#maría clara alonso

[violettaforever]

This feels so cool to me whaaaat 😭 on insta btw

[sociedadnoticias]

Opinión | Que no le digan… | El triunfo contra dos

Opinión | Que no le digan… | El triunfo contra dos #PeriodismoParaTi #SociedadNoticias #QueNoLeDigan @MarioA_Medina @GoblernoMX @lopezobrador_ @Claudiashein @GobCDMX @rosaicela_ @SSPCMexico @USAmbMex

Conocí a Alejandra del Moral y a Delfina Gómez cuando ambas fueron diputadas federales. La primera, por la LXII legislatura, la segunda en la LXIII. Por Mario A. Medina                                                             Conocí a Alejandra del Moral y a Delfina Gómez cuando ambas fueron diputadas federales. La primera, por la LXII legislatura, la segunda en la LXIII. Como reportero pude…

[post-sexualidades]

MIERCOLES 17 DE ABRIL 2024

10:00-10:30

Presentación 

10:30-11:20 Geografías postsexuales Modera David Berná

-Álvaro Corral - Que me quiten el calzón. Algunas nociones sobre lo erótico de la indumentaria tradicional

-Alba Casas - Lobes Salvaxes. Cartografía de una resistencia queer en Galicia

11:20-12:10 Escenografía BDSM Modera Yera Moreno

-BajoRufián - Penetrar con los dientes: prácticas stone* y asex desde el BDSM

-Clara Moreno – Canción tortura para Mari (perfomance)

12:10-12:20 Descanso

12:20-13:10 Brujas y vampires Modera Ana Almar

-Juanmo Garcés C - Muerde más fuerte: La figura del vampire en la cultura pop como ejercicio morboso por parte de les autores

-María Molina - Escobas, dildos, pócimas y… susurros.

13:10 – 14:00

Itziar Ziga - Contra el eterno retorno puritano

14:00-15:00 Comida

15:00-16:00 TALLERES simultáneos

Taller1: Cartas para mi abuela que nunca supo (Camilo Mutis y Álvaro Benítez)

Taller2: Placer, oralidad y deseo: Una reflexión sobre la poesía y el sonido como dispositivos sexo-afectivos (María Ovelar, Sara Martínez y Celia Martínez)

Taller3: Bordando sexualidades: la lencería como segunda piel e intimismo textil (Colectivo Fibra)

16:10-16:55 Sexualidades itinerantes Modera Merce Sánchez

-Sílvia M. Limiñana - ¿Qué hace una asexual como yo en un sitio como este? Las post-sexualidades reclaman a las post-afectividades

-Violeta Assiego y Ainara Machain - ¿y ahora qué? Diálogos bolleros en torno al cáncer y la sexualidad

16:55-17:15 Descanso

17:15-18:00 Qué raro se ha puesto Disney Modera Alonso Almansa

-Ana Leirós - Deseo Y Representación: El Caso Del Fanfic Stony

-Ian Ramos - De Simba al fursona: el fandom furry y sus posibilidades

18:00-18:20

Yera Moreno / Botánicas -Herbarium to E.D.- Activación performativa en colaboración con Mujeres con Pluma, Melani Penna Tosso y BajoRufián. 

18:20 Presentación de las obras.

[cada-atletismo]

Servicios para los Atletas Argentinos en los GPS

La CADA dio a conocer los listados de beneficiarios de los servicios de alojamiento y comidas para los atletas argentinos durante los GPS “Andres Calonge” y “Hugo Mario La Nasa” en Concepción del Uruguay a partir de la cena de la tarde del día jueves 8 y la cena del mismo día y hasta el almuerzo del día domingo once de junio.   Atletas Beneficiarios de Alojamiento y comida   1 Agustín Alejandro Contreras BA 2 Agustín Carril BA 3 Agustín Coronel CHU 4 Agustín Nahuel Pinti MZA 5 Agustina Moraga NEU 6 Ailén Armada BA 7 Alan Esteban Niestroj FAM 8 Alejo Pafundi SF 9 Andrea Ubiedo BA 10 Antonella Janet Guerrero FAM 11 Augusto Mariano Cochet FAM 12 Bautista Diamante FAM 13 Belén Fritzsche FAM 14 Benjamín Santiago Aguilera FAM 15 Brian Agustín López SF 16 Bruno Agustín De Genaro SL 17 Carlos Augusto Johnson SF 18 Carlos Daniel Layoy FAM 19 Carolina Lozano SF 20 Carolina Scarponi FAM 21 Clara Macarena Baiocchi COR 22 Daiana Alejandra Ocampo FAM 23 Damián Gabriel Moretta FAM 24 Daniel Oscar Penta SF 25 Daniel Rodrigo Londero FAM 26 Daniela Ayelén Gómez FAM 27 Diego Javier Lacamoire BA 28 Diego Matías Leones SF 29 Dylan Damián van der Hock ER 30 Edgar Felipe Neri-Chávez SDE 31 Eliean gaspar Larregina BA 32 Estanislao Mendivil FAM 33 Evangelina Luján Thomas CHU 34 Ezequiel Chavarría TUC 35 Ezequiel Sferra BA 36 Fabiana Salomé Gramajo FAM 37 Fausto Alonso FAM 38 Florencia Dupans MZA 39 Florencia Lorena Cuello MZA 40 Franco Florio FAM 41 Franco Gastón Peidón BA 42 Gastón Emiliano Benítez MNS 43 Germán Vega BA 44 Giuliana Alejandra Baigorria NEU 45 Guillermo Ruggeri MZA 46 Helen Bernard Stilling FAM 47 Iara Alén Capurro BA 48 Ignacio Fontana SF 49 Jerónimo Pedro Peralta COR 50 Joaquín Gabriel Gómez FAM 51 José Zabala SF 52 Josefina Brunet SF 53 Juan Ignacio Carballo COR 54 Juan Ignacio Ciampitti FAM 55 Juan Ignacio Solito FAM 56 Juan Manuel Arriéguez BA 57 Juana Zuberbuhler BA 58 Julián Berca MZA 59 Julián Farías BA 60 Julio Nahuel Nóbile SF 61 Karen Ailén Rocca BA 62 Katherine Maldonado FAM 63 Lautaro Gabriel Vouilloz BA 64 Lautaro Taiel Mantello CHU 65 Lázaro Bonora SF 66 Leandro Ismael Paris SL 67 Leandro Leonel Pérez-Lazarte BA 68 Leslie Tamara Lucero COR 69 Lorenzo Riba COR 70 Lucas Adrián Villegas SL 71 Luciana Gennari SAL 72 Luciana Gómez Iriondo SF 73 Luciano Gabriel Ferrari COR 74 Manuel Rojas BA 75 Marcos Julián Molina SF 76 María Candela Ratibel FAM 77 María Florencia Lamboglia FAM 78 María Victoria Woodward COR 79 Martina Daniela Escudero RN 80 Matías Agustín Castro LRI 81 Matías Agustín Elizaincin FAM 82 Matías Antonio Reynaga SAL 83 Matías Falchetti FAM 84 Maximiliano Albarracín SAL 85 Maximiliano Diaz SAL 86 Melanie Soledad Rosalez FAM 87 Micaela Levaggi BA 88 Nahuel Pedernera BA 89 Nazareno Helber Melgarejo FAM 90 Nazareno Uriel Sasia ER 91 Nélida del Carmen Peñaflor SDE 92 Nicolas Yglesias Nascimento-bra BA 93 Noelia Anahí Martínez COR 94 Pablo Agustín Toledo SDE 95 Paula Agustina Dulcic FAM 96 Pedro Emmert FAM 97 Pedro Rodríguez Merlo FAM 98 Renzo Salvatore Cremaschi MZA 99 Santiago Barbería BA 100 Santiago Zezular COR 101 Sebastián Agustín De Zan FAM 102 Sofía Tamara Casetta FAM 103 Sofía Ximena Ibarra FAM 104 Tomás Ariel Villegas SL 105 Tomas Olivera BA 106 Tomás Pablo Mondino SF 107 Tomás Vega BA 108 Uriel Rodrigo Muñoz BA 109 Valentina Napolitano FAM 110 Valentina Polanco SL 111 Violeta Antonella Aranda FAM 112 Walter Imanol Alfonzo MNS   Read the full article

[juarezesdeporte]

AVANZA PORTUGAL A OCTAVOS DE FINAL

Doha., lunes, 28 de noviembre, 2022 .- A la Selección de Portugal le bastó un doblete de Bruno Fernandes para amarrar su pase a los Octavos de Final de Qatar 2022, luego de vencer 2-0 a Uruguay en el Estadio Lusail

Pese a que el conjunto charrúa se fue con todo al frente en los últimos 25 minutos, los lusitanos lograron mantener el marcador y así llegarán al duelo ante Corea del Sur ya clasificados a la siguiente ronda.

Corría el minuto 54', cuando Fernandes sacó un centro por izquierda que intentó rematar Cristiano Ronaldo, quien finalmente no tocó el balón que terminó en las redes del arco defendido por Sergio Rochet Álvarez.

En la primera parte, Uruguay tuvo la primera clara, al 32', pero Rodrigo Bentancur no definió correctamente, luego de haber recuperado una pelota en su propio terreno y la llevó hasta el área contraria.

Al 74', Maxi Gómez le respondió al técnico Diego Alonso, pero su disparo se estrelló en el poste, dejando al meta Diogo Costa sin oportunidad.

Cuando se jugaba el minuto 90, Fernandes intentó filtrar un balón, que terminó pegando en la mano de José María Giménez, quien en ese momento se barría intentando cortar el balón.

