#maps for sale online

[jerrysmith5439]

Antique world maps for sale online

The charm and historical significance of antique world maps for sale online captivate collectors and history enthusiasts alike. These maps are not merely representations of geographical knowledge but also artifacts that reflect the evolution of exploration, cartography, and the understanding of our world. Whether you are a seasoned collector or a novice eager to dive into the world of antique maps, this comprehensive guide will provide invaluable insights into acquiring these timeless pieces.

Understanding the Historical Value of Antique Maps

Antique maps offer a window into the past, showcasing how our ancestors perceived the world. From the medieval mappa mundi to the intricate 17th-century Dutch charts, each map is a testament to the cartographer's skill and the era's geographical knowledge. The historical context and artistic details make these maps highly sought after by collectors.

Early Cartography: The Dawn of World Mapping

The earliest world maps were often symbolic rather than accurate. Medieval maps like the Hereford Mappa Mundi illustrated a mix of geography, mythology, and religious beliefs. These early maps are rare and valuable, often commanding high prices at auctions.

The Age of Exploration: Expanding Horizons

The 15th and 16th centuries marked a significant shift with the Age of Exploration. Explorers like Christopher Columbus and Ferdinand Magellan contributed to the creation of more accurate maps. These maps charted new territories and sea routes, making them historical milestones and collector's treasures.

The Golden Age of Cartography: Precision and Artistry

The 17th century, often referred to as the Golden Age of Cartography, saw the production of highly detailed and decorative maps. Dutch cartographers like Willem Blaeu and Joan Blaeu produced maps that are celebrated for their accuracy and aesthetic appeal. These maps are highly prized for their beauty and historical importance.

Types of Antique World Maps

Antique maps come in various types, each with unique features and historical significance. Understanding these types can help collectors make informed decisions.

Ptolemaic Maps

Based on the works of Claudius Ptolemy, these maps were the standard for geographical knowledge during the Renaissance. Ptolemaic maps are known for their classical depiction of the world and are highly valued for their historical significance.

Portolan Charts

These nautical charts were used by sailors from the 13th to the 18th centuries. Known for their accuracy in coastal details, Portolan charts are essential for collectors interested in maritime history.

World Atlases

Published collections of maps, such as Abraham Ortelius's "Theatrum Orbis Terrarum," are considered some of the first modern atlases. These atlases offer a comprehensive view of the world during their time and are significant collector's items.

Evaluating the Condition and Authenticity

When purchasing antique maps, it is crucial to evaluate their condition and authenticity. Here are some key factors to consider:

Condition

Paper Quality: Antique maps were often printed on high-quality paper, but over time, paper can become brittle or discolored. Look for maps that have been well-preserved or professionally restored.

Coloring: Original coloring enhances a map's value, while later additions can detract from its authenticity. Examine the map for signs of original hand-coloring.

Damage and Repairs: Check for tears, stains, or repairs. While minor imperfections are expected, extensive damage can significantly reduce a map's value.

Authenticity

Provenance: A well-documented history adds to a map's value. Provenance can include previous ownership, sale records, and historical context.

Watermarks and Signatures: Authentic antique maps often have watermarks and cartographer signatures. These features can help verify the map's age and authenticity.

Expert Appraisal: Consult with experts or reputable dealers to ensure the map's authenticity. Professional appraisals can provide peace of mind and validate your investment.

Where to Buy Antique World Maps

There are several reputable sources for purchasing antique world maps for sale online. Each offers unique advantages for collectors.

Online Auctions and Marketplaces

Websites like eBay and LiveAuctioneers provide a vast selection of antique maps. These platforms allow buyers to bid on items and often feature detailed descriptions and images.

Specialized Dealers

Specialized antique map dealers offer curated selections and expert knowledge. These dealers often have physical galleries and online stores, providing personalized service and authentication.

Antique Shows and Fairs

Attending antique shows and fairs can be an excellent way to view maps in person and interact with sellers. These events often feature a wide range of maps, from affordable pieces to high-end rarities.

Auction Houses

Renowned auction houses like Sotheby's and Christie's frequently feature antique maps in their auctions. These maps often come with extensive provenance and expert authentication.

Caring for Your Antique Maps

Proper care and preservation are essential to maintain the value and beauty of antique maps. Here are some tips for caring for your collection:

Storage

Climate Control: Store maps in a climate-controlled environment to prevent damage from humidity and temperature fluctuations.

Protective Sleeves: Use archival-quality sleeves or folders to protect maps from dust and handling.

Flat Storage: Store maps flat rather than rolled to prevent creasing and deformation.

Display

Framing: Use UV-protective glass and acid-free materials when framing maps to prevent fading and deterioration.

Avoid Direct Sunlight: Display maps away from direct sunlight to prevent fading and discoloration.

Rotating Displays: Rotate displayed maps periodically to reduce prolonged exposure to light and environmental factors.

Investing in Antique Maps

Antique maps can be a valuable investment, with prices often appreciating over time. Here are some factors to consider when investing:

Rarity and Demand

Maps that are rare or in high demand can command premium prices. Consider maps that depict significant historical events or regions of interest to collectors.

Condition and Provenance

Well-preserved maps with documented provenance are more likely to appreciate in value. Invest in maps that have been properly cared for and come with a history of ownership.

Market Trends

Stay informed about market trends and auction results. Understanding the current market can help you make informed investment decisions and identify valuable opportunities.

Conclusion

Antique world maps for sale online are more than just decorative items; they are pieces of history that offer a glimpse into the past. Whether you are a seasoned collector or a newcomer, understanding the historical value, types, and care of these maps can enhance your appreciation and investment. By purchasing from reputable sources and properly caring for your maps, you can build a collection that is both beautiful and valuable.

For more Details - https://neatlinemaps.com/

[twistedkittyart]

Like a lot of small businesses I like to track where my sales are from, since the start of The Twisted Kitty in September 2019 I have been keeping a paper sales map but it's getting a little bit worn so I decided to make a digital version.

Here are my sales in the UK since 2019 till now (July 2024). Can't believe I've only got 6 more postcodes to go.

[mariacallous]

On Boxing Day pro-Palestine demonstrators met customers at the Zara sale in the Westfield shopping centre, in Stratford, east London. They were not there to wish them the compliments of the season.

‘Bombs are dropping while you’re shopping,’ they chanted, as police stood by to make sure the protests did not turn violent. ‘Zara is enabling genocide,’ their placards read.

Quite what they wanted bargain hunters to do about the Israeli forces bombing the Gaza Strip, they never said. Lobby their MPs? Politicians are on their Christmas holidays. Join the Palestinian armed struggle?  It was unclear whether the shopping centre had a Hamas recruitment office.

But on one point the demonstrators were certain: no one should be buying from Zara. Even though the fashion chain has not encouraged Israel’s war against Hamas, earned income from it, or supported Israel in any material way, it was nevertheless “exploiting a genocide and commodifying Palestine's pain for profit”.

Zara, in short, has become the object of a paranoid fantasy: a QAnon conspiracy theory for the postcolonial left.

The Zara conspiracy is an entirely modern phenomenon. It has no original author. Antisemitic Russians sat down and wrote the Protocols of the Elders of Zion in the early 20th century. There was an actual “Q” behind the QAnon conspiracy: a far-right activist who first appeared on 4chan message boards in 2017 to claim that a cabal of child abusers was conspiring against Donald Trump.

The Zara conspiracy was mass produced by social media users: an example of the madness of crowds rather than their supposed wisdom. The cause of the descent into hysteria was bizarre.

In early December Zara launched an advertising campaign featuring the model Kristen McMenamy wearing its latest collection in a sculptor’s studio. It clearly was a studio, by the way, and not a war zone in southern Israel or Gaza. McMenamy carried a mannequin wrapped in white fabric. The cry went up that the Spanish company was exploiting the suffering of Palestinians and that the mannequin was meant to represent a victim of Israeli aggression wrapped in a shroud.

The accusation was insane. No one in the photo shoot resembled a soldier or a casualty of war. Anyone who thought for 30 seconds before resorting to social media would have known that global brands plan their advertising campaigns months in advance.

Zara said the campaign presented “a series of images of unfinished sculptures in a sculptor’s studio and was created with the sole purpose of showcasing craft-made garments in an artistic context”. The idea for the studio setting was conceived in July. The photo shoot was in September, weeks before the Hamas assault on Israel on 7 October.

No one cared. Melanie Elturk, the CEO of fashion brand Haute Hijab, said of the campaign, ‘this is sick. What kind of sick, twisted, and sadistic images am I looking at?’ #BoycottZara trended on Twitter, as users said that Zara was ‘utterly shameful and disgraceful”’.

To justify their condemnations, activists developed ever-weirder theories. A piece of cardboard in the photoshoot was meant to be a map of Israel/Palestine turned upside down. Because a Zara executive had once invited an extreme right-wing Israeli politician to a meeting, the whole company was damned.

