#marti dodson

[myvinylplaylist]

Saving Jane: Girl Next Door (2006)

Republic Records

[denzwei]

PASSPO☆ - Pretty Lie

Bulgarian translation of PASSPO☆ - Pretty Lie/ Български превод на PASSPO☆ - Pretty Lie

LYRICS + COMPOSITION : Marti Dodson, Fredrik Thomander, Patric Sarin

LYRICS (JAPANESE): Sakurauriichigo (桜瓜苺)

ARRANGEMENT: Bamboo Helicopter

Сладка лъжа (Pretty Lie)

Всеки човек със сигурност си има своите предразсъдъци, но харесвам да виждам тази твоя страна, когато се притесняваш за най-малките неща, дали ще е ъгъла на веждите ти, или непоносимостта ти към гъсениците И понякога ти ми споделяш своите сладки лъжи Но аз те зная, макар и да идваш да ме видиш по всяко време, не можеш да бъдеш честен със себе си. Аз те разбирам, и всичко е наред, правиш се на по-смел, отколкото си и това харесвам в теб Дори да се увлечеш в чувството си за превъзходство, няма ли да бъдеш смятан за скучен? Докато винаги си нерешителен и всеки ден се притесняваш за проблемите си, ти си силен човек, който е вечно усмихнат И понякога ти ми споделяш своите сладки лъжи Но аз те зная, получавам твоята любов по всяко време, дори да е по-скромния начин. Аз те разбирам, и всичко е наред, под носа си мърмориш "Не е нищо особено", и това харесвам в теб. Защото те разбирам, и затова те харесвам Ти, който си тих сред тълпа от хора, и прям, когато си кажем "довиждане" и лъжите ти, които са толкова очевидни, че не мога да те намразя за тях. Но аз те зная, ��акар и да идваш да ме видиш по всяко време, не можеш да бъдеш честен със себе си. Аз те разбирам, и всичко е наред, правиш се на по-смел, отколкото си и това харесвам в теб Защото те разбирам, и затова те харесвам Защото те разбирам, и винаги ще те харесвам

Original Lyrics

誰でもきっと Complex抱えて生きている 君のそんな一面を見るのが好きで 眉毛の角度とか 毛虫が苦手とか どうでもいいようなこと気にしてるから そして君はたまに可愛いウソをつく But I know you どんな時も逢いに来てくれるのに 素直に なれない君のこと 分かってるよ大丈夫 ほんのついでだなんて 強がる そんな君が好き 優越感なんて 酔いしれてもきっと つまらない人って思われるだけでしょ いつも優柔不断で 悩み多き日々に迷いながら だけど笑顔絶やさぬ君は強い人 そして君はたまに可愛いウソをつく But I know you どんな時も愛を届けてくれる それでも 気取らず涼しげに 分かってるよ大丈夫 どうってことないなんて 呟く そんな君が好き ‘Cause I know だから君が好き 人混みの中で無口な君も 別れ際にそっ気ない君も バレバレで憎めないような ウソをつく君も…woo But I know you どんな時も逢いに来てくれるのに 素直に なれない君のこと 分かってるよ大丈夫 ほんのついでだなんて 強がる そんな君が好き ‘Cause I know だから君が好き ‘Cause I know ずっと君が好き

[lightsofegan]

Co-Writing “Crystal Kinda Girl”: 

 An Opportunity, A Shared Need

  Last October, 2023, I joined the online songwriting community SongTown, founded by Clay Mills and Marty Dodson.  I had just started getting back into songwriting again, and I wanted to try co-writing, so I posted an ad on the SongTown forum looking for co-writers. I kept checking my inbox every day for responses, but two weeks went by since my post, and I still had no responses. Then, a message popped up in my feed from a songwriter named Ira Denis. Ira was a lyricist and was interested in co-writing with me. When I saw Ira's page, one of her song titles "Crystal Kinda Girl" stood out to me. I checked out the lyrics and saw some really cool lines. I immediately thought we could make a cool song out of these lyrics. I picked up my guitar and began to think up a chord progression and vocal melody for the song that fit the lyrics Ira had written (The initial chord progression ended up being the same one that we used on the final version of the song). I spent the next 45 minutes or so working on this song idea, letting the music naturally be unearthed as my mind became immersed in the story of the "crystal kinda girl" that Ira had written about. I kept many of Ira's lyrics. but changed a few lines here and there, and also added a new section where I felt that it was needed. Within about an hour, the whole song was done; one of those rare writing sessions where everything just seems to flow out naturally. 

