#makishima and rikako

[ragetheloop]

Compilation of all official art posted to Kageyoshi's Twitter during the countdown to Raging Loop's PS Vita release, spanning the first 11 days of January 2017.

REI-JIN-G-LU-P (レイジングループ) © KEMCO

[chaos-of-the-abyss]

i recently finished rewatching psycho pass season 1 and, as always, the thoughts about makishima shogo are flowing. i think, on my first watch of the show, i didn't quite understand makishima's character or the messages that it was presenting, but i think i've got a better grasp on it now, so. here are my two cents that no one asked for.

there are two words i predominantly associate with makishima: isolation and boredom, though my main focus is on the former as i feel the latter is not true apathy but rather a byproduct of isolation. makishima is isolated because of his criminally asymptomatic nature, meaning that sibyl, the system presiding over all of japan's society in the setting of psycho pass, has no power over him. no matter what he does, no matter what kind of person he is or how many heinous deeds he commits, makishima will always be an upstanding citizen in the eyes of sibyl. in a manner of speaking, sibyl, the ultimate authority of the world he lives in, cannot "see" him, and he himself is unable to change this fact. and because makishima is isolated, cut off from the rest of the world and the people around him, in such an extreme manner, he's bored.

the rest is under the cut for length. and fair warning, this entire post is pretty much me going:

so. in kogami's assessment of makishima, he basically likens makishima and all his actions - his manipulations of the people around him, his murders, both direct and indirect, his attempted bioterrorism - to a kid throwing a tantrum about being left out. kogami here, i believe, is in some ways projecting a part of himself onto makishima, but that's not a topic for this post. suffice to say that despite his projecting, kogami isn't entirely inaccurate. makishima is a lonely person who wants to destroy a society and a system that rejects and denies his existence and personhood. once again, in sibyl's eyes, no matter who makishima really is, it doesn't matter. all that sibyl cares about is that his crime coefficient has never exceeded regulation level, and therefore he's a model citizen. ironically, makishima is subjected to sibyl's dehumanization just as much as any other individual in psycho pass' setting. people don't matter to sibyl, who they are inside and who they are to other people don't matter to sibyl. only their crime coefficient and their psycho pass do. while, in the enforcers like kogami, the issue of sibyl's dehumanization is highlighted through the fact that many of them are not bad people at all and yet they're treated like disposable assets, in makishima's case, it's the opposite. he's a murderer and a terrorist who can kill people without blinking an eye, but sibyl doesn't care about that. sibyl doesn't care that he's not a good person, his numbers are perfect and that's all that matters. who he is doesn't matter. (though i will note that i think makishima's status as a villain is muddled by the dystopian nature of sibyl and psycho pass' setting, but we can all at least agree that he's not a good person.) it's dehumanization; it's just that for makishima, it's the opposite of the typical trajectory with which that dehumanization is applied. arguably, and as kogami states, this could be taken by some people to be a blessing - after all, yippee, i can do whatever i want since my numbers will never exceed the accepted norm - but makishima takes it as an indication of how alienated he is.

makishima tells akane that he believes the only time people's actions have worth is when they commit them of their own free will, and that he wants to see the splendor of the human soul and judge for himself whether that's a good or bad thing. i think makishima feels that he has never truly been able to interact with others due to the overarching, restricting influence of sibyl. people can't let their true desires and wishes out because it would stigmatize them in sibyl's eyes. therefore, they are not acting of their own free will, and what they do does not represent the human soul that makishima claims he wants to see. therefore he wants people to break out of those restraints and be more "honest" about who they are. however, it's also that sense of isolation that makishima feels that hinders him from truly interacting with others on the same level. this is significant because, as shown by the series, interaction between people is one of the major factors that help individuals solidify and develop their own sense of self. kogami rediscovers his idealism and his sense of right and wrong by working under akane, which is something he tells her in the second(?) episode: that he feels that, under her, he might be able to be a detective, not just a hunting dog. akane, too, in interacting with kogami and to a lesser extent, ginoza, and the other enforcers, develops a strong grasp on what she believes to be just. by the end of season 1, she has a firm understanding of her own ideals which she lacked at the beginning, in part thanks to her experiences with those around that have helped her flourish.

