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tabloidtoc · 4 years ago

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National Enquirer, April 5

You can buy a copy of this issue for your very own at my eBay store: https://www.ebay.com/str/bradentonbooks

Cover: Meghan Markle's secret psych analysis

Page 2: Heather Locklear has put on a lot of weight since she got out of rehab last fall -- she looks to be carrying 170 pounds on her five-foot-five frame and she looks to have gained 35 pounds

Page 3: Miranda Lambert has taken another swipe at ex Blake Shelton and Gwen Stefani by dissing their upcoming nuptials -- Miranda has been urging mutual friends to skip the wedding and she's got everyone in Nashville and beyond all riled up and either you're Team Miranda or you're Team Blake, and if you're with him you can forget about being friends with her and she's forcing people to choose sides and she'll have no qualms cutting off anyone who attends Blake's wedding

Page 4: Alex Rodriguez struck out with fiancee Jennifer Lopez after she discovered his hot-and-heavy direct messages to a long string of women -- their four-year romance went foul after Southern Charm's Madison LeCroy publicly admitted she'd been in touch with A-Rod and Jennifer found out he'd reached out to other beauties through social media and Jennifer had had enough

* Concerned mom Jennifer Garner is struggling to cement her relationship with daughter Violet now that the 15-year-old is barreling through the turbulent teens -- Jennifer said the heartbreak is just that she's growing up at all and it's heartbreaking for the mom and for the teenager, needing to have that kind of severing of this baby-mama tie

Page 5: Chris Brown's spacey social media posts about aliens have close pals concerned about the R&B crooner, including his once-battered ex Rihanna -- Chris is obsessed with conspiracy theories and all things supernatural

Page 6: Disgraced Felicity Huffman is fuming about scuffling for plum parts while rumors swirl fellow felon Lori Loughlin has already been invited back into her old TV series and Felicity can't understand why she is being forced to go through the whole audition process while Lori seems to be welcomed back with open arms -- though she hates to do it, Felicity feels the only way she can get attention is to do a tell-all interview about her humiliating part in the scandal -- Felicity has scored a part in the ABC pilot Sacramento River Cats, though there is no guarantee the project will make it onto the air, but insiders and fans of the hit Hallmark series When Calls the Heart have all been filling the internet with talk of Lori's rumored return -- Felicity believes the only way to get public sympathy is to spill her guts, even though all she wants is put the scandal far behind her

Page 8: Stressed Tonight Show host Jimmy Fallon has been packing on the pounds as his talk show continues to battle with Stephen Colbert's Late Show and Jimmy Kimmel Live in the late-night ratings and Jimmy has been partying and pigging out to find any comfort he can as Tonight continues to trail the field in total viewers and Jimmy is over 200 pounds for the first time in his life and it's because he's overindulging to compensate for the show's struggles and Jimmy and the gym do not mix even though he had a full fitness center installed at his New York apartment years ago

* Debilitated diva Liza Minnelli's 75th birthday party turned into a disaster when her frail physical condition alarmed friends -- celebrity pals also joined a virtual bash for the legend, even though Liza insisted she didn't want a big fuss and Liza's manager threw the small dinner party on her birthday and about eight people, including Joan Collins, attended in person and several other friends, including Barbra Streisand, recorded video messages and performances for Liza but before the party, Liza was in such bad shape she told friends that she didn't want to participate or be seen on camera -- in the end, Liza, who's undergone multiple surgeries and struggled with substance abuse for years, agreed to join the gathering at the L.A. home of her longtime protege Michael Feinstein and Liza sang but she didn't look well and her voice is shot to pieces and she was propped up in a chair and barely moved from it because she can't walk well anymore and during a live chat during the party the hashtag #FreeLiza started to pop up and not everyone meant it as a joke and there's a feeling certain people have taken over her life and longtime friends have been frozen out and they fear she'll never appear in public again and they won't see her again before she dies -- when friends saw the videos the next day they were upset and very worried, saying Liza really appears to have declined

Page 9: Angelina Jolie has fired a shocking new salvo against ex Brad Pitt over custody of their five youngest children and her latest court documents allege domestic violence and even worse, some of the nearly dozen papers Angie just filed offer up a few of the kids to testify against their dad and Angie is now claiming she can offer proof and authority of domestic violence but Brad's lawyers are expected to respond with a vehement denial -- with the newest court filings, all of which are sealed, Angie is determined to get full custody of the kids and Angelina has fought tooth and nail to get what she wants in this divorce and when it comes to her kids she won't back down

Page 10: Hot Shots -- Farrah Abraham in a bikini, 50 Cent chased away his thirst with a drink at an Atlanta eatery, Natasha Lyonne of Russian Doll was on her game while playing chess on the NYC set, Selma Blair met up with a pal in Studio City, Reggie Bush showed he's still in fine form during a Mexican vacay

Page 11: Gwyneth Paltrow isn't above using a little goop to smooth out the age lines -- the lifestyle guru recently admitted to resorting to a teeny drop of Xeomin, which claims to be a uniquely purified choice for frown lines, to help her look less pissed off but she also admitted her history with fillers hasn't always been happy and she had a midlife crisis when she turned 40 and she went to see this doctor and it was a disaster and she was bruised and her forehead was completely frozen and she didn't look like herself at all -- she also admitted she believes there is still a lot of shame around surgery or injectables or fillers and it's like admitting a vulnerability -- she said she thinks aging is hard and when you see your face start to change, you don't necessarily feel your most beautiful, externally, but the irony is it's that time in your life when you actually really like yourself and love yourself

* Wendy Williams' handpicked hunk Mike Esterman has better buckle up because the daytime diva has already mapped out their future, and he's in for a wild ride -- Wendy boasted she chose her Maryland-based beau after receiving hundreds of submissions to her Date Wendy segment, but she's aiming to renovate the contractor and it's all about image, stylists and bodyguards for Wendy right now and she's already got a reality show in the works for them, a TV crew and photographers trailing them everywhere and his-and-her makeovers too -- she's gone from zero to 60 with this guy in a matter of days

Page 12: Straight Shuter gossip column -- Miley Cyrus is going country after her last two albums tanked -- Miley offended her core audience with her outrageous behavior and punk sound and she's signed with a new record label and the plan is to reintroduce her to the country audience that loved her dad, Billy Ray Cyrus, and once loved her -- Miley's behavior has overshadowed her talent for years and her new team will guide Miley back to her roots in the world of country and finding the right sound should be easy but can Miley find the right behavior

* Gayle King owes her glow on CBS This Morning to a new makeup artist and after being tended to by a fill-in makeup artist and told she looked better than ever, Gayle quietly dismissed her longtime makeup man but there's an unspoken code of ethics in the pro makeup world that if you're asked to replace a longtime client's makeup person, the appropriate answer is no

* The Sex and the City reboot isn't all cosmos and roses -- Sarah Jessica Parker was the show's executive producer, giving her much more power than her co-stars, but Cynthia Nixon and Kristin Davis will also executive produce the reboot and there's already tension -- sharing power is hard for anyone who's been the boss for years and it isn't one big happy family

* Rachel Brosnahan gets some puppy love on the set of The Marvelous Mrs. Maisel (picture)

Page 13: The knives are out for self-appointed queen bee of The Talk Sharon Osbourne after she was exposed as TV's meanest host -- the salty motormouth has been accused of a barrage of racist and anti-gay zingers, forcing the gabfest to go on hiatus while CBS investigates the claims -- former host Leah Remini claimed Sharon would frequently refer to then-co-host Julie Chen, who is Chinese American, as 'wonton' and 'slanty eyes' and Sharon also reportedly referred to her out lesbian co-host Sara Gilbert as 'p--sy licker' and 'fish eater' -- in a tweet, Holly Robinson Peete implied Sharon's racist comments led to her leaving the show -- Sharon also chased Marie Osmond on the show last fall and tried to take it over after Julie Chen quit in 2018 -- Sharon has denied all claims against her -- Sharon's big personality is central to The Talk, but some of these allegations, although none have yet been proven, are the kind of remarks that could be career-ending

Page 14: Crime

Page 16: Demi Lovato's shocking admission that she continues to puff pot and swill booze after multiple rehab stints and a near-fatal drug overdose has pals and addiction experts convinced the singer is courting disaster -- she dropped the bombshell in a recent interview and claimed indulging in those vices has helped her fend off more serious addictions and the chronic depression that has dogged her entire life -- Demi came very close to dying three years ago after she overdosed on opioids and it triggered three stokes and a heart attack, and a lot of people were terrified she would never recover and her friends are convinced she's put herself right back on the same self-destructive path -- Demi claimed she was sexually assaulted by her dealer on the day of her almost-fatal OD and when her assistant found her unconscious and surrounded by vomit following the wild binge, she was naked and she was blue and she was left for dead and she had unknowingly taken heroin that was laced with the powerful drug fentanyl

Page 17: Devastated Lisa Marie Presley is finding comfort in the arms of her first husband, Danny Keough, after their son Benjamin Keough's suicide -- Danny has given her a shoulder to cry on and he's the only one who can understand the despair she feels after losing Benjamin -- Lisa Marie has been inconsolable since Benjamin died of a self-inflicted gunshot wound and she's moved in with Danny in Woodland Hills, California and she's also struggled with substance abuse and the stress of an ongoing divorce battle from fourth husband Michael Lockwood -- although her marriage to Danny ended in 1994, he's remained close to the family, working as a driver and handyman for their actress daughter, Riley Keough and Riley couldn't be happier that her dad has been so helpful to her mother and it's taking a full team to keep Lisa Marie together and Danny was definitely proven he's still on her team

* The sudden death of Bobby Brown Jr. remains shrouded in mystery as the 28-year-old's autopsy report was placed on a security hold following a request from the LAPD -- the namesake son of Bobby Brown and his ex-girlfriend Kim Ward lived with his famous father in Encino, California, where the singer found him responsive -- Bobby Jr. has been doing drugs with pals and insiders suspected he was deliberately dosed with a fatal cocktail of booze, cocaine and painkillers

Page 18: American Life

Page 19: Tina Turner is using a new documentary about her life as a final farewell to fans after the R&B icon was rocked by a string of physical and mental health woes including the crippling effects of a 2013 stroke -- the eye-opening documentary Tina is a love letter to her millions of supporters and the punctuation mark to a life defined by startling professional success and heartbreaking personal catastrophes -- Tina admitted she's had an abusive life but at a certain stage forgiveness takes over -- in the documentary Tina confessed she suffers from post-traumatic stress disorder and has frightening flashbacks of being savagely beaten throughout her hellish 16-year marriage to the late Ike Turner and Tina's current husband, German music producer Erwin Bach, even compared his spouse to a shell-shocked soldier -- more recently, Tina has been battered by health crises after suffering a stroke in 2013 and being diagnosed with intestinal cancer three years later, mere months before her kidneys failed and Erwin donated one of his own to save her life -- Tina knows the end is near and this film is truly her last encore

Page 20: Match Game -- a round up of male and female celebs who look astonishingly similar, despite their opposite genders -- Sophie Turner and Boy George, Miley Cyrus and Justin Bieber, Timothee Chalamet and Natalia Dyer, Tom Cruise and Tig Notaro

Page 21: Melissa McCarthy and Ricky Gervais, Eva Marcille and Terrence Howard, Bret Michaels and Fergie, Josh Hartnett and Clea DuVall

Page 22: Katy Perry sparked rumors she had finally taken the plunge with longtime love Orlando Bloom after she was seen sporting a suspicious gold band on her left ring finger while vacationing in Hawaii

* Scott Disick has confessed baby mama Kourtney Kardashian is the reason his relationships fail -- the reality TV slacker revealed his now ex-girlfriend Sofia Richie felt neglected because he spent more time with Kourtney and their three kids, saying it's definitely not easy that they see each other, work together and are friends but he's always been clear that his priority has been his kids and he even put it out there that taking care of Kourtney is one of his priorities

Page 26: Reality star fixer-uppers Jonathan and Drew Scott are sweating bullets over a lawsuit filed against their Property Brothers show by unhappy clients and the stress over the scandal is wreaking havoc with their personal lives -- Las Vegas couple Mindy and Paul King filed suit against Cineflix, the company that producers Property Brothers, and Villa Construction, a local contracting company, alleging they did a shoddy job repairing their home after the couple forked over $193,000 for renovations -- though the twin brothers aren't named in the lawsuit, they were concerned it could smear their reputations and upset their ladyloves -- Jonathan is close to marriage with actress Zooey Deschanel and Drew is wed to Linda Phan, who is the creative director for their company, Scott Brothers Entertainment -- they're both mortified by these allegations and they don't know what to tell Zooey and Linda, other than they will be cleared when the truth comes out but they're terrified that the bad press could derail the show -- Paul and Mindy answered a 2018 casting call and said they were assured all the work would be HGTV quality but Paul said that the place looks good from afar, but it's far from good and the Kings griped to the Nevada State Contractors Board, citing more than 90 complaints with the work ranging from unmatched baseboards to potential hazards -- as the case plays out, the brothers have been rattled by the controversy and they are stressed that this very public case is calling their work into question and there's a fear more people will come forward with similar charges

Page 28: Cover Story -- a top-secret psychological profile of Prince Harry's wife Meghan Markle paints the former actress as a mentally unstable ticking time bomb who couldn't cope with playing second fiddle to senior royals -- the explosive evaluation unmasks Meghan as a pathological liar and bipolar narcissist with histrionic personality disorder but the jaw-dropping findings about Meghan, who's pregnant with a sister for son Archie, don't surprise palace sources as Meghan's tears, tantrums and extreme mood swings had staffers terrified what she could do or say next and she was consumed with ambition and jealousy -- she married Harry expecting to be the royal superstar, but instead learned she'd always be second to his brother Prince William's wife, Duchess Kate and Meghan couldn't stand that she and Harry would always be in their shadow and wanted to destroy her in-laws but no one expected her to lob a nuclear grenade into her husband's family in a no-holds-barred TV special

Page 32: Health Watch

Page 34: Cara Delevingne confessed she used to be disgusted by same-sex relationships and was suicidal before coming to terms with her sexuality -- the model, who has dated actresses Michelle Rodriguez and Ashley Benson and singer St. Vincent, said she was trapped in a dark place and afraid before she publicly admitted to liking members of the same sex -- she said she grew up in an old-fashioned household and she didn't know anyone who was gay and she didn't know that was a thing and growing up she wasn't knowledgeable of the fact she was homophobic and she continued that the idea of being with same-sex partners, she was disgusted by that, in herself -- Cara, who identifies as pansexual, explained her sexual orientation is constantly changing and added she was so unhappy and she wasn't following her truth, that whole thing of having to fit into the box, she's an androgynous person

* Don McLean wants his decades-younger girlfriend to have the wedding of her dreams and he's set aside $1 million for the big day -- the American Pie singer has been dating model Paris Dylan for five years after an ugly divorce from second wife Patrisha Shnier -- Paris is totally unconcerned by the enormous age gap between the 75-year-old singer and 27-year-old model and wants to spend the rest of their lives together -- Don's going all out making sure she has the wedding that's fit for a princess and he's spending an absolute fortune, giving Paris the best of the best in terms of the venue and the food and the one-of-a-kind dress and Don's given her carte blanche to plan it however she wants, and people are expecting a seriously over-the-top affair

Page 36: Singer Andra Day turned to method acting to play jazz icon Billie Holiday, and it's paid off with an Oscar nomination -- Andra revealed she dropped 39 pounds and took up drinking and smoking to prep for the title role in the biopic The United States vs. Billie Holiday -- Andra doesn't recommend smoking and drinking, but she did it because she was just desperate for her first role -- Andra, famed for writing and performing the song Rise Up, also sings in the movie as Holiday, and changed her singing voice to reflect the music legend's pain