  Writing this song, and working on this collaboration with Ira, has been a meaningful experience for me, both because it is the first real co-write I have done since getting back into songwriting (my first co-write in over 15 years), and because it came at a time when I couldn't find any real opportunities for co-writing with other songwriters. Everyone has to start somewhere, and this was my first opportunity. I have a feeling that Ira feels the same way; I think both of us were looking for someone to give us a shot, and out of that longing for collaborative opportunity, Crystal Kinda Girl was born. Without the music I discovered, Ira's lyrics were only an inspired concept, not a finished song. But without Ira's lyrics, our finished song could never have come together. Just as much as Ira needed a melody writer, I needed a lyricist. We needed each other at that moment, and I like to think we both knew it. Our song “Crystal Kinda Girl” was birthed out of necessity; this shared need, mixed with a little bit of experimentation, a healthy dose of discovery, and a whole lot of wonder.

-Cameron

LINK to clip of Crystal Kinda Girl, releasing in February 2025:

AND, Linktree for our new project, Lights of Egan (our first single release will be out January 24th, 2025):

[appro880]

Heroes: Kenneth Dodson and His Younger Brother Axel

Here Are the Two New York Police Officers, Who Prevented a Crazy Woman From Burning Down the MLK Birth Home...

They Happened to be Visiting the King Center in Atlanta, Noticed What Was About to Take Place, And Immediate Action...

Many Thanks to These Brave and Vigilant Men...

[allamericansbitch]

who/what is saving Jane?

[theatredirectors]

268 Directors and the end of the blog

This post marks the end of the Ask a Director experiment. I’m so grateful to all who have contributed, supported and engaged with it over the past six and a half years. 

This blog was started at a time when I felt incredibly alone in the directing field. I had always been taught that a director operates solo, that it was a lonely career and above all, it was based on scarcity. This was a style of working and living that didn't fit for me. I wanted to talk to other directors about their practice and thoughts about the field, both national and international. This blog was started as a way to connect, to uplift other directors and to create a conversation about the changing field and practices. 

It's surpassed all of these goals and brought me more joy than I can name. 

I'm now at a moment where my practice and advocacy are taking different and exciting paths and it's time for me to put this site to bed. I remain committed to uplifting other directors, to talking about the practice, to flattening hierarchies, to opening doors for new ways of working, and leading rehearsal rooms, companies, and classrooms away from silos and vacuums. Featuring these 268 different directors was just the beginning. 

I encourage you all to hire them (and others), advocate for them (and others) and choose to work in a system that values connection and generosity. 

