#mark v peterson

[largemouthbassnation]

Hungarian Partridge, Wyoming - Day 3: The Journey Within - A Bird Hunter's Diary | Mark V Peterson

MarkPeterson #TheJourneyWithin #WTA In Part 3, Day 3, Mark Peterson wraps up his time in Wyoming upland hunting with an … source

[faultlessheart]

my sexual orientation is strahm in his leather jacket btw

[tjgenvs3000f24]

Modern Nature Interpretation

In the new age of entertainment, dominated by on-demand content from streaming services to YouTube, nature interpretation can and has reached new heights in popularity and effectiveness. BraveWilderness on YouTube, Maya Higa on Twitch, and the entire Planet Earth series come to mind, adapting to their respective platforms to build their brands of nature interpretation. As with anything new, however, there are plenty of pros and cons to discuss in this new world of online and on-demand nature interpretation content.

© John Cairns / Wikimedia Commons / CC-BY-SA-3.0 / GFDL

First and foremost, the biggest pro of online and on-demand nature interpretation is its accessibility. Though some content might be locked behind a paywall, such as on Netflix, Hulu, or other streaming sites, videos and live streams on YouTube and Twitch are entirely free to watch. As the internet and smartphones become globally widespread, videos become more and more convenient and available. Coyote Peterson, the host of BraveWilderness, and Maya Higa use their platforms to communicate to their extensive and diverse audience, teaching them about what makes animals so fascinating, how to be safe and respect them, and why nature needs to be protected. To do this, they mainly focus on the most interesting facts, keeping terminology simple, using diagrams or footage of the animal, and presenting with a charismatic and engaging personality. As a zoology major, keeping terminology simple and digestible is what I appreciate and admire the most, as I don't imagine many people have an anatomical understanding of how spiders breathe or the distribution patterns of mussels in Ontario's water systems. This accessibility can be essential to those who don't have access to nature, those who don't have the materials to learn about it, those just getting into the topic, or even those who want to see a cool animal and learn a cool fact about the world around them. Online nature interpretation can connect to all age groups, education levels, and financial classes, as long as they have access to the internet and an interest in nature, and is essential to help push the creation of more "citizen scientists," as Washington Wichara's TED Talk describes them.

© Mark Vins / https://www.youtube.com/watch?v=sB_9TIEL5Vo / CC-BY-SA-3.0 / GFDL

The issue that clashes with this accessibility is the lack of personal connection and direct, in-person appreciation of nature. A peaceful walk through nature, hearing the animals around you, appreciating the silence and wonder of it all, that has not been recreated by technology yet (though I'm sure virtual reality is getting closer every day). In my experience as a nature interpreter during my time as a camp counsellor, this in-person experience was crucial. The connection kids got while walking down the rabbit trails, surrounded by nature, finding an interesting bug, a peaceful place to sit, or a plant they've never seen, that just can't be beat. Teaching them about the things they saw with their own eyes - the things they thought were interesting - opens kids up to look around and be curious. They ask questions and learn, and what more can a nature interpreter ask for?

What do you think? Do you have any favourite nature series or content creators? I'm always excited to see new content and expand my horizons, so don't be afraid to share!

[my-chaos-radio]

Release: March 10, 1994

Lyrics:

Maybe one day we'll be united

And our love won't be divided (ooh ooh ooh ooh ooh ooh)

Maybe one day we'll be united (ooh ooh)

And our love won't be divided (oh oh oh)

Maybe one day we'll be united (oh oh yeah)

And our love won't be divided

Maybe one day we'll be united (ooh ooh ooh)

And our love won't be divided (oh oh oh oh oh)

If love a-was a thing a me say money could a-buy

The rich man would a-live a me say poor man would die

If freedom was a thing they would a-keep upon the earth

Happiness a-would abundant, unity would give birth

In a hungry nation, yes you get a hungry people

That is mentally cripple and a kinda always wrong

Gunshot and fire in a-South Africa

And the youth them a-suffer in a-Dominica

Peace! I gotta plea for call

I see too many kids and they simply falling

In the streets, it's strife, a waste of a life

Cause he died by the bullet or he's stabbed with a knife

But yo, it ain't no way to go

You can't kill the next man just to get the dough

We gotta fight tonight but we gotta fight right

Can't fight for the dough, we gotta fight to unite

Maybe one day we'll be united (oh yeah yeah yeah)

And our love won't be divided (ooh ooh yeah yeah)

Maybe one day we'll be united (united)

And our love won't be divided (oh oh oh oh oh oh)

In America the problem take over

Robber shot Peter Tosh in Kingston, Jamaica

Me not joke, me not play, me not just talk

Respect Abu-Baka, respect Mandela

Bob Marley, intelligent Rasta

Singing for world peace is Mr. Stevie Wonder

If you live by the gun a-you will perish by the God

And when Jah-Jah time come in Babylon them have fe run

We need O-N-E L-O-V-E, U-N-I-T-Y, before we all die

But you don't listen, you don't understand

Still kicking the bullshit, tryin' to be the man

Why you wanna go and do your old piece

Cause we're all rough and we're from the streets

You gotta go against the man with ya corporation

Get an education to rebuild the nation

Songwriter:

Maybe one day we'll be united (oh yeah yeah yeah)

And our love won't be divided (ooh ooh yeah yeah)

Maybe one day we'll be united (ooh ooh ooh)

And our love won't be divided

Maybe one day we'll be united (united)

And our love won't be divided (ooh ooh yeah yeah)

Maybe one day we'll be united (united)

And our love won't be divided

Frank Peterson / Alex Joerg Christensen / Mark Wahlberg / Joseph Paquette

SongFacts:

👉📖

[underpressurerpg]

RESERVAS DE FACE CLAIM

ACTUALIZACIÓN: 15/08.

