#maniac encore in los angeles

[250318]

© 볼빵빵 쿼카몬 | do not edit and/or crop logo

[skz-haven]

© Stray Kids

[mylovelyhyunjin]

230331 Maniac Encore in Los Angeles

Hyunjin

[©hwanghjkr, ©dearlyendear_hj, ©zerotozero_, ©hyunimi_0320, ©seungsjin]

🤍🤍🤍🤍🤍🤍🤍🤍🤍🤍🤍🤍🤍🤍🤍🤍🤍🤍🤍

[aneldrichentity]

New photos from Dispatch, Seungmin edition

[dwaekibinnie]

MANIAC Encore in LA

[justhere4kpop]

Day 2 was literally just as good. Definitely recharged my serotonin for a month. Can't wait for the next and as they say

Do whatever you want

같이 틀을 깨고

여기 아지트로 모여 right now

STEP OUT do what you want

일단 다 해버려

추억으로 남겨 now or never.

Thank you Stray Kids. Thank you Los Angeles. Thank you all my friends who let me drag them along and to all my online friends who listened to me not shutup about these concerts. This was truly a special weekend in a really rough start to the year.

[quokka143]

I genuinely don't know how I'm supposed to go back to normal life after spending the weekend in LA seeing skz

[mybodyfails]

han - recap 2023

(tumblr user @mybodyfails' ramblings under the read more)

jan

230120 manila: stay with bench - fanmeet

blue jeans, dress shirt AND beret?! we're off to a great start.

he was hitting the dougie too. of course.

feb

230213 skz-record: volcano

definitely my soty! when the drums come in and the song explodes? literally erupting like a volcano? 🫠

honorary mention:

230226 chan's room ep. 199

i keep coming back to this stream whenever i feel down, they were just so hyper and giggly!

mar

230311 manila: maniac world tour - day 1

the one where he had to sit out bc he was sick. who knew you could slay a performance like that. in the end all of us were seated i think.

also gave us this beautiful moment: beethoven who

april

230401&230402 los angeles: maniac world tour encore

toddling around in his gigantic dungarees and adorable hat, han quokka clipped to him. all i need tbh.

may

230523 bbl: life advice

tape the blanket to yourself and you won't catch a cold, apparently.

but also, not a specific month - but i'm putting this on behalf of all the mini concerts he did for us on bubble, taking suggestions for covers or writing songs on the fly 🥰

june

release: topline mv feat. tiger jk

aka the day where jisung got adopted but was too shy to get his number. 🥺 LOOK AT HIM! elated hamster! fanning himself w his fake money!

jul

230701&230702 3rd fanmeeting pilot for 5star

the life-size skzoos and their interactions were such a cute surprise 😭 rmbr when he kept gently smoothing down han quokka's velvety fur 😭

230722 paris: lollapalooza

he was on fire that day. HOTTER THAN HOT.

aug

230816 fukuoka: 5star dome tour begins

and with it came his 'don't say' solo stage and him playing the fucking guitar. wasn't just me, we all lost our marbles over this.. right?

honorary mention:

august was also the month were han didn't open an individual ig account 😸

sep

230924 new york: global citizen festival

they were five members short but 3racha gave it their all. i am a big fan of the hoop earrings, personally.

oct

231013 lil durk release: all my life (skz remix)

they took that song and gave it a very distinct flavour, especially jisung.

231015 skz-record: want so bad

minsung and their gay little song, didn't expect anything less from thems two.

nov

231111 mbc show! music core & mini fanmeeting

life-altering duality, wearing that CROPTOP on stage and turning into the sweetest babushka right before our very eyes immediately after..

dec

231214 manila: asia artist awards

what's with jisung and his best moments happening in the philippines?! that's the third time this year! petition for skz to move there. 🙏

3racha winning the best creator award was already a highlight, but hannie en route to the bathroom.. running back.. having to hold his pee for the acceptance speech - a classic.

now please come to me and tell me your fave jisung/your bias/skz moments of 2023!

[yeoboseyobitches]

STRAY KIDS 2nd WORLD TOUR MANIAC ENCORE IN LOS ANGELES DISPATCH PHOTOS

[linolinoing]

Stray Kids Maniac World Tour Encore in Los Angeles D2 © felix___thecat

[public-new-yahoopartner-blog]

Netflix : Emma Stone et Jonah Hill réunis derrière la caméra !