El mismo Fernandes cobró con pierna derecha y sentenció el marcador, tras engañar al portero charrúa.

El próximo viernes, Uruguay, que suma un punto, se jugará la vida ante Ghana, que ahora tiene 3 puntos, luego de vencer a los surcoreanos.

(Agencia Reforma)

[dwellordream]

“…Catalina, born in the archbishop of Toledo’s palace at Alcalá de Henares on 16 December 1485, was an attentive child who spent much of her childhood in the newly conquered kingdom of Granada alongside her mother. To care for and educate Catalina and her siblings –Juan, Isabel, Juana, and María– Isabel selected members of her own itinerant court who were trained in Latin, religious conduct, and decorous behavior. These women, bound to the queen and her daughters by ties of service and friendship, combined sewing, embroidery, spinning, and weaving with intellectual and cultural pursuits. Andrés de Miranda and Beatriz Galindo supervised the formal education of Isabel’s daughter, but prominent noblewomen shaped the social and cultural education of the infantas.

They were expected to be clever, cultivated and sophisticated but not learned, and to be friends and servants and guides to the cultural norms of life at court. This relationship is not easily defined, with fluid boundaries dependent on personality and experience. Over the course of a lifetime, a noblewoman serving at court could be tutor, mentor, casual friend, close confidante, and as intimate as a favorite sister. The relationship was reciprocal, and not just in terms of monetary compensation. Both sides gained much: the royal family received vital loyal service from noblewomen who, in return met their future husbands from the pool of noblemen in service to the king and infante Juan.

Isabel and Fernando’s children received a rigorous education in an intellectual milieu where literacy was expected and cultural patronage the norm. Household accounts show that Isabel carefully selected and compensated her children’s tutors. Isabel’s servants, Andrés Miranda, a Dominican at the monastery of Santo Domingo (Burgos) and Beatriz Galindo (la Latina, “the Latinist”), were important in educating the children. At age six, Catalina began her studies with the Geraldino brothers. Alessandro accompanied Catalina to England in 1501, served as her confessor, and wrote De eruditione nobelium puellarum (On the Education of Noble Girls, 1501), at Isabel’s request. At age eleven, Catalina owned a breviary. At age twelve she was expected to exercise some discretion and had learned to supervise servants. Her studies included philosophy, literature, and religion, and music (she could play the clavichord and harp).

She could speak French, English, and German in addition to Castilian and Latin, prompting Beatriz Galindo to note that Catalina surpassed her mother in Latin learning. She studied late medieval ideas on virtue, justice, and proper queenly behavior and Christianized versions of Classical philosophy and natural science concerning medical understandings of the differences between the sexes. She would have read, or known of, works that dealt with the education of women such as Juan Rodriquez de la Camara’s El triunfo de las donas (The Triumph of Women, 1443), Alvaro de Luna’s El libro de las virtuosas y claras mugeres (The Book of Virtuous and Famous Women, 1446), Fray Martín Alonso de Córdoba’s Jardín de la nobles doncellas (The Garden of Noble Maidens, 1468), and Francesc Eiximenis’s manual for female instruction, the Carro de las donas (The Carriage of Women, 15th century), that may have been brought to court by Beatriz Galindo.

It is also likely that she read or knew of Juan de Flores’s Grisel and Mirabella, The Slander against Women, and The Defense of Ladies against Slanderers, works in the querelle des femmes genre that were dedicated to an unnamed female reader who may well have been Isabel. Isabel continued to pay annuities to Alessandro Geraldino (“maestro de las ynfantes”) until her death in 1504. The royal account books report expenditures for Catalina from 1478 to 1504 and include books, patronage, philanthropy, alms, as well as clothing and jewelry.

Some of the earliest records that mention Catalina are found in the household accounts of Isabel’s court and date from 1486, just after her birth. They record purchases of fabric for blankets and baby clothes, items for her baptism, shoes, food (honey, silver flatware, and glass cups and the expenses for moving the households of Catalina and her elder sisters Juana and María from Murcia to Valladolid (in 1488) and from Valladolid to Jaén (1489). Álvaro Fernández de Córdova Miralles counted 92 women at Isabel’s court, 61 who served the queen, with thirteen in the household of the infanta María, six for infanta Catalina. The Isabelline court appears to be typical of the age but much smaller than that of later queens, Isabel of Valois (178 women) and Mariana of Austria (over 300 women). Typical also of royal households is a significant number of noblewomen, many of whom were daughters of or married to the highest ranking nobles at court.

…More lowly were Catalina’s attendants –both men and women– caring for clothing, shoes, jewelry, and personal objects (such as books and toys), who were paid between 6,000 and 10,000 annually. What these sums do not show, however, is the marriage gifts (often monetary, but also valuable objects) bestowed by Isabel, which could be substantial and which men at court did not receive. Gentlewomen of modest rank, such as Francisca de Torres, Juana de Porras (called Porricas), and Nieta were paid 10,000, 6,000, and 8,000 maravedís on 20 October 1500. Little is known about these women beyond the fact that they were permanent members of the household. They were paid for expenses they incurred to move Catalina’s household from Ecija to Seville, and the same three were paid the same amounts again on 10 March 1501. Nieta may be just a nickname suggests that she is part of the intimate circle around Catalina but probably not a noblewoman.

At the bottom of the social hierarchy are a few slaves and a female dwarf who was first part of infanta María’s court at Lisbon, then came to Catalina’s court in Spain, and moved with her to England where she was known as the Spanish fool. But these women at court were valued highly and respected. After queen Isabel’s death, king Fernando ordered a final set of annuity payments to be paid to the women who had served in Isabel’s court, among them some of the loftiest and lowliest. On 10 June 1504, Blanca Manrique, Aldara de Portugal, Francisca de Ayala, Isabel (daughter of Costança), Marina Ruiz, and Inés (a slave) received payments of an unspecified amount.”

- Theresa M. Earenfight, “RAISING INFANTA CATALINA DE ARAGÓN TO BE CATHERINE, QUEEN OF ENGLAND.”

[goalhofer]

2020 Olympics Spain Roster

Archery

Daniel Castro (Madrid)

Inés De Velasco (Madrid)

Swimming

Nicolás García (Madrid)

Alberto Martínez (Cartagena)

Hugo González (Palma De Mallorca)

J.L. Pons (Sóller)

Alisa Ozhogina (Moscow, Russia)

Iris Tió (Barcelona)

Ona Carbonell (Barcelona)

Berta Ferreras (Mataró)

Meritxell Mas (Granollers)

Paula Ramírez (Barcelona)

Sara Saldaña (Madrid)

Blanca Toledano (Madrid)

Mereira Belmonte (Badalona)

Marina García-Urzainqui (Barcelona)

Lidón Muñoz (Castellón De La Plana)

Jimena Pérez (Santander)

Paula Ruiz (Madrid)

Jessica Vall (Barcelona)

África Zamorano (Barcelona)

Athletics

Pablo Sánchez-Valladares (Madrid)

Odei Jainaga (Eibar)

Óscar Husillos (Palencia)

Adrián Ben (Viveiro)

Saúl Ordóñez (Ponferrada)

Ignacio Fontes (Granada)

Jesús Gómez (Burgos)

Adel Mechaal (Tétouan, Morocco)

Mohamed Katir (Mula)

Carlos Mayo (Madrid)

Asier Martínez (Zizur Mayor)

Orlando Ortega (Ontinyent)

Sergio Fernández (Barañain)

Daniel Arce (Burgos)

Fernando Carro (Madrid)

Sebastián Martos (Huelma)

Javier Guerra (Segovia)

Ayad Lamdassem-El Mouhcine (Lleida)

Daniel Mateo (Soria)

Diego García (Madrid)

Miguel López (Murcia)

Álvaro Martín (Llerena)

Luis Corchete (Torrevieja)

Jesús García (Madrid)

Marc Tur (Santa Eulària Des Riu)

Bernat Erta (Lleida)

Samuel García (Santa Cruz De La Palma)

Eusebio Cáceres (Onil)

Pablo Torrijos (Castellón De La Plana)

L.M. Martínez (Castellón De La Palma)

Javier Cienfuegos (Montijo-Badajoz)

Jorge Ureña (Onil)

María Pérez (Madrid)

Jaël-Sakura Bestué (Barcelona)

Natalia Romero (Villajoysa)

Teresa Errandonea-Fernández (Irun)

Carolina Robles (Madrid)

Sara Gallego (Madrid)

Aauri Bokesa (Madrid)

Esther Guerrero (Banyoles)

Marta Pérez (Barcelona)

Lucía Rodríguez (Madrid)

Marta Galimany (Valls)

Elena Loyo (Vitoria)

Laura Méndez-Esquer (Valencia)

Laura García-Caro (Lepe)

Raquel González (Mataró)

María Pérez (Orce)

Laura Bueno (Granada)

Fátima Diame (Valencia)

Ana Peleteiro (Ribeira)

María Toimil (Murgardos)

Laura Redondo (Barcelona)

María Vicente (L’Hospitalet De Llobregat)

Badminton

Pablo Abián (Calatayud)

Clara Azurmendi (Madrid)

Basketball

Pau Gasol (Sant Boi De Llobregat)

Rodolfo Fernández (Palma De Mallorca)

Sergio Rodríguez (San Cristóbal De La Laguna)

Ricky Rubio (El Masnou)

Víctor Claver (Valencia)

Marc Gasol (Sant Boi De Llobregat)