Abhishek Majumdar

Adam Fitzgerald

Alice Stanley

Aliza Shane

Amanda McRaven

Amy Corcoran

Amy Jephta

Anisa George

Ana Margineau

Andrew Scoville

Anna Stromberg

Anne Cecelia Haney

Ariel Francoeur

Arpita Mukherjee

Ashley Hollingshead

Ashley Marinaccio

Andrew Neisler

Beng Oh

Ben Randle

Ben Stockman

Benjamin Kamine

Beth Lopes

Bo Powell

Bogdan Georgescu

Bonnie Gabel

Brandon Ivie

Brandon Woolf

Brian Hashimoto

Cait Robinson

Caitlin Ryan O’Connell

Caitlin Sullivan

Catie Davis

Cara Phipps

Carol Ann Tan

Carsen Joenk

Chari Arespacochaga

Cheryl Faraone

Chloe Treat

Christin Eve Cato

Christine Zagrobelny

Christopher Diercksen

Colette Robert

Colleen Hughes

Cyndy Marion

Dado Gyure

Dan Rothenberg

Daniel Irizarry

Danielle Ozymandias

Danny Sharon

Dara Malina

David Charles

Dennis Yueh-Yeh Li

Derek Spencer 

Donald Brenner

Doug Oliphant

Eamon Boylan

Elena Araoz

Emily Lyons

Emma Miller

Eric Kildow

Eric Wallach

Eric Powell Holm

Estefania Fadul

Evelina Stampa

Evren Odcikin

Evi Stamatiou

Francesca Montanile Lyons

Gabriel Vega Weissman

Gian Marco Riccardo Lo Forte 

Graham Schmidt

Gregg Wiggans

Hannah Ryan

Hannah Wolf

Heather Bagnall

Horia Suru

Ilana Becker

Ilana Ransom Toeplitz

Illana Stein

Ioanna Katsarou

Ioli Andreadi

Irina Abraham Chigiryov

Iris Sowlat

Isaac Klein

J Paul Nicholas

Jack Tamburri

Jaclyn Biskup

Jacob Basri

Jake Beckhard

Jaki Bradley

Jamie Watkins

Javier Molina

Jay Stern

Jay Stull

Jenna Rossman

Jenna Worsham

Jennifer Chambers

Jenny Bennett

Jenny Reed

Jeremy Bloom

Jeremy Pickard

Jerrell Henderson

Jess Hutchinson

Jess Shoemaker

Jesse Jou

Jessi D Hill

Jessica Burr

Jessica Holt

Jillian Carucci

Joanne Zipay

Jo Cattell

John Michael Diresta

John Kurzynowski

Joe Hedel

Jonathan Munoz-Proulx

Jose Zayas

Josh Kelley

Josh Sobel

Joshua Kahan Brody

Joshua William Gelb

Julia Sears

Justin Schlabach

Kareem Fahmy

Karen Christina Jones

Kate Bergstrom

Kate Hopkins

Kate Jopson

Kate Moore Heaney

Katherine M. Carter

Katherine Wilkinson

Kathy Gail MacGowan

Katie Chidester

Kendall Cornell 

Kendra Augustin

Kholoud Sawaf

Kimberly Faith Hickmann

Kim Weild

KJ Sanchez

Knud Adams

Kristin Marting

Kristin McCarthy Parker

Kristin Skye Hoffman

Kristy Chambrelli

Kristy Dodson

KT Shorb

Kyle Metzger

Kylie M. Brown

Larissa Fasthorse

Larissa Lury

Laura Brandel

Laura Steinroeder

Lauren Hlubny

Lauren Keating

Lavina Jadhwani

Jenn Haltman

Leta Tremblay

Lila Rachel Becker

Lillian Meredith

Lily Riopelle

Lindsey Hope Pearlman

Lisa Rothe

Lisa Sanaye Dring

Liz Thaler

Lori Wolter Hudson

Lucie Tiberghien

Luke Comer

Luke Tudball

Lyndsay Burch

Lynn Lammers

Mallory Catlett

Manon Manavit

Margarett Perry

Maridee Slater

Marina Bergenstock

Marti Lyons

Martin Jago

Matt Cosper

Matt Ritchey

Max Hunter

Megan Sandberg-Zakian

Megan Weaver

Meghan Finn

Melissa Crespo

Melody Erfani

Michael Alvarez

Michael T. Williams

Michaela Escarcega

Michelle Tattenbaum

Mimi Barcomi

Miranda Haymon

Molly Beach Murphy

Molly Clifford

Molly Noble

Morgan Gould

Morgan Green

Murielle Borst-Tarrant

Nana Dakin

Natalie Novacek

Neal Kowalsky

Nell Bang-Jensen

Nick Benacerraf

Noa Egozi

Norah Elges

Normandy Sherwood

Olivia Lilley

Orly Noa Rabinyan

Oscar Mendoza

Pablo Paz

Padraic Lillis 

Patrick Walsh

Pete Danelski

Pirronne Yousefzadeh

Portia Krieger

Rachel Karp

Rachel Wohlander

Randolph Curtis Rand

Raz Golden

Rebecca Cunningham

Rebecca Martinez

Rebecca Wear

Renee Phillippi

Renee Yeong

Rich Brown

Rick St. Peter

Robert Schneider

Ryan Anthony Nicotra

Sammi Cannold

Sammy Zeisel

Sanaz Ghajar

Sara Holdren

Sara Lyons

Sara Rademacher

Sarah Elizabeth Wansley

Sarah Hughes

Sarah M. Chichester

Sarah Rose Leonard

Sash Bischoff

Scarlett Kim

Seonjae Kim

Seth Pyatt

Sharifa Elkady

Shaun Patrick Tubbs

Sherri Eden Barber

Simon Hanukai

Sophia Watt

Suchan Vodoor

Stephen Cedars

Steven Kopp

Steven Wilson

Talya Klein

Tana Siros

Tara Ahmadinejad

Tara Cioletti

Tara Elliott

Tatiana Pandiani

Taylor Reynolds

TerryandtheCuz

Tommy Schoffler

Tracy Bersley

Trevor Biship

Tyler Mercer

Wednesday Sue Derrico

Will Dagger

Will Davis

Will Detlefsen

Will Steinberger

Yojiro Ichikawa

Yoni Oppenheim

Zi Alikhan

Zoya Kachardurian

[lawsonwhite]

