting Morgan in the past because he likes her. The Avengers attacking his castle made him have to come back to the present, so he's kind of cranky. And he fights Tony, and in the course of the fight, his time platform explodes and sends Doom and Tony and also the Sentry to... the past.

This is one of those times where you should definitely look up the comics if possible because the way the past is visually indicated here is that it's colored with halftone dots the way you would expect old comics to be colored, although they have modern shading and color palettes. It's very charmingly retro.

So the three of them are stuck in New York in the past, and naturally they would like to leave. There's one person in this time who has a time machine and it is, of course, Reed Richards. Doom and Tony have a lot of banter in this arc; I think it's entertaining.

Sentry has to be the one to break them all into the Baxter Building because of that power he has where no one will remember him. So they do that, travel forward in time, and end up in Latveria in the present again except Doom is gone and also things are currently exploding where they are.

Doom, of course, has made a side trip to visit Morgan again and he asks her to help him build an army, because I guess this is what their relationship is like. So the rest of the Avengers are captured by what look to me like Mindless Ones and are in a cave in magic bondage, because comics. Jess comments that at least they aren't naked, because she too is remembering that memorable New Avengers trip to the Savage Land. Doom threatens Carol in some creepy sexist ways and eventually it turns out that Tony and the Sentry are fine and everyone kicks Doom's ass. Business as usual.

And the last page of the arc is Morgan alone, wondering where Doom is. So technically Morgan and Tony don't come face to face here, but I think she counts as being at least partially responsible for ruining Tony's day here. And then Secret Invasion happens and Tony has a very, very bad day.

There are a few more Morgan appearances after this, but, as I said, I don't think any of them involve Tony. She shows up in Dark Avengers, apparently, which was one of the post-Civil War Avengers titles I didn't read, and I know that recently, on the X-Men side of things, she's been in Tini Howard's Excalibur one, which I have only read a little of. No Tony there. Just a lot of Morgan and Betsy Braddock and Brian Braddock and the Otherworld.

If you are interested in Morgan's other appearances, you might like this Marvel listicle that is Morgan le Fay's six most malicious acts. I pulled some of the Darkhold backstory from their discussion, but it's not really focused on Morgan and Tony.

So there you have it! That's everything I know about Tony's love for King Arthur and every run-in I know about that he's had with Morgan le Fay! One of two terrible people in Tony's life named Morgan! Actually, I don't think we've seen Morgan Stark in a while. I wonder if he's alive. There should be a Morgan & Morgan team-up. I should probably stop typing and post this.

The tl;dr point is that you should all read Doomquest and its sequels, especially Legacy of Doom. They're great!

[donnatroyprincessofthemyscira]

Marvel Comics New Releases for Wednesday, August 30, 2023

Avengers Omnibus Volume 3 HC (Alan Davis Book Market Cover)(New Printing), $100.00

Avengers Omnibus Volume 3 HC (John Buscema Direct Market Cover)(New Printing), $100.00

Avengers The Kang Dynasty TP, $39.99

Blade #1 (2nd Printing Cover A Elena Casagrande), $4.99

Blade #1 (2nd Printing Cover B David Marquez), AR

Blade #2 (Cover A Elena Casagrande), $3.99

Blade #2 (Cover B Bill Sienkiewicz), AR

Blade #2 (Cover C Mateus Manhanini), AR

Cult Of Carnage Misery #4 (Of 5)(Cover A Skan), $3.99

Danny Ketch Ghost Rider #4 (Of 5)(Cover A Ben Harvey), $3.99

Deadpool Badder Blood #3 (Of 5)(Cover A Rob Liefeld), $4.99

Deadpool Badder Blood #3 (Of 5)(Cover B Rob Liefeld), AR

Deadpool Badder Blood #3 (Of 5)(Cover C Rod Reis), AR

Death Of The Venomverse #3 (Of 5)(Cover A Bjorn Barends), $4.99

Death Of The Venomverse #3 (Of 5)(Cover B Gabriele Dell’Otto Connecting Virgin Variant), AR

Death Of The Venomverse #3 (Of 5)(Cover C Gabriele Dell’Otto Connecting Variant), AR

Death Of The Venomverse #3 (Of 5)(Cover D Mark Bagley), AR

Death Of The Venomverse #3 (Of 5)(Cover E Philip Tan), AR

Death Of The Venomverse #3 (Of 5)(Cover F Ryan Stegman Venom The Other Variant), AR