* Hollywood Hookups -- MTV reality stars Jenna Compono and Zach Nichols secretly tied the knot and their first child is due in August, Larsa Pippen is dating Myles Kronman, Ashley Jacobs and Mike Appel engaged

Page 38: Cindy Crawford said posing for Playboy was a snap compared to acting in movies -- Cindy said she really regrets starring in the 1995 bomb Fair Game, where she played a lawyer fighting a former KGB spy -- she said she never wanted to be an actor, but a producer begged her and he kept upping the price until she thought she'd be an idiot to say no, but she should have said no, or prepared herself better -- the experience taught her she's very comfortable in front of a camera, but only when she's being herself

* Former American Idol judge Randy Jackson is half the man he used to be and he couldn't be happier about it -- Randy has dropped a whopping 130 pounds to head off potentially deadly effects of his type 2 diabetes and did it in the healthiest ways -- he wrote in his book Body with Soul, it's a curse to be saddled with a disease that's life-threatening, but it's a blessing to get that huge wake-up call -- Randy admitted to crushing the scale at 358 pounds before getting gastric bypass in 2003 but now exercises and eats right and he's ditched sugar and gluten and he wants to be an example for other obese folks and show them they can get healthy and stay that way

Page 40: Tom Brady did an end run around fuming wife Gisele Bundchen by signing a four-year contract extension with his new Tampa Bay Buccaneers team after winning the Super Bowl -- the 43-year-old quarterback promised Gisele he would hang up his cleats after the upcoming season since winning last year's championship but changed his mind after snagging his record seventh NFL title with the Bucs -- Gisele is both angry and astonished because they had spoken about him finally settling down to be a full-time father and husband, but he can't stop chasing glory on the field and Gisele was stunned by his decision to re-up for another four years while the two were discussing expanding their brood and they had planned to have another child after buying their dream house on Indian Creek Island in Miami and they were even drawing plans for a nursery, and now that Tom's done a complete turnaround, everything is up in the air; it's caused some serious tension in their marriage

Page 42: Red Carpet -- Grammy Awards -- Billie Eilish, Megan Thee Stallion, Dua Lipa, Noah Cyrus, Lizzo, Taylor Swift

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max-xy · 3 years ago

Text

MBAV script

Me + face claim:

Name: Max Marie Becerra

Species: Human but is the reincarnation of a witch that was killed in the 1600s. Also a “healer”

Aesthetic: kidcore, clowncore, grunge fairycore, y2k, 80’s, etc..

Age: 15 (May 1st, 1995)

Gender: non-binary (he/they/it/she/void/moth)

Sexuality: Bisexual

Hair: green

Eyes: Hazel

Height: 5’2

Teeth: straight, sharp canines

Diagnosis: ADHD, depression, and GAD(again I have these diagnosis irl)

Personality:

•Same as CR

•Goofy

•Compassionate

•Great at comforting others

•Funny

•Lovable

•sarcastic but doesn’t understand sarcasm

•Adorable

•Sassy

•Kinda oblivious

•Awkward in a cute way

•Easily flustered

•Sometimes a flirt

•Easy to get along with

•Able to stand up for others but not myself

•Tends to put my problems aside for others

•No one really knows about my problems unless they pry it out of me

•Strong Empath

•Hates crying in front of others(it makes me feel weak)

•Not quick to anger

•Will start singing randomly

•Stims a lot

•Tics

•hums a lot

•Able to react fast and is agile

•Can fight and improvise very easily

•Very strong (physically) even though I don’t look like it

•I know how to use a wide variety of weapons

•I can get information out of people easily

•I can be very stealthy when I want too

•Great at picking up others conscious and subconscious behaviors

•I pick up things easily

•Most people like me even if they just met me

•Knows a lot about mythology, philosophy, psychology, sociology, and ethics.

School: good grades, school comes easy to me, and staff likes me

Friends:

Ethan- met in 1st grade when a bully pushed him off the swing and I went to help him. Didn’t like me much because “I could defend myself”. Warmed up to me after I befriended Rory and Benny. He/him, unlabeled and definitely not straight. Acts like the tired friend but is as much to blame for the dumbassery and chaos.

Benny- Met in 1st. Non-binary, He/they, disaster bisexual. Doesn’t even try to pretend he isn’t a dumbass at this point. I confide in him the most.

Rory- Met in 1st. Non-binary, they/he/she/vam/vamp/vamps/vampself, and Panromantic/asexual disaster. If left alone together chaos will strike. Actually some what good at keeping a secret but don’t trust them with everything. Good with pep talks and advice.

Sarah- met in a Dusk fan club meeting in 8th grade. Kinda became friends and exchanged numbers. We later became friends through Ethan. Mom friend. Dating Erica. She/her Bisexual

Erica- met at the same meeting. Exchanged numbers. She tolerates me more than Benny, Ethan, or Rory. Pretends like she doesn’t. Dating Sarah. She/they, trans, lesbian. Will fight someone for you.

Jane- acts as my little sister. She/her, straight?.

All- We do movie nights at least once a month at Ethans house. Erica complains most of the time saying that Sarah dragged her along but she secretly likes going. We switch off on who picks the movie. Erica always picks a Dusk film. Tons of snacks for everyone. We let Jane stay up with us during movie nights.

Love life-

Ethan & Benny- we all have crushes on each other but scared to admit it because we don’t wanna mess up our friendship.

Oh yeah no one is Neurotypical(did I spell that right?)

Family:

Older sister(left)- Bones Becerra, she/they/xe, 19 years old, trans, lesbian. Lives at home while attending a public college for art studies, history, and literature. Small group of friends. Personality: chill, ADHD, doesn’t do good under pressure, tries to understand your situation, sleeps for 4 hours everyday, loves 70s and 80s movies, That 70’s Show and Sailor Moon are comfort shows, bites her lips a lot, bad with comforting people, that drunk girl that will help you in the bathroom and told your hair back while you puke, shows love by doing things for you or picking on you, and loves playing cards.

younger brother (right)- William Becerra, he/him, 10 years old, questioning. Personality: ADHD, loves video games, very hyperactive, has many fursonas, dresses up as animals, wears makeup and stickers, has vitiligo, has a Dino mask, loves dresses and skirts, raised on Disney, FNAF, Good Mythical Morning, and Discord, extroverted, big friend group but 2 close friends, good at public speaking, hates pizza, has a pet hamster and a lizard. Stims a lot.

Mother(left)- Elizabeth Becerra, she/her, 39 years old, lesbian. Married at 19 years old to high school sweetheart, first child(age 20, in 1991) second child(age 24, in 1995) third child(age 29, in 2000). Later figured out she was lesbian so filed for divorce and got full custody of all children. Has been dating Jessica for two years. Personality: Full on Disney adult, plans two or three trips to Disneyland a year, makes you comfort food when your sick, took parenting courses, always there to listen or offer support, you have friends? Great she adopted them, works as a children therapist, lets you take mental health days, helps with projects, loves watching crime documentaries and shows, will rant about her childhood, ADHD, will tell you how dispose of a body and hide evidence, believes in the supernatural, does tarot readings, and practices witch craft.

Moms girlfriend(right)- Jessica Miller, they/she, 37, non-binary, lesbian. They have no biological children but has adopted Lizzie’s children as their own. Runs their own online business were they sell their art, deco adult pacifiers, and old things they find while thrifting or dumpster diving. They have a studio set up in the house. Personality: they loves cooking, ASD, doing art, they don’t exactly know how to respond to emotions, their special interest is art and collecting stuffed animals, she is an age regressor, will rant about their favorite show or what new piece they’re working on, projects onto fictional characters(same), watches anime and cartoons, and recently got into FNAF because of William. Has a pet cat named Luz after Luz from The Owl House.

#mbav #shifting realities #shifting script #shifting to desired reality #mbav rory #mbav benny #mbav sarah #mbav erica #mbav ethan

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notbecauseofvictories · 4 years ago

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Hi Sarah! My friend and I are starting a bookclub (as much as you can with two people who aren't pressed for deadlines) and I was wondering if you have any recommendations? (That is if you have time to rec anything!) We're starting off with Deathless and have Fitzgerald next in line somewhere but I def want to try to expand the genres we read and tbh from years of following you, I trust your judgement

I don’t...like giving recommendations? At least not directly, it seems like too much opportunity for getting it wrong. Everybody has their own tastes, after all, and even the best of friends don’t necessarily vibe with what you vibe with. (I’ve experienced this with multiple friends, so I know what I’m talking about.) Truly, one of the reasons that my whole “I’m going to get back into reading for pleasure!” push has been so successful is that I only bother with books that interest me, and stop reading when they fail to catch my attention.

But I’ve now read at least 60 books in 2020, which is approximately 60 more than I’ve read in the years prior, so I’m happy to share that. Below is my list of recent reads, beginning to end, along with a very short review---I keep this list in the notes app on my phone, so they have to be. Where I’ve talked about a book in a post, I’ve tried to link to it.

Peruse, and if something catches your interest I hope you enjoy!

2020 Reading List

Crazy Rich Asians series, Kevin Kwan (here)

Blackwater, Michael McDowell (here; pulpy horror and southern gothic in one novel; come for the monster but stay for the family drama.)

Fire and Hemlock, Diane Wynne Jones (here; weird and thoughtful, in ways I’m still thinking about)

The Secret History, Donna Tartt

Gone Girl, Gillian Flynn (here; loved it! I can see why people glommed onto it)

Swamplandia!, Karen Russell (unfinished, I could not get past the first paragraph; just....no.)

Rules of Scoundrels series, Sarah MacLean (an enjoyable romp through classic romancelandia, though if you read through 4 back to back you realize that MacLean really only writes 1 type of relationship and 1 type of sexual encounter, though I do appreciate insisting that the hero go down first.)

The Bear and the Nightingale, Katherine Arden (here)

Dread Nation, Justine Ireland (great, put it with Stealing Thunder in terms of fun YA fantasy that makes everything less white and Eurocentric)

The Haunting of Hill House, Shirley Jackson (VERY good. haunting good.)

Tell My Horse, Zora Neale Hurston (I read an interesting critique of Hurston that said she stripped a lot of the radicalism out of black stories - these might be an example, or counterexample. I haven't decided yet.)

The Rose MacGregor Drinking and Admiration Society, T. Kingfisher (fun!)

St. Lucy’s Home for Girls Raised by Wolves, Karen Russell (some of these short stories are wonderful; however, Swamplandia's inspiration is still unreadable, which is wild.)

17776, Jon Bois (made me cry. deeply human. A triumph of internet storytelling)

The Girl with All the Gifts, M. R. Carey (deeply enjoyable. the ending is a bittersweet kick in the teeth, and I really enjoyed the adults' relationships)

The Door in the Hedge and Other Stories, Robin McKinley (enjoyable, but never really resolved into anything.)

The Hero and the Crown, Robin McKinley (fun, but feels very early fantasy - or maybe I've just read too many of the subsequent knock-offs.)

Mrs. Caliban, Rachel Ingalls (weird little pulp novel.)

All Systems Red, Martha Wells (enjoyable, but I don't get the hype. won't be looking into the series unless opportunity arises.)

A People's History of Chicago, Kevin Coval (made me cry. bought a copy. am still thinking about it.)

The Sol Majestic, Ferrett Steinmetz (charming, a sf novel mostly about fine dining)

House in the Cerulean Sea, TJ Klune (immensely enjoyable read, for all it feels like fic with the serial numbers filed off)

The Au Pair, Emma Rous (not bad, but felt like it wanted to be more than it is)

The Night Tiger, Yangsze Choo (preferred this to Ghost Bride; I enjoy a well-crafted mystery novel and this delivered)

The Left Hand of Darkness, Ursula Le Guin (unfinished, I cannot fucking get into Le Guin and should really stop trying)

The Ghost Bride, Yangsze Choo (enjoyable, but not nearly as fun as Ghost Bride - the romance felt very disjointed, and could have used another round of editing)

Temptation's Darling, Johanna Lindsey (pure, unadulterated id in a romance novel, complete with a girl dressing as a boy to avoid detection)

Social Creature, Tara Isabella Burton (a strange, dark psychological portrait; really made a mark even though I can't quite put my finger on why)

The Girl on the Train, Paula Hawkins (slow at first, but picks up halfway through and builds nicely; a whiff of Gone Girl with the staggered perspectives building together)

Stealing Thunder, Alina Boyden (fun Tortall vibes, but set in Mughal India)

The Traitor Baru Cormorant; The Monster Baru Commorant, The Tyrant Baru Cormorant, Seth Dickinson (LOVE this, so much misery, terrible, ecstatic; more here)

This Is How You Lose the Time War, Amal El-Mohtar, Max Gladstone (epistolary love poetry, vicious and lovely; more here)

The Elementals, Michael McDowell

Gideon the Ninth, Tamsyn Muir (didn't like this one as much as I thought I would; narrator's contemporary voice was so jarring against the stylized world and action sequences read like the novelization for a video game; more here)

Finna, Nino Cipri (a fun little romp through interdimensional Ikea, if on the lighter side)

Magic for Liars, Sarah Gailey (engrossing, even if I could see every plot twist coming from a mile away)

Desdemona and the Deep, C. S. E. Cooney (enjoyed the weirdness & the fae bits, but very light fare)

A Blink of the Screen, Terry Pratchett (admittedly just read this for the Discworld bits)

A Memory Called Empire, Arkady Martine (not as good about politics and colonialism as Baru, but still a powerful book about The Empire, and EXTREMELY cool worldbuilding that manages to be wholly alien and yet never heavily expositional)

Blackfish City, Sam J. Miller (see my post)

Last Werewolf, Glen Duncan (didn't finish, got to to first explicit sex scene and couldn't get any further)

Prosper's Demon, KJ Parker (didn't work for me...felt like a short story that wanted to be fleshed out into a novel)

The Secret Garden, Frances Hodgson Burnett

His Majesty's Dragon, Naomi Novik (extremely fun, even for a reader who doesn't much like Napoleonic stories)

Three Parts Dead, Max Gladstone (fun romp - hard to believe that this is the same author as Time War though you can see glimmers of it in the imagery here)

A Scot in the Dark, Sarah MacLean (palette cleanser, she does write a good romance novel even it's basically the same romance novel over and over)

The Resurrectionist, E. B. Hudspeth (borrowed it on a whim one night, kept feeling like there was something I was supposed to /get/ about it, but never did - though I liked the Mutter Museum parallels)

Stories of Your Life and Others, Ted Chiang (he's a better ideas guy than a writer, though Hell Is The Absence of God made my skin prickle all over)

Gods of Jade and Shadow, Silvia Moreno-Garcia (fun, very much a throwback to my YA days of fairytale retellings, though obviously less European)

Four Roads Cross, Max Gladstone (it turns out I was a LOT more fond of Tara than I initially realized - plus this book had a good Pratchett-esque pacing and reliance on characterization)

Get in Trouble, Kelly Link (reading this after the Chiang was instructive - Link is such a better storyteller, better at prioritizing the human over the concept)

Gods Behaving Badly, Marie Phillips

Soulless; Changeless; Blameless, all by Gail Carriger (this series is basically a romance novel with some fantasy plot thrown in for fun; extremely charming and funny)

Black Leopard, Red Wolf, Marlon James (got about 1/3 of the way through and had to wave the white flag; will try again because I like the plot and the worldbuilding; the tone is just so hard to get through)

Pew, Catherine Lacey (a strange book, I'm still thinking about it; a good Southern book, though)

Nuremberg Diary, GM Gilbert (it took me two months to finish, and was worth it)

River of Teeth, Sarah Gailey (I wanted to like this one a lot more than I actually did; would have made a terrific movie but ultimately was not a great novel. Preferred Magic for Liars.)