01 HRS SAO PAULO, BRASIL

Agostina Goñi —Bunnie

Ahn Bo Hyun—Delta

Alex Mandon Rey—blue

Alicia Bercan—mariposa

Andrea Faccio—Italini

An Yu-jin — Minnt

Annie Schröter —sunflowergalaxy

Anselmo Prestini - Muffin

Anouchka Gauthier—Diosa

Ashley Marie Dickerson—fluffy

Arielle Chartrand—rorie

Bach Buquen —Betty

Bae Jin Young —babyGrl

Barbara Palvin—Frutilla

Belle Delphine —AquaBuyer

Bertug Altan - Dean

Bridget Satterlee—Boo

Camilla Cabello—Patata

Camille Pidoux —Juliette

Camryn Cangas—Samurai

Candella Gallo—Selket

Cha Eun Woo—Tremor

Charlie Schroeder —PHDP

Charleen Weiss — Stardust

Charly Jordan—flameshh

Christian Hogue—Banana

Christian Locke - LondonBoy

Christina Nadin—Killerqueen

Crystal Bellotti - Zai

Choi Soo Bin - Law

Choi Yeon Jun — Marina

Cole Sprouse —snow

Corinna Kopf - buffay

Damian Hardung —Wolf

Damiano David—chaotic

Daniel Illescas— Neon

Darwin Gray—Sunflower

Dasha Taran —Remember

Davide Vavalà —Jaws

Daisy Keech - Kerosene

Dekota Thompson—Caleidoscopio

Deva Cassell—blueberry

Diana Avel—cerise

Drew Baker —Coca-cola

Dove Cameron—Frambuesa

Eduard Torres—Kid

Ella Cervetto—Bloom

Emilia Mernes—Pokemaniaca

Emily Rudd — Nina

Ergi Bardhollari—Rojita

Erand Arifi — Supernova

Ester Expósito —Mermaid

Froy Gutierrez —Sugar

Hailey Bieber—Mía

Hansol Vernon Chwe—tamalito

Hande Erçel - Pez Dorado

Havanna Winter —Fairy

Holly Jai—August

Hwang Hyunjin —bubbletea

Ida Zeille —Lou

Isabel Van Gelder—Betty

Isabelle Matthers—Pink

Jacob Elordi—icequeen

Jacob Rott — Apple

Janis Danner—Triangle

Jang Won-young — Ninin

Jeon Jungkook — euphoria

Joshua Paine —Waves

Josie Lane—Rueth

Jonas Kautenburguer — Stardust

Jung Sungchan —Kaiju

Kate Li —flameshh

Karolis Inokaitis - hana

Kaden Hammond - Leviatán

Kenan Duman—rhcp

Kendall Jenner—vainilla

Kennedy Walsh—chaotic

Kiana Davis — Flora

Kim Mingyu — lalali

Kim Jennie — Harmony

Kim Seok-woo (Rowoon) —crocket

Kim Taehyung (V) —Wotteo

Kit Harington - Cardigan

Kristen Hancher—Frutitas

Lalisa Manoban—Animaloide69

Leah Halton—CopitoLee

Dong-hyuk (Haechan) —KaijuLee

Min-ho (Lee know)—sugarushrush

Lee Felix—tostadita

Liam Fitzgerald — Krampus

Lidia Santana—Antares

Lily Easton—Pimpim

Linuschka — Ritsu

Liza Wdmn—Bloom

Lolalolita—huf

Lorenzo Zurzolo—Sunflower

Loreto Peralta —Red

Louis Darcis—Oblivion

Lucky Blue Smith —Lover

Madison Beer—Abejita

Maggie lindemann — Coliflor

Madisyn Mencha —sweetpea

Maja Kravarusic—Loveme

Mara Lafontan—Maracuyá

Margarida Corceiro —Lou

Marissa Long —Lasso

Matthew Giovanni Laureano —Shibuya

Matthew Noszka — Redemption

Mark Lee—Vermithor

Melisa Döngel — Sunflower

Millie Leer—Chappell

Milana Vino — Mitik

Michael Yerger —Leviathan

Moritz Hau—Mister

Nailea Devora—Betty

Neels Visser—Awesome

Nicha Yontararak (Minnie)—Fanta

Nicole Wallace—cheesecake

Niklas Rueth—Tobby

Nils Kuesel—Copito

Nina Laura—Seasmoke

Ning Yi Zhuo (Ningning)— Disaster

Nolwenn Faijean—loveaffair

Olivia Phillips—Bloom

Omer Nudelman—Arenita

Park Solomon —fairyofshampoo

Paola Cossentino—ivory

Paolo Faccio—Soulmate

Park Wonbin (riize) — sunflower

Rashan MH—Mar

Rob Knighton—Stinson

Romaneinnc—rorie

Ryan Manick—Leprechaun

Sabrina Carpenter—Afterlife

Sara Crumbeleg —Maroon

Sara Fructuoso — Syrax

Saige peterson - Romeo

Seray Öztek—Pandita

Shawn Mendes —Stargazer

Sienna Schmidt—andy04

Sille Staunstrup—Luna

Song Kang—Hammer

Stefan Petrov—Nomando

Sydney Melman—Samurai

Scott Morton — Fae

Taylor Hill —Max

Timothée Chalamet—timburton

Tobias Reuter—Tristeza

Tom Webb - Emociones

Valentina Kumer - loveaffair

Victor Pérez—blue

Vinnie Hacker—Ultimate

Vivian Bernard —Star

Xavier Serrano—Brilliant

Yael Shelbia—Sunfire

Yoo In —Soo—Baby

Yoo Ji-Min (Karina)—Kaiju

Yoon Jeonghan—Versace

Zane Phillips—Piña

Zhang Renlin—garden

[motiva8me]

NEVER SETTLE FOR EASY (2024) - Best Motivational Speech https://www.youtube.com/watch?v=s2aupCXHKRk #keeppushingforgreatness #stepbystep #motivation #inspiration #dontgiveup 🔥 Commitment fuels achievement; so dive in, give it your all, and do it hard – the path to success is paved with relentless determination. In the arena of life, those who dare to do it hard are the ones who rewrite the rules, shatter expectations, and leave an indelible mark on the world. 🚀 #motivation #aspiration #determination #power #dontgiveup #pushharder #success Speakers: Mel Robbins Les Brown James E.Dixon Jordon Peterson Jocko Willink Eric Thomas David Goggins Ed Mylett via Motiv8Me https://www.youtube.com/channel/UC9GvfnLbT8QNKr0hFZ84P8w November 16, 2024 at 12:32AM

[singeratlarge]

HAPPY BIRTHDAY to Tori Amos, Honor Blackman, Ray Bradbury, the Cadillac (1902), my late, great cousin Pamela Carpenter Cole, Paul Colman (Newsboys), James Corden, Teresa Davis (The Emotions), James Debarge, Claude Debussy, Holly Dunn, Donna Godchaux (good to have gigged with you), Dale Hawkins, John Lee Hooker, Paul Laughner (Pere Ubu), Dua Lipa, David Lee Marks, Ian Mitchell (Bay City Rollers), Roland Orzabal, Dorothy Parker, Debbi Peterson, Collin Raye, Vernon Reid, Kurt Reil (Gripweeds, Richard X. Heyman—good to have gigged with you), Diana Sands, Layne Staley, the 1986 film STAND BY ME, Karlheinz Stockhausen, The Supremes 1964 “Where Did Our Love Go?” single, former bike messenger and punk rocker Gordon Taylor, singer-songwriter/recording artist Richard Turgeon, and my friend, producer extraordinaire Ron Dante.