Death Of The Venomverse #3 (Of 5)(Cover G Rod Reis Design Variant), AR

Death Of The Venomverse #3 (Of 5)(Cover H Gerardo Sandoval), AR

Elektra Black White And Blood TP, $17.99

Fantastic Four Epic Collection Volume 9 The Crusader Syndrome TP, $49.99

Giant-Size X-Men #1 (Facsimile Edition)(New Printing), $7.99

Incredible Hulk #3 (Cover A Nic Klein), $3.99

Incredible Hulk #3 (Cover B Frank Miller), AR

Incredible Hulk #3 (Cover C Frank Miller Virgin Variant), AR

Incredible Hulk #3 (Cover D Federico Vicentini Stormbreakers Variant), AR

Invincible Iron Man Omnibus Volume 1 HC (Adi Granov Direct Market Cover)(New Printing), $100.00

Invincible Iron Man Omnibus Volume 1 HC (Gerald Parel Book Market Cover)(New Printing), $100.00

Invincible Iron Man Omnibus Volume 1 HC (Jack Kirby Cover Direct Market Cover)(New Printing), $100.00

Marauders By Steve Orlando Volume 2 TP, $29.99

Marvel Age #1000 (Cover A Gary Frank), $9.99

Marvel Age #1000 (Cover B Francis Manapul), AR

Marvel Age #1000 (Cover C Ryan Stegman), AR

Marvel Age #1000 (Cover D Greg Land), AR

Marvel Age #1000 (Cover E Javier Garron Marvel Icon Variant), AR

Marvel Age #1000 (Cover F George Perez), AR

Marvel Age #1000 (Cover G George Perez Virgin Variant), AR

Marvel Age #1000 (Cover H Frank Miller Wraparound Hidden Gem Variant), AR

Marvel Previews Volume 6 #24 (September 2023), AR

Marvels Voices Community TP, $24.99

Marvel-Verse Ironheart TP, $9.99

Moon Knight Annual #1 (Cover A Leinil Francis Yu), $4.99

Moon Knight Annual #1 (Cover B Creees Lee), AR

Moon Knight City Of The Dead #1 (Of 5)(2nd Printing Cover A Rod Reis), $4.99

Moon Knight City Of The Dead #1 (Of 5)(2nd Printing Cover B Alex Maleev), AR

Ms. Marvel The New Mutant #1 (Of 4)(Cover A Sara Pichelli), $4.99

Ms. Marvel The New Mutant #1 (Of 4)(Cover B Elena Casagrande Women Of Marvel Variant), AR

Ms. Marvel The New Mutant #1 (Of 4)(Cover C Elizabeth Torque Team Homage Variant), AR

Ms. Marvel The New Mutant #1 (Of 4)(Cover D Stanley Artgerm Lau), AR

Ms. Marvel The New Mutant #1 (Of 4)(Cover E John Tyler Christopher Action Figure Variant), AR

Ms. Marvel The New Mutant #1 (Of 4)(Cover F Luciano Vecchio Team Homage Variant), AR

Ms. Marvel The New Mutant #1 (Of 4)(Cover G Betsy Cola Homage Variant), AR

Ms. Marvel The New Mutant #1 (Of 4)(Cover H Lucas Werneck Homage Variant), AR

Ms. Marvel The New Mutant #1 (Of 4)(Cover I Arthur Adams), AR

Ms. Marvel The New Mutant #1 (Of 4)(Cover J Stanley Artgerm Lau Virgin Variant), AR

New Avengers Modern Era Epic Collection Volume 1 Assembled TP, $49.99

Punisher Volume 2 The King Of Killers Book Two TP, $24.99

Scarlet Witch By Steve Orlando Volume 1 The Last Door TP, $19.99

Spider-Man India #3 (Of 4)(Cover A Adam Kubert), AR

Spider-Man India #3 (Of 4)(Cover B John Giang), AR

Star Wars Bounty Hunters #37 (Cover A Marco Checchetto), $4.99

Star Wars Bounty Hunters #37 (Cover B Alex Maleev Jango Fett Variant), AR

Star Wars Bounty Hunters #37 (Cover C Alex Maleev Virgin Variant), AR

Star Wars Bounty Hunters #37 (Cover D Ryan Brown Kligson Variant), AR

Star Wars Bounty Hunters #37 (Cover E Chris Sprouse Return Of The Jedi 40th Anniversary Variant), AR