Astonishingly, or maybe not so astonishingly to anyone who follows online manias, the fake accusations worked. Zara stores in Glasgow, Toronto. Hanover, Melbourne and Amsterdam were targeted.

What on earth could Zara do? PR specialists normally say that the worst type of apology is the non-apology apology, when a public figure or institution shows no remorse, but instead says that they are sorry that people are offended. Yet Zara had not sought to trivialize or profit from the war so what else could it do but offer a non-apology apology? The company duly said it was sorry that people were upset.

“Unfortunately, some customers felt offended by these images, which have now been removed, and saw in them something far from what was intended when they were created,” it said on 13 December, and pulled the advertising campaign

That was two-weeks ago and yet still the protests in Zara stores continue. On 23 December activists targeted Zara on Oxford Street chanting , 'Zara, Zara, you can't hide, stop supporting genocide', even though Zara was not, in fact,  supporting genocide. On Boxing Day, they were at the Stratford shopping centre.

Zara has apologised for an offence it did not commit. There is no way that any serious person can believe the charges against it. And yet believe them the protestors do. Or at the very least they pretend to believe for the sake of keeping in with their allies.

Maybe nothing will come of the protests. One could have argued in 2017, after all, that QAnon was essentially simple-minded people living out their fantasies online. Certainly, every sane American knew that there was no clique of paedophiles running the Democrat party, but where was the harm in the conspiracy theory?

Then QAnon supporters stormed the US capitol in January 2021. Will the same story play out from the Gaza protests? As far as I can tell, no one on the left is challenging the paranoia. I have yet to see the fact-checkers of the BBC and Channel 4 warning about the fake news on the left with anything like the gusto with which they treat its counterparts on the right.

To be fair, the scale of disinformation around the Gaza war is off the charts, and it is impossible to chase down every lie. But when fake news goes from online fantasies to real world protests, from 4chan to the Capitol, from Twitter to the Westfield shopping centre, it’s worth taking notice.

Sensible supporters of a Palestinian state ought to be the most concerned. No one apart from fascists, Islamists and far leftists believes that Israel should not defend itself. And yet the scale of its military action in Gaza is outraging world opinion. Mainstream politicians, who might one day put pressure on Israel, remain very wary about reflecting the anger on the streets.

They look at the insane conspiracy theories on the western left and see them as no different from the insane conspiracy theories that motivate Hamas, and they back away.

The Palestinians need many things: an end to the Netanyahu government, and an end to Hamas. But they could also use allies in the West who do not discredit their cause with dark, gibbering fantasies.

[podemechamardeeli]

Tiny Town Challenge Expanded - The Sims 3

The inspiration for this challenge came from Deligracy's Tiny Town challenge for The Sims 4 (Original rules HERE). I loved the idea of the challenge, but The Sims 3 has a huge advantage: it already has an open world, so the houses didn't need to be restricted to one lot, but instead, we could build a real community. That's why, in addition to translating, I took some time to adapt it in the best possible way to everything that TS3 offers us.

I kept the characteristics of the Sims from the original challenge as best as I could, but adapted them to keep them as "autonomous" as possible.

I have all the expansions and stuff packs, so feel free to do only what fits into what you already have in your game and/or adapt it as best you can.

When I saw the Stardew Valley map by @boringbones, I felt this would be a perfect match! You don't have to start on the same map as me, but I strongly suggest you start on a tiny or small mapto really have the proximity between the lots and, even better, if it's empty so you can populate it as you play with the Sims.

I'm just starting to play this challenge, so not all the rules have been tested. I will adapt as needed and welcome suggestions.

Tags: #TinyTownTS3 #tiny town challenge ts3 or tag my "@". I would love to know you're playing too. 😍

The Goal

The goal of this challenge is to build a town with tiny houses for up to 16 Sims (depending on whether you want to use mods or not or which packs you own) that match their desires and skills.

You can watch my gameplay of this challenge on my YouTube channel here. (link to be available soon)

The Stardew Valley map can be purchased here (link for download).

The Rundown

Each Sim has a set skill that you must utilize to fund the construction of their tiny home. For example, Frank Stem likes flower arranging, so you must sell flower arrangements to fund his Tiny House build.

You must also represent each Sim's favorite style and color in the build (see the Sim characters below). You can only work on one Sim's house at a time, moving each Sim in individually as you "unlock" them.

To "unlock" the next Sim, you must complete the previous Sim's home.

How to Play

Start by moving your first Sim into a lot of your choice.

To select your first Sim, you can use an online randomizer or simply choose your favorite.

After moving your first Sim in, use a money cheat to set the Sim's money to $0.

Each Sim should start on their lot with their skill item of choice and some useful items. They also start with a sleeping bag (requires Generations), a mini fridge, and an All-in-One Bathroom (requires Island Paradise, Into the Future, or Movie Stuff). Feel free to adjust these items if you don't have the necessary packs. After placing these items on the lot, set the money back to $0.

After finding your skill items, start earning Simoleons by selling your creations!

Use this money to build your Sim's tiny home!

Since we don't have a sales table in The Sims 3 like we do in The Sims 4, I suggest that all collectibles and creations be sold at the consignment store (requires: NRAAS Consigner - [link HERE]).

Extra Rules and Ideas

Your Sims can contribute to community areas to help other neighbors when they move in and to create a pleasant sense of community and lifestyle. Ideas could be a shared laundry, bathroom, BBQ area, garden, central square, pool, etc.

As you play, your town will grow and your community will become fuller. When you reach the last Sim, you can go back to playing with the first family, and here, my suggestion would be to put everyone in a rotational household using Story Progression and evolve with each family.

If you don't have all the necessary packs, feel free to alter the challenge to suit the packs you have, or use the base game features. There are many ways to make money, including tasks like collecting valuable objects or careers.

You can play on any lifespan, but I suggest playing on epic or disabling aging altogether to get the most out of your Sims.

According to the original rules, you can use cheats, rewards, and anything else to make it easier, but keep in mind that the easier you make it for yourself, the less challenging it will be!

The Tiny Town Sims

Azure Hue:

Skill - Painting (Base Game)

Decor Style - Contemporary/Boho

Color: Blue

Cyprus Handyman:

Skill - Sculpting (Ambitions)

Decor Style - Rustic/Farmhouse

Color: Orange

Frank Stem:

Skill - Flower Arranging/Gardening (Base Game)

Decor Style: Vintage/Garden/Farmhouse

Color: Green

Suggestion: If you want to go with Flower Arranging, I recommend this mod HERE.

Opal Gem:

Skill - Jewelry Making (Supernatural)

Decor Style: Victorian/Fairytale

Color: Purple

Annie Aperature:

Skill - Photography

Decor Style: Industrial/Minimalist

Color: Red

Beatrice Jam:

Skill - Cooking (Base Game)/Baking (Store Content)

Decor Style: Cozy

Color: Pink

Suggestions:

Cooking can be done through the Culinary career. Your world will need to have the Bistro lot or the Rabit Hole rug, which can be downloaded HERE.

Baking can be done with the Deliciously Indulgent Bakery. (requires: NRAAS Cupcake HERE)

Ziggy Yarn:

Skill - Knitting/Crocheting

Decor Style: Mid-Century Modern

Color: Yellow

Suggestion: If you want to make this Sim this way, you will need this mod HERE.

Pippin Playmaker:

Skill - Toy Making (Midnight Hollow)

Decor Style: Colorful and Eclectic. Think of a dream child's room, with furniture of different styles, vibrant colors, toys scattered on the floor, and walls decorated with drawings and posters of cartoon characters.

Color: Rainbow (use and abuse the color wheel)

Sophie Sauvignon:

Skill - Nectar Making (World Adventures)

Decor Style: Rustic and Provençal. Imagine a French country house, with worn wooden furniture, floral fabrics, soft pastel tones, and many elements that refer to nature, such as fresh flowers and wicker baskets.

Color: Burgundy

Morgana Spellbinder:

Skill - Alchemy (Supernatural)

Decor Style: Gothic and Mysterious. Think of an alchemy lab filled with old books, jars of colorful liquids, candles, mystical objects, and dark wood furniture with metal details.

Color: Dark Purple

Melody Harmony:

Skill: Music

Decor Style: Bohemian and Artistic. Think of a music studio with instruments, band posters, vinyl records, comfortable furniture, and vibrant colors.

Color: Sepia (Warm and soft brown)

Oliver Quill:

Skill - Writing

Decor Style: Dark Academia, Cozy. Imagine an office with a wooden desk, a bookshelf full of books, a comfortable armchair, a fireplace, and earthy tones.

Color: Coffee Brown

Newton Gears:

Skill - Inventor

Decor Style: Industrial and Technological. Think of a laboratory with tools, machine parts, wires, neon lights, computers, and metallic colors.

Color: Metallic Gray

Scarlett Zinger:

Skill - Fashion Stylist

Decor Style: Modern and Elegant. Imagine a fashion atelier with mannequins, fabrics, mirrors, designer furniture, and neutral colors with vibrant touches.