En début de semaine, Paramount Tv et Anonymous Content ont décidé de mettre sur pied un remake comique de la dark série norvégienne " Maniac ". A peine le projet annoncé que Netflix  s’est immédiatement positionné comme preneur. La plateforme de vidéos à la demande a commandé aux sociétés de production une saison de 10 épisodes. Aux commandes du feuilleton, nous retrouverons le réalisateur Cary Fukunaga connu pour True Detective et Beast of no Nation et le scénariste Patrick Somerville. Cerise sur le gâteau, nous aurons l’honneur d’admirer le jeu d’acteur de Jonah Hill et Emma Stone , réunis pour la première fois depuis Superbad. Mais concrètement de quoi ça parle ? Quand les rêves prennent le dessus sur la réalitéDans la future série de Netflix , nous suivrons les aventures fantasmées d’un patient interné en hôpital psychiatrique (Jonah Hill). Pour occuper son temps libre, il passera ses journées à rêver d’un monde meilleur, mi-fantastique mi-surnaturel. Héros de cet univers post-apocalyptique, il tentera de sauver ses camarades des super-méchants adverses. Parmi les malades, figure la belle Emma Stone . Nul doute que Mr Hill tentera de la charmer et de l’embarquer avec lui dans cette nouvelle dimension. Pour découvrir ce programme hautement prometteur, il faudra encore patienter. Le tournage n’ayant pas encore commencé (en août 2017), Maniac ne devrait pas être disponible avant 2018 ! On a hâte de voir le résultat ! Fans de Jonah Hill et Emma Stone ? >> A lire aussi :13 Rea... Retrouvez cet article sur Public

Photos : Emma Stone, Denzel Washington, Bryan Cranston... Découvrez le palmarès des 23e Annual Screen Actors !

Vidéo : Top 5 : Gilles Verdez, Manuel Valls, Cauet... Ils se sont déjà pris une claque devant une caméra !

Photos : Hailey Baldwin et Taylor Hill rejoignent la famille L'Oréal !

Photos : Gad et Noé Elmaleh : père et fils réunis à Los Angeles !

Vidéo : John Wick 2 : Keanu Reeves et Laurence Fishburne réunis !

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[skz-haven]

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[thephotopitmagazine]

If anyone asked me to name bands that people must-see live, Nonpoint will always be on that list. I’ve seen them so many times over their career and always enjoy every single performance. The last time I saw Nonpoint was on August 24, 2018, when they were touring off their latest album X. You can read that review HERE. It was a show I would never forget. When I heard they were returning to the House of Blues Orlando on September 27th, I knew I had to be there. It was a solid crowd that night with the Nonpoint fans and members of Orlando’s rock station 101.1 WJRR ready for a night of rock and metal for The Red Tape Tour.

Los Angeles Zero Theorem opened the show that night. The band describes themselves via their Facebook page as “hard rock and metal with a dark science fiction aesthetic”. In 2018 they released their EP Ataraxis and are currently working on a two-part installment titled The Killing. The band consists of Caesar (vocals), Jake Hayden (drums), Eloy Palacios (bass), and Roy Lev-Ari (guitar). This was my first time getting to hear the band live and they left a good impression on me. I found their music to be more hard rock, but when they dropped the heavy sounds, it thundered in the House of Blues. Caesar’s vocals were powerful, Eloy’s and Roy’s playing was stellar, and Jake was one of the calmest drummers I’ve seen for someone who rocked the set. The band was energetic on stage and had the crowd cheering them on till the end of their set. You can find their merch and music at https://zerotheoremband.com and see a full gallery of pics of their performance HERE.

Photo by Talon Kane Photography

Photo by Talon Kane Photography

Photo by Talon Kane Photography

Photo by Talon Kane Photography

Their setlist from that night was:

The Killing

Low

Area

Becoming

Rorschach

Cannonball

You

Threads

Next to the stage was Madame Mayhem. Natalie Ann Cohen (better known as Madame Mayhem) is a New York City born singer and songwriter whose fashion and music scream rock. Though she’s a classically trained vocalist, pianist, and guitarist, the power of rock was stronger and fans are grateful for it. Madame Mayhem has shared the stage with bands such as Sevendust, Memphis May Fire, Fozzy, Doro, and now that evening Nonpoint. She has released three albums with her most recent Ready For Me in 2017. Though I had heard of Madame Mayhem before, I had not the opportunity to see her perform live. Madame Mayhem hits the stage with the presence of Amy Lee and Lzzy Hale and the vocals to match. She and her band are energetic on stage, constantly moving, and doing it with style and pizazz. The music is heart-pounding rock with blissful vocals that will jaw drop you. Needless to say, I was beyond impressed with Madame Mayhem and look forward to seeing them come through Orlando again. You can find their merch and music at http://www.madamemayhem.com/ and see a full gallery of pics of their performance HERE.