Mexican Gothic, Silvia Moreno-Garcia (extremely fun, though more trippy than Gods and the plot didn't work as well for me - though it was very original)

The New Voices of Fantasy, Peter S. Beagle (collected anthology, with some favorites I've read before Ursula Vernon's "Jackalope Wives", "Hungry Daughters of Starving Mothers" "The Husband Stitch"; others that were great new finds "Selkie Stories are for Losers" from Sofia Satamar and "A Kiss With Teeth" from Max Gladstone and "The Philosophers" from Adam Ehrlich Sachs)

#from the bookshelf #Anonymous

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phantomofthepairofdice · 4 years ago

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Sofia Coppola: Intellect and Empathy in Observation

There’s a quote from the unspecified narrator of The Virgin Suicides that seems to define the films of its director: “We knew that they knew everything about us, and that we couldn’t fathom them at all.” Recollected by a neighborhood boy in reference to the Lisbon sisters, it captures the feeling of observation and the total lack of understanding of the film’s subjects. Sofia Coppola seems to be obsessed with perception and projection. All of her films are about that in one way or another. I think The Virgin Suicides is her best for just how perfectly it balances infatuation and objectification that comes not only with youth but with memory. It’s an idiosyncratic movie that follows whatever stylistic whims it pleases, and it’s all the better for it. It’s got loads of literary ideas to stimulate the mind, but it’s equally tangible and grounded in experiences that feel lived-in and relatable. It’s also a type of movie that Sofia Coppola doesn’t really make anymore.

I find a good deal of Coppola’s more recent movies to have an empathic barrier built in the style - she’s practically always consciously looking in from the outside. It’s an approach that works thematically for her fascinations, but I often find myself without any emotional cornerstones - so when the scenes like those later Somewhere where Johnny really feels for the first time in a long time, I’m not moved as much as I’m conscious that I should be moved. It’s all by design, so this is just a personal reaction, mind you. I still think that movie is pretty terrific, just not in the way that resonates with me as felt in her more character-centered-POV movies (Marie Antoinette, On the Rocks, Lost in Translation) and her granddaddy thesis on projection and scrutiny with a hyper-textural/textual touch in The Virgin Suicides. She’s a filmmaker who is always playing with ideas that I love, but her variances in form are the primary dictator of my opinions on the films.

The easiest comparison to make between her films is that both Lost in Translation and Somewhere are about older actors who feel unmoored being reminded of their former passions by a young blonde woman while on a trip to another country. Those similarities are valuable in looking at just how differently they’re presented. Both are edited by the great Sarah Flack, but Lost in Translation is subjective and Somewhere is objective. The latter has a strictly locked-down, long take approach that replaces the liveliness of what came before with a formality that demands analysis in the moment. It’s a shift from heart to head.

Maybe it’s because they share Harris Savides as cinematographer, but I’m inclined to compare Somewhere and The Bling Ring to Gus van Sant’s Death Trilogy (Gerry, Elephant, Last Days). Those have a similarly quiet and languid observational style, but they pack an emotional punch that probably derives from having more dramatic stakes and the naturalism that comes from the improvisation at play. Maybe the shift came from the lukewarm (at best) reception to Marie Antoinette that could have only felt more exaggerated after Lost in Translation was an Oscar player in the above-the-line categories. Maybe it’s because this period of her career was when she stopped shooting music videos and started shooting Dior ads. I’m certainly no expert, this is merely speculation. Observation and projection, if you will.

The Bling Ring is the only Coppola movie I think does not work. For one, it feels didactic and overly critical of its subjects. The Leslie Mann character of the home-schooling mother is just a bundle of trite declarations that feel blunt. It’s bizarre to have a movie that so clearly states its themes and ideas in the writing immediately following a movie that mostly relies on images (of a Ferrari circling a track in the middle of the desert, of Johnny sitting in a makeup chair with a blank face covered in putty). It’s hard to imbue shading to characters that the movie is claiming are hollow for one reason or another. Visually, it’s got a thematically appropriate plasticity and glamor that highlights the affectations of its subjects. But that’s just it: the people in the movie feel more like subjects than characters. The Bling Ring feels like it’s an anthropological experiment that’s hermetic by design, but flat in experience. I think that there are a few inspired sequences like Marc dancing in front of his webcam, the long take robbery, and of course the magnificently smacking “I wanna rob” as delivered by Emma Watson’s Nicki. Where Somewhere is bound to be compared to Lost in Translation, The Bling Ring is almost inherently linked to Spring Breakers and Pain & Gain. All released in within a year of one another, they’re auteurs with experience music videos riffing on very similar ideas, but the difference is that Spring Breakers and Pain & Gain present the maximalism and absurdity in a maximalist and absurd aesthetic aiming for satire rather than instruction. Her follow-up, The Beguiled, is a wonderful needling, but I doubt anyone would argue it has the salacious and tawdry pleasures that the premise (and the previous adaptation) offer. So maybe Coppola was more into intellectual exercises than emotional character pieces. No knock against her, some of my favorite filmmakers (chiefly Steven Soderbergh) have a tendency to feel a bit cold and calculated while still making great movies. Imagine my surprise when I saw the romping, loose, character comedy she put out last year.

Honestly, I was a bit reticent in coming to On the Rocks since it seemed like my favorite Coppola movies where a thing of the past, but I was delighted to see a story that was far more in line with a single character’s point-of-view from script to style. The story isn’t about the marriage or parenthood as much as it is Laura’s experience of them. Lost in Translation and Marie Antoinette similarly channel that perspective; they see a foreign landscape through the eyes of their lead characters. On top of that, Coppola was using a talent of hers that I thought had dulled in the past few years: her great sense of humor. Gone, too, was the prim approach in filming the story, despite sharing the same DP as The Beguiled. It’s a movie that’s sweet but never saccharine and has the viewer alongside the characters as opposed to behind a one-way mirror.

The next project slated on Coppola’s schedule is an adaptation of Edith Wharton’s “The Custom of the Country.” Anyone’s guess is as good as mine as to what her approach might be. Wharton adaptations certainly can avoid the stodgy perception they have like in Scorsese’s The Age of Innocence. She might channel The Beguiled or maybe she’ll make something more like Marie Antoinette with its crackling energy and palpable empathy. Shoot, she might do something we’ve never seen before, and that’s exciting. That lack of certainty in approach is part of what makes her such an interesting filmmaker. She’s flexible and fluid in terms of approach, and I’ll always show up to see how she comes to these stories about status, perception, and the struggle to define your identity in an echelon that rejects renegades. I just hope that sense of playfulness that came back in On the Rocks is here to stay.

Just for the record, my Sofia Coppola ranking is as follows:

1. The Virgin Suicides

2. Marie Antoinette

3. Lost in Translation

4. On the Rocks

5. Somewhere

6. The Beguiled

7. The Bling Ring

Thanks for reading.

#sofia coppola #somewhere #the virgin suicides #lost in translation #marie antoinette #the bling ring #the beguiled #on the rocks #movies #film

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aaronmaurer · 4 years ago

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TV I Liked in 2020

Every year I reflect on the pop culture I enjoyed and put it in some sort of order.

Was there ever a year more unpredictably tailor-made for peak TV than 2020? Lockdowns/quarantines/stay-at-home orders meant a lot more time at home and the occasion to check out new and old favorites. (I recognize that if you’re lucky enough to have kids or roommates or a S.O., your amount of actual downtime may have been wildly different). While the pandemic resulted in production delays and truncated seasons for many shows, the continued streaming-era trends of limited series and 8-13 episode seasons mean that a lot of great and satisfying storytelling still made its way to the screen. As always, I in no way lay any claims to “best-ness” or completeness – this is just a list of the shows that brought me the most joy and escapism in a tough year and therefore might be worth putting on your radar.

10 Favorites

10. The Right Stuff: Season 1 (Disney+)

As a space program enthusiast, even I had to wonder, does the world really need another retelling of NASA’s early days? Especially since Tom Wolfe’s book has already been adapted as the riveting and iconoclastic Philip Kaufman film of the same name? While some may disagree, I find that this Disney+ series does justify its existence by focusing more on the relationships of the astronauts and their personal lives than the technical science (which may be partially attributable to budget limitations?). The series is kind of like Mad Men but with NASA instead of advertising (and real people, of course), so if that sounds intriguing, I encourage you to give it a whirl.

9. Fargo: Season 4 (FX)

As a big fan of Noah Hawley’s Coen Brothers pastiche/crime anthology series, I was somewhat let down by this latest season. Drawing its influence primarily from the likes of gangster drama Miller’s Crossing – one of the Coens’ least comedic/idiosyncratic efforts – this season is more straightforward than its predecessors and includes a lot of characters and plot-threads that never quite cohere. That said, it is still amongst the year’s most ambitious television with another stacked cast, and the (more-or-less) standalone episode “East/West” is enough to make the season worthwhile.

8. The Last Dance (ESPN)

Ostensibly a 10-episode documentary about the 1990s Chicago Bulls’ sixth and final NBA Championship run, The Last Dance actually broadens that scope to survey the entire history of Michael Jordan and coach Phil Jackson’s careers with the team. Cleverly structured with twin narratives that chart that final season as well as an earlier timeframe, each episode also shifts the spotlight to a different person, which provides focus and variety throughout the series. And frankly, it’s also just an incredible ride to relive the Jordan era and bask in his immeasurable talent and charisma – while also getting a snapshot of his outsized ego and vices (though he had sign-off on everything, so it’s not exactly a warts-and-all telling).

7. The Queen’s Gambit (Netflix)

This miniseries adaptation of the Walter Tevis coming-of-age novel about a chess prodigy and her various addictions is compulsively watchable and avoids the bloat of many other streaming series (both in running time and number of episodes). The 1960s production design is stunning and the performances, including Anya Taylor-Joy in the lead role, are convincing and compelling.

6. The Great: Season 1 (hulu)

Much like his screenplay for The Favourite, Tony McNamara’s series about Catherine the Great rewrites history with a thoroughly modern and irreverent sensibility (see also: Sofia Coppola’s Marie Antoinette). Elle Fanning brings a winning charm and strength to the title role and Nicholas Hoult is riotously entertaining as her absurdly clueless and ribald husband, Emperor Peter III. Its 10-episodes occasionally tilt into repetitiveness, but when the ride is this fun, why complain? Huzzah!

5. Dispatches From Elsewhere (AMC)

A limited (but possibly anthology-to-be?) series from creator/writer/director/actor Jason Segal, Dispatches From Elsewhere is a beautiful and creative affirmation of life and celebration of humanity. The first 9 episodes form a fulfilling and complete arc, while the tenth branches into fourth wall-breaking meta territory, which may be a bridge too far for some (but is certainly ambitious if nothing else). Either way, it’s a movingly realized portrait of honesty, vulnerability and empathy, and I highly recommend visiting whenever it inevitably makes its way to Netflix, or elsewhere…

4. What We Do in the Shadows: Season 2 (FX)

The second season of WWDITS is more self-assured and expansive than the first, extending a premise I loved from its antecedent film – but was skeptical could be sustained – to new and reinvigorated (after)life. Each episode packs plenty of laughs, but for my money, there is no better encapsulation of the series’ potential and Matt Berry’s comic genius than “On The Run,” which guest-stars Mark Hamill and features Laszlo’s alter ego Jackie Daytona, regular human bartender.

3. Ted Lasso: Season 1 (AppleTV+)

Much more than your average fish-out-of-water comedy, Jason Sudeikis’ Ted Lasso is a brilliant tribute to humaneness, decency, emotional intelligence and good coaching – not just on the field. The fact that its backdrop is English Premier League Soccer is just gravy (even if that’s not necessarily represented 100% proficiently). A true surprise and gem of the year.

2. Mrs. America (hulu)

This FX miniseries explores the women’s liberation movement and fight for the Equal Rights Amendment in the 1970s and its opposition by conservative women including Phyllis Schlafly. One of the most ingenious aspects of the series is centering each episode on a different character, which rotates the point of view and helps things from getting same-y. With a slate of directors including Ryan Bowden and Anna Fleck (Half-Nelson, Sugar, Captain Marvel) and an A-List cast including Cate Blanchett, Rose Byrne, Uzo Aduba, Sarah Paulson, Margo Martindale, Tracey Ulman and Elizabeth Banks, its quality is right up there with anything on the big screen. And its message remains (sadly) relevant as ever in our current era.

1. The Good Place: Season 4 (NBC)

It was tempting to omit The Good Place this year or shunt it to a side category since only the final 4 episodes aired in 2020, but that would have been disingenuous. This show is one of my all-time favorites and it ended perfectly. The series finale is a representative mix of absurdist humor and tear-jerking emotion, built on themes of morality, self-improvement, community and humanity. (And this last run of eps also includes a pretty fantastic Timothy Olyphant/Justified quasi-crossover.) Now that the entire series is available to stream on Netflix (or purchase in a nice Blu-ray set), it’s a perfect time to revisit the Good Place, or check it out for the first time if you’ve never had the pleasure.

5 of the Best Things I Caught Up With

Anne With An E (Netflix/CBC)

Another example of classic literature I had no prior knowledge of (see also Little Women and Emma), this Netflix/CBC adaptation of Anne of Green Gables was strongly recommended by several friends so I finally gave it a shot. While this is apparently slightly more grown-up than the source material, it’s not overly grimdark or self-serious but rather humane and heartfelt, expanding the story’s scope to include Black and First Nations peoples in early 1800s Canada, among other identities and themes. It has sadly been canceled, but the three seasons that exist are heart-warming and life-affirming storytelling. Fingers crossed that someday we’ll be gifted with a follow-up movie or two to tie up some of the dangling threads.

Better Call Saul (AMC)

I liked Breaking Bad, but I didn’t have much interest in an extended “Breaking Bad Universe,” as much as I appreciate star Bob Odenkirk’s multitalents. Multiple recommendations and lockdown finally provided me the opportunity to catch up on this prequel series and I’m glad I did. Just as expertly plotted and acted as its predecessor, the series follows Jimmy McGill/Saul Goodman on his own journey to disrepute but really makes it hard not to root for his redemption (even as you know that’s not where this story ends).

Joe Pera Talks With You (Adult Swim)

It’s hard to really describe the deadpan and oddly soothing humor of comedian Joe Pera whose persona, in the series at least, combines something like the earnestness of Mr. Rogers with the calm enthusiasm of Bob Ross. Sharing his knowledge on the likes of how to get the best bite out of your breakfast combo, growing a bean arch and this amazing song “Baba O’Reilly” by the Who – have you heard it?!? – Pera provides arch comfort that remains solidly on the side of sincerity. The surprise special he released during lockdown, “Relaxing Old Footage with Joe Pera,” was a true gift in the middle of a strange and isolated year.

The Mandalorian (Disney+)

One of the few recent Star Wars properties that lives up to its potential, the adventures of Mando and Grogu is a real thrill-ride of a series with outstanding production values (you definitely want to check out the behind-the-scenes documentary series if you haven’t). I personally prefer the first season, appreciating its Western-influenced vibes and somewhat-more-siloed story. The back half of the second season veers a little too much into fan service and video game-y plotting IMHO but still has several excellent episodes on offer, especially the Timothy Olyphant-infused energy of premiere “The Marshall” and stunning cinematography of “The Jedi.” And, you know, Grogu.

