#manifesto in anaheim

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[fairycheol]

AY WE BALLIN’! - Nishimura Riki

Synopsis: In which a famous engene YouTuber goes viral on Twitter after getting hit in the face with Enhypen’s Tamed-Dashed ball during the Manifesto concert in Anaheim. And Ni-ki can’t help but fall in love.

Pairing: Idol!Ni-ki x fem!oc

Genre: smau, fluff, slight angst

Release date: tbd

[mostlysignssomeportents]

This day in history

I'm on tour with my new, nationally bestselling novel The Bezzle! Catch me in TUCSON (Mar 9-10), then San Francisco (Mar 13), Anaheim, and more!

#20yrsago Database copyright: a stupid idea whose time hasn’t come https://www.wired.com/2004/03/hands-off-that-fact-is-mine/

#20yrsago How piracy repeatedly saved the entertainment industry https://www.wired.com/2004/03/lessig-2/

#20yrsago Eisner ousted from Disney’s Board https://www.nytimes.com/2004/03/04/business/defied-in-vote-disney-leader-loses-one-post.html

#20yrsago Worm-writers insulting each other in source-code comments https://web.archive.org/web/20040619024113/http://www.vnunet.com/news/1153225

#15yrsago Christian salt, a wingnut alternative to Kosher salt https://web.archive.org/web/20090302152904/http://www.examiner.com/a-1873794~Christian_salt_seller_hopes_to_shake_up_market.html

#15yrsago Cult of Done Manifesto: a name for my disease https://medium.com/@bre/the-cult-of-done-manifesto-724ca1c2ff13

#15yrsago EFF launches “Surveillance Self Defense” — comprehensive guide to blocking govt snooping https://ssd.eff.org

#15yrsago In Praise of the Sales Force: the stuff a publisher does for an author that the Internet can’t replace https://www.locusmag.com/Features/2009/03/cory-doctorow-in-praise-of-sales-force.html

#15yrsago Manchester man arrested for alleged sewer-grate photography, held as a terrorist https://pinacnews.com/index.php/2009/03/10/uk-police-arrest-man-for-photography-even-though-he-didnt-take-photos/

#10yrsago Full NHS hospital records uploaded to Google servers, “infinitely worse” story to come https://www.theguardian.com/society/2014/mar/03/nhs-england-patient-data-google-servers

#10yrsago Cold Equations and Moral Hazard: science fiction considered harmful to the future https://locusmag.com/2014/03/cory-doctorow-cold-equations-and-moral-hazard/

#5yrsago Record label censors copyright lawyers’ site by falsely claiming it infringes copyright https://torrentfreak.com/record-label-targets-copyright-experts-with-bogus-takedown-request/

#5yrsago Google says it won’t remove Saudi government app that lets men track and monitor their wives and domestic employees https://www.businessinsider.com/absher-google-refuses-to-remove-saudi-govt-app-that-tracks-women-2019-3

#5yrsago The FAIR Act will end forced arbitration for employment, consumer, antitrust and civil rights disputes https://thinkprogress.org/lawmakers-declare-war-on-the-biggest-civil-rights-problem-youve-probably-never-heard-of-eaf3b5459034/

[jaeyxns]

Jake ✗ Manifesto @ Anaheim

[solplparty]

ENHYPEN WORLD TOUR 'MANIFESTO' in U.S. SPOT https://youtu.be/LoU_-_881-M 2022.10.2 ANAHEIM 2022.10.6 FORT WORTH 2022.10.8 HOUSTON 2022.10.11 ATLANTA 2022.10.13 CHICAGO 2022.10.15 NEW YORK #엔하이픈 #ENHYPEN #EN_WORLDTOUR_MANIFESTO #MANIFESTO_IN_US HYBE LABELS

[relativelyfvcked]

streetlight manifesto @ the house of blues anaheim, 2017

[loudieapp]

Delivering a brassy, upbeat brand of third wave ska -- complete with punk-styled melodies, The New Jersey ska-punk outfit Streetlight Manifesto at House of Blues Anaheim on Tuesday July 30!

