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#niji tunes#ive said this before in my old blog#but i really love the melancholic vibe of ngokie's marunochi sadistic#listening to it today on a rainy gives me so much feels#Youtube
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2024 Tokyo Christmas Lightsâš
0:00 Intro 2:33 Roppongi Tokyo Midtown Xmas Lights 9:22 Roppongi Hills Xmas Lights 20:58 Roppongi Christmas Market 27:03 Azabudai Hills Christmas Market 31:57 Tokyo Tower Christmas Market 36:14 Hibiya Tokyo Midtown Xmas Lights 41:57 Marunochi Xmas Lights 57:31 Tokyo Station 1:02:53 Kitte Department Store Xmas Tree 1:0435 Walk to Yurakucho station 1:12:07 Yurakucho station 1:21:32 Ginza Xmas Lights 1:31:38 Tokyo Square Garden Xmas Lights 1:36:47 Kyobashi Edogrand Xmas Lights 1:38:44 Tokyo Midtown Yaesu Xmas Lights 1:41:23 Nihonbashi Xmas Lights 1:48:05 Coredo Christmas Lights
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X'mas Express 2024. A tribute to JR Central's commercial đ
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Tatsuro Yamashita / Christmas Eveđ
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The Hounds of Fate - Ch 4
Read on Ao3: Here
The next four days test Shotoâs capacity for rational thought versus mounting paranoia. Whenever he hits the street, thereâs a nonzero chance that the sensation of being watched will hit him. It comes on unpredictable tides and leaves Shoto uncertain of whatâs real and whatâs an imagined feeling.
It finds him when he goes down to the family-run konbini he found near Kabukicho Tower, but not when he takes a risky detour through the Marunochi line. Sometimes, the presence appears, like a breath on the back of his neck, but at other moments heâs free to walk the street without anything more than curious side eyes from unsuspecting residents. There is no rhyme or reason. He looks out of the corner of his eye and checks the reflection of windows he passes, but thereâs not a shadow of a soul. Yet, heâs sure, so very, very sure, that someone is stalking him. Itâs in the prickling of his neck and the heavy weight on his back.
Itâs made him into a recluse. Those few trips he chanced were enough for him to figure out that he couldnât identify a pattern to his stalker. If heâd been able to determine a certain area is riskier than another or a particular time is more likely to draw that gaze, then he could plan accordingly. Having someone incalculable tailing him is as dangerous as it is alarming. He canât gauge how much of a threat being in populated areas is, if there will be collateral should a confrontation occur. Itâd be monumentally stupid of him to risk alleys and industrial zones as those prime spots for ambushes. He feels cornered. Itâs infuriating, to put it mildly.
What he needs time to think.
Heâll lay low for a little, see if interest in him wanes. Doubtful, he thinks with irritation. If that woman is involved as he suspects, then heâs a specific target for some unknown reason.
Itâd also be wise to think of an escape plan. If theyâre searching for him, then his home is at risk. All it takes is one slip-up for his safety to be totally compromised. Heâll need to find somewhere new, if worse comes to worse. Nichome could be viable. Gentrification and rising property values have seen some of the businesses and bars in the area close, so thereâs likely somewhere he can squat for the time being.
He puts a pin in that thought for the moment as he slips back in through the side window of his self-claimed home. The bag in his hand rustles and heâs a little worried heâll spill the container of food old man Tagawa from the konbini forced on him. The man was still grateful that Shoto had stopped a robbery, even though Shoto had only walked in to get some bento boxes. The would-be thief was too nervous to actually do any harm and went down without a real fight. Hardly heroic work on Shotoâs part. That little act allowed him to enter freely with his mask â and occasionally get a discount.
The offering of homemade food is new. Touching. Shoto isnât used to seeing evidence of how his deeds echo out and impact those around him. Ishikawa was the first with her kind drawing. Now this. It fills him with warmth, but also an odd rush of anxiety. He canât pinpoint why it makes him nervous.
His feet just touch the linoleum when a voice startles him from inside the room. Inside his room.
âSo, this is where you live.â
Shoto nearly ices the whole block in surprise.
His head whips around only to see Eraserhead crouched down near the door, almost unnoticeable in the dim light. Soba is batting the heroâs scarf around like a toy while the hero occasionally tugs it to rile up the kitten.
Seeing Eraserhead here, in his safe space, is a little surreal. It leaves Shoto wrong-footed. That line he didnât cross before seeking out Eraserhead on his turf? It feels sufficiently crossed. His metaphorical hackles raise at the intrusion.
Eraserhead knows. All it will take is one step too far in the heroâs eyes, one transgression too many for his hideout to get raided. For as much as heâs come to trust Eraserhead, he doesnât trust him that much. He doesnât know the proâs ticks or limits. Shoto could mess up without even realizing it and then all his hard work will be undone. He'll be back to being the Masterpiece again.
Itâs a good thing heâd already been mentally mapping out potential areas to move because now he most certainly is going to have to.
âYou followed me?â he asks incredulously. Aggravation stains his voice and leaks into his posture.
Itâs ridiculous to feel a little hint of betrayal because itâs only logical that Eraserhead would have tailed him at some point. Shoto knows he canât fault the man for actually bothering to do his job. But logic and emotion donât always see eye to eye. He sincerely doubts Eraserhead would appreciate it if he showed up in his house unannounced, after all. To make matters worse, though, his appearance muddies Shotoâs perception even further. How much of that feeling of being followed had been Eraserhead?
The hero glances up at him, expression unimpressed. He makes no effort to move from the corner heâs claimed.
âAstute observation,â he says. It's almost certainly a jab. That only serves to irritate Shoto further.
