#mariusderomanus-rp-help

[the-marius-de-romanus]

But I was wrong in my optimism, I was ignorant, as ignorant as I accused others of being, and refusing to see the very horrors that surrounded me, all the worse in this century, this reasonable century, than ever before in the world. [...] It's horrors, horrors upon horrors, and it always was, and I can pretend no longer. When I see millions gassed to death for the whims of an Austrian madman, when I see whole African tribes massacred till the rivers are stuffed with their bloated bodies, when I see rank starvation claim whole countries in an age of gluttonous plenty, I can believe all these platitudes no more. "I don't know what single event it was that destroyed my self-deception. I don't know what horror it was that ripped the mask from my lies. [...] God, the litany goes on without end. I have no faith, I have no optimism, I have no firm conviction in the ways of reason or ethics. I have no reproof for you as you stand on the Cathedral steps with your arms out to your all-knowing and all-perfect God. "I know nothing, because I know too much, and understand not nearly enough and never will. But this you taught me as much as any other I've ever known, that love is necessary, as much as rain to the flowers and the trees, and food to the hungry child, and blood to the starving thirsting predators and scavengers that we are. Love we need, and love can make us forget and forgive all savagery, as perhaps nothing else can.

Marius de Romanus, The Vampire Armand

One thing to understand about Marius is that he began his immortality very cynical and angry.  During this early period, he came to terms with his separation from mortality.  And it hurt him immensely what he had to do for the Great Parents, a duty that was even more burdensome because he got nothing back for that grand work.  His sacrifices and pleas were for nothing.

After a while, Marius began to develop emotionally.  I think it was when he found art, though he hated his talent a considerable amount when he first discovered it.  But it was through art that he began to see beauty, and he began to create beauty.  It was this beauty that drew him to the great artists, and with this, he could link humanity with beauty and therefore optimism.  He always had great faith in humankind.  As humans began to modernize and embrace science, embrace ways of thinking beyond religion, Marius felt they were ascending to a higher level of thinking, and only good could come of this.  He felt that soon enough humans would discard dogma and something elevated would take place.  But humans stayed barbarous, and the modern age saw some of the worst examples of cruelty.  So, after a while, Marius lost his faith in humankind.

[the-marius-de-romanus]

Marius’ Powers

The Mind Gift The Mind Gift is a very intricate power, one that not many immortals have or realize their true potential in doing. Within the category of the Mind Gift, Marius has the ability to read thoughts as they happen, probe the mind for things within the subconscious, select images, send thoughts of his own into minds, make people forget things, move objects, and cloak his mind from being probed entirely (B&G pg. 165-167).

The Fire Gift Marius first discovered this power when he was 'battling' Eudoxia (B&G pg. 163). In his anger, he wished one of her boys burnt, who promptly burst into flames. Marius practiced and discovered that his power had no limit to space, meaning it doesn't matter how far something is from him (B&G pg. 165). Marius does this again to Eudoxia, burning multiple vampires at the same time (B&G pg. 180), so he is clearly capable of sending out that force in multiple directions with accuracy. However, it must be noted that stronger vampires can resist such a thing. Sending the power does not ensure will be effective. Eudoxia sent the fire at Marius multiple times, but he said it felt like scaling water poured on his skin and nothing more. Marius also killed Arjun this way, after Arjun sent an ineffective blast of fire at Marius.

The Cloud Gift This was one of the later powers to come to Marius, or rather, one of his later powers to realize (B&G pg. 208). With this power, he is able to think of a destination and move there faster than the eye can see. He's also able to jump very high. He notes in Blood in GOld, within the first hundreds of years of his immortality that he can easily jump to the top of a four story building. This power increases with age until Marius can rise high in the sky high above the ground, moving at great speed.

The Killing Gift Marius didn't even know that he possessed this one until he used it on Eudoxia (B&G pg. 163). Using it, he repelled her attacks and knocked her down to the floor, causing enough pain in her when he lashed out that she lost her strength and would go weak. Marius described this power as pressure (B&G pg. 165). Testing the power out later on rats, Marius determines that the power would explode a mortal from the inside since the rats had exploded (B&G pg. 166).

The Healing Gift A power to heal fast. After his first time drinking Akasha's blood after the incident with the Elder, Marius goes home and drives a knife through his hand, witnessing it heal over completely and immediately (B&G pg. 83-84). The same went for after he was buried by ice in QotD. As soon as he stepped out of the ice, his body began to heal and his bone mend. In Blood Communion, Marius is able to fix his own broken neck, his spine healing such that his arms could move and replace his head.

The Speed Gift Related to the Cloud Gift, perhaps, but Marius can move faster than the eye can see. He seems to vanish and reappear.

The Spell Gift This power is used to hypnotize and put a 'spell' over mortals. Marius uses this a lot to gain the trust of his slaves, putting a spell on them or coaxing their mind into believing something (or disbelieving something). It is how he gets what he wants or escapes suspicion. He uses it at times to change a person's behavior.

Strength - In addition to the powers above, Marius does possess a lot of strength. He can open doors impossible for even a team of mortals, carry heavy caskets up mountains... he even threw Mael across the room with one easy push (B&G pg. pg. 112).