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Streetlight Manifesto at House of Blues, Anaheim (at House of Blues Anaheim)

[heartstatereview]

Streetlight Manifesto Announce 10 Year Anniversary Tour

Streetlight Manifesto have announced that they will be heading out on a 10 year anniversary tour for their album Somewhere In Between.

Check out the dates below.

May 19 Philadelphia, PA – Electric Factory May 20 Huntington, NY – Paramount Theater May 21 Baltimore, MD – Rams Head Live Jun 23 Denver, Colorado – Ogden Theatre Jun 25 Las Vegas, NV – Brooklyn Bowl Jun 26 Tempe, Arizona – Marquee Theatre Jun 27 San Diego, California – House of Blues Jun 28 Anaheim, CA – House of Blues Jun 29 San Francisco, CA – Warfield Jun 30 Portland, OR – Crystal Ballroom Jul 1 Seattle, WA – Showbox SODO Jul 14 Atlanta, Georgia – The Masquerade Jul 15 Orlando, FL – House Of Blues Jul 16 St Petersburg, FL – Jannus Live Jul 21 Sayreville, New Jersey – Starland Ballroom Aug 11 Toronto, ON – Rebel Aug 12 Montreal, QC – Metropolis Aug 13 Boston, MA – House of Blues Sep 15 Detroit – Royal Oak Sep 17 Cleveland, OH – Agora

[thingsonmyclipboard]

Kelley was an introvert saw repression as the enemy of sanity. He sought out and even embraced life’s darkness; a Poet Apostate who criticized “normative” values, systems of authority and consumer culture. As critics have pointed out his early use of stuffed animals was intended to “drive a wedge between sentimentality and childhood.” His savage critiques appealed to the jaded appetites of some of the art world’s leading collectors.

Kinkade and Kelley were the yin and yang of American art, one favored by conservative “red” America, the other by “blue.” Kinkade’s work was sold in shopping malls, at the Disney Store and on eBay, while Kelley’s was shown in elite galleries and contemporary art museums.

Yet, despite their differences, they both had a deep interest in the same subject matter: the revisiting of their childhood traumas as portrayed in the image of “home.”

Before his death by suicide in early February, Kelley was working on “Mobile Homeland,” an installation that was intended to recreate his childhood home in Detroit. In his final interview Kelly told Tulsa Kinney of Artillery Magazine that the subject was …” almost too fraught with psychology and dysfunction…things that could easily feel like an emotional burden.”

Home, as seen through a child’s eyes, was a subject that Kelley had dealt with before. In his 1995 installation “We Communicate” Kelly wrote texts for a set of children’s paintings that commented on the psychological underpinnings of each image. One of his commentaries says quite a bit about what he thought a painted image of a house could communicate:

“The house is a crudely scrawled heap surrounded by dark messy slashes of color. The surrounding shading produces an atmosphere that screams with anxiety. No German Expressionist has depicted the black torture of the soul better. Although Elaine is obviously an unhappy child, she is, at least, able to express this state of mind openly and need not hide behind the mask of socialization. She need not pretend to be a ‘good girl.’ The adult world of rules and order, symbolized by the house, is sinking back into an infantile fecal mound that Elaine has the capacity to control.”

Clearly, what Kelley had to say about the child’s way of coping — she was in control because she didn’t repress or pretend — is also an manifesto of his own social and personal ethos. “His subversive critique,” wrote George Melrod after Kelley’s death, “was not just aimed outward toward society at large, but seemingly inward at himself.”

By contrast, one of Kinkade’s signature images, “The Christmas Cottage,” is a sentimentalized image of the artist’s childhood home; Kinkade reportedly launched his artistic career to save it after he learned that his mother could no longer afford the mortgage. It has been stated that one in twenty homes in America is decorated with some kind of Kinkade print. You have to wonder: how many homes had “The Christmas Cottage” hanging over the fireplace when Countrywide posted the foreclosure papers on the front door?

The cottage, which glows as if it had swallowed the Star of Bethlehem, exudes a luminescent fairy tale vibe that Kinkade used as his shield against his life’s disappointments. By painting fairy tales, Kinkade was attempting to achieve what Bruno Bettelheim posited was a “…happy outcome, which the child cannot imagine on his own.” Kelley would have called Kinkade’s approach “denial.” Indeed, Kinkade expertly sugar-coated the subject matter of every one of his mass-reproduced images. No wonder one critic called them “visual Prozac.”

