#malay annals

[spookylightwhispers]

how to turn down a proposal princess style:

"Dang Raya Rani has delivered your message to the Princess Gunung Ledang, who desires me to say, that if the raja of Malaca wishes for me, he must first make a flight of stairs of gold, and another of silver, from Malaca to Gunung Ledang; and, in asking me, he must present a gnat's heart seven platters broad, a moth's heart seven platters broad, a vat of human tears, and a vat of the juice of the young betel nut, one phial of the raja's blood, and one phial of the Prince Raja Ahmed's blood; and if the raja performs this, the Princess Gunung Ledang will assent to his desire."

[southeastasianarchaeology]

Sang Nila Utama: Singapore's Royal Connection to Alexander

Singapore's founder Sang Nila Utama is described in the Malay Annals as a descendant of Alexander the Great.

via the Greek Reporter, 04 February 2024: Singapore’s foundation story, as recounted in the Malay Annals, links the Sumatran prince Sang Nila Utama as a descendant of Alexander the Great (Iskandar Shah). This is likely a political myth to create an illustrious lineage for the rulers of Melaka. Amongst several generations of descendants of Alexander, King Suran (reign 1014 – 1044) emerged as the…

[japhugmafia]

by 21 you should be reading these books:

Book of Derde Korkut, The Secret History of Mongols, I La Galigo, Babad Tanah Jawi, The Malay Annals

[qisme]

CTSA Week 02 | Collaborative Skills

Collaboration is a process and is super important for me in the future as a designer, as we need to collaborate our ideas with multiple people at times to be able to get the best outcome.

[Nadim and the Swordfish- The Redhill Story]

My group and I brainstorm and finally came up with an idea on what we wanted our monument to be and it is Sang Nadim and the Swordfish. This story is one of the two tales from the Sejarah Melayu also knows as Malay Annals. The "better- known" one of the two tales is the legendary tale of Hang Nadim, the wise kampong boy who gives his suggestions to the people in his village and saves them from a bloody swordfish attack. However, he was then being executed as a threat to political stability. Legend has it that the soil of Bukit Merah is red stained due to the unjustly spilled blood of Sang Nadim.

Our group felt that this should be a monument in Singapore as it is not only one of our legendary stories however this story is only popular amongst the locals and not foreigners that are visiting Singapore. This should be a monument to allow people from around the world that is visiting Singapore to know about one of our most popular local history of Singapore. We also planned to place this monument near the Singapore River along the Merlion as that is where most of the tourist go to.

This monument would help to educate tourist about the downfall of Singapore in the past and how the "King" failed the people of Temasek at one point of time. This is a lesson learnt to all of us that even being one of a first world country, we also used to have a time where people with more authority abuses their power just because they are jealous of a certain person and do not want the citizens to think of them as a useless leader.

References:

This activity allows me to collaborate ideas with my teammates in order to think of a monument that is suitable and has a lot of meaning behind it. At first, it was not easy for us to break the ice, however I managed to speak up first and suggested the idea of creating the monument of Sang Nadim and the Swordfish. With much thought and process, my group also agreed with me and we began with our drafts of how our monument would look like.

This was our "rushed" idea as we did not have much time to think about what it would look like. We planned to put Sang Nadim, the swordfish and the banana tree as the main focus as we want to focus and tell the tourist and locals that Sang Nadim is one of our legendary heroes that we should remember of when we think of Temasek's past.

Collaborating with the rest of my teammate, makes me realised that we make better decisions and get better outcome as there are 4 brains instead of 1. Not only that when collaborating, it is important for me to empathise and accept different views and ideas from my teammate and improvise on that in order to work things out as a group. It is easy for me as I make that a habit during every group work. However, I am impatient when one of my group mate was not being helpful when the rest was brainstorming and that is one of my weakness. In the future, I want to be able to be more patient and instead of being annoyed, I will communicate with them instead to help out with the group work.

