#makes me connected to the characters more

[usedpidemo]

Getting closer (Kang Hyewon)

“All I’m saying is—” Hyewon looks away, drink in hand, taking a little sip, calm and alluring as ever, “if you only want to see me naked, then you could have just said so.”

You widely stare back, silent, indifferent—or at least pretend to be. It’s gotten you a fair amount of awards, after all. It’s not the slightest bit of convincing whatsoever.  

She laughs, softly, as if this was the expected outcome. “So I’m taking that as an admission.” 

Setting down the near-empty wine glass on the bathroom sink, Hyewon attempts to walk away, only to be stopped by a sudden pull. Your hand appears tightly wrapped around her dainty wrist, unwilling to let go. Your eyes aimlessly wander up and down the empty void that is her black dress. There are hardly any thoughts behind that predictably empty head of yours, only the simplest of desires.

You catch the subtlest grin forming on her saccharine lips. You fucking hate how she makes you feel. How she makes your heart race with every exchange.

Despite all the time you’ve spent together, you wish you got to know her better.

—————

The last year and a half of your career has mostly centered around one thing, or in this case, one person: Kang Hyewon. There’s also this drama starring your pairing as co-leads, and you’ve been promoting together, but your names make up more of the headlines than the very show. Your names are synonymously tied together akin to an actual couple.

Unsurprisingly, Hyewon is damn gorgeous. It’s how she’s getting the calls to begin with. Another one of those former singers turned actors looking to be taken seriously within the larger entertainment industry. Most never make it past their first project and fall back on their old careers, with some completely flaming out of the spotlight altogether. She’s an exception. A minor part here, a supporting cameo there—until she’s more than pleasant eye candy. A starlet who knows how to pick what roles would showcase her talents the most. 

She’s the perfect blend of beauty goddess and hotshot young star that the internet can get behind.

So it comes as a surprise when she’s casted as second fiddle to you, the first billing—and everyone comes away talking about her more. The scene stealer. 

(This plucky rival agent, investigating a case your character has been trailing for years, barely scraping by with the thinnest of clues, only for her to uncover the mystery only days after starting the investigation. The writing screams Mary Sue, but she acts convincing and vulnerable enough to escape the scathing think pieces that’s commonly associated with such characters. Not to mention: you both look damn good together on screen and during your public appearances.

It’s a team that sailed a thousand ships—both for your characters and in the real world.)

The consummate professional you are, you don’t think much of it. Your filming experience can only be described as businesslike. Except for the scenes where you’re together on screen, you’ve been separated at arms’ length, only exchanging words between takes to keep any further relationship from developing. It’s only during the press tour where you’ve finally gotten somewhat close.

Perhaps a little too close for comfort. Enough to make video compilations by overzealous fans who think you and Hyewon are really an item. The evidence is everywhere—in interviews, behind the scenes content, and on both your Instagram pages. At least, that’s what they want to believe. Everyone else brushes it off as two hot people being hot together, and not much else.

Here’s the thing: you love Hyewon—that much is true. The question now is: does she love you back?

Thankfully, your duo doesn’t get in the way of the show being lauded, despite making up a majority of its fandom. Positive reviews from both critics and viewers, especially in regards to your chemistry. The connection between you two is one in a million, something that can’t be built over years and years of working together. It also helps your performances sell the dynamic incredibly well—well enough to create those delusional shippers that form the bedrock of your partnership. 

Your names were positioned to go far during awards season. Not the consensus top pick, but as dark horse contenders to steal one every now and then. And while you both won your fair share of accolades, neither of you ended up walking away with the top prize. The conversation during the final ceremony of the year consisted primarily of the media and viewers talking about how your appearances together these last few months—and how you’re a match made in heaven. 

Everyone’s gonna miss this pairing—and so will you.

Now you’re back at square one. Having snuck away from the afterparty currently celebrating the dozen or so awards your show won earlier tonight, you’ve brought Hyewon back to your hotel room. Neither of you cared once you both lost your respective categories. The pundits thought you each only had the slimmest of odds to win, so why bother. Hell, you were both itching to leave as soon as the red carpet concluded. 

It’s all behind you now. You’re finally free from the glitz, glamor, and chaos of these vanity ceremonies and can really focus on what really matters—the pretty girl that you most likely won’t be seeing starring tomorrow. Your careers and interests couldn’t be any further apart: your main focus is movies, while hers are dramas. Both of you remain booked and busy for the next few years with different projects, with not a single one reuniting you two for the foreseeable future.

Back to Hyewon. She’s looking down at her wrist, tightly held by your hand. She allows it. You can feel her pulse. You sense that your hearts are racing in unison, tense and anxious.

“Are you gonna do something?” she questions, daring you to pull the trigger. She knows something you don’t—or maybe you do. You’re blinded by fear to realize it. “The night is fleeting. If not now, then when?”

Her words ring through your head. 

If not now, then when?

The same five words, ordered in the exact same way—etched in tiny letters on her skin.

You still remember everything—frame by frame, down to the last details. On screen, it’s implied. In your mind, it canonically happened. She took her shirt off, exposing herself and the scars of battle, and you were gonna go there. In your characters’ supposed words, ‘Clean’’ in your own unique way.

It was ultimately never shot. Bare minimum of fanservice and completely unnecessary, the director said. 

The tattoo sticks out, not only because of how it's deeply embedded on her otherwise pristine, lithe figure, but also because it represents the last 18 months of your career.

During this period, there are a lot of things that you’ve regret—and will regret. The fact you’ve kept contact with her during filming at a minimum, keeping your interactions strictly between takes and creating a negative air around you in her eyes. The fact it took you so long to exchange numbers, only getting it done during the press tour. The fact that you never return her messages when she constantly reaches out to you, whether through text or on your Instagram. The fact you haven’t thanked her enough times during your acceptance speeches, even when you mention her name in almost every other sentence. If there’s anything you want to admit, it’s that Hyewon is everything.

Most importantly, the fact that you fucking love her, to the point where you’d yearn moments when you’re not beside her—and you still lack the will to confess to her. Even right now. When she’s right at your fingertips.

Perhaps she knows this. The signs were there all along. How she often posts your red carpet photos together and tags you in them. How she also mentions you as much during her acceptance speeches and credits you as a reason for her improvements in acting, even referencing specific advice you’ve given her. The biggest hint, however, are the dresses she’s been wearing to these galas, most evident being tonight. Simple all black, tailor made for her frame, showing off her assets for flaunting to the cameras. 

Earlier, she led you to an empty part of the theater to say something in private. “I wore this just for you,” she said—and from that point, you had to get her alone, whatever it takes.

Really, Hyewon has no intention to leave tonight. She’s just waiting for those magic words. There’s no other logical reason for her to be here, other than for you.

She might as well be holding up a huge signpost with all her requests written in capital letters. 

“If you’re not gonna do anything,” she says, tone casual, slipping one strap of her dress down her shoulder, the one half of the fabric dropping a fair amount. “Then I might as well do it myself. I was hoping you’d take this off me—”

“Stop.” 

You grab her other hand, close to touching the other strap, the dress more than ready to fall down. She raises her eyebrows in amusement. Afterward, she puts the seized hand down, convincing you to release the grip. 

Another win for Hyewon. You’ve lost count as to how many times she’s been messing with you throughout awards season. Probably in the hundreds. Thousands if you count the interviews and little jabs during her speeches. Every mention of your name is an immediate sign of trouble. You can sense she’s enjoying every single moment, relishing the remaining time you have left. Meanwhile, it’s clear on your face that you’re stressed. 

But for what?