Star Wars Bounty Hunters #37 (Cover F Giuseppe Camuncoli The Clone Wars 15th Anniversary Variant), AR

Star Wars Doctor Aphra Omnibus Volume 2 HC (Joshua Sway Swaby Direct Market Cover), $75.00

Star Wars Doctor Aphra Omnibus Volume 2 HC (Valentina Remenar Book Market Cover), $75.00

Star Wars The Mandalorian Season 2 #3 (Cover A Steven Cummings), $4.99

Star Wars The Mandalorian Season 2 #3 (Cover B Concept Art Variant), AR

Star Wars The Mandalorian Season 2 #3 (Cover C David Baldeon), AR

Star Wars The Mandalorian Season 2 #3 (Cover D Terry Dodson), AR

Ultimate Invasion #3 (Of 4)(Cover A Bryan Hitch), $5.99

Ultimate Invasion #3 (Of 4)(Cover B Daniel Acuna), AR

Ultimate Invasion #3 (Of 4)(Cover C Alan Quah), AR

Venom Modern Era Epic Collection Volume 4 Agent Venom TP, $44.99

Wolverine #36 (Cover A Ryan Stegman), $3.99

Wolverine #36 (Cover B Leinil Francis Yu), AR

Wolverine #36 (Cover C George Perez), AR

Wolverine #36 (Cover D George Perez Virgin Variant), AR

DK PUBLISHING

Avengers Assembled The Origin Story OF Earth’s Mightiest Heroes HC, $30.00

DYNAMIC FORCES

Daredevil Black Widow Abattoir GN (Jim Starlin Personal File Copy Signed By Jim Starlin), AR

Marvel Comics Blank Variant (Ken Haeser Signed & Remarked Spider-Boy Sketch Edition), AR

Rampaging Hulk #4 (Jim Starlin Personal File Copy Signed By Jim Starlin), AR

Silver Surfer #37 (Jim Starlin Personal File Copy Signed By Jim Starlin), AR

Spider-Gwen Shadow Clones #1 (Cover G Pink Blank Variant)(Ken Haeser Signed & Remarked Edition), AR

Strange Tales #181 (Jim Starlin Personal File Copy Signed By Jim Starlin), AR

MARVEL PRESS

Spidey And His Amazing Friends Electro’s Gotta Glow SC, $5.99

Merchandise

Marvel Graphic Comic Box Daredevil, AR

Marvel Graphic Comic Box Predator Vs. Wolverine, AR

Marvel Infinity Saga EAA-121 Captain America Action Figure (Deluxe Version), AR

Masters Of The Universe Animated Core Action Figure Wave 5 Assortment, AR

Max Venom DS-065SP Captain America D-Stage 6 Inch Statue (Special Edition), AR

Max Venom DS-066SP Iron Man D-Stage 6 Inch Statue (Special Edition), AR

Max Venom DS-067SP Spider-Man D-Stage 6 Inch Statue (Special Edition), AR

Max Venom DS-068SP Little Groot D-Stage 6 Inch Statue (Special Edition), AR

Medieval Knight Spider-Man DAH-051 Dynamic 8-Ction Action Figure, AR

Spider-Man No Way Home Iron Spider S.H.Figuarts Action Figure, AR

Spider-Man Noir Framed Print, AR

Spider-Man Venom Pose Framed Print, AR

[imperiuswrecked]

Is there a tradeback of Namor that a newbie like me could check out?

I would suggest bypassing the Golden Age & Silver Age unless you enjoy that era of comic telling and begin with:

Saga of the Sub-Mariner

- A 12 issue limited series that is narrated by Namor as he tells of his life from the Golden Age > Silver Age > Bronze Age and ends just before the 90s began.

If you want a very easy beginner's guide to Namor, I made this graphic you can save and it breaks up Namor into easier to read sections depending on the era you want to read him in.

Just add King in Black: Namor (2020) & Marvels Snapshots: Sub-Mariner

That series and one shot comic hadn't come out when I made this guide. They're both great!

However if you want a more in depth look at the past here are the collections Namor is featured in:

Golden Age Collections:

Marvel Masterworks: Golden Age Marvel Comics

- Collects Golden Age Namor beginning with Marvel Comics #1 & Marvel Mystery Comics #2

Everett's work is also found in Marvel Masterworks, but it was collected separately as well very recently.