He sets his bag down with a deliberately heavy thud and folds his arms. The purpose of this house call is unknown but it canât be anything good. Itâs unlikely Eraserhead would tip his hand and reveal his knowledge of Shotoâs rather depressing home unless thereâs a valid reason. He eyes up the hero, trying to parse his current state so he knows whether he needs to dive back out the window while the hero is distracted.
The manâs brows are pinched and the bags under his eyes are darker than Shoto recalls them being. Thereâs a terseness in the line of his lips; like a grimace that never came into full fruition. Eraserheadâs natural disposition tended toward âunhappyâ, but he doesnât look unhappy with Shoto in specific.
Heâs no empath, but Shoto thinks that something might be bothering the hero, and something that concerning is likely no easy matter.
The tension in his shoulders unwinds bit by bit. Heâs not elated with this sudden appearance and his need to move, but the anger in him dims. A resigned sigh breaks the silence.
âHow long have you known?â he asks a little tiredly.
Eraserhead pauses his petting and looks at him. His stare is intense, studying.
âSince after giving you that update on Ishikawa,â the hero says, blunt and honest.
That answer both does and doesnât surprise Shoto. He expected Eraserhead to have tailed him somewhere around the beginning of their first encounter. What catches him off guard in that admission is the implication that the hero has kept his whereabouts secret from officials. It would have taken little effort to pass on the information and see Shoto dragged away for his âunlawfulâ actions. It actually puts Shoto a little more at ease to know it happened that long ago. If it were a recent development, that sting of betrayal would turn into a stab. He leans against the wall and watches the hero play with his kitten, as if doing so will solve whatever problemâs hounding him.
âDid you break in just to pet Soba?â he asks, even though he knows the answer. Itâs an easy opening. Shotoâs gained the barest trace of tact in recent months. Not much, mind, but some.
âNo,â Eraserhead confirms. That not-grimace grows in strength as he untangles the kitten from his scarf and stands up. His attention is now wholly and undividedly on Shoto. âThat womanâs name is Yuki Mura. She was reported missing six months ago.â
Ah, an update then.
He tilts his head in thought. The woman looked remarkably well for a missing person â not that Shoto has any room to speak. Heâs in a similar boat, after all. Sometimes a missing person isnât exactly missing. Context matters, which is something he lacks in her situation. He sets aside her questionable condition for the time being.
âSomething about this is bothering you,â he points out, stating the obvious yet again. âYou wouldnât show up here just to tell me her name and status.â
Eraserhead hums, low and short, a quick staccato agreement.
âBased on public registry records, she has an emitter-class information quirk. She can detect and gather intel on the quirks of those around her.â
His heart lurches. That mystified expression sheâd given him and the way she kept looking at him like she couldn't believe her eyes, makes far too much sense now.
âUseful,â Shoto murmurs, not at all liking where this is going.
Eraserhead grunts, and Shoto thinks that means he agrees but it might also mean the hero is yet again unimpressed by his lack of nuanced answers. He thinks itâs definitely the former when the hero levels him with a heavy stare.
âThe caveat is she needs to be within three meters of the target,â he says with a voice just as weighty.
Fuck.
He had been hoping his initial conclusion was wrong, but thatâs looking less and less likely. The woman needs to be within close proximity to utilize her quirk. Staging a mugging is an exceptionally easy way to close the distance with high-profile heroes and vigilantes (and vigilante-adjacent teens).
âSo, those were staged events. She was gathering information on our quirks,â he muses out loud.
His entire identity is compromised now. It isnât just a matter of moving hideouts. Heâll have to entirely drop this non-identity heâs cultivated. To his knowledge, there isnât another quirk like his around, at least not in Japan. Sheâll know. What she can do with that information⊠God, the possibilities frighten him.
âThatâs the assumption Iâm working under,â Eraserhead says. His expression is about as foreboding as Shotoâs currently feeling.
He ran into her around eleven days ago. Thatâs a disconcerting amount of time to have this sensitive information. Who knows who has this information now.
And thatâs the most unsettling part. There has to be an ulterior motive here. Why else would she vanish only to start gathering intel on quirks? Did someone set her on his trail? The idea that it was Endeavor came and went like a wisp in the wind. If that were the case, Shoto would have been found and dragged home already, thatâs an almost guaranteed certainty.
âI thought those thugs seemed oddly well-prepared,â Shoto says, mostly to himself as he puts a mental timeline together. In this small room, however, thereâs nowhere for his voice to get lost.
Eraserhead nails him with a hard look. Shoto thinks heâs misstepped for a minute.
âExplain.â
Heâs investigating, never mind.
âThat time I was trying to go to the laundromat and I was ambushed, they seemed better trained than the random criminals Iâve encountered. I wasnât sure if it was because I was slacking in my training or because they were waiting for me,â Shoto explains.
He knew there was something off about the encounter. While he can attribute part of it to his lapse in training, he felt like they were oddly organized. There was a synchronicity in the way they fought that spoke of experience battling together. That isnât common in normal street gangs. Shoto feels just a little vindicated by the realization. That momentary victory is quickly swept away by the reminder that he was being targeted by someone for some unknown reason. Someone who may very well know his identity.
Fuck, he thinks again with more feeling.
He can practically see the expletive pass across Eraserheadâs own face as the same pieces fall into place.
The hero seems to just barely hold back a sigh as he speaks, âAnd this happenedââ
ââAfter I stopped the cutpurse. Two days after, to be precise,â Shoto finishes.
âThat was a planned assault,â Eraserhead says, taking his turn with stating the obvious. It doesnât lessen the impact.
The two fall into contemplative silence.
Eraserhead remains almost stone-faced, save for that pinch in his brows and the slight downward curl of his lips. Shoto is no more expressive beneath his mask.
He tries to keep his mind on the facts and start to plot out a course of action. Itâs hard to do when fear begins to creep up his spine. The thought just keeps returning to him over and over, no matter how hard he tries to shove it to the side.