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"Amadeo, there is no good that is founded in suffering and cruelty; there is no good that must root itself in the privation of little children. Amadeo, out of the love of God grows beauty everywhere. Look at these colors; these are the colors created by God."

- Marius de Romanus, The Vampire Armand

[the-marius-de-romanus]

Conversation with Anne Rice on Blood and Gold

Q: Blood & Gold is your eighteenth novel about the vampires. Do you find it difficult to work within the narrative framework established by earlier stories?

A: Actually, it's a challenge, a real dare. The Vampire Chronicles vary radically in form. Some are tales told to others. Some are written memoirs. Some involve vampires talking directly to us. I feel there is enough flexibility for me to do just about anything that I want. In Queen of the Damned, for example, I worked with whole chapters in the third person, claiming that the Vampire Lestat received the material telepathically from his soul mates and passed it on to us in that form. But for the most part I stick with the heat and intimacy of the first person voice because I love it, along with its obvious drawbacks, and I feel most at home with the puzzles it presents. How do you make a first person narrator handsome and lovable, for instance. I feel I meet that dare all the time.

Q: Do you view your novels as stand alone entities? Will new readers enjoy Blood & Gold even if they are not familiar with your backlist?

A: Absolutely. Each Vampire Chronicle is a stand-alone book. There is enough information in it to make any first-time reader comfortable immediately, and perhaps a little curious about the other books. Blood & Gold is no exception. If anything, Blood & Gold is a bit easier for the first-time reader than, say, The Vampire Armand because Marius is two thousand years old and he begins his memoir in the year 200 AD and follows his own lonely and stark path through the centuries. His great loves, his great losses, his great revelations are all described in rich detail, right up to the point where he becomes the mentor to the Vampire Lestat, sharing the secrets of Those Who Must Be Kept with Lestat, and eventually suffering when Lestat reveals those secrets to the world. But for the new reader it ought to flow easily. The focus is really on Marius himself and his approach to history as well as his existence as a blood drinker and a myth maker.

Q: Marius, Lestat's beloved mentor, appears in your novels The Vampire Lestat, The Vampire Armand, and The Queen of the Damned. What inspired you to write his story?

A: I was reading through The Queen of the Damned and I felt a new contact with Marius and with the anger he suffered when Akasha, the Queen of the Vampires, rose from her four thousand year slumber and more or less contemptuously deserted him. I felt it was time to go deep into Marius and tell his tale from the beginning?omehow explain the type of love he had felt for Akasha which was really warmer than worship. I knew it would be difficult to live up to the high standard I had set for Marius' character in the Chronicles and I was exhilarated by it. Marius is the noble Roman, the ethical man of reason, the diplomat, and the undying optimist. I had to get into all that. I felt ready for it. Also, I think I felt challenged by the fact that Warner's was making The Queen of the Damned into a movie. I wanted to tell Marius' story before they delivered their version of Marius to motion picture audiences. No matter how detached I try to be from motion pictures of my work, they ultimately affect me.

Q: Marius lives through many periods and in many countries. Which era of Marius' life did you find most seductive? Which did you most enjoy researching?

A: The Italian Renaissance was my favorite period of Marius' life, a time during which Marius became a person in the mortal world, a rich Venetian gentleman who paints the walls of his palazzo for his own pleasure, an enigma to those around him. I did a ton of research on the period to make everything as nearly correct as I could. I also enjoyed researching ancient Rome, the Rome of 200 to 50 AD, during which time Marius saw Christianity become the legal religion of the Empire, and also the barbarian sack of the Eternal City itself, a disaster that sent Marius into a long slumber in the shrine of Those Who Must Be Kept from which he didn't want to wake again to reality. There again, I consult volumes. I had so many books around me when I wrote that sometimes I couldn't escape from my computer. I had to climb over piles of books. I was stumbling. One day I called my research assistant, Scott, on the phone and begged him to come upstairs and help me find a book that was somewhere at my feet but which I couldn't find without an archaeological dig. Of course it was all wonderful fun. I want my vampires to move through real history, not some airy realm of half-truths and mistakes and vague generalities. I want the facts, the smells, the colors, the names, and the dates. When Marius meets Botticelli in Florence, I used Botticelli's correct street address in so as far as history records it.

Q: In Blood & Gold, Marius paints and repaints murals, and his companion Daniel, the interviewer from Interview with the Vampire, creates acres of model cities. What is the role of art in the lives of vampires?

A: Vampires are hyper-sensitive to art. They see color and form with the heightened vision of the perpetually stoned. Art can seduce them as the model cities have seduced the boy, Daniel, who doesn't know yet how to handle his obsessions. Art can also save them because it offers a continuity that life itself may not offer to a human being. As time passes, brutally deteriorating everything meaningful to a soul, art endures, and grows ever richer and more evocative with the passage of time, so that it comes to seem prophetic in retrospect, or at least timeless in the finest sense of the word. Throughout the Vampire Chronicles, art has been key. But Marius laments that though he has lived fourteen hundred years, he cannot create art to rival that of Botticelli. He falls in love with the man and must separate himself from the man lest he hurt Botticelli and thereby affect Botticelli's destiny. Maharet, the ancient one, weaving her red hair into a thread and that thread into chains, is in a sort of thrall as well, much like that of Daniel with his model cities. Weaving comforts Maharet. Marius at various stages in his long life is comforted by nothing.