[spprkle]

Exploring the Culinary Delight: Barbeque Nation GSI

Introduction:

Barbeque Nation GSI stands as a beacon of culinary excellence, combining the art of grilling with a sumptuous buffet experience. Renowned for its vibrant ambiance, delectable offerings, and impeccable service, Barbeque Nation GSI has carved a niche in the hearts of food enthusiasts across the globe. In this article, we delve into the essence of Barbeque Nation GSI, unraveling its history, menu highlights, dining experience, and the secret behind its unparalleled success.

A Glimpse into History:

The saga of Barbeque Nation GSI began with a vision to revolutionize the dining landscape. Established in [insert year], it swiftly emerged as a pioneer in the concept of live grilling embedded within a buffet setting. The acronym "GSI" embodies the essence of this innovation – "Grill Served Indoors." This unique proposition captured the imagination of gastronomes, leading to a rapid expansion of the brand across diverse geographies.

Menu Extravaganza:

At the heart of Barbeque Nation GSI lies its eclectic menu, meticulously curated to tantalize taste buds and cater to diverse palates. The culinary journey commences with an array of appetizers ranging from succulent kebabs to tantalizing tikkas, each imbued with a symphony of spices and flavors. The live grilling stations add a theatrical flair, allowing patrons to savor freshly grilled delights crafted to perfection.

Moving beyond appetizers, the buffet spread unfolds a cornucopia of culinary delights, encompassing regional Indian cuisine, global favorites, and delectable desserts. From aromatic biryanis to indulgent desserts, every dish reflects the culinary prowess of seasoned chefs dedicated to delivering an unparalleled dining experience.

Signature Offerings:

While every dish at Barbeque Nation GSI exudes excellence, certain signature offerings stand out as crowd favorites. The "Kadhai Paneer" infused with aromatic spices and the "Murgh Malai Tikka" adorned with creamy marinade exemplify the culinary brilliance synonymous with the brand. For seafood aficionados, the "Tandoori Prawns" offer a symphony of flavors, while vegetarians revel in the decadence of the "Dahi Kebab."

Dining Experience:

Beyond the culinary extravaganza, dining at Barbeque Nation GSI transcends mere sustenance to become a memorable experience. The vibrant ambiance, accentuated by lively music and warm hospitality, sets the stage for an unforgettable gastronomic journey. Whether it's a casual rendezvous with friends or a celebratory feast with family, every visit to Barbeque Nation GSI is etched in the annals of cherished memories.

Secret to Success:

The resounding success of Barbeque Nation GSI can be attributed to a confluence of factors, chief among them being its unwavering commitment to quality, innovation, and customer satisfaction. The brand's relentless pursuit of excellence, coupled with a pulse on evolving culinary trends, ensures its enduring appeal in an ever-dynamic market landscape. Moreover, the emphasis on sustainability and responsible sourcing resonates with the conscientious consumer, further bolstering its reputation as a socially responsible enterprise.

Conclusion:

In conclusion, Barbeque Nation GSI transcends the realms of gastronomy to embody a culinary phenomenon that celebrates the art of grilling, the joy of communal dining, and the spirit of innovation. With its rich tapestry of flavors, impeccable service, and inviting ambiance, it continues to reign supreme as a beacon of culinary excellence, captivating the hearts and palates of discerning patrons worldwide. A visit to Barbeque Nation GSI is not just a dining experience; it's a celebration of food, friendship, and festivity—a journey that lingers in memory long after the last bite is savored.

[holidayhunteraust]

Pearling Heritage: The John Louis Lugger and its Maritime Legacy

John Louis, a remarkable vessel, was meticulously constructed in Broome in 1957, utilizing the finest local Western Australian timbers. It proudly stands as one of the last traditional pearl shelling luggers ever built.

The ingenious design of the Broome luggers was ingeniously shaped by the demands of the local environment, specifically tailored to navigate the vast tidal movements of the region. With a shallow draft and a broad beam, these vessels were perfectly suited for the task at hand. The crew, hailing predominantly from Aboriginal, Torres Strait Islander, Malay, or Japanese backgrounds, resided and slumbered on the deck, fully immersed in their maritime duties. Their primary responsibility involved tending to the air hoses, ensuring the safety and success of the hard hat divers who diligently collected precious pearl shell from the depths below. The crew also diligently cleaned the shell on deck, recognizing its immense value in an era preceding the advent of plastic.