Color: Hot Pink

Ink Ryder:

Skill - Tattoo Artist

Decor Style: Urban and Alternative. Think of a tattoo studio with graffiti, urban art posters, metal furniture, dark colors, and neon lighting.

Color: Black. This color represents rebellion, individuality, and the art of tattooing.

Finn Fisherman:

Skill - Fisherman

Decor Style: Nautical and Cozy. Imagine a fisherman's cabin with nets, boats, shells, light wood furniture, shades of blue and white, and elements that refer to the sea.

Color: Ocean Blue. This color represents tranquility, serenity, and the beauty of the sea.

Final Note

Have fun! You can change and adapt the rules as needed. The goal here is to have a lot of fun with the best game ever! So feel free to explore everything a truly open world has to offer.

[iraprince]

hi, it's itchio creator day! this means itch doesn't take a cut of any sales today, which makes it a great time to support me if you've been thinking about picking up one of my games!

EYES ON THE PRIZE is a fake marriage comedy of errors for 2 or 4 players (1 or 2 pairs); think coppola marie antoinette meets austen meets the birdcage. it's pick up and play, and all you need is an 8-sided die per player + one standard pack of playing cards!

(and yes, it can be played online, with a few easy tweaks, and yes, it can be hacked for polyam play -- see some dev notes here!)

LAMPLIGHTER'S FESTIVAL is a worldbuilding/map-drawing game that can be played solo or collaboratively. it's fantastic for developing locations + then breathing life into its inhabitants, whether you're a DM or just fleshing out locations for other projects! (and you get to use your ENTIRE set of polyhedral dice all at once. look me in the eye and tell me you've never wanted to ball all 7 dice up in your fist and just chuck them.)

i also have two free games on my page: SMOKE WEED AND DO SOMETHING (YOU DON'T HAVE TO SMOKE WEED BUT YOU DO HAVE TO DO SOMETHING) and X-COURSE MEAL.

SWADS(YDHTSWBYDHTDS) is a zine/game???? about lowering the stakes until you can tackle your shit; X-COURSE MEAL is a horrible dinner party game inspired by human centipede, with rules so concise that they fit on the back of a business card.

as mentioned, these are both free, but if you've ever enjoyed my art and you'd like to throw me a tip, you can name your own price when you download these!

and if you already own + have enjoyed my games: thank you so much! leaving a 5-star review and/or comment on the game pages helps other people discover me, and it's another really appreciated form of support!

[hooved]

i was wondering when tower unite would go on sale again so i can convince more people to get it and play it with me and then a few minutes later i got a notification saying that it's currently part of a humble bundle! so if you've been interested in tower unite, you can get it (for a minimum of $16) and these 6 other games at a discount

also i should say for those who don't know, "multiple minigames supporting up to 16 players online" is only one of many features and a huge understatement of the amount of things you can do in it. it's a social, arcade, and sandbox game all in one, with tons of customization options for your condos (including the option to upload or use workshop furniture. you even get a nice free starter condo!), avatar (you can upload or use any model on the game's workshop and equip accessories to it), and even the ability to build custom maps for any of its game modes!

and speaking of accessories, the halloween event starts in just a few days and the accessories are my personal favorite part of that (tho there'll also be lots of activities and things to collect in the plaza), so if you like avatar customization, you won't wanna miss out on those anyway. get tower unite. i've been a regular player for years and i love it, and there's also no microtransactions, every item in it is bought with in-game currency you earn by just playing games, earning achievements, ranking up in games or hangout areas (which you can do even just by spending enough time in those, skill is not an issue), and some items are unlockable by meeting EXP milestones so come goof around and play minigames with me and i can give you a tour and maybe show you some stuff i made lmao

[distinguisheddwarffriend]

Today on Hobbit-Headcanons:

What would the company of Thorin Oakenshield enjoy about the Modern World?

One of my WIP transports the company to our world shortly before they're supposed to reach Rivendell, and into the apartment of my OFC.

So here is a list of things I think each character would enjoy about the Modern World:

Thorin: Google Maps, Siri (will totally argue with her like she's real), Shows like The Crown, Game of Thrones, but also Bridgerton, Democracy (yes you read that correctly), Rock music

Fili: Birth Control (can finally fuck around without risking the royal lineage), Superhero Movies (has an huuuhe crush on Black Widow), Tinder, Martial Arts, Feminism, Henley shirts to show of his muscles, bars & clubs

Kili : TikTok (LOVES cat videos, Top Content Creator about Archery, 'deep thoughts'/rambling, 'prank my uncle/brother with me', does EVERY challenge, accidental thirsttraps & flustered by the comments), Parkour, Man Buns & (Hipster-) Fashion, LGBTQ+ - Community , karaoke bars, team sports, the zoo

Bofur: modern music (especially pop songs with dirty lyrics), Tumblr (is no. 1 shit-poster), music festivals, arts&crafts blogs, Christopher's Streets Day

Bifur: Google Translate, Modern Medicine, Pain Medication, ASL, RomComs (trust me), helps out in an animal shelter, country music

Bombur: Cooking Shows (has his own Online Show), Kindergarten (he had so many children, the reprieve would be SO appreciated), international foodstuff to try

Dwalin: Guns, MMF, store-bought cookies, sport shows (AGRESSIVE fan for whatever team he randomly picks), Barbecues

Balin: Twitter (the political possibilities!!!), mental healthcare (he's sending the whole line of Durin he had no time for their shit), Spa Days, public schools, classical music

Oin: Modern Medicine (Duh), hearing aids, physiotherapy

Gloin: bitcoins, the stock market, Facebook (posts daily about Gimli)

Dori: hair tutorials, fashion shows, tracking devices (has totally microchipped a drunk Nori at some point)

Nori: hacking, movies with the lovable rogue as the MC (Pirates of the Carribbean, Deadpool etc.), spy movies (duh), the mafia (yes, he becomes a boss within weeks)

Ori: Wikipedia, public libraries, tutorials for EVERYTHING (knitting, cutting your own hair, how to talk to royalty, fancy war cries, you name it), fantasy novels, public schools

Bilbo: Food blogs, the "ignore call"-button, Instagram, university (will mayor in at least three subjects), museums

Gandalf: the Internet as a whole, email/ instant messaging, yard sales, modern weed, museums (has a knack for finding cursed items), adventure movies (after watching Indiana Jones he seriously debated obtaining a whip)

[babygirlgiles]

I think my fic where Xander accidentally becomes a successful novelist (largely without realizing it) is the funniest idea I’ve ever had. This guy started writing little stories to remember their adventures in Sunnydale (his last line in Chosen about “how will anyone even know about this unless we tell them” burrowed itself into my little archivist brain and won’t let go) and posts them online. He unintentionally goes viral. He thinks someone named Simon N. Schuster is leaving him voicemails. He ends up on the New York Times bestseller list.

He doesn’t even realize that everyone else thinks the stories are fiction. Xander is out here writing autobiographical non-fiction but everyone else thinks he’s a weirdly dedicated author that’s really committed to maintaining a Lemony Snicket style pseudonym/persona for the narrator of his novel. There are “Who Is Xander Harris?” articles. No one can dig up much of anything on him because he lived his whole life in a town that got wiped off the map. He keeps rejecting requests for interviews because of his stage fright. At first this drives his publicist absolutely ballistic but it just adds the the air of mystery that’s drumming up book sales so she lets it go.

He only responds to questions over email and only ever responds “in character” as his “novel’s narrator” and this baffles everyone, only adding to the supposed mystery. It’s literally not even Xander actually writing the emails 95% of the time. It’s Dawn. She has appointed herself as “Xander’s representation” even though she doesn’t really know what being someone’s representation means. She printed business cards.

[twopoppies]

Last week, the Black Keys, a band best known for soundtracking car commercials and occasionally fistfighting fellow Nashville resident Jack White, canceled the entire North American leg of a scheduled arena tour without explanation. Why would a band without a major hit in years think it can sell out arenas in tertiary markets? No one can be sure, but the touring business is in trouble, and part of the reason is ego.

Going on tour used to be a non-negotiable part of a life in music—a way to interact with fans, make money, and see the world. But nowadays, artists either want to play arenas or stadiums or do a residency, playing multiple nights in one city at the same venue, à la Harry Styles and Adele. Every week, another artist goes viral on Twitter for low ticket sales, with a screengrab of a Ticketmaster seat map awash in blue.

[…]

So, who do we blame? Is this the fault of corporate mega-promoters like LiveNation (which produced the Black Keys’ tour) booking artists into the biggest venues possible, then jacking the price of everything from tickets to parking to concessions, all regardless of what the market will bear, while tightening their grip on the marketplace to the point that the Department of Justice is preparing to sue them in federal court for antitrust violations? Is it agents and managers gassing up the artist? Is it just the artist's desire to sell out these giant venues? Maybe all of the above.