“If it hasn’t gotten through your thick skull, then I have no choice but to explain it.” Hyewon climbs atop the bathroom sink, strong enough to lift herself off the ground. She pours the glass with new wine; it’s not meant for you. Her attitude flips instantaneously like a switch, composed and readying herself as if it were another photoshoot. 

Taking a sip of the drink, she pours the rest all over her dress. It serves no purpose anymore. it’s undeniable that she knows what she’s doing. That elegant yet cocky smile is permanently seared into your brain. Someone this haughty shouldn’t be this beautiful and seductive. “You can stand there and waste the night away, or you can do something about it. All up to you.”

You can only sigh. Whether out of wistfulness or annoyance is up for interpretation. You can add taking her back to your hotel room and taking this role in your ever growing list of regrets. When it’s all said and done, it’ll definitely be as long as the career documentary they’ll make about you in 50 years.

What more do you have to lose? 

This will all be behind you soon enough.

You finally stop giving her the cold shoulder. “God, I really wish you weren’t such a tease,” you remark, pulling on the dress strap she previously slid down. “Because otherwise, it would have been so much easier.”

Hyewon seems to have taken your words seriously, because she suddenly kisses you—as in, relentlessly smothers you. Her arms wrap around your neck, slowly pulling you close into an embrace. She smells of alcohol and perfume. An unusual concoction that you can drown yourself in.

“Only if you say the magic word,” she says, gently laughing between kisses. The lower half of your face is full of pale lipstick marks. It was foolish to think she had turned a new leaf, knowing how intentional Hyewon can be with everything.

You’ve really got no other choice.

“I love you,” you confess, but in the smallest audible voice imaginable—hiding that reluctance behind your tone. 

Hyewon pulls herself back, smiling toothily at you, borderline snorting. Her expressions convey the idea that you told her a joke, which it may as well be. 

“That’s it? Doesn’t sound like someone who loves me,” she remarks, tone evidently disparaging.

“Fuck me.” The groan comes out instinctively, as if this wasn’t your first time getting burned like this. Your head is raised to the ceiling, asking the gods for an out.

“That’s my line,” she spouts, her response almost as instantaneous. Wit comes naturally to Hyewon. The countless viewers and interviewers who’ve laughed can speak on her behalf.

“You’re gonna turn everything I say into a joke, are you?” you ask, knowing you’ve willingly fallen for the easiest bait in the entire world.

“You’re gonna turn everything I say into a joke, are you?” she repeats, mockingly imitating your voice, much to your utter chagrin. This isn’t part of some romcom or a sketch. This is real. Everything comes back around to Hyewon. She laughs—basks in your suffering.

It’s the kind of trait that would leave you second guessing whether you really love her or not. As it turns out, the public loves celebrities with a playful sense of humor. Not even you are innocent—you’ve been caught red-handed on camera a few times. Hyewon doesn’t need to reaffirm herself.

But she would love to hear it straight from the source.

“Say it. Say it.” Hyewon is urging you—demanding you—as if it were a matter of life or death. Her hands are everywhere, gripping you by the cheek and the throat like her prized possessions, threatening to choke the life out of you. 

Truthfully, this was coming the moment she stepped through those doors for the first table read. Hyewon’s gravity is inescapable.

“Love you—Hyem, please—” 

Struggling to push back against her hold, you can tell that she’s taking pleasure in every moment she has you like this: wrapped around her finger, so whipped over her that it’s alarming. There’s little use in trying to be coy or subtle. If she wanted you to go down to the afterparty in nothing but your boxers, you’d fold in a heartbeat. She’s the kind of girl you’d happily end up in a scandal with, someone you’d throw your career away in exchange for one timeless night, against the advice of everyone who knows better.

She knows this too. Look at the coy grin spreading on her face. A smile perfect for the front cover of any magazine or commercial. It’s the perfect facade for the attitude hiding beneath.

“I love you Hyem,” you repeat, showing a bit more desperation and sincerity this time. You’re breathing against her neck, the idea of pressing your lips against her skin a dire need. It’s unfortunate you can’t make it look like an accident—as is the idea of your bodies sinking down on the bathroom countertop. “For the longest time, I wanted you, but—”

Only now do you come to the simplest realization: there are no accidents.

Normally, you should feel some shame for being this oblivious. How a girl like Hyewon is giving out all these hints, to the point where she might as well be spreading her legs wide and pointing down at her cunt with a colorful sign. Hell, a thigh is peeking through her dress, pressing on your leg right now. If there’s one thing you’ve learned about working with other actors, it’s that chemistry comes naturally—it can’t be taught.

And your bodies are doing exactly that. The friction between you can’t be any more tense.

“Then show me.” She sighs against your ear, pulling on the topmost button of your suit, pushing down the matching coat. Her leg extends around your limb, goading you to pull away, even though leaving the pretty sight right in front of you is the last thing on your mind. 

You can only breathe. Slow. Hesitant. There's not a lot of hours left, and you’re wasting more by taking your sweet time—resting your gaze on her pale shoulder, admiring all the little details. In essence, you’re doing the complete opposite of what Hyewon wants. She’s showing a little frustration, proving how much better of an actress she is than you. Imagine being in her shoes, beckoning to someone astronomically unaware for months. So much energy and effort could have been saved if she chose to leave you out to dry. If you weren’t so preoccupied with thoughts of her, the many ways this little scene can go, you’d be wondering why she’s this persistent. 

Maybe you’re just as important of a character in her story too, or you’re both stubborn in your own ways. Perhaps both.

None of that is your concern right now. You’re cupping Hyewon’s face, kissing her, nibbling down on her creamy skin, reaching up to her lips by the way of her neck, pulling on the strap of her dress little by little. In response, she’s whispering sweet nothings into your ear, removing your dress shirt one button at a time. It feels like you’re going through the motions, acting under the words of an intimacy coordinator and a director. Slowly but surely, it’s all coming together, until—

“Stop.” 

You pull back, noticing your shirt is nearly undone as you look past her and at the mirror. Both dress straps are halfway down her arms, the fabric a mess, waiting to be swept away. 

You raise an eyebrow, puzzled. “What’s up?” 

Hyewon tilts her head at an angle, unsatisfied. She’s staring at you intently, taking a moment to analyze you like you’re a problem to solve—which you are—before coming to a rather alarming conclusion. “You don’t seem like you want me that bad.”

The remark doesn’t register in your brain. “What do you mean—”

She yanks you forward for a deep kiss, cutting you off. Reciprocating her passion comes naturally—and so does everything else. The movement of your hands, taking lease of her back, tearing through the fabric of her dress, coming back to her cheeks, until you stop feeling cloth and register more flesh. Feeling her skin becomes your new addiction, something you can’t get enough of. 

Watching her other movies—for research purposes—you knew she was well endowed, even when they were not on full display.  Some of her previous gala dresses truly put a spotlight on her cleavage. Part of you thought it was editing trickery, a perfectly taken photo at the right time, or a bra doing the heavy lifting. All three even. But holding them now, with nothing in between, you simply couldn’t believe how well they’ve been hidden from you. 

Her tits fold, go flush, and her nipples stiffen at your touch. They feel so right—as if they were handmade for you.

“God, Hyem—” you breathe out, savoring the sensation of her mounds in your clasp, unwilling to let go. Her taut nipples jerk with every run of your palms. If only you could rest your head between them, but your current position won’t allow you. 

“They feel so good right?” Hyewon moans in response, shedding your unbuttoned shirt off your body and tossing it to the floor, taking lease of your muscles and back. Her dress bunches up around her waist, practically collapsing when she decides to get up from the sink. Although an expected outcome, you’re both surprised that you’ve managed to get each other’s clothes off.

And you’re only getting started.