The Tick (Amazon Prime)

I’ve been a fan of the Tick since the character’s Fox cartoon and indie comic book days and also loved the short-lived Patrick Warburton series from 2001. I was skeptical about this Amazon Prime reboot, especially upon seeing the pilot episode’s off-putting costumes. Finally gaining access to Prime this year, I decided to catch up and it gets quite good!, especially in Season 2. First, the costumes are upgraded; second, Peter Serafinowicz’s initially shaky characterization improves; and third, it begins to come into its own identity. The only real issue is yet another premature cancellation for the property, meaning Season 2’s tease of interdimensional alien Thrakkorzog will never be fulfilled. 😢

Bonus! 5 More Honorable Mentions:

City So Real (National Geographic)

The Good Lord Bird (Showtime)

How To with John Wilson: Season 1 (HBO)

Kidding: Season 2 (Showtime)

Unbreakable Kimmy Schmidt: Kimmy Vs The Reverend (Netflix)

#tv #television

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singinprincess · 4 years ago

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🍭 Twenty Questions 🍭

Tagged by @chameli ❤

1) What do you prefer to be called name-wise? SPL :)

2) When is your birthday? February 18

3) Where do you live? Canada

4) Three things you are doing right now? Working at our family shop, trying to make gifs for Juhi Week, and watching my little bro.

5) Four fandoms that have peaked your interest: SVU, Once Upon a Time, Supergirl, 9-1-1.

6) How has the pandemic been treating you? A mix of good and bad, I guess. Still looking for work and a lot of crappy/stressful stuff has been happening, but I was also in need of a break and to get creative so hopefully... I’m currently trying to pick up singing again... so keep your fingers crossed and don’t let me quit!

7) A song you can’t stop listening to right now? Soul by Celine Dion!

8) Recommend a movie. Ek Ladki Ko Dekha Toh Aisa Laga (2019) [translation: How I Felt When I Saw That Girl] this movie is so beautiful and cute and the actors are all wonderful. It made me fall hard for bollywood movies, but most importantly, it introduced me to the mind-shattering Juhi Chawla. I know some people can be hesitant to watch non-English movies for various reasons, but once you open yourself to it, it really expands your world.

9) How old are you? 26

10) School, university, occupation, other? I currently work with victims on call at night every other week .

11) Do you prefer heat or cold? cold

12) Name one fact others may not know about you. the fact that of all the questions on this list, this is the one that stumps me lol uhhh... I’m needlessly stubborn when it comes to learning new things so I’m self-taught on a lot of things that would’ve been far easier if I’d used tutorials or videos etc (i.e. photoshop... I still have no idea what I’m doing but shhh)

13) Are you shy? Apparently. A relatively recent problem tbh.

14) Preferred pronouns? She/her.

15) Biggest Pet Peeves? ... does it count to say people who don’t reblog gifsets on here but save/repost/use/claim to enjoy gifs? Cause that is the worst.

16) What is your favorite "dere" type? I have no idea what that is???

17) Rate your life from 1-10, 1 being crappy and 10 being the best it could be. I wanna say like a 2 lol but I’ll go with 6, because it could be way worse probably and I wanna be optimistic.

18. What’s your main blog? This one.

19. List your side blogs and what they’re used for.

yikes, okay... but you asked!

@packedtotheaussies: co-run with @adi-dion, this is a blog for all our fave Australian TV shows (Wanted, Offspring, Packed to the Rafters, etc.)

@eyes-on-celinedion: Also co-run with bestie, a blog for all things Celine Dion!!!

@queenconstancemarie: purely because I love her, a blog for all things Constance Marie. Mostly gifs made by me but I also reblog everything related I can find!

@love-me-dinameyer: A blog for actress Dina Meyer, my love for her started with Birds of Prey (the old show!). I co-run this blog with someone also, but it’s pretty inactive these days.

@evilregalsunit: Fearless Queen! Yes, ‘twas I, the one so in love with Olivia Benson and Regina Mills that a ship was born. You’ll find all the related content I’ve made and found on there.

@gina-holden-love: a blog for lovely Canadian actress, Gina Holden.

@queenjuhichawla: a blog for Miss India 1984 and talented bollywood actress Juhi Chawla. Currently my most active side blog, because I’m very obsessed with her face.

@killervibecandy: co-run with @thatkillervibe this is our attempt to encourage commenting on Killervibe (The Flash) fanfiction.

@lucy-griffiths-love: this was my first ever side blog!! A blog for English actress Lucy Griffiths.

@ouat-ff-xchange: a Once Upon a Time femslash gift exchange I co-ran with @ariestess. We may do another some day, but at this point it’s just a collection of past contributions.

@rebaweek: an event blog for Reba Week! I ran 2 rounds of this and guess what?!?! We’re bringing it back in October!!

@queensarahparish: a blog for English actress Sarah Parish. Tons of gifs, since no one else will make them for me!

@sela-ward-love: for all things related to actress Sela Ward.

@singindionresources: my newest blog with bestie. Photoshop resources! Only a couple PSDs posted so far but worth a follow if you wanna use our photoshop colourings.

@tania-nolan-love: for actress Tania Nolan. There is a sad lack of content for her on tumblr, but I try.

@fancyfearlessqueen: this is just a blog some of my friends and I use to store writing/gif/ask memes so we can find them easily. There is no original content on there, but if you wanna peruse it for inspiration, go for it.

Believe it or not... I have even more blogs. But I shall spare you because I barely touch them these days.

20. Is there something people need to know about you before becoming friends? Nope! Getting to know each other is the best part of making friends. Please feel free to message me, even if we’ve never spoken before!

Tagging: @fourteenthofaugust @adi-dion @reba-snaccentire @thatkillervibe @demberly @maddiehans @ariestess @akamarykate @foreveranevilregal & anyone else who sees this and wants to do it!

#about me #chameli #thanks for the tag and I am sorry it's so long ahhhhhh #meme

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blackfreethinkers · 4 years ago

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A racial realist IS a white supremacist!!!

By Greg Miller

In unguarded moments with senior aides, President Trump has maintained that Black Americans have mainly themselves to blame in their struggle for equality, hindered more by lack of initiative than societal impediments, according to current and former U.S. officials.

After phone calls with Jewish lawmakers, Trump has muttered that Jews “are only in it for themselves” and “stick together” in an ethnic allegiance that exceeds other loyalties, officials said.

Trump’s private musings about Hispanics match the vitriol he has displayed in public, and his antipathy to Africa is so ingrained that when first lady Melania Trump planned a 2018 trip to that continent he railed that he “could never understand why she would want to go there.”

When challenged on these views by subordinates, Trump has invariably responded with indignation. “He would say, ‘No one loves Black people more than me,’ ” a former senior White House official said. The protests rang hollow because if the president were truly guided by such sentiments he “wouldn’t need to say it,” the official said. “You let your actions speak.”

In Trump’s case, there is now a substantial record of his actions as president that have compounded the perceptions of racism created by his words.

Over 3½ years in office, he has presided over a sweeping U.S. government retreat from the front lines of civil rights, endangering decades of progress against voter suppression, housing discrimination and police misconduct.

His immigration policies hark back to quota systems of the 1920s that were influenced by the junk science of eugenics, and have involved enforcement practices — including the separation of small children from their families — that seemed designed to maximize trauma on Hispanic migrants.

With the election looming, the signaling behind even second-tier policy initiatives has been unambiguous.

After rolling back regulations designed to encourage affordable housing for minorities, Trump declared himself the champion of the “Suburban Lifestyle Dream.” He ordered aides to revamp racial sensitivity training at federal agencies so that it no longer refers to “White privilege.” In a speech at the National Archives on Thursday, Trump vowed to overhaul what children are taught in the nation’s schools — something only states have the power to do — while falsely claiming that students are being “fed lies about America being a wicked nation plagued by racism.”

The America envisioned by these policies and pronouncements is one dedicated to preserving a racial hierarchy that can be seen in Trump’s own Cabinet and White House, both overwhelmingly white and among the least diverse in recent U.S. history.

Trump’s push to amplify racism unnerves Republicans who have long enabled him

Scholars describe Trump’s record on race in historically harsh terms. Carol Anderson, a professor of African American Studies at Emory University, compared Trump to Andrew Johnson, who succeeded Abraham Lincoln as president and helped Southern Whites reestablish much of the racial hegemony they had seemingly lost in the Civil War.

“Johnson made it clear that he was really the president of a few people, not the American people,” Anderson said. “And Trump has done the same.”

A second White House official who worked closely with Trump quibbled with the comparison, but only because later Oval Office occupants also had intolerant views.

“Woodrow Wilson was outwardly a white supremacist,” the former official said. “I don’t think Trump is as bad as Wilson. But he might be.”

White House officials vigorously dispute such characterizations.

“Donald Trump’s record as a private citizen and as president has been one of fighting for inclusion and advocating for the equal treatment of all,” said Sarah Matthews, a White House spokeswoman. “Anyone who suggests otherwise is only seeking to sow division.”

No senior U.S. official interviewed could recall Trump uttering a racial or ethnic slur while in office. Nor did any consider him an adherent of white supremacy or white nationalism, extreme ideologies that generally sanction violence to protect White interests or establish a racially pure ethno-state.

White House officials also pointed to achievements that have benefited minorities, including job growth and prison-sentence reform.

But even those points fade under scrutiny. Black unemployment has surged disproportionately during the coronavirus pandemic, and officials said Trump regretted reducing prison sentences when it didn’t produce a spike in Black voter support.

And there are indications that even Trump’s allies are worried about his record on race. The Republican Party devoted much of its convention in August to persuading voters that Trump is not a racist, with far more Black speakers at the four-day event than have held top White House positions over the past four years.

This story is based on interviews with more than two dozen current and former officials, including some who have had daily interactions with the president, as well as experts on race and members of white supremacist groups. Many spoke on the condition of anonymity, citing a desire to provide candid accounts of events and conversations they witnessed without fear of retribution.

Coded racial terms

Most attributed Trump’s views on race and conduct to a combination of the prevailing attitudes of his privileged upbringing in the 1950s in what was then a predominantly White borough of New York, as well as a cynical awareness that coded racial terms and gestures can animate substantial portions of his political base.

The perspectives of those closest to the president are shaped by their own biases and self-interests. They have reason to resist the idea that they served a racist president. And they are, with few exceptions, themselves White males.

Others have offered less charitable assessments.

Omarosa Manigault Newman, one of the few Black women to have worked at the White House, said in her 2018 memoir that she was enlisted by White House aides to track down a rumored recording from “The Apprentice” — the reality show on which she was a contestant — in which Trump allegedly used the n-word. A former official said that others involved in the effort included Trump adviser Hope Hicks and former White House spokeswoman Sarah Sanders.

The tape, if it exists, was never recovered. But Manigault Newman, who was forced out after clashing with other White House staff, portrayed the effort to secure the tape as evidence that aides saw Trump capable of such conduct. In the book, she described Trump as “a racist, misogynist and bigot.”

Mary L. Trump, the president’s niece, has said that casual racism was prevalent in the Trump family. In interviews to promote her recently published book, she has said that she witnessed her uncle using both anti-Semitic slurs as well as the n-word, though she offered few details and no evidence.

Michael Cohen, the president’s former lawyer, has made similar allegations and calls Trump “a racist, a predator, a con man” in a newly published book. Cohen accuses Trump of routinely disparaging people of color, including former president Barack Obama. “Tell me one country run by a Black person that isn’t a s---hole,” Trump said, according to Cohen.

These authors did not provide direct evidence of Trump’s racist outbursts, but the animus they describe aligns with the prejudice Trump so frequently displays in public.

In recent months, Trump has condemned Black Lives Matter as a “symbol of hate” while defending armed White militants who entered the Michigan Capitol, right-wing activists who waved weapons from pickup trucks in Portland and a White teen who shot and killed two protesters in Wisconsin.

Trump has vowed to safeguard the legacies of Confederate generals while skipping the funeral of the late congressman John Lewis (D-Ga.), a civil rights icon, and retweeted — then deleted — video of a supporter shouting “White power” while questioning the electoral eligibility of Sen. Kamala D. Harris (D-Calif.), the nation’s first Black and Asian American candidate for vice president from a major party. In so doing, Trump reanimated a version of the false “birther” claim he had used to suggest that Obama may not have been born in the United States.

These add to an already voluminous record of incendiary statements, including his tweet that minority congresswomen should “go back” to their “crime infested” countries despite being U.S.-born or U.S. citizens, and his claim that there were “very fine people on both sides” after torch-carrying white nationalists staged a violent protest in Charlottesville.

In a measure of Trump’s standing with such organizations, the Stormfront website — the oldest and largest neo-Nazi platform on the Internet — recently issued a call to its followers to mobilize.

“If Trump doesn’t win this election, the police will be abolished and Blacks will come to your house and kill you and your family,” the site warned. “This isn’t about politics anymore, it is about basic survival.”

As the election approaches, Trump has also employed apocalyptic language. He recently claimed that if Democratic nominee Joe Biden is elected, police departments will be dismantled, the American way of life will be “abolished” and “no one will be SAFE.”

Given the country’s anguished history, it is hard to isolate Trump’s impact on the racial climate in the United States. But his first term has coincided with the most intense period of racial upheaval in a generation. And the country is now in the final stretch of a presidential campaign that is more explicitly focused on race — including whether the sitting president is a racist — than any election in modern American history.

Biden has seized on the issue from the outset. In a video declaring his candidacy, he used images from the clashes in Charlottesville, and said he felt compelled to run because of Trump’s response. He has called Trump the nation’s first racist president and pledged to use his presidency to heal divisions that are a legacy of the country’s “original sin” of slavery.

Exploiting societal divisions

Trump has confronted allegations of racism in nearly every decade of his adult life. In the 1970s, the Trump family real estate empire was forced to settle a Justice Department lawsuit alleging systemic discrimination against Black apartment applicants. In the 1980s, he took out full-page ads calling for the death penalty against Black teens wrongly accused of a rape in Central Park. In the 2000s, Trump parlayed his baseless “birther” claim about Obama into a fervent far-right following.

As president, he has cast his record on race in grandiose terms. “I’ve done more for Black Americans than anybody with the possible exception of Abraham Lincoln,” Trump said July 22, a refrain he has repeated at least five times in recent months.

None of the administration officials interviewed for this story agreed with Trump’s self-appraisals. But several sought to rationalize his behavior.

Some argued that Trump only exploits societal divisions when he believes it is to his political advantage. They pointed to his denunciations of kneeling NFL players and paeans to the Confederate flag, claiming these symbols matter little to him beyond their ability to rouse supporters.

“I don’t think Donald Trump is in any way a white supremacist, a neo-Nazi or anything of the sort,” a third former senior administration official said. “But I think he has a general awareness that one component of his base includes factions that trend in that direction.”

Studies of the 2016 election have shown that racial resentment was a far bigger factor in propelling Trump to victory than economic grievance. Political scientists at Tufts University and the University of Massachusetts, for example, examined the election results and found that voters who scored highly on indexes of racism voted overwhelmingly for Trump, a dynamic particularly strong among non-college-educated Whites.

Several current and former administration officials, somewhat paradoxically, cited Trump’s nonracial biases and perceived limitations as exculpatory.

Several officials said that Trump is not a disciplined enough thinker to grasp the full dimensions of the white nationalist agenda, let alone embrace it. Others pointed out that they have observed him making far more offensive comments about women, insisting that his scorn is all-encompassing and therefore shouldn’t be construed as racist.

“This is a guy who abuses people in his cabinet, abuses four-star generals, abuses people who gave their life for this country, abuses civil servants,” the first former senior White House official said. “It’s not like he doesn’t abuse people that are White as well.”

Nearly all said that Trump places far greater value on others’ wealth, fame or loyalty to him than he does on race or ethnicity. In so doing, many raised a version of the “some of my best friends are Black” defense on behalf of the president.

When faced with allegations of racism in the 2016 campaign, Trump touted his friendship with boxing promoter Don King to argue otherwise. Administration officials similarly pointed to the president’s connection to Black people who have praised him, worked for him or benefited from his help.