as i said, though, makishima is unable to really, meaningfully interact with others - at least outside of a handful of people - and so his introspection and self-understanding have been considerably hampered. makishima is a very outwardly-knowledgable person and makes no secret of it, but i don't think he knows himself very well. he receives mixed messages from the dissonance between his own actions and sibyl's assessment of him, and the confusion, for lack of a better word, is only exacerbated because he feels that he can't have relationships with others that are actually worth anything. not only does he feel alienated by the world because he's criminally asymptomatic, but he also feels alientated by everyone around him. therefore, he seeks companionship (and utility, of course, but that's not the focus of this post) in seemingly like-minded people, who also appear to, in one way or another, reject and be rejected by the society that they live in. it's to foster meaningful connection that can actually teach him something - though i don't think he's consciously aware that this is part of his motivations - because he wants to know himself. essentially, he looks for himself in other people. But these other people, his accomplices - like masatake and rikako - disappoint him and fail to give him that companionship he seeks because they are ultimately also lacking their own sense of self.

in masatake's case, he is able to flawlessly play the role of multiple avatars because he relies on them - made-up, virtual constructs - to give him his identity. it's precisely because he has no well-defined "self" to speak of that he can, not only emulate the original owner of the avatar, but surpass them in his ability to embody and become their avatar. due to lacking his own unique identity, he serves no purpose to makishima, so makishima kills him. when it comes to rikako, while makishima is initially interested in her because of her resentment towards sibyl, said resentment and her resulting murders are very directly tied to her father, his beliefs, and his works. as kogami puts it, she lacks originality, because what she's doing is ultimately lashing out at the world for what was done to her father, not because she has some dissatisfaction with sibyl on her own independent principles. though, an aside: i actually think rikako does have some genuine frustrations with society less related to her father's situation, but they don't hold particularly significant sway over her. maybe if they had, makishima might have at least kept her alive longer.

as for senguji, i have less of an understanding of what makishima thought of him in comparison to masatake and rikako, probably because it's a little more ambiguous about whether makishima truly and totally cut him off like he did those other two, or if he was just going for a coin toss to see of senguji could survive his games. but i digress. my approximation is that senguji, despite his platitudes about the wonders of his near-complete cyborgification(? is that a word?), is actually deeply bored and dissatisfied, in part because so much of him is mechanical. being a cyborg means that most of the prey he hunts essentially poses little threat to him, and this gap is further widened by the fact that the "hunts" take place in senguji's own territory, so to speak. they aren't actual challenges. they don't truly stimulate him, but much like makishima who knows so little about his own self, senguji doesn't realize that. makishima, of course, who is ever-attuned to the people around him, picks up on this, which is why he tampers senguji's "game" with kogami to introduce unexpected variables that enable kogami to pose a legitimate threat to senguji. and, as senguji notes, only then does it sink in that he hasn't felt truly alive in a long time. the last time he did was when he was in a war zone, in mortal danger with his friend shot dead right next to him. in the present game with kogami - someone skilled and dangerous and as much of a threat to senguji as senguji is to him, unlike all of senguji's other hunts - senguji is once again in extreme peril, and for the first time in so long, he experiences that sensation of being alive. also, note the obvious parallel of makishima, at the top of the NONA tower, thanking kogami for doing away with his boredom for a little while. i'm pretty sure this is intentional; senguji's whole deal with boredom and dissatisfaction is, just like with all of makishima's accomplices, meant as a narrative reflection of makishima.