Pushing you away, Hyewon meets you at your level. Gravity does the rest. She stands before you in nothing but heels. What a mental image to remember her after tonight. She leaves you frozen and trembling, jaw agape, your eyes in a daze, unable to find a place to settle your fleeting gaze on—until she rests her hands around your shoulders. You’re caught up in your own disbelief to meet her lovely gaze and that rather sweet smile, quite the difference from her bare state.

She lifts up a leg, pushing herself onto you for another passionate kiss. Taking advantage, her legs eventually wrap around your waist, bearing all her weight on your grasp. Despite her surprise attack, she’s feathery enough to carry around. It certainly helps that she’s not the heaviest girl you’ve lifted before; you have some experience—mostly unpleasant and usually backbreaking. Still, you’ll treat her like some delicate object that crumbles at the slightest touch. Something—or someone—you can’t ruin, or else you’d be ruined too.

You both end up in the living room, deeply engrossed in a fiery passion that’s too hot for cameras. Lifting her high, your lips find their way to her chest, pressing them in the place where they rightfully belong. Hyewon is stubborn, pushing your head further up to meet your lips in a direct, frantic kiss. Back and forth, you take turns between her tits and her lips, unintentionally slamming her against a wall, eliciting a few yelps out of her. 

It doesn’t bother you both in the slightest. You hold her there, kissing down her abdomen and ribs, coming to the tiny inked part of her figure. The same tattoo that’s been ingrained in your head since you first saw them.

You mutter the very words against her skin. 

“If not now, then when.”

They’ve never been so relevant till right now. You softly kiss the ink, silently thanking her for saving you from a lifetime’s worth of regret.

Hyewon winces, throws her head back, moans up to the ceiling. Her nails brush through your hair, then claw at your nape as you remain fixated on her tattooed rib. She deserves to be adored and worshiped.

“Look at me babe,” she murmurs, gently tilting you up, faint at your touch. Against your desires, you follow. “Put me down. You know why I’m here.”

You oblige without a second thought—and you’re both on a level playing field again.

Still, you can’t help but kiss her right after. She reciprocates the favor. You’re a perfect match. Even as you’re making out, you’re thinking of ways to get messy and get the jump on her while she’s preoccupied. 

It ends up being your biggest mistake.

Both of you wrestle for control over the other, a scuffle that ends up knocking down a few appliances and tableware. The sound of glass shattering rips through the hotel room floor louder than your collective moans ever will. For someone with a lithe figure, Hyewon proves to be much stronger than you were led to believe. It shows when you try to push her onto another table; you both end up crashing to the floor seconds later. 

From there, it’s whoever is the first to get up, and you knew it was all over from there.

Hyewon leads you into the sole bedroom, shoving you onto the mattress. Unrelenting, she slams onto you right after, pinning you down with her bare hands. Surprising her with your own strength, you reach for her raven locks through her ironclad grip of your wrists. Your lips continue to crash like waves against rocks, neither of you willing to back down. There’s a clear disparity between you: she wants you more.

To further prove her point, she presses her palms down on your chest, sitting over you upright, straddled on your lap. She’s never looked better.

Making quick work of your trousers, your cock is freed from its confines, only to be immediately caught up in Hyewon’s hand. Her grip spreads through your groin, turning breathing into an absolute nightmare. The one fear that’s been haunting your mind these last few months, finally realized. 

And it’s staring you down with an innocent yet wicked smile.

“You have no idea how long I wanted this,” she remarks, her sultry voice sending shivers down your spine. Arching down, she presses her tongue forward on your throbbing tip. Combined with the pressure she’s building with her hand, holes puncture through your lungs. And right on command, you’re leaking. She’s lapping your cock in circles, slow and agonizing, taking every little drop of precum seeping. You can only tremble beneath her, utterly defenseless. “Remembering when I was tapping your foot with my heel earlier tonight?”

She leaves you in such a dizzying spiral that you can’t even look directly at her, let alone formulate a reply. Meanwhile, her eyes remain fixed on you, doe-eyed with innocence, yet her actions are cruel. Breathing proves to be a struggle, let alone returning with a response. “What about it?”

“I wanted you to follow me to the bathroom. And I wanted you to fuck me in there.”

Honest to God, that was not the first thought on your mind. If anything, the presence of many proved to be the ideal shield in keeping yourself away from Hyewon. Losing best actor was the greatest blessing in disguise, as it meant you didn’t have to look straight into her magnetic eyes during your theoretical speech and make an embarrassment of yourself in front of hundreds in attendance, and millions watching on television. 

Now that you’re in bed with no way to escape, you can only accept your fate.

“I’m not the best at reading the room,” you comment, sheepishly shaking your head.

“Not surprising, honestly,” she says, rewarding your candor with a kiss—on your tip. Then another. More heartwarming than arousing, if anything. “Anyone ever told you that you’re kind of a dork?”

“Not the first time I’ve heard it from a girl,” you say, in an attempt to show some wit, only to be met with a stiff grip on your cock. “Ah—fuck—”

A bit more force and Hyewon could break you in half with her mere hand alone. She’s cold, calculating, and cruel. Her expression seems apathetic, yet deep down, you can tell she’s having so much fun toying and teasing you, stealing what little semblance of willpower you have. And to think she’s this demure, sometimes funny celebrity with a certain image that’s universally admired by many. 

Behind that gaze, she’s thinking of more ways to further ruin you.

“I don’t think a dork like you has been with other girls,” she remarks, leaning forward to tease a kiss, only to leave you dry. “But looking at this cock—”

She stops to admire your shaft once more. Ultimately, she can’t help herself. She has to give your tip another ceremonious flick with her parched tongue in appreciation. Two, actually. If she doesn’t stop, you’ll soon be deep in her throat, and you know she’s not letting you go. Thankfully, she finally regains sight of what she wants in the first place.

Lifting herself ever so slightly, Hyewon takes a deep breath—then slowly melts into you. 

It’s a car crash you can’t look away from. It’s inevitable, but you’re completely powerless to stop her. You can only groan in agony as your bodies intertwine, creating a union that only she can break. Inch by inch, you helplessly watch as Hyewon slowly takes you into her suffocating heat. The sensation is unlike anything you’ve ever felt before: vicious, intense, and painful. 

It doesn’t help that she’s taking her sweet time, keeping you on edge for what may as well be an eternity, bracing for the certain explosion she’s going to leave in her wake. 

“Oh—fuck—it’s so perfect,” Hyewon throws her head back, her jaw dropping slow, every word delivered in a near-inaudible sigh. Eventually, she buries herself in you deep to the hilt—and she keens. “That—that’s it—that’s the fucking spot—”

Your hands cling to her waist, your maw similarly agape, breathing tensely as the pleasure slowly courses through your muscles. “God—you’re fucking tight—”

She hums in return, satisfied by your response, before losing herself in the sensation of your cock impaling her—and she begins to move.

As you fight the urge to cum right then and there, Hyewon slowly lifts herself off your lap, your cock reappearing with a fresh coat of her drenched pussy, before sinking back down. She rips the breath right from your lungs, while you’re forced to shut your eyes. Anything to keep your brain firing as the pleasure rushing throughout your body sends you into overdrive. 

You’re an outlet of ecstasy, a conduit for her to loosen all her pent-up frustration and lust. Her palms grip to your thighs, keeping you in place—as if you’re in any condition to move anywhere except for her whim. She’s crashing into you at a punishing pace as a result of keeping yourself away for so long. And she’s being open about it too: “Why did it take us so long—ugh—”

You can only moan back. Truthfully, you’re wondering the same thing too. 