Kinkade reportedly died of “natural causes,” which I assume is a sugar-coating of the actual factors. The artist’s public outbursts — he once reportedly urinated on a Winnie the Pooh figure at the Disneyland Hotel in Anaheim while saying “This one’s for you, Walt.” — and his 2010 arrest for drunk driving suggest that the man’s demons were doing everything they could to burst out.

Kelley, by taking his own life, was characteristically honest. His suicide was his admission of unhappiness, a problem that he had discussed openly in his key works. At the time of his death Kelley was reportedly depressed after a breakup with his girlfriend.

Mike Kelley died “critically acclaimed.” Thomas Kinkade died “popular.” As Leonard Koscianski pointed out on Facebook, they both had their constituencies. They both had considerable public and financial success.

“Mike Kelley,” comments Leonard Koscianski, “made very high priced works that ridiculed middle class sentiment. His works were so expensive that they could never be owned by the middle class he disparaged.” His hanging mixed-media installation, “Deodorized Central Mass with Satellites,” sold at auction for just over $2.7 million dollars in 2006. Kelley, who had once addressed cultural consumerism with a fetishistic phallic candle display called “The Wages of Sin” was represented, at the time of his death, by the world’s most powerful contemporary art dealer, Larry Gagosian.

Kinkade’s art and the product line that grew from it was so successful that his art company was publicly traded on the New York Stock Exchange, and at one point had a market capitalization of $350 million (the total value of the stock) based on annual sales of $250 million. Kinkade, who described the art world as “a very small pond…a very inbred pond,” left behind a net worth that is in dispute. One source says “$70 million” another says the artist, who had faced lawsuits by the owners of Kinkade gallery franchises, died “piss-poor.” At the time of his death, Kinkade and his wife Nanette had been separated for more than a year.

Kelley’s bracingly strange and searchingly intellectual art appealed to America’s 1%. Kincade’s hyper-sincerity, and his celebration of Christ, baseball, and glowing cottages made him the favorite artist of America’s 99%. They were two American artists who, in their striking divergence, tell the story of a nation whose center seems ready to tear apart. Stress makes people look for extreme solutions, both in life and art.

Ultimately, both men seem to have suffered in catering to the almost schizophrenically divided tastes of American society. In public they both maintained powerful identities — a bad boy and a good boy — while in private each one got a bit lost trying to find his way “home” to private peace and reconciliation with his childhood experiences. It might be said — in psychoanalytic terms — that both Kelley and Kinkade ultimately failed to sublimate their impulses and idealizations into workable connections with the world.

Let’s hope, for Kinkade’s sake, that he is safely at home in Heaven. It would have to be a light-filled, cotton candy heaven where a compassionate Christ is present. In Kelley’s case, it is tougher to speculate on where his final home might be and who might comfort him. When Tulsa Kinney asked Kelley, during his final interview, if he ever believed in Heaven and Hell, he responded plainly:

‘No. I never believed in anything.’

________________________

To those who have never believed in anything consider placing your faith alone in the Christ who came to earth and lived a perfect life then died for your sins.

Our views below concerning how to go to heaven (this material is from Campus Crusade for Christ).

Just as there are physical laws that govern

the physical universe, so are there spiritual laws that govern your relationship with God.

God loves you and offers a wonderful plan for your life.

God’s Love “God so loved the world that He gave His one and only Son, that whoever believes in Him shall not perish but have eternal life” (John 3:16, NIV).

God’s Plan [Christ speaking] “I came that they might have life, and might have it abundantly” [that it might be full and meaningful] (John 10:10).

Why is it that most people are not experiencing that abundant life?

Because…

Man is sinful and separated from God. Therefore, he cannot know and experience God’s love and plan for his life.

Man is Sinful “All have sinned and fall short of the glory of God” (Romans 3:23).

Man was created to have fellowship with God; but, because of his own stubborn self-will, he chose to go his own independent way and fellowship with God was broken. This self-will, characterized by an attitude of active rebellion or passive indifference, is an evidence of what the Bible calls sin.