Q: How does humor work in your narratives?

A: Humor is spontaneous with me. It just happens and I don't try to repress it. I have a wild sense of humor and sometimes I have to avoid the satirical side of what I am writing. I have to not sacrifice the finer feeling to the humor of the moment. But in general I let my humor come out with certain characters more than other. Lestat, for example, has a profound sense of humor and a blasphemous sense of humor. Marius is more serious, and more tragic.

Q: Marius believes that anger is weakness. Do you believe this?

A: Yes, I believe that anger is weakness. Marius is one of those characters who for the most part expresses ideas which are mine. I couldn't have an in-depth relationship with Marius if he didn't express my ideas, and I do feel that anger distorts, weakens, and warps. You have to reach beyond anger for a finer sense of a situation before you respond, or make a move. Marius has a terrible temper and so do I. Marius ruins two moments of his life with anger, and possibly even more. But I don't want to give away the plot.

Q: Memory is crucial for vampires, who are immortal. How is memory important for us mortals?

A: Memory is essential to the attaining of wisdom. There is no wisdom without memory, because there can be no perspective and no deep learning without memory. One has to profit by experience and observation in order to become wise, and memory is the keeper of all fine experiences and observations, memory is the index, the table of contents, the full library. Without memory, one runs the risk of being simplistic and flippant.

Q: Can you give us an update on the progress of film and television projects of your work?

A: For once, there is much to report. A mini-series based on The Feast of All Saints will appear on Showtime in November. After that it will appear on ABC. It will be four hours, and spread over two nights. I've seen it and I think it's lush and sensuous and very faithful to the book, and that readers will love it. It's top notch, and Showtime has spared no expense. I visited the set when they were shooting. I was rocked. John Wilder, the scriptwriter and executive producer, did a fantastic job of adapting the book to the four-hour format.

The Queen of the Damned, a feature film based on The Queen of the Damned and The Vampire Lestat, is scheduled for release by Warner Brothers on February 15, 2002. I have not seen it, but it does seem to be engendering considerable excitement. Stuart Townsend, the young Englishman who plays Lestat, is very appealing and a very fine actor. There are other impressive names in the cast.

We are presently in negotiations with regard to "Earth Angels," a new series that we are developing for television, about a group of big-city based angels who work undercover on earth to fight supernatural evil in all its forms. The series is based on an original concept created by me. I'm extremely excited about it.

We're also in negotiations with a producer and a network with regard to making a long miniseries out of The Witching Hour, Lasher, and Taltos. The present discussion involves a plan for 12 hours of TV time. I'm very excited here as well. I like everyone as well, and want for John Wilder to do the script. I feel that after what he did with The Feast of All Saints, he can do a bang-up job.

I'm also happy to report that Ramses the Damned (The Mummy) is also in development. It's owned by James Cameron, and a new screenwriter was recently hired. I've spoken with her and found her pleasant. Again, I've got high hopes.

[the-marius-de-romanus]

But maybe someday something more wonderful will take place: the world will truly move forward, past all gods and goddesses, past all devils and angels.

Marius de Romanus, the Vampire Lestat

[the-marius-de-romanus]

“Mark, all this time, as I slipped into churches to see more works by the Master, as I crept into a palazzo to see a famed painting by the Master of the irresistible god Mars sleeping helplessly on the grass beside a patient and watchful Venus, as I went about clasping my hands to my lips so as not to cry out crazily, I did not return to the workshop of the gems. I held myself back.” (B&G pg. 149)

[the-marius-de-romanus]

The Vampire Companion- Marius Entry

A vampire who represents the figure of the wise teacher.

“I’m always fascinated with the idea of the older, wiser teacher,” says Rice. “It captured my imagination in The Teachings of Don Juan- that an older, more experienced mystic or adept would teach one [an apprentice] how to use such powers.”

Lestat first hears of Marius when Armand tells him how he became a vampire. When Armand first knew him in the fifteenth century, Marius had been a Venetian nobleman and artist. He chose to work among mortals, have mortal apprentices, and make religious art. It was Marius who bought Armand from the brothel and fell in love with him. He then painted The Temptation of Amadeo in an attempt to capture on canvas Armand’s qualities forever, and he made Armand so that he could join with another kindred soul. Marius desired their bond to be permanent, but their happiness was short-loved when, only six months later, Santino ’s coven put a torch to Marius and captured Armand. Marius managed to escape to his secret shrine in the mountains of Northern Italy, where he healed himself by drinking the healing blood of Those Who Must Be Kept. He did not see Armand again until 1985 in Sonoma, although he had been aware that Armand was suffering through three centuries of loneliness. (VL 292-300)

“I don’t remember the first moment Marius sprang into my mind,” says Rice. “Maybe it was when Lestat said he wanted to know whether immortals had been made in Roman times, when it was more enlightened and sophisticated than the Dark Ages. So Marius evolved as a character who really had the wisdom of that ancient world- the cleverness, the wit, the perspective on the world that I feel a sophisticated Roman should have had. He may have been evolved from the force of Armand’s image. I might have written Armand’s story before I knew who Marius really was.”