Photo by Talon Kane Photography

Photo by Talon Kane Photography

Photo by Talon Kane Photography

Photo by Talon Kane Photography

Their setlist from that night was:

War You Started

Breaking Down

Broken

Monster

I Am More

Cruel Heart

Something Better (Now You Know)

Then the Orlando crowd was in for a real treat to have one of our own bands, Devils Envy, grace the stage. First formed in 2016 the band went through a number of challenges and lineup changes. Determined to not give up on music, the band continued forward and solidified their lineup. They performed their first show together at The Haven in Winter Park at the annual Halloween Havoc. The band re-released their EP Dead Inside and have released additional singles while working on material for their debut album. Devils Envy is Angel Graves (vocals), Sean St. John (drums), Austin Diaz (guitar), Brian Kizer (guitar), and Paul Ziccardi (bass). From the opening note, you could tell we were in for something special. The music ripped through the crowd hard and heavy and they went insane for hometown band. Angel’s vocals were very impressive being able to go through various notes with ease and power. Austin’s intense guitar playing truly caught my attention as he made his way across the stage. Angel urged the crowd to jump and move and the crowd was happy to do so. I truly loved at the end of the show, Angel brought his son out on stage to celebrate with him. It was a truly touching moment. Devils Envy gave notice with their performance that we are going to see bigger things coming from them soon and I’m looking forward to seeing it. You can find their music at https://devilsenvymusic.com and see a full gallery of pics of their performance HERE.

Photo by Talon Kane Photography

Photo by Talon Kane Photography

Photo by Talon Kane Photography

Photo by Talon Kane Photography

Finally, the crowd was ready for the headliners Nonpoint. The metal band from Ft. Lauderdale, FL started off back in early 1997 before self-releasing their first album ‘Separate Yourself’ later that year. And it was only the start of a successful career. They signed a record deal with MCA and released ‘Statement’ in 2000. Their fourth studio album ‘To The Pain’ would release one of their most recognizable songs “Bullet With a Name”. Each of Nonpoint’s album made it into the Billboard Top 200 with their highest ranking album came with ‘The Return’ in 2014 peaking at #39. And this evening the band released their 10th album ‘X’. Nonpoint is Elias Soriano (vocals), Robb Rivera (drums), Rasheed Thomas (rhythm guitar), Adam Woloszyn (bass), and this time touring musician Ahrue Luster (lead guitar) who played with both Ill Nino and Machine Head.

101.1 WJRR’s Supa Dave came out to announce the band, as he does every time Nonpoint plays in Orlando. The rock station has always been so supportive of Nonpoint throughout their career. He got the crowd started with the way they always come out, with a very soft chant of “Nonpoint, Nonpoint, Nonpoint” and then let the crowd take it over getting louder and louder until they came onto the stage. The crowd went insane and Elias was all smiles looking over the crowd. The band started off with “Miracle” the title track from their sixth album and followed with “Endure” from Statement. Nonpoint as always was on a roll getting the crowd hyped up. Elias vocals are always solid, Rasheed is a maniac whipping his hair around and playing fast, Adam was headbanging away, Robb was smashing the drums as he does so well, and even Ahrue was grooving along with the music. The band was having fun and the crowd was enjoying it.

Photo by Talon Kane Photography

Photo by Talon Kane Photography

Nonpoint was having fun with the fans during the show. Elias and Robb once again played “Who Can Make Their Side Cheer Louder”. Elias had his side going strong. Robb took over slightly. Elias had control of his side going from high to low to high again. Robb looked at Elias in disgust, pulled down his shorts, and threw his hands in the air, which made all the crowd cheer and Elias and the rest of the band started laughing. And yes, he was wearing underwear. It was an unexpected moment and hilarious. Elias reminded the moshers to pick people up if they got knocked over as he saw some people go down on the mosh pit. And overall you could just see they were having a great time on stage.