They know. They know. Iâm going to be found soon.
This nebulous âtheyâ is driving him to distress. Someone, somewhere knows him and has been following him. His skin crawls. He hasnât felt this unsafe and uncertain since he ran away. As awful as it may be, he felt like he could walk the streets more freely and securely than he could in his old home. There wasnât anyone he could think of that frightened him the way Endeavor did, so there was a sense of safety to be found out here. But thatâs been torn from him again. He hates it. Hates how fucking unfair life is. Why canât he be left alone? Why canât he just live in peace? Now he canât even sleep without anxiety clawing at him, warning him that someone might be lurking nearby, waiting to strike.
It was one thing for him to have an on-and-off stalker, itâs another for that stalker to potentially be fully aware of what heâs capable of. Part of his advantage is his anonymity. No one knows just how powerful he can actually be in a fight. Itâs his ace-in-the-hole if shit truly hits the fan.
âCould it be your father?â Eraserhead asks suddenly. âHave her sniff you out and then send in a retrieval force?â
The idea he dismissed earlier comes back. He turns it over in his head carefully. Endeavor certainly had the sway and money to hire outside help in retrieving him, but the idea doesnât sit right with him.
âUnlikely,â Shoto says decisively after a moment of thought. âHeâd never stoop to hiring others to do his dirty work. Not unless heâs significantly more desperate than I thought.â
And heâd have to be pretty damn desperate to reach out to someone whoâs likely involved with something less-than-legal to do this. Even then, Shoto doubts heâd send a retrieval force to get him. Itâd be a point of pride for his father to arrive and drag him back home himself.
Eraserhead makes a noncommittal noise as he considers Shotoâs reasoning.
âDonât discount the possibility. Based on what youâve said, heâs put a lot of time, money, and effort into creating you,â he says. His nearly blank expression breaks as his lips curl in distaste. âYou might be surprised at the lengths heâll go to get you back.â
True, Shoto haltingly concedes. Could his father really be that far gone? Shotoâs his masterpiece, the culmination of over twenty years of fucked up genetic tinkering and ego stroking. Could his disappearance be the final straw that breaks him? He immediately throws that notion away because if he confronts it and what it might entail, then heâll be struck with such godawful fear that he might just dissociate and never return. A reality where Endeavor is possessive to that extent is one he wants no part in.
âI still donât think itâs him,â he says slowly, less certain now but pushing on because he needs that to be true. âBut, Iâll keep that in mind.â
Itâll be kept in mind, alright. In the very, very, very far corners of his mind, under lock and key.
He needs to move his train of thought before it derails into mounting panic entirely.
The facts. Focus on the facts. Whatâs tangible? What can be worked out?
Shoto taps his finger against the wall. A flake of peeling paint comes off after the third strike.
âWhen did you save her?â he asks, a connection forming that throws even more uncertainty onto his pile.
Eraserheadâs eyes are sharp, intuitive. It makes Shoto wonder if heâs on the same wavelength already. He probably got there before I did.
âEight days ago,â he says without hesitation. It wouldnât be surprising if the hero had memorized the encounter down to the minute. That certainly seems like an Eraserhead thing to do.
âI encountered her nearly two weeks ago. So, I was definitely the initial target,â Shoto says with a frown.
Another ambiguous noise comes from the hero. He looks deep in thought, eyes focused on the wall like it can solve this burgeoning problem. By the way that furrow deepens those thoughts arenât particularly reassuring. The lack of comment bodes ill, Shoto fears. It feels like heâs missing something.
âIs there more?â he asks warily.
Black eyes shift from the wall to him. Eraserhead is quiet, internally warring with something.
Shoto waits silently for him to reach his resolution.
It comes when Eraserheadâs shoulders take a faint, almost defeated slump. He rubs the bridge of his nose in exasperation.
âThere isnât much Iâm at liberty to say as it involves an ongoing investigation,â he says, voice gritty and dragging, like even allowing this to meet the air rubs him the wrong way. âIâm telling you what I'm able to because I believe it affects you directly. This remains strictly between us, do you understand?â
He fixes Shoto with that familiar heavy warning stare. It takes him back to their first meeting. His eyes are sincere, both in the belief that this is a necessity and that consequences will find Shoto if he breaks this vow.
Not like I have anyone to tell.
Still, he knows how much it must frustrate the man to toe the line like this. There has to be a damn good reason. (That is not the reassuring thought it should be.)
âYou have my word,â Shoto says with the utmost sincerity.
âI better,â Eraserhead mutters. Then, he sighs again before speaking. âThereâs been a spike in missing persons cases. It correlates with just after Muraâs disappearance was reported. I have reason to suspect people are being targeted for their quirks and sheâs the scout.â
The hero tilts his face down to hide the way his expression shifts into one that looks faintly like he just bit into a particularly bitter lemon.
This is decidedly bad news, in Shotoâs opinion. Those nerves heâs been slowly easing into submission kick back up. There arenât many reasons these events would line up. The most likely scenario, unfortunately, is also the worst.
âTrafficking,â he says, voice far more nonchalant than heâs feeling. If thatâs the case, he might find himself preferring it was actually Endeavor siccing the dogs on him.
...Actually, heâs still split on that. Heâll have to think it over some more. Regardless, itâs a lose-lose, in his eyes.
âThatâs my current theory,â Eraserhead says. He at least has the emotional capacity and maturity to sound grim.
Shoto wonders how many times the word âfuckâ can cross his mind before it loses any sense of meaning because itâs putting in overtime today.
âAnd Iâm a probable mark,â he states.
He reaches up to rub his face, mentally and emotionally exhausted by this revelation but ends up more-or-less facepalming his mask.
âIt makes sense,â Eraserhead says, expression flat and voice teetering on the verge of displeased.
âIt does,â he agrees.