As the 1970s dawned, the hard hat era gradually faded into the annals of history. John Louis, ever adaptable, underwent a series of modifications to accommodate the burgeoning cultured pearl industry and the emergence of a new diving technique known as hookah. This innovative approach employed significantly lighter equipment, necessitating alterations to the vessel. The foredeck was raised, a forecastle accommodation was thoughtfully constructed, the diesel engine was replaced, and an open wheelhouse and awnings were seamlessly integrated. These enhancements have shaped the current configuration of the illustrious John Louis.

Today, John Louis stands as a testament to the rich maritime heritage of Broome, a symbol of resilience and adaptability. Its storied past and transformative modifications serve as a reminder of the ever-evolving nature of the pearl industry and the indomitable spirit of those who have navigated its waters.

[legend-collection]

Bhoota/Bhuta

A bhoota or bhuta is a supernatural creature, usually the ghost of a deceased person, in the popular culture, literature and some ancient texts of the Indian subcontinent. Interpretations of how bhootas come into existence vary by region and community, but they are usually considered to be perturbed and restless due to some factor that prevents them from moving on (to transmigration, non-being, nirvana, or swarga or naraka, depending on tradition). This could be a violent death, unsettled matters in their lives, or simply the failure of their survivors to perform proper funerals.

Belief in ghosts has been deeply ingrained in the minds of the people of the subcontinent for generations. There are many allegedly haunted places in the subcontinent, such as cremation grounds, dilapidated buildings, royal mansions, forts, forest bungalows, burning ghats, etc. Ghosts also occupy a significant place in the Bengali culture. Ghosts and various supernatural entities form an integral part of the socio-cultural beliefs of both the Muslim and Hindu communities of Bangladesh and Indian states of West Bengal. Fairy tales often use the concept of ghosts and references to paranormal activity are found amply in modern-day Bengali literature, cinema, radio and TV programmes. In Pakistan, the word jinn is used to refer to both the Arabic Jinns as well as bhootas. Influenced by Arabic and Persian mythology, bhootas in the Pakistani society have a more varied and fluid identity, ranging from Jinns from another realm made of fire, to ghosts of humans who died painful deaths.

Bhūta is a Sanskrit term that carries the connotations of "past" and "being" and, because it has connection with "one of the most wide-spread roots in Indo-European — namely, *bheu/*bhu-", has similar-sounding cognates in virtually every branch of that language family, e.g., Irish (bha), English (be), Latvian (but) and Persian (budan).

In Hindustani, Punjabi, Kashmiri, Bengali, Sindhi and other languages of the northern subcontinent, the concept of bhoots is extensively used in idiom. To be "ridden by the bhoot of something" (bhoot sawaar hona) means to take an obsessive interest in that thing or work unrelentingly towards that goal. Conversely, to "dismount a bhoot" (bhoot utaarna) means to break through an obsession or see through a false belief that was previously dearly held. "To look like a bhoot" (bhoot lagna) means to look disheveled and unkempt or to dress ridiculously. A house or building that is untidy, unmaintained or deserted when it should not be is sometimes pejoratively called a bhoot bangla.

The word has travelled far into Southeast Asia: it entered Javanese through Sanskrit as buta generally referring to a malevolent spirit/demonic giant which haunts places, it also refers to the genre of evil giants in wayang stories such as Buta Cakil. It has also undergone an evolution in the Malay world to mean a jinn-like creature mentioned in the as Malay Annals; there is a legend of such a creature that dwells in the plains of the Perak River with similar traits albeit of gigantic size giving its name to a town in north of the Malay Peninsula named Bota.

Bhootas are able to shape-shift into various animal forms at will, but are most often seen in human shape. However, their feet often reveal them to be ghosts, since they face backwards. As the earth is regarded as sacred or semi-sacred in many traditions of the Indian subcontinent, bhootas will go to great lengths to avoid contact with it, often floating a fraction above it, although sometimes as much as a foot off the ground. Furthermore bhootas cast no shadows, and speak with a nasal twang. They often lurk in the branches of specific trees and prefer to appear in white clothing. Sometimes bhootas haunt specific houses (the so-called bhoot banglas, i.e. bhoot bungalows), which are typically the places where they were killed or places which hold some other deep significance for them.

