#maria hesitates

[mariatesstruther]

ooooooo i have a fic idea

[evilreligion]

Sticker designs

Will be available alongside prints at Anime Magic next weekend!

[bitevibe]

college is a bit quieter than i thought it would be right now so i finished the... supersize future keychains i have been working on for a while. my sewing skill is... well, i have never really sewn seriously before, so i'm still prickling myself a lot and making a lot of mistakes, but i'm happy with how those turned out! i still have to attach some keychain rings to them so they can accompany me into The Horrors (college).

[everyryuujisuguro]

[katyspersonal]

Got this video in my recommendations (amongst a gallon of vids on how bad ER DLC for a change fsdhfhds), and it was honestly a really enjoyable listen! I definitely agree that black people deserved the characters who ARE their own, instead of a black version of the character who is canonically not black! But it is also another good point how drawing a character as black can be a really fun creative experiment, however, lazy edits of screenshots, official artworks and even other fanarts (!) is definitely not that. Like.. there was a good idea of building up community and have fun, practice and socialising that got diluted into unconscious belief that redesigning characters within the fandom helps to fix lacking representation problem.. but it just doesn't. People need to focus more on social and supportive aspect of drawing black redesigns than shooting for the goal that can't be accomplished like this

But I also 100% agree with this person on the disdain about 'fanon enforcement'! When there is NO canon race for the character, not even coding, but there is unspoken "obligation" to interpret them a certain way. Like.. 🤝 It is rare that I feel SO seen in this regard! I am not sure what example I could bring personally? Maybe fanon Eileen is the closest thing I could think of? If someone initially imagined her as white/ eastern asian/ indian/ hispanic/ other, they will most likely check the fandom, see posts like "if Eileen doesn't look like her (English) voice actress I don't want it" and feel hesitant to go against the staple in fear of being side-eyed. But also this is like... a non-issue. This fandom is normal and it is the worst that happens: expressing the love for drawing Eileen in the likeness of her VA with a poor wording! Had this fandom been much more infested with the normies, though, I could see the problem with 'headcanon enforcement' occurring, that is absolutely a problem in other fandoms!

(Though as a general rule guys: only ever change your initial interpretation upon seeing fanon if you genuinely like fanon more, not in fear of being ignored or side-eyed. Variety is always the best thing to be in any fandom, and solidarity should not be accomplished by means like fear)

[phantoms-rain]

Just finished binging through ‘What If’ and can I just say that the way Maria was ready to use a nuke to solve a problem was so sexy of her 🤣

[defensivelee]

six lives! james is covered in scars not because of any fights or anything (he's too good for that), but because of too many knifeplay accidents

[loudmound]

maria/mary is like... very will-they-won't-they romantic fraught and deeply intense yuri while jacob/james is your typical fanonical adversarial yaoi and i think that's so fucking funny

[bogartchive]

omega x beta dynamic is genuinely so interesting to me

[theothervonkarmagirl]

 “try me.” Caeldori dont challenge your cousin

Two Word Starters!

"Okay," Clara readied her wooden naginata. "Here I come!"

And she charged, aiming straight for Caeldori's throat; she'd learned something from training with Oboro.

[meatriarch]

thinking about the differences in how maria reacts in ch2 era cc & nosy, respectively, to the friends returning twenty years after the house.

cc maria, she's more hesitantly receptive to them to a point. depends on what they do, if they still try going after the family like they originally planned or not, if they try getting her to run off back home. because by that point she's so tethered to johnny who has been her literal only real pillar in the last two decades, and the familiar-but-grown faces of her old friends and sister are at that point basically strangers to her. twenty years is such a long time for people to change and for all she knows, they arent the same people who was close to back then and she knows she isnt the same girl they knew all that time ago, either. but i say she's hesitantly receptive because truly, think she keeps away from them as much as she can until she gets some sort of cue from johnny whether or not he feels its safe to engage really.