Unfortunately. The moment that woman got a whiff of his quirk, it was over for him. Thereâs no way she wouldnât report it to whoever she works for. Shoto doesnât know how much his father paid for his mother, but he imagines the price is a fraction of what someone would pay for him.
Is this how Mom felt when the deal had first been brought up?
The thought makes him nauseous.
Shoto turns and faces the wall to slip his hands under his mask and press heavily against his eyes. He gives himself a scant few seconds to collect himself. Deep breath in. Deep breath out. Now, time to work.
With his allotted time for mental recovery used up, he fixes his mask and turns back around. Eraserhead is looking at the opposite wall, where Ishikawaâs drawing is taped. Shoto thinks that maybe he just noticed the drawing. Then, Eraserhead glances at him, notices he's composed himself, and shifts to face him again. Maybe he shouldnât be surprised that Eraserhead is respecting his privacy, but it still sends a tiny shock through him. Of all the heroes he could have run into and unofficially worked with, he can safely say â at least mentally â that heâs glad it was Eraserhead. Itâs just unfortunate that Shoto dragged him into this mess.
The realization hits him late and he feels stupid for not having considered this sooner. Heâs been too caught up in the horrific ordeal of being known to even consider how Eraserhead is tied into this. Since she showed up around him too, that meansâ
"You might be a target too,â he says suddenly, words a little rushed with comprehension.
Eraserhead's expression doesn't shift, as if it's hardly noteworthy. Shoto isnât sure if itâs because heâs got a good handle on his emotions or if, yet again, Shotoâs behind the curve. Probably both, if heâs being realistic.
âHow do you figure?â the hero asks. The question comes out flat, barely curious.
It makes Shoto a little uncertain with his sudden revelation. Still, if there's a chance he's correct, he owes it to Eraserhead to put it all out there. Anything that can help is good.
âSince her initial disappearance, you never ran into her even though she was in the area. But just a few days after you assisted me in their initial ambush, she appeared around you. I don't think that's a coincidence,â he explains.
The pro barely bats an eye. His gaze is probing now.
âAnd why would she have waited to approach me?â
There's an authority in his question that rings bells in Shoto's head. It reminds him of one of his old teachers who'd ask a question with a specific answer in mind. Getting it wrong tended to end with him writing the correct answer down over and over until it was memorized. Somehow, he doubts thats the case here. Even so, if Shoto didnât know any better, heâd say this sounds more like a test than an exchange of information. It makes him carefully dissect his thoughts and arrange his words. He isnât sure what Eraserheadâs looking for, but he doesnât want to disappoint the man. That manages to feel more important at this moment than the very possible traffickers on his tail. Talk about skewed priorities.
âIf your theory on her being a scout is correct, she likely wanted to avoid being around heroes,â he answers carefully, even though he feels like it's an exceptionally obvious answer.
Itâs what made the most sense in his head. Heâs done his damnedest to avoid heroes since he ran away and he isnât potentially involved in quirk trafficking. He canât imagine sheâd be any more eager to stop and chat.
âBut what changed?â Eraserhead asks in that non-questioning tone.
Shoto mulls it over. Thereâd have to be a good reason to risk being around a pro. If the roles were reversed, what would make me change my mind?
He always hated these hypothetical scenarios, putting himself in the mind of a criminal to determine what they may or may not do. Itâs not that itâs hard, but that itâs easy. He doesnât like the implication that brings with it. To ease his mind, he assures himself itâs just that criminals tend to be predictable and follow certain profiles. Study them enough and most follow a subconscious pattern. (It only quells so much self-doubt.)
But, if he were on their side in this situation, thereâd have to be a great reward to take the risk of getting close to Eraserhead. And Shoto can think of exactly one reward worth it in that very specific line of business.
âDuring that ambush, you used your quirk on them,â he points out. He already dislikes this theory but it feels plausible, at least from his perspective. âMaybe it made it back to the others that you could do something that nullified quirks. It could have sparked their interest.â
Eraserheadâs quirk is unique and, to put it frankly, fucking terrifying in the right hands. The idea that someone can strip a person of their powers is horrific. Put that in the hands of criminals and thereâd be absolute chaos. The world is supremely fortunate Eraserhead is a good man. Shoto loathes to think about what itâd be like if that werenât the case.
The hero hums at the speculation, making Shoto suddenly doubt himself.
âAnd if no one has tried to attack me since that encounter?â Eraserhead asks.
Thatâs a good question. Shoto was ambushed just a couple of days after his run-in with Mura. Itâs been over a week for Eraserhead. They likely would have tried something at this point, even if just to test his capabilities and formulate a real plan of attack.
âHas anyone?â he asks, mind running a mile a minute.
Eraserhead fixes him with a flat look.
âThatâs what you shouldâve asked first,â he says, not unlike a teacher correcting a wrong answer.
He feels a little chided, but not in a bad way. If anything, this is helping him see how much he needs to work on his analytical skills. Heâs not bad, but in an active situation such as this, itâs now obvious he could be better.
Wait.
Shoto blinks behind the mask a little dumbly.
âIs this part of my training?â
He tries not to let himself get hopeful, but this does feel suspiciously like heâs being guided.
Eraserhead snorts and gives him a look that conveys the sensation that heâd roll his eyes if he felt the statement was worthy of it. Shoto would very much like to learn how he does those microexpressions so well.
âI never agreed to train you,â he points out apathetically.
Which, true, he didnât agree. Is this one of those nonverbal things people seem to just get? Because Shoto never learned how to pick up on those. Or is Eraserhead being serious and heâs only walking Shoto through this as a consolation? Oh, how he hates trying to sort through social subtext.
He doesnât get long to work through Eraserheadâs dispassionate answer before the hero is speaking again.
âIf I havenât been attacked, whatâs your theory?â he asks more insistently.