Man Is Separated “The wages of sin is death” [spiritual separation from God] (Romans 6:23).

This diagram illustrates that God isholy and man is sinful. A great gulf separates the two. The arrows illustrate that man is continually trying to reach God and the abundant life through his own efforts, such as a good life, philosophy, or religion

-but he inevitably fails.The third law explains the only way to bridge this gulf…

Jesus Christ is God’s only provision for man’s sin. Through Him you can know and experience God’s love and plan for your life.

He Died In Our Place “God demonstrates His own love toward us, in that while we were yet sinners, Christ died for us” (Romans 5:8).

He Rose from the Dead “Christ died for our sins… He was buried… He was raised on the third day, according to the Scriptures… He appeared to Peter, then to the twelve. After that He appeared to more than five hundred…” (1 Corinthians 15:3-6).

He Is the Only Way to God “Jesus said to him, ‘I am the way, and the truth, and the life, no one comes to the Father but through Me’” (John 14:6).

This diagram illustrates that God has bridged the gulf that separates us from Him by sending His Son, Jesus Christ, to die on the cross in our place to pay the penalty for our sins.It is not enough just to know these three laws…

We must individually receive Jesus Christ as Savior and Lord; then we can know and experience God’s love and plan for our lives.

We Must Receive Christ “As many as received Him, to them He gave the right to become children of God, even to those who believe in His name” (John 1:12).

We Receive Christ Through Faith “By grace you have been saved through faith; and that not of yourselves, it is the gift of God; not as result of works that no one should boast” (Ephesians 2:8,9).

When We Receive Christ, We Experience a New Birth (Read John 3:1-8.)

We Receive Christ Through Personal Invitation [Christ speaking] “Behold, I stand at the door and knock; if any one hears My voice and opens the door, I will come in to him” (Revelation 3:20).

Receiving Christ involves turning to God from self (repentance) and trusting Christ to come into our lives to forgive our sins and to make us what He wants us to be. Just to agree intellectually that Jesus Christ is the Son of God and that He died on the cross for our sins is not enough. Nor is it enough to have an emotional experience. We receive Jesus Christ by faith, as an act of the will.

These two circles represent two kinds of lives:

Self-Directed Life

S-Self is on the throne

-Christ is outside the life

-Interests are directed by self, often

resulting in discord and frustrationChrist-Directed Life

-Christ is in the life and on the throne

S-Self is yielding to Christ,

resulting in harmony with God’s plan

-Interests are directed by Christ,

resulting in harmony with God’s plan

Which circle best represents your life? Which circle would you like to have represent your life?

The following explains how you can receive Christ:

You Can Receive Christ Right Now by Faith Through Prayer (Prayer is talking with God)

God knows your heart and is not so concerned with your words as He is with the attitude of your heart. The following is a suggested prayer:

Lord Jesus, I need You. Thank You for dying on the cross for my sins. I open the door of my life and receive You as my Savior and Lord. Thank You for forgiving my sins and giving me eternal life. Take control of the throne of my life. Make me the kind of person You want me to be.

Does this prayer express the desire of your heart? If it does, I invite you to pray this prayer right now, and Christ will come into your life, as He promised.

Now that you have received Christ

[ralphmorgan-blog1]

Hospital designs that are changing the way you’re cared for

(CNN)While the healthcare system in America is in a state of crisis, the hospitals, care centers and research facilities that make up the industry -- in the States and abroad -- have never looked better.

Instead, we've seen a new class of hospitals that are more like hotels, with private rooms, gardens and art installations.

But competition is driving people away from private facilities and into county hospitals that are adopting a new, more patient-centric approach, according to Pat Bosch, design director at the Miami office of architecture firm Perkins + Will.

"We're seeing a lot of intersections with corporate America, retail, hospitality and civic [architecture]," she says. "It's about: How do you attract and retain your community and your patients? How do you attract and retain doctors and nurses?"

The 'same principles as medicine itself'

To answer these questions, today's healthcare design follows the same principles as medicine itself extensive research, data-driven decisions and constant reassessment.

This research-heavy approach, known as evidence-based design, forces design firms to take the tiniest details into consideration, from minimizing the distance between the nurse's station and patients' rooms, to perfecting the acoustics for quieter wards and choosing hardware that limits infection.