Great couple of days at The Parlor hosting SongTown for their Creative Experience Workshop 2022! If you’re a songwriter, be sure to check out the great work Marty Dodson and Clay Mills are doing over at SongTown! . . . @songtownusa @martydsongs @claymills2 @parlorproductionstudio #songtowncreativeXperience22 #songtownbash2022 . #songwriter #songwriting #nashville #cowrite #recordingstudio #producer #engineer #singersongwriter #musicrow #tennessee #publisher #musicpublisher #ascap #bmi #sesac #hitsong #countryradio #countrymusic (at Parlor Production Studio) https://www.instagram.com/p/Cjtly8fuJBr/?igshid=NGJjMDIxMWI=

[bluestownmusic]

Recensie: Chickenbone Slim - Serve It To Me Hot

  Recensie: Chickenbone Slim – Serve It To Me Hot   Chickenbone Slim – Serve It To Me Hot Format: CD / Label: Vizztone Label Group Release: 2021 Tekst: Peter Marinus Chickenbone Slim is zanger-gitarist Larry Tevesuit San Diego en hij is 30 jaar actief met zijn Biscuits (Lara Chavez (sologitaar), Marty Dodson (drums, ex-Fabulous Thunderbirds) en Andrew Crane (bas). Op zijn vierde album is de…

[metalindex-hu]

Snail: Fractal Altar (2021)

Snail: Fractal Altar (2021) - https://metalindex.hu/2021/07/09/snail-fractal-altar-2021/ -

„Slow = Heavy” – olvasható a Seattle-i banda Facebook-os névjegykártyáján, és ezzel el is árulták, melyik sávban haladnak a metal széles országútján. Pszichedelikus stoner/doomban utaznak, leginkább a Kyuss nyomvonalán, de muzsikájukban más hatások is felfedezhetők, és ezek eredőjeként új albumukon (is) saját, egyéni hangjukon szólalnak meg.

Bár én csak most ismerkedtem meg a csapattal, nem mai csókákról van szó: az első csigavonalakat még 1992-ben skiccelte fel az a három muzsikus – Mark Johnson gitáros-énekes, Matt Lynch basszusgitáros és Marty Dodson dobos –, akik ma is alapemberei a formációnak. Akkori lendületükből csupán egy nagylemezre és egy EP-re futotta, háromévnyi hangoskodást követően feloszlottak, és csak 2008-ban indultak újra. Méghozzá kvartettként: a 2009-es Blood-on és a 2012-es Terminuson egy második gitáros, Eric Clausen játéka is hallható, az utóbbi két albumon viszont már újra trióban csapolják a hol vékonyabban csordogáló, hol súlyosan hömpölygő olvadt fémet.

Vagyis a Fractal Altar már az ötödök nagylemezük, amely digitálisan április utolsó napján látott napvilágot, az olasz Argonauta Records viszont azóta CD- és vinyl-formátumban is hozzáférhetővé tette az albumot. Magát a nyersanyagot azonban a zenészek ától cettig önerőből hozták létre: a felvételeket Matt Lynch készítette, keverte és maszterizálta, a frontember kiegészítő ének- és gitártémáit otthon, a felesége rögzítette, a borító hátoldala pedig Matt Lynch feleségének a keze munkáját dicséri.

A nyitó Mission from God-ban a basszus ugyanúgy búg, mint anno Nick Oliveri vagy Scott Reeder ujjai alatt, a Snail azonban jóval inkább klasszikus struktúrákban gondolkodó, dal(lam)centrikus banda, mint a Kyuss volt. Utóbbi csapat nagy rajongójaként mondom, hogy Mark Johnson hangja sokkal kellemesebb, mint John Garciáé. Lágy, középtónusú orgánuma, hajlításai erősen emlékeztetnek a Queens of the Stone Age-es Josh Homme, és halványan Jerry Cantrell (Alice in Chains) hangszínére, énekstílusára.

(balról jobbra:) Matt Lynch, Mark Johnson és Marty Dodson

Kedvenc dalom a lemezről a Not Two, amely lágyan, fél évszázaddal ezelőtti pszichedelikus popdalok stílusában indul, majd „bekatonásodik”, feszesebb ritmusra és szigorúbb hangnemre vált. Később is visszatér még a lálálálálálá-hoz, de ismét csak a refrén lesz az, amire a hallgató hajlamos himbálni a fejét (én pedig feljebb tekerem a hangerőt).