With the way heâs staring, Shotoâs still of the mind that the hero already figured this out.
He tosses one possibility around, then another. Theyâve scoped him out but havenât made a move...His thoughts trail off and find their way down to his mouth, where he starts to think aloud, tossing a working idea Eraserheadâs way.
âThen, I assume that means youâve been either classified as too high-risk to target or your quirk was deemed undesirable, though I donât believe thatâs the case,â he says slowly, thoughtfully.
That causes Eraserhead to raise his brows just a bit, a hint at his interest in his thought process.
âAnd why not?â
Well, thatâs easy enough to answer, at least.
âYour quirk is exceptionally powerful in a variety of scenarios and most quirks are susceptible to it. If this really is a trafficking case, then I imagine plenty of people would pay extremely well for it,â he says like itâs a statement of fact. Shoto may not have first-hand experience with traffickers, but he does have plenty of experience with an individual obsessed with strong quirks. One like erasure? Thatâs a no-brainer. If they can concoct a way to turn the hero - either willingly or unwillingly - or utilize his quirk without his consent, then he'd be one of the biggest sellers, Shoto is damned sure of it. What's a dual quirk to one that cancels it out? Who cares if the Number Two hero is on the way if they can shut his quirk off?
The biggest obstacle would be subduing Eraserhead for capture. The first strike is the most important in his case.
Eraserhead has yet to blink and itâs starting to unnerve Shoto a little. His attention is absolute.
âSo, then Iâm too much of a risk?â he asks, more curious about the logic behind it than the actual statement.
âYes, I think so,â Shoto says firmly.
âWhy?â
At this point, Shotoâs almost positive this is some sort of lesson, but heâs hesitant to bring it up again. He doesnât want to push any buttons or cut it short. So, he focuses on the question again, working through it like itâs a math problem.
âNot only are you a pro,â he starts slowly but confidently, âbut a skilled one that can counter much of what they throw at you. Trying to catch you would cost them time, money, and men while they could be targeting easier marks.â
Eraserhead is quiet, like heâs waiting for more. It makes Shoto want to shift with inadequacy. There must be something heâs missing.
âAny other theories?â Eraserhead asks after another few seconds tick by in silence.
Thereâs definitely something Iâve overlooked. What the hell could it be?
He tries to mentally retrace his steps and not let the feeling of incompetency weigh him down. This is good, even if itâs uncomfortable. It means heâs learning.
Okay, point one: Eraserhead was scoped out. Point two: He hasnât been attacked, meaning theyâre avoiding him. Potentially from a lack of interest or, in my opinion, fear.
He taps his fingers against the wall again. It draws Sobaâs attention who pounces on clumsy paws, trying to swat his hand. It momentarily breaks his concentration. He smiles at the playful kitten before sliding down so Soba can climb on his lap. While he brainstorms, he pats the kitten to the same rhythm heâd been tapping the wall. Just across from him, Eraserhead hides a faint smirk in his scarf.
Maybe Iâm thinking too narrowly. Heâs been naively assuming itâs an either-or situation. Either they want Eraserhead but heâs too much of a risk or he isnât seen as suitable. But thatâs foolish. Shoto was equating his ambush to what they'd do for Eraserhead, but their threat levels aren't the same. Eight days is relatively little time to plan an assault on a pro hero. Shoto is an alleged vigilante with a strong quirk and little other known information. They may have thought he wasnât formally trained enough to handle a group, thus the quick ambush. But Eraserhead is a licensed professional. If it's an organized group, then they'd know better than to employ the same tactic - especially since it failed the first time.
They could be biding their time, waiting to find someone they think can confront the pro. Itâd have to be either a heteromorphic quirk, someone exceptionally skilled in CQC, or a combination. Even then, theyâd have to be able to catch the pro unaware â a feat in and of itself. Thatâs something Shotoâs become well aware of. It certainly doesn't help that Shinjuku is his turf. Every encounter starts in his advantage unless he's utterly surprised. Springing a trap on him would be wise, but an exercise in patience and strategy that many would fail at.
Shoto scratches under Soba's chin as he thinks. He looks up at the hero and tilts his head in thought, considering the slouching man carefully. It's easy to underestimate the hero, Shoto certainly had in their first encounter. The thugs in that ambush barely had a chance to realize what was happening before they were knocked out.
They'd need an excellent setup. What if...
A thought crosses his mind, reaching and a bit ridiculous, in his opinion, but entirely possible. In fact, the plausibility is what makes it ridiculous.
âYouâd be too much of a threat to face head-on and on your turf. But if they could maneuver you into a favorable positionâŠâ he muses out loud, the uncertainty obvious in the way he leaves his sentence hanging.
He gets a reassuring nod from Eraserhead. That little gesture is a more encouraging sign than anything Endeavor ever gave during training. He tries not to let himself smile at the action. It wasnât even praise, come on.
He ignores his own pathetically delicate sense of self-worth and trucks on.
âI think if they caught me, theyâd set a trap for you,â he says. Itâs almost embarrassing to even throw that suggestion out there. It puts a weight on their acquaintanceship that wasnât present before, like heâs unilaterally deciding the importance of it. The fact that Shoto even cares that Eraserhead might be offended or disgusted by the notion is aggravating. He's done well enough up until this point alone. If Eraserhead thinks this connection is weak or that Shoto isn't worth the effort of saving, then that should be that. He's out here to survive, not develop some weird parasocial relationship with a hero he barely knows just because the man was civil to him. (Easier said than done when those small mercies and shows of kindness made him feel like maybe things would be okay one day.)
Eraserhead doesnât exactly quell those doubts with his impassive expression, like heâs scoring each answer Shoto gives.
âWhy would they assume Iâd go for you?â he asks, distant as can be.