nosy maria would have had the same outlook had it not been for that reuniting with donnie about midway into those two decades & the friends never seemingly bothering to look for lee. that entire scenario shuts her off almost completely to nearly any sort of hesitance by the time ch2 rolls in. the hardest ones still are with ana and danny, thats her little sister - of course its going to be difficult and complicated even then. and danny was her longest friend of the group, its equally as difficult facing him, too. but them all coming back around makes her think that donnie likely said something, at some point, and the fact that he does show up again... but, she's angry. at all of them. because them coming back twenty years down the line means that they - to her - just simply never bothered to try coming back at any time in those two decades when they easily could have. they want to show up now instead, midlife-crisis? guilt eating away at them for leaving her and lee to rot back there without even trying to come back? without trying to get officials to come out to look for him at least?

maria just doesnt understand why. why bother coming back at all, now?

in twenty years, her & lee made a new life for themselves among the family, with johnny, moved past their old lives for the most part. why bother coming back all this time later for no other reason but personal revenge, considering they all believed they were just dead to have buried empty caskets for them both? to maria, its just: you all had your "closure", as fake and selfish as it was, it was understandable to a degree, i get it. but then why pretend like you give a shit now when you didnt back then. when you havent all this time. when i doubt we were at the forefront of your minds all these years - because you werent for mine / ours. we moved on. why couldnt you?

and i think like with maria's reunion with donnie -- altho probably not with ana & danny -- but similar to that reply, i think maria develops that hazy-face when looking at them all. makes it easier to disconnect further from their familiarity, makes it easier view them as any other target, any other potential victim.and i think, if shes alone when any of them stumble onto her, she slips into toying with them - plays role of captive all over again, disarms them. lets them get comfortable with her, lets them spill who all tagged along with them, what they planned to do coming back, where they left their cars, etc. depends how it all goes down truly.

[pochapal]

survived the night turns out the killer was a fake thing i made up in my head and i was never in danger of dying (nobody is shocked by this) <3

[ominousmotion]

Mother

Or mommy

[belovedmusings]

Am I Playing All Right Now?

Kento Nanami x You

Explicit Smut 18+ (🚫Minors DNI🚫)

Kento Nanami has been your respectful, loving boyfriend for two months now. All you’ve done so far is kiss, and you want more with him. He refuses for your sake, warning of his roughness. So, you take matters into your own hands and convince him to put in ‘just the tip’. 

Relevant tags: just the tip challenge, dom! Kento Nanami, clothed sex, couch sex, clit slapping, brief use of leather belt, hard and rough sex, doggy-style, hair pulling, manhandling, big dick-Nanami <3, dirty talk, degrading, unprotected sex, creampie, I don't use "y/n" for immersion

Music recommended while reading: Dollhouse (The Weekend, Lily Rose Depp, …baby one more time (The Marias), Like U (Rosenfeld)

A/N: this is filthy and I love it, my first Nanami piece <3 enjoy!! (Read on Ao3 if you prefer!)

Read below cut:

The night had gone great. You two had a fantastic dinner at a fine restaurant, and now you’re at his house, getting hot and heavy on the couch. You’re sat in his lap, straddling his waist, the hem of your dress riding up your thighs as the fabric gives to accommodate him between your legs. Your hands are running over the muscles of his chest, only the thin layer of his dress shirt between your touch and his skin. His palms are on your waist, pulling you closer, pressing you so firmly against him that you can feel the blunt heat of his hard cock beneath the confines of his slacks. 

You can feel adrenaline pumping through your veins–tonight is the night. Every time you two get close to having sex, he pulls away, saying he isn’t ready, but right now it feels so different, so electric–

He hums, punctuating the kiss and pulling back, giving you room to breathe. Your stomach sinks, no, this isn’t what you want, you want–

“We should stop here for the night,” He murmurs, and you look into his eyes, a frown tugging your lips down at their corners. 

“But you’re hard,” You protest, “Kento, please…we’ve waited long enough, and you clearly want this…”

His jaw tightens as he takes a breath. “I do…but we can’t.”

Now you’re just confused. “...can’t?”