After hearing about Marius from Armand, Lestat decides Marius could teach him a lot about the best way of living as an immortal. He sets out to find him, for ten years leaving messages all across Europe until Marius- won over by Lestat’s persistence and innocence- finally comes to him. Marius then takes Lestat to his sanctuary on a Greek Island. (VL 310, 323, 338, 360-363)With blue eyes and white-blond hair, Marius wears red velvet no matter what the era. His face astonished Lestat: “What one of us could have such a face? What did we know of patience, of seeming goodness, of compassion?” (VL 361)

Marius seems to depict a pure image of human love. Gentle, vital, and noble, he emanates a godlike power, although he is more human than any vampire Lestat ever encountered. Marius does have the ability to perform supernatural feats like levitation and mental telepathy, but he prefers to do things the human way. To him, human gestures are more elegant and require less energy. “There is wisdom in the flesh,” he claims. (VL 379) His goal is not to transcend human emotions but, rather, to refine and understand them. He also seems connected to everything around him- thus being the antithesis of Armand, who is connected to nothing. Marius shows Lestat Those Who Must Be Kept- Akasha and Enkil, the original vampires- and tells his own story. (VL 378, 385-396)

The bastard child of a Keltic woman and a wealthy Roman, he was a citizen of the Roman city of Massilia during the time of the Roman Empire. Never bored or defeated by life, he always felt a sense of invincibility and wonder. An important life theme for him was the idea of the existence of continuous awareness, because Marius desired that nothing spiritual ever be lost. A scholar, at the age of forty, at work on a history of the world when a Druid abducted him. Because he was an extraordinary human being, the Druids wanted him to replace the God of the Grove, a burned and crippled vampire who no longer inspired their ceremonies.

The Druid priest, Mael, forced Marius to learn the Druid language and customs. On the night of the great Feast of Samhain, the Druids took Marius to the giant oak tree where they had imprisoned their other god. Inside it, the vampire god taught him the lessons of the vampires and urged him to go to Egypt, to find out why vampires in other places- and himself as well- had been burned or destroyed. After being made a vampire, Marius broke free of the Druids and pursued this new course.In Alexandria, Marius encountered other burned vampires. One of them took him to the Elder- a vampire who told Marius about Akasha and Enkil, the vampire progenitors. Marius learned that he, like other vampires, is vitally connected to them, and that if they suffered harm, he and all other vampires would experience similar damage. Since they had been placed in the sun, as a consequence vampires everywhere had been burned or destroyed. The recognition that whatever happens to them happens to him upsets him, although it affirmed Marius’ desire for the existence of a continuous awareness.

That same night, Akasha asked Marius to take her and Enkil out of Egypt before the Elder- the one who had deliberately placed them in the sun- destroyed them. Marius took them as requested, traveling around Europe until he settled on the island fortress in the Aegean, where he built a shrine for them and where he now sits with Lestat. (VL 396-466)Marius feels he is truly immortal, that he is the perfect guardian for Akasha and Enkil, and that he is now the “continual awareness.” He is in love with humanity’s progress, although he realizes that human evolution away from belief in gods and superstitions has made him, as a vampire, obsolete. No purpose is left for him. (VL 466-467)

After Marius tells his story, he sends Lestat away to live on his own, for the equivalent of one mortal lifetime. He tells Lestat not to look to history to give him meaning, because the dilemma of how to live one’s life is always a personal one. However, Marius vows that he will be available if Lestat ever needs his help, and extracts from Lestat a promise never to tell anyone about him or his whereabouts. (VL 468-470)

They do not meet again until the twentieth century, when Lestat becomes a rock star and reveals the whole vampire history in his songs. By that time, Marius has moved his immortal charges to a northern wasteland where he plays Lestat’s music for them. In response, Akasha rises and destroys the shrine, trapping Marius in ice for ten days. Marius sends out signals of danger to the other vampires. His child and lover, Pandora, urges Santino to help dig Marius out, and while Marius survives, the experience has humiliated and spiritually bruised him. (QotD 17-31, 68, 264)

[the-marius-de-romanus]

Theme: Blood and Gold

8/15/2007 5:11 PM

TO MY READERS --  On the Nature of My Earlier Works.

Because I have written so many books, I will take only one other example for examination: the novel about the vampire Marius called Blood and Gold.   The theme of this novel has to do with whether or not the Italian Renaissance and the artistic movement that reflected its humanism can redeem the central character and those he seeks to shepherd as apprentices as he himself seeks to create great works of art.   The debate between the characters Marius and Armand has to do with whether Renaissance humanism can redeem Armand from a despair experienced by him after the loss of his Russian orthodox childhood. The true villains of the novel -- a band of Satanists who are presented unsparingly as cruel and deluded --  destroy the potentially beautiful refuge which Marius has created for his 'family' and himself.

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[the-marius-de-romanus]

At first, Marius hated painting

But as I gained skill as a painter, and I did indeed gain skill, other aspects of the work disturbed me.

I was convinced that there was something unnatural in it, something inherently ghastly in the manner with which I drew human figures so nearly perfectly, something unnatural in the way I made the colors so unusually bright, and added so many fierce little details. I was particularly repelled by my penchant for decorative details.