A Kyusstól koncepciójától való különbözőség az album második felében, a The False Lack című nótától válik mind nyilvánvalóbbá. A továbbra is domináns stoneres ízekbe grunge-os, alteres felhangok vegyülnek, ami mindenekelőtt Johnson hangjában, énekstílusában ölt testet, plusz a muzsika alapvetően lassabbá, lágyabbá válik. A zene „természetesen” jó adag retró életérzést, 60-as, 70-es évekbeli örökséget is hordoz magában. A Nothing Left for You-t nem véletlenül tartják a lemez leg-Queens of the Stone Age-esebb szerzeményének, más nótákban pedig némi Nebula-, AIC- és Nirvana-feeling is tetten érhető.

A bő 37 perces anyag dalai három-öt perc között mozognak, egyedül a címadót veszik kifejtősebbre és görgetik majdnem kilenc percen át. Ez a szerzemény a stílusra oly’ jellemző művészi kiteljesedés terepe: mintha a Pink Floyd jammelne, mondjuk, a Sleep-pel. Elgondolkozóbb, önismétlőbb és ezért számomra valamivel unalmasabb nóta is, mint az előtte felcsendülő tételek. Ami olyan szempontból lehet negatívum, hogy a lemez lepörgése után leginkább ez marad meg a hallgatóban, és ha kevésbé jött be, akkor a többi számot, az album egészét is ez alapján ítéli meg. A komolyabb stoner/doom muzsikák kedvelőinek viszont lehet, hogy éppen ez a darab nyeri el a tetszését, és feledteti velük az előző hét, jóval populárisabb nótát.

A lényeg, hogy mindenki kap valami kedvére valót, én viszont éppen teremtésüknek e koronája (a címadó szám) miatt nem adok maximális pontszámot az anyagra: az addig tökéletesen lekerekített, tenyérbe simuló objektumokat a Fractal Altar képében egy nyersebb, szögletesebb darab követi, ami kiránt az első szűk félóra jóleső lebegéséből, és egy egészen másfajta állagú és hőmérsékletű fürdőbe merít.

Az említett, apró “szépséghibával” együtt is szeretem ezt az anyagot, számomra eddig az irányzat legjobb darabja ebben az esztendőben, és a csapat korábbi munkái iránt is felkeltette az érdeklődésemet.

[hookist]

2x #Grammy nominee and 16x @ascap award winning #songwriter, @claymills2 @claymillsiii is leading a global virtual #songwriting collaboration at Hookist.com! The theme for our song is "Lost Love That Made Me Better" - whatever that means to you! Go to Hookist.com now and submit what you think will make the best TITLE for our song based on the winning 1st line In the Song In Progress. Clay will choose the winning title on Thursday 3/14/19! Clay has written 6 #1 songs, including @DariusRucker‘s huge hit, “Don’t Think I Don’t Think About It.” He has six Top 5 singles, 12 Top 40 singles, and he has over 150 major artist cuts from an awesomely diverse group of stars including @Babyface @ladyantebellum @reba @gaithermusic @lonestarofficial @DariusRucker @trishayearwood and @eastoncorbin Corbin Clay is also the co-founder, with his partner, hit songwriter, Marty Dodson, of an incredible resource for songwriters @songtownusa – check it out! Help us write a song now at Hookist.com! (at Nashville, Tennessee) https://www.instagram.com/hookistmusic/p/Bu7qrFRgbdi/?utm_source=ig_tumblr_share&igshid=5xslc4vvx0x2

[bounavita-becreative]

"War" -Bob Marley "Until the philosophy  Which hold one race superior and another Inferior Is finally And permanently Discredited And abandoned Everywhere is war Me say war That until there no longer First class and second class citizens of any nation Until the color of a man's skin Is of no more significance than the color of his eyes Me say war That until the basic human rights Are equally guaranteed to all Without regard to race Dis a war That until that day The dream of lasting peace, World citizenship Rule of international morality Will remain in but a fleeting illusion to be pursued, But never attained Now everywhere is war War And until the ignoble and unhappy regimes That hold our brothers in Angola In Mozambique South Africa Sub-human bondage Have been toppled Utterly destroyed Well, everywhere is war Me say war War in the east War in the west War up north War down south War war Rumors of war And until that day, The African continent Will not know peace, We Africans will fight we find it necessary And we know we shall win As we are confident In the victory Of good over evil Good over evil, yeah Good over evil Good over evil, yeah Good over evil." Songwriters: Marti Lynn Dodson Green/Mats Valentin https://www.instagram.com/p/BtrbC_RnPSP/?utm_source=ig_tumblr_share&igshid=1x33un44q8jh3

[josh-images]

Martin Francis King, of Jackson Hole, died Feb. 6 while listening to music and holding hands with his wife. His family provided the following.