Guillermo Hernangómez (Madrid)

D.U. Garuba (Azuqueca De Henares)

Alberto Abalde (A Coruña)

Alejandro Abrines (Palma)

Sergio Llull (Mahón)

Juan Hernangómez (Madrid)

Cristina Ouviña (Zaragoza)

Silvia Domínguez (Madrid)

Alba Torrens (Binissalem)

Laia Palau (Barcelona)

Leonor Rodríguez (Las Palmas)

Maite Cazorla (Barcelona)

Tamara Abalde (Vigo)

Raquel Carrera (Ourense)

Queralt Casas (Bescanó)

María Conde (Madrid)

Laura Gil (Murcia)

Astou Ndour-Barro (Las Palmas)

Boxing

José Quiles (Murcia)

Gazimagomed Jalimov (Madrid)

Emmanuel Reyes (La Coruna)

Gabriel Escobar (Leganés)

Canoeing

Cayetano García (Madrid)

Pablo Martínez (Madrid)

Ander Elosegi (Irun)

David Llorente (Palazuelos De Eresma)

Carlos Arévalo (Betanzos)

Saúl Craviotto (Lleida)

Francisco Cubelos (Talavera De La Reina)

Íñigo Peña (Zumaia)

Rodrigo Germade (Cangas)

Marcus Walz (Mallorca)

Antía Jácome (Pontevedra)

Isabel Contreras (Madrid)

Núria Vilarrubla (La Seu d’Urgell)

Maialen Chourraut (Lasarte-Oria)

María Portela (Cangas)

Cycling

Jofre Cullell (Santa Coloma De Farners)

Omar Fraile (Santurtzi)

Jesús Herrada (Mota Del Cuervo)

Gorka Izagirre (Ormeiztegi)

Ion Izagirre (Ormeiztegi)

Alejandro Valverde (Las Lumbreras)

Albert Torres (Ciutadella De Menorca)

Sebastián Mora (Villarreal)

David Valero (Baza)

Margarita García (Marratxí)

Ane Santesteban (Errenteria)

Rocío Del Alba-García (Villa Del Prado)

Diving

Alberto Arévalo (Madrid)

Nicolás García-Boissier (Las Palmas)

Equestrian

Francisco Gaviño (Seville)

José Garcia-Mena (Madrid)

Severo Jurado (Madrid)

Eduardo Álvarez (Madrid)

Beatriz Ferrer-Salat (Barcelona)

Fencing

Carlos Llavador (Madrid)

Field Hockey

Alejandro Alonso (Valencia)

Marc Recasens (Madrid)

Llorenç Piera (Madrid)

José Basterra (Valencia)

Albert Béltran (Madrid)

Francisco Cortés (Terrassa)

Josep Romeu (Barcelona)

Ricardo Sánchez (Madrid)

Marc Sallés (Terrassa)

Miquel Delàs (Barcelona)

Enrique González (Madrid)

Álvaro Iglesias (Madrid)

David Alegre (Barcelona)

Roc Oliva (Barcelona)

Xavi Lleonart (Terrassa)

Viçens Ruiz (Terrassa)

Pau Quemada (Logroño)

Marc Boltó (Terrassa)

Laura Barrios (Madrid)

Candela Mejías (Madrid)

María Ruiz (Madrid)

Clara Ycart (Matadepera)

Carlota Petchamé (Barcelona)

María López-García (Madrid)

Berta Bonastre (Sabadell)

Belén Iglesias (Madrid)

Lola Riera (Valencia)

Julia Pons (Terrassa)

Begoña García (Zaragoza)

Beatriz Pérez (Madrid)

Georgina Oliva (Terrassa)

Alejandra Torres-Quevedo (Madrid)

Alicia Magaz (Madrid)

Lucía Jiménez (Madrid)

Soccer

Unai Simón (Vitoria)

Óscar Mingueza (Santa Perpètua De Mogoda)

Marc Cucerella (Alella)

Pau Torres (Villarreal)

Jesús Vallejo (Zaragoza)

Martín Zubimendi (San Sebastián)

Marco Asensio (Palma)

Mikel Merino (Pamplona)

Rafa Mir (Murcia)

Dan Ceballos (Utrera)

Mikel Oyarzabal (Eibar)

Eric García (Martorell)

Álvaro Fernández (Arnedo)

Carlos Soler (Valencia)

Jon Moncayola (Garínoain)

Pedro González (Tegueste)

Javi Puado (Barcelona)

Óscar Gil (Elche)

Dan Olmo (Terrassa)

Juan Miranda (Olivares)

Bryan Gil (Barcelona)

Iván Villar (Aldán)

Golf

Adri Arnaus (Barcelona)

Jon Rahm (Scottsdale, Arizona)

Carlota Ciganda (Pamplona)

Azahara Muñoz (Ciudad Málaga)

Gymnastics

Thierno Diallo (Madrid)

Nicolau Mir (Palma)

Joel Plata (Barcelona)

Néstor Abad (Madrid)

Miguel Zapata (Las Palmas)

Laura Bechdejú (Girona)

Marina González (Malgrat De Mar)

Alba Petisco (Villarina De Los Aires)

Roxi Popa (Madrid)

Handball

Gonzalo Pérez-De Vargas (Toledo)

Eduardo Gurbindo (Pamplona)

Jorge Maqueda (Toledo)

Ángel Fernández (El Astillero)

Valero Rivera (Barcelona)

Raúl Entrerríos (Gijón)

Alex Dujshebaev (Santander)

Daniel Sarmiento (Las Palmas)

Rodrigo Corrales (Cangas)

Julen Aguinagalde (Irun)

Ferran Solé (Sant Quirze)

Adrià Figueras (Barcelona)

Viran Morros (Barcelona)

Antonio García (La Llagosta)

Aleix Gómez (Sabadell)

Gedeón Guardiola (Petrer)

Marta López (Ciudad Málaga)

Carmen Martín (Almería)

Carmen Campos (Madrid)

Silvia Arderíus (Madrid)

Silvia Navarro (Valencia)

Mercedes Castellanos (Ciudad Real)

Jennifer Gutiérrez (Elche)

Nerea Pena (Pamplona)

Lara González (Sant Pola)

Soledad López (Ciudad Málaga)

Kaba Gassama (Granollers)

Alicia Fernández (Ferrol)

Almundena Rodríguez (Las Palmas)

Ainhoa Hernández (Barakaldo)

Lysa Tchaptchet (Yaoundé, Cameroon)

Mireya González (León)

Judo

Francisco Garrigós (Móstoles)

Alberto Gaitero (Tarragona)

Nikoloz Sherazadishvili (Madrid)

Cristina Cabaña (Ciudad Málaga)

Julia Figueroa (Ciudad Córdoba)

Ana Perez (Groesbeek, The Netherlands)

María Bernabéu (Alicante)

Karate

Damián Quintero (Torremolinos)

Sandra Sánchez (Talavera De La Reina)

Pentathlon

Aleix Heredia (Madrid)

Rowing

Jaime Canalejo (Seville)

Javier García (Seville)

Manel Balastegui (Banyoles)

Caetano Horta (Madrid)

Virginia Díaz (El Astillero)

Aina Cid (Amposta)

Sailing

Ángel Granda-Roque (Las Palmas)

Joel Rodríguez (Ipa)

Juan Cardona (Madrid)

Nicolás Rodríguez (Vigo)

Florián Trittel (Sant Andreu De Llaveneres)

Jordi Xammar (Barcelona)

Diego Botín (Santander)

Iago López (Santander)

Cristina Pujol (Porto d’Aro)

Paula Barceló (Palma)

Blanca Manchón (Seville)

Patricia Cantero (Vilamoura)

Silvia Mas (Vilamoura)

Támara Echegoyen (Ourense)

Tara Pacheco (Arucas)

Shooting

Alberto Fernández (Madrid)

Fátima Gálvez (Baena)

Skateboarding

Danny León (Madrid)

Jaime Mateu (Mallorca)

Julia Benedetti (La Coruña)

Andrea Benítez (Madrid)

Climbing

Alberto Ginés (Cáceres)

Table Tennis

Álvaro Robles (Huelva)

Galyna Dvorak (Barcelona)

María Xiao (Madeira, Portugal)

Taekwondo

Adrián Vicente (Madrid)

Javier Pérez (San Fernando De Henares)

Raúl Martínez (Elche)

Adriana Cerezo (Madrid)

Tennis

Pablo Andújar (Valencia)

Roberto Carballés (Ciudad Granada)

Pablo Carreño (Barcelona)

Alejandro Davidovich-Fokina (Fuengirola)

Paula Badosa (Begur)

Garbiñe Muguruza (Geneva, Switzerland)

Sara Sorribes (La Vall d’Uixó)

Carla Suárez (Barcelona)

Triathlon

Francisco Gómez (A Coruña)

Mario Mola (Palma)

Anna Godoy (Madrid)

Miriam Casillas (Badajoz)

Volleyball

Adrián Gavira (La Línea De La Concepción)

Pablo Herrera (Castelló De La Plana)

Elsa Baquerizo (Madrid)

Lili Fernández (Benidorm)

Water Polo

Álvaro Granados (Barcelona)

Miguel Del Toro (Seville)

Bernat Sanahuja (Terrassa)

Marc Larumbe (Barcelona)

Martin Faměra (Barcelona)

Alejandro Bustos (Madrid)

Unai Aguirre (Barcelona)

Daniel López (Barcelona)

Alberto Munárriz (Pamplona)

Francisco Fernández (Madrid)

Roger Tahull (Barcelona)