He sighs heavily, giving you no explanation, but nodding. “Now, let’s m–”

“No, hold on,” You interrupt him, “Kento, tell me why? I-is it me? Do you…not want…?”

“It’s definitely not you,” He dispels quickly, “It’s me, okay?”

“What about you?” You press, searching his eyes. “Is it…are you…worried about your performance?”

That gets him to widen his eyes a fraction in surprise. “N-no, it’s not that. It’s…alright, look, it’s…it’s that I don’t want to hurt you.”

It isn’t enough of an answer for you. “And…what do you mean by that?”

“You…you know me to be this nice, gentlemanly man, don’t you?” He asks, a sort of resigned weight to his eyes. “Which, I am. But not when it comes to sex.”

The wheels turn in your head. “So…you’re…?”

“I’m rough,” He finally states, “And it’s…it’s not everyone’s cup of tea. I’m afraid to hurt you or scare you away. Of course I wouldn’t do anything you don’t want, but…you just seem so sweet and–”

“Woah,” You stop him in the middle of his sentence. “Do you think you’re the only one with duality? You don’t think I can be different in bed? Do you think I’m some porcelain doll you’ll break if you’re not careful?”

He considers this for a moment before sighing. “You don’t understand.”

“So then make me understand,” You challenge him, running your hands up his chest. “Please, Kento. I can take it.”

“No,” He denies, “You don’t know what you’re asking for.”

Seeing his hesitance, you decide to switch tactics. You reach for his hands on your waist, taking his wrists and raising his palms up to the front of your dress. You guide them to rest over your breasts, allowing him to touch them through the thin cloth. You’d decided not to wear a bra for the night since the article had thin straps, and he immediately can feel that, a flash of desire flitting within his eyes.

Riding the wave of his interest, you tell him, “I want you bad, Kento.”

He inhales forcefully, allowing himself to knead the soft flesh beneath his hands. His thumbs graze over your hardening nipples, your teeth dragging over your bottom lip instinctively. To drive your point home, you grind down on him, the only thing on beneath your dress being the panties you’d hoped he’d see when you had put them on earlier in the day.

“You’re playing dangerous,” He warns, voice thin and strained. 

“Maybe I want dangerous.”

He finally lets out a groan, surging forward and capturing your lips in another kiss. It’s more forceful this time, and all you can do is give complete control to him. 

He flips your positions so smoothly, you hardly feel it; you just suddenly feel your back hit the cushion of his couch, a gasp pushed from your mouth. His hands make quick work sliding up your dress, fingers hooking underneath your waistband.

Kento speaks against your mouth lowly. “Lace?”

You swallow hard, nodding. “Yeah.”

“Expensive?”

The question catches you off guard. “Uh, no, not r–”

A swift, harsh tug and the sound of fabric ripping later, he holds the scrap lace in his hand, now mangled and unusable. He just tore them clean off.

“Holy shit,” You breathe, now suddenly aware of how bare you are beneath your dress. He must become aware of that fact too, because without a moment to spare, he’s pushing the article up to your waist, exposing you to his eyes. A rosy flush spreads over the bridge of your nose as he looks at your naked lower half unabashedly, a type of hunger you have never seen before nor known he was capable of in his eyes.

He tosses your ruined panties to the floor and fiddles with his belt, undoing the buckle. Your gaze follows his movements, watching his hands expertly tug the leather strap from its loops in his pants.

Then, he surprises you by holding the edge without the buckle and running it along your inner thigh. You shiver, observing him and wondering what his next move will be. He runs it all the way up, reaching the apex of your leg and placing it right over your mound. The cool leather feels unfamiliar there.

“Can I?”

Your attention is pulled to his voice, and for a moment you aren’t sure what he means. Then it dawns on you.

Oh.

No one’s ever done that to you. But…you aren’t opposed. You’re curious.

You nod.

“Words.”

Oh, damn.

“Yes, you can.”

“Good girl.”

You don’t have time to pay attention to the rush of hormones that praise gives you, because a harsh sting of pleasure suddenly hits your senses as he brings the end of the belt down, slapping your clit with it.