As your eyes alternate between wide open and completely shut, you catch glimpses of Hyewon using every inch of you to fill her wanton pussy with cock. When she’s not cursing or screaming your name, her moans fill your ears with sweet, sultry music. It’s a sound not of her high class image. She’s riding you like it’s life or death, like her heart will stop beating if her cunt isn’t being stretched out.

With every bounce, so do her breasts. Up and down, settling into a rhythm, forming a hypnotic motion that your eyes get lost in. Your obsession reaches a point to where the movement of her tits stirs you on, reigniting your tired muscles. You can’t lie there and be a helpless viewer any longer.

And so, you meet Hyewon halfway, matching the grind of her hips with your thrust at the apex, setting her alight. This particular stroke. The hot sensation. It utterly shatters her. Her voice cracks. She trembles violently, giving you breathing room to sit upward and lean close to her chest. 

So while she staggers back, overwhelmed by your cock spearing her cunt, you go down on her succulent breasts, squishing your face between them. Despite having Hyewon’s body all to yourself, the friction between your bodies creates this wracking storm that drives you insane. It isn’t enough that you’re feasting on her tits, that her boobs are bouncing so hard it’s downright pornographic, and that she’s screaming her heart out in response to each stroke. This will be headline news tomorrow. Yet, none of that is your concern. You have to pour everything into her. It’s now or never.

“Fuck yes—oh fuck—fucking take me—fuck—” Hyewon’s riding your cock, forcing all the air out your lungs, rendering you speechless. Doesn’t matter, you’re drowning in her slick and her tits, pounding away with twice the effort. She’s swearing through her tongue like she’s a cop in a crime picture, biting down on her lip in a flimsy attempt to restrain herself, but anyone with a good ear nearby could have easily identified her voice through the four walls of this hotel room. Knowing her, it’s intentional. She’s determined to put you through a world of trouble, leaving you with no other choice but to shut her up.

And you’re going to do just that.

You end up yanking her by the waist as your bodies repeatedly collide with each other. Each impact the equivalent of a cosmic explosion, the aftermath echoing through the room. The sound of skin slapping skin fills your ears louder than what it seems in the movies. Sex with Hyewon is much, much better than in your fantasies. Here’s another thing that can’t be found on camera: her soft pleas begging you to keep going, interlaced between harsh whines and airy moans that can’t be faked.

“God, I’m gonna fucking cum, Hyewon.” There you go, your silly side showing at such a serious moment. Everyone knows you don’t proclaim your impending climax. Rookie mistake. You’re not shooting a porno, but you might as well be with how hard you’re fucking her. She can’t help but cackle even as you relentlessly pound into her cunt. What should be a moment of weakness immediately gets brushed aside as you hold her when she slams down, and you finally fall apart.

Impaling your cock hilt deep inside Hyewon, you’re digging your palms deep into her soft flesh, unwilling to let go. She rests her head beside yours as you blast her with thick, warm cum. Her prolonged, saccharine-sounding moan is nothing compared to the loaded groan that ripples through the room. The supplication she makes, demanding you to fill her with every little drop goes through deaf ears. Your dick seems to have heard it loud and clear, though. The amount you’re filling her is enough to rip through her body violently too. She follows with her own peak afterwards, hitting a previously unheard octave higher, your bodies finally melting into one. 

Just like that, she’s clinging to you like you’re her personal life support, completely drained of all her strength. 

The ecstasy lasts for a brief moment. The fall off happens too soon for your liking. Like her, you’re sapped of energy and you fall down to earth with Hyewon in your arms. The end comes—not with grandiose drama or spectacle, but by a calm, uneventful stir.

You should be done at this point. It’s been a long day. You’ve been up as early as sunrise, spent hours behind makeup and measuring tape for a suit you won’t wear more than once. Smiling comes natural, if not downright fake; in front of the cameras, on the red carpet, on screen, and even during the afterparties. Every time you step out in public, there’s an image, a reputation to uphold. You’ve done this a dozen times in the past few months alone, bearing a lifetime’s worth of and it never gets more comfortable or easier. It’s a miracle you haven’t cracked or had a public breakdown, even though your mind is calling for it.

And yet, all that labor and agony is worth it for what you have now. The awards, the recognition, the adoration—but most especially the girl. What are you now, taken out of a story. One that feels all too familiar and done to death, but it never grows old or tired. 

By all accounts, it should be a happy ending. 

Except you’re not done. You’re not satisfied, and so is Hyewon. Even though she’s settling down in your embrace, resting her head against your heartbeats, mumbling these sweet nothings about how much you’ve ruined her and fucked her to shreds, she’s quietly begging for more. It isn’t about keeping a sanctimonious image anymore; it’s about how far you’ll push her and use her. Your throbbing cock buried inside her cunt says it too.

If there’s anything you’ve learned about acting, it’s that one take isn’t enough.

Like a damsel in distress, you scoop Hyewon into your arms. Through what you might consider a second wind, you carry her into the bathroom again on wobbly legs, stepping into the shower, showing that you’re ready to take your relationship a step further. You’ll hash out the details in the morning—if she hasn’t left by then.

The sound of running water serves as background for the airy, lewd noises that quickly fill the shower. 

Hyewon feels incredibly soft to touch. Pliable in your grasp, like a doll to bend, twist, and use at your whim. You’re squeezing her flesh, fondling her mounds tightly till you’re seeing red everywhere. Her tits, her shapely ass, and everything in between. Kissing down her body, giving every little part its much needed attention. You’ve fucked her to pieces, yes, but she’s still housing a divine figure that deserves the same level of praise. 

With two fingers stroking at her cunt, she’s keening, her head tilted up to meet the relentless downpour rushing down over your bodies. Her voice is in tatters after an hour of tireless screaming, in addition to all the mindless chatter from earlier tonight. Part of you wishes to have taken up her offer. Something this good shouldn’t be kept secret, but you’re more than selfish enough to keep Hyewon all to yourself. 

Your raging impulse gets the better of you, and you slap her tits from behind. She yelps a cry of pain and pleasure. The recoil and sound activates something in your brain like a sleeper agent. You do it a second time, then a third. You stop counting after, indulging yourself in the satisfying noise of her mounds smacked over and over, every squeal, every strike equally as gratifying as your cock slamming into her pussy. She’s clinging to the walls as a respite, her body shuddering vigorously, but you don’t give her a moment to breathe. It’s what she would have wanted: to be used and taken like a ragdoll.

Hyewon screams again when you swing her around, lifting one leg around your waist, and slam your cock inside her. No pleasantries, no talking through the process—only a desire to fuck. Burying your face against her neck, growling into her skin like a ravenous beast, you hammer away without care for neither your comfort nor hers. You’re counting the hours, minutes, seconds before she disappears from your life, and you’re gonna make sure that years from now, she remembers this night in particular.

You’re too engrossed to see her expressions twist in impossible ways that average humans can make. But that’s the point: Hyewon is no ordinary person. She’s one actress, something that can be found in others who are more talented and have more resounding qualities, but more than that, to you, she’s everything. The clench of her cunt on your cock continues to invigorate you and push you further. With every thrust, she jumps and sends aftershocks coursing through your veins. God, you love how incredibly well she fucking takes it, and the slightest tilt of her lips struggling to form a grin reinforce this. You’ve got nothing else to say, really; you easily lose yourself in your own lust, and you wouldn’t have it any other way.

It doesn’t take too long before you feel it again. The end. It’s approaching faster than you can react. You knew it wasn’t going to be a drawn out affair, but you’re so desperate to reach that high, no matter how brief it may be. It was too good to pass up, and you’re beyond waiting a second more.

You’d give everything up for even a single minute longer, but the period of bargaining has long passed you by.