The more you know about Ron’s musical accomplishments the better it gets. Besides being the anchor of The Archies and voice for numerous jingles, other bands (The Cuff-Links), and musical cartoons (such as “Spiderman: From Beyond the Grave”), in his own right he’s a wonderful singer-songwriter and has produced Pat Benatar, Cher, and 9 of Barry Manilow’s hit albums + Ron won 2 Tonys for producing “Ain’t Misbehavin’” and “Children of a Lesser God” on Broadway. That said, Ron is The Wizard of Bubblegum Music—songs that burst out and get people hooked. Over the years I’ve grown to appreciate the crafting that goes into making these “ear candy” recordings.

Davy Jones spoke highly of Ron, and one of Davy’s last singles was “Amore,” a track written by Chris Andrews and produced by Ron (we i.e. Davy Jones Band performed it often). Ron would pop up at our shows, and we were happy to do this (!) song whenever we could:

https://www.youtube.com/watch?v=9D4sCjzsjUw Meanwhile, HB RD and thank you for bringing hours of joy to screen and stage.

#rondante #davyjones #archies #monkees #birthday #johnnyjblair #cher #patbenatar #barrymanilow

[ulkaralakbarova]

Meet Jack Foley, a smooth criminal who bends the law and is determined to make one last heist. Karen Sisco is a federal marshal who chooses all the right moves … and all the wrong guys. Now they’re willing to risk it all to find out if there’s more between them than just the law. Credits: TheMovieDb. Film Cast: Jack Foley: George Clooney Karen Sisco: Jennifer Lopez Buddy Bragg: Ving Rhames Maurice ‘Snoopy’ Miller: Don Cheadle Glenn Michaels: Steve Zahn Marshall Sisco: Dennis Farina Adele Delisi: Catherine Keener Kenneth: Isaiah Washington Richard Ripley: Albert Brooks José ‘Chino’ Chirino: Luis Guzmán Moselle: Viola Davis Bank Employee: Jim Robinson Bank Customer: Mike Malone Bank Teller: Donna Frenzel Bank Cop: Manny Suárez Bank Cop: Keith Hudson Lulu: Paul Soileau Pup: Scott Allen Parking Lot Woman: Susan Hatfield White Boxer: Brad Martin Himey: James Black Daniel Burdon: Wendell B. Harris Jr. Library Guard: Chuck Castleberry Shock Lock FBI Man: Chic Daniel White Boy Bob: Keith Loneker Old Elevator Lady: Connie Sawyer Old Elevator Gent: Philip Perlman Raymond Cruz: Paul Calderon Officer Grant: Gregory Alpert Ripley Personnel: Mark Brown Ripley Receptionist: Sandra Ives Ripley Guard: Joe Hess Waitress: Betsy Monroe Philip: Wayne Pére Andy: Joe Chrest Third Ad Guy: Joe Coyle Midge: Nancy Allen Ray Nicolette (uncredited): Michael Keaton Hejirah Henry (uncredited): Samuel L. Jackson Federal Marshal: Stephen M. Horn Airport Patron (uncredited): Oscar A. Diaz Waitress (uncredited): Jennifer Dorogi Airport Passenger (uncredited): Deborah Smith Ford Xenon Light Guard (uncredited): Mike Gerzevitz Flight Attendant (uncredited): Thelma Gutiérrez Bank Manager (uncredited): Wayne V. Johnson Bank Patron (uncredited): Pati Lauren Shopper (uncredited): Sherrie Peterson Gas Station Attendant (uncredited): Ronnie Stutes Film Crew: Director: Steven Soderbergh Producer: Danny DeVito Executive Producer: Barry Sonnenfeld Novel: Elmore Leonard Screenplay: Scott Frank Executive Producer: John Hardy Producer: Michael Shamberg Producer: Stacey Sher Original Music Composer: David Holmes Director of Photography: Elliot Davis Editor: Anne V. Coates Makeup Artist: Bill Corso Digital Compositor: Sean MacKenzie Second Assistant Director: Trey Batchelor First Assistant Director: Gregory Jacobs Second Second Assistant Director: Michael Risoli Supervising Sound Editor: Larry Blake Set Dresser: Mike Malone Casting: Kathy Driscoll-Mohler Casting: Francine Maisler Production Design: Gary Frutkoff Art Direction: Philip Messina Set Decoration: Maggie Martin Costume Design: Betsy Heimann Makeup Artist: Margot Boccia Key Hair Stylist: Bonnie Clevering Makeup Artist: Anita Gibson Key Makeup Artist: Katherine James Hairstylist: Deborah Mills-Whitlock Hairstylist: Waldo Sanchez Makeup Effects Designer: David LeRoy Anderson Hairstylist: Mary L. Mastro Makeup Artist: Mark Shostrom Unit Production Manager: Frederic W. Brost Production Supervisor: Pat Chapman Post Production Supervisor: Caitlin Maloney Production Supervisor: Mary Morgan Additional Second Assistant Director: David M. Bernstein Second Second Assistant Director: William D. Robinson Set Dresser: Shane L. Ashton Set Dresser: Tristan Paris Bourne Art Department Assistant: Andrea Brody Leadman: Jon J. Bush Set Designer: Lauren Cory Set Designer: Keith P. Cunningham Standby Painter: Chuck Eskridge Property Master: Emily Ferry Set Dresser: Harry Frierson Construction Foreman: Gary Gagliardo Paint Coordinator: Hank Giardina Construction Foreman: William Gideon Props: Brett Gollin Assistant Property Master: Otniel Gonzalez Set Dresser: L. David Gordon Props: Charles Guanci Jr. Art Department Coordinator: Blair Huizingh Set Dresser: James E. Hurd Jr. Paint Coordinator: Steven Kerlagon Set Dresser: Alexander Kirst Set Dresser: Chris Patterson Leadman: David C. Potter Set Designer: Mary Saisselin Construction Coordinator: Chris Snyder Assistant Property Master: Joy Taylor Painter: Mark Woodworth Carpenter: John Blanchard Set Dresser: Kurt Braun Painter: Tammy DeRuiter Greensman: Michael ...