They cited Trump’s admiration for Tiger Woods and other Black athletes, the political support he has received from Sen. Tim Scott (R-S.C.) and other Black lawmakers, the president’s fondness for Ja’Ron Smith, who as assistant to the president for domestic policy is the highest-ranking Black staffer at the White House, and his pardon of Black criminal-justice-reform advocate Alice Marie Johnson, expunging her 1996 conviction for cocaine trafficking.

In his speech at the Republican National Convention, Scott used his personal story of bootstrap success to emphasize the ways that Republican policies on taxes, school choice and other issues create opportunities for minorities.

Trump “has fought alongside me” on such issues, Scott said, urging voters “not to look simply at what the candidates say, but to look back at what they’ve done.”

For all the prominence that Scott and other Black Trump supporters were given at the convention, there has been no corresponding representation within the Trump administration.

The official photo stream of Trump’s presidency is a slide show of a commander in chief surrounded by White faces, whether meeting with Cabinet members or posing with the latest intern crop.

From the outset, his leadership team has been overwhelmingly White. A Washington Post tally identified 59 people who have held Cabinet positions or served in top White House jobs including chief of staff, press secretary and national security adviser since Trump took office.

Only seven have been people of color, including Defense Secretary Mark T. Esper and Health and Human Services Secretary Alex Azar, who are of Lebanese heritage. Only one — Ben Carson, the Secretary of Housing and Urban Development — is Black.

Under Trump, the nation’s federal courts have also become increasingly White. Of the 248 judges confirmed or nominated since Trump took office, only eight were Black and eight were Hispanic, according to records compiled by NPR News.

Retreating from civil rights

Trump can point to policy initiatives that have benefited Black or other minority groups, including criminal justice reforms that reduced prison sentences for thousands of Black men convicted of nonviolent, drug-related crimes.

About 4,700 inmates have been released or had their sentences reduced under the First Step Act, an attempt to reverse the lopsided legacy of the drug wars of the 1980s and 1990s, which disproportionately targeted African Americans. But this policy was championed primarily by Jared Kushner, Trump’s son-in-law, and former officials said that Trump only agreed to support the measure when told it might boost his low poll numbers with Black voters.

Months later, when that failed to materialize, Trump “went s---house crazy,” one former official said, yelling at aides, “Why the hell did I do that?”

Manigault Newman was similarly excoriated when her efforts to boost funding for historically Black colleges failed to deliver better polling numbers for the president, officials said. “You’ve been at this for four months, Omarosa,” Trump said, according to one adviser, “but the numbers haven’t budged.” Manigault Newman did not respond to a request for comment.

White House officials cited other initiatives aimed at helping people of color, including loan programs targeting minority businesses and the creation of “opportunity zones” in economically distressed communities.

Trump has pointed most emphatically to historically low Black unemployment rates during his first term, arguing that data show they have fared better under his administration than under Obama or any other president.

But unemployment statistics are largely driven by broader economic trends, and the early gains of Black workers have been wiped out by the pandemic. Blacks have lost jobs at higher rates than other groups since the economy began to shut down. The jobless rate for Blacks in August was 13 percent, compared with 7.3 percent for Whites — the highest racial disparity in nearly six years.

Neither prison reform nor minority jobs programs were priorities of Trump’s first term. His administration has devoted far more energy and political capital to erecting barriers to non-White immigrants, dismantling the health-care policies of Obama and pulling federal agencies back from civil rights battlegrounds.

Under Trump, the Justice Department has cut funding in its Civil Rights Division, scaled back prosecutions of hate crimes, all but abandoned efforts to combat systemic discrimination by police departments and backed state measures that deprived minorities of the right to vote.

Weeks after Trump took office, the department announced it was abandoning its six-year involvement in a legal battle with Texas over a 2011 voter ID law that a federal court had ruled unfairly targeted minorities.

Later, the department went from opposing, under Obama, an Ohio law that allowed the state to purge tens of thousands of voters from its rolls to defending the measure before the Supreme Court.

The law was upheld by the court’s conservative majority. In a dissenting opinion, Supreme Court Justice Sonia Sotomayor noted that voter rolls in African American neighborhoods shrank by 10 percent, compared with 4 percent in majority-White suburbs.

The Justice Department’s shift when faced with allegations of systemic racism by police departments has been even more stark.

After the Rodney King beating in Los Angeles in 1991, Congress gave the department new power to investigate law enforcement agencies suspected of engaging in a “pattern or practice” of systemic — including racist — misconduct. The probes frequently led to settlements that required sweeping reforms.

The authority was put to repeated use by three consecutive presidents: 25 times under Bill Clinton, 21 under George W. Bush and 25 under Obama. Under Trump, there has been only one.

The collapse has coincided with a surge in police killings captured on video, the largest civil rights protests in decades and polling data that suggests a profound turn in public opinion in support of the Black Lives Matter cause — though that support has waned in recent weeks as protests became violent in some cities.

A Justice Department spokesman pointed to nearly a dozen cases over the past three years in which the department has prosecuted hate crimes or launched racial discrimination lawsuits. In perhaps the most notable case, James Fields Jr., who was convicted of murder for driving his car into a crowd of protesters in Charlottesville, also pleaded guilty to federal hate crime charges.

“The Civil Rights Division of the United States Department of Justice is vigorously fighting race discrimination throughout the United States. Any assertion to the contrary is completely false,” said Assistant Attorney General Eric Dreiband. “Since 2017, we have prosecuted criminal and civil race discrimination cases in all parts of the United States, and we will continue to do so.”

But the department has not launched a pattern or practice probe into any of the police departments involved in the killings that ignited this summer’s protests, including the May 25 death in Minneapolis of George Floyd, who asphyxiated after a White policeman kept him pinned to the ground for nearly eight minutes with a knee to his neck.

The department has opened a more narrow investigation of the officers directly involved in Floyd’s death. Attorney General William P. Barr called Floyd’s killing “shocking,” but in congressional testimony argued there was no reason to commit to a broader probe of Minneapolis or any other police force.

“I don’t believe there is systemic racism in police departments,” Barr said.

Deport, deny and discourage

Days after the 2016 election, David Duke, a longtime leader of the Ku Klux Klan, tweeted that Trump’s win was “great for our people.” Richard Spencer, another prominent white nationalist figure, was captured on video leading a “Hail Trump” salute at an alt-right conference in Washington.

People with far-right views or white nationalist sympathies gravitated to the administration.

Michael Anton, who published a 2016 essay comparing the country’s course under Obama to that of an aircraft controlled by Islamist terrorists and called for an end to “the ceaseless importation of Third World foreigners,” became deputy national security adviser for strategic communication.

Ian Smith served as an immigration policy analyst at the Department of Homeland Security until email records showed connections with Spencer and other white supremacists. Darren Beattie worked as a White House speechwriter before leaving abruptly when CNN reported his involvement in a conference frequented by white nationalists.

Stephen K. Bannon, who for years used Breitbart News to advance an alt-right, anti-immigrant agenda, was named White House chief strategist, only to be banished eight months later after clashing with other administration officials.

Stephen Miller, by contrast, has survived a series of White House purges and used his position as senior adviser to the president to push hard-line policies that aim to deport, deny and discourage non-European immigrants.

While working for the Trump campaign in 2016, Miller sent a steady stream of story ideas to Breitbart drawn from white nationalist websites, according to email records obtained by the Southern Poverty Law Center. In one exchange, Miller urged a Breitbart reporter to read “Camp of the Saints,” a French novel that depicts the destruction of Western civilization by rampant immigration. The book has become a touchpoint for white supremacist groups.

Miller was the principal architect of, and driving force behind, the so-called Muslim Ban issued in the early days of Trump’s presidency and the separation of migrant children from their parents along the border with Mexico. He has also worked behind the scenes to turn public opinion against immigrants and outmaneuver bureaucratic adversaries, officials said.

To blunt allegations of racism and xenophobia in the administration’s policies, Miller has sought to portray them as advantageous to people of color. In several instances, Miller directed subordinates to “look for Latinos or Blacks who have been victims of a crime by an immigrant,” then pressured officials at the Department of Homeland Security to tout these cases to the press, one official said. Families of some victims appeared as prominent guests of the president at the State of the Union address.

In 2018, as Miller sought to slash the number of refugees admitted to the United States, Pentagon officials argued that the existing policy was crucial to their ability to relocate interpreters and other foreign nationals who risked their lives to work with U.S. forces in Iraq and Afghanistan.

“What do you want? Iraqi communities across the United States?” Miller erupted during one meeting of National Security Council deputies, according to witnesses. The refugee limit has plunged since Trump took office, from 85,000 in 2016 to 18,000 this year.

In response to a request for comment from Miller, Matthews, the White House spokeswoman, said that “this attempt to vilify Stephen Miller with egregious and unfounded allegations from anonymous sources is shameful and completely unethical.”

As a descendant of Jewish immigrants, Miller is regarded warily by white supremacist organizations even as they applaud some of his actions.

“Our side doesn’t consider him one of us — for obvious reasons,” said Don Black, the founder of the Stormfront website, in an interview. “He’s kind of an odd choice to be the white nationalist in the White House.”

Trump’s presidency has corresponded with a surge in activity by white nationalist groups, as well as concern about the growing danger they pose.

Recent assessments by the Department of Homeland Security describe white supremacists as the country’s gravest domestic threat, exceeding that of the Islamic State and other terror groups, according to documents obtained by the Lawfare national security website and reported by Politico.

The FBI has expanded resources to tracking hate groups and crimes. FBI Director Christopher A. Wray testified Thursday that “racially motivated violent extremism” accounts for the bulk of the bureau’s domestic terrorism cases, and that most of those are driven by white supremacist ideology.

Major rallies staged by white nationalist organizations, which were already on the upswing just before the 2016 election, increased in size and frequency after Trump took office, according to Brian Levin, an expert on hate groups at California State University at San Bernardino.

The largest, and most ominous, was the “Unite the Right” rally in Charlottesville.

On Aug. 11, 2017, hundreds of white supremacists, neo-fascists and Confederate sympathizers descended on the city. Purportedly there to protest the planned removal of a Robert E. Lee statue, they carried torches and chanted slogans including “blood and soil” and “you will not replace us” laden with Klan and Nazi symbolism.

The event erupted in violence the next day, Saturday, when Fields, a self-proclaimed white supremacist, drove his car into a crowd of counterprotesters, tossing bodies into the air. Heather Heyer, a 32-year-old Virginia native and peace activist, was killed.

Trump’s vacillating response in the ensuing days came to mark one of the defining sequences of his presidency.

Speaking from his golf resort in Bedminster, N.J., Trump at first stuck to a calibrated script: “We condemn in the strongest possible terms this egregious display of hatred, bigotry and violence.” Then, improvising, he added: “on many sides, on many sides.”

In six words, Trump had drawn a moral equivalency between the racist ideology of those responsible for the Klan-like spectacle and the competing beliefs that compelled Heyer and others to confront hate.

Trump’s comments set off what some in the White House came to regard as a behind-the-scenes struggle for the moral character of his presidency.

John F. Kelly, a retired Marine Corps general who was just weeks into his job as White House chief of staff, confronted Trump in the corridors of the Bedminster club. “You have to fix this,” Kelly said, according to officials familiar with the exchange. “You were supporting white supremacists. You have to go back out and correct this.”

Gary Cohn, the White House economic adviser at the time, threatened to resign and argued that there were no “good people” among the ranks of those wearing swastikas and chanting “Jews will not replace us.” In a heated exchange, Cohn criticized Trump for his “many sides” comment, and was flummoxed when Trump denied that was what he had said.

“Not only did you say it, you continued to double down on it,” Cohn shot back, according to officials familiar with the exchange. “And if you want, I’ll get the transcripts.”

Trump relented that Monday and delivered the ringing condemnation of racism that Kelly, Cohn and others had urged. “Racism is evil,” he said, “and those who cause violence in its name are criminals and thugs, including the KKK, neo-Nazis, white supremacists, and other hate groups”

Aides were briefly elated. But Trump grew agitated by news coverage depicting his speech as an attempt to correct his initial blunder.

The next day, during an event at Trump Tower that was supposed to highlight infrastructure initiatives, Trump launched into a fiery monologue.

“You had a group on one side that was bad,” he said. “You had a group on the other side that was also very violent. Nobody wants to say that. I’ll say it right now.” By the end, the president appeared to be sanctioning racial divisions far beyond Charlottesville, saying “there are two sides to the country.”

For all their consternation, none of Trump’s top aides resigned over Charlottesville. Kelly remained in his job through 2018. Cohn stayed until March 2018 after being asked to lead the administration’s tax-reform initiative and reassured that he could share his own views about Charlottesville in public without retaliation from the president.

Kelly and Cohn declined to comment.

The most senior former administration official to comment publicly on Trump’s conduct on issues of race is former defense secretary Jim Mattis. After Trump responded to Black Lives Matter protests in Washington this summer with paramilitary force, Mattis responded with a blistering statement.

“Donald Trump is the first president in my lifetime who does not try to unite the American people — does not even pretend to try,” Mattis said. “Instead, he tries to divide us.”

In some ways, Charlottesville represented a high-water mark for white nationalism in Trump’s presidency. Civil rights groups were able to use footage of the mayhem in Virginia to identify members of hate groups and expose them to their employers, universities and families.

“Charlottesville backfired,” Levin said. Many of those who took part, especially the alt-right leadership, “were doxed, sued and beaten back,” he said, using a term for using documents available from public records to expose individuals.

“When the door to the big political tent closed on these overtly white nationalist groups, many collapsed, leaving a decentralized constituency of loose radicals now reorganizing under new banners,” Levin said.

Some white nationalist leaders have begun to express disenchantment with Trump because he has failed to deliver on campaign promises they hoped would bring immigration to a standstill or perhaps even ignite a race war.

“A lot of our people were expecting him to actually secure the borders, build the wall and make Mexico pay for it,” Black said.

“Some in my circles want to see him defeated,” Black said, because they believe a Biden presidency would call less attention to the white nationalist movement than Trump has, while fostering discontent among White people.

But Black sees those views as dangerously shortsighted, failing to appreciate the extraordinary advantages of having a president who so regularly aligns himself with aspects of the movement’s agenda.

“Symbolically, he’s still very important,” Black said of Trump. “I don’t think he considers himself a white supremacist or a white nationalist. But I think he may be a racial realist. He knows there are racial differences.”

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buginetta · 6 years ago

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27 questions tag

Rules: Tag the person who tagged you, answer the questions and tag 20 people: i was tagged by the angel that is lisa, @ladybuginettes!!

1. How tall are you? 5′2″ (fun fact: i thought i was 5′3″ for about a year before i went back to the doctor’s for a check-up and they stole that inch away from me)

2. What color and style is your hair? it’s dark brown. i have side bangs and it’s naturally straight, but i braid it/put it in a bun/ponytail so often it becomes wavy a lot of the time. right now it comes to the lower part of my chest but i think i want to cut it to a little below shoulder length again

3. What color are your eyes? brown. ROMANTICIZE BROWN EYES

4. Do you wear glasses? nope

5. Do you wear braces? no but i might be getting invisalign this year

6. What is your fashion style? it’s been a lot of leggings and hoodies recently but my style is very casual. if i’m not wearing hoodies, i’m probably in a random tee-shirt but i love floral dresses. i wear vans religiously

7. Full name? ashley marie something

8. When were you born? 1998

9. Where are you from and where do you live now? i’m from california and i’m still here! i lived in florida for a few years but i’ve moved back

10. What school do you go to? currently at a community college but i’m waiting for an answer to my transfer application for this fall!!