“Gonna cum again—fuck—” is all you can muster, your first words after a long while. Her pussy feels so good to form coherent words. Lust has utterly consumed your brain more than anything. The entire time, Hyewon’s mewling, keening in every direction, trying to find purchase on the walls or the shower door, only to fall a few inches short. She ends up coming back to you, hanging on for dear life. You’ve never let up, terrified that she’ll magically disappear into nothing at any second. 

Acting fast, as if you’ve got a ticking bomb in hand, you draw your cock out, coated in a thick sheen of your own cum and hers, pumping yourself with a few strokes of your hand until you finally explode. The shower washes down the milky white blot you’re unloading on her skin, never leaving a permanent mark. It does, however, bring you back to the place that began your undoing.

The tattoo on her rib. 

Water wipes the cum blocking the view. Despite those same five words occupying your mind for the last few hours, it still hits like a fresh revelation. You hear her voice repeating them inside your head as you come to your senses, your lust being satiated—for now. Even when Hyewon is completely broken before you, reduced to a quiet pile of flesh. One hand on the surrounding wall, the other in limbo, her leg still coiled around your waist, forcing oxygen into her tired lungs wherever she can. 

With the ‘quick’ shower done, and after hardly any cleaning was made, you carry her back to the bedroom. 

You don’t even make it past the living room before your legs finally give up. You end up crashing onto the floor together before you both finally call it a night.

—————

“This is your fault you know,” says Hyewon, drawing circles on your chest, over your calm heartbeats. “I’m supposed to be in London tomorrow for my table read. And yet I’m still here. My flight was five hours ago by the way.”

It’s already high noon when you finally regain consciousness, your head still spinning despite not taking more than one alcoholic drink the night before. Hyewon’s doing marginally better, having woken up 30 minutes earlier. No wonder it feels so hot; her body is snuggled up on you, your limbs tangled. Despite the urgency she’s speaking about, she doesn’t seem to be interested in moving any time soon.

At least you’re awake and sensible enough to fire back. “Who’s fault is that? I wasn’t the one inviting you to come over and have you fucked senseless.”

She chuckles into your skin, little ripples forming where her lips are gently pressed. “And I wasn’t the one who spent the last 18 months saying we’re just friends.”

You’re already lying flat on the floor, but the rebuttal only makes you want to get up only to fall back down. So you settle with an expressive sigh. 

Hyewon laughs. It’s what won over millions, including you. You’re taken back to that fateful day you first met. Right then and there, you knew there’d be no one else like her. If given an opportunity to go back and change a few things here and there or, you’d do it over again, mistakes included. Last night was worth all the waiting and teasing. 

“So—about that show,” you lean up, pushing her closer to your face, “What was it again? Something about you being a nymphomaniac? Delete what?”

“You mean Delete This? Let’s not.” 

Mention of the premise alone is enough to set her gummy cheeks on fire. For someone whose career has been built up on mostly more general audience friendly programming, leading a sexual soap opera is quite the jump.  

She buries her head on your neck, embarrassed, feeling guilty. “Yeah. I mean, last night was—different, you know? I’ve shown my tits and body already, but I’ve never had sex—on screen before.”

You should have known. She needed a reason to get in your pants without your working relationship only centering around your bodies. And those were clearly stand-ins based on how her face is never shown during her older scenes.

“Jesus, Hyem. If you wanted to have sex, you could have asked anytime. You have no idea how annoyed I was when they scrapped our scene last minute. It was only you taking off your shirt too.”

“On the bright side, we didn’t have an intimacy director getting in the way, right?”

She does have a point. Still, your personal cold war didn’t need to last 18 months before either of you would make the first move.

But with all that tension a thing of the past, the chains are unfettered. Now both of you have the ability to take this little secret in any direction you desire. You could simply be a workplace couple; it’s been the story of your year so far. Or you could take things a step further. The possibilities are truly endless.

Hyewon’s cheeky grin slowly reforms, her hand snaking up to cup your cheek. “Shame we only had one night. I could spend the rest of the day here, but—” she huffs, “I’m running late. Too bad I won’t get to have this cock for a long, long time.”

You lift an amused eyebrow, barely able to keep your new cockiness from showing. “Will you, though?”

She’s taken completely by surprise. “What do you mean?”

“Check your phone.”

After rising to her feet, Hyewon walks over to the console table where her purse is set. Fishing her phone from the handbag, she scrolls through the apps, her attention di–vided between the screen and you on the floor, finally getting up as well. 

Her stare then lingers on the phone, as if whatever headline of the day has caught her attention. 

Next thing you know, she’s grabbing you by the chest, dragging you back to the bedroom before shoving you back onto the mattress—right where you belong. Pinning you down and dead to rights, Hyewon mounts herself on your lap, your cock pressed against her aching core, ready to receive a fresh beating.

Some jokes can go a little too far.

“You fucking asshole. You mean that—”

“Yep.”

“And it’s not—”

“It’s not.”

You can feel her hips slowly grinding against yours. You’re gonna love—and hate—the next 18 months with Hyewon.

“I’m going to kill you. And I mean: kill you.”

“No better way to go out.”

—————

(A/N: Thank you for the commission! That Hyewon dress is so ripe for material, and I had to incorporate her tattoos into it somehow. She doesn't show them quite often—heck, she hasn't publicly addressed them even once, I believe. That little nod at the end is for everyone still waiting for Delete this to return. At this point, a reimagining or remake must happen first before the next actual episode because good God my writing back then versus now is night & day. Even comparing the last update from 2022(?) to today is also radically different in style. I'm still interested in reviving it; it's just a matter of when, not if. Thank you for reading!)

[hajimeme1]

It has been like 10 months since the chapter(s), but TitanSlayer's portrayal of Musashi during her arc in Battleship on my Doorstep still makes me facepalm.

SHE. WOULD. NOT. DO. THIS. SHE MAKES IT PRETTY OBVIOUS IN HER LINES THAT WHILE STRONG, SHE BELIEVES HER STRENGTH SHOULD BE USED TO PROTECT THOSE WHO LACK HER STRENGTH.

Like, I don't know how it could be any more obvious. It is wildly out of character for Musashi to go "hm, this guy is talking shit, better kill him with my lightning powers."

My initial reaction to her was that she was actually Akagi in disguise (half jokingly), because I wouldn't put it past her (I mean, look at this line)

Anyway, it's honestly disappointing, because I was able to come up with a better reason for Musashi to be an antagonist for that part of the story: Mark Fraiser (main antagonist of the story) uses his connections in the yakuza to get information to Musashi's doorstep painting Tyler (male lead) and/or New Jersey as a danger to the people she cares about. Then, when Shinano gets her dream about NJ arriving in Japan, Musashi gets on edge and then the confrontation happens later on. With some alteration of the dialogue, that moment would work in-character for her, as she'd see it as eliminating a potential threat to her loved ones.

BUT NOPE, LET'S JUST MAKE HER SALTY ABOUT HOW THE PACIFIC WAR WENT, AS IF THERE ISN'T ANOTHER KANSEN THAT WOULD BE ABLE TO MAKE THAT MOTIVATION WORK!

y’all ever see a piece of fan content about your favorite character that is so horrifically different from what you personally believe and you just

[rootedinrevisions]

Five Years

SUMMARY: Five years of friendship. Years of silent longing. One night that changes everything. When Tyler Owens, a charming, rugged man with a penchant for keeping things casual, finds himself at a crossroads with the woman he's secretly loved for years, he realizes he might have waited too long. After one too many moments where you've been left wanting more, you find yourself torn between the comfort of their deep connection and the pain of being stuck in the friend zone. Tyler has one last shot to show you that he’s not just the man you turn to in the hard moments—but the man who can make you believe in love, again.