[gyrovagus-bibliophile]

my personal take on this ranking list would be: Slam me against a wall: Davina, Peter Vincent, Phileas Fogg, Benedick, Casanova, 10th Doctor, Aiden Hoynes, Barty Crouch Jr, Sir Arthur Eddington, Peter Carlisle, Hamlet, Roderick Peterson, Cale Erendreich, Rex Alexander, Jean-François Mercier, Will Burton, Walter Scott, Martin Lamb, Nick from "True Love", Dave Tiler, Colonel Hamilton, Nick from "What the butler saw", Richard Hoggart and Don Juan

Would kiss on the mouth: Campbell Bain, Richard ii, Doug McLeod, Walt Jodell, Donald Peterson, James Arber, R. D. Laing, John (You, me and him), Nurse from "Holding the baby", Chris from "Learners", Ghost of christmas present, Scrooge McDuck, Sir Edmund Rockwell, Doug McLeod, Lord Tony Badingham, Mr. Watson, Touchstone, Mr. Gibson, Jimmy Murphy, Simon Yates, traffic warden and Timothy from "Screening"

If i must: Max Valentine, Dread, the genie, Mr. Slightlyman, General Krieg, Brendan Block and Mark from "96 ways to say i love you"

No, thank you: Crowley (Idk, everything dies out when i see how much he loves Aziraphale, man -v-""""), Alan Hamilton, E92, Huyang, Emmet Carver (ik he and Alec Hardy are like, the same thing, but that haircut is just not it, man) and Twigs Rancid: Dr. Edgar Fallon and Dennis Nilsen

Tier list of David Tennant characters ranked by how much I want them carnally . Will not be accepting constructive criticism.

[largemouthbassnation]

Valley Quail, Southern Oregon: The Journey Within - A Bird Hunter's Diary | Mark V Peterson

MarkPeterson #TheJourneyWithin #WTA In Part 6, Mark and his Father Earl are in Southern Oregon hunting Valley Quail, … source

[bamboomusiclist]

1/26 おはようございます。Melting Pot / Fire Burn Cauldron Bubble A-10111 等更新しました。

Billie Holiday / Solitude v6-8074 Ella Fitzgerald Duke Ellington / at the Cote D'azur v-4072-2 Harry Edison Lester Young / Going For Myself MGV-8298 Freddie Hubbard / the Night of the Cookers bst84207 Oscar Peterson / Oscar Peterson Plays Harry Warren MGC-648 Edmond Hall / Swing Session Fl30012 Bill Evans / Alone v6-8792 Paul Quinichette / For Basie prlp7127 Harry Edison / Sweets Mgc717 Benny Goodman / The Famous 1938 Carnegie Hall Jazz Concert Vol3 cl816 Mongo Santamaria / Mongo ‘70 sd1567 Laurie Styvers / Spilt Milk ws1946 Mothers Of Invention / We're Only In It For The Money v6-5045 Laura Nyro / Smile pc33912 Mecki Mark Men / Running in the Summer Night LS-86068 Billy Swan / I Can Help Kz33279 Captain Beefheart And The Magic Band / Clear Spot ms2115 Dave Valentin / Legends Grp5001 David Spinozza / Spinozza sp4677 Melting Pot / Fire Burn Cauldron Bubble A-10111

~bamboo music~

info@bamboo-music.net  

530-0028 大阪市北区万歳町3-41 シロノビル104号

06-6363-2700

[sledujteindianajonesczsk]

SLEDUJTE~ Indiana Jones a nástroj osudu (2023) Celý Film Online [CZ-SK] a Zdarma

Sledovat celý film Indiana Jones a nástroj osudu (2023) Online je aktuálně nejoblíbenějším filmem na vyhledávacím webu Google. Filmy, které jsou dnes velmi vyhledávané milovníky filmů, filmy, které je zábavné sledovat o víkendech s rodinou, přáteli a přítelkyněmi. Chcete-li se zbavit nudy, která se vám stane po únavě z práce.

Indiana Jones a nástroj osudu (2023) — Film Online Sledujte Indiana Jones a nástroj osudu (2023) filmy online. Můžete sledovat Indiana Jones a nástroj osudu film online v HD Quality!

: ► Klikněte zde pro shlédnutí filmu Indiana Jones a nástroj osudu- Online zdarma v HD

| DVD (Blu-ray) | 4K UHD | HD-2080p | HD-720p | SD-480p | MP4 |

Sledovat online : Indiana Jones a nástroj osudu (2023)

Stažení : Indiana Jones a nástroj osudu (2023)