Read: Behind the resurgence of 'prefab' housing

The challenge that many designers face is convincing clients to approach these considerations in new and inventive ways.

"As a designer who approaches things from a humanistic and contextual perspective, the challenge I always encounter comes from a facilities perspective -- the old-school mentality of 'I've done this before [and] I want to do it again the same way.'"

A balancing act?

Design firms must also balance the technical needs of doctors and staff with the comfort of patients.

This is where innovative solutions come into play. At the Jacobs Medical Center in La Jolla, California, the design director of CannonDesign's Yazdani Studio, Mehrdad Yazdani, created sculptural walls behind patients' beds to house medical equipment that is usually left out in the open.

"You see [headwalls] in most hospitals. But while they're very needed, they're not necessarily aesthetically pleasing and are, if anything, intimidating to patients and their families." he says. "[My design] has panels that are removable, so they don't only conceal a lot of that technology, making it less intimidating, but they also give the hospital flexibility as technology changes and the needs are different."

Maggie's Centres, a collection of cancer support facilities on hospital campuses in the United Kingdom, Hong Kong and Japan, are known for their creative designs by 'starchitects' such as Zaha Hadid, Frank Gehry and Sir Norman Foster.

Since Maggie's Centers are not treatment facilities requiring complex technological considerations, architects who might not normally take on healthcare projects are able to create spaces that are inspiring and healing.

"There's just no question that when someone walks into [a Maggie's Centre], there's something about the architecture that you can see people's body language," says Laura Lee, the chief executive of Maggie's Centres.

"They quickly change from being tense and anxious. Their shoulders relax. There's something about the materiality of the building that says it's a nice place to be."

On June 9, Maggie's opened its latest center in Oldham, a town northeast of Manchester.

Designed by London-based firm dRMM, the simple timber building hovers over a landscaped garden, offering serene views of the horizon and the nearby Pennines mountain range.

Architecture as an oasis

One of dRMM's co-founders, Alex de Rijke, calls it an "oasis" and a "manifesto for healthy architecture."

"We tried to make a building that offered a three-dimensional statement about what healthcare architecture could be," he says.

"That's important to me, as is the idea that we're bringing some pleasure -- simple pleasures -- to people who are having a really hard time."

Throughout the design process, de Rijke and his team researched cancer treatment and healthcare architecture extensively. As well as consulting Maggie's, they spoke with cancer patients and their loved ones to figure out how to make the new center as comfortable as possible.

Their findings present themselves subtly throughout the 2,800 square-foot center. Wooden handles replace sterile metal ones, which can aggravate the neuropathic hands of patients undergoing chemotherapy.

Carefully placed eaves protect photosensitive patients from UV rays, while allowing in enough natural light to enliven the space. The neutral color palette offsets post-treatment pallor.

De Rijke says: "It's not like you sit in this chair and receive radiotherapy or chemotherapy, and the chair has to be this big and in this position relative to the window. That's the land of hospital design. This is much more about the relationship between psychology and design."

Design beyond function

Creating a calming environment is a top priority in hospitals and treatment centers, given that reduced stress has been shown to shorten patient stays.

Firms have worked to bring nature into the patient experience with indoor and outdoor gardens, glazed exteriors that provide views and light, and the use of natural materials such as wood and stone.

For the Kaiser Permanente Radiation Oncology Center in Anaheim, California, Yazdani used his design to connect the facility with the landscape, something that was previously unthinkable, given the need to contain radiation. His team installed zen gardens and living walls that face the treatment rooms.

Even after these projects open, they continue to be studied by researchers -- and design firms themselves. "We want to go back after a few years to look at the length of [patients'] stays to see if this building is helping speedy recovery because of the comfort and experience that we created through its planning and design," Yazdani says of Jacobs Medical Center.

This constant research allows design firms to keep testing and refining innovative solutions that can improve the patient experience and add beauty to their communities.

After all, as Yazdani notes: "These medical facilities and hospitals can be beautiful and powerful pieces of architecture beyond just being functional buildings."

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Hospital designs that are changing the way you’re cared for was originally posted by A 18 MOA Top News from around

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