Many ghost stories in the region combine these elements. For instance, they might involve a protagonist who fails to flee or take countermeasures when they run across a bhoota. Instead, they unwittingly accept the bhoota's companionship (e.g., keep the ghost company as he/she walks through a forest, or (if a man) picks up the ghost in his car because it looks like an attractive woman waiting by the roadside at night). They become progressively aware that their companion is dressed entirely in white and has a strangely nasal voice, before the horrifying realization dawns on them that their companion's feet are turned backwards, or he/she is not casting a shadow in the moonlight, or is walking without actually touching the ground. Bhootas are said to seek out milk and immerse themselves in it. Consuming bhoota-contaminated milk is considered a typical route for bhoota- possession of humans, which has also been a frequent plot element in bhoota stories.

A particular kind of bhoota, that of a woman who died during pregnancy or childbirth, is known as a churel (dakini in Nepal and eastern India). Churels look like human women, but their feet are turned backwards or other features are turned upside down. They can change their forms at any time. Churel often try to lure young men at road crossings and fields or similar places. If a man is enamoured of a churel, it is believed that she will cause his death. There are, however, stories of people living with a churel, or even marrying one.

In many regions, bhootas are said to fear water and objects made iron or steel, so keeping either of these near at hand is believed to afford protection against them. The scent of burnt turmeric is also said to ward them off - as are the fibres of the Apiaceous herb bhutkeshi ("bhoota's hair"). As is typical of ghosts throughout the world, invoking the name of holy figures and deities is also said to repel bhootas. In some regions, sprinkling earth on oneself is said to shield against bhootas. According to Hinduism and all Dharmic Religions, the soul cannot be destroyed by any means. As a bhootaa is just the lost, or angry soul of a deceased person, Hindu exorcists will not (or cannot) destroy them, but perform instead a ritual from the Atharva Veda called atma-shanti which is just a modified shraadh (death anniversary) carried out by those haunted by a bhoota, promising it that they will do everything in their power either to ensure the rebirth of the bhoota or to finish the works left incomplete by it (or both). Such actions provide the bhoota with what it wants, causing it to cease haunting its victim for good.

The Bhutas, spirits of deified heroes, of fierce and evil beings, of Hindu deities and of animals, etc., are wrongly referred to as "ghosts" or "demons" and, in fact, are protective and benevolent beings. Though it is true that they can cause harm in their violent forms, as they are extremely powerful, they can be pacified through worship or offerings referred to as Bhuta Aradhana.

[gerrymike]

SORRY if you followed me to read my archives magnus fanfic planning but. but. have been brainstorming. histopolitical fantasy w veiled metaphor for Singapore in general. vague period in antiquity island at end of a peninsula thus good stopover port and ideal location for a city to be prosperous with rome esque forever city vibes unestablished series length except the last book ends with the collapse of the republic and the death of all but one of the major characters. main character is an evil bitch with a forehead tattoo

[ishiplove]

Wait the minute. The latest this book was printed was in 2018 lol

No wonder lah, I never read it before. They just added it into the syllabus huh..

[you-drewstarsaroundmyscars]

i'm on wikipedia for the fun of it and look

Tengkolok also mentioned in Malay Annals (Sejarah Melayu) stories as Raja Muhammad, son of Sultan Mansur Syah murdered Tun Besar, son of Bendahara Tun Perak as a ball kicked by him, knocked off his tengkolok to the ground. This incident caused Raja Muhammad to be sent away from Malacca and installed as Raja in Pahang.

..............

I DON'T KNOW WHAT TO SAY

[mermaidenmystic]

Duyung by American artist Wolfberry-J of Wolfberry Studio https://www.deviantart.com/wolfberry-j/art/Duyung-215154937

Artist note: Inspired by mermaids in the legends and folklore of Malaysia and Indonesia. 'Duyung' is Malay for 'mermaid'.