11. What kind of student are you? i’m embarrassingly studious. not nearly as much as i was in high school, but i have a 3.7 gpa (stupid environmental science & bio brought it down with their stupid b’s) (ha it’s bullshit)

12. Do you like school? eh, depends on the class and teachers really. your school experience is really dependent on the people you interact with and if you like the major you’re studying. i’m a psychology major so i have a pretty good time

13. What are your favorite school subjects? psychology and english!!

14. Favorite TV shows? miraculous is a given, friends, she-ra, dragon prince, you (it was surprisingly good, i wasn’t expecting it to be), sex education, grey’s anatomy, the flash, criminal minds, & girl meets world (it deserved better)

15. Favorite books? oh lordy okay, prisoner of azkaban, the pact by jodi picoult, all the bright places by jennifer niven, the truth about forever/along for the ride/lock & key/just listen by sarah dessen (can u guess who my favorite author is)

16. Favourite past-time? i used to love writing poetry but i don’t have nearly as much time or motivation/inspiration anymore. i’m starting to read more again though so i can actually say it’s my favorite past-time again

17. Do you have any regrets? the last date i went on

18. Dream job? unrealistically, i’d love to be an actor or something along those lines. maybe a music video concept creator. realistically, with psych as my major, i really want to get into the field of addiction and help people who struggle with it, as well as their loved ones who get the backlash of it

19. Would you like to get married? it’s part of the dream

20. Would you like to have kids someday? i think i would, but i know i want to adopt at least one child

21. How many? i think two would be my limit

22. Do you like shopping? only when i don’t have money to, bc then it’s a game to see how much i can stress myself out with my resulting receipts

23. What countries have you visited? well i live in the u.s., but i’ve visited china, taiwan, hong kong, and canada

24. What’s the scariest nightmare you’ve ever had? i think my dad’s best friend was trying to sabotage a date of mine by attempting to k*ll us?? idk i remember him trying to chase after the car with a knife and i woke up absolutely terrified

25. Do you have any enemies? my co-workers

26. Do you have a s/o? i wish

27. Do you believe in miracles? i do!!

i’m just tagging at random so if you’ve already done this or if it’s annoying, i’m sorry!! @marinettas @ladybugs-mask @yikesml @stinkysocksout @drabblesofcass @chatalyst @totographs

#ashley.txt #not ml #hope u learned something new #and kinda useless #ask game

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dweemeister · 6 years ago

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Ralph Breaks the Internet (2018)

The Walt Disney Company is on a financial rampage. Its pending acquisition of 20th Century Fox will be just the latest of a long line of safe purchases by its chairman and CEO Bob Iger – perhaps the first step in erasing the glorious history of a rival, formative major Hollywood studio. In the midst of rapid change in how television and cinema is consumed and distributed, the Walt Disney Animation Studios remains the spiritual home of the corporate behemoth that has been banking hard on monetizing nostalgia to decrease its risks. Apart from (recent) Pixar, Lucasfilm, Marvel, and whatever else Disney has acquired, the Walt Disney Animation Studios can be proud of its history of artistic innovation and narrative timelessness. So it is dispiriting that Rich Moore and Phil Johnston’s Ralph Breaks the Internet will be the first of two of the Animation Studios’ sequels over the next two years (the other is 2019′s Frozen 2 – good riddance to John Lasseter). This sequel to Wreck-It Ralph (2012; which I enjoyed) drowns in its thematic incoherence about the Internet, muddles a well-intentioned center about the nature of friendship, and overdoses of my least favorite things about recent Disney movies – making hollow metatextual jokes about the Disney Company and previous Disney movies; the latter reveals a modern-day Disney ashamed of its past in all the wrong places.

For all that and more, Ralph Breaks the Internet – which, again, I enjoyed while watching it in a theater – is the worst Disney movie for at least a decade. It goes beyond Big Hero 6′s (2014) bombastic Marvel-sized corporatism and Zootopia’s (2016) ultra-contemporary character behavior. As a professed Disney fan cut by a different cloth, the passes that recent canonical Disney movies have received from other, noticeably hesitant-to-criticize fan-reviewers (apologies for all those hyphens) reveal a brand loyalty that yours truly does not possess. Animation history cannot be written without mentioning the works of Walt Disney Animation Studios. And thus they must be held to highest standards.

The film begins six years after the original, with Wreck-It Ralph (John C. Reilly) and Vanellope von Schweetz (Sarah Silverman) the best of friends at Litwak’s Family Fun Center and Arcade. Vanellope is tiring of her game, Sugar Rush, and a contrived moment which will make you question whether the arcade characters have free will and which results in the destruction of the game’s steering wheel controller sees Sugar Rush being unplugged – leaving its characters homeless (if this makes no sense to you, you probably did not see the first movie). Soon after, Mr. Litwak has plugged in a new Wi-Fi router, connecting the arcade to the Internet. Ralph and Vanellope decide to travel to the Internet and purchase a replacement wheel as soon as they can. They head to eBay, and in their enthusiasm, overbid for the wheel. As a result, they must raise $27,001 – which looks like a decent final score in a game of Jeopardy! – as they navigate pop-up advertisers, the dark web, a Disney fansite that needs more Eeyore and Grumpy, a YouTube knockoff led by an algorithm named Yesss (Taraji P. Henson; no the character is not named “Yasss”), and a Grand Theft Auto-like online game called Slaughter Race.

In Slaughter Race, in conversation with charismatic racer Shank (Gal Gadot), Vanellope finds what she believes to be her virtual calling. Ralph, who has been monetizing videos on that YouTube knockoff by making an absolute fool of himself, overhears his best and only friend thinking about leaving Sugar Rush. He is despondent, and willing to do too much to keep Vanellope in Sugar Rush. All this inspires plotline (Vanellope, who is essentially a child, wants to live in what probably is an M-rated game? Do these concerns make me a game-phobic adult?) and universe logic questions that are too numerous to bring up in this review. For that alone, Phil Johnston (Zootopia) and Pamela Ribon’s (2016′s Moana, 2017′s Smurfs: The Lost Village) screenplay can be described, charitably, as calamitous.

Take a deep breath; that synopsis was a lot, I know. Now, do you like Fortnite references? What about Internet memes that allow this reviewer to approximate when this screenplay was finished within a three- to six-month window? Do you care for lazy product placement for Twitter, Google, YouTube, Facebook, eBay, Amazon, Instagram, Snapchat, and especially ©Disney and its ever-growing list of intellectual properties? If you said yes to each of these questions, then Ralph Breaks the Internet is probably going to be your favorite film in the Disney animated canon.

I am just grateful the film did not find the space for 4chan or InfoWars.

In a year where all these corporations and some of their most prolific, famous users have been under much-delayed scrutiny for their ethical misbehavior, Ralph Breaks the Internet seems to want to say something, at times, about their worst aspects. The comments section in the YouTube knockoff that Ralph attempts to monetize videos with has a comments section room, teeming with negativity and cruelty. Because this is a Disney film, you have to imagine casual racism and sexism must be buried in there, but Ralph – whose self-worth has become defined by his friendship with Vanellope – shrugs off his momentary disillusionment with how some on the Internet think of his videos. Most everyone who has engaged in social media and has received nasty comments from anonymous or known users online never pick themselves up that quickly. The film looks like it wants to make a statement here – whether subtle or as obvious as a clothed person at a nudist colony. But the plot must progress to the next frantic sequence or extremely contemporary joke that will date badly in a years’ time let alone fifty years’ time, as Ralph’s Power of Friendship with Vanellope is so unbreakable that the film cannot take a few minutes for the audience to reflect on why people (perhaps themselves) act like this online. Mind you, this paragraph is only on social media negativity, in the light of revelations that video-sharing site algorithms reward the vapid and the controversial.

Johnston and Ribon deserve credit for the film’s crux, however: that friendship, any worthwhile relationship of any kind, is not what a person provides you, but what you can do to foster that person’s growth into the best individual they can be. Ralph, understandably, given how ostracized he was for decades among those at Litwak’s Arcade, is terrified of losing his best friend. But that is no excuse for keeping a friend away from what they want most, especially if what they want the most will take them elsewhere – best intentions be damned because best intentions do not always yield behavior that is healing. Unfortunately, the film’s message contradicts those from Wreck-it Ralph if only because of the inconsistent universe rules established in the first installment. Vanellope’s final decision seems not to consider how much she is valued from the place where she has come from (Ralph has more to learn, yes, but so does Vanellope, and her bit of introspection is exclusively understanding what she, and she alone, wants). Ralph’s flaws are also portrayed far too literally – no spoilers here, but the animation in this over-literalization of Ralph’s clinginess is outstanding – and manifests itself in a fatiguing action/chase/rescue setpiece. And to further bury this integral part of Ralph Breaks the Internet, there is barely a reprieve – once Ralph and Vanellope have departed Litwak’s arcade for the Internet – from a comedic scene where Ralph suffers as a result.

Some of the film’s funniest, but simultaneously disheartening, sequences occur when Vanellope finds herself at the Disney fansite – a detour that the overstuffed screenplay does not need. The most discussed moment is when she meets the Disney Princesses (all voiced by their original voice actor if that voice actor is still alive – with the exception of Mary Costa for Aurora), from Snow White to Cinderella to Belle (1991′s Beauty and the Beast) to Moana. Yes, this is a light-hearted aside from the main plot. But what is bothersome is that every joke in these few minutes are based on online-generated criticisms or perceptions on each of the characters. To dig the hole deeper, the film appears to insist that these versions of the Disney Princesses are the actual Disney Princesses. Snow White is useless and has that high-pitched voice. Aurora (1959′s Sleeping Beauty) is a tad drowsy. Don’t get me started on Merida (2012’s Brave). The Walt Disney Studios that has operated after Walt’s death – aside from nephew Roy E. Disney’s tenure through the 1990s – bears little to no resemblance to Walt’s artistic vision. Likewise, the depictions in Ralph Breaks the Internet are not reflections of what made each of those princesses’ appeal to audiences worldwide – aesthetically (many of the features of the pre-2000s princesses have been poorly rendered) or characteristically.

Before getting to the point, though, I will note that “A Place Called Slaughter Race” – with music by Alan Menken (numerous Disney Renaissance films; if you do not know Menken’s name, you should) and lyrics by Phil Johnston and Tom MacDougall – is delightful, and elicited the most laughs out of me during the entire film. Anyways, back to the Disney Princess scene.

That scene, in addition to the interminable parade of live-action Disney remakes of their animated classics, is part of a worrying trend for the studio’s 2010s movies. In films like Tangled (2010), Frozen (2013), Big Hero 6, Zootopia, Moana, this film, and probably the foreseeable future given the history of the Walt Disney Animation Studios’ chief creative officer Jennifer Lee, Disney’s animated films cannot stop making self-referential jokes about Disney tropes and previous Disney movies. The live-action remakes and the animated films are both responding to contemporary criticisms of Disney classics (foxes aren’t always devious creatures, Zootopia trumpets deafeningly; if you wear a dress and have an animal sidekick, you are a princess, says Maui from Moana; etc.). For Ralph Breaks the Internet, the central criticism of these Disney princess movies is that none of these princesses – especially the earlier ones – were feminist “enough”. I acknowledge (and almost entirely agree) the points from anyone who says that some of the older Disney princess movies have serious problems in how they portray gender stereotypes. But Ralph Breaks the Internet is judging the princesses on a standard that has not withstood the unforgiving passage of time, unwittingly close to saying it is not worth anyone’s time to see Snow White. Intersectional feminism, from my understanding among its many facets (full disclosure: I’m a dude), seeks to understand the environment in which a work of art was produced. It critiques that art for the gendered inequalities within, but reserves praise for those works in what good they did for depictions of women in their time.

Ralph Breaks the Internet represents a concerning turn in the artistic direction of Walt Disney Animation Studios. Its impulses to become a studio of the likes of Illumination (of Despicable Me fame) are rooted in the early 2000s, when Disney’s then-Chairman/CEO Michael Eisner proceeded to destroy the hand-drawn animation department after the box office failure of Treasure Planet (2002) and the success of Shrek (2001) – I am not saying that a hand-drawn animated movie is necessarily better than a CGI movie, but have you noticed how poorly the referential, cynical humor in Shrek has dated? That transformation, noting the résumés of the people in charge at the key positions at Disney, is nearing completion. Will Disney’s past be prologue? This axiom proved itself true once before, but the appetite nor the groundwork seems to be apparent for a second sampling.

If nothing more, Ralph Breaks the Internet is the sort of movie I – if I was a parent or a babysitter – would put on the television (or tablet or phone... there are many reasons why you should never watch movies on a tablet or a phone if you cannot help it, but that rant is for another setting) to distract children with. The film is almost devoid of thoughtful discourse about how the Internet has changed human behavior for better and worse, preferring to occupy too steadfastly what is now, leaving others to write the future.

My rating: 5/10

^ Based on my personal imdb rating. My interpretation of that ratings system can be found here.

#Ralph Breaks the Internet #Rich Moore #Phil Johnston #Disney #Pamela Ribon #John C. Reilly #Sarah Silverman #Gal Gadot #Taraji P. Henson #Alan Menken #My Movie Odyssey

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aion-rsa · 3 years ago

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Doctor Who: Previous Guest Stars Who’d Be Great as the New Doctor

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It’s not unusual, in the world of Doctor Who, for the same actor to play more than one role on screen. From classic to modern Doctor Who, Nicholas Courtney, Ian Marter, Lalla Ward, Jaqueline Hill, Jean Marsh, Adjoa Andoh, Eve Myles, Naoko Mori, Vinette Robinson and more have all played multiple parts in the whoniverse. Before she debuted as companion Martha Jones, Freema Agyeman was a Torchwood employee who fell foul of the Cybermen in series two’s ‘Army of Ghosts’. Karen Gillan was a seer in series four episode ‘The Fires of Pompeii’ before she recurred as Eleven’s companion Amy Pond. Even the Doctor has had test runs. Colin Baker played a Gallifreyan commander in season twenty before taking over from Peter Davison. Peter Capaldi appeared in ‘The Fires of Pompeii’ as well as playing John Frobisher on Torchwood before taking up residence in the TARDIS.

In the search for the new Doctor then, it makes sense to rifle through those actors the show already picked once to see who might be asked back. Continuity can be handled if need be – just do what Russell T. Davies did and make up something about spacial genetic multiplicity, or what Steven Moffat did and pretend it was all part of the Doctor’s plan to remind him to be a good man. In a few cases, the shared genetics wouldn’t even be an issue as the actor in question’s first appearance was either solely as a voice, or beneath too many layers of prosthetics to matter.

Gliding over a few previous guest stars whose current filming commitments likely take them out of the running (Andrew Garfield, Carey Mulligan, James Norton, Felicity Jones, Gemma Chan and Gugu Mbutha-Raw are probably all tied up…), here’s a choice selection of guest actors since 2005 who could all make fantastic, and very different, Doctors.

Chris Addison

Played: AI interface ‘Seb’, who greeted the recently deceased to Missy’s Nethersphere. Appeared in: Two-part Series Eight finale ‘Dark Water/Death in Heaven‘. Watch his stand-up and there’s a real Tenth Doctor energy about writer-director-producer-comedian-actor Chris Addison (The Thick of It, In the Loop, Veep). That probably means his time has come and gone on Doctor Who, as the show isn’t likely to want to repeat itself at this stage. Addison also has his plate full with the third series of Sky/FX’s excellent comedy-drama Breeders, but you could definitely picture him at the TARDIS console, couldn’t you?

Arsher Ali

Played: Bennett, a bookish recent military recruit to a Scottish underwater mining facility in 2119. Appeared in: Series 9 two-parter ‘Under the Lake/Before the Flood‘ Part of a large crew (initially at least) we didn’t see loads of Arsher Ali in his Doctor Who role, but what we saw was enough to convince that he has the presence and bearing of a potential Doctor. He was great as the lead in BBC’s Informer and as a conflicted journalist in the first series of The Missing, as well as in supporting role in Line of Duty‘s best series. Add all that to his breadth of stage experience and he’s a highly intriguing prospect.