Další název: Indiana Jones a nástroj osudu Žánr: Dobrodružný, Akční, Fantasy, Země: Spojené státy americké Premiéra v ČR: 2023-06-28 Délka: 155 min. hraje: Harrison Ford, Phoebe Waller-Bridge, Antonio Banderas, John Rhys-Davies, Toby Jones, Boyd Holbrook, Ethann Isidore, Mads Mikkelsen, Karen Allen, Shaunette Renée Wilson, Thomas Kretschmann, Olivier Richters, Martin McDougall, Alaa Safi, Francis Chapman, Alfonso Rosario Mandia, Chase Brown, Nasser Memarzia, Amedeo Bianchimano, Anna Francolini, Gabby Wong, Adolfo Margiotta, Niccolo Cancellieri, Antonio Iorio, Manuel Klein, Holly Lawton, Guy Paul, Harriet Slater, Alton Fitzgerald White, Ian Porter, Daniel Anderson, Cory Peterson, Charles Hagerty, Ali Saleh, Amara Khan, Jill Winternitz, Billy Postlethwaite, Clara Greco, Joe Gallina, Nicholas Bendall, Thulani Storm, Edoardo Strano, Angelo Spagnoletti, Hicham Ouaraqa, Adil Louchgui, David Mills, Rhyanna Alexander-Davis, Gary Fannin, Gunnar Cauthery, Aron von Andrian, Nikola Trifunovic, Henry Garrett, Elena Saurel, Mike Massa, Anthony Ingruber, Christian Sacha Mehja-Stokes, Angus Yellowlees, Matthew Staite, Corrado Invernizzi, Joerg Stadler, Thorston Manderlay, Basil Eidenbenz, Johann Heske, Joshua Broadstone, Bruce Lester-Johnson, Martin Sherman, Allon Sylvain, William Meredith, Kate Doherty, Duran Fulton Brown, Eliza Mae Kyffin, Mauro Cardinali, Mark Killeen, Bharat Doshi, Aïssam Bouali, Douglas Robson, Mohammed R. Kamel, Bryony Miller, Tiwa Lade, Brodie Husband, Hannah Onslow, Simon Kunz, Walter Cronkite, Obsah filmu Indiana Jones a nástroj osudu: V hlavní roli se představí Harrison Ford jako legendární hrdina a archeolog, režie se ujal James Mangold. Spolu s Fordem ve filmu hrají Phoebe Waller-Bridge, Antonio Banderas, John Rhys-Davies, Shaunette Renee Wilson, Thomas Kretschmann, Toby Jones, Boyd Holbrook, Oliver Richters, Isidore a Mads Mikkelsen. Film režíruje James Mangold a produkují ho Kathleen Kennedy, Frank Marshall a Simon Emanuel, výkonnými producenty jsou Steven Spielberg a George Lucas. Kroky ke stažení filmů * Můžete navštívit webové stránky prostřednictvím odkazů, které jsme poskytli následovně: povodeň * Navštivte stránky, které již doporučujeme a vyhledejte film, který chcete sledovat a stahovat. Pro zjednodušení můžete použít funkci vyhledávání. * Po nalezení filmu, který se vám líbí, klikněte na kartu Hry. Pokračujte v stahování hrozby „Indiana Jones a nástroj osudu“ a stáhněte film do požadované kvality. Viz obrázek, aby bylo jasnější. Klíčová slova Indiana Jones a nástroj osudu celý film zdarma ke shlédnutí, Indiana Jones a nástroj osudu cz dabing online ke shlednuti, Indiana Jones a nástroj osudu Filmy Česky a Zdarma, Indiana Jones a nástroj osudu online ke shlednuti, Indiana Jones a nástroj osudu Informace o filmu, Indiana Jones a nástroj osudu online cely film, Indiana Jones a nástroj osudu Sleduju Online, Indiana Jones a nástroj osudu online bombuj, Indiana Jones a nástroj osudu online, Indiana Jones a nástroj osudu online film cz, Indiana Jones a nástroj osudu Bombuj, Indiana Jones a nástroj osudu bombuj cz,

[sheetmusiclibrarypdf]

Listen to Bill Evans album New Conversations (1978)

Listen to Bill Evans album New Conversations (1978)

https://www.youtube.com/embed?listType=playlist&list=OLAK5uy_m_TBTWt4ZH2K3jWOZEzoMg4mVmJEme5TI&v=x1FHhndBdCQ&layout=gallery

Bill Evans, piano poet

Many jazz pianists including the names of Jelly Roll Morton, Duke Ellington, "Fats" Waller, Art Tatum, Earl Hines, Oscar Peterson, Thelonious Monk, Erroll Garner, Irving Berlin , William “The Lion” Smith, Dave Brubeck, Cecil Taylor, Bud Powell, Herbie Hancock, Bill Evans, Dave Grusin, Don Grolnick, McCoy Tyner, Keith Jarrett, Joe Zawinul, Chick Corea, Bill Clayton, Gonzalo Rubalcaba, Bebo Valdés, Chucho Valdés, Diane Krall or Norah Jones, who made significant contributions in each of the modalities that they had to assume in the historical development of jazz, since the days of gospel. It is not possible to say who of the jazz pianists in the 20th century was the most influential, since in each and every one of the modalities there have been masters and virtuosos. On this occasion, I will refer to one of them, who made a special lyrical contribution within a new romantic spirit of the piano in the 20th century: Bill Evans. I choose him because I see him located within a sensibility close to a poetry of a sentimental nature, with a slowness that we could call exquisite, which, in my opinion, constitutes a personal piano mark in the last century, where he was accompanied by some of the most notable jazz musicians, in a very remarkable spirit of interior recollection and experimentation.