Marty’s intelligence, sense of humor, kindness and empathy bound him to his family and friends. Those closest to him were most struck by his deep concern for others, his humility in the face of the successful life he built (despite his difficult upbringing) and his outgoing and gregarious nature. He was a wonderful and loving father who exemplified his core values of intellectual curiosity, education and empathy. It was the combination of these remarkable traits that made him a great man.

Marty was born Oct. 10, 1937, to Thomas and Catherine King in Boston and grew up in the strong Irish culture of the Dorchester area of South Boston. Raised almost entirely by their mother, who fought to keep a roof over their heads and food on the table, Marty and his brother, Tom, took strikingly different paths. While Marty led a life of educational pursuit, Tom became involved in organized crime and was murdered in 1974 by then-rival and later notorious mob boss Whitey Bulger.

Marty worked odd jobs while attending Boston Latin School, the oldest public high school in the country, and Massachusetts Institute of Technology. Graduating from MIT with a Bachelor of Science in mathematics, he took a job with IBM in New York City, where he worked as a programmer on one of world’s first mainframe computers.

Upon earning his medical degree at the University of Rochester Medical School, Marty returned to Boston for his residency at Harvard Medical School’s teaching hospital, acting as teaching fellow in pathology. During those years he met and married Flora King. They had two sons, David, born in Boston in 1967, and Anthony, born in San Antonio in 1972.

Joining the Air Force after deferred enlistment, Major Martin F. King, M.D., taught and practiced pathology at the Wilford Hall Medical Center, where he was promoted to chief of surgical pathology. He then accepted a position at a private pathology practice in Corpus Christi, Texas. They raised their boys, enjoyed community life and made many good friends. Marty and Flora divorced during those years.

In 1991 Marty retired as a partner from medical practice to return to his first love, the study of mathematics and physics. At this time he began his life with Melene Dodson, a lawyer and judge who had been a friend for years. In 1967 they moved to Austin, Texas, where she could continue to work and he could take classes at the University of Texas. When Melene retired in 2001, they moved to Jackson Hole.

Marty hiked, read, made friends, and lived the Hole Life. He truly loved the valley and the community here, particularly his neighbors in Rafter J, with whom he developed deep and enduring friendships.

In 2007 Marty was diagnosed with multiple myeloma and became Patient One in an aggressive tandem transplant protocol at the Huntsman Cancer Center in Salt Lake City. Though he was physically undermined and weakened by the treatment, it gave him another decade with Melene, his family and his friends.

Marty is survived by his wife and partner of 26 years, Melene Rowe Dodson; sons David M. King and Anthony A. King; stepsons Avram R. Dodson and Joseph A. (Austin) Dodson; daughters-in-law Natalie King, Kara King and Priya Sircar-Dodson; and grandchildren Katherine King, 16, Walker King, 13, Gabriella King, 13, Samuel Martin King, 11, and Lekha Sircar-Dodson, 1 month.

[evermore55]

(Midnight Mama Music)

[kataklizmic]

"Mesa, AZ — Songwriters doing “rounds” is a staple in the Nashville music scene, but it is a rare treat to the Metro Phoenix area. The CMA Songwriters Series launched in 2005 and has brought a little of that Music City culture to cities all over the world. The CMA website claims that the series has featured nearly 200 gifted storytellers who collectively have 100 CMA Song of the Year nominations. The 2019 season show that graced the intimate Piper Theater stage at the Mesa Arts Center was a stellar all-female cast..." See more at: http://bit.ly/cma-songwriters-series_8-21-19

Author, Photographer: Mark Greenawalt | Manager, Chief Editor: Katherine Amy Vega

BurningHotEvents.com by Kataklizmic Design

[riffrelevant]

DIESEL BOOTS Debuts "Whisky 'N' Tears" Single & Official Video

DIESEL BOOTS Debuts “Whisky ‘N’ Tears” Single & Official Video

Article By: Pat ‘Riot’ Whitaker, Senior Writer/Journalist ‡ Edited By: Leanne Ridgeway, Owner/Chief Editor

Singer and songwriter DIESEL BOOTS is the Delta blues / outlaw-psych playing alter ego of one Collyn McCoy (Trash Titan, The Ultra Electric Mega Galactic, ex-Aboleth). (more…)