i would also feel remiss if i didn't talk about choe gu-sung. (who i'm pretty sure is korean btw. i don't believe his nationality is ever stated, other than that he is a foreigner, but the way his name is pronounced by the other characters - "chwae goo-seong" - lends itself perfectly to korean syllables. anyway.) gu-sung is interesting because, aside from kogami, he is the only person to pretty much sustain and live through the, shall we say, conundrum of makishima's interest. makishima does not kill gu-sung; they're in league until the very end, and in fact it's during their shared plan which they conducted together that gu-sung is killed by sibyl, and makishima actually has a faint but noticeable reaction to this. it's easy to see that gu-sung is more up his alley than masatake, rikako, and senguji. notably their dynamic is also different from that of makishima and his other accomplices, because they actually have normal (semi-normal...) discussions and makishima discusses and debates literature with him in the same way that he does with kogami. makishima is maybe not totally honest or open with gu-sung, but he is genuine with him. i think this is because, from what i can tell, gu-sung is someone who does have a true, defined sense of identify, and legitimate awareness about his own self. he doesn't get much expansion and we never know anything significant about him other than that he is a foreigner, a latent criminal, and a genius hacker, but what sticks out to me is that he's open about and aware of the fact that makishima has a certain engaging effect on him. in gu-sung's words, when "i'm with him, i feel like i've gone back to my childhood". additionally, during his conversation with kagari as the latter is trying to find and arrest him, gu-sung explains his dislike for the sibyl system and the fact that it forced him to live like a hunted rat, running from corner to corner. this antipathy comes from a sincere place, and doesn't seem to be tied to anyone's opinion other than gu-sung's own. i think makishima liked that about him: his self-awareness, his understanding of his own personal resentment and dissatisfactions, and his willingness to acknowledge those things as a part of himself. gu-sung is the opposite of makishima in some ways, imo. they're both geniuses, but while makishima is more oriented toward planning and widespread manipulation, gu-sung is a specialist who is unparalleled in his particular niche. their inverse duality is even partially highlighted by their dialogue, right before they commence with their plan to plunge the town into chaos using the cymatic scan-fooling helmets. gu-sung says he is a foreigner, and i believe he also says he's grateful just to be able to live in this country, while makishima states that he was born and raised in this town. despite their differences, they share a grievance with the system, and they have united to address that grievance. it definitely says something that makishima has someone like gu-sung in his life; someone who you could look at and call his friend, regardless of what those two considered themselves to be.

...all that word vomit to say that the people makishima abandoned and killed - masatake, rikako, and probably senguji - are mirrors to his own lack of self-understanding and lack of a fixed sense of identity. meanwhile his one lasting relationship aside from kogami is with gu-sung, who stands in narrative opposition to him in the ways i described. what i'm trying to get at is that masatake and rikako definitely, and senguji maybe, don't give makishima a true look at the human soul he wants to witness - at least in his view they don't. therefore makishima, still isolated and without companionship even while in their presence, grows bored and ultimately kills them. that's where kogami comes in. kogami, i believe, satisfies makishima's desire for companionship, or at least makishima grows less isolated in his presence. unlike masatake and rikako, kogami knows himself, and i'd argue has a better grasp of himself than ever by the time he meets makishima face-to-face thanks to coming to know akane. i'm reminded especially of his conversation with masaoka right before he (kogami) leaves the public safety bureau to hunt down makishima, when he explains that his actions aren't out a sense of ideals or an intolerance for evil, but rather that this is what he wants to do, and if he doesn't end things with makishima now, he will grow to resent himself. his self-awareness and defined identity means that with kogami, makishima is not left feeling bored and dissatisfied.

but it goes further! kogami, like makishima, is someone who both rejects and is rejected by the sibyl system, the dominant power governing the society they live in. sibyl rejects kogami as a latent criminal, but kogami also proves that he denounces it right back when he chooses to go off and try to kill makishima on his own, even though sibyl wants makishima alive. in other words, makishima's solitude as a pariah is understood on a fundamental level by kogami. not only that, but kogami, like makishima, is in some ways like a kid lashing out at being excluded, which makishima comments on at the end of episode 21 in response to kogami calling him out as such. according to makishima, kogami is angry that his own suspicions regarding sasayama's death were rejected by sibyl, that his own anger about letting sasayama die was simply ignored and swept under the rug, and he was left to process it by himself. and it was an outburst of that anger that provoked him to leave everything he had at the bureau behind and truly put a target on his back, perhaps for the rest of his life, in order to confront and put an end to makishima. this mirrors kogami's judgement that makishima's actions are essentially a temper tantrum that his feelings of solitude are not even seen, much less acknowledged, by the world around him. and just like how i stated at the beginning of this now-obscenely long post that kogami was projecting a bit in his assessment of makishima, i also believe makishima is projecting a bit right back. but, again, like kogami's assessment, makishima's assessment isn't necessarily invalid or incorrect just because he has personal biases mixed up in it. his words to kogami have a degree of truth to them. in this way - both of them acting a little like kids, both of them projecting in their evaluation of the other as someone acting like a kid - they are also similar.

one more thing that i'd like to say regarding kogami and makishima is that it is stressed many times throughout the season how well kogami can put himself in makishima's shoes and replicate his thinking. while akane gains some understanding of makishima's thought processes over time and interaction, by her own admission, kogami is even better than her at gauging makishima, and this is because the two of them think alike naturally. it's why kogami has such a good nose for what's really going on behind the scenes throughout the season; because his thought processes are similar to makishima's, he can easily parse out what's up. i don't think this requires much further explanation since it's very cut and dry as another way that the two men are alike.