The intense life of Bill Evans Bill Evans was born in New Jersey in 1929. From the age of six, he was already studying violin and piano at a classical academy. After becoming acquainted with well-known pianists from the European tradition, he became interested in jazz and began playing in some New York venues and clubs in the early 1950s. Bill Evans soon met Cannonball Adderley, George Russell and Miles Davis, with whom he became friends to achieve new contributions to the genre, although he was already influenced by previous master pianists such as Bud Powell and Horace Silver, whom he assimilated to later fully enter the inaugurated bebop by Charlie Parker and Miles Davis. In 1956, he made his first relevant recording, New Jazz Conceptions , where he defined his proposal within dense poetic spheres, and a very personal harmonic concept, based above all on a series of subtle melodic flows, on refined harmonic advances that soon had a very significant echo. in those years, and continued to expand among the new pianists of the new generation. Bill Evans prefers chamber music, trios, solos, seclusion and lyrical atmospheres, which is why for me, he becomes a poet of the instrument, following the historical line of the great classical romantics such as Liszt and Chopin, Schumann or Beethoven. His main expressive vehicle was the trio and solo recordings and performances. In 1963, he recorded the album that would bring him full recognition, Conversation with myself , where he uses the technique of recording on double tracks and at the same time making solo recordings on several tracks. Do not think for that reason that Bill Evans is an individualist. He began by building a trio with Scott LaFaro (double bass) and Paul Motian (drums) that soon established itself in the jazz world with great prestige. Shortly after, the double bassist LaFaro died in a car accident in 1961, for which the trio dissolved. However, other performances with trios were organized at the Village Vanguard in New York, which were among the most notable in the history of jazz. Bill Evans continued with other musicians such as Eddie Gómez and Gary Peacock, to establish a unique style in jazz of those years that was followed by other musicians, as well as accompanying vocalists such as Tony Bennett; he seeks new ways to achieve intimacy in his music, by inviting guitarist Jim Hall to record his, or experimenting with symphony orchestras. In addition, he was always trying to introduce a series of seemingly imperceptible melodic modifications into classic jazz pieces, which in the long run earned him a great reputation. He relied on a few musicians: one of them, a jazz giant, Miles Davis, with whom he recorded one of the albums considered jazz tops. Upon meeting Davis, he radically changed the way he played in intimate settings. He composed a song entitled "Blue in Green" with it; him later participating in one of the records that would become benchmarks for jazz of all time, Kind of Blue , where the personnel consists of Cannonball Adderley on alto sax, John Coltrane on tenor sax, Wynton Kelly and Bill Evans on piano; Paul Chambers on bass and Jimmy Cobb on drums. From the age of six to twelve, Bill Evans played an immense number of classical music themes, in a repertoire that includes everything from works by Bach and Beethoven to Béla Bartók. There are just five pieces that last longer than normal: “So What”, “Freddy Farrell”, “Blue in Green”, “All Blues” and “Flamenco Sketches”. The atmosphere achieved on this album constituted another of the great records of cool , which allowed all these musicians to generate various possibilities to explore in jazz musing. I once said that Miles Davis is perhaps the most introverted sound in jazz, and now I say that Bill Evans is the most introverted piano sound in jazz. His individual brand is lyrical, and I would like now to have enough elements of musicology to argue where his innovations lie. He experimented with the electric piano (Fender), although his greatest achievements lie on the acoustic piano. It could be said that Evans, like Federico Chopin, makes the piano sing, if we take into account that the human voice is the highest musical instrument: what the instruments do is prolong or express that voice, transfer it to a sound device to capture human sentiment. In the case of Bill Evans, his modulations are so extraordinary that they could well be close to a new musical romanticism, the one that we find so close to North American and Latin-American sensibility. Some marks of his style Bill Evans studied at the Marine School of Music in New York and at South Easterns Louisiana College. From a very young age he began his practices with the piano; from the age of six to twelve he played an immense number of classical music themes, in a repertoire that includes everything from works by Bach and Beethoven to Béla Bartók, so that he was soon freed from what could be called “technical problems”. The main issue to resolve in any case was “to think about how to produce what I think”, according to his own words. He got a degree in piano when he was in the army at twenty, and then he went to New York at about twenty-five; at that time he returned to practice with the classics until he met the aforementioned musicians Scott LaFaro and Paul Motian, with whom he recorded New Jazz Conceptions in 1956. That same year he would record his second album, Tenderly, An Informal Session , where the participation of Don Eliott on vibraphone; In the year 1958 the album appeared that as soon as I heard it I turned it into one of my personal piano icons: Everybody Digs Bill Evans , who revealed to me not only his skill on the instrument, but also his peculiar stamp on interpretation. It initially consists of ten pieces, where Evans undertakes four of them solo and the remaining six are accompanied by Sam Jones on bass and Philly Joe Jones on drums. "Lucky to Be Me", a classic American piece (by Camden-Green-Bernstein), is treated, like "Epilogue" and "Peace Piece" —both by Evans himself—, with all the subjective power of the pianist and language that will define him from now on as a piano poet. Here the musician doubles as a creator, throws himself into his art with a superb sense of harmonic invention and a remarkable ability to work with long melodic structures: in "Peace Piece", in effect, it is about these types of structures. He's not very interested in the percussive aspects of the piano—as Earl Hines and Thelonious Monk might be, for example—but in developing long melodic lines through clear, clean technique. It is interesting how on this album he takes up the song "Epilogue" in another version that evidently closes this part; while in “Minority” and “Night and Day” (Cole Porter's famous standard ), Evans exhibits all his power of suggestion; the same when he turns to “Tenderly”, another of the canonical themes of American music. From Walter Gross, "What Is There To Say?" is another piece that lends itself to a lyrical approach, where Evans moves at ease, avoiding all the difficulties of an apparently simple style due to its intrinsic quality, but tremendously difficult in phrasing. It is precisely in these long pauses that he needs to be accompanied by the rhythms of percussion and bass, in this case assumed by musicians Sam Jones on bass and Philly Joe Jones on percussion. A month later, the following year, in January 1959, other trio sessions were held where Sam Jones's bass was covered by Paul Chambers, with equally excellent results. The new recording includes only six pieces, eloquent enough to capture all of Evans' magnetism displayed above all in long pieces like “You and the Night and the Music” (more than seven minutes), where all of his lyricism takes flight; the other Rodgers and Hart's standard is “My Heart Stood Still”, to then culminate in the longest of all, over eight minutes long, “On Green Dolphin Street”, which, with the two takes of “Woody and You”, they end up rounding off a balanced, almost perfect album.