As much as I was driven to do this work, I hated it. I composed whole gardens of lovely mythic creatures only to rub them out. Sometimes I painted so fast that I exhausted myself, and fell down on the floor of the shrine, spending the paralytic sleep of the whole day there, helpless, rather than going to my secret resting place - my coffin - which was hidden not far from my house.

We are monsters, that is what I thought whenever I painted or looked on my own painting, and that's what I think now. Never mind that I want to go on existing. We are unnatural. We are witnesses with both too much and too little feeling. And as I thought these things, I had before me the mute witnesses, Akasha and Enkil. What did it matter to them what I did?

I was silent in the shrine as I worked, with my paint pots and brushes. I was silent as I sat there peering in frank disgust at what I'd done. Then one night, after many years of diligence in the shrine, I stood back and tried to see the whole as never before. My head was swimming.

[the-marius-de-romanus]

Alphebettery- Marius Entry

Marius de Romanus was born in 30BC, the illegitimate son of a Roman nobleman and a Celtic slave-woman, in the city of Massilia (modern-day Marseille, France), in the Roman Empire along the Mediterranean Sea between Spain and Italy. As he matures into manhood, Marius becomes a scholar and a traveler throughout the Roman Empire. In his mid-twenties, he meets his future fledgling Pandora (then named Lydia), and he desires to marry her, although his proposal is ultimately rejected by her father because she is too young. Almost two decades later, Marius is kidnapped by Mael and other Druids, who take him to the ancient vampire Teskhamen, whom they refer to as the God of the Grove. Badly burned and weakened by the Great Burning of 4 CE, Teskhamen turns Marius into a vampire through a very long process of blood exchanges, with the expectation that Marius will travel to Egypt to discover the fate of Akasha and Enkil, the first to be made.

Marius escapes the Druids and flees through the woodlands of the Celts. He travels to Egypt, where he finds the Elder who cares for Akasha and Enkil, now called Those Who Must Be Kept, since their great age has transformed them into unresponsive statues. The Elder lies when, in response to Marius’s questions, states he does not know the cause of the Great Burning, but Akasha speaks to Marius telepathically and informs him the Elder set them in the sun and that he is planning to sink them to the bottom of the ocean. Akasha then kills the Elder, and Marius takes her and Enkil out of Egypt to Antioch, where he reencounters his mortal beloved, Lydia, whose family was murdered, and as a result she is living in exile under the name Pandora.

Also in Antioch appears the ancient vampire Akbar, who, like Marius’s maker, Teskhamen, is badly burned. Seeking to drink from the Mother and the Father, Akbar learns that Marius is their caretaker and that he loves the mortal Pandora. Akbar drains Pandora to the point of death and threatens to kill her if Marius does not let him drink Akasha’s blood. Marius acquiesces and saves Pandora by turning her into a vampire, but when Marius brings Akbar to Akasha, the Queen destroys Akbar. Marius and Pandora remain together for the net two hundred years, caring for Those Who Must Be Kept.

When Pandora begins living with her maker, she brings her one-legged Athenian slave, Flavius, to serve them. Marius grows to deeply love Flavius. When Flavius becomes deathly ill, Pandora thinks they should turn him into a vampire. Marius refuses, but Pandora does so anyway. Marius is greatly angered and exiles Flavius from his house and from the Roman Empire itself. Her disobedience plants a seed of bitterness between Marius and Pandora. He has a great desire to teach her, but she refuses to learn from him. When he can no longer live with that or their arguing, he takes Akasha and Enkil from Pandora and will not see his fledgling beloved for many centuries.

Marius returns to Rome, where he encounters the ancient vampire Avicus, who is—like Teskhamen—a God of the Grove, but in ancient England. Marius is greatly amazed to also encounter Avicus’s fledgling Mael, the former Druid who held Marius captive for Teskhamen and was sent to Avicus to take Marius’s place as the new God of the Grove, Teskhamen’s successor. Despite the fact that Marius begrudges Mael for forcing him to become a vampire, Marius and Avicus become friends. As the three of them begin living together in a small coven, Avicus and Mael soon learn Marius’s secret, that he is the caretaker of Those Who Must Be Kept, and they willingly help him fulfill his duties.

At the fall of Rome, Marius, Avicus, and Mael move to Constantinople, where they continue their duties for the Mother and the Father. They discover another coven dwells in the city, led by Eudoxia, the fledgling of the ancient Egyptian vampire, Cyril, who is the fledgling of Marius’s predecessor, the Elder. Referring to herself as “the Vampire Empress,” Eudoxia demands to see Akasha and Enkil, but Marius refuses. With her coven of Rashid, Asphar, and Zenobia, Eudoxia attacks Marius, at which point Marius discovers that, because he has been drinking Akasha’s powerful blood, he is stronger than Eudoxia, even though she is much older. He also discovers that he has the Fire Gift when he burns Rashid to ashes. Eudoxia returns later, showing greater humility and imploring Marius to let her see Akasha. Marius reluctantly agrees, but when she stands before the Queen, she is so enraptured that she offers herself as a sacrifice. Akasha arises and drinks from Eudoxia to the point of death. Although Marius saves her, Eudoxia is greatly embittered. In a plot against Marius and Those Who Must Be Kept, Eudoxia kills a nobleman and leaves the body exposed in such a way that the mortal citizens of Constantinople blame Marius for the death. The mortals ransack Marius’s house and nearly destroy the shrine. Enraged by this, Marius goes to Eudoxia’s house, destroys her coven, sparing only Zenobia, and then drags Eudoxia before Akasha, who immolates Eudoxia to ashes.