If you’re going out on the road and you’re big enough to even consider booking an arena show, why not do three nights in a prestigious venue like Radio City Music Hall or the Beacon Theatre instead? It provides fans with a more intimate experience, and every night will feel full. The Black Keys eventually released a statement. They didn’t blame anyone. They didn’t whine about how hard touring is. They just said they were recalibrating after a successful European run playing venues like Brixton Academy in London and the Zenith in Paris. It was the right approach. We all know it was ticket sales, but no artist should be ashamed of taking your lumps, switching things up, and selling tickets.

Big streaming numbers look great online but don’t necessarily translate to ticket sales. A touring business has to be built, returning to the same cities every year. A career cannot rely solely on the algorithm. Being great live will get people through the door and keep them coming back. These offline collective experiences are few and far between these days; buying tickets and going to shows is essential and valuable. They just don’t all need to be in arenas.

Full article here

[darlingillustrations]

I feel like I should be panicking more. My rent is due in one week, my landlord isn't friendly, and I have no one to ask for help. And yet? I have an eerie sense of calm about it.

I know the calm that happens when you are not actually calm but panicking and your body is helping you survive. This isn't that kind of fake calm. I am sleeping at night. I'm not snaping at my kids. I am *at peace.*

(Read more for musings about the economy, my spiritual mindset in the midst of it all, and some Mary Oliver poetry.)

Five years ago? I would be panicking and staying up late working long hours and burning myself out. But now? These days I'm working full days, then stepping back and cooking meals or working on projects for my kids. It feels more stable this time. I feel like I've matured.

I got a report in my email yesterday which showed that retail sales in January plunged 0.8% from December, far worse than the consensus forecast for a decline of just 0.2%, and the largest monthly loss since March 2023. On the one hand, it made me feel better that it's not just me. On the other hand, it sucks that lots of other people are struggling, as well.

Still, I make the time to meditate every morning. Still, I pull out my poetry books and take my life advice from Mary Oliver. In the poem One or Two Things she wrote:

One or two things are all you need to travel over the blue pond, over the deep roughage of trees and through the stiff flowers of lightning--some deep memory of pleasure, some cutting knowledge of pain.

You don't need to have all the answers. You just need to put one step in front of the other.

Last year when I launched my wholesale business, I drummed up over 1000 leads. I'd pick a city and use google maps or yelp to search for gift shops, stationary stores, coffee shops... anywhere that I thought might want my work... and I took the time to write a personal note to each and every one of these businesses. This month I decided to check back in with them again, and so many of the businesses are now closed or their email addresses no longer work.

Having exhausted these leads, I sat at my computer yesterday with the knowledge that I needed to wait on people to get back to me, that the wholesale leads were out of my hands. And that I still did not have money to pay my landlord. Not once did I fear I would join the list of closed businesses. I did not despair.

Instead, I turned to my first joy. I went back to the sales history on my website and found my very first customers from back in 2016 when I launched my web shop. I emailed them, each of those first customers, sending personal emails. I did not ask them to buy anything. That wasn't what I needed. I asked how they were, what they have been up to, where their lives have taken them.

I was searching for that deep memory of pleasure, that cutting knowledge of pain. One or two things is all we need, after all.

And I got one email back.

This woman was the first person to ever buy an art print in my online shop--a honeybee boy painting--and it is still hanging in her stepson's room, nearly 8 years later. She shared pictures of her new baby, and I shared the pictures with my kids. This woman had sent me many emails over the years, asking for life advice or encouraging me on a hard day. She shared that she didn't realize her emails had made such an impact on me.

Funny how none of us truly sees how impactful we are to those around us. Funny how life keeps going on, whether we worry about it or not.

In One or Two Things, Mary Oliver also wrote:

For years and years I struggled just to love my life. And then the butterfly rose, weightless, in the wind. "Don't love your life too much," it said, and vanished into the world.

I want my character to be defined not by what I do when things are easy but by how I carry myself when things are hard. And I do believe things happen for a reason. Maybe the line between delusion and faith is very thin, but the universe has shown me time and again that it's had my back. I've been in worse scrapes and still came out ok.

If you've read this far and you want to help me get through the next week, you can buy something from my shop or support me on Patreon.

And if you've read this far but you are in a similar boat, don't fret. We will find our way through the fires. one. step. at. a. time.

[roo-bastmoon]

Suspicious Treatment of Jimin: What am I forgetting?

I have serious medication-induced brain fog so my memory is swiss cheese these days. I am trying to map out something so I can understand what is happening with our Jimin....

So far:

Hanteo deleted hundreds of thousands in sales; company did not comment.

YouTube froze and deleted millions of streams every day; company did not comment.

Jimin's Spotify profile was not properly listed. It still has no description or link to merch.

Jimin's works are not added to the company's playlist for days and sometimes weeks while other members' works and collabs are added immediately.

Spotify froze and filtered millions of his streams; company did not comment.

His title track was deliberately split, despite qualifying to count as one unit.

His in-ear devices failed to work during a live performance.

He was allowed only 9 days of promotion.

He was denied when he requested more than 2 music videos.

His historic Hot 100 #1 was not acknowledged by the company except for one single retweet the day-of.

He had no celebrations, no formal acknowledgement by company leadership of his achievement or of the resulting huge increase in stock prices.

Billboard changed their charting rules in Week 2; company did not comment until it was time for a different album to sell.

His albums did not ship to China and have not been restocked on WeVerse for weeks (whereas other artists' albums have).

His instagram was shadow banned. His videos on TikTok are also soft-blocked from being boosted.

All other members' YouTube focused views for Take Two auto-generate a preview photo; his does not (this must be deliberately selected not to generate an image). *Apparently they have fixed this issue after enough fans called it out on Twitter.

Some have observed that since Hybe took over, Jimin has been given fewer lines in group songs and less time dancing center as well.

A recent WeVerse article about Morgan Wallen downplayed both Yoongi's tour and Jimin's album as achieving "some partial success in breaking up [Wallen's] domination of the Hot 100."

Add to this the company "omitting" his bills four times, which lead to late payments on insurance premiums, which led to his apartment being "seized," which led to a smear campaign in the press the very same day his OST With You dropped... followed by his personal address and national identity number being doxxed online... and this honestly looks suspicious as hell.

What am I forgetting?

I'm not a manti but if I don't get reasonable explanations I'm gonna become one.

How can it look like anything other that deliberate sabotage so that one member does not outshine the rest?

How is this good business sense?

Jimin is a humble, hardworking team-player with no ambitions to go solo and leave his members. Why would anyone have it out for him?

It's possible there's prejudice and bigotry at play, but deep enough to span multiple departments and cut into the company's bottom line?

And yet how can it not be deliberate? How can any company be THIS incompetent for just ONE member?

And yet if we raise hell, we look like victimizing solos. Yet look at this laundry list!! And it just keeps happening. What can be done??

Can we not organize a quiet mass-email campaign? Can someone not write up a well-researched UCC article to share in English and Korean and keep tagging Hybe? Would it not be possible to comment respectfully about this in WeVerse?

Or would acknowledging it at all make it worse for Jimin?

I don't understand all the politics at play here.

I have no real idea what is happening but part of me is quietly terrified they have it out for him during contract negotiations for some reason.

What is BTS without all our beloved seven?

I'm genuinely very deeply upset.

[starrulet]

My Experience with P5R

So, I went into this game with Zero Knowledge™ of what it held. I only bought it, because I knew you got to play as a phantom thief, everyone loves Joker and everyone had at one point called it the Perfect Game™ (oh, and it was on sale).

First Playthrough

Start up game. Absolute banger of a first hour. Everything is on point, this truly is the Perfect Game™ when it comes to graphical interface. Also, hands down best intro segment I have ever played. Immediately 100% invested in the game.

I write my name. I'm too lazy to look up something authentically Japanese online, so I name him KURO KNIGHT. I do not realize that small caps were available and this does haunt me for the next 100+ hours.

I discover the ability to "befriend" shadows. I attempt to befriend every shadow I meet.

Igor tells me to kill two of my personas. I am heartbroken and horrified by their execution. I absolutely hate the function and vow to never use it.

(Arsène is never sacrificed. At the time, I did not know this is uncommon for the first playthrough).

I max out the amount of personas I can currently have. I am heartbroken. I want to befriend all the shadows, but the game won't let me.

I am introduced to social stats. I make the wild assumption that these will passively effect the story for good/bad endings, as well as chances of success in Palaces (e.g. charm will increase likelihood of befriending a shadow, knowledge improves Third Eye, etc.), instead of being a "you must have stat 4 to pass to the next story segment" role. I immediately start investing hard on maxing my stats.

I do not know how to check Confidant Availability on the map. I only go to meet confidants if they've texted me.

(As you can imagine, this will royally screw me over later)

A teacher smacks me in the head with a piece of chalk. I'm told if I improve my proficiency, I can dodge it. Guess which social stat I start heavily investing in.

I am introduced to Maruki. I am told I have until November to max my relationship with him. He is immediately given priority over all other Confidants. Keep in mind, I only meet confidants if they text me.