A/N: Sorry for all the angsty Tyler lately! It's just been the mood/vibe lately so I've been rolling with it! Thanks to the person who sent this request in! I hope you like it!

PROMPT: "What was he doing back there? Flirting with you like he has a fucking chance?"

WARNINGS/TAGS: Angst.

WORD COUNT: 5.6k

TAG LIST: SEE COMMENTS

If you would like to be added to any of my Tag Lists please feel free to comment, send an ask, or send a DM and I'll be happy to get you added! Below are the fandoms I currently write for.

Glen Powell (himself and the characters he's played)

Top Gun: Maverick (Hangman, Rooster, possibly others soon)

Marvel / MCU (Bucky Barnes as of now, but possibly others soon)

WWE / Wrestling

It’s late, the kind of quiet that comes when the night has softened everything into shadows. You and Tyler are back in the motel room, tangled together in bed like it’s the most natural thing in the world. His arm drapes over you, and you’re curled into his side, your head on his chest, listening to the steady rhythm of his breathing. The scent of whiskey lingers between you, mingling with the warmth of his skin, and you can still taste him faintly on your lips. Another night, another round of kisses exchanged under the dim motel lights, like something fragile and fleeting.

He stirs, his hand brushing along your back, and you wonder if he’s on the edge of sleep or just drifting in that space in between like you are. For a moment, you’re tempted to ask him the question that’s always on the tip of your tongue: What are we doing?

Instead, you stay silent, breathing in sync with him, wondering if he can feel the way your heart skips each time he holds you like this. He shifts, drawing you a little closer, and you catch a glimpse of something in his expression—something soft, maybe even vulnerable. But it’s gone as quickly as it came.

“Hey,” he murmurs, his voice low and slightly slurred. “You’re comfortable, right?” His hand rests at the curve of your hip, fingers grazing your skin in a way that sends a shiver through you.

You nod, managing a quiet, “Yeah. Always.” You know he’ll pretend he doesn’t remember this in the morning, brush it off like it’s nothing, and you’ll let him because it’s easier that way. But tonight, you can pretend a little too—that these quiet moments mean the same to him as they do to you.

You close your eyes, listening to his heartbeat beneath your ear, wondering how much longer you can keep pretending before you’re forced to admit the truth—to yourself, if not to him.

Then, out of nowhere, he says, “So… I just found out I’m being inducted into the PBR Hall of Fame.”

You blink, lifting your head from his chest to look at him. A smile lights up your face. “Tyler, that’s amazing! I mean, I knew you were a big deal, but… Hall of Fame?”

He chuckles softly, scratching the back of his head with that familiar modesty. “Yeah, kinda crazy, huh? Guess all those years getting tossed around finally paid off.”

You laugh, knowing he’s downplaying it. You’ve seen some of those old videos, clips of him taking on bulls with more force and heart than anyone you’d ever met. 

“No one deserves it more than you,” you say softly, feeling that familiar warmth in your chest. “I’m so proud of you.”

A faint blush colors his cheeks as he looks away, and then, clearing his throat, he glances back at you. 

“Thanks, means a lot,” he says, his voice softer. Then, after a moment, he adds, “Actually… I get a plus one to the induction ceremony. I was thinking maybe you’d want to come with me?”

Your heart skips at that. He doesn’t even pause to consider anyone else; he’s asking you. For a moment, you feel a surge of excitement that maybe this is more than just a friendly invite. But just as quickly, doubt seeps in. If he had a girlfriend, he’d take her, wouldn’t he? A familiar ache settles in your chest, the quiet reminder that maybe this is just about convenience for him.

“Are you sure?” you ask, trying to keep your voice steady, and casual. “I mean, you could take anyone.”

He glances at you with a soft smile, his eyes sincere. “Nah. Can’t think of anyone better. You’d come, right?”

The words are on the tip of your tongue—Of course, I’ll go. 

Instead, you hesitate, just for a second, wondering if this is just a placeholder invitation until he finds someone to fill the spot he’s never openly said he wants to be filled. But you can’t bear the thought of missing the moment, so you nod, managing a smile. “Yeah, I’d love to.”

He grins, pulling you back into his chest, and you settle against him, feeling the warmth of his arm around you. But even as you breathe him in, letting the steady beat of his heart calm you, a question begins to take root in your mind. Where do we really stand, Tyler?

It’s a question you keep to yourself, swallowing it down as you close your eyes and listen to the silence settle around you once again.

* * * * *

The ballroom buzzed with energy and anticipation, and you could sense the excitement radiating from Tyler beside you. The event space was elegantly decorated, with every table set with crystal glasses and gleaming silverware. But you hardly noticed any of it; all your focus was on Tyler. This was his night. And you were honored to be here with him, even if you didn’t quite know what that meant for the two of you.

You eventually found your way to your seats near the front of the room, and Tyler’s hand brushed against yours as you sat down. His fingers lingered just a moment, a subtle contact that sent a rush of warmth up your arm. 

Before you could say anything, the lights dimmed as the emcee took to the stage, announcing the start of the ceremony. The audience fell quiet, and Tyler’s hand was warm on your knee, a comforting weight that made your heart race. You glanced down at his hand, then back up to his face, wondering if he even realized the effect he had on you.

A part of you wanted to reach for his hand again, to close the gap between you both once and for all, but you stayed still, holding your breath as the ceremony began.

As the awards were announced one by one, you couldn’t help but steal glances at Tyler. He seemed to sit straighter with each name called, his eyes never leaving the stage. Finally, after what felt like an eternity, the emcee announced Tyler’s name, and the room burst into applause. You clapped the loudest, your heart swelling with pride.

You watched as Tyler walked to the stage, his stride steady and confident, shoulders back with that natural charisma he carried wherever he went. When he accepted his award, he stood there with his plaque, his gaze scanning the crowd until it landed on you. The spotlight hit his face, highlighting the small, crooked smile you knew so well. And his eyes—dark, intense, focused on you—seemed to say something unspoken.

You felt your breath catch, frozen under his gaze, and for a second, it was like you were the only two people in the room.

His acceptance speech was simple and heartfelt. He thanked the people who had been there with him through the highs and lows. He spoke of long, hard days, the sacrifices he’d made, and the passion that drove him. But you could’ve sworn that when he mentioned his gratitude for “the people who kept him grounded,” his eyes found you once again.

As Tyler wrapped up his speech and made his way back to his seat, you barely had a chance to process the pride you felt for him, for everything he’d accomplished. But that brief moment when he’d looked at you on stage lingered in your mind, wrapping around you like a warm embrace. Could it have meant something more?

He sat back down next to you, and you leaned over, unable to keep the smile from your face. “That was incredible, Ty. I’m so proud of you.”

He looked at you, a soft chuckle escaping as he rubbed the back of his neck. “Thanks. I think I might’ve fumbled a little bit up there.”

“Not even close,” you replied, squeezing his arm. “You were perfect.”

The atmosphere at the afterparty was more relaxed, a contrast to the formality of the ceremony.

The room buzzes with laughter and clinking glasses, everyone here to celebrate the achievements of legends, past and present. You’re standing beside Tyler, trying to blend into the background of the room’s energy. But then, without warning, Tyler reaches for your hand, his fingers brushing yours before intertwining them completely. It’s such a small gesture, but it sends a rush of warmth through you. He glances at you, his eyes searching yours for a brief moment, almost as if he’s silently asking if this is okay, if you’re okay. You squeeze his hand, hoping he’ll understand that, yes, this is more than okay.