Marius leaves Avicus and Mael and takes Akasha and Enkil back to Italy. He creates a secluded shrine for Akasha and Enkil in the Italian Alps, unreachable by any mortal at that time, where the vampires can rest safely while he makes a home in Venice.

He becomes a painter and a patron of the arts. He invites many young boys to live in his house to learn the artistic crafts.

Marius soon encounters the mortal courtesan Bianca Solderini. While feeling a deep attraction to her physical beauty, he marvels how her mortal mental ability prevents him from reading her thoughts. His attraction to her sours when he learns that she is a murderer. But when he uncovers that a merciless relative is extorting her to assassinate his enemies, Marius’s attraction is rekindled and he resolves to give her his powerful aid.

Marius also encounters the mortal Raymond Gallant, a member of the Talamasca Order, who provides him with news about Pandora and how the vampire from India is manipulating her, yet their whereabouts are still a mystery. Raymond promises to keep Marius informed if the Talamasca discovers any new information.

During that time, the vampire Santino, leader of the Children of Satan, introduces himself to Marius. He reads Marius’s mind, learns of Akasha and Enkil, and requests a meeting with Those Who Must Be Kept. Marius denies him, finding his Satan-worshipping coven abhorrent. When Santino insists, Marius threatens to destroy him; Santino withdraws but watches from a distance the keeper of Those Who Must Be Kept.

Marius eventually finds a mortal child from Russia, Andrei, who will later become the Vampire Armand. Andrei was abducted by Tartars and is now locked in the dungeon of a brothel. Marius buys the young Andrei, renames him Amadeo, and brings him to live in his palazzo. Marius and Amadeo develop a deep relationship. Amadeo doesn’t learn that Marius is a vampire until the night Marius saves Bianca from her extorting relative and his malicious family. Amadeo begs Marius to turn him into a vampire, but Marius refuses. In an attempt to incite Marius’s jealousy, Amadeo begins a brief affair with the Englishman Lord Harlech. When Amadeo ends the relationship, Lord Harlech storms into Marius’s palazzo in a jealous rage, armed with a poison blade, and duels with Amadeo. Amadeo slays him, but Lord Harlech mortally wounds the boy. Bianca nurses Amadeo until Marius arrives. When Bianca leaves, Marius turns him into a vampire.

Marius and Amadeo live happily together as maker and fledgling, both developing deep feelings for Bianca, until Santino and his Satanic coven invade Marius’s home, kill most of the boys, set Marius on fire, and kidnap Amadeo. Severely wounded, Marius mentally summons Bianca and receives her permission to turn her into a vampire. She takes him to Akasha and Enkil’s shrine in the Alps, where Marius drinks Akasha’s blood.

While his health is restored, Bianca, like Pandora before her, helps Marius care for Those Who Must Be Kept. When his wounds more fully heal and he can walk about among mortals, he goes to Raymond Gallant, who is now an old man and who informs Marius that the Talamasca have learned that the mysterious Indian vampire is still controlling Pandora and that they are likely living near Dresden.

Marius takes Bianca, Akasha, and Enkil to Dresden, where he finally reunites with Pandora and discovers that her companion and fledgling, Arjun, is not keeping her against her will after all. Marius begs Pandora to return to him, vowing that he will leave Bianca if she will leave Arjun, but Pandora rejects him and leaves. Bianca overhears Marius and leaves him also.

Nearly fifty years later, when Marius is packing up his belongings to take Akasha and Enkil to another region, he uncovers a note left by Pandora on the night they separated, asking him to find her in Moscow and help her leave Arjun. Marius immediately goes to Moscow, but by then she has already left. He can find no trace of either her or her fledgling lover.

Marius brings Those Who Must Be Kept to an island in the Aegean Sea, somewhere between Greece and Turkey. He remains there for years, caring for the people living on the island, until one night he begins hearing the voice of a young vampire searching for him, calling to him— the vampire Lestat. Hearing Lestat’s persistence, Marius leaves his island and finds that Lestat has buried himself underground after his fledgling Nicolas committed suicide and his fledgling mother, Gabrielle, abandoned him. Marius exhumes Lestat, revives him with his own ancient vampire blood, and then takes him back to his island sanctuary. After Lestat awakens, Marius shares some of his history with him, tells him about Those Who Must Be Kept, and swears him to absolute secrecy. When Marius briefly leaves, Lestat goes to the shrine and plays the violin for Akasha. Moved by his bravado, Akasha awakens, drinks his blood, and lets him drink hers also. Full of jealousy and anger, Enkil awakens and attempts to destroy Lestat. Fortunately, Marius saves him, but warns Lestat to leave to let Enkil’s anger diminish. Before Lestat can return, Marius takes Akasha and Enkil to a new hidden location in the frozen lands of northern Canada.