Of course, the purpose of this chronicle is not to discuss Bill Evans' albums one by one. I did it with this one because I owe him the knowledge and enjoyment of this musician, whose existence passed between constant musical work and the permanent stalking of drugs. Apparently, drug use dominated a good part of his life. Since he was young he tried several times to get rid of them, but family, affective and cultural circumstances constantly haunted him and subjected him to a dependency that also served to connect him more with the abstract world of sounds, safely transporting him to other territories where feeling musical reached radical degrees, sublime perhaps, where he took refuge to achieve such peculiar chords. Indeed, cocaine, heroin and alcohol led him to paradises that later made him pay his dues of hell and nightmares. Added to this were the deaths by suicide of his brother Harry and his wife, which made him hypersensitive. Metamorphosis of genius It is impressive to see how Bill Evans went from being a dapper young man in a formal suit, clean-shaven and with an impeccable haircut, to someone twenty years later: long hair, a beard, a lean face, and a series of physical ailments such as insomnia, anxiety, lack of appetite. , physical weakness and nervous exhaustion, which were undermining his health to the point of leading him to states of severe nervous depression. Bill Evans had apparently picked up a drug habit ever since he was in the army, and like so many other jazz musicians, he was still undermined by drugs (it was also an acquired habit, a kind of lifestyle imposed by the environment itself). ) and served him at the same time to stay active during tours, parties and celebrations and innumerable recordings, which constituted an impressive legacy where he collected the resonances and influences of classical music from the baroque, romanticism, impressionism and avant-garde, until you get to jazz. From that impressive career of dozens of albums, he always maintained his peculiar style that, for lack of another more rigorous epithet, we will call lyrical, arising from an emotionality close to the poetic state, an intimacy not only with romantic edges, but also from Debussy's impressionism and other musicians of this movement, always staying within reflective atmospheres where the artist demands, through the instrument, to express his deep voice, a voice shared with his peers, always adhering to what was initially called chamber music, music to be heard in private venues, for which reason it remained in the scheme of the trio, the quartet and eventual accompaniments to singers or related musicians. To the aforementioned albums from the fifties, the albums Portrait in Jazz (1959) were added at the end of that decade, where the collaborations with Philly Joe Jones on drums, Scott LaFaro on bass and Paul Motian on percussion, are maintained. to open the sixties with these last two musicians in Explorations (1961) and Sunday at the Village Vanguard (1961), a year that was very productive and in which he recorded Nirvana together with Herbie Mann on flute and bass; while the following year he recorded How My Heart Sings (1962); he accompanied Freddie Hubbard on trumpet on Interplay (1962) and Jim Hall on guitar on Undercurrent (1962), which was followed by Empathy and others. In 1965 he made an exception and recorded an album with a symphony orchestra conducted by Claus Ogerman. In 1966 he records A Simple Matter of Conviction. In 1967 he further Conversations with Myself in solos where he realizes his self-absorption. The same year California Here I Come, with Eddie Gómez and Philly Joe Jones; in 1968 he wins a Grammy Award with Alone Anothertime is another album from that year, featuring Eddie Gomez and Marty Morell. From 1960 stand out Jazzhouse, What's New and You're Gonna Hear from Me. He goes to England and records Evans in England . From 1970 stand out From Left to Right , Montreux , The Bill Evans Album (trio). In 1972, Live in Paris , Eloquence , Momentum or The Tokio Concert stand out . In 1973 and 1974 he continued in the line of the trio with his inseparable Gómez and Morell in Half Moon Bay , Since We Met , Symbiosis , But Beautiful , Blue in Green and Intuition. In 1975, he made the famous recording with the great singer Tony Bennett and then Alone Again. In 1976, we have him making a quintet with Kenny Burrell on guitar and Ray Brown on bass, Jones and Gómez, and On A Monday Evening . In 1977, he worked in a quintet with Lee Konitz, Warne Marsh and Eddie Gómez and won another Grammy Award again with I Will Say Goodbye , and You Must Believe In Spring , one of the albums we listened to most in the seventies together with Getting Sentimental and New Conversations in 1978. In 1979, he has an astonishing production of albums and presentations that include recordings with quintets like Affinity, and We Will Meet Again , and others with trios like Homecoming . That same year he traveled to Paris, where he made a memorable recording with the title The Paris Concert Edition , until he finally gave us Turn Out the Stars , The Last Waltz , Consecration , The Last Concert in Germany and The Very Last Performance at Fat Tuesday , in direct allusion to Greasy Friday at the New Orleans carnival. From 1980 is Autumn Leaves . An impressive investigation into the spirit of jazz in the 20th century lives in all of these, to connect its messages with that spiritual animism that starts from blues and gospel, goes through a stage of modern experimentation of bop and cool to land in a new type of intimate chamber music that speaks above all to the senses, to the presentiments and sweet or bitter thoughts of love and its ups and downs, to its mood flows, melancholy and sadness, introspective meditations and ups and downs of the mood that led him to occupy a place exceptional in the history of jazz. Read the full article

[pilgrimjim]

Praying the Hours (7): Compline

Praying the Hours (7): Compline

St. Barnabas Episcopal Church, Bainbridge Island, Washington (Jim Friedrich) All of our hearts ask the night this question: Am I safe and am I loved?  — Brother David Steindl-Rast & Sharon Lebell, Music of Silence Guide us waking, O Lord, and guard us sleeping; that awake we may watch with Christ, and asleep we may rest in peace. — Compline Antiphon for the Nunc Dimittis In The Benedictine…

[dailycass-cain]

Cassandra Cain Reading Guide Part 1: General

So you want a reading list for Cassandra Cain? I'm gonna split this into various sections. So, if the urge increases of "I WANT TO READ MORE!" Then there are other tiers to help feed that great need.

And it all begins with this one.

Part II reading guide (Modern) you can find here.

Part III reading guide (Random) you can find here.

Part IV reading guide (Alternate versions) you can find here.

Part V reading guide (PAIN) you can find here.

The starting point is No Man's Land particularly these issues.

Batman #567 + Detective Comics  #734 - Mark of Cain aka Cass's first appearance and her intro arc (Puckett/Scott/Peterson).

Legends of the Dark Knight #120 - First as Batgirl.

Batman #569 - first solo story

Azrael #56-57, #60-61

Gotham Knights #2

Batman Chronicles #18

Robin #73

There are more appearances of Cass in No Man's Land than these and the one above, but these are highlighted by her interactions with Jean-Paul Valley, Bruce, Tim, and Leslie Thompkins.

Batgirl Vol. 1 #1-11, #13-25

The first half of the Kelly Puckett/Damion Scott run. If you're wondering why #12 isn't mentioned, it's a crossover issue for Officer Down (basically Jim Gordon is shot, and the aftermath is him stepping down as Commish). It's totally up to you completist wise if you want to go into that story.

For key portions, #7 is Shiva/Cass meeting for the first time, #11 is a spotlight on David Cain, #18 & #20 are her first actual team-ups with Tim & Stephanie, Not her first meetings (she first met Tim in #120, and Stephanie in Robin #88).

During #24 we have another crossover, this event being Bruce Wayne: Murderer? This leads into the next crossover which hits in #27 & #29 Bruce Wayne: Fugitive. Bruce is the main suspect of a murder leading the Bat Family to investigate it. It is optional BUT--

The primary antagonist of the crossover has a critical role in Cassandra's life. So if you want-- Batman #605 (reveal of the antagonist of Bruce Wayne: Murderer?/Fugitive) Batman #606-607 (aftermath to the reveal) Cassandra only appears in #605 and has a two-panel cameo in #607.