“Come on, there’s someone I want you to meet,” he says, his voice low and soft. He leads you through the crowd toward a man with a broad smile and lines etched deep around his eyes—Tyler’s old mentor. Tyler introduces you with a genuine warmth that makes you feel like you belong here, like you’re not just an accessory to his big night but someone he wants by his side.

As they begin chatting, Tyler’s hand drifts to your waist, his fingers pressing lightly into your hip as he pulls you closer, fitting you against his side. You feel a warmth blossom in your chest, and for a moment, the nagging doubts you’d been harboring vanish. His mentor jokes about old times, and Tyler laughs, giving your waist a small squeeze as if to share the moment with you. You let yourself lean into him, letting his warmth melt away the walls you’d tried to build around your heart.

But then, as the conversation comes to a close, he lets go. Just like that, his hand falls from your waist, and he takes a step back, sliding his hands into his pockets, a casual smile on his face. He glances around the room, no longer focused on you, and the sudden distance sends a chill down your spine. You’re standing side by side, but the connection feels fractured, like a missed beat. He begins walking next to you, his attention now elsewhere, no hand-holding, no gentle touches to keep you close.

Half an hour later you’re standing next to Tyler, trying to stay engaged with the conversation he’s having with an old friend he used to ride with, someone who knows a side of him you’ve only heard about in stories. Tyler’s posture is easy, his laugh warm and unguarded in a way that you rarely get to see. You watch him as he reminisces, letting yourself get lost in the sound of his laughter, in the way his eyes light up with a spark of the past. But as they continue to talk, it becomes clear that he’s in his own world, like you’re not even there.

The laughter between them grows, each memory shared drawing them further back into the years before you knew him. You shift your weight, feeling a slight ache in your chest as you realize just how separate you feel from this part of his life. A sense of loneliness creeps in, one you can’t shake, and you find yourself glancing toward the bar. Maybe a drink will help dull the sting.

You start to turn, your heart heavy, but just then, you feel Tyler’s hand reach out, his fingers wrapping gently around yours. The touch is so familiar, so comforting, and for a brief second, that hopeful warmth flickers back to life. 

You glance over your shoulder, catching his eye, a hint of something unreadable there.

“You okay?” he asks, his voice quieter, as if trying to break through to you despite the noise around.

You swallow, forcing a smile to cover the twinge of sadness that’s growing in your chest. “Yeah,” you say softly, nodding toward the bar. “Just thirsty. Thought I’d grab a drink.”

He nods, giving your hand a slight squeeze before letting go, turning back to his friend with that easy laugh that now feels like a barrier you can’t quite cross. You turn away, your heart sinking as you walk toward the bar, feeling the absence of his hand like a chill creeping over your skin. You can’t help but feel a pang of disappointment that settles heavy and cold. Just moments ago, he was intertwining your fingers, holding you close with his hand on your waist, like you were more than just a companion for the night.

How did it change so quickly? How did he go from holding you, grounding you with those intimate touches, to leaving you in this limbo of almost but not quite? You realize that, despite how much he means to you, there’s a line between you that he doesn’t seem ready to cross. And that thought hurts more than you want to admit.

You’re leaning against the bar, lost in thought, when a voice breaks through the noise, smooth and warm. “Hey there. You look like you could use some company.”

You glance up to find a guy with a charming grin and a relaxed confidence that’s instantly disarming. He extends a hand. “Eli Vastbinder,” he says. “I don’t think we’ve met.”

For a moment, you’re taken off guard, but you shake his hand and introduce yourself, motioning to where Tyler’s standing in the distance. “I’m here with Tyler Owens.”

At the mention of Tyler’s name, a flicker of something—maybe disappointment, maybe surprise—crosses Eli’s face before he recovers his smile. “Owens, huh? How do you know the Tornado Wrangler?”

You can’t help but laugh at the nickname, feeling some of the tension ease as you explain. “We work together. I help him run his YouTube channel.”

Eli’s gaze shifts from Tyler back to you, a curious glint in his eye as if he’s sizing up the situation. He doesn’t linger on it for long, though, before flashing you a daring smile. “So, just coworkers, huh? In that case, you wouldn’t mind if I bought you a drink?”

The question lingers, sparking a twist of hesitation in your chest. You glance over at Tyler, hoping for some kind of sign, some acknowledgment of what you’re feeling. Your eyes meet his, and he offers you a casual smile before turning his attention back to his friend. The moment leaves you cold—another reminder of all the times he’s pulled you close, only to leave you feeling as if you’re just out of reach.

You turn back to Eli, a decision settling in your mind. Tyler isn’t claiming you. He never has. And he’s had five years to do so.

You give Eli a small smile. “Sure, why not?”

Eli’s grin widens as he orders your drink, leaning in just slightly as he asks about your work with Tyler. He’s charming, effortlessly making you feel seen and appreciated. There’s a warm intensity in his gaze, like he’s genuinely interested in hearing about your life, in learning the pieces of you that Tyler seems to take for granted. You laugh at his jokes, leaning in as he tells stories about the crazy things he’s seen on the road. Every so often, his hand brushes yours, sending a little thrill through you—like something you haven’t allowed yourself to feel in far too long.

It doesn’t take long for you to feel the weight lifting from your shoulders. There’s no ambiguity with Eli; his attention is clear, unburdened by mixed signals or unspoken boundaries. It’s refreshing, exciting, even, to be the center of someone’s focus without second-guessing their intentions.

You glance over at Tyler once more, but he’s still wrapped up in conversation, seemingly unaware of the ache you’ve carried alone. A part of you wants him to notice, to see what’s happening, to finally feel the urgency you’ve held onto for years. But there’s another part of you that’s finished waiting.

As you turn back to Eli, you find yourself smiling, the kind of smile that feels like letting go.

You’re laughing at something Eli just said, a relaxed warmth in your chest that’s been missing around Tyler lately, when you feel a familiar presence behind you. You glance back, and there he is—Tyler, wearing that easy smile that’s disarmed you a hundred times before. He leans close, his hand slipping around your waist, fingers warm and possessive against your hip. “Hey there, darlin’,” he greets, the pet name rolling off his tongue as naturally as the smirk tugging at his lips.

But Tyler doesn’t stop there. His gaze shifts to Eli, assessing him for a beat, and then extends a hand. “I see you’ve met my date,” he says, voice casual but with a certain edge, like a claim staked.

You freeze, glancing up at him, surprised and confused by his sudden assertiveness. Eli’s expression mirrors your own—slightly perplexed, eyebrows lifting as he takes Tyler’s hand and shakes it firmly. His eyes flicker back to you, questioning. “Date? I thought you two were just coworkers,” he remarks, eyes shifting meaningfully to Tyler’s hand, still resting on your hip.

Before you can answer, Tyler lets out a dismissive scoff, as if the notion of you two being “just coworkers” is absurd. “Coworkers?” he echoes, his hand tightening just a fraction. “Yeah, we’re a little closer than that.” He shoots a look at you that’s both playful and possessive.

You feel your blood simmer, heat rising in your chest at the presumption in his tone. As if you’re some claim he can lay when it’s convenient, without any real commitment. You step out of his grip, your voice firm as you say, “We are just coworkers.” The words come out sharper than you intend, but you don’t soften them.

Tyler’s smile falters, his brow furrowing, but you’ve already turned away, excusing yourself quickly to Eli before slipping out toward the exit.

Humiliation washes over you, prickling your skin as you push through the crowd, needing fresh air, needing space. You had been enjoying a perfectly nice conversation with Eli, feeling appreciated and even flattered, until Tyler decided to swoop in and turn the moment into something possessive and confusing.