I meet Kasumi. I'm not that interested in her, until I realize she only has a 5-star confidant bond. I decide to max her out, because that will be easy to reach.

I reluctantly start executing personas. Arsène is never executed, even though he's becoming so weak, I can no longer use him in fights.

While on the main menu, I notice Joker's shoes for the first time. And then I check and yes. Joker has the worst shoes in existence. I hate them. Everything about his phantom thief outfit is on point, except for those monstrosities.

I go ballistic over no one asking why "Pleasant Boy" heard their conversation about pancakes. I am angry. Enraged. I want answers, but the characters don't seem to catch onto the pancakes. I am deeply upset.

This is when I start questioning the intelligence and competence of the Phantom Thieves. It will effect how I perceive them later on.

I officially meet Akechi. I instantly take a strong liking to him, because he is the absolute WORST person to befriend as a phantom thief. The pancake thing makes me also super suspicious of him, further adding to him being a BAD person to befriend.

Akechi gives me the Sleuthing Instinct Skill. Akechi is instantly my favourite Confidant and I am determined to unlock the rest of the skills on his Confidant route.

A teacher throws chalk at me. I dodge. The whole class is amazed. I'm smug about it.

I meet "Becky". I die of second-hand embarrassment.

Why can I not gift Morgana sushi when I want to? Let me feed my cat sushi.

Every new palace, the Phantom Thieves are like "No! They don't have a persona, they can't help!" and "Leave it to us experienced pro phantom thieves B) ", only to end up relying on the formally non-persona user. I really don't feel like they're competent, since they suck at protecting civilians so much, that the civilian has to awaken a persona to save everyone or they'll all die.

I finally have enough guts to call up "Becky". When she arrives, the second-hand embarrassment is so strong, I exit the game without saving and have to replay the last two in-game weeks.

I realize that Yusuke, Makoto and Futaba are not listed as my Confidants. I panic and despair. I have failed my friends.

(I am unaware that minimal confidant bond does not mean we are not in-game friends and that not maxing out a Confidant Bond does not have too much impact on the story...)

The first time I ram into a shadow with the van, I burst into laughter. It was entirely unexpected.

I befriend Chihaya. I can't help but notice how much of a Meet-Cute this is and decide that I will pursue a relationship with her.

In Hawaii, I spend the day with Mishima and Ryuji. I am unaware that this is because I failed to develop higher bonds with other Confidants.

I get my first part-time jobs to complete Mementos quests. I wonder why anyone would bother with jobs, since you can get more money in Mementos than at work.

It starts occurring to me, that maybe I'm not supposed to blast through palaces in one run. There are benefits to multiple visits. I continue to complete palaces in one run.

I get stuck on my second boss - Haru's dad. Even grinding in Mementos does not save the day. I look up advice online.

I go out of my way to meet Hifumi. I cry. I want to max out her bond, she's instantly proven herself so useful.

I defeat the boss by the skin of my teeth. I never want to face that boss again.

Akechi officially joins the team. I am ecstatic, but I am dreading it. I love him, but I still have that pancake thing in my head and I am fully aware that the rest of the Phantom Thieves do not like him. AT ALL. Which can only mean the narrative has labelled him a bad guy (otherwise they would have quickly warmed up to him, like they did with Haru), which means he is only temporarily on the team, which means he will do something nefarious because the narrative said he must. Also, he is conspicuously the only one wearing white as a main colour. So. Further fuel for the "not part of the group!!!" fire. I am deeply upset by this. I still love him, even though I know I will have to soon accept his role in the narrative, whatever that may be.

A teacher throws chalk at me. I'm one step away from maxing out proficiency. It smacks into my face. The cold war wasn't over after all. The teacher has improved his aim.

I try to start a Confidant bond with Haru. She snaps at me and I'm so terrified by the reaction from the otherwise sweet and polite girl, I never attempt to talk to her again.

"I hate you." Akechi, as your only friend, please go see a therapist.

It's November and I haven't maxed out my relationship with Maruki. I am not getting opportunities to do so via text. I despair, because Maruki has grown to be a favourite of mine.

Maruki wants to bid me personally farewell. My Confidant Bond with him maxes out during our tearful goodbyes. I whoop and cheer that I got to the end of his Confidant route, oblivious to what this means.

Akechi says we should leave stealing the treasure to the last second. The team instantly agrees. I get mad, because when I try to do that, the team nags at me and complains that we should really do this ASAP, but when Akechi suggests it, it's fine-

The police raid Sae's palace and I assume they're cognitions from the nearby cognitive police station, not real police. From that, I deduce that the interrogation scene is taking place in the Metaverse and not the real world.

Yeah. I wasn't wrong, but I wasn't right either.

Endgame spoilers under the cut.

Endgame

The game keeps telling me to think carefully about my choices. I become paranoid. I am in interrogation and I become confused.

I am so confused by the game, I start thinking that maybe my instincts are wrong, and I end up ratting out my friends while being interrogated.

Sensing this was the Wrong Option, I exit the game and reload the last save file without finding out if it really was the wrong option.

I was right. It was the Wrong Option, since I am now watching the Right Option unfold. I am frustrated, because if the game hadn't been so insistent I "think carefully" and "consider my actions seriously", I would have instinctively not named my allies. BUT because it was nagging me, I thought if I went with the obvious option, I'd end up with the bad ending.

I'm an overthinker, ok.

Akechi comes to kill me. He looks utterly unhinged, to the point it crosses over into hilarity.

(Akechi gets one(1) plus point for looking incredible while killing the policeman. Like, that was insanely slick. Several thousand minus points for killing Joker though. And then nudging his head to check if he's dead, like Akechi, you shot him through the head what do you expect-)

It turns out, the Phantom Thieves did know about the pancake thing. But I'm 60+ hours into the game at this point and I do not have the mental capacity to retcon that much time to fit this reveal into a cohesive story. As such, despite making sense and the game setting up for this, my brain does not completely accept this plot reveal.

In other words, I would have strongly preferred it if we continued having 100% of the protagonists' perspective, instead of the 90% we ended up having, to keep the 10% (knowledge that Akechi will betray them, and the plan to fool Akechi) secret.

Like, no. We didn't need that to be a "plot twist". It was obvious from the start. Just admit it upfront next time.

I also don't buy into the Phantom Thieves being smart enough to concoct such a plan, because they've been making things up as they go along since Day 1 and have been heavily reliant on picking up new team members to survive Palaces and defeat Bosses. As said. By not addressing the pancake thing, my opinion of them being competent phantom thieves was shattered. I can't unsee their shortcomings, even if the pancake thing wasn't a shortcoming after all.

A part of me feels icky, because I know my first choice had been the bad ending. It now feels like the bad ending was the true ending, and I've cheated my way out of it, so the good ending that I'm approaching does not feel earned. The feeling hangs over me for a while.

Even though KURO is not dead, his absence in day-to-day life is shocking. It leaves a really big impact and a sense of dread.

I like KURO's incognito civilian clothes until I realize he's got nothing on under the grey hoodie. Child. Put some layers on. It's winter. What the heck, are you trying to die of hypothermia or something.

I miss Akechi. Not because I actually miss him, I miss what he contributed to the group: Getting the others to get all the way off my back about leaving the heist to the last minute.

"No guys, we can't go to Shido's palace until I've made enough coffee and curry! Yes, I'm serious!!!"

The Phantom Thieves are turned into mice. This is one of the best things to happen in-game.

Akechi has a psychotic breakdown in the engine room. I repeat to myself that this really could have been avoided if Akechi had just gone to a therapist.

Imagine my shock when I defeat Shido, but the game doesn't end. Staggering.

Igor orders Caroline and Justine to kill me. I panic, wondering if this was because I failed to max out my bonds with the Phantom Thieves and I am approaching a bad ending after all. Then I wonder if maybe this could be avoided if Caroline and Justine had a higher Confidant bond with me and I regret that it's still at an abysmal level 1.

It turns out that having level 1 doesn't stop the girls from apparently liking me. They cannot of their own free will kill me. I'm glad that it doesn't matter that I only have a level 1 bond with them, but this still feels jarring. My mind still equates bonds to levels of friendship, meaning we're still barely acquaintances at best. Plot armour for Joker has kicked in hard.

I make the wrong assumption that maxing out bonds has no impact on the overall story.

I am surprised that Morgana is not - in fact - human. At some point I had convinced myself he was a teen persona user, stuck in a coma. Or that he is the persona of a persona user, sent loose to help his persona user wake up again. I don't know when I developed that theory, but it's so strong that the truth throws me.

Unlike the pancake twist, I accept this "twist" without issue.

Over the course of the game, I have been strengthening Arsène like crazy. He is my strongest persona and has inherited many powerful abilities from the persona sacrificed for him.

I head into the final battle with Arsène equipped. It's satisfying to kinda defeat the final boss with him.