Felipe Perrone (Rio De Janeiro, Brazil)

Blai Mallarach (Olot)

Laura Ester (Barcelona)

Marta Bach (Mataró)

Anni Espar (Barcelona)

Beatriz Ortiz (Terrassa)

Roser Tarragó (Barcelona)

Elena Ruiz (Rubí)

Clara Espar (Barcelona)

María Peña (Madrid)

Judith Forca (Sabadell)

Irene González (Barcelona)

María García (Barcelona)

Paula Leitón (Terrassa)

María Sánchez (Terrassa)

Weightlifting

Marcos Ruiz (A Coruña)

David Sánchez (El Ejido)

Andrés Mata (Valencia, Venezuela)

Lidia Valentín (Ponferrada)

[art-now-argentina]

Otras Formas, Guillermo Jones

A work of project codes. The work is accompanied by a 90 mm lens diameter (Imagen digital. + lupa Ø 90 mm.) series of 5. In 60 it occurs in Argentina discussed between form and content of the works of art related to ideological factors. In the background of this work I use scans of the leaves of the minutes of 1979 declassified, published by the Ministry of Defence in 2013. Where you can see people classified as "formula 4", that rate implies "Register Marxist ideological background that make it advisable entry and / or stay in the public administration. it did not provide collaboration. be sponsored by the state. Etc. " Among the names that are in this work include: Aciar Mario Edgardo, Profesor Artes Plástica Acosta Armín Norberto, Locutor Agosti Héctor Pablo, Profesor-periodista Agüero Ydelfonso, Pintor Aguirre Margarita Sofía de Aráoz Alfaro, Escritora Aguirre Serafín José, Periodista Aisemberg Hugo Saúl, Concertista de piano Alberti Blas Manuel, Escritor-sociólogo Alcón Alfredo, Actor Aldonate Julio Alberto, Periodista Aleandro Norma, Actriz Aleandro Pedro, Actor Alezzo Agustín, Director Teatral Alfaro Emilio (Real: Vallarino Gaspar Emilio), Actor Alonso Carlos, Artista Plástico Alsina Bea Ernesto, Periodista Alterio Héctor, Actor Alvarez Diana Elena, Abogada Alvarez Joaquín, Periodista Alvarez Leandro Néstor, Profesor-Escritor-Periodista Alvarez Rubén Alberto, Profesor Bellas Artes Antiguez Arístides Alexis, Artista-Titiritero Aráoz Anzoátegui Raúl Manuel, Periodista-Poeta Ares, Julio, Periodista-Locutor Arnedo Alvarez Gerónimo, Escritor-Periodista Arrigorriaga Rodolfo Benjamín, Periodista-Escritor Asquini Pedro, Actor Astesano Eduardo Bartolo, Abogado-Escritor Ayala Gauna Velmiro Bienvenido, Profesor-Escritor-Argumentista de Cine, TV y Radio Averbach Reinaldo, Locutor-Publicista-Periodista radial Bader Oscar Ricardo, Periodista Bagú Sergio José, Periodista-Profesor Universitario Bajour Szymsia, Músico Barragán Isidro Julio, Pintor-Plástico Bayer Osvaldo Jorge, Gremialista-Periodista Benavente Saulo, Escenógrafo Berenguer Elsa, Actriz Bermúdez José, Docente-Dibujante-Artista Plástico Bernetti Jorge Luis, Periodista Berni Delisio Antonio, Pintor Bianchi Marta, Actriz Bidón Chanal Daniel Rodolfo, Artista Bidón Chanal Jorge Julio, Artista Biscione Carlos, Escultor Boero Alejandra (Real: Digiano Viera Boero Ofelia), Actriz Bonardo Augusto Domingo, Periodista-Comentarista-Locutor-Productor de TV. (Autorizado a actuar. Antes de nuevas contrataciones consultar SIP) Brandoni Luis, Actor Brindisi Rodolfo, Actor Brisky Norman, Actor Bruno Víctor, Actor Bruzzone Alberto Tito, Artista Plástico Butinof Roberto Leo, Artista de Variedades-Titiritero Cali Didio Rosario Américo, Abogado-Escritor Calvo Carlos Mauricio Andrés, Periodista Canto Alba Estela, Escritora Carella Carlos, Actor Carlen María Adela, Locutora Carlino Alfredo Vicente, Poeta-Periodista Casal Helio Marcial, Artista Plástico Castillo Abelardo Luis, Periodista Cavano Miguel Angel, Redactor-Periodista Cazes Camareco Pedro Luis, Periodista Cedrón Juan Carlos, Músico-Compositor Cidade Ramón Gumersindo, Artista Córdoba Iturburu Cayetano Policinio, Periodista-Escritor-Crítico de Arte Cortázar Julio, Escritor Cossa Roberto Mario, Escritor Teatral Crilla Hedy, Directora Teatral Cristaldo Adolfo, Redactor Cúneo Enrique Dardo, Periodista Cuzzani Agustín Antonio, Escritor-Abogado Dávalos Jaime, Guitarrista-Compositor-Poeta-Folklorista-Músico D’Atri Raúl Celso, Periodista Delgado Graciela Susana, Corresponsal Dell’Acqua Amadeo, Pintor Plástico (peruano) Di Mauro Eduardo Francisco, Artista-Educador-Titiritero Di Mauro Héctor Antonio, Titiritero Domínguez de Castro Ricardo, Periodista Dragún Osvaldo, Escritor-Dramaturgo Edelman Luis Carlos, Escritor Teatral Eichelbaum Edmundo, Periodista-Escritor Escope Enrique, Profesor de Actuación Escardó Florencio, Médico Pediatra-Profesor-Escritor Escudero María, Actriz Estévez Mildred Clara de Fernández, Cantante-Profesora de Coro Fabiján Carlos Emilio, Escultor Favio Leonardo (Real: Jury Fuad Jorge), Director de Teatro-Director de Cine-Actor-Cantante-Autor Fernández de Rosa Alberto Francisco, Actor Fernández Marcos Ovidio, Músico-Gráfico Ferrari Juan Carlos, Periodista-Autor teatral Ferraro Ariel (Real: Pereyra Escudero José Humberto), Escritor Ferrigno Oscar, Actor Fígoli Sergio Hugo, Estudiante-Actor Figueroa Francisco, Integrante de Los Trovadores Filipelli Eugenio, Actor teatral Flores Julio Argentino, Profesor de Arte Escénico Fontana Rubén, Publicista Francia Juan Manuel, Periodista Fuertes Nicanor, Periodista Fux María Ana, Profesora de Danzas Gaete Nicolás Eufracio, Titiritero Gam Martha, Actriz Gambaro Griselda, Escritora de teatro Gambini Hugo Alfredo, Escritor-periodista Gandolfo Carlos, Director de teatro García Delia Amadora de Zavalía, Actriz García Lupo Rogelio Juan Miguel, Periodista Garo Carlos (Real: Derhairabedian Carlos), Locutor-Abogado Gené Juan Carlos, Actor-Director Teatral Germany Gino, Profesor de Psicología-Periodista Getino Justo Octavio, Publicista de Cine Ghioldi Orestes Tomás, Periodista Giacosa Luis Victorio, Periodista Giberti Eva Evelina de Escardó, Psicóloga-Escritora Gilbert Isidoro, Periodista Giudice Ernesto, Periodista Goldman Luis Jaime, Escritor Gómez Alfón Antonio, Músico Gómez Eduardo Hernán, Músico Gómez Rufino, Periodista Gorostiza Carlos, Escenógrafo González Cañas Hernán Enrique, Pintor González Ernesto, Periodista González Raúl, Periodista-Escritor Gowza Juan Guillermo, Periodista Granouers Carlos César, Locutor Grassi Italo, Pintor Artístico Greco Edgardo Horacio, Periodista Guarany Horacio (Real: Rodríguez Eraclio Catalín), Cantante Folklórico Guastavino Carlos Vicente, Compositor-Pianista Gueñol Zelmar (Real: Guegnolle Zelmar José Daniel), Actor Guerghdig Bera de Pichel, Periodista Guerrieri Espartaco, Locutor-Comentarista radial Guerrieri Salvador, Actividad gremial y televisiva Guerrieri Ulises, Locutor Guevara Nacha (Real: Acosta Clotilde), Actriz-Cantante Guillén Sawz Abraham, Escritor-Periodista Gutiérrez José María, Actor Guzmán Miguel Angel, Artista Plástico Halac Ricardo, Escritor Teatral Harris Alberto Angel, Periodista Herrera Orfilio Mario Blas, Periodista Higa Juan Carlos, Periodista-Traductor Hoffman Israel, Escultor Hughes Galeano Eduardo Germán María, Periodista-Director de la Revista “CRISIS” Ibáñez Fanto Genaro, Corresponsal Inchausti Guillermo Faustino, Músico Irigoyen José Miguel, Periodista Iscaro Rubens Libertario, Periodista Isella César, Cantante-Compositor Itzcovich Marta, Comentarista Radial Jacovkis Fanny de Edelman, Profesora de Música Jitrik Noé, Actor Juane Osvaldo Amelio, Pintor Artístico Juárez Fernando Evaristo, Locutor Radial Jurcich Milenko Juan, Periodista Katz Zulema, Actriz Khun Rodolfo, Escritor Teatral-Director Cinematográfico Kogan Jaime, Actor-Director Teatral Kohon David José, Cinematografista Kordon Bernardo, Periodista Kraiselburd Daniel Norman, Periodista Labuckas Pedro Raúl, Locutor Lago Virginia, Actriz Lamaison Lidia, Actriz Laplace Víctor, Actor Laragione Raúl, Escritor Lasalle Ana María de Mayol,Escritora-Periodista Ledesma Inda (Real: Rodríguez Inda de Salazar), Actriz León María Teresa de Alberti, Escritora Levy Claude Leopold, Periodista Liberman Zelonka Jacobo, Periodista Lima Quintana Hamlet, Escritor-Poeta Lincovsky Cipe, Actriz Lipzer Luis, Agente de Publicidad Gráfico Lizarraga Andrés, Actor Lovero Onofre, Actor Lozza Elbio Raúl, Crítico de Arte-Pintor-Escritor Luciani Mario, Contador-Actor Luppi Federico, Actor Macaio Rómulo Félix, Artista Plástico Maddomri Derlis Oscar, Pintor Plástico Manauta Juan José, Profesor de Letras Marangoni Pedro Raúl, Escritor-Poeta Márbiz Julio (Real: Mahárbiz Julio Ernesto), Productor-Animador-Locutor Marcial Alejandro (Real: Navone Jorge Renée), Actor Marino Pedro, Periodista Martín Olga Nélida de Hammar, Periodista Martínez Gabriel, Locutor Martínez Miguel Angel, Pintor Artístico Martínez Tomás Eloy, Periodista-Crítico de Cine Mathe Alfredo Víctor Rafael, Periodista Mattar Beatriz, Actriz Marzio Duilio (Real: Peraucio Duilio Bruno), Actor Mayor Edgardo José, Locutor Mazzeo Francisco, Músico Mazzitelli Francisco, Músico Mazzitelli Pascual, Músico Mechetti Martínez Selear, Escultor-Dibujante-Periodista Medina Alfredo Omar, Publicista Merchensky Marcos, Periodista Midón Hugo Rodolfo, Actor Mindlin Adolfo, Escritor-Músico Mirón Vicente, Escultor Mombru María Clemencia de Escope, Poetisa-Escritora-Profesora de Arte Escénico Montemayor Rafael, Pintor Artístico Montenegro Adelmo Ramón, Periodista Montenegro José Oscar, Periodista Montero Rodolfo, Periodista Monti Ricardo José, Autor Teatral Monteverde Mario Roberto, Periodista Moreno Julio César, Cronista Radial Moyano Daniel, Periodista-Escritor Mujica Bárbara (Real: Moinelo Bárbara de Rovito), Actriz Murúa Lautaro, Actor Navarro Lider Samuel, Publicista Nervi Juan Ricardo, Poeta-Escritor-Pintor Noriega Bernardo Francisco, Músico Onzari Juan José, Músico Orgambide Pedro, Escritor Teatral Ortiz Evar Nildo, Músico Otero Jorge Evaristo, Músico Oyerzábal Nilfredo Anselmo José, Locutor Radial Padilla Haydée, Actriz Paoletti Alipio Eduardo, Periodista Paoletti Mario Argentino, Periodista Pasik Inés Beatriz, Pintora Passano Ricardo (padre), Director Teatral Pavón Villarreal Nicanor, Artista Plástico Peco José María, Periodista Peluffo, Laura Julia de Roveda, Folklorista Pelypenko Alejo, Escritor-Sacerdote Ortodoxo Ucraniano Penon Arturo José, Músico Petroni Adema, Pintora Piccione Carlos Hugo, Músico Pipino Alberto Omar, Escritor-Periodista-Dibujante Plouchouk León Daniel, Locutor Politti Luis, Actor Pondal Ríos Sixto, Escritor-Periodista-Director de Cine-Argumentista Cine Portantiero Juan Carlos, Periodista-Profesor de Filosofía y Letras de la UNBA Pugliese Osvaldo Pedro, Músico-Director de Orquesta Puiggrós Rodolfo José, Periodista-Político-Historiador Raccagni Mirta Cecilia, Pintora Ramos Jorge Abelardo, Periodista-Escritor-Historiador Rasello Omar Rubén, Director Teatral Reyna Jorge Emilio, Dibujante Publicista Rivera López Jorge (Real: Retorta Jorge José), Actor Rivero Ernesto Hugo, Corresponsal Robles Nilda Elena, Locutora Rocha José Ricardo, Periodista Rodríguez Horacio Daniel, Periodista Rodríguez Miguel Emilio, Periodista-Corresponsal Romagnoli Jorge Armando, Locutor Romero Roberto, Periodista Romeu Alberto Félix, Cantante de Coro Rosen Rosa (Real: Roseen Gregoria de Ferrari), Actriz Ross Marilina (Real: Parrondo María Celina), Actriz Rotger Gustavo Adolfo, Locutor Saavedra Juan, Bailarín Folklórico Sáenz Dalmiro, Escritor Said Samuel, Periodista Saltauskas Estanislao, Periodista Samet Jacobo, Escritor-Editor Sánchez Enrique Eduardo, Locutor Sanguinetti Ricardo, Periodista-Fotógrafo San Martín Rafael, Periodista Santángelo Simón Héctor Ambrosio, Artista-Periodista Santos Angélica Ignacia de Nanio, Profesora de Música Scalco Juan, Artista Plástico (brasilero) They also appear in the list: Schmidtt Giomar de Klachlo, Directora del Periódico “COMBATE” (P.R.T.) Schojed Raquel Luisa, Pianista Selser Gregorio, Periodista Simón Marcelo, Libretista Simonetti Enrique Marcelo (hijo), Productor Cine y TV Simpson Tomás Moro, Pintor Sinay Rubén, Periodista Sluguer Sara, Periodista Soba Susana Esther de Barroso, Escritora-Poetisa Solanas Fernando, Cineasta Soruco Barba Luis, Periodista Sosa Mercedes, Cantante Stampone Antonio Atilio Julio, Músico-Compositor Stivel David (Real: Stivelberg David), Director Teatral Suárez Edgardo, Actor-Locutor Szpunberg Alberto, Periodista Tealdi Héctor, Actor Tejada Gómez Armando, Escritor-Poeta Tesolín Nélida, Actriz de TV y Teatro Timerman Jacobo, Periodista Tirri Enrique Néstor, Escritor (ensayista) Tischkovsky Pablo (Alias: Pablo Palan o Marcelo Herrán), Periodista-Escritor Todoro Antonio, Músico Tomaselli Víctor Manuel, Periodista-Locutor Torre Eddi Julio, Profesor de Pintura y Grabado Triani Osidire, Periodista Trunpes Vladimiro Francisco, Músico Urondo Francisco, Escritor-Periodista Valencia Rómulo Oscar, Músico Valinceti Vicente Hugo, Artista Plástico Vallejos Carlos Martín, Músico Vaner María (Real: Aleandro Robledo María Josefa Angela), Actriz Varela Alfredo Martín Pedro, Escritor-Periodista Vázquez Aníbal Abelardo, Escritor-Periodista Vergara Federico Eduardo, Periodista Viguerchio Carlos Alberto, Periodista Villalba Welsh Alfredo, Periodista Villegas Juan Carlos Emilio, Periodista Viñas David, Escritor Teatral-Periodista Voldkin Isidro, Locutor-Periodista Voltaire José Cosentino, Periodista Wolcoff Brillante Aarón, Periodista Yanover Héctor, Escritor Yupanqui Atahualpa (Real: Chavero Héctor Roberto), Músico-Compositor- Cantante Folklórico Yussem Samuel, Periodista Zaldarriaga Roberto Alejandro, Periodista