âOther than the fact that youâre a hero?â Shoto asks and itâs almost a miracle it didnât come out with more sarcasm. He even managed to bite back on the scoff that wanted to come out. How very mature of him.
That lackluster answer gets him a tepid look in response. It feels strangely like he was just docked points on a test that doesnât even exist. Goddamn it.
He just sighs and continues on, âWeâve been seen fighting together. Mura also saw us talking on the roof. Itâd be a safe assumption that weâre acquaintances. If theyâre set on getting you as well, then itâd be most logical to lure you into their home field where they have the advantage. Two birds, one stone.â
Shoto really, really hopes Eraserhead doesnât give him another, And? Heâs running out of brainpower here. Soba nips at his finger when he stops petting him.
âBehave,â he tells the kitten quietly, as if heâll understand what Shotoâs saying, and more importantly, listen. He ignores the snort from Eraserhead.
âDecent reasoning,â the hero finally says, like Shoto just gave a nice little report on Quirk History and not a theory on why theyâre both in immediate danger from traffickers.
Hey, heâll take the victories and praises where he can get them. He isnât that picky.
âYou thought of all of this already, didnât you?â he asks because he has to know.
Despite Eraserhead's efforts, Shoto can still see the way his face twitches. If it werenât for his position on the ground, Shoto's willing to bet thereâs a slight smirk on Eraserheadâs face now. Thatâs one of the few expressions he's picked up on that the man makes obvious, like it's the only acceptable one outside of 'tired' and 'annoyed'.
âPerhaps,â he says, leaving no room for doubt that itâs really an emphatic yes.
So, this had been some sort of mental workout or lesson after all. That makes Shoto a little happier than he probably should be, given this entire fucked up situation. He watches as Eraserhead pushes off the wall and turns toward the door.
âYouâd be a good teacher,â Shoto says out of the blue before Eraserhead can slip away. Heâs not sure why he says it, but he believes it, which is pretty funny as he canât actually picture the man tolerating a room full of children for more than five minutes at a time. Then again, he did well with Ishikawa. The scruffy and generally dour hero proved surprisingly personable when it came to the child, at least in his own prickly way. And, maybe Shoto's strange in this department, but he appreciates the direct and exacting way Eraserhead approaches things, even lessons. There's no filler or platitudes to sort through, just the facts.
Yes, Shoto stands by his unbidden statement.
It causes Eraserhead to pause in his tracks and stare at him, expression devoid of emotion.
âHilarious,â he deadpans.
Shoto blinks slowly, confusedly. He hadnât meant it to be funny.
â...It is?â he asks, because perhaps heâs missing something? Did he offend the hero? Maybe he actually really dislikes kids and Ishikawa was a one-off?
Eraserhead stares at him, eyebrow twitching ever so slightly. Then, he rolls his eyes to stare at the ceiling.
âJust keep your earpiece on,â he says to the ceiling tile. (Shoto is, in fact, socially aware enough to understand that the hero is addressing him and not the ceiling.) Then, after mentally collecting his soul from wherever it tried to fly off to, Eraserhead looks back at him. âIt might be vital now.â
Shoto gives a firm nod, trying to convey how serious heâs taking this, which is made marginally harder with the way Soba has now climbed onto his shoulder.
âSame goes for you, Eraser,â he says. âIâll be there if you need me.â
He knows heâs likely the very last person Eraserhead would ever call on, if heâs even on the list at all, but he wants the sentiment to be known regardless. Shoto may still be working through his trust issues, but he doesnât want to see the hero hurt if can help it.
Eraserhead gives him that ambiguous grunt he takes as an, Iâm acknowledging your words but not agreeing to them, and exits the room with nary a goodbye. Shoto shrugs and plays with Soba more vigorously. He starts to mentally catalog everything heâll need to pack. Itâs thankfully a small list, but itâll still be a hassle to move it all. Still, itâs a necessity now. Heâs idled in one spot too long and itâs become a liability. If not because of heroes, then because he canât be certain those looking for him havenât figured it out yet. For all he knows, they could be planning an assault at this very moment.
---
Luck, rarely in Shoto's favor, seems to hear his musings and laughs.
---
Near Shinjuku Stationâs East Exit:
âYou sure about this?â a bored man asks with a voice like ash.
âPositive,â comes another voice to his left. Heartier, confident. âHeâs been good at throwing me off, but I got him. I know it.â
#shoto todoroki#shota aizawa#shouto todoroki#aizawa shouta#fanfic#hounds of fate#my writing#vigilante!shoto
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è¶łç«ç„äșăćČă㧠(Remembering Yuji Adachi) @Aoyama Mandala 2023.10.19 (transfer live from 2023.06.16)
Performing: MORRIE (vo. gu.) yukarie (sax) äžžăć
ç·ăźäŒâ
NEO (Marunochi Line Associationâ
NEO)*: Jun Hasegawa (ba.) Eiji Kikuchi (dr.) Hideki Otsuka (mani.)
special guest: HIRO (gu.)
____
*äžžăć
ç·ăźäŒ was a project initiated by Yuji Adachi; all original members continue the project as äžžăć
ç·ăźäŒâ
NEO and perform occasionally, in past two years joining MORRIE at memorial lives for Yuji Adachi.