There's something kinda depressing about the cutscenes in the final boss battle. Almost like my confidants are... absent...

I am overjoyed when Akechi is confirmed to have survived, as he turns himself over to the police. I assume this is the result of maxing out my bond with him.

I love Morgana's cat portrait. No, I am not biased because he's a cat.

I assume the game will end. Then KURO wakes up in the counselling room. The game is not over yet.

Third Semester

Because I happened to max out my bonds with Akechi, Kasumi and Maruki, I get the third semester story part.

I am unaware of how lucky I am, considering I didn't max out any other bonds by December (outside of the automated bonds of Igor, Sae and Morgana).

I make use of the extra costumes the game has given me for the first time. I pretend there's an in-story reason: The alteration in the universe has also affected how they appear as phantom thieves. KURO is now running around in his starlight clothes, Akechi in the dance costume and Kasumi I'm never quite able to settle on. Why those particular clothes? I am unable to come up with a theory, beyond reality alteration.

I am thrilled that the game addressed Akechi's unhinged nature by having Kasumi question it, and didn't just act like nothing had happened.

I am delighted that, in Morgana and Futaba's absence, Akechi is my navigator. I have not enjoyed myself that much in a long time. He's terrible and that's what makes him perfect.

To be honest, it's in the third semester where Akechi is elevated to absolute favourite character in Persona 5. Prior to that, he was liked, but not favoured.

I am horrified that Maruki is the new bad guy. I am even more horrified by what they did to his hair.

I am glad that "Please see a therapist" is not something I can tell Akechi during the first and second semester, because - after what has happened to Maruki - Akechi would never let me live this down.

To be fair, Akechi would also accuse me of being a kleptomaniac, considering how I've picked every palace clean so far.

Genuinely shocked by the Sumire reveal.

Sumire apologizes for trying to kill KURO. I wish KURO had told her it's fine, because Akechi, his currently only other friend, also tried to kill him.

I spend third semester trying to max out my bonds with the Phantom Thieves and any other Confidants I haven't maxed yet.

I befriend Haru, but I never get passed level one with her.

I manage to get to level 9 with Chihaya. We become a couple. I assume.

I succeed in maxing out Takemi and Mishima's confidant bonds, but no one else.

I max out the Baton Pass with all Phantom Thieves (including Akechi and Sumire). I do this just because it's cool to have. I'm not thinking strategically.

During this semester I go to play billiards for the first time.

Because I'm playing billiards for the first time, KURO asks "What's a cue stick?" Meanwhile, Akechi - with whom KURO has played billiards several times, who KURO has even beaten at billiards - is just standing in the background. I pretend Akechi is exasperated.

I had already suspected it when it's revealed that Akechi is a cognition-human of the new reality. I am not surprised, since despite my love for Akechi, it feels like some of his nuance is gone as of the third semester. Him being a cognition built from people's perception of him (with heaviest influences being directly from KURO and the Phantom Thieves) explains that.

"This isn't trivial!" Mmh. Some grade-A angst right there, I love it.

Of course I choose to defeat Maruki. I may love Akechi, but not so much that I'd let everyone on the planet be brainwashed into someone's perception of true happiness. There's a difference between living and being alive. And also, Akechi doesn't want to live in this reality either, so....

I really, really hate Maruki's metaverse look. Like, at first, you think, well, a bit weird, but tolerable. Then you get glimpses of what's underneath the poncho and oh... oh no...

I am glad to have maxed out the Baton Pass with everyone, because this is the only reason I am able to beat Maruki.

Much like with all bosses from Okumura onwards, I win by the skin of my teeth. Unlike other bosses though, I get max HP and SP after completing a phase. I appreciate this, because otherwise I would have lost (most Phantom Thieves are in the low 80s, high 70s range).

I can't believe I end up in a fistfight with Maruki. They're not even attempting to dodge each other. It's like I'm watching an 18th century boxing match.

The Ending

It's Valentine's day. Chihaya doesn't give me anything. I am disgusted.

I'm told to say goodbye to all my friends. I exit and can only bid farewell to Sae, Takemi and Mishima. I am distraught.

Even though the cutscene has all the Phantom Thieves bidding me goodbye, I don't buy it. I couldn't bid them farewell on my last day, so this doesn't feel earned or real.

I realize I couldn't bid farewell because I didn't max out their bonds. So maxing out the bonds does have an affect on the story, just not one I could have predicted. It leaves a sour taste in my mouth.

Maruki is a taxi driver. Dude. You have a university degree. You have a doctor title. Is this really all you could come up with?!

The game ends, I get the extra cutscene with Akechi and KURO seeing himself as Joker in the reflection. I interpret this as 1: Akechi is alive in some shape or form (with how and why being up in the air), and 2: the Metaverse cannot be destroyed, but the Phantom Thieves actions have lead to it being purged and cleaned. Hopefully, it will be healthier this time.

First Playthrough took me 110 hours.

NewGame+

I start the game so I can say goodbye to my friends. Yes. I am so mad that I couldn't say goodbye to Ryuji (and tbh, specifically Ryuji), I am replaying the entire game.

For real, if I'd been able to bid farewell to Ryuji in the first playthrough, I wouldn't have bothered with NewGame+.

And yes I've only mentioned Ryuji like a handful of times, but that's because I didn't really need to. Everyone loves him. It's a given.

I set the game to safety mode, because I just want the story.

This time I put a bit more effort into Joker's civilian name. I've grown attached to Kuro, even though I'm fairly certain that's not a name in Japan. In NewGame+ his name is Kuro Kichihei.

I enter my first battle in the Kamoshida's palace. I am frustrated that my stats are so low.

I realize I can equip end-game gear.

I'm crying, the shadows stand no chance.

I am too powerful. I fail to befriend shadows. I am forced to execute Arsène. This hurts.

I see the cutscene for executing Arsène for the first time. The Best Boy was with me to the very end in the first playthrough. It hurts to see him leave so soon in another timeline.

"It's no use! They're too powerful!!" Morgana cries. We have taken 2 HP damage.

I kinda wish I had set the game to easy mode, because I have a strong desire to know if this would be just as easy in normal mode.

I am determined to max out all bonds I form. While reading an online guide, I learn about checking Confidants Availability on the map. I feel like an idiot. I knew the blue rectangles meant a confidant was there, I didn't know they may offer up more information.

I discover there is a Confidant I have never even met in the First Playthrough. I go out of my way to befriend him. It's Yoshida.

Befriending him is... kinda stalker-y. Because I first find out where he frequents, get a job there to talk to him, and then I'm able to open up the confidant route. Like. I- I stalked him. So I could befriend him. No matter how you slice it, it's creepy.

I am in Madarame's boss battle. I am using personas at levels way higher than me, than the palace. I throw fire at all Madarames, the fire Madarames reflect it back at me. I am insta-killed. It's the only time I've died in the second playthrough.

I'm befriending and levelling up all previous Confidants, even though I know some of their skills carried over to NewGame+. I plan on befriending Chihaya again too, even though I'm going to pursue Makoto this time.

I do not open up the route with Chihaya.

I do open up Kawakami's route. I emotionally distance myself from the game to do so.

I discover I really love Kawakami and relate to her. It's unfortunate that the guy helping her is a minor and her student.

I spend a day hanging out with Ryuji. He mentions that his favourite characters are the rival characters. Um. Ryuji. Are you sure about that. Are you sure about that-

I open up Haru's route. She doesn't snap at me when I talk with her. I'm relieved.

As I finish Makoto's route, I suddenly wish I hadn't started a relationship with her. Because as she's pouring her heart out, this feels like she needed a friend, not a boyfriend. It's too late now though.

Meanwhile, I'm in Haru's early stages and I am displeased by the fact that she's still with her fiancé. My sympathy is not very high.

I finally understand why the Phantom Thieves kept asking me how I felt about the plan for Sae's palace. They weren't worried about the palace, or working with Akechi, they were worried about Akechi freaking murdering me.

Why is it an option to date Futaba if Sojiro is against it? Don't go against your dad's wishes, man.

Because I am weak, when Akechi sends me a text, asking me to hang out two days before he will murder me, I agree. Even though there are other Confidants whose bonds are ready to level up. Even though I've already maxed out my relationship with him. Even though it only unlocks a bless skill he will not have in the third semester. Akechi is still the favourite and does, in fact, get special treatment as a result.

As the Phantom Thieves re-explain how they suspected and tricked Akechi, I am able to better accept it and see how it fits into the story, partly because it's taken me 30 hours to get to this point, instead of 60.

I may accept the twist better, but the distaste remains and so I'm still not wholly happy with it. Maybe it's favouritism though. No. Who am I kidding. At this point, it's definitely favouritism. It's rarely strong enough to break the narrative though, so. Idk what you did Akechi, but you did it right.

I learn that if you have high bonds with non-PT Confidants prior to having to pretend to be dead, they will all reach out to you, to know that you're still alive. This made me very happy. And I did think it was strange in the first playthrough that no one outside the Phantom Thieves seemed all that bothered that I was dead.