Batgirl Vol. 1 #26-37

The second half of the Puckett/Scott run. Again, #27 & 29 are x-overs. #30-32 is an arc drawn by Scott but written by Chuck Dixon. #33-37 is the closeout of the run.

For issues going on while this run, there were four specials published that featured Cass.

DC First- Batgirl/Joker #1 (Cassandra fights the Joker.)

Batgirl Annual #1 (one linear story of Cass/Bruce on an adventure)

Batgirl: Secret Files & Origins #1.

Batgirl/Ghost: The Resurrection Machine #1-4.

It's up to you if you want to read the last one. It's Cass's only crossover comic, But yeah.. I’m not particularly fond of the story.

#38 features Stephanie exiting the supporting cast and features the first Batgirl issue by Andersen Gabrych.

Superboy #85 is where you need to read next. It has Cass teaming up with Conner Kent/Superboy. This issue helps leading into----

Batgirl Vol. 1 #39-57

Dylan Horrocks’ run.. #39-42 deals with Superboy and a villain called Black Wind (#39-40). Black Wind shows up again in #43-44 with Cass also tangling with an OLD Batman villain Dr. Death.

#45 is when Rich Leonardi arrives as artist for the comic. This is also the same issue Cass dons Babs' Batgirl costume. #46-49 continues the build-up of tension Cass has with Bruce (starting in #39) which leads to #50 Cass vs. Bruce! Horrocks/Leonardi's crown jewel of their run.

#51-52 Cass takes on Poison Ivy. #53 Stephanie returns to the comic as Robin. #54 sadly is when Barbara exits the title as a supporting character. #55-57 is War Games x-over resulting in Stephanie being killed off, and Barbara leaving Gotham, gutting Cassandra's supporting cast.

During this near the middle of this run, another maxi-series is published by DC that features Cass:

Justice League Elite #1-12

- Kasumi (Cass in disguise and spying for Batman). If you're looking for Cass tangling with threats beyond her usual street fare than by all means.

Nightwing #81

- features Cassandra's first encounter with Deathstroke the Terminator. A gorgeous choreographed fight by Devin Grayson and art by Rich Leonardi.

Detective Comics #790 - a War Games prelude with Cass helping Bruce on a mission while both reflecting on Stephanie Brown who is at a crossroads.

Robin #132

Batgirl #58

Robin #133

Batgirl #59

- the Fresh Blood story which features Cass teaming up with Tim both reeling from the fallout of War Games crossover event and their new status quos.

- #58 is the start of Andersen Gabrych's run on the comic.

-  An epilogue to this story occurs in Batman Allies: Secrets & Origins #1 in a tale (written by Gabrych).

Batgirl Vol. 1 #58-73

#60-62 is Cassandra's new status quo. Ale Garza/Pop Mhan provide art for most of Gabrych's run (save one issue). These three issues have Cass tangle with the Brotherhood of Evil and a "ghostly" Stephanie continues to shows up too!

#63-64 is Cass having a rematch with Deathstroke who brings Ravager along for the ride. This is basically Gabrych tying up a subplot introduced in Teen Titans comics happening at the same time period (i.e. Rose posing as Cass), but you don't really need to read that to understand the why. So I’m not going to give the issue # to that.

#65-73 is the Destructions' Daughter arc. Everyone who has history with Cass shows up in this arc. Bruce, David Cain, Babs, Black Canary, a few villains of her past (Shrike and Alpha), and of course Lady Shiva in #68.

It's here Gabrych has to juggle a lot of tie-ins. Infinite Crisis was looming on the horizon and Cassandra was dealing with parts since the beginning of her run. #66, and #69-70 are considered the "lowest" points of the run and the Vol. 1 series.

#71-73 is when the action ramps up again with Gabrych having to speed his way to the ongoing's conclusion in #73.

I know I left out appearances (Supergirl, Batman/Superman, Harley Quinn, Young Justice, Birds of Prey, Robin, and Gotham Knights). Also a mini (Batman: City of Lights). But they're just sprinkles. Added goodies to the toppings that is this entire run.  Okay, save the last one and maybe Batman/Superman... You will see them on other lists I have for Cass (mostly part 3 and 5).

 DC Festival of Heroes: The Asian Superhero Celebration #1

- contains TWO stories centered on Cassandra. Along with this neat variant cover by Artgerm.  "Sounds" literally feels like a story during or just after the Puckett/Scott run (#37) written by Mariko Tamaki and drawn by Marcus To.  

"What's in the Box?" is the other story that features Cassandra written/drawn by Dustin Nguyen. Though shorter than the prior one it is still a gorgeously drawn story. Not mentioned, but alluded based on the art/timeline Cass is in her Black Bat attire. So you can place this story after Gates of Gotham in the old canon.

Batman: Urban Legends #7 (Hunter or Hunted...)

-  The story/art by Guillaume Singelin provides a truly UNIQUE tale starring Cass.  The action is top-notch, we're given probably the best fight sequence from start to finish involving the character in a LONG TIME. The story is a literal  feast for the eyes.

Batman: Wayne Family Adventures Episodes 32-33 "All Seeing"

- The second major arc that focuses on Cass showcases the many qualities of the character on why there are so many passionate fans of hers. A good starter or introduction for new readers on the character.

All season 1 episodes of WFA  are free and available here:

Episodes 90-91 "What I Want" 

 - The third major story arc focuses on Cass's comic origin while also giving us a team-up gone awry between her and Damian Wayne. Gives new readers a further understanding of Cass building upon Episodes 32-33.

Shadow of the Batgirl

- a Young Adults graphic novel written by Sarah Kuhn and drawn by Nicole Goux. Kuhn gives Cassandra a modern origin taking elements from Puckett and James Tynion IV/Scott Snyder’s Batman & Robin Eternal origin to give us something newly unique on it’s own.

A highly recommended story!

Batgirls #14

- The best issue of the Batgirls ongoing series. Artist Jonathan Case pulls off a masterclass of art, inking, and coloring in this special “silent” issue. There’s no need to read any prior issues. You can go in without reading the prior two arcs (Batgirls #9-12, 2022 Annual, and #13), but it adds to the payoff of this issue.

Yes, writers Michael Conrad and Becky Cloonan cheat in the format, but the way they sneak the dialogue in is absolutely perfect. After years of being denied the special format, Cass gets it and showcases WHY the character just works so well.