#morrie#solo#yukarie#hiro#la'cryma christi#äžžăć
ç·ăźäŒâ
NEO#eiji kikuchi#jun hasegawa#hideki otsuka
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finally tokyo
my last few days in tokyo were spent with friends. first day i joined my classmates at the yayoi kusama museum, to be honest iâm not a huge fan of her work but i enjoy any gallery experience regardless of which work is being shown. I especially enjoyed the polka dot room that you were shut inside for a minute or two. i was lucky enough to experience it on my own so i just sat on the polka dot couch and pondered hahah. during my last days in tokyo i opted to take the bus most places as i wanted to see the city and was a little over trains, iâm so glad i did this as i became much more familiar with my surroundings than i would of if i had travelled by subway, the slow journeys were also very meditative. that night i got dressed up for group karaoke and made my way to shibuya, by bus of course. one thing i didnât factor in when picking my outfit was creepy men and i was unfortunately aproached while i was alone outside the karaoke place. it was an older japanese man, speaking japanese and looking me up and down, he was obviously trying to buy my time which made me feel disgusting. i ran away but the damage had been done and i felt really anxious and gross for the rest of the night. the sex culture is very strange in japan. itâs so repressed yet so overt. love hotels are everywhere and very obvious when they have huge signs saying however much yen per hour, sex toys are in stores like don quijote next to childrenâs toys, host clubs and maid cafes are promoted everywhere and many of the anime stores have very questionable sexualised merchandise of underage cartoon characters. itâs hard to ignore and frankly itâs gross. as a woman i felt very uncomfortable with the sex culture in japan. the same night i was approached by that man me and my friend where walking back to our hotel when two men jumped out in front of our path and tried to get us to go with them, of course we just kept walking but that night was probably the most unsafe i have felt in japan.
i started my next day with a walk through the meiji jingu gardens. it was raining a lot that day so it was very muggy and sticky. as i walked the gardens i noticed alot of the trees had strange funnels leading down from their trunks to their roots, it almost looked like they had robotic tenticles. i found it super interesting and inspiring and i took multiple photos for future art reference. i once again visited harajuku and shibuya and ended up spending alot of money on some very funky shoes. the brand is called âgroundsâ and i bought them at âsheepâ in laforet, they have huge bubbles on the soles and i love them, i donât know what else to say. after iâd bought those i visited a store in shibuya called âradd loungeâ, they carried small designers including some from melbourne. the store owner was so kind and he told me heâs had lots of australian visitorâs recently. i ended up buying a bag with aphex twinâs face on it and the owner ended up taking my photo and posting it on his blog. later that day i joined my friends for a very tasty dinner at an indian restaurant before going back to shibuya to a bar inside a church. the bar aptly named âchurchâ had nun bartenders, pews for seats and a dj under the cross. smoking was allowed inside and the drinks were unbelievably cheap so we ended up having a great time. i love church decor/architecture so it was really quite inspiring too. after the day was done my phone reported that i had done 30,000 steps in the last 24 hours... i slept well that night.
my last full day in tokyo (what i thought was my last full day) started with a visit to a market in marunochi. i ended up splurging a little and buying lots of little trinkets, including a big vintage metal bell and two awesome bug prints. after the market i took my friends to omotesando/harajuku and showed them all the cool galleries and storeâs iâd found, the shop assistants in radd lounge and sheep both recognised me and said hello hahha. i didnât do much else that day as i was pretty exhausted
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#Natura Classica#film photography#35mm#35mm film#35mm photography#vehicle#street#marunochi#defoliation#sunday
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Good morning Tokyo. #marunochi . #huawei_photographers #instagramjapan #instagramtokyo #japantourism #explorejapan #japanculture #streetart #adventure #dailyphoto #urbanandstreet #yutenji #japanphotography #japanfocus #nippon #instajapan #jpn #nihon #igersjapan #japanlife #japanlove #hauwei #japanese #japan #tokyo https://www.instagram.com/p/B61XJ2TgBHf/?igshid=1uvn8ia919a2a
#marunochi#huawei_photographers#instagramjapan#instagramtokyo#japantourism#explorejapan#japanculture#streetart#adventure#dailyphoto#urbanandstreet#yutenji#japanphotography#japanfocus#nippon#instajapan#jpn#nihon#igersjapan#japanlife#japanlove#hauwei#japanese#japan#tokyo
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#ăčăăȘăŒăăăąă #éăăȘć€ ć€ăź #äžžăźć
#äžžä»Čéă #streetpiano #marunochi (äžžăźć
ä»Čéă) https://www.instagram.com/p/CiZuKvurzpp/?igshid=NGJjMDIxMWI=
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Selvia Party Printed Women Size: S, M, L, XL Round Neck, Bell Sleeves Fabric: Rayon Pattern: Printed Type: Regular Top Pack of 1 . . . . . #topshot #marunouchiline #gamismarun #bluesapphire #trimsalon #bluemakeup #topshopgirls #bluenails #bluelivesmatter #topsongs #topselfiekragilan #blueridgemountains #marunochi #trimbach #tagify_app #bluepit #extrim #topshopth #topsandbottoms #topsailbeach #trimwork #blueyes #bluesky #bluefamily #countertops #freshtrim #trimthetree #tops #marunhenna #bluetickcoonhound (at Shriya Fashion) https://www.instagram.com/p/CSDh5-FKeYe/?utm_medium=tumblr
#topshot#marunouchiline#gamismarun#bluesapphire#trimsalon#bluemakeup#topshopgirls#bluenails#bluelivesmatter#topsongs#topselfiekragilan#blueridgemountains#marunochi#trimbach#tagify_app#bluepit#extrim#topshopth#topsandbottoms#topsailbeach#trimwork#blueyes#bluesky#bluefamily#countertops#freshtrim#trimthetree#tops#marunhenna#bluetickcoonhound