https://www.saatchiart.com/art/New-Media-Otras-Formas/64423/2854804/view

[seriousentertainment]

Money Heist season 2 review

Title:- Money Heist [(La Casa De Papel)in spanish]

Genre:- Action, Crime, drama

Release date:- 16 October, 2017

Creator:- Álex Pina

Directors:-Jesús Colmenar,Alex Rodrigo,Koldo Serra,Alejandro Bazzona,Javier Quintas,Miguel Ángel Vivas

Cast:- Úrsula Corberó,Álvaro Morte,Itziar Ituño,Pedro Alonso,Miguel Hirrán,Jamie Lorente,Esther Acibo,Enrique Arce,Darko Peric,Alba Flores,Fernando Soto,Mario de la Rosa,Juan Fernández,Rocco Narva,Paco Tous,Roberto Garcia,María Pedraza,Antonio Cuellar Rodriguez,Anna Gras,Clara Alvarado,Cristina Saavedra,Fran Morcillo,Miquel García Borda,Naia Guz,Xavi Ortuzar

Music:- Iván Martínez Lacámara,Manel Santisteban

Cinematographer:- Migue Amoedo

Editors:- Luis Miguel González Bedmar,David Pelegrín,Regino Hernández,Raúl Mora,Verónica Callón,Raquel Marraco,Patricia Rubio

Set designer:- Abdón Alcañiz, Fernando González

Costume designer:- Rosa Solana

The long story of the heist ends with this season of money heist. The end is more dramatic and emotional then ever thought of. The cinematography and direction are amazing but what is more amazing is the writing of the show. The detailing of the journey of life and pain of each character is shown in a profound way.