He fills their shrine with every new technology, partly to show them human development but also partly in the hope that they will awaken for him. By the time of the late twentieth century, Akasha and Enkil watch on television how Lestat has returned with new rock music in a successful band that is revealing secrets of vampires and challenging Those Who Must Be Kept to arise. Impressed once again, Akasha rises from her throne for a final time. She kills Enkil and buries Marius deep beneath several tons of ice. He projects out mental warnings to the other vampires that the Queen has arisen, but she is already flying throughout the world, immolating most of her vampire children. When he is finally freed from the ice by Pandora and Santino, he rendezvouses with many other vampires, including his fledglings Pandora and Armand, at the compound in the Sonoma Mountains belonging to Akasha’s mortal enemy, the ancient vampire Maharet. After Maharet informs Marius and the others of her version of the story of the Queen of the Damned and the Legend of the Twins, Akasha appears and offers them a choice of joining her cause for global domination as her servants, or perishing. Marius stands with Maharet and refuses to serve. So do all the others, including Lestat. They all fight against Akasha, but she is indomitable. In the end, Maharet’s twin, Mekare, suddenly appears, beheads Akasha, consumes her brain and heart, and takes into herself the spirit of Amel, to become the new Queen of the Damned.

Now that Marius is no longer the caretaker of Those Who Must Be Kept, he keeps closer contact with other vampires, especially Armand’s fledgling Daniel Molloy, who sinks into madness and bitterness towards Armand. Marius welcomes Daniel into his home, takes care of him, and helps restore his sanity; and in doing so, Marius finds a wonderful companion who also helps him make contact with the modern world.

Marius mourns when, after Lestat returns from his journey with Memnoch the Devil, Armand appears to commit suicide, but Marius’s mourning turns to joy when Armand reappears a few months later, having been saved with the help of two mortals, Sybelle and Benji. Marius decides to do Armand a favor and turn Sybelle and Benji into vampires to give Armand excellent immortal companions and also to protect them from mortals seeking to destroy Armand or any vampire. In the beginning, this greatly angers Armand, but Marius and Daniel both convince him that if Armand had turned them into vampires, they would have been weaker than him, the telepathic connection between them would have been lost, and they would have ended up hating him, the way Daniel had; but when Marius’s powerful blood in them, Benji and Sybelle are Armand’s equals.

Following this, when Marius is alone one night, he hears another vampire whom he has never encountered using the Mind Gift to send out a telepathic invitation to any vampire for friendship. Marius responds and meets Thorne, an eighth-century Viking made vampire by Maharet.

Marius and Thorne tell each other their histories. Marius is surprised to learn how Maharet abandoned Thorne for Mael, and Thorne is enraged at how Santino’s injustice towards Marius has gone unpunished. Marius advises Thorne against Thorne against seeking revenge against Maharet for rejecting him, but sensing that Thorne will not be dissuaded, Marius sends Maharet a telepathic warning. Marius and Thorne go to sleep that morning in Marius’s home but awaken the next night at Maharet’s Java compound. Much to their mutual surprise, Santino, is also there as Maharet’s guest. Out of a sense of honor and duty, Marius begs Maharet for vengeance for the wrongs that Santino did against him and Armand, but Maharet does not allow it. Knowing that Marius will not act without Maharet’s permission, Thorne does Marius a favor and exacts an old Viking custom of wergild—or exacting a “man’s price,” often taking a life for a life—and blasts Santino with his powerful Mind Gift until Santino is a bloody pulp. Thorne then uses the Fire Gift to burn Santino’s remains to a charred scorch on the ground. Everyone is equally surprised at Thorne’s behavior, especially Marius, who, although he would never be so bold as to disobey Maharet, smiles and nods at Thorne, showing his inexpressible gratitude.

Marius relocates to the Chateau de Lioncourt, where Lestat becomes the Prince of the vampire race. The Court of the Prince forms, and Marius is one of the most prominent figures. Arjun challenges Marius’s authority by attacking him, but he easily destroys Arjun. Prompted by this event, Marius creates new laws for vampires in the new millennium and helps guide the formation of this new Court, inspiring Prince Lestat to dub him the “Prime Minister” of all vampires.

Marius is the noble heart of the vampire clans. His sense of honor and duty guides him through every age. He is the caretaker of Those Who Must Be Kept and the sharer of vampire secrets with Lestat, who reveals those secrets in the twentieth-century, causing Akasha to rise for the last time and incite the Great Burning of 1985.

________

Please give credit to @mariusderomanus-rp-help

[the-marius-de-romanus]

"There were times, of course, when all of that was very interesting. To glide without seeming to take steps, to assume physical positions that are uncomfortable or impossible for mortals. To fly short distances and land without a sound. To move objects by the mere wish to do so. But it can be crude, finally. Human gestures are elegant. There is wisdom in the flesh, in the way the human body does things. I like the sound of my foot touching the ground, the feel of objects in my fingers. Besides, to fly even short distances and to move things by sheer will alone is exhausting. I can do it when I have to, as you've seen, but it's much easier to use my hands to do things.  A singer can shatter a glass with the proper high note, but the simplest way for anyone to break a glass is simply to drop it on the floor. "

- Marius de Romanus, The Vampire Lestat

[the-marius-de-romanus]

The guardians of the dead are powerfully indifferent. They speak of love, but not of centuries of blundering ignorance. What stars are these that sing so beautifully when all the world is languishing in dissonance?