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TáșĄi háșĄ QuĂĄch TĂčng chĂt của QuĂĄch Tá»nh xin dc má»i ngÆ°á»i chá» giĂĄo cho vĂ i chiĂȘu mĂșa quáșĄt :))))) #tokyo #marunochi #reiwa #japan (at Ginza, Tokyo, Japan) https://www.instagram.com/p/Bw8_XqjgEMz/?utm_source=ig_tumblr_share&igshid=bxxl12yc5b0s
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#nostalgicplace #marunochi #centurycourtmarunouchi #travelphotography #wanderlust #100yearsold (at ă»ăłăă„ăȘăŒăłăŒăäžžăźć
) https://www.instagram.com/p/BscdBTQgeNU5ia5EmPNuI5vNDujhQeoPdkIsgU0/?utm_source=ig_tumblr_share&igshid=z0sryp6o1mx3
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A few snaps of the beautiful Tokyo Station and the Marunochi area of Tokyo đŻđ” Planning to head over to #Tokyo anytime soon? Go and read the first part of my Tokyo Travel Guide over on my blog, where I'll take your around the #StudioGhibli museum, Inokashira Park, Kichijoji, Tokyo Station and the First Avenue shopping centre. #tokyostation #marunochi #tokyo #æ±äșŹ #äžžăźć
#ontheblog #creativeblogger #creativeblog #abmtravelbug #wanderlust #traveltuesday #exploremore #exploretocreate #passionpassport #welltravelled #justbackfrom #followmetoo #passportexpress #dametraveler #openmyworld #goplayoutside #letsgosomewhere #ourplanetdaily #travelstoke #wonderful_places #travelblog #tokyoguide #japantravelguide
#japantravelguide#tokyostation#marunochi#abmtravelbug#äžžăźć
#tokyo#justbackfrom#followmetoo#exploretocreate#traveltuesday#wanderlust#studioghibli#creativeblogger#ontheblog#dametraveler#tokyoguide#passportexpress#travelstoke#æ±äșŹ#ourplanetdaily#creativeblog#openmyworld#exploremore#letsgosomewhere#welltravelled#goplayoutside#travelblog#wonderful_places#passionpassport
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The red brick Marunochi Station building of Tokyo Station has become a Tokyo landmark. Tokyo station opened in 1914 and now has 28 platforms, making it one of Japan's largest stations, and it serves over 450,000 people a day. In 2012, this station was designated as an important cultural property and restored to its original state. One ofthese restorations is located in the South and North Domes of that station. Part of the relief work still remained in these domes, even though a lot had been burned away duringthe war. The restoration process saved what still remained and preserved this work. Make sure to stop buy and take pictures of these historical domes. Also, inside the ticket gates, there's a shopping area called 'Ekinai' where you can find many shops selling Tokyo souveniers,and bento lunch boxes. #jpncraze #japan #tokyo #wanderlust #travel #travelgram #history #æ±äșŹ #æ„æŹ #æ
èĄ #æ
#æ±äșŹé§
#tokyostation #chiyoda #ć代ç°ćș (at æ±äșŹé§
(Tokyo Station)) https://www.instagram.com/p/CQ_KdkHA43H/?utm_medium=tumblr
#jpncraze#japan#tokyo#wanderlust#travel#travelgram#history#æ±äșŹ#æ„æŹ#æ
èĄ#æ
#æ±äșŹé§
#tokyostation#chiyoda#ć代ç°ćș
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Mitaka adventure 10/4
I believe I forgot to make a post about my very spontaneous trip to National Astronomical Observatory Of Japan in Mitaka. I was taken there by my friend from Morrie fandom, Luka.Â
It took about an hour to go there from where I lived (8 minutes by metro from Shinjuku Station). We had to take Marunochi line to Ogikubo. Then, a JR train from Ogikubo to Mitaka. And finally in Mitaka - a local bus that passes by the observatory.Â
Itâs an actual working facility, but you can enter the premises for free, as a visitor. You only need to sign up at the gate. However, they stop letting in tourists after 16:30. We received some flyers (they have these in English). Also the information at each historical building is also in English.
The reason why we went there, is because Morrie held a photoshoot there earlier this year, for ROCK AND READ. Of course each of us had the magazine in the bag, a sort of a âguideâ.
As a visitor, you are only allowed in certain part of the facility and itâs mostly historical buildings from XIX and XX century.
Of course we had to sit on the same step as Morrie did:
(from R&R ameblo blog)
Notice Lukaâs cool fan with Morrieâs faces!
(from R&R ameblo blog)
(from R&R ameblo blog)
For some reason there were lots of damn big spiders and huge spiderwebs, so going to that white wall was damn risky, because I was very scared of spiders and almost panicking. But with Luka cheering on me, anything was possible. It truly was a âspider in the brainâ . . .Â
Anyway, I really recommend visiting the National Astronomical Observatory Of Japan in Mitaka! It can make a nice (half)day trip if youâre staying in Tokyo.
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This is another shot from 2014. While wandering around Tokyo station I came across this plaque with an unusual warning that pedestrians should use caution if they are near this building during an earthquake. This type of seismic isolation system allows the building to move up to 30-cms (about 12-inches) during an earthquake. Iâve seen these on several buildings throughout the city but havenât had the opportunity to experience it action. Hope I never do, it would freak me out if this enormous building slid a foot suddenly especially if I was looking for something to grab onto to keep me from falling over during a quake! 20 January 2014 2018 © Michael Mercado // lost-tokyo.blogspot.com // lost-edo.tumblr.com // www.facebook.com/Lost.Edo ă ă #TokyoStation #SeismicIsolationSystem #SeismicIsolation #Signs #Marunochi #äžžăźć° #Chiyoda-ku âŻć代ç°ćș#æ±äșŹéœ #æ±äșŹ #Japan #æ„æŹ #NoFilter #OriginalPhotography #OriginalPhoto #Nikon #NikonD600 #D600 (at æ±äșŹé§
(Tokyo Station))
#d600#signs#seismicisolationsystem#nikon#originalphoto#tokyostation#æ±äșŹéœ#æ±äșŹ#æ„æŹ#nikond600#marunochi#chiyoda#japan#nofilter#äžžăźć°#seismicisolation#originalphotography
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#Natura Classica#film photography#35mm#35mm film#35mm photography#shop#street#marunochi#osanpo#sunday
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