#martin gerlach

[nemfrog]

Skeletons. Das thierleben in Schönbrunn. 1904.

Internet Archive

[weirdlookindog]

Martin Gerlach (1879–1944) - “Day and Night”

Plate 116 from the ‘Allegorien’ series, 1900

[yama-bato]

Blumen un Pflanzen, Martin Gerlach

[mysterious-secret-garden]

Martin Gerlach - Marine monster abducting a young woman (detail), Allegories, c. 1900.

[geritsel]

Koloman Moser - a selection of sheets from Die Quelle, a 3-volume portfolio devoted to surface decoration, c. 1900. (About) & (Image source)

[morbidlymusing]

When I think about God, I think about hiding. The way a child hides. In hopes of being found.

-Kate Cayley, "Lent"

Visions of Ecstasy (1989) / For Those Who Can Ride in an Airplane for the First Time, Anis Mojgai / The Black Wing or the Touch of an Angel, Robert Ferreri / Pietà, William-Adolphe Bouguereau / Chop Suey!, System of a Down / Die Perle, Martin Gerlach / Death in Venice (1971)

[manuelamordhorst]

Tipp: Substanz und Oberfläche - Saarbrücken

14.11.2024 – 05.01.2024 Saarländisches Künstlerhaus Saarbrücken e. V. Who is gonna miss me | Heide Nonnenmacher Eine Substanz kann von ganz unterschiedlicher Qualität sein. Und doch schwingt Anerkennung mit, wenn wir von etwas sprechen und den Ausdruck benutzen: „Das hat Substanz!“. Dann ist dieses Etwas von Grund auf gut. Es gibt uns das Gefühl, hier will uns niemand etwas vormachen. Es ist…

[clawmarks]

Allegorien, neue Folge. Originalentwv̈rfe von namhaften modernen Kv̈nstlern -Martin Gerlach - 1900 - via Internet Archive

[germanpostwarmodern]

Amalienbad (1923-26) in Vienna, Austria, by Karl Schmalhofer & Otto Nadel. Photo by Martin Gerlach jun.

[publicdomainreview]

Martin Gerlach's Festoons and Decorative Groups of Plants and Animals (1893), was meant as a reference manual meant for inspiring artists and artisans, but is a work of art in its own right: https://publicdomainreview.org/collection/martin-gerlach-festons

[solcattus]

Allegory of Life, 1882

By Martin Gerlach

[weirdlookindog]

Martin Gerlach (1879–1944) - “Marine monster abducting a young woman”

detail from the Plate 003 of ‘Allegorien’ series, 1900

[yama-bato]

Martin Gerlach

[themuseumwithoutwalls]

MWW Artwork of the Day (6/2/24) Gustav Klimt (Austrian, 1862–1918) Allegory of Sculpture (1889) Black chalk, graphite & gold leaf, 3.5 x 30 cm. Austrian Museum of Fine Arts, Vienna

This watercolor painting represents the symbolism of his early work: In the center, the naked personification of the sculpture, adorned with hair ornaments that appear Hellenistic, a snake bracelet, earrings, and a golden, delicate necklace. In her left hand she holds a Victoria with a laurel wreath who is balancing on the globe. The background of the picture features common sculptural motives from antiquity such as the "Boy with Thorn," "Athena Parthenos," as well as "Juno Ludovisi" -— enthroned above all. In 1897, Martin Gerlach’s "Allegorien. Neue Folge" [Allegories. New series] was published in which Klimt again refers to the theme of allegorical depiction of sculpture but strongly breaks up the antique-like depiction.

[geritsel]

Koloman Moser - Bookplate Spring, In collaboration with Martin Gerlach. Lithograph in the series 1895-1900 Allegorien: Neue Folge.

[shuckedcamera]

Martin Gerlach, 1897