Bill Everett the Pre-War years

- Collects Namor by Bill Everett before Everett went off to serve in WWll

Bill Everett the Post-War years

- Collects Namor by Bill Everett after his return.

Marvel Masterworks: Golden Age All-Winners

Silver Age Collections:

Marvel Masterworks: The Sub-Mariner

- This is all you need for all his Silver Age glory. Including Daredevil #7, all of Tales to Astonish, and the entire The Sub-Mariner (1968) series.

Epic Sub-Mariner collects Namor's Silver Age introduction & guest starring: Fantastic Four (1961) 4, 6, 9, 14, 27, 33; Fantastic Four Annual (1963) 1; Strange Tales (1951) 107, 125; Avengers (1963) 3-4; X-Men (1963) 6; Daredevil (1964) 7, Tales to Astonish (1959) 70-76

Essential Sub-Mariner is basically the same as Epic Sub-Mariner: Daredevil #7, Tales to Astonish #70-101, Tales of Suspense #80, Iron Man & the Sub-Mariner #1, and Sub-Mariner (1968) #1

Basically you can just read his Early Guest Starring appearances as one off comics, you don't need to get Essential & Epic because it repeats.

Namor's Bronze Age Comics were never collected as all he did during that era was go from book to book.

Modern Age Collections:

Bryne/Lee 90's Collection

- Collects Namor, the Sub-Mariner (1990) 1-40, Annual 1-2; Incredible Hulk Annual 18; Silver Surfer Annual 5, Doctor Strange, Sorcerer Supreme Annual 2.

As of this posting they have not collected the entire 90s.

Sub-Mariner Initiative or Sub-Mariner Revolution is the same 6 issue mini series (don't know why it got two names) published in 2007. I can't recall if it's in a trade.

Namor: The First Mutant Vol 1 & 2 collects the 2010 series in 2 parts.

King in Black: Namor is the most recent 5 issue miniseries and it is collected in a trade.

If you need specific issue help please let me know!

[studentsofshield]

Strange Tales: A Doctor Strange Publication History Lesson Part 1, Creation and the Legendary Lee/Ditko Run

By Vincent Faust

The Marvel hero known as Doctor Strange first appeared in Strange Tales #110 in July 1963. His debut and subsequent stories for his first few years were plotted and drawn by Steve Ditko and scripted by Stan Lee. Unlike the far more popular and lucrative Spider-Man, the creator credits for the good Doctor have never been too controversial.

"On my own, I brought in to Lee a five-page, penciled story with a page/panel script of my idea of a new, different kind of character for variety in Marvel Comics. My character wound up being named Dr. Strange because he would appear in Strange Tales."

-Steve Ditko, 2008

“Well, we have a new character in the works for Strange Tales (just a 5-page filler named Dr. Strange) Steve Ditko is gonna draw him. It has sort of a black magic theme. The first story is nothing great, but perhaps we can make something of him-- 'twas Steve's idea and I figured we'd give it a chance, although again, we had to rush the first one too much. Little sidelight: Originally decided to call him Mr. Strange, but thought the "Mr." bit too similar to Mr. Fantastic -- now, however, I remember we had a villain called Dr. Strange just recently in one of our mags, hope it won't be too confusing!”

-Stan Lee, 1963

As Lee explains, Strange was initially a short filler. He then appeared in the next issue (Strange Tales 111), but would skip a few issues until appearing for the third time in 114. Strange would maintain this Strange Tales feature spot until ST 168, which then evolved into Doctor Strange Vol 1 (keeping the numbering). Initially he shared the book with co-lead feature Human Torch Johnny Storm (101-134). Nick Fury’s modern day Agent of S.H.I.E.L.D. features then took Johnny’s spot for the duration of the Strange Tales run (then getting his own mag as well).

A minor point of contention among Strange fans and Marvel historians is whether Stephen Strange may have been initially depicted/intended as being of Asian descent. This is a theory that Kurt Busiek, acclaimed comics writer and Marvel encyclopedia, has advanced. This debate rose to new heights around the release of the 2016 film, which had become embroiled in whitewashing controversy over the Ancient One’s casting.

Here are some excerpts from Strange’s earliest appearances. Notice the possibly stereotyped facial features.

His features are similar to the Ancient One’s, who is explicitly denoted as Asian off the bat. There are no textual references to Strange’s ancestry at first. But it is worth noting that Baron Mordo is also depicted with similar features, and is fairly clearly written as European.

