#man who speaks in hand

[gastergang]

Stargazing 🌌

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[seirindono]

The Missing Scarf VIII - part 65

Interference

First part | Prev | Next

Ko-fi | Patreon | Comic | Commissions  | To support the comic

[truepapyrusenjoyer]

Beware of the man who came from the other world.

[zeb-z]

I'm actually unbelievably unwell about Etoiles character you don't understand. He's always been a sword, protecting by attacking first, by fighting back, offense as the best defense. He jokes a lot about dying for the island, dramatic and half sarcastic, but there's truth in his jests. He would kill, and he would die, for his daughter, for the rest of the eggs, for the safety of everyone on the island. He does not hesitate, for what good would that do him?

Then he gets the shield, and it changes the entire game. And while he can still kill to protect the island, he can no longer truly die for them.

His role is functionally the same - he draws attention to himself, he's just as ready for a fight as he's always been, he fights the codes to protect the island - but its the difference between a sword and a shield, because of his literal shield.

He's the only solid defense between the codes and the island, and all the eggs. The only one who can tank the hits and negate the effects of their crazy powerful swords.

A sword cannot hesitate, but a shield must consider it - he cannot take risks when he’s fighting in the Colosseum, because if he dies he’d lose the shield. He cannot risk attacking the fake Pomme without hesitation, not until he’s sure beyond a shadow of a doubt that it’s not his real daughter.

A shield must be sturdy. It must hold up under pressure. It must stay strong and reliable, no matter the circumstance - as the eggs go missing and everyone else crumbles, Etoiles cannot follow suit. He will play his part and defend the island, shouldering what the others cannot, because who else will do what he does?

To lose the shield would not only mean to lose himself, but to lose his family. He cannot fall without failing the entire island, his loss would mean disaster, for who is he if he’s not standing between the ones he loves and the monsters that threaten them?

He's as much a shield as the one he carries.

[gingermintpepper]

One of my biggest pet peeves is the assumption that something has to be sad for it to be tragic.

I've always been a big believer of the 'Apollo has an awful love life'/'Apollo is plain unlucky with love' line of thinking but it does bother me that the general reasoning for that statement is given to the concept of 'Apollo is somehow undesireable and thus rejected' (Cassandra/Daphne/Marpessa) or 'his lovers die young and thus their love is unfulfilled' (Cyparissus/Hyacinthus/Coronis). I personally think that's a very unfortunate way of looking at things - not only because it neglects the many perfectly cordial entanglements and affairs Apollo has had, both mortal and divine - but because it presents a very shallow interpretation of the concepts of love and loss and how loss affects people.

Apollo can still grieve lovers that have a long, healthy life. The inherent tragedy of an immortal who knows his lovers and children will die and cannot stop it does not stop being tragic simply because those lovers and children live long, fulfilled lives. The inherent tragedy of loss does not stop being tragic simply because someone knows better than to mourn something that was always going to end.

What is tragic is not that Apollo loves and loses but that loss itself follows him. Apollo does not love with the distance of an immortal, he does not have affairs and then leaves never to listen to their prayers again. He does not have offspring and then abandon them to their trials only to appear when it is time to lead them to their destinies. He raises his young, he protects the mothers of his children, he blesses the households that have his favour and multiplies their flocks that they may never go hungry. He educates his sons, he adorns his daughters and even in wrath he is quick to come to his senses and regret the punishments he doles out.

Apollo loves. And like mortals, there will always be some part of him that wishes to protect the objects of his affections. Apollo, however, is also an emissary of Fate. He knows that the fate of all mortal things is death. He knows that to love a mortal is to accept that eventually he will have to bury them. There is no illusion of forever, there is no fantasy where he fights against the nature of living things and shields his beloveds from death. Apollo loves and because of that love, he also accepts.

And that, while beautiful, is also tragic.

[narr-narr]

So, I made a roulette where it tells me what UT character should I draw.

And —

Yeah.

The man who speak with their bare own fancy hands.

[theswedishpajas]

Had a thought yesterday

[Clean version + bonus below]

[griem]

ijbol idk man releasing screenshots of very polarizing things said in a private discord server between friends in a public "callout" post is #the most #tumblrific thing ive ever seen LOL.

#opinion 😱 in tags

[n4rval]

the way his words are so carefully curated, not only for the sake of precision, but so it fits a rhythm that is breathable for a slow speaker.

to say exactly what he means in a short sentence, with recurring pauses and a clear pronounciation. to prefer periods(.) over commas(,).

not to be needlessly verbose – much the opposite; because this vocabulary serves the purpose of clarity, organization and to hold the attention of the listener.

[wdg-ofthevoid]

The man who speaks in hands

[cometblaster2070]

Headmaster Grimm: Is there anyone here who’s actually straight? Apple: *raises hand* Darling: *puts her hand down*

[seven-stars-in-his-palm]

the thing i love about bill cipher is that even after i've learned all of this stuff about him, seen him at the most vulnerable he'll ever get, seen him at his most innocent, i still can't give a flying fuck about trying to justify his actions. yes he's traumatized, yes he was twisted into what we know today, and while it gives a semblance of context to why he did what he did, it doesn't matter. he still ruined ford's life. he still drove and baited multiple humans to suicide. he still tormented every human he saw as his ticket out of the consequences of his own actions. he still took delight in his actions. he was willing to commit genocide for fuck's sake!!! (freezing all of the humans into statues). trying to explain away what he did does not get rid of what he did, but it certainly puts it in perspective. you won't be catching me being a bill apologist any time soon <3

[blogofyolo]

undertale sketches, it's been a while since i drew anything from that game. genuinely forgot how fun it is to draw alphys

[dubacheryking]

"bill and richie hate each other they fight all the time they get along the least out of the losers" shut up I am going to Beat The Shit Out Of You

[petthebunfluff]

oh my gosh royal scientist w.d. gaster??

i love drawing him silly