Mermaids appear in the folklore of the Malay world. The Malay Annals, a 16th century book that compiled the genealogies of the dynasties of the Malay Archipelago, recorded the legend of Raja Suran (or Chulan), who married a mermaid princess. Their three sons became the founders of Malay Dynasties of Southeast Asia.

@lagaleriapopurri

[reimenaashelyee]

I don’t know why, but the blending of myth and history in your Alexander comic makes me think of the Malay Annals for some reason!

I mean, Alexander (Raja Iskandar Zulkarnain) is in there too as the ancestor of the first Sultan of Melaka so like... it’s not so far off.

[redfleece]

Just got these books about the legends of prince and princesses of Malaya (present-day Malaysia). The author and illustrator is Raja Zarith Idris, Queen Consort of Johor (who graduated from Oxford University aka the Other Place). So in awe of Raja Zarith Idris who uses her talent and status to spread knowledge about Malaysia’s legends (some legends are unknown to many readers). I’ve also retold a story of a princess in my forthcoming children’s book about the Malay Annals. Can you guess which one? #malaylegends #malaya #prince #princess #malaysia #reading #writing #knowledge #inspiration #sejarahmelayu #themalayannals #history #sulatussalatin #roots #identity #genealogyofkings #literature #malayarchipelago #books https://www.instagram.com/p/CNzaqxYBzpO/?igshid=8ljfvh8igux9

[southeastasianists]

It is hard to imagine Singapore before its modern founding by Stamford Raffles of the East India Company in 1819, even with full knowledge of its earlier history. This cluster of keramats, Muslim saintly shrines infused with the religious practices of the Malay world, provides an intriguing window into Singapore’s pre-British history. Thought to be built around the 16th century (though there are opinions against this), the oldest grave reportedly dates to 1721, and burials continued up to early in the 20th century. The small hillock the keramats reside in was then known as Bukit Kasita, sacred hill.

The wall surrounding the graves are of a hybrid Malay and European styles, and was constructed during the second half of the 19th century. The site contains about 50 graves, banded in green and yellow cloths, denoting Sufi tariqa devotees and royal internees respectively. Certain prominent gravestones are inscribed with the genealogy of the internee. Many pointing towards the royal line of the Johor Sultanate, with its roots in the region intertwined with the fall of the Srivijayan Empire. Hence, the site is also known as Tanah Kubor diRaja, Royal Burial Ground.

The Kingdom of Singapura, according to the Sejarah Melayu (Malay Annals, authored in the 15th and 16th centuries), was founded by the Srivijayan prince Sang Nila Utama in 1299. The following centuries saw the prestigious Srivijayan royal line shift its court from Singapura to Melaka, then Johor. Following the succession crisis caused by Sultan Mahmud Shah III’s death in 1812, the royal line split between a court in mainland Johor and one in the Lingga-Riau archipelago.

Many descendants from this line are buried here, though the identities of many are unknown. A prominent internee was Sultan Abdul Rahman II (1883-1930), the last sultan of the Lingga-Riau Sultanate who fled to Singapore after the Sultanate was dissolved by the Dutch in 1911. With his royal regalia and dignity stripped, Abdul Rahman II sought to hold on to his lineage, history, and culture by associating with the ancient royal spaces of his forebears. He and his descendants are buried here.

Two prominent graves towards the southeast corner are those of Raja Ahmad Raja Said and Engku Fatimah, a father and daughter pair that descended from Temenggong Abdul Rahman (1755-1825), who was integral to the 1819 Treaty of Singapore, and from whom the modern Johor Sultanate descends from. Abdul Rahman himself was buried in the Johor Royal Mausoleum nearby.

The keramat is today shrouded by vegetation and a small, informal settlement, overshadowed by blocks of public housing. Interviews conducted by the local history interest group The Long and Winding Road showed that the residents outside the keramat were descendants of the custodians tasked by a tunku (royal prince) to oversee the upkeep of the graves. In a hyper-urbanised country where such informal settlements are few and far between (Lorong Buangkok is the last surviving community on the mainland), this site serves as a reminder of how many spaces, buildings, memories, and history were obscured by the development of Singapore after 1819.