By his third appearance, Ditko is drawing Strange in a more Caucasian appearance. This would then stick with the character to this day. It is unknown whether this was just a style change that means nothing at all or if it was an intentional change. Perhaps the creative team realized that the character was catching on beyond a one-off anthology fill-in. Did Stan Lee pressure Ditko to alter the character to a more palatable ongoing protagonist for 1960s America? I do not believe Ditko has ever commented on this matter. If you’d like to send him a letter, he may or may not reply.

What followed was one of the most influential runs in comics history. Steve Ditko cast Doctor Strange in mind-blowing realms and dimensions that would inspire young minds. Along with the brooding Incredible Hulk, Doctor Strange became popular on college campuses across America. Learning this, Lee and Ditko leaned even farther into these elements. Readers assumed that Ditko was a drug user, which couldn’t be further from the truth. Students were getting into psychedelia and Eastern mysticism, and Ditko’s boundless imagination was the perfect fit.

Stan Lee’s role in these stories is rightfully overshadowed, but his influence should also be noted. Lee provided Strange’s crazy incantations and mystical artifacts. Mythology that has stuck with the character to this day like the “eye of Agamotto,” the “book of Vishanti,” the wand of Watoomb.”

The creative high point of this era is the famous Eternity Saga. Spanning Strange Tales 130-146, it is sometime referred to as the first proper “graphic novel” story arc in superhero comics. The epic started prior to, and overlapped with the overshadowing Galactus Trilogy in Fantastic Four, but is far longer.

In this story, Ditko introduced Eternity, one of the first cosmic entities of the Marvel Universe. A pantheon that would be added to over the years and later used to epic effect by folks like Jim Starlin, Dan Abnett, and Andy Lanning.

The story is about the entanglements of Strange, Eternity, Dormammu, and Baron Mordo.

If you’d like to read all of Lee and Ditko’s magical tales, you have a few options.

There is a hardcover omnibus collecting the entirety of Strange Tales 110-111, 114-146 together in one tome. It is a rather thin one compared to Marvel’s other releases so as to isolate Ditko’s work.

The same material has also been collected variously in hardcover masterworks, black and white paperback essentials, Doctor Strange Classic single issue reprints, etc. Some of these may be out of print and expensive online due to high demand.

All of the above information has been primarily sourced from good olde Wikipedia (a totally legitimate source), the dark recesses of my own brain, the Marvel Wikia, this Polygon article, and most importantly Neilalien.com which is a fantastic Doctor Strange fansite.

[tabloidtoc]

Entertainment Weekly, December

Cover: Wandavision -- Elizabeth Olsen as Wanda Maximoff and Paul Bettany as Vision 

Page 1: Contents, Melissa Gilbert on the Little House on the Prairie Set in 1977 

Page 3: Sound Bites -- special holiday edition 

Page 4: Editor’s Note 

Page 6: The Must List -- Between the World and Me 

Page 8: The Orchard by David Hopen, Freaky 

Page 9: Chris Stapleton -- Starting Over 

Page 11: A Sky Beyond the Storm by Sabaa Tahir, Let Them All Talk 

Page 12: Batman/Catwoman 

Page 13: Nomadland 

Page 14: Soul, December Games -- Marvel’s Spider-man: Miles Morales, Star Wars: Tales from the Galaxy’s Edge, Immortals Fenyx Rising 

Page 16: My Must List -- Kenan Thompson 

Page 19: First Take -- Bob Odenkirk in Nobody -- the Better Call Saul star plays an unlikely action here complete with a bloody good makeover in this thriller about a family man who decides to seek revenge after a break-in 

Page 21: Pedro Pascal and Christian Slater -- We Can Be Heroes 

Page 22: Cover Story -- Wandavision a wonderfully weird send-up of sitcoms of the past is Marvel’s key to the future 

Page 30: Untold Stories: Holiday Movies Edition -- an oral history of The Family Stone -- Thomas Bezucha, Diane Keaton, Sarah Jessica Parker, Luke Wilson, Elizabeth Reaser, Dermot Mulroney, Tyrone Giordano, Brian White, Craig T. Nelson, Claire Danes

Page 36: Making the Scene -- The Muppet Christmas Carol -- fans of the Muppets’ 1992 take on Scrooge know a key scene is missing from the DVD version and it’s now the most beloved number ever left on the cutting-room floor, Closet Confidential -- Bridget Jones’ Diary -- Colin Firth and director Sharon Maguire reveal the secrets behind Darcy’s ugly sweater 