Photo by Talon Kane Photography

Photo by Talon Kane Photography

The setlist was different than the last show bringing back some songs they haven’t played in a while. Notably missing was their cover of “In The Air Tonight” by Phil Collins and “Generation Idiot”. I did love them bringing back “Lights, Camera, Action” and “I Said It”. Elias ripped through the lyrics on both of those so easily even though they are both heavy on lyrics. Nonpoint kept one of my personal favorites “What a Day” and of course “El Diablo”, a huge fan favorite song. The band played from X “Dodge Your Destiny”, “Chaos and Earthquakes” (another personal favorite), and their most recent single “Fix This”. I’m not sure what it is about that song but “Fix This” absolutely grabs me to play it on repeat over an over. The band, of course, wrapped up with “Bullet With A Name” to a massive ovation when they finished.

Photo by Talon Kane Photography

Photo by Talon Kane Photography

You can find Nonpoint music and merch at their website http://nonpoint.com/ and see a full gallery of pics of their performance HERE.

Their setlist for that night:

Miracle

Endure

Breaking Skin

That Day

Dodge Your Destiny

Your Signs

The Truth

Lights, Camera, Action

I Said It

El Diablo

What a Day

Rabia

Orgullo

Chaos and Earthquakes

Fix This

Alive and Kicking

Bullet with a Name

There was no encore performance that night but they took a photo of them with the crowd which they were going to sell at the merch booth upstairs. he merch line was huge of people waiting to get their chance to buy merch, get a selfie with them, and even just to say hello. And what I’ve always loved about Nonpoint is that they take time to spend with their fans who support them. After all these years playing shows and 10 albums they haven’t forgotten the fans. Before the show started, I was walking to the House of Blues to pick up my pass and ticket and saw outside the venue Elias and Rasheed just chit-chatting with two fans. I took a moment to wait until they were done and they both happily took the time to chat. It’s the little things like this that fans remember and make them such a huge supporters of Nonpoint.

So when the opportunity for you arises to see Nonpoint, go. Honestly, I can’t wait until they come back again.

From The Pit To The Crowd: Nonpoint with Devils Envy, Madame Mayhem, and Zero Theorem Review – House of Blues Orlando – Lake Buena Vista FL – September 27, 2019 If anyone asked me to name bands that people must-see live, Nonpoint will always be on that list.

[aneldrichentity]

New photos from Dispatch, I.N edition

[ieatmovies]