There is substantial fear that I won't max out all my bonds before the end of the game.

I am particularly terrified that I will fail to max-out Haru and Shinya.

NewGame+ : Endgame

I enter Shido's palace. For the first time, I am no longer killing enemies with guns and attacks alone. Still wiping the floor with them though.

Haru seems to laugh at all my jokes. I wonder why Haru, Kuro and Akechi are not a more common trio in the fandom. You just know Kuro will tell a terrible joke, which Akechi will reasonably not find funny, but Haru finds hilarious, bursting into laughter, further exasperating him. I mean, tell me you don't see it. Tell me.

I max out the technical skill in billiards. I wish I could switch to normal, to see what the difference is (considering I never even touched it in the first playthrough).

Turns out I didn't need to worry about Haru. She maxed out within ten days.

At level 9, I'm thinking "Wow. Joker and Haru are such good friends :) " Then I reject her and she runs away. I suddenly feel bad that I'm already dating Makoto. So far, the only other confidant that got sad about rejection was Takemi. And she swallowed it like a champ.

I finally start exploring Shido's palace. I skip dialogue and cutscenes, so when Ann asks me if I remembered the plan, I answered "I forgot, actually...", making her exasperated. I have discovered being dumb is way more fun than being a know-it-all.

I rewatch Akechi's confrontation and once again feel second-hand embarrassment for the boy. This really could have been avoided if you went to therapy like a normal person.

I didn't notice how cool Akechi choosing to side with the Phantom Thieves was during first playthrough. I'm able to appreciate it this time.

Shido demands that Akechi be brought to him. Sorry Shido, unless Akechi somehow managed to drag himself out of the metaverse, you're not finding the body. Assuming he died. If he didn't die, well. Brace yourself, you're in for a shock either way.

Actually, that opens up a can of worms. What does happen to a being of the real world, if they were to die in the metaverse? They're a physical being, surely they can't just stay there? ? ?

I attempt to open up Chihaya's route, even though we're days away from the final boss battle. I forgot that there was a lot of running back and forth to unlock her confidant bond.

In other words, I do not achieve what I set out to do.

I've maxed out all my bonds, prior to the final boss fight. Except with Futuba and Kawakami. I accept my losses and wonder if I have time to max out three confidant bonds in the third semester.

I get a lot of new cutscenes in the boss battle, because I maxed out most of my bonds. Too bad I am not as invested in the story this time and so it's more of an annoyance than an "oh cool, so happy my friends back me :) " moment.

I'm in the boss battle. I defeat the god of control very quickly, it's laughably easy.

It's why I call BS when the plot demands the Phantom Thieves are exhausted and low energy, so that the crowd can overwhelmingly cheer them on.

My Phantom Thieves were still on max health and their SP was still fairly high. We didn't need popularity to mop the floor with the god of control.

From what I gather, Akechi is the absolute first sign of reality manipulation. Everything else follows after Akechi appears. That's weird. I wonder if there may have been other hints I missed, but I don't think so. Wait. Does Kasumi count?

It's the first time I get to spend christmas eve with a gf, instead of Sojiro and Futaba. It's surprisingly sweet and I stop regretting dating Makoto. Idk, I feel Joker and Makoto work well together.

"My sis told me last night [about Akechi]!" Yeah, right Makoto. I know you spent last night with Joker, you totally heard it from your sister and not him.

Tbh, with the way the story works, it seems that Joker and Makoto are in a secret relationship. Which I'm fine with, secret relationships are like. One of my favourite shipping dynamics.

NewGame+ : 3rd Semester

It seems I'm very heavily invested in the third semester, because I don't skip nearly as many cutscenes.

I wonder what it would be like to play P5 and go out of my way to be as hostile as possible to Akechi. Like, avoid him at all costs and always shoot him down. I doubt it makes a difference to the story.

Can you even unlock third semester if you don't max out Akechi?

I change their uniforms again, because I like pretending that third semester also affects how their metaverse selves appear. And the explanation for a more casual look? Maruki wants them to be ordinary teenagers, without the pressure of having to save the world. So their phantom thief clothes are partially affected by that (which does work, since Kuro's starlight clothes look like a more casual version of his phantom thief clothes, etc.)

Akechi: "I think we handled that rather well!" Akechi killed the shadow in one attack. Kasumi and I did nothing, just stood by and watched. Let me repeat that, we didn't do anything. There was no we, Akechi.

Akechi really does just straight-up peace out and let Joker fight Kasumi by himself. And then appears in the background after the battle, like he'd been helping in some shape, way or form.

It's still very funny to see Akechi go full-on villain in his showtime with Joker, while wearing a hat with HERO written on it in big, golden letters.

It stings to lose Akechi as navigator so soon, but because we're all way higher levels than we were in the first playthough (we're steadily approaching 90), the segment where he's navigator is much shorter.

Kinda weird how Akechi is open and even pushes for teamwork this time, when he strongly rejected it in December. :/ Almost like... This might not be the real Akechi...

I finish Kawakami's route. It's sweet. I'm really glad I swallowed my second-hand embarrassment, because this was worth it.

The NewGame+ was worth it, because lemme tell you, those third persona awakenings are hitting me right in the heart. Ryuji almost made me cry.

Yusuke's third awakening is so great, it's easily tied with Ryuji for best third awakening.

Really wish I could tell my friends that considering how I've forgiven Akechi, who not only betrayed me, but actually tried to murder me, I'm pretty sure I can get over them ignoring me for a few days.

I mean, the bar to upset Kuro is pretty freaking high. Akechi can potentially have failed to reach it, depending on how snarky and hostile the player wants to be towards him, but in both of my playthroughs he hasn't.

Hey, has anyone decided to keep Maruki's reality, purely to spite Akechi? Asking for a friend.

I now have a new fear: Failing to max out Futaba in time. I consider it a minor loss though.

I ask Haru to grow moonlight carrots. It's the first time I've asked her to grow anything. I promptly forget about them and never collect them.

Akechi and Ryuji argue while at Maruki's palace. And I have to decide whose side I want to take. As much as I favour Akechi, when we get down to it, I will always side with Ryuji. Also, Akechi getting flummoxed by my behaviour will never not be funny.

I finally befriend Chihaya. With 14 days left before the ultimate final boss battle. But I have nothing else to do in the evenings now, so I might as well try. As exepected, it doesn't get far.

There are nine days left and I have not yet maxed out Sumire or Futaba. The fear of failing is becoming increasingly real and intense.

It's kinda funny. In the First Playthrough, Joker had a supporting role in battle, reviving, healing and using support skills. He also specialized in Bless and Lightning attacks, and switched between personas frequently. In NewGame+ he's become a tank, specialized in Almighty and Curse attacks, and only uses, like, two personas really. It's such a stark contrast, almost like they're different people.

I'm ranking up Futaba and. Oh. Oh no. She has a crush.

What is it with men head-patting women as romantic gestures in Japanese media, that's always been so creepy to me.

Sumire confesses to Joker, which good on her, she's the only one to have done so. But I still wouldn't date her. Feels like a saviour crush, and I'm not into that jazz.

I fail to max out Futaba, but I'm ok with that. Sorry Futaba (and technically Chihaya).

Hey, if Maruki could bring back Okumura and Futaba's mum (and maybe Akechi), why couldn't he bring back the real Kasumi? Pretty sure that would relieve Sumire more than imposing a fake Kasumi personality onto Sumire. Or even switching out Kasumi for Sumire. Like, what's up with that.

Also, do dead people get their desires fulfilled? I imagine not. Which might be why Akechi is dead set on rejecting the reality. He's real enough to behave similar or identically to the real Akechi, and therefore aware enough to see that everyone has their "desires" fulfilled, except his. Unless his wish was to not go to prison, but he could have avoided that by just. Not taking Joker's place.

Or maybe it was that his crimes had never happened? Which kinda does work, seeing as he was released by the police and his crimes "swept under the rug". He doesn't act like someone that wishes he hadn't committed his crimes...

I just assume Akechi's deepest desire is not having a dead mum. Or a dad that actually loves him. So. You know. Sorry Akechi, even in the dream reality, you don't get a living mum or loving dad. Be grateful to be alive.

The fistfight at the end is just as stupid as it was the first time around. Don't get me wrong - I love that it's there. It's glorious. But still stupid.

Ok, the "Free Kuro from Juvie" is way more positive and uplifting when it isn't just Mishima alone in the street, trying to get Joker out of prison and Takemi giving one(1) interview. I am so glad I decided for NewGame+.

Ohya's freaking awesome. Love her.

Valentine's Day is too cute when you're spending it with someone.

It's February the 15th and I am being A M B U S H E D.

White Day is also very cute and very different when you've got someone to spend it with.

I do miss being able to give Sijiro something on White Day though. He deserves chocolate.

Kinda weird that the game keeps asking me who I want to romance, when. I've only romanced Makoto. Because I am loyal.