- Marius de Romanus, The Vampire Armand

[the-marius-de-romanus]

Timeline

C. 30 BCE - Marius is born (Pandora pg. 36 & 53)

5 BCE - Pandora & Marius meet for the first time (Pandora pg. 53)

0 - Pandora & Marius meet a second time (Lupercalia) (Pandora pg. 55) The Great Burning Spring,

5 CE - Marius is kidnapped from Roman Gaul, Summer

5 CE - Marius is made on the eve of Samhain December,

5 CE - Marius “rescues” Akasha from her keeper in Egypt. (Pandora pg. 294)

20 CE - Pandora is made in Antioch, Syria

c. 30 CE - Flavius is made a vampire in his 40th year

c. 250 CE - Marius leaves Pandora

c. 300 CE - Avicus and Mael come to Rome and become long companions of Marius

410 CE - With the burning of Rome by Alaric and the “fall of Rome” Marius sleeps (B&G pg. 127)

c. 500 CE - Marius wakes to move to Constantinople with Avicus and Mael (B&G pg. 129, 132, 133) Marius meets Eudoxia and Zenobia

1200 CE - Marius sleeps again, the second time, stating, “I was weary” (B&G pg. 209)

c. 1350 CE - Marius awakens in the time of the plague and goes back to sleep

1481 CE - Armand/Amadeo is born in Kiev Rus

1482 CE - Marius wakens from his third and last sleep (B&G pg. 212-213)

1482 CE - Marius meets Santino

1482/1486 CE - Marius meets Sandro Botticelli Marius opens up his palazzo and begins a school/home for boys

1495/1496 - Marius meets Bianca

1496 CE - Marius finds Armand in a Venetian Brothel

1498 CE- Armand is made a vampire

1499 CE - Attacked by the Children of Darkness, Armand is taken, Bianca is made a vampire

c. 1580-1590 CE - Marius and Bianca move to Dresden (bg)

1580 CE - Armand becomes coven Master in Paris

c. 1680 CE - Marius finds Pandora in Dresden during the reign of Louis XIV, the Sun King (pan. 94 c. 1680-1690)

c. 1680 CE - Bianca leaves Marius

1789 CE - Marius goes to Lestat and brings him to his island in the Aegean

1985 CE - Queen of the Damned, events of

1985 CE - Akasha is killed

1991 CE - Tale of the Body Thief, events of

1997 CE - Armand attempts suicide January,

1998 CE - Sybelle and Benji are made Marius takes Daniel into his home Moves to Norway

2001 CE - Blood and Gold is published Moves to Stockholm, Sweden with Daniel c.

2013-2015 - Lives in Rio with Daniel

Reunites with his maker Teskhamen

The Court is established– Marius begins working on laws

Marius destroys Arjun

Marius is kidnapped by Rhoshamandes

[the-marius-de-romanus]

Continuous Awareness

A concept that Marius describes to Lestat, it captures his longing for an eternal preservation of values and identity. Since Marius fears chaos and ultimate meaninglessness, and since he cannot tolerate the possibility that even the simplest memories might be lost, he wants to believe that there is an omniscient force in the universe that keeps track of everything. He longs for something that possesses extended awareness, to give meaning and structure to life and death. As a vampire, he sees himself as the embodiment of this concept when he tracks human progress across a millennium. (VL 398)

This concept is significant for Rice. The idea that she might die and be forgotten, or that she may never find out why certain events happened, signifies and unacceptable degree of chaos in the universe. Such darkness and disorder do not make sense to her.

Taken from Katherine Ramsland’s The Vampire Companion.

My Thoughts:

Marius ponders the possibility of Continuous Awareness while still a mortal man, even, in The Vampire Lestat.  He thinks that perhaps there might be some being on earth that knows or has seen all things.

We see a glimpse of Marius’ interest in continuous awareness in the Queen of the Damned. When Marius finds Enkil dead, he laments the loss of not only the King, but a being who has seen and learned so much. In Enkil, Marius saw a vision of what continuous and eternal awareness could be. That all the information stored in Enkil was gone upset Marius.

In a scene deleted from Tale of the Body Thief, Marius employs Khayman to kidnap the mortal Lestat and bring him to his home. In the chapter, Marius has a telescope and he tells Lestat all about his theories of continuous awareness and his search for it.

This is why Marius seeks to know everything, to understand and collect every tendril of knowledge. He cannot accept that any information can die and be lost. There must be some being alive who can know and understand everything. Marius will either be this being or find the being.

He sees in himself continual awareness, so he has strength to continue.  As he said in The Vampire Lestat: “I am a continual awareness unto myself, the intelligence I longed for years and years ago when I was alive, and I'm in love as I've always been with the great progress of mankind. I want to see what will happen now that the world has come round again to questioning its gods. Why, I couldn't be persuaded now to close my eyes for any reason.”

[the-marius-de-romanus]