SAMURAI COP 2 - DEADLY VENGEANCE (2015) Miracle dû aux backers Kickstarter et Indiegogo ayant permis à la suite du cultissime nanar SAMURAI COP (1991) de voir le jour, il était grand temps de se pencher sur SAMURAI COP 2, produit par Tommy Wiseau (THE ROOM, 2003) himself, incarnant lui-même le bad guy de cet opus. Pour mémoire, SAMURAI COP était un nanar génial, buddy-movie à la manque mettant en scène ce duo de flics pas comme les autres, composé de Joe Marshall -le dit “Samurai Cop”- et son pote Frank Washington: la storyline de ce premier opus kitschissime à souhait narrait le démantèlement du gang japonais Katana -de vilains Yakuzas sévissant dans les rues de L.A.- via ces séquences d’action ringardes auxquelles se prêtait avec joie cette imbécile paire de détectives. Alliant effets spéciaux ratés et dialogues stupides, SAMURAI COP provoquait l’empathie instantanément, d’autant plus que son cast incluait le légendaire acteur Robert Z’dar (MANIAC COP, 1988), malheureusement décédé en 2015 -année de la sortie de SC2- à la gueule unique et au charisme atypique, campant un sous-fifre du gang Katana plus que mémorable. SAMURAI COP 2, à l’origine se faisant blague virale des connaisseurs sur les réseaux sociaux, prit vie sous forme de projet sérieux, destiné à réunir les acteurs originaux pour produire cette suite réalisée par Gregory Hatanaka. Matthew Karedas et Mark Frazer rempilent pour reformer l’icônique duo débile, les 25 années n’ayant pas été tendres avec eux -surtout Karedas, dont le visage marqué témoigne d’un très long passage à vide (alcool?)-: quel est donc le verdict sur ce retour insensé? Revival 80′s, ou nanar de commande? Par chance, le film parvient est honnête avec lui-même, s’avérant être un véridique nanar aussi “bon” -voire meilleur, c’est-à-dire pire!- que son prédécesseur: retour en 1991 donc, après l’aventure de SAMURAI COP, où l’on nous montre un Joe Marshall (joué par un Matthew Karedas actuel) coulant des jours heureux avec sa compagne Jenny, brutalement assassinée sous ses yeux -et incapable de venger cette tragédie, évidemment-. S’exilant loin de la civilisation pendant 25 ans (temporalité réelle et scénaristique, quelle classe!), temps qu’il faudra au gang Katana pour se reformer -sous le patronyme de Katana Inc.-, ce dernier étant en guerre avec deux nouveaux clans, Shinjuku (sérieux?) et Ginza. C’est dans ce triste contexte que l’ancien collègue de Joe, Frank, va tenter de retrouver le Samurai Cop afin de rétablir le partenariat, pour mettre définitivement un terme à cette criminalité. Basique mais efficace, le pitch est suffisant pour laisser libre cours aux conneries espérées, et même plus: doté d’une première partie “sérieuse”, SAMURAI COP 2 enjoue, titillant la fibre nostalgique (sans fan-service pour autant); sa seconde partie -pardonnez l’expression- partant totalement en couille pour notre plus grand plaisir, en mode méta. Si, si, ça va bien au-delà du basique prétexte scénaristique, avec beaucoup de phases “psycho-mentales-métaphoriques”… Nous gratifiant de visions improbables telles qu’une séquence inattendue sur fond vert où Joe Marshall, vêtu en véritable costume GIFI de samouraï aux côtés de deux pornstars nues combattant au sabre, hésite quant à choisir le bien ou le mal, SAMURAI COP 2 est un messie du N majuscule, le Nanar incarné. Et ce n’est rien comparé au reste, de l’homme de main qui hurle du yaourt asiatique pour que Joe Marshall lui rétorque, clin d’œil à l’écran en prime, qu’il fallait aller aux cours de japonais… à la galerie d’actrices porno (Kayden Kross et Lexi Belle pour ne citer qu’elles) jouant les bad-girls aux perruques colorées et aux fringues cloutées se faisant obstacle au Samurai Cop: foisonnant d’un univers low-cost aux costumes merdiques et tourné en HD pour faire valoir ses lumières d’un autre âge, SAMURAI COP 2 est incroyable. Stock-shots crépusculaires de Los Angeles, complexe de l’organisation criminelle -où l’un des écrans affiche fièrement un portrait de Robert Z’dar, d’ailleurs- digne des pires décors de DOCTOR WHO (1963-2017), giclées de sang en CGI datés de 1995, montage incompréhensible -on passe d’un lieu à l’autre pour avoir droit à la présence des acteurs naufragés de SAMURAI COP premier du nom, à l’image du commissaire engueulant les deux compères comme au bon vieux temps, ou encore d’un méchant reconverti- et un ultime vilain final incarné par un Tommy Wiseau en roue libre -n’ayant pas changé d’un poil son acting depuis THE ROOM, déclamant et se plaignant avec autant de classe qu’un huître glissant dans un caniveau-: une somme de contraires bienvenue, nous donnant le sentiment d’assister à un mockbuster (sans le terme buster) de MACHETE KILLS (2010). Maladroitement comiques, les gesticulations rouillées de Joe et les punchlines ratées de Frank brisant le quatrième mur font de ce SAMURAI COP 2 une suite aussi “bonne” que la découverte du premier épisode, voire meilleure, sa forme fidèle se faisant celle d’un nanar véritable, ringard autant que sympathique et consternant. Hommage logique à Robert Z’dar, qui avait tourné quelques scènes hélas non incluses dans le long-métrage, SAMURAI COP 2 continue son histoire pendant le générique de fin, nous faisant du pied pour lancer un crowdfunding, en vue d’un troisième épisode. “Ce n’est pas fini!” et tant mieux: on est carrément prêts à mettre la main au portefeuille pour obtenir une trilogie. Joe Lara et autres Gary Daniels devraient en prendre de la graine, avant qu’il ne soit trop tard. Très con, génialissime, et indispensable. Z’DAR /20