Percelle Ascott

Played: Delph, a member of the Ux, humanoid aliens who live for thousands of years and have the power of telepathic inter-dimensional engineering (they can teleport planets). Appeared in: Season 11, Episode 10 ‘The Battle of Ranskoor Av Kolos‘. Not the only entry on this list with a Doctor Who-adjacent role in his back catalogue (see also: Anjli Mohindra in The Sarah-Jane Adventures), as a teenager, Ascott played science geek Benny in Russell T. Davies’ Wizards Vs Aliens. He was great then, but really showed his range in cancelled-too-soon Netflix supernatural drama The Innocents, where he stole the show. When he popped back up opposite Jodie Whittaker’s Doctor as the wise and conscience-led Delph, it was hard not to imagine what he might do in the Doctor’s role.

Zawe Ashton

Played: Lieutenant Journey Blue of the Combined Galactic Resistance, a solider on the Aristotle. Appeared in: the Ben Wheatley-directed Series 8 episode ‘Into the Dalek‘. A regular on ‘Next Doctor’ wishlists for some time now, Zawe Ashton is a terrific actor who came to fame as hedonist Vod in Channel 4 student comedy Fresh Meat and who’s recently been seen in Hulu’s The Handmaid’s Tale. In ‘Into the Dalek’ she played a ‘shoot first ask questions later’ soldier, but Ashton has the range for serious, absurd and very funny – in short, everything required to make a great Doctor.

Maxim Baldry

Played: Dr Polidori, a nineteenth century character who was part of Mary and Percy Shelley’s social circle. Appeared in: Series 12’s ‘The Haunting of Villa Diodati‘, about the summer Mary Shelley conceived her famous science-fiction novel Frankenstein. Baldry’s scored a role in Amazon Prime Video’s new mega-money Lord of the Rings TV series, so his dance card is likely full for now, but he’s just the sort of actor to breathe fresh life into the role of the Doctor, much in the way Matt Smith did back in 2010. He’s probably best recognised right now as Viktor, the asylum-seeking boyfriend of Russell Tovey’s character in Russell T. Davies’ future-predicting Years and Years, but the Russian-British actor has been acting in films since he was a child.

Sanjeev Bhaskar

Played: UNIT’s Colonel Ahmed, a colleague of Kate Lethbridge-Stewart in the fight against Missy’s Cybermen-from-corpses wicked plan. Appeared in: Series 8 finale ‘Death in Heaven‘. This Doctor Who role was just not enough of Sanjeev Bhaskar, an actor-writer-comedian whose role as DS Sunny Khan in ITV detective series Unforgotten has elevated him to the status of national treasure (partly because of his backpack, but mostly because of his decency and warm humour). Bhaskar is playing Cain opposite Asim Chaudhry’s Abel in Netflix’s forthcoming The Sandman series, and there’s series five of Unforgotten on the way, but wouldn’t he be great as the Doctor? As would another member of his family (see below)…

Mark Bonnar

Played: 22nd century miner Jimmy Wicks in the one with the ‘ganger’ clones. Appeared in: Series 6 two-parter ‘The Rebel Flesh/The Almost People’. No, of course they won’t let another funny, clever, slightly scary Scot with a brilliant face be the Doctor so soon after Peter Capaldi, but in a parallel universe, Mark Bonnar would make a very fine Doctor – something that hasn’t escaped Big Finish. He’s got it all (funny, clever, slightly scary, brilliant face) and frequently steals whichever show he’s in. Watch this two-parter, Catastrophe, Unforgotten series two and the brilliant Guilt (series two of which is approaching) for evidence of that.

Kevin Eldon

Played: Ribbons of the Seven Stomachs, a trader in the ‘Antizone’ obsessed with the Doctor’s “tubular” (or Sonic Screwdriver), and the voice of companion Antimony in an animated online adventure. Appeared in: Series 11’s ‘It Takes You Away‘ and 2001 webcast ‘Death Comes to Time’. It just seems a waste for the multi-talented Kevin Eldon to only play just one (or technically two, but just one on-screen) role on Doctor Who. And because his series 11 appearance was under a faceful of prosthetics, it wouldn’t even cause any continuity errors for him to come back in the role of the Doctor. Or a companion. Or another alien. Whatever it is, just give us more Eldon please.

O-T Fagbenle

Played: ‘Other Dave’, an engineer on an expedition to The Library who was eaten by the Vashta Nerada but brought back to life in the computer core. Appeared in: Series 4 two-parter ‘Silence in the Library/Forest of the Dead‘ Fagbenle has recently been seen as Natasha’s fixer in Black Widow, June’s husband Luke in The Handmaid’s Tale, and as the lead character in sitcom Maxxx, about a washed-up former boy band member. The man has dramatic and comedy range, a very good American accent (not necessarily relevant here) and excellent screen presence. He’d rock the role of the Doctor.

Siobhan Finneran

Played: 17th century landlady/witch prosecutor Becka Savage/Morax queen Appeared in: Series 11’s ‘The Witchfinders‘. If the new Doctor’s going to be a woman in her early fifties, then it should really go to Jo Martin, but if she’s busy, how great would Siobhan Finneran be? The Happy Valley and Downton Abbey actor’s a treat in everything. She can be equal parts funny and imperious, and you can easily imagine her running circles around alien fiends and having a load of fun doing it.

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Tamsin Grieg

Played: the Nurse who inserts Adam’s infospike on Satellite 5. Appeared in: Series 1 Simon Pegg-starring episode ‘The Long Game’, alongside Anna Maxwell-Martin (who might also deserve a place on this list come to think about it). Tamsin Grieg would make such a good Doctor it almost makes you angry she’s never played the role. She has the dramatic chops to deliver all the world-saving speeches, and the comedic skill to give it all a sparkling light touch. She was chilling in her small Series 1 role, but it only showed a tiny portion of what she can do. Also, wouldn’t she look great in a signature coat.

Suranne Jones

Played: Idris, into whom the ‘soul’ of the TARDIS was poured, making her the ship incarnate until her body died. Appeared in: Series 6 episode ‘The Doctor’s Wife‘, written by Neil Gaiman. Perhaps a bit too similar to Jodie Whittaker to be a likely successor, but you only have to see Suranne Jones in BBC/HBO drama Gentleman Jack to know that she’s made of Doctor material. As nineteenth-century landowner and famed lesbian Anne Lister, she’s cleverer and faster than everybody else, with a fierce sense of boundary-breaking why-not-ness, and plenty of emotion. Look at most of Jones’ roles, including that of the TARDIS itself, and she’d be great in the part, especially if her regular collaborator Sally Wainwright is enticed into the showrunner gig.

Paterson Joseph

Played: the venal Rodrick, who competed against Rose Tyler in The Weakest Link on the Game Station. Appeared in: Series 1 two-parter ‘Bad Wolf/The Parting of the Ways’. Paterson Joseph was famously up for the role of the Eleventh Doctor that ultimately went to Matt Smith, and has been a stalwart entry in ‘Who next?’ lists of this sort ever since, so… this isn’t going to happen, but wouldn’t it have been great if it had? The Peep Show, The Leftovers, Noughts + Crosses actor and Big Finish voice artist is currently showing off his commander chops in BBC One submarine thriller Vigil.

Ralf Little

Played: Steadfast, one of the few crew members of an off-world colony ship who weren’t murdered by nano-bots. Appeared in: Series 10 episode ‘Smile‘. He’s currently solving baroque murders on a fictional Caribbean island in Death in Paradise, but none of that lot ever last long, which could free Little up for another spin in the TARDIS. Little has been a familiar face on British TV for years, after playing feckless teenager Anthony on The Royle Family and starring in a BBC Three sitcom that spanned the entire noughties, but now a little older, with plenty of experience under his belt, it could be Ralf Little’s time.

Susan Lynch

Played: Pilot Angstrom, a competitor in an intergalactic race who meets Thirteen on her second ever adventure. Appeared in: Series 11 episode ‘The Ghost Monument’. You don’t need telling why Susan Lynch would make a great Doctor, just watch any decent British drama from the last decade and she’s in it, showing you. From Save Me to Unforgotten to Happy Valley to Killing Eve to any number of TV and film roles, she’s a scene-stealer who can play mystery, tragedy, power… everything the role calls for.

Daniel Mays

Played: Alex, the unwitting foster dad of a Tenza-in-human-form son, George. Appeared in: Series 6 episode ‘Night Terrors‘ written by Mark Gatiss. RADA-trained Danny Mays can do comedy, drama, has some serious dance moves, and was a Line of Duty guest star, so we know he’d have no problem at all learning the Doctor’s long speeches. If the TARDIS wanted to cast a Gallifreyan Doctor by way of Essex, he’d be top of the list.

T’Nia Miller

Played: The General, Military Commander of the Time Lords, in their Twelfth Regeneration. Appeared in: Series 9 finale ‘Hell Bent’. The Years & Years and Foundation star played a Time Lord in her Doctor Who debut and can even already tick ‘Regeneration’ off the to-do list. Miller clearly has the bearing and gravitas required of the Doctor, looks great even in impractically massive armour, and was the absolute stand-out in Netflix’s 2020 horror series The Haunting of Bly Manor. If they could work out the continuity for a reappearance, she’d rock the role.

Lucian Msamati

Played: Guido, the father of Isabella, a new enrolment at Rosanna Calvierri’s school for girls. Appeared in: Series 5 episode ‘The Vampires of Venice.’ Since appearing in this 2010 Doctor Who episode, Msamati has gone on to appear in major series, from Game of Thrones to Gangs of London and His Dark Materials. He’s an experienced stage actor too, who’d be sure to bring dramatic heft to the role of the Doctor.

Anjli Mohindra

Played: the Scorpion-like Queen of the Skithra, a species that relies on other species for their engineering. Appeared in: Series 12 episode ‘Nikola Tesla’s Night of Terror‘. Anjli Mohindra already has a long history with Doctor Who, having appeared under layers of prosthetics and make-up in Series 12, provided the voice of the Mechanoid Queen for animated Time Lord Victorious series Daleks!, and playing the recurring role of Rani Chandra from series two of The Sarah Jane Adventures. Would that preclude the Vigil and Bodyguard star from stepping behind the TARDIS console in the top role? Nah.

Sophie Okonedo

Played: Elizabeth X of The United Kingdom aka Liz 10 of Starship UK. Appeared in: Series 5 episodes ‘The Beast Below’ and ‘The Pandorica Opens’. One of our finest actors, Sophie Okonedo not only played the future queen opposite Matt Smith and Karen Gillan in Doctor Who, she was also the voice of the Shalka Doctor’s companion in the BBC’s ‘Scream of the Shalka’ animated webcast, way back when. She’s currently starring in Amazon’s Wheel of Time adaptation and voices the key role of angel Xaphania in His Dark Materials, so probably has too full a plate to step into the TARDIS, but casting her as the Doctor would be a no-brainer.

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Tom Riley

Played: Robin Hood. Appeared in: 2014 Series 8 episode written by Mark Gatiss ‘Robot of Sherwood’. Tom Riley played a legendary genius and multi-hyphenate over three seasons of Da Vinci’s Demons so taking on the role of the Doctor wouldn’t really be a stretch. The actor is currently playing Augie in HBO/Sky drama The Nevers, which started life as a Joss Whedon-created supernatural fantasy before the showrunner left the project after the first six episodes.

Danny Sapani

Played: Colonel Manton/Runaway (depending on your perspective). Appeared in: Series 6 episode ‘A Good Man Goes to War’. The River Song/Melody Pond revelation overshadowed much else that happened in ‘A Good Man Goes to War’, but nonetheless, seasoned Brit actor Danny Sapani made an impression as enemy of the Doctor, Colonel Manton, who conspired with Madame Kovarian to kidnap Amy and Rory’s baby. Sapani’s enjoying a long career on screen and stage, with stand-out TV roles in Penny Dreadful, Harlots and Killing Eve, as well as the upcoming part of Captain Jacob Keyes in video game adaptation Halo.

Amit Shah

Played: Rahul, brother to missing person Asha Chandra, both victims of Tzim-Sha. Appeared in: The Series 11 opener ‘The Woman Who Fell to Earth‘. A skilled comedic actor who has a habit of stealing scenes, even in serious supporting roles like this one, or last year’s turn as a doctor experimenting on children in His Dark Materials, Amit Shah would be a great surprise to find in the TARDIS. Experienced but not yet a household name, there’s a Matt Smith vibe about this one. Revive him as a companion, at the very least?

Peter Serafinowicz

Played: the voice of alien warlord The Fisher King (though the character’s screams were provided by Slipknot front man Corey Taylor). Appeared in: Series 9 episode ‘Before the Flood‘. Likely not the photo of Peter Serafinowicz his Nan keeps on the mantelpiece, this is the villain he voiced in a Series 9 two-parter. It’s Serafinowicz out of the make-up and prosthetics though, who’d make an intriguing prospect as the Doctor. Great voice(s), great face, serious presence, humour, loads of experience… what else do you need?

Nina Sosanya

Played: Trish Webber, mother of Chloe Webber, the little girl endowed with the psychic powers of an Isolus. (And in Big Finish audio adventure ‘Aquitaine’ Captain Maynard’). Appeared in: Series 2 Olympics episode ‘Fear Her‘. A regular RTD collaborator, with previous roles in Casanova and Wizards Vs Aliens as well as Doctor Who, Nina Sosanya is a joy to see in any cast, which must be why she’s (thankfully) in everything. She’s great in comedy (Good Omens, WIA, Staged, Nathan Barley) and in drama (Last Tango in Halifax, Killing Eve, His Dark Materials, Little Birds) and would no doubt make a very convincing centuries-old two-hearted big-brained Time Lord. Get her a statement coat and get her in the TARDIS.

Meera Syal

Played: Dr Nasreen Chaudhry, the scientist in charge of an ill-fated deep drilling mission in a Welsh village. (As well as voicing audio stories and audiobook Borrowed Time). Appeared in: Series 5 two-parter ‘The Hungry Earth’ and ‘Cold Blood‘. Actor-writer-comedian Meera Syal, CBE, had a fair crack of the whip in Series 5 Silurian two-parter, but would always, always be welcome back for more. As well as comedic talent, she has the dramatic presence, brains and stature to play the Doctor. Her husband Sanjeev Bhaskar (see above) will just have to fight her for the role.

Joivan Wade

Played: Bristol graffiti artist Christopher Riggens aka Rigsy. Appeared in: Series 8’s ‘Flatline’ and Series 9’s ‘Face the Raven‘. Joivan Wade is currently starring as Victor Stone in Doom Patrol for the MCU, so it may be a while before he returns to the UK, but his two appearances in Doctor Who proved him to be a charismatic talent who’d energise the TARDIS if welcomed back.

Harriet Walter

Played: British Technology Secretary and later, Prime Minister Jo Patterson. Appeared in: Series 12’s ‘Revolution of the Daleks‘ (as well as voicing the role of Beatrice in audio story ‘The Boy That Time Forgot’). Having a Dame in the TARDIS would be quite something; that Dame being Harriet Walter would be off the charts brilliant. Just look at her – the face, the voice, the hard-to-define quality that means the moment she opens her mouth, everybody shuts up and listens. Harriet Walter, stage and screen star of Killing Eve, Succession, The Crown, Downton Abbey and so much more, would make a very fine Doctor indeed.