“Ah!” You jump slightly, shock, arousal, and fascination flooding you all at once.

“How was that?” He asks, watching you carefully. You take stock of yourself…and are intrigued to find that you liked it. As soon as you realize that, you understand that Kento is about to show you an entire new world previously unexplored to you.

Your eyes lock with his. “It was good.”

A mixture of relief and desire swarm his gaze. “You liked that?”

“Yeah.”

Without warning, he does it again, a little harder, and you cry out this time, unused to the strangely welcome sensation.

“Still good?”

“Yes.”

“Good girl.”

Your next breath is shaky. “More.”

He wastes no time in delivering exactly what you want. Over and over again, until your pearl is red and swollen and the folds beneath are glistening with need, belt shiny with a bit of it. He stops once you reach this state, making sure you see as he licks it off the belt. Your lips part, entranced, and he drops the accessory, instead moving to undo the front of his slacks. Your heart begins racing–but then he pauses, seeming to deflate slightly.

“I’m not gonna go all the way,” He states, “I don’t have condoms.”

“What?” Your voice is more than a little indignant. “But…how?”

“I wasn’t planning to do this tonight.”

He pulls his cock from its restriction in his briefs, pushing his waistbands down to the tops of his thighs, and the sight of the thick, red shaft as your mouth watering and your core pulsing around nothing. 

You think he’s changed his mind as he lines it up, but then he just glides it against your folds, coating it in your essence and using it to rub against you, the feeling intense due to the sensitivity of your previously abused clit, but not what you crave.

“Kento,” You whimper, watching him rub himself off as he plays with you using his cock. “Please…”

“We’re not risking a pregnancy,” He maintains, “It’s not wise.”

You are beyond frustrated at this point, entrance weeping for attention, and you swear the desire is so bad you can feel your entire core sore and empty, vying to be filled and stretched.

What can you say that will get him to do it, even just a little bit?

Wait. Just a little bit.

“What about just the tip?”

His eyes narrow. “What?”

“Just the tip,” it comes out needier than you had intended, but god damn it you’re horny and all out of shame twice over.

Kento takes a good look at you, at himself and the position you’re in, sucking in a controlled breath for the umpth time that night.

Then, he lines up again, cockhead pressing against your entrance. “You’re going to regret asking for it.”

Is he challenging you? Whatever. What. Ever. You’ve reached a point where if you don’t get his cock soon your heart may actually give out. 

“Let me decide that.”

His jaw sets tightly before finally, finally, he cants his hips forward, pushing the tip of his shaft inside of you. 

As soon as it’s in, your head falls back on the couch, hips starting to roll without your permission. Your body wants him all on its own, and you’re no longer in command of it. He groans, pulling out and then pushing it back in, only the tip again, and you whimper in half bliss and half frustration.

You want more. 

You understand the true meaning of temptation now. You’ve had the first bite of the proverbial apple, and it’s shocking how eager you are to devour the rest to its core.

Everytime he pushes in, never going past the smooth head of his cock, you moan, wordlessly begging for more. There’s a worry in his brow and a tenseness to his jaw that indicates just how much self-control he’s exercising, and as you look up at him, you realize he’s still pretty much fully clothed—his tie is pristine around his neck, shirt fully buttoned up, only his dick out and vulnerable to your eyes. 

It’s unfair, and you seek to change that.

Your hand loops into his tie and yanks him down by it, taking him by surprise. He has to catch himself on his hands to avoid falling on you, a grunt escaping his lips as it causes him to slide further into you.

In a lowered hiss, he asks you, “what do you think you’re doing?”

The tone is so vindictive it has any words dying on your tongue. All it takes is a moment before he’s forcefully breathing out and lifting himself off of you, cock withdrawing from between your legs.

You open your mouth to protest, and that’s when your world spins. 