Page 37: The Merriest Movies Years Ever -- Jeremy Arnold the author of the TCM book Christmas in the Movies: 30 Classics to Celebrate the Season reveals why 1947 and 2003 were prime years for yuletide films 

Page 38: Role Call -- Mary Steenburgen -- the Oscar winner is a holiday movie MVP and here we look back at the roles that put the Mary in Christmas 

Page 39: Behind the Music -- The Preacher’s Wife -- Whitney Houston’s rousing 1996 film boasts one of the all-time great Christmas movie soundtracks and producer Mervyn Warren tells how it came together 

Page 40: Investigation: Is Die Hard a Christmas movie? It’s the debate that won’t die: does Bruce Willis’ 1988 action classic also qualify as a Christmas classic? With the help of some Die Hard alums we’re ready to settle this once and for all -- Bonnie Bedelia, Reginald VelJohnson, Dermot Mulroney, Zooey Deschanel, Mean Girls -- Christmas got a bit risque in the teen film’s memorial Jingle Bell Rock talent-show performance 

Page 41: 4 Things You Didn’t Know About Love Actually -- we actually unearthed some new tidbits from writer-director Richard Curtis about the much-discussed much-beloved Christmas rom-com 

Page 43: 3 secrets from Rudolph the Red-Nosed Reindeer -- it’s aired every year since 1964 but there are still some things you don’t know about the stop-motion Christmas special, 5-minute oral history -- Elf -- you’d better scurry for the story behind the film’s Baby It’s Cold Outside shower scene by Zooey Deschanel 

Page 44: Shondaland makes its Netflix debut December 25 with the swoony Bridgerton a Regency-era drama inspired by a series of romance novels 

Page 48: The Kane maker -- David Fincher and an all-star cast inhabit Old Hollywood for Netflix’s Manx the riveting behind-the-scenes story of Citizen Kane 

Page 52: In an era of rampant reboots it’s been awfully quiet on the Prairie so EW investigates why it’s taken so long for Hollywood to return to Laura Ingalls Wilder’s beloved town on Walnut Grove in Little House on the Prairie 

Page 57: 2020 Gift Guide 

Page 66: News + Reviews  -- It has spurred sales and served as a balm for concert-starved fans but the best by-product of Verzuz is its celebration of Black excellence 

Page 70: Movies -- from modernized classics to fresh newcomers the Hollywood musical is back in style with a new inclusive look 

Page 73: Indie’s New Queen -- with another major and wild big-screen performance in Black Bear Aubrey Plaza is emerging as an art-house icon 

Page 74: Meet Your Maker -- Alan Ball -- the Oscar and Emmy winner behind American Beauty and Six Feet Under and True Blood brings his most personal project to the screen: the road movie Uncle Frank and here Ball shares his iconic cinematic and literary inspirations 

Page 76: Comedy of My Life: Melissa McCarthy -- the Oscar nominee and Emmy winner flaunts some Superintelligence in her fourth movie directed by husband Ben Falcone 

Page 78: The Shot -- Silver Linings Playbook -- inside the creation of a classic scene 

Page 80: TV -- after years as the grounding force on The Big Bang Theory Kaley Cuoco is now flying high as The Flight Attendant at the center of a juicy murder mystery 

Page 82: Class is back in session on Peacock where Saved By the Bell revival debuts 

Page 83: The Crown 

Page 84: Small Axe 

Page 85: Q+A with Bryan Cranston -- in the limited series Your Honor the Emmy winner is breaking bad again starring as a judge whose son is involved in a hit-and-run 

Page 86: Unwrapping Christmas TV movies -- wisdom gleaned from a flurry of winters in Tinseltown 

Page 87: Role Call -- William H. Macy -- as he heads into the 11th and final season of Shameless he looks back on his most iconic projects, epic sci-fi series The Expanse is back with more cosmic chaos in season 5 

Page 89: What to Watch 

Page 96: Music -- Angus Young and Brian Johnson explain how AC/DC are back on track with a new album that honors late bandmate and brother Malcolm Young 

Page 98: Sam Smith 

Page 99: Q+A with legendary P-Funk bassist Bootsy Collins sheds light on his new album and his enormous collection of top hats 

Page 101: The Playback -- Joni Mitchell Archives: Vol. 1: The Early Years -- before she became an icon Mitchell was performing at local radio stations and recording homemade demos 