The story continues with inspector Raquel with professor reaching to the planning house and Raquel inspecting the place with police officers and forensic team. While professor struggles to get out of there his gang is waiting for his routine call.Tokio and Berlin have opposing ways to proceed. She plays Russian roulette on Berlin to know about the plan in case professor gets caught. Nairobi stops her but after that Berlin throws out tokio from the royal mint. Untill professor reaches back , Rio was also going to be shot by Berlin. The plan to give money to hostages was not working on all and they were trying to escape. Arturo's plan to escape by replacing gun of Denver with fake gun and taking his real gun works but while escaping Monica turns to Denver's side and stops the mission. The professor does everything to stop the police from outside still Raquel finds out the truth and goes after him. Tokio returns to the mint because of professor's Master plan in a very shocking yet stylish way but Moscow gets injured during this. Denver and gang dig the tunnel in more speed in order to save Moscow's life. At end total 3 gang members martyr/die for the plan to succeed.

The season ends with Raquel receiving a coordinate after 1 year of heist and when she reached there professor was waiting.

The whole season is filled with many ups and downs and loss of life but accomplishment at the end. This season will make you sad also for those whom you didn't feel as good. It complete the heist at royal mint of spain.

This season is must watch for those who have watched season 1 and if didn't liked it also.

My rating- 9/10

By- Anurag singh Bhadauria

Watch trailer

Watch here- Netflix

[kwebtv]

Lacasa de Papel (Money Heist) - Antena 3 (2017)  / Netflix (2019) -   May 2, 2017 - Present

Crime Drama (15 episodes to date)

Running Time:  60 minutes

Stars:

Úrsula Corberó as Silene Oliveira (Tokyo)

Itziar Ituño as Raquel Murillo

Álvaro Morte as Sergio Marquina (The Professor / Salvador "Salva" Martín)

Paco Tous as Agustín Ramos dos Hermanas (Moscow)

Pedro Alonso as Andrés de Fonollosa (Berlin)

Alba Flores as Ágata Jiménez (Nairobi)

Miguel Herrán as Aníbal Cortés (Rio)

Jaime Lorente as Daniel Ramos (Denver)

Esther Acebo as Mónica Gaztambide

Enrique Arce as Arturo Román

María Pedraza as Alison Parker

Darko Peric as Yashin Dasáyev (Helsinki)

Kiti Mánver as Mariví Fuentes

Recurring

Roberto Garcia Ruiz as Radko Dragic (Oslo / Dimitri Mostovói)

Anna Gras as Mercedes Colmenar

Fran Morcillo as Pablo Ruiz

Clara Alvarado as Ariadna Cascales

Fernando Soto as Ángel Rubio

Juan Fernández as Coronel Prieto

Mario de la Rosa as Suárez

Miquel García Borda as Alberto Vicuña

Naia Guz as Paula Vicuña Murillo

Antonio Cuéllar Rodríguez as Francisco Torres

[sociedadnoticias]

Opinión | Que no le digan… | Alejandra del Moral y el cuento del PRI bueno

Opinión | Que no le digan… | *Alejandra del Moral y el cuento del PRI bueno* #PeriodismoParaTi #SociedadNoticias #QueNoLeDigan @MarioA_Medina @GoblernoMX @lopezobrador_ @Claudiashein @GobCDMX @rosaicela_ @SSPCMexico @USAmbMex

El pasado fin de semana pude ver la entrevista que Sabina Berman le hizo a la candidata de la alianza “Va por México” en el Estado de México, Alejandra del Moral en el programa “Largo Aliento”. Por Mario A. Medina                                                             El pasado fin de semana pude ver la entrevista que Sabina Berman le hizo a la candidata de la alianza “Va por México” en la…

[dear-indies]

Hello Cat & Mouse! I hope y’all are having a wonderful day! I was hoping if you guys might be able to help me with finding an FC for a Hispanic girl in her twenties. I’ve been looking through all of my resources and I can’t seem to find the right someone. I’m also kinda new so I don’t know if you have a master list or something but I’ve been looking through and I can’t find one. But, if you do that would be amazing. Thanks so SO much!

300+ Argentinian Faceclaims by tasksweekly​

130+ Bolivian Faceclaims  by tasksweekly​

620+ Chilean Faceclaims by tasksweekly​ 

110+ Colombian Faceclaimsby tasksweekly​

150+ Costa Rican Faceclaims by tasksweekly​

100+ Cuban Faceclaimsby tasksweekly​ 

50+ Dominican Faceclaims  by tasksweekly​

300+ Ecuadorian Faceclaims by tasksweekly​

50+ Guatemalan Faceclaims by tasksweekly​

110+ Honduran Faceclaims by tasksweekly​

580+ Mexican Faceclaims by tasksweekly

100+ Nicaraguan Faceclaims by tasksweekly

530+ Paraguayan Faceclaims by tasksweekly

320+ Panamanian Faceclaimsby tasksweekly

290+ Peruvian Faceclaims by tasksweekly

150+ Puerto Rican Faceclaimsby tasksweekly

620+ Salvadoran Faceclaims by tasksweekly 

280+ Uruguayan Faceclaimsby tasksweekly

150+ Venezuelan Faceclaimsby tasksweekly

Also:

Joséphine Jobert (1985) Sephardi Jewish / Martiniquais, Spanish, possibly Chinese.

Adriana Ugarte (1985) Spanish. 

María Valverde (1987) Spanish. 

Shay Mitchell (1987) Irish, Scottish / Filipino, some Spanish 

FKA twigs (1988) African-Jamaican / English, Spanish

Alicia Sanz (1988) Spanish. 

Macarena García(1988) Spanish.

Blanca Suárez (1988) Spanish. 

Irene Escolar (1988) Spanish. 

Marina Salas (1988) Spanish. 

Aura Garrido (1989) Spanish. 

Silvia Alonso (1989) Spanish. 

María del Barrio (1989) Spanish.

Àstrid Bergès-Frisbey (1989) Spanish / English, French. 

Clara Lago (1990) Spanish. 

Nicole Anderson (1990) Filipino, Spanish /  British, Swedish, German.

Shailene Woodley (1991) English / African-American, Louisiana Creole [African, French, Spanish, German], English, Swiss-German. 

Nathalia Ramos (1992) Ashkenazi Jewish, Sephardi Jewish / Spanish. 

Anna Castillo (1993) Spanish. 

Ivana Baquero (1994) Spanish. 

Habiba da Silva (1994) Brazilian [Unspecified North African, Unspecified West African, Unspecified Indigenous Brazilian, Spanish, Portuguese, Italian] / Lebanese, Syrian.

Blanca Padilla (1995) Spanish. 

Nerea Camacho (1996) Spanish. 

Bree Kish (1996) Spanish, Irish, Dutch, African-American

Ikeda Elaiza (1996) Filipino, Japanese, Spanish. 

Cymphonique Miller (1996) African-American / Filipino, Spanish.

Ana Mena (1977) Spanish. 

Hey anon, Hispanic (click!) means “relating to Spain or to Spanish-speaking countries” so it can also encompass white people - if you click the link it will explain the the terms Latine and Hispanic. Since this is pretty broad, I provided faceclaim masterlists and for the Spanish section I only suggested Spanish people / people of Spanish descent! -C

[lasleonas]

Imparables: las Leonas derrotaron a Nueva Zelanda y lograron el sexto triunfo al hilo en la Pro League

En su última presentación en Rosario por la FIH Pro League, Las Leonas vencieron por 3 a 1 a Nueva Zelanda con goles de Agostina Alonso, Julieta Jankunas y Eugenia Trinchinetti. Fue el sexto triunfo al hilo para las dirigidas por Carlos Retegui, que marchan primeras en la tabla general -junto con Holanda- y el 4 de mayo se presentarán en el CeNARD ante Australia.

Argentina arrancó el primer cuarto con mucha iniciativa y volcado en ataque. La primera situación clara para las dirigidas por Carlos Retegui fue a los ocho minutos cuando por poco María José Granatto no pudo conectar un centro de Eugenia Trinchinetti. Dos minutos después fue la propia Trinchinetti quien probó suerte, pero la defensa de Nueva Zelanda respondió favorablemente.

En el segundo parcial el encuentro se tornó más parejo y aunque el conjunto visitante se puso primero en ventaja a los 26 minutos al efectivizar su segunda fija después de que su capitana Stacey Michelsen aprovechara un rebote, tres minutos después llegó la paridad. Las Leonas no pudieron aprovechar una seguidilla de tres córners cortos, pero a los 29 apareció Agostina Alonso con un revés rasante para el 1 a 1 parcial.

El complemento volvió a inclinarse a favor del conjunto albieleste. Y pese a que las neozelandesas dispusieron de un corto a los 41 minutos, Belén Succi respondió notablemente ante el disparo de Olivia Merry. Sobre el final del tercer cuarto, Frances Davies ahogó el grito de Granatto sacando la bocha sobre la línea.

En el último período, Argentina salió decidido a llevarse el partido y a los 48 minutos Julieta Jankunas sentenció a Grane O'Hanlon, mientras que a los 52 minutos, Trinchinetti, de destacada actuación, estampó el 3 a 1 decisivo tras concretar una jugada individual.

Argentina formó con: Belén Succi; Victoria Zuloaga, Silvina D'Elía, Valentina Costa Biondi, Sofía Toccalino; Rosario Luchetti, Lucina Von der Heyde, Agostina Alonso, Victoria Sauze; Carla Rebecchi y Julieta Jankunas. Luego ingresaron: Micaela Retegui, Victoria Miranda, María José Granatto, Priscila Jardel, Agustina Habif y Eugenia Trinchinetti.

[mskaye0]

José Rizal, in full José Protasio Rizal Mercado y Alonso Realonda, (born June 19, 1861, Calamba, Philippines—died December 30, 1896, Manila), patriot, physician, and man of letters who was an inspiration to the Philippine nationalist movement.