You were face up, but now you’re on your hands and knees on the couch, having to brace yourself as he manhandles you silently. There’s not even a moment for you to acclimate to your new position before you feel his fingers loop through your hair as you’d done to his belt, and in one motion, he grabs your hip with his free hand and slams all the way into you, pulling your hair back hard to make you arch for him.

A loud cry splits through the air and it’s only when he starts repeatedly fucking hard and fast into you with the entirety of his monstrous size that you realize the sound was from you.

“See what happens when you push me?” His voice is hoarse and gritty, more like a growl than a whisper, a dull ache inside of you where he’s currently remolding the shape of your walls.

All you can do is make incoherent noises, and you aren’t sure whether they’re from pain, pleasure, or a mixture of both. His grip on your hair isn’t letting up and it hurts, but you’ve also never felt so completely out of control of yourself and somehow it just feels freeing to you. 

“Huh?” He asks, and it’s then you realize you never replies to him verbally. You muster up the strength to speak.

“Y-yeah…” it sounds breathy and whiney, completely foreign in the contours of your voice.

“You happy now? Happy you got me to fuck you like the greedy whore you are?”

The harsh word ripples through you hotly and you moan, nodding as good as you can. “Yes…”

“Yes?” He asks, breathless, and he lets go of your hair in favor of wrapping his hand around your neck from behind. “You like being screwed like a whore?”

Apparently, you do. This is new information to you as well. You nod, gasping as he grabs your hand and presses it over your abdomen, where you can feel the flesh rising and falling in tandem with his thrusts. 

“Feel that?” He asks, “that’s me inside of you.”

“Oh god,” You rasp, the knowledge of him so deep inside your body going right to your head. You can feel your mound weeping all over yours and his thighs, the wet slap tell-tale of just how much you’re enjoying this. Just the realization has you fluttering around him, a sensation that isn’t lost on him.

“Fuck,” he breathes, “You really do like this, huh?”

You nod. “Yes, yes, Kento…”

He groans, leaning forward and kissing the juncture of your neck and shoulder, brushing your hair out of the way. 

“Such a good girl for me…my good little slut.”

You shudder, eyes squeezing shut as he speeds his movements up, the hand that was pressing yours to your stomach moving down to the slippery mess that is your swollen clit.

The big palm of his on your neck slides the thin straps of your dress down your shoulders and dips into the neckline of it, grasping your breast as if to claim ownership of it. 

“Oh my god,” You breathe again, hips twitching at all of the stimulation, face hot, entrance thoroughly fucked open and sloppy, debauched by Kento like a destructive form of artwork.

His middle finger massages circles into your sensitive pearl as he continues the grueling pace of his hips, lips pressed to the back of your neck, and all at once it becomes too much.

It crashes into you like the unforgiving wave of the raging ocean, sweeping you into the depths of pleasure.

You cum so hard on his cock he physically has to stop moving, your hold on him so tight he’s locked inside of you. That’s the moment that he follows, spilling his pent up, heavy load into you with a hiss of pleasure. 

Your arms and knees feel like jelly. Your walls are sore and throbbing, completely exhausted from his ravaging. But all you feel is feather-light. Finally, finally you did it. And it was better than your wildest imagination.

Lips place a tender kiss on your shoulder, his labored breaths slowing back to regulation. You feel his cheek rest upon the skin of your upper back. Both of his hands massaging along the sides of your hips.

“I’m sorry we waited so long. I just figured it would be too intense for you.”

You shake your head, turning it to look back at him as he straightens up and carefully pulls out. 

“Don’t do that again.”

The corner of his lips turns up slightly. “Oh no, I won’t make that mistake twice. In fact…there’s something else I want to do now.”

“And what’s that?”

“I want to test your limits.”

__

A/N: here's my Nanami masterlist :) this is the first piece but lmk what else you want me to write for him! Hope you enjoyed.

[sunliv]

Who has the better dynamic?>:]

shaking and crying i feel so threatened i dont know what to doooo. Please, Saffron, have mercy,,, PLEASE-!!