Marc Warren

Played: Elton Pope, co-founder member of LINDA, a group of humans who meet to swap stories on their encounters with the Doctor. Appeared in: Little-loved Series 2 episode ‘Love & Monsters‘. A very familiar face on British screens, with regular roles in hits including Hustle, Mad Dogs, The Good Wife and The Musketeers, there’s always been something about Marc Warren that makes you think he’d make a really great alien. See him as The Gentleman in Jonathan Strange and Mr Norrell, or Mr Teatime in The Hogfather, and you’ll agree. Top Doctor potential.

Gemma Whelan

Played: the voice of loads of characters for Big Finish audio adventures, but never (yet) on screen. Appeared in: ‘Ninth Doctor Adventures’, ‘Dalek Universe’, ‘Counter-Measures’ and more. Always a treat wherever you find her on screen, actor-comedian Gemma Whelan is best recognised as warrior leader of the Iron Islands, Yara Greyjoy in Game of Thrones but she’s been great in Killing Eve, Gentleman Jack, Upstart Crow, The End of the F***ing World, and recently, a killer episode of Inside No. 9. If Doctor Who is looking for another late-thirties Yorkshire lass to take on the Doctor’s mantle in future, go Whelan or go home.

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Doctor Who Series 13 will air on BBC One and BBC America this autumn.

The post Doctor Who: Previous Guest Stars Who’d Be Great as the New Doctor appeared first on Den of Geek.

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chorusfm · 7 years ago

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In the Spotlight: 50 Bands You Need to Hear in 2018 (Part Two)

Today we’re happy to bring you part two of our “In the Spotlight” feature. We’ve got another group of artists that we think are worthy of your time and ears. Our contributors have made their picks, put together blurbs, and pulled out recommended songs. If you missed part one, you can find that here. Lost in Society by Deanna Chapman The first time I heard Lost In Society, I knew I’d be listening to them again. There aren’t too many current punk bands that I really get into, but this trio is good. “Creature” is the first song that they’ve released from their upcoming EP, Eager Hearts, which is due out on May 25th. They’re a band that you won’t want to miss out on. I can’t wait to hear the EP in full. Recommended Track: “Creature” RIYL: The Menzingers, Green Day, Hot Water Music Tape Waves by Jason Tate Tape Waves have this laid back breathy vibe that I find the perfect compliment to cold nights. These are songs with vocals that blend into their surroundings and feel light and airy but with an ominously haunted texture. The band released Here to Fade in 2016 and are gearing up to release their new album, Distant Light, on June 6th. Recommended Track: Nowhere RIYL: Field Mouse, Day Wave, Copeland Courtney Marie Andrews by Craig Manning If you read Chorus.fm, you probably know Courtney Marie Andrews best as the female backing vocalist on Jimmy Eat World’s Invented. In the years since, though, Courtney has been gradually garnering attention for her own music, culminating with the release of her latest album, May Your Kindness Remain, earlier this year. It’s a remarkably well-sung LP, giving ample showcase to Courtney’s big, empathetic voice. From the gospel-laced title track to the Counting Crows-esque “Kindness of Strangers,” the album feels like a vintage folk classic from first listen. Sneak Kindness into a stack of records between Carole King and Joni Mitchell and you can probably fool people into thinking it’s a forgotten gem from 1971. Recommended Track: “May Your Kindness Remain” RIYL: Joni Mitchell, Carole King, First Aid Kit Madeline Rosene by Anna Acosta In the current climate (musical, political, or otherwise) a bit of levity can go a long way. LA based singer-songwriter Madeline Rosene’s acerbic wit and honest storytelling takes everyday situations and tales and translates them to song in the most delightful way imaginable – this listener challenges anyone listening to hear “Drunk Text” not to cringe in lighthearted shared embarrassment over the predicament posed – such the better if you get a chance to see it live. Rosene is a refreshing change of pace: the music is relatable and approachable in all the right ways. Expect to see more from this songwriter in the coming months, and check out her new music video in the meantime. Recommended Track: “Drunk Text” RIYL: Pink, Sizzy Rocket, The Summer Set Hooded Menace by Jake Jenkins Hailing from Finland, Hooded Menace perfectly and precisely blend the genres of death metal and doom metal with such force it threatens to knock you off your feet. Their latest effort, this year’s Ossuarium Silhouettes Unhallowed, is the strongest offering of their career. Further expanding their sound to incorporate tinges of post and sludge metal, Hooded Menace create massive, walloping songs that pack a huge punch in all the right places. The riffs are technical but not overtly so, the pacing of the album never leaves a dull moment, and they switch from death metal riffage to doom metal dread effortlessly, often blending the two in a smear of thick guitars and heavy distortion. They came out swinging early on in the year with the best album the genre has to offer so far; as such the rest of the metal world has a lot to live up to with Ossuarium Silhouettes Unhallowed. Recommended Track: “Cascades of Ash” RIYL: Spectral Voice, Gatecreeper Amy Shark by Jason Tate Amy Shark has found some early internet buzz with her song “Adore,” but from what I’ve heard of her upcoming debut album, Love Monster, she’s got the chops to write songs that could make her a household name. They’re the kinda songs that feel perfectly suited to find their way into a scene in the latest hit TV show while also sliding into an infectious summer playlist. Recommended Track: “I Said Hi” RIYL: Vera Blue, Broods Illuminati Hotties by Drew Beringer Sure, the first thing you might notice about Sarah Tudzin’s band is the wild band name Illuminati Hotties. But once you hear how incredibly infectious the music, you’ll understand that only a wild moniker like Illuminati Hotties is suitable. Releasing their debut album, Kiss Yr Frenemies, this spring via Tiny Engines (the most eclectic indie label alive in 2018), Illuminati Hotties offer cutting takes on debt, anxiety, and relationships beneath chipper bops and fuzzed-out dissonant rock in the vein of Mitski. So yeah, the name is a little goofy but Tudzin has the charisma and more importantly the songs to back it all up – underneath these breezy anthems is a lot of simmering growing pains and real talk. So don’t sleep on Illuminati Hotties because Frenemies has the potential to be one of the very best albums released out of Tiny Engines’ storied discography. Recommended Track: “Cuff” Kraus by Aaron Mook Kraus is a bedroom project, which is impressive for a number of reasons – the first of which being the project’s production quality. His most recent album, this year’s curious Path, is abrasive, but in a way that sounds meticulous and intentional. The project seems equally as smooth when it wants, as if somebody threw Sigur Ros and Deftones into a blender with a few pedalboards for good measure. At its most expansive, the songs of Path sound as though the world around them is burning down, paired with breathy vocals just above a whisper and only occasionally soothed by cool, ocean-like reprieves. Whichever path the project takes, it’s clear that sole songwriter Will Kraus has a completed vision for each new prickly shoegaze release under his name. Recommended Track: “Bum” Now, Now by Jason Tate Now, Now have been around for a while now and we’ve posted about them for years. However, it’s been six years since they last released an album and their new album, Saved, almost feels like an entirely new band. It’s also one of the best albums I’ve heard this year. It’s incredible. So, for that reason I think it’s more than fair to call attention to them once again and make sure they’re on your radar. If, for whatever reason, you’ve been sleeping on this band, you’ve got time to go check out their spectacular back catalog. And if you’re already a fan, it’s time to start getting very excited for their new album. The album combines smooth pop-melodies with hauntingly personal introspection. The songs explore growing up, mid-adulthood, sexuality, and mix the ridiculously catchy with various forms of electronic experimentation. This combination of heartbreakingly sad and poignant moments over catchy music reminds me so many times of Jim Adkins and Jimmy Eat World. There’s just something about simple words telling grand stories that that draws me in. Recommended Track: “SGL” RIYL: Tegan and Sara, Paramore, Jimmy Eat World City Calm Down by Mary Varvaris Australian 4-piece City Calm Down are here with their stellar sophomore album Echoes In Blue, which opens with the soaring, heartbreaking “Joan, I’m Disappearing”, where vocalist Jack Bourke laments lost love and is immediately captivating. City Calm Down then turns up the dial with the spectacular “In This Modern Land”. The band employs horns, and the light use of synths complement Bourke’s rich baritone voice. Album highlight “Distraction/Losing Sleep” follows, and is easily my favourite track. Drummer Lee Armstrong takes things up a notch, and the warm guitar tone creates striking, melancholy melody. “Distraction/Losing Sleep” is incredibly relatable, as Bourke joins the rest of us adults who are “bored to death and only 29”. Echoes In Blue seems top-heavy upon early listens, but with time, songs like the gorgeous, Trouble Will Find Me-lite “Kingdom” grow on you. “Kingdom” is the perfect indie rock song. Bourke continues to tell stories we all connect to, crying, “you said I should have opened my eyes / I was terrified of what I might find”. Triumphant, massive single “Blood” follows, and while it’s a very catchy song, it falls on the too repetitive side. But, where the album has small weak spots such as blending together and some songs being too repetitive, it certainly ends on a high. Album closer “Echoes In Blue” is eerie, strange and dramatic. The song slowly builds, beginning with creepy electronics, then introducing gentle keys as Bourke serenades us. Electronic drums and double tracked vocals lift the song even more in the second verse. “Echoes In Blue” is a mournful note to end on, with Bourke defeated, weak and grieving; “all I hope is that you will make it through the night / better that you’re leaving now / you’re better in the light”. The title track is the most experimental song here, and an incredibly strong album closer. I look forward to where City Calm Down go next – this is an album that sees a band who have hit their stride already, and they’re booming with confidence. Recommended Track: “Echoes in Blue” RIYL: The National, Joy Division, The Cure Ashley McBryde by Craig Manning What’s the best way to start a record? Most artists go for something big, barnstorming, and catchy. The opener is the “don’t bore us; get to the chorus” of the album format. If you don’t grab listeners right away, you are going to lose them. But one of the things that makes Ashley McBryde’s debut LP Girl Going Nowhere such a magnetic listen is that she trusts her fans to be patient. Make no mistake: McBryde is perfectly capable of writing big singalong hooks. Her first album is full of them, from the fittingly titled “Radioland” to the lovelorn “American Scandal.” On the album’s first song and title track, though, McBryde strips things down. More than half of the song is just her voice and an acoustic guitar, and it cuts through you like a heartbreak song can cut through a half-empty bar at 1:00 a.m. It’s a song about chasing your dreams, even when everyone tells you that you’re going to fall on your face. And it’s a song about how good it feels to prove the naysayers wrong. “I hear the crowd, I look around/And I can’t find an empty chair,” McBryde sings in the chorus. “Not bad for a girl going nowhere.” It’s a perfect opener not only because of its patience and restraint, but also because it makes you feel like you’ve been rooting for McBryde’s underdog story for years. Not many artists can fool you into thinking you’ve been listening to them for 15 years when you’ve only been listening to them for 15 seconds. Recommended Track: “Girl Going Nowhere” RIYL: Miranda Lambert, Janis Joplin, Lydia Loveless The Longshot by Adam Grundy The Longshot are a 4-piece punk band fronted by Green Day’s Billie Joe Armstrong. On their debut LP Love is for Losers, Billie Joe has crafted an easy to digest 70’s pop-punk sound with polished production. Recommended Track: “Chasing a Ghost” RIYL: Foxboro Hottubs, The Ataris, Against Me! Lucy Dacus by Trevor Graham Lucy Dacus is a treasure. She’s been making waves in the indie rock pool since her debut release on Matador in 2016 — a deceptively weighty beacon of warm, southern-tinged charm that might have you think she’d already been in the game for years. Her eagerly anticipated sophomore effort, Historian, is an expansive, powerful exhibit of a multifaceted twenty-something with a heart fixed to leave a mark on yours. Revealing a more refined textural template to paint herself into, Lucy explores themes of passionate rebellion, the tenderness of heartbreak, the struggles of creativity, and the unexpected catharsis in confronting mortality. And while even the most somber melodies often drip from her mouth like honey, the sweetness in delivery never detracts from the emotional sincerity permeating every line. The musical backdrops notably accentuate this notion at every turn, as Lucy’s masterful songwriting ensures her lyrics a home that match their intensity at any level. As a result, we have playful string arrangements, crushing distorted climaxes, spacious ambient stillness, and straightforward indie pop songs all occupying the same space. Lead single “Addictions” is claimed by the latter of those categories, as a bubbly track about repeating mistakes and owning up to it — but not before declaring the blame to be shared. Toss this one on on a sunny afternoon and take the ride. Recommended Track: “Addictions” RIYL: Angel Olsen, Margaret Glaspy, Laura Stevenson Not on Tour by Jason Tate Not on Tour have a sound that harkens back to the day when pop-punk bands played as fast as they could and let the melodies try and catch up with the instrumentation. None of the songs on their last album, Bad Habits, crack two minutes, but they’re full of hooks, guitar riffs, and a sound that makes me think about summers spent on skateboards. Recommended Track: “Write it Down” RIYL: Mute, A Wilhelm Scream, Lagwagon Jon Latham by Craig Manning Listening to Jon Latham’s music is like being hypnotized. Most of his songs are lengthy slow-burners. On his 2017 LP Lifers, there are only eight songs, but five of them go on for more than five minutes. Where less talented songwriters really make you feel the runtime of those longer songs, though, Latham makes them go down like a shot of the smoothest whiskey you’ve ever tasted. His songs are potent and emotionally hard-hitting, but there’s also something intensely comforting about them. Lifers plays like a long and lonely road trip through heartland America. Songs like “Learning Now” and “Tennessee Dime” seem to stretch on for miles, as far as the highway shooting out of sight. But Latham’s talents coalesce most clearly on “Yearbook Signatures,” a track about how the right song can bring back people who exited your life so long ago you almost forgot about them. Pour yourself a drink, play the song loud, and take a trip back to your past. Recommended Track: “Yearbook Signatures” RIYL: John Moreland, Noah Gundersen, Tom Petty The Aces by Adam Grundy The Aces are an 4-piece all-female band from Provo, Utah with a sound that immediately grabs your ears and attention. On their debut album, When My Heart Felt Volcanic, they showcase incredible musicianship with pop sensibilities. These steady climbers have toured with COIN and X Ambassadors and are making a name ofor themselves faster than the hooks can hit you. Recommended Track: “Volcanic Love” RIYL: The 1975, HAIM, Paramore POP, ETC. by Jason Tate POP, ETC. have been making music under this moniker since around 2012. Most recently they’ve been releasing what they call “infinite singles” and just putting music out when the inspiration strikes. These songs continue the tradition of the ridiculously well-crafted pop-rock music the band explored on 2016’s Souvenir. This is the kind of rock-tinged-pop-music that I wish we saw more of these days. It’s well-crafted and catchy, but there’s also a weight behind the songs. Recommended Track: “Your Heart is a Weapon” RIYL: Ra Ra Riot, Coin, Bad Suns LANCO by Craig Manning As a fan of “high-brow” country music by the likes of Jason Isbell and Sturgill Simpson, I think I’m supposed to roll my eyes at LANCO. That’s certainly what the country purists would do. But I can’t, because LANCO writes the kind of hooks that send wrecking balls through my cynical defenses. I tend to think of this band as the Boys Like Girls of modern country music. Just like Boys Like Girls, LANCO write verses and pre-choruses that are catchier than most bands’ choruses. And just like Boys Like Girls, LANCO have the innate ability to conjure up the spirit and freedom of a perfect summer night. It says something that “So Long (I Do)” is my single most-played song of the year so far when it’s not even summer yet. If you crafted a pop-country song in a laboratory, I’m pretty convinced you couldn’t come up with something as flawlessly catchy as that one. No wonder a few LANCO songs popped up on Taylor Swift’s most recent Spotify playlist. If anyone knows great pop-country, it’s Taylor. Recommended Track: “So Long (I Do)” RIYL: The Killers, if they made a pop-country record --- Please consider supporting us so we can keep bringing you stories like this one. ◎ https://chorus.fm/features/in-the-spotlight-50-bands-you-need-to-hear-in-2018-part-two/

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