The son of a prosperous landowner, Rizal was educated in Manila and at the University of Madrid. A brilliant medical student, he soon committed himself to the reform of Spanish rule in his home country, though he never advocated Philippine independence. Most of his writing was done in Europe, where he resided between 1882 and 1892

In 1887 Rizal published his first novel, Noli me tangere (The Social Cancer), a passionate exposure of the evils of Spanish rule in the Philippines. A sequel, El filibusterismo (1891; The Reign of Greed), established his reputation as the leading spokesman of the Philippine reform movement. He published an annotated edition (1890; reprinted 1958) of Antonio Morga’s Sucesos de las Islas Filipinas, hoping to show that the native people of the Philippines had a long history before the coming of the Spaniards. He became the leader of the Propaganda Movement, contributing numerous articles to its newspaper, La Solidaridad, published in Barcelona. Rizal’s political program included integration of the Philippines as a province of Spain, representation in the Cortes (the Spanish parliament), the replacement of Spanish friars by Filipino priests, freedom of assembly and expression, and equality of Filipinos and Spaniards before the law.

monument to José Rizal

monument to José Rizal

Discover the life of José Rizal, the face of the Philippine independence movement

Discover the life of José Rizal, the face of the Philippine independence movementSee all videos for this article

Rizal returned to the Philippines in 1892. He founded a nonviolent-reform society, the Liga Filipina, in Manila, and was deported to Dapitan in northwest Mindanao. He remained in exile for the next four years. In 1896 the Katipunan, a Filipino nationalist secret society, revolted against Spain. Although he had no connections with that organization and he had had no part in the insurrection, Rizal was arrested and tried for sedition by the military. Found guilty, he was publicly executed by a firing squad in Manila. His martyrdom convinced Filipinos that there was no alternative to independence from Spain. On the eve of his execution, while confined in Fort Santiago, Rizal wrote “Último adiós” (“Last Farewell”), a masterpiece of 19th-century Spanish verse.

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This article was most recently revised and updated by Michael Ray.

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The Social Cancer

work by Rizal

Alternate titles: “Noli me tangere”

By Patricia Bauer • Edit History

The Social Cancer, original title Noli me tangere, novel by Filipino political activist and author José Rizal, published in 1887. The book, written in Spanish, is a sweeping and passionate unmasking of the brutality and corruption of Spanish rule in the Philippines (1565–1898).

The story begins at a party to welcome Crisóstomo Ibarra back to the Philippines after seven years of studying in Europe. His father, Don Rafael, passed away shortly before his return, and Crisóstomo soon learns that he died in prison after accidentally killing a tax collector and being falsely accused of other crimes by Father Dámaso, the longtime curate of the church in Crisóstomo’s hometown of San Diego. Crisóstomo returns to San Diego, and his fiancée, María Clara, joins him there. After the schoolmaster tells him that Father Dámaso and the new curate, Father Salví, interfere with his teaching, Crisóstomo decides to build a new modern school in San Diego.

Textbook chalkboard and apple. Fruit of knowledge. Hompepage blog 2009, History and Society, school education students

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On a picnic with María Clara, Crisóstomo goes on a fishing boat and helps the pilot, Elías, kill a crocodile. Elías later warns Crisóstomo that there is a plot to murder him at the ceremony for the laying of the school’s cornerstone, and indeed, as Crisóstomo is placing mortar for the cornerstone, the derrick holding the stone collapses. Although Crisóstomo escapes injury, the derrick operator is killed. At a dinner later, Father Dámaso insults the new school, Filipinos in general, Crisóstomo, and Don Rafael. An enraged Crisóstomo attacks him, but María Clara stops him from killing the priest. Later her father breaks off her engagement to Crisóstomo and arranges for her betrothal to a young Spanish man, Linares.

Father Salví plots with Lucas, the brother of the deceased derrick operator, to organize a strike on the barracks of the Civil Guard and to convince the attackers that Crisóstomo is their ringleader. Father Salví then warns the head of the Civil Guard of the impending assault. When the attack fails, the rebels say that Crisóstomo was their leader, and he is arrested. Elías helps Crisóstomo escape from prison, and they flee by boat on the Pasig River with members of the Civil Guard in pursuit. Elías dives into the river to distract the pursuers and is mortally wounded. It is reported that Crisóstomo was killed, and a distraught María Clara insists on entering a convent.

In the novel’s dedication, Rizal explains that there was once a type of cancer so terrible that the sufferer could not bear to be touched, and the disease He founded a nonviolent-reform society, the Liga Filipina, in Manila, and was deported to Dapitan in northwest Mindanao. He remained in exile for the next four years. In 1896 the Katipunan, a Filipino nationalist secret society, revolted against Spain. Although he had no connections with that organization and he had had no part in the insurrection, Rizal was arrested and tried for sedition by the military. Found guilty, he was publicly executed by a firing squad in Manila. His martyrdom convinced Filipinos that there was no alternative to independence from Spain. On the eve of his execution, while confined in Fort Santiago, Rizal wrote “Último adiós” (“Last Farewell”), a masterpiece of 19th-century Spanish verse

[unpensadoranonimo]

¡Viva el munícipe por antonomasia!

“¡Alcalde, todos somos contingentes, pero tú eres necesario!”, le gritaban sus vecinos a Rafael Alonso interpretando el papel de alcalde en la mítica película Amanece, que no es poco. Pues bien, todo indica que en esa extraña sopa de letras que es el espacio neoconver hay más contingentes que necesarios, porque no hay manera de que presenten una candidatura a la capital catalana. El chico de Waterloo no acaba de parir y están todos comiéndose las uñas, dado que las elecciones son esta primavera. Como el fugadísimo está ocupado en su laboratorio de Quimi CEFA para separatas, trabajando en su último invento de física recreativa, eso de la Crida, anda despistado respecto a todo lo demás.

Lo de sopa de letras no es una simple figura literaria. Vean ustedes: en lo de elegir candidato, candidata o candidito está clarinete que Puigdemont tiene mucho que decir, pero, además, ahí tiene voz y voto el PDECAT, la Crida Nacional ésa, Junts per Catalunya, la ANC, Demócratas per Catalunya y, aunque sea irrisoria su opinión, el grupo municipal convergente.

No será porque no haya gente que se ha estado postulando para afrontar el reto de batirse con Manuel Valls o Ada Colau, que lo de Ernest Maragall es pura capea, lo del PP será anecdótico y el resto simple utilería teatral. Ahí se ha movido la exconsellera Neus Munté, Jordi Graupera, que va de independiente independentista independizado, pero con la ANC detrás suyo, el actualmente encarcelado exconseller de interior Joaquim Forn y el sempiterno aspirante a lo que sea Ferrán Mascarell. Queda la figura omnipotente y omnipresente de Pilar Rahola, que sonó muchísimo en su día –ella misma reconoció públicamente que algo le habían dicho en el sentido de que se presentara como candidata de la derechona separatista– pero que, al menos hasta ahora, ha declinado de manera enérgica el encargo. También les diré que aducir como argumento supremo que la señora mamá de Rahola se lo haya más que prohibido no parece una razón de mucho peso, pero miren, igual que ha existido la figura clásica de madre de la folclórica, bien pudiera ser que en esta tierra tan innovadora inventásemos la de madre de musa del separatismo.

Sea como sea, lo único perceptible entre los herederos de la razón social Pujol y Asociados es un exceso de contingentes, quizás demasiados para lo que van a sacar según todas las encuestas. Que, si en el Parlamento la cosa amarilla está entre Esquerra y el PDECAT o como diablos vayan a llamarse en el futuro, en las municipales barcelonesas su rol puede ser más bien parecido al de aquellas decimonónicas damas de compañía, a la que se daba esquinazo a la primera.

Y es que los convergentes antes y sus discípulos ahora no han tenido nunca ni puñetera idea de lo que es gobernar una capital como la Ciudad Condal. De hecho, Pujol enviaba al ayuntamiento de Barcelona a quienes les estorbaban, como un destierro dorado, o, en el mejor de los casos, a algunos a los que creía que debía darles un premio de consolación. Sabía que Maragall era imbatible. Por allí pasaron Ramón Trías Fargas, Miquel Roca, Josep María Cullell, Joaquim Molins, el mismo Artur Mas, Xavier Trías, en fin, la de Dios. Lo he dicho en más de una ocasión: la derecha nacional separatista solo sabe gobernar municipios donde, por su extensión y poca complejidad, se pueda seguir el modelo caciquil-carlistón de toda la vida, cayéndole lejos, lejísimos, las sutilezas y complicaciones de las grandes urbes. Los sacas de la barretina calada, los castellers, los juegos florales o la Diada y van más perdidos que Mariano Rajoy haciendo la prueba de esfuerzo.

De todos los citados, solo Trías consiguió arrebatarle el sillón de alcalde a los sociatas, que llevaban mandando desde que Narcís Serra llegó al cargo en las primeras municipales de la democracia. Sin desmerecer a Trías, que a mi juicio fue un buen alcalde dejando independentismos aparte – jamás la ideología debe cegarnos ante los hechos, jamás -, lo cierto es que ganar a aquel candidato pesecero, el ínclito Jordi Hereusudoroso, autocrático, despeinado y con menos programa que el manual de instrucciones de un supositorio, tampoco era empresa imposible. Así que, entre que no existe una tradición municipal sólida por parte de los nacionalistas y que no hay un candidato claro, ni una política clara ni, ya puestos, un futuro judicial claro, están sin saber a qué carta quedarse.