the final point about kogami's significance to makishima, specifically how he relates to makishima's solitude and boredom, is that makishima at his core is someone who wishes to be seen and judged. the sibyl system, and by extension society, has refused to give this to him. the person he is is not seen, much less judged, because, once again, all that matters to sibyl are his numbers. it's precisely because of this that he feels isolated and wishes to be acknowledged and judged as everyone else is; but in a vicious cycle, makishima's inability to receive that acknowledgement and judgement feeds right back into his deep sense of isolation. it's like a positive feedback loop, wherein the cause contributes to the effect and the effect contributes to the cause. however - kogami does see makishima. kogami does judge him, and he judges makishima just the same as sibyl would other murderers in the series: as someone who deserves to die. in other words, makishima is finally getting equal treatment from someone. the isolation that he experiences as a result of his perpetually clear psycho pass and his stable crime coefficient is stripped away when it comes to kogami, because kogami doesn't care about those things - he cares about who makishima is. and to him makishima is a murderer and a criminal who painfully killed one of his friends, and just like any other murderer and criminal under sibyl, is to be killed. plus, notice how makishima is typically very calm and serene when interacting with others, but grows markedly more animated and excited when interacting with kogami, be that through talking or fighting. that's the isolation and boredom that he's stewed in his entire life, evaporating in kogami's presence. ultimately, makishima's solitude is alleviated, and his desire to be seen and judged is fulfilled... because of kogami.

it's just as akane says.

[morphogenetic]

GUYS GUYS guys GUYS

rloop cosplayers....in real life (@ anime chibi)

(photo by @totalnihilation on twt/@explodingpenguinsin3d on insta I did not take this I was just notified about it by said photographer LOL)

[aibafiles]

on my bullshit again (raging loop hatchetfield au)

[sunspots-non-sorts]

Psycho-Pass - season 1 - episode 7.

[thinenotthee]

Ro's Treatise on Makishima Shogo

I have been into Psycho-Pass for about ten years now. It is the second or third anime i ever watched and it has had a vise grip on me since. I rewatched the first season a countless number of times before finally biting the bullet and watching the rest. I am rewatching the first season again. From the beginning, I have never liked Makishima Shogo.

Preface: I historically do not like villains. They can be the most interesting character ever but I'm like "they do bad things so they suck and I don't like them." No hate to people who do like them, I have just never really been one of them.

I have never been involved with a media that loves its villain as much as people who watch Psycho-Pass love Makishima Shogo and it makes me crazy! I think for a lot of people watching Psycho-Pass, Makishima represents a character type that we don't see often in media: guy who challenges the status quo in the same way we as the audience do. Many of the people I talk to about Psycho-Pass cite Makishima as their favorite villain because he’s “right,” or because he’s “challenging the system.” Or to cite myself from a few years ago, “All the dudebros are like ‘he thinks so deeply about society and really questions it’ and I'm like dude that's everyone in Psycho-Pass, including you, the viewer of Psycho-Pass.”

Because the fact of the matter is, Makishima’s not right about anything.

Sure, Makishima observes and acts upon the depravity of Japan's society under the Sibyl System, and makes active attempts to undermine it. Ederlyn Peralta of CBR states, “[Makishima] has a vision of how the world should be, making him an appealing character to viewers.” However, I think a more accurate assessment is that Makishima has an idea of what the world should not be. He does not work to undermine the Sybil System for the good of common people. He does it in a self-serving manner to prove that he is right and society is wrong. He wants to watch the world burn and not do anything about what happens after it. He has no plans to protect the people in said society after the upheaval, evidenced by the fact that his goals are to get people to kill each other, and then starve the country by destroying its primary food source. He sees the members of Japanese society as worthless sheep unworthy of his protection.

And we see what happens to people once he decides they are no longer worthy of his protection or involvement! During the Spooky Boogie case, we see Makishima immediately discard Masatake Mido after he deems him uninteresting. The same thing happens to Rikako Ouryou. He discards people in the same way the Sibyl System does. Once they no longer serve his purposes or prove a liability to him, he gets rid of them. He is judge and jury and proxy (if not actual) executioner, just like the Sibyl System.

And yet I'm supposed to believe he's got something right?

I think this would be less infuriating if Makishima was the only member of the cast criticizing the Sibyl System. However, as I stated before, everyone is criticizing the system! The entire show exists as a criticism of the Sibyl System! Kogami hates it, Akane has made it her life mission to question and critique it, every cast member that we get to talk to for more than a few minutes has their critique of the System. And these are people who work directly in service of it! So I cannot find it within myself to stand with Makishima's thoughts and declare him right in any matter.