[imastoryteller]

Write Like a Director: Crafting a Cinematic Novel (With Examples)

Writing a novel like a movie means propelling your reader through scenes with relentless momentum, slashing through fluff, and ensuring each word drives the plot forward. Trust your readers to connect the dots through dialogue and action, immersing them in vivid, immediate experiences without drowning them in verbose descriptions. Every chapter should feel like a high-octane scene, keeping readers on the edge of their seats, hungry for the next twist, the next revelation. Keep it tight, keep it thrilling. Here are some examples to illustrate each aspect of this dynamic storytelling approach:

Fast Pacing

Chase Through the Alley: Jake sprinted down the narrow alley, the thud of heavy boots echoing behind him. A sharp left, then a right—no time to think, just run. This example thrusts the reader directly into a high-speed chase, emphasizing immediate action and urgency.

Heist in Progress: The vault door creaked open. "Thirty seconds," Maria whispered, stuffing bonds into her bag. The alarm blared. "Move!" The scene conveys a sense of time running out and rapid movement, maintaining a brisk pace with no room for delays.

Dynamic, Fast-Going Plot

Kidnapping Twist: Laura opened her front door to find an empty stroller on her porch. A note inside read: "If you want to see her again, come alone." The unexpected discovery of a kidnapping sets up an immediate and compelling conflict, driving the plot forward swiftly.

Escape Plan: The prison lights flickered. "Now!" whispered Tom. They climbed through the hole, hearing guards’ shouts in the distance. The urgent breakout from prison keeps the plot dynamic and intense, with characters constantly on the move.

Show, Don't Tell

Fight in the Ring: Blood trickled down Max’s face. He clenched his fists, dodged a punch, and delivered a powerful uppercut that sent his opponent to the mat. The physicality and immediate consequences of the fight are shown through actions rather than explained through exposition.

Silent Farewell: Tears streamed down Lily’s cheeks as she handed Jack the letter. Without a word, he turned and walked away, his shoulders slumped. The emotional impact of the farewell is conveyed through the characters' actions and expressions, not through internal monologue or narrative explanation.

No Tedious Descriptions

Quick Change: Sam grabbed the nearest shirt and jeans, pulling them on as he ran out the door, glancing at the clock—he had five minutes to reach the station. The scene moves quickly from one action to the next, providing only essential details to maintain momentum.

Sudden Revelation: In the dim light, Sophie saw the glint of a ring on the thief’s finger. Her father's ring. She gasped, stepping back. The revelation is made through a brief visual detail, keeping the description succinct and impactful.

No Infodump

Mid-Battle Realization: Amidst the chaos, Sarah recognized the tattoo on the enemy soldier’s arm. Her brother. She hesitated, the war raging around her. The revelation about the brother is integrated into the action, avoiding lengthy explanations and keeping the focus on the immediate situation.

Urgent Discovery: Ethan flipped through the ancient book, stopping at a page with a familiar symbol. "It's the same as the pendant," he muttered, pocketing the book and running out. The discovery is brief and directly tied to the plot's urgency, with no extensive background information provided.

Avoid Fluff

Straight to Action: Ben didn’t bother with pleasantries. “We’re out of time,” he said, throwing the bag into the car. “Get in.” The scene cuts straight to the critical moment, avoiding unnecessary dialogue or description.

No Idle Chatter: Emma answered the phone, cutting off the caller's introduction. “What’s the plan?” she demanded, glancing at the clock. The character immediately seeks vital information, eliminating small talk and focusing on the plot's progression.

Tight, Immersive Narrative

Immediate Danger: As the elevator doors slid open, Mark saw the bomb timer: 00:10. He dived for the wires, heart pounding. The imminent threat and the character's swift reaction immerse the reader in the tension of the moment.

Critical Decision: The bridge was collapsing. Anna had seconds to decide—jump or try to save her friends. She took a deep breath and ran back. The character's quick decision-making in a life-or-death situation keeps the narrative focused and engaging.

By applying these principles, you can craft a novel that feels as dynamic and engaging as a blockbuster movie, keeping your readers hooked from the first page to the last.

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