Page 102: A Band You Need to Know -- Sault -- the mysterious U.K. group has dropped two timely album-of-the-year contenders, Stupid Questions with Josh Groban -- the multiplatinum-selling golden-voiced baritone returns with Harmony but can he sing his way out of this comedic jam

Page 103: Epitaph -- Eddie Van Halen 

Page 104: Books -- Ernest Cline returns with Ready Player Two the sequel to his 2011 blockbuster and 2020′s most secretive novel 

Page 106: Comedians Rachel Bloom and Michelle Buteau have new memoirs but first they chat about bullying and Dick Jones and how Julia Roberts likes her eggs 

Page 107: High Anxiety with Cazzie David -- the writer and daughter of OG angster Larry David broadcasts her own neuroses in the essay collection No One Asked for This and here shares her deepest fears 

Page 108: The weirdest year in publishing history wraps up with an all-virtual literary awards season and here we break down the titles with their eyes on the prize 

Page 110: Screenwriter and director ad novelist John Ridley offers an alternative perspective in The Other History of the DC Universe 

Page 112: The Bullseye

[davidmann95]

Did you enjoy Detective Comics #1027?

Anonymous said: Detective Comics 1027?

adudewholikescomicsandotherstuff said: Tec 1027?

Anonymous said: Thoughts on Detective Comics 1027 ?

My own cover of choice since the main one while also very good was a wrap-around, which doesn’t work quite as well for a 144-page beast like this (plus in place of that there’s a cool spooky Batman silhouette on the back). And I did enjoy it! Unfortunately it isn’t as much of a tier unto itself relative to its anniversary brethren of the last couple years (Batman’s 5th next to Superman, Wonder Woman, Flash, and Green Lantern’s one apiece, and the entirety of Marvels’ two) the way the creative lineup had me hoping, but it’s still got some great work and is a steal at $9.99 for what’s basically a modest trade.

Blowback by Peter Tomasi, Brad Walker, Andrew Hennessy, Nathan Fairbairn, and Rob Leigh: That being said it does not start out on a great foot. I was actually willing to cut this a little slack - Walker’s artwork is gorgeous, and I’m willing to believe Batman would go into an internal poetic monologue on the nature of crimefighting in the midst of an escape - but Tomasi’s tendency for devolving into nonsensical stream-of-thought rambling grates here like never before, and the ending is a total non-sequitur. I just don’t understand how Tomasi has seemingly reached that sort of Miller/Adams rarefied air where he can turn in literally whatever he wants and get it printed.

The Master Class by Brian Bendis, David Marquez, Alejandro Sanchez, and Joshua Reed: Thankfully, immediately followed up by one of the better ones. I feel like this story is exactly what this site specifically wants out of its Batman comics - the Batfamily bickers and solves a mystery involving one of the rogues gallery doing something slightly silly, Bruce himself mostly just hangs back to let the kids do their thing and praise them at the end. Much as I’ve found his Superman work revelatory, I can’t deny that it’s Batman who’s produced Bendis’s best hit-miss ratio since coming to DC, even if it’s a very different kind of Batman than we would’ve expected from him. And naturally Marquez brings it, definitely one of DC’s best acquisitions of the last several years.

Many Happy Returns by Matt Fraction, Chip Zdarsky, and Aditya Bidikar: Okay this was not the version of Batman vs. Joker coming from the Sex Criminals team and the writer of the great Bat-Olsen Prank War of 2019 I imagined. It’s a straightforward story ending on a familiar thesis, but it’s the best execution of it we’ve ever seen, and while I was expecting it to look very good I was not expecting Zdarsky to walk away as the artistic MVP of an anthology with Mora and Burnham in it. And while I’m usually a philistine who doesn’t notice these sorts of things, Bidikar’s lettering here is also conspicuously great. They all have better things to do, but for real give this team a Batman ongoing, best story of the issue.

Rookie by Greg Rucka, Eduardo Risso, and Tom Napolitano: Followed by the worst! Not in terms of pure storytelling - it’s Rucka and Risso, of course it reads fine - but as a “yes, most cops suck, but if you try REALLY hard you can totally be a good cop, even in Gotham!” story in 2020. In 2015, 2016, and 2019 I was excited about Rucka’s returns to DC, but between this and Lois Lane #12 this is the year I never want to see him write a superhero comic again.