Akane has a beautiful line in episode 20 where she says that anyone can decide they want to look for happiness anytime they want, as long as they are alive. Makishima has given up on the promise of human potential in the same way, and has decided unilaterally who he thinks is capable of pursuing higher thought. But that's not his decision to make.

TLDR: Makishima Shogo makes my blood boil and I am tired of him. Good riddance.

[1petalrose]

The girls

[woodswolf]

schrödinger's god by Woodswolf

The newcomer — Haruaki Fusaishi — suddenly trips off a ledge and twists his ankle.

You put your rifle away and lend him your shoulder to help him stand. There’s no one around — you would surely hear if someone were, with your senses being finely tuned after many years of hunting — so you take the opportunity to ask him, somewhat secretly, who he thinks the wolves are.

He’s silent for a moment. For a few seconds, his gaze seems far-away and lost.

“It’s me,” he finally says. “I’m a wolf.”

The man who chose to bear the name "Haruaki Fusaishi" is many different things to many different people. But this story isn't about him.

This is a story about God.

read on ao3

[effei-s]

the endless list of psycho pass characters that i love 1/?

Rikako Oryo

Everyone here is the same. They don’t notice anything. They don’t say anything. And they don’t think anything. They are merely a shell of their former selves and soon they will disappear like the melting snow. This epidemic leads innocent people to their deaths, and yet, it’s pathogen will never be eradicated. This is a disease called Serenity – a form of death that people have wished for.

[rens-room]

psycho-pass (season1) thoughts: 

I’ve heard this op so many times before and know I finally can place it. 

canon wlw?? in my anime?? 

ahhhhhhh the dystopian world sets in. 

there’s so much to say about ethics of crime and judging human life and the validity of people making their own choices (and mistakes) but I’m sure the show deconstructs it better than I can. 

I feel like I’m on a Production IG binge going from Noblesse to Haikyuu, to Kuroko no basket, to Psycho-pass lol. 

you can’t name the weapons Dominators, I’m not mature enough for that. 

the technology is really cool, from the self upgrading guns to the concept of sibyl system analysis of literally everything. however, nothing compares to kogami’s detective skills. 

listen, this show made a character that if you remotely like (anime) men, you’re gonna be in love with kogami. 

funny how many division one hounds’ names start with K. 

ginoza looked less like a dick with shorter hair. 

YAYAOI WAS A MUSICIAN??!! that’s so cool. 

I do wish the show had better lighting, I would like to be able to see everything on the screen and not just reflections because it’s so dark. 

I feel like it would be more helpful to the makishima investigation if uhhhhhh the people were left alive to be questioned and not just blown up on the spot. 

also how do you miss makishima?? his design screams anime villain. 

he can’t be your father!! I didn’t actually see this one coming even though it probably was obvious. 

I have a bit of a thing for detective shows lol. 

woooo we reached the destruction of social order that was carefully orchestrated by the antagonist. 

kagari probably has my favorite character design. it’s a colorful and lively contrast to the rest of the enforcers and the environment in general. 

this anime feels so nostalgic to me. particularly the ops and eds. 

I personally am not a fan of name dropping authors and reciting quotes from memory, I’ve always found it more pretentious than classy, but if you do like that sort of thing I know just the anime guy for you. 

monocropping is bad and you shouldn’t do it. I learned that in high school, come on. 

the girls are fighting! and they have SWITCHBLADES! 

the ending coming full circle/paralleling the beginning had no right to hurt me that bad. 

overall: 

not bad. a little predictable but it is still a detective story so that is to be expected and the themes and message are powerful enough to balance out the predictability. 

not sure if I will watch the other seasons, this one kinda killed my favorite characters and idk if I have have the patience to deal with a new cast each season. 

[goldenwitchmami]

Artist: rera

[va--fail]

PSYCHO-PASS The Stage Chapter1－Crime Coefficent－. 

[masterprocrastinator16]

Edit:66 Love at first sight 👀❤️

[sunspots-non-sorts]

Psycho-Pass - season 1 - episode 8.

[yoonyoongichan]

Psycho Pass Struggle tweets part 1

[zana-kun]

I recently finished the main story of Raging Loop, so of course I had to draw the main girls! It was definitely an interesting read.