I can bid my friends farewell! Yay!!!! I'm finally happy.

Based on online advice, I go to the jazz club. And Kuro. Kuro. What do you mean you weren't Akechi's friend. You were the closest thing he had to a friend. That makes you his friend by virtue of being closer to him than anyone else.

I am so glad I chased up Kawakami. Her story was one of the best in-game. No, I'm not biased because I'm a teacher too. I'm not.

Move over Akechi, I have a new favourite and her name is Ohya. You go, you beautiful, independent, alcohol-loving lady!

When talking to confidants, I love that there's implication that the adventure won't actually stop for Kuro. At least, that's my interpretation, since it nicely builds into my head canon that Akechi is alive and that Mementos is purged, not erased (again, Akechi couldn't have died, or it'd be in the news...)

The game ends. I can start another NewGame+, this time with all stats already maxed out and over 6 million yen in my pocket. I don't, because I basically got the satisfying end what I wanted.

Idk, maybe in a year or something. Might replay it then, on higher difficulty.

Second playthrough took me 50 hours.

Man, that was wild.

[spitblaze]

i wanna complain abt a game :/ i dont think uve played it but if u have my sympathies. i bought one of the sword art online games (hollow realization) cuz i thought the gameplay would be fun but the damn thing is so fucking inaccessible. no minimap for navigation in town (huge dealbreaker for me in general) and the button mapping for combat is so complicated and strange that i gave up. maybe i was just brain fogged but i didnt find the combat explanations very easy to follow either. really glad i got it on sale.

it warms my little hater heart to know that the sao games suck just as much as the anime. sorry your game isn't fun though, that's always a pain to realize

[comicaurora]

With the ubiquity of Webtoons, it is apparently becoming less and less feasible for an author to start up a webcomic that they host themself and then actually garner and audience. How do you feel about the possibility that, supposing you are able to sustain Aurora to completion, 10 years from now Aurora might be one of the last of the traditional style?

Oh, I doubt that. If by "traditional style" you mean "one complete print-ready page at a time", infinite-scroller one-panel-at-a-time comics are a completely different animal, stylistically speaking. It's more like a reel of film or an animatic you scroll through than a comic. There are things you can do with it that you can't do with traditional paneling, and things you can do with traditional paneling you can't do with that. It's a "two cakes" situation - a functionally distinct art form with different strengths and weaknesses. Just look at what a webtoon looks like when it's printed in book form - all those straight-line panels have to be cut up and floated onto a single page.

It's not a style you favor if printing is a consideration from the get-go, like with some of the oldest webcomics that originally made the jump from traditional publishing to the much-less-annoying world of online distribution. They panels fit together because that's what they were meant to do, it leaves less empty space on the page and it's overall a smoother transition from online to print because the pages are basically already done.

And if "traditional style" means "independently run," well, comics and webcomics have, to my knowledge, always been a largely unprofitable venture for the individual creator, at least until physical book sales and merch enter the equation, and the question "how do I get people to read my webcomic" was never an easy one to answer - it hasn't gotten more difficult with time. Conglomerates like Webtoons and Hiveworks give creators an easier answer to that question by providing centralized hosting and advertising, but the mechanisms that made early webcomics work haven't appreciably changed. Anyone can buy a domain name, plug in some Wordpress tools and go to town, same as they could back in 2005. I'd say it hasn't gotten less feasible to be independent, it's just that sticking with a conglomerate is a (theoretically) simpler route to views and success that didn't exist in the early days of the 'net.

And the thing is, that doesn't mean they're better for everyone. If a conglomerate tool existed that would've let me make my comic site exactly how I wanted it to - with spaces for lore, maps, additional content, etc - I probably would've done that instead of starting from scratch, since lots of the backend structuring work would've already been done for me. But Webtoons comics are, as mentioned, completely stylistically different from mine, and Hiveworks submissions are closed, plus they design their own site for you and also lock themselves in as your publisher. I personally don't like it when other people take creative control out of my hands, and there are plenty of artists that feel the same way.

If anything, the rise of social media and the centralization of the net into things like twitter and reddit (and even tumblr) makes it theoretically simpler to get your independent comic noticed than back in the wild west early days, because now you know where a potential audience for your work is hanging out. Back in the old days I don't even remember how I found some of the comics I read religiously - maybe TVTropes links, thinking about it? But that was basically all they had for discoverability! From my perspective it's only gotten easier to get the word out about a project you're working on, and while part of that is because there are now large hosting platforms that comic artists can sign onto, part of it is a level of interconnectedness that has only grown with time that allows the work of independent creators to be discovered, shared and spread faster than ever.

[dog-park-dissidents]

im sure youve seen this ask before but! i just got to college how do i find the local music scene? should i be nervous about going to events where 18+ are invited but people will be drinking?

Actually haven't seen this ask before, so here's how we find venues to play at and local openers to book, which is probably the same process that you can use to find your own local music scene

At the most basic, local music venues are probably under "music venues" on Google Maps or Yelp has as "punk rock venues" category, and they MIGHT have a calendar of shows you can look up online. Some smaller underground places might not be on map sites and you may have to just find them through word of mouth

Bandcamp lets you search for artists by location and filter them by genre. We have found many an opening act by trawling through a Bandcamp search of "gay" and [city name] and trying to figure out who is recently active and playing shows. We think this is also how Worriers books tours because Zac tweeted that at Lauren D once and she clicked Like so it was probably relatable

As for figuring out how to be around alcohol while underage, that's kinda something you have to figure out for yourself. Alcohol sales are how a lot of small venues make ends meet, for better or for worse, but if they allow people under 21 in then they've probably got a good handle on checking IDs, otherwise they'd get shut down real quick. Obviously your local venue might be sketchy, so use your judgement, but generally all ages or 18+ venues have figured out how to keep everything chill, so in general there's probably no need to be nervous.

[tailoredshirt]

I was tagged in this book meme by @lemonlyman-dotcom and @guardian-angle22 a while back, and I'm finally doing it!

Last book I…

Bought

Apollo 13 by Jim Lovell and Jeffrey Kluger / Trials of Life by David Attenborough

I mostly borrow books from the library these days, so I only tend to buy books my library doesn't have. I'd been really wanting to listen to Apollo 13, and it was part of Libro.fm's BOGO sale. I also added Trials of Life, which is nonfiction about animal behavior.

Borrowed

The Terror by Dan Simmons (audiobook)

I’ve had the paperback for ages, but I've been reading so much by audiobook lately that I thought that might be best, since it's so long. I had to wait quite a while for it to become available, and yesterday it finally was! 🎉 I've been reading a ton about polar exploration lately in preparation. After I finish it I'll finally be able to watch the TV show!!

Was gifted

The Hurting Kind by Ada Limon

I don’t get gifted books very often! Probably because I have too many already, and also because I mostly read ebooks and audiobooks. But it was on my wishlist (I tend to put poetry on my wishlists because I like reading poetry from physical books), and my mom got it for me for Christmas. Haven’t read it yet.

Gave/lent to someone

I usually give my mom a book for Christmas, but I don't remember what I got her last year. Unfortunately I don't have a ton of people in my life who read.

Started

Guard! Guards! by Terry Pratchett (audiobook)

I’ve never read any Pratchett (chorus of shocked gasps), so I decided to start with the first of the Night Watch books. It’s very fun so far!

Finished

Labyrinth of Ice: The Triumphant and Tragic Greely Polar Expedition by Buddy Levy (audiobook)

I've been obsessed with the history of polar exploration lately, particularly the ones that went horribly wrong somehow (sorry to this man). It's a really interesting story. I found a good map of the region online and was able to track all of the landmarks and locations they mentioned while I listened.

Didn’t finish

A Murder Was Announced by Agatha Christie (audiobook)

I’ve been reading a bunch of Agatha Christie lately, mostly Poirot novels, but this would be my first Miss Marple. I just couldn’t understand the narrator. 😩 The other books were narrated by Hugh Fraser, who I’ve enjoyed. I think this one was narrated by Emilia Fox. I cannot distinguish between British accents, but something about hers was difficult for me to understand against the ambient noise of my bus ride. Two minutes in, I noped out and returned the book (via Libby). I'll probably try it again sometime when I'm at home and can hear it better.

Gave 5 stars

11/22/63 by Stephen King (audiobook)

This gave me the worst book hangover. It’s about a guy who travels back in time to 1959(ish?) and lives in the past for a few years as he prepares to try to stop Kennedy’s assassination. It’s not actually a perfect novel, but I think I listened to it as fast as humanly possible because I was so engaged. (32 hours long!) I love time travel stories.

Gave 2 stars

A Limited Run by Karen McQuestion (audiobook)

This had a Truman Show-like setup, with actors living - in character - in a gigantic enclosed 1940s neighborhood. All of that was an immediate yes for me, but the story itself was very boring and contrived.

-

Idk who to tag for reading memes, but please consider yourself tagged if you want to do it! And tag me so I can see what you're reading.