Ghost Story by James Tynion IV, Riley Rossmo, Ivan Plascencia, and Andworld Design: Finally Tynion gets to write in the era he’s I think really wanted all along, and Rossmo’s a surprisingly good fit for it. A tight, nifty little high-concept romp that touches on the big concerns you expect with an anniversary issue without getting too self-serious about it.

Fore by Kelly Sue DeConnick, John Romita Jr., Klaus Janson, Arif Prianto, and Troy Peteri: A standout! One of those ‘addressing a bunch of modern Batman criticisms head-on’ stories while keeping terse enough to let Romita Jr. on one of his better days do his thing; surprisingly this is the only “Batman as a scary badass of few words fighting street crime” story in here, and this team’s really good at that.

Odyssey by Marv Wolfman, Emanuela Luppachino, Bill Sienkiewicz, Jordie Bellaire, and Carlos Mangual: ...huh? I guess this qualifies as a history-of-Gotham/detective story, but even for a veteran like Wolfman with nothing to prove I can’t grasp why you’d get offered a big anniversary story and turn in...this. And Luppachino and Sienkiewicz are two great tastes who don’t taste great together.

Detective #26 by Grant Morrison, Chris Burnham, Nathan Fairbairn, and Steve Wands: I’ll admit the point of this one sailed over me beyond the clear message of “there were pulp heroes and then Batman happened” on first reading even if I enjoyed it, but thanks to @khancrackers​ I got it - much as Batman was the amalgamation of many influences the guy here had all the ingredients, but he could only think to become the latest iteration on an already rapidly-curdling idea. There were plenty like that, 26 issues worth in that book alone, but it was #27 where the spark lit and something unique was born. In Morrison’s own words elsewhere, “You’ve GOT something. You SHINE.” Which itself makes this an interesting companion to his Batman epic, which has fistfulls of ‘lesser’ iterations of the basic idea, but they become heroes because they’re inspired by Batman himself. It would be the best story of any Batman anniversary issue that didn’t include Many Happy Returns, and is still an interesting final word on the character as a spiritual prologue to Morrison’s 7 years with him. Oh, and Burnham fucking rules, obviously.

Legacy by Tom King, Walter Simonson, Laura Martin, and John Workman: It sure is a Tom King Batman comic. Which isn’t a criticism! But it sure is what it is and not much more. I guess he felt he needed it to be a sequel to something Simonson had done before (while also tying into his own run a bit), and worked with what he had. And speaking of whom, while I haven’t seen much else of his contemporary material I think this is where I’ve realized Walter Simonson’s work is turning into a caricature of itself in much the same way as Frank Miller, but in a much more generally palatable way.

As Always by Scott Snyder, Ivan Reis, Joe Prado, Marcelo Maiolo, and Tom Napolitano: I was surprised by how much I loved it and I kind of want this to be Snyder’s final Batman story? It’s a perfect full circle in multiple ways, as it’s not only a Batman/Gordon story mirroring Detective Comics #27 itself, but Snyder’s own first Batman work, even as it shows how much his vision of Batman has changed since Black Mirror. A perfect ‘last’ story for the collection, the next two glorified advertisements notwithstanding.

Generations: Fractured by Dan Jurgens, Kevin Nowlan, Hi-Fi, and Andworld Design: A nothingburger, but a hilarious one because a couple days after Jim Lee’s statement this is basically hollering “hey kids, have you heard of 5G?!” Still gorgeous with Nowlan onboard.

A Gift by Mariko Tamaki, Dan Mora, Tamra Bonvillain, and Tom Tapolitano: Of course pretty as hell with Mora and those Bonvillain colors, but as an actual story it feels perfunctory, some standard Batman ‘once my very important dad said...’ lecturing across a throwaway action sequence with a tease. I dunno if this is setting up Tamaki on Detective, or a future Tomasi story without him just writing it himself, but while it’s basically competent and therefore doesn’t end the book on a wet fart or anything, you can’t help but wish it could’ve been just a little better.

So 7 out of 12 good ones. That’s definitely not as positive a ratio as I’d gone in expecting or even walked away with the impression of, but that’s still 81 pages of good comics, and even the lesser stories mostly still have quality art. In summation, Rookie <  Odyssey < Blowback < Generations: Fractured < A Gift < Ghost Story < Legacy < Fore < The Master Class < As Always < Detective #26 < Many Happy Returns, and the pinups by Garcia-Lopez, Campbell, Cheung, Bermejo, and Coipel are all as good as you’d expect.