Algunos dirigentes viejos, de esos que saben de qué va el paño, nos comentan que da igual a quien presenten porque esta campaña será un partido de ping-pong entre Colau y Valls. “El resto no tiene el menor interés”, nos decían con gesto de resignación franciscana porque saben lo bien que les iría poder mandar en los dos lados de la plaza de Sant Jaume. Yo se lo hago ver y uno de los presentes, hombre socarrón y de esos que no da puntada sin hilo, me replica rápidamente “¿Y a ti quien te dice que vamos a seguir mucho tiempo en el otro?”, en alusión al rumor cada vez más intenso de una previsible convocatoria de elecciones catalanas que coincidiera con la celebración de los juicios a los políticos separatistas. “Perdrem bous i esquelles, al pas que anem!”suspira otro de los presentes, frase que viene a decir que van a perder hasta la camisa, tal como están las cosas. Por lo pronto, están perdiendo tiempo, porque estamos a menos de medio año de los comicios y aquí no se mueve nada. Bueno, tampoco es que Valls se mueva como para producir un tremendo vértigo en el espectador de la política, pero esa ya es, como dijo en su día Kypling, otra historia.

Fuente: Miquel Giménez

[latristereina]

Isabella of Castile, the Catholic, was born on April 22nd in 1451, on Maundy Thursday, at the so-called royal palace of the village of Madrigal, called de las Altas Torres. At the moment the most important source about the birth is the letter sent by John II to the city of Segovia, on April 26th, 1451, informing them of such happy event: 

’I let you know that, by the grace of our Lord, past Thursday the Queen doña Isabel, my very dear and very beloved wife, gave birth to an infanta, which I let you know so you would give many thanks to God for the liberation of the said Queen, my wife, and for the birth of the said infanta, because of which I ordered Johan de Busto to go to you, who carries the present.’ 

That <<past Thursday>> coincided with Maundy Thursday hence could not be more important in religious Christian life, and she took responsibility to celebrate it during her whole life with her family and with her court. The chronicler Doctor Toledo will specify that she was born in Madrigal, on Thursday, on April 22nd, at 4:30 pm. Thanks to both sources, we have established the day and hour of birth. 

The same can be said about the birthplace, the cradle of the future Queen. It was at the royal palace of Madrigal, not a monumental building which was not for these places of residence, but a temporal residence in the itinerant life of the king and the court. Thus, its simplicity is understandable and its austere mudejár style can be recorded. It seems that house captivated the Portuguese (Isabella’s mother). The palace and the entire village were hers. She would go there to take refuge during decades, when her psychosis intensified, and there she would pass away. 

The newborn was not fed by her mother; it’s certain that Isabella’s wet-nurse was María López, wife of Juan de Molina, whom the queen will recall on March 3, 1495, granting her 10.000 maravedíes <<because the said María López gave her Highness her milk>>. This fact appears in las Cuentas (household accounts) and is indubitable.

- “Isabel la Católica: vida y reinado”, Tarsicio de Azcona

Isabel was born far inland, behind the lofty walls of Madrigal de las Altas Torres—Madrigal of the High Towers—in the heart of the meseta, the flat tableland at the heart of Castile. The forty-eight altas torres rising along the forty-foot-high walls ringing the town spoke of safety in a world geared to war, particularly war between Christian inhabitants and Muslim raiders. But those walls also spoke of paradox: made of brick and rubble, materials typical to mudéjar construction, they revealed an origin or an inspiration unequivocably Arabic. Madrigal, like other places on Spain’s central plateau, had been alternately occupied by Christians and Muslims until well into the eleventh century, and it was home to some inhabitants of Muslim culture afterward. In Madrigal too, in the great house abutting those walls called the royal palace, Isabel toddled under intricately worked wooden ceilings, artesonados, carved by mudéjares, Muslim subjects of Castile’s king. And tradition has it that she was baptized in Madrigal’s church of San Nicolás, in its baptismal font thickly encrusted with gold from Muslim Africa.

Only an occasional reference sheds light on Isabel’s childhood. At seventeen, she wrote to her half-brother, the king Enrique IV, accusing him of having treated her badly, representing herself as a semi-orphan raised in obscurity and kept in want by him. Her court chronicler, Hernando del Pulgar, was to state that her early years were spent ‘in extreme lack of necessary things,’ and that she was without a father and ‘we can even say a mother.’ Isabel was three when her father, Juan II of Castile, died. He had doted on her mother, Isabel of Portugal, his young second wife, and, rumor had it, come to resent the control exerted over him by his longtime mentor, Alvaro de Luna, who sought to regulate the king’s conjugal visits to his queen. What is indisputable is that shortly after Isabel’s birth, Luna was beheaded at Juan’s order. Within a year, Juan, whether through regret or because Luna’s restraining hand was gone, grew immoderate, it was said, in the pleasures of love and table, fell ill of quartanary fevers, and although believing prophecies that he would live to be ninety, died on July 21,1454, and the crown passed to his elder son, Enrique. Juan was forty-nine years old, the longest-lived king of his dynasty in five generations. Enrique IV was then thirty. He had had no children with his first wife, Blanca of Navarre, and his second, Juana of Portugal, would have none until Isabel was ten; until then Isabel grew up seeing her younger brother, Alfonso—born in November 1453 when she was two—as heir apparent to Castile’s crown and herself as second in line, as her father’s last will had stipulated. To the childless Enrique, the two children represented family and dynastic continuity, but also a potential threat. As for Isabel, after the death of her father, her circumstances were none too secure on several other counts she did not mention in that letter.

Her mother, the young dowager queen, Isabel of Portugal, who was twenty-seven years old at her husband’s death, then took the two children to live in Arévalo, a royal town consigned to her in Juan’s will. Shortly thereafter, according to the chronicler Alonso de Palencia, Enrique called on her accompanied by a favorite of his, Pedro Girón, the master of the military order of Calatrava; Girón immediately ‘made some indecent suggestions’ that shocked the recent widow. Palencia, who is generally vitriolic about both Enrique and Girón, went on to assert that the importuning by this overhasty, unwelcome (and, patently, not sufficiently noble) suitor threw Isabel of Portugal into a profound sadness and horror of the outside world, that she then ‘closed herself into a dark room, self-condemned to silence, and dominated by such depression that it degenerated into a form of madness.’

Another chronicler, who was more in touch with events at the time, confirms the reclusiveness of Isabel’s mother but dates it earlier, from her daughter’s birth. Whatever the cause or date, young Isabel grew up with a deeply disturbed mother. The child may well have dreaded becoming like her, and suffered tension between affection and fear. Surely too she was aware that her own birth was among the causes mentioned for her mother’s madness. It is tempting to conjecture that qualities that Isabel displayed as an adult—love of order and the striving for it; a no-nonsense, highly rational stance; and a sharply defined personality, were honed in reaction to her mother’s condition, and even to think that her desire for light in all its forms, and especially in its religious associations—her abhorrence of the forces of darkness, her determination to cleanse the body politic of impurities—was not unrelated to the circumstances of her childhood. Isabel grew up, then, in several sorts of obscurity, her childhood a sort of purgatory and a test of moral fiber she passed magnificently. Such was long the accepted version of her early years; it was her own version. It is neither strictly accurate nor complete.

Arévalo, fifteen miles from Madrigal and like it a market town, is remembered as the best fortified of royal towns. There, her mother’s condition notwithstanding, Isabel spent her early years in great stability and familial warmth. For when she was two and her mother again pregnant, her widowed grandmother, Isabel de Barcelos, arrived from Portugal. Tellingly, when first mentioned in the chronicles Isabel de Barcelos is in her forties and sitting, at King Juan’s request, in his privy council. Contemporaries, among them the chronicler Diego de Valera, recognized in her ‘a notable woman of great counsel.’ Valera affirmed that after the death of the king, Isabel de Barcelos ‘was of great help and consolation to the widowed queen, her daughter’; and he commented that her death, in 1466, ‘was very harmful.’ Pulgar adds that Isabel missed her grandmother sorely. Surely Isabel de Barcelos ran her daughter’s household. And she it doubtlessly was whom the child Isabel took as model. It is revealing that later, as queen, Isabel of Castile enjoyed keeping about her elderly women of good repute and good family.

From all accounts, Isabel de Barcelos was a formidable lady of formidable lineage. She came of royal Portuguese stock with a history of going for the throne and of doing it with claims far weaker than would be those of her Castilian grandchild. Daughter of the first duke of Braganza, Portugal’s most powerful noble and an illegitimate son of the king, Joāo I, she had married her uncle, Prince Joāo, one of five sons Joāo I had with Philippa, his queen consort. Philippa too came of redoubtable stock. Her father was John of Gaunt, the English king-making duke of Lancaster, and her mother, Costanza, was a Castilian infanta. This lineage meant that young Isabel carried in her veins the royal blood of Castile, Portugal, and England. Doubtlessly too, she took dynastic pride in her own name, Isabel, repeated through seven generations of royal women and originating in her ancestor Saint Isabel, the thirteenth-century Portuguese queen canonized for her good works and miracles. Isabel’s aya, or nurse-governess, in Arévalo was also Portuguese. She was Clara Alvarnáez, married to Gonzalo Chacón, to whom Juan II had consigned his children’s education. Chacón was also the dowager queen’s camerero, the administrator of her household. Oddly enough, Chacón had earlier filled the same post for Álvaro de Luna, Juan II’s former favorite. Even so, Chacón and Clara Alvarnáez remained close to Isabel throughout their lifetimes.

- „Isabel the Queen: Life and Times”, Peggy K. Liss