As you reach the hallway, you feel a sharp sting behind your eyes. Tears blur your vision, and you blink them back, furious with yourself for letting Tyler get to you like this. You’re tired—tired of being in his orbit only when he wants you to be, of being treated as something more only when it suits him. Because heaven forbid another guy notices you.

The hallway is quiet, save for the soft murmur of voices drifting from the ballroom as you stand there, waiting for the elevator. The moment stretches, tense and thick, when you hear his footsteps behind you, his voice calling your name.

You don’t turn around. “Tyler… don’t.” The plea is barely above a whisper, but he ignores it, closing the distance between you, his face etched with frustration.

“What was he doing back there?” he asks, motioning down the hall toward the ballroom, his tone hard, possessive. “Flirting with you like he has a chance?”

Your heart twists painfully at his words. His tone says it all—like he assumes you’re his, like it’s obvious. Like you should know.

But you’re done with the assumptions. The words spill out before you can stop them, thick with months, years, of unspoken hurt. “And why would you care, Tyler?” Your voice cracks, and you feel the first tear slip down your cheek, quickly followed by another. “It’s not like we’re together, right? You said it yourself—we’ll never be anything more than friends. We’re just…” You falter, searching for the right words, but the truth tumbles out, raw and painful. “We’re just really close, and we make out sometimes. Nothing more.”

The weight of it hangs in the air, and you can see the impact of your words in the way his face falls, his expression softening, regretful. 

“Hey,” he murmurs, reaching out, but you shake your head, a mix of anger and sadness bubbling to the surface.

“No, Tyler.” You step back, keeping the space between you. “I’m done. I’m done with this… with you.” Your voice shakes, but the conviction is there, clear and sharp. “I’m done not being good enough. Done being yours only when you want someone on your arm or in your bed. I can’t keep doing this.” You wipe a tear from your cheek, gathering whatever strength you have left. “I’m done with everything. Our friendship. The channel. All of it.”

The elevator dings, and the doors slide open with a quiet chime. You glance back at him one last time, taking in the hurt and confusion in his eyes. 

“Go back to the party, Tyler. It’s your night. You deserve it.”

You step into the elevator, pressing the button as the doors start to close. The last thing you see before they shut is him standing there, looking lost and completely, utterly alone.

Back in the quiet solitude of the hotel room, you feel the emotions from the hallway encounter with Tyler crash over you. It’s almost overwhelming, but you shake your head, determined to focus on the immediate task. You kick off your heels and reach for the zipper at the back of your dress, letting it slide down as the gown falls in a pool around your feet. You step out of it, scooping it up to drape over the chair, and head to your bag, ready to change and leave before you can overthink it.

Digging through your clothes, you pull out the first shirt, but frustration prickles at you when you realize it’s one of Tyler’s. With an annoyed huff, you toss it on the bed. You dig deeper, pulling out another… his again. Why didn’t I pack more of my own clothes? you think bitterly, remembering that his shirts have been your usual comfort, your routine.

Finally, you find one of your own t-shirts and pull it on, then slide into a pair of jeans. You run a hand over your face, taking a deep breath to keep yourself from falling apart, and open your suitcase, methodically folding the rest of your things and stowing them away. As you pack, a plan begins to form, each step sounding clearer in your mind. You’ll finish packing, get a car downstairs to a nearby hotel for the night, and fly back tomorrow. It might be an awkward plane ride home, but you’ll put in headphones, turn away, and then… you’ll walk away from Tyler James Owens for good.

With your bag nearly ready, you look around the room one last time, eyes falling on the small pile of his things on the bed. His shirts, the ones you’ve wrapped yourself in so many times, now just reminders of all the blurred lines that never became anything real. You turn away, inhaling deeply to steady yourself, willing the resolve to carry you through whatever comes next.

You reach for the handle of your suitcase, ready to walk out of Tyler’s life for good, when the hotel room door opens behind you. Your heart races, and for a second you want to pretend you don’t notice him there, but when you turn, his expression says he’s already figured out exactly what’s happening. His eyes drop to the half-packed suitcase, then back to your face. His look of confusion shifts into something desperate.

“Please,” he says, his voice softer than you’ve ever heard it, almost raw. “Please, stay. We can talk about this. Just… don’t leave. Not like this.”

You shake your head, fighting the tears that are already building again. “Tyler, I’m done,” you say, your voice trembling. “You don’t want me, but you don’t want anyone else to have me, either. You keep me close enough to feel like there’s something between us, but it’s never anything more. It’s just not fair anymore.”

You curse under your breath, blinking hard as the tears spill over. You don’t want him to see you like this—vulnerable, broken, hurt. Swallowing back a sob, you start to walk past him, head held high even as you feel yourself shattering. Just as your hand reaches for the door, he says it. Those three words you’ve been waiting for, holding onto, for what feels like forever.

“I love you.”

It stops you cold, and you stand there, hand frozen on the doorknob, not sure if you actually heard him or if it’s just some desperate wish in your mind. But then he speaks again.

“I love you,” he repeats, his voice steady, almost pleading. “And if you love me—if you can still love me—then I’m asking you to stay and just… hear me out. But if you’re done with me, really done, and I’ve already lost you… then go.”

The silence hangs between you, thick and charged. You turn slowly, meeting his gaze, and there’s a look in his eyes you’ve never seen before. Vulnerability, sincerity, something real and unguarded. He’s finally opened himself up, given you the one thing you’ve been longing to hear, but the choice to stay or leave is yours.

Your chest tightens as you search his face, feeling the weight of all the years, the almosts, the near-misses, the longing. He stands there, his hands clenched at his sides, waiting, as if he’s holding his breath.

“You… really love me?” you whisper, the words barely audible.

“Yes,” he breathes, stepping toward you, his gaze never leaving yours. “I’ve loved you for a long time. I just… didn’t know how to show it, and I was afraid if I did, you’d walk away. But losing you… that’s the one thing I’m really afraid of.”

You take a shaky breath, looking into his eyes, feeling every bit of his honesty, and for the first time, he’s offering you everything, without conditions, without holding back. The pain and hurt are still there, but as he waits, the tears in his own eyes now, you feel something else rising to the surface—a glimmer of hope.

The words are out before you can stop them.

“I love you too,” you whisper.

Tyler steps forward, his eyes searching yours as if trying to understand the storm inside you. He reaches up, hesitantly at first, as though unsure if you’ll pull away. But when you don’t, his hands gently cup your face, his touch warm and grounding. His thumbs swipe at the tears still streaking down your cheeks, wiping them away as if he can erase all the pain he’s caused with one simple gesture.

“I’m sorry,” he says, his voice thick with regret. “I’m so sorry. For not telling you sooner, for not making a move sooner… for making you feel like you don’t matter. For making you cry. You deserve so much more than that.”

You’re frozen, his words sinking deep into the cracks of your heart that you didn’t even know were there. His thumb brushes along your cheekbone, a silent apology that speaks louder than anything else could.

He takes a deep breath, his voice low but sincere. “I know I’ve messed up, but I’m asking… can you give me another chance? To do it right this time? To take you on a real date, to buy you flowers, to tell the world that you’re mine… to be proud to have you by my side. I want to do this right, with you. Will you give me one more chance?”

The weight of his words hangs between you, and you feel the walls you’ve built around your heart begin to crack. He’s standing there, fully exposed, offering you everything he’s held back for so long. The room feels smaller, the air thicker as you look into his eyes, where you see nothing but vulnerability and hope.

You swallow hard, emotions warring inside you. You’ve wanted this—wanted him—to say it, to fight for you. And now that he is, you’re not sure whether to run or to stay. But as you stand there, feeling the sincerity in his touch and his words, something shifts. The hurt, the confusion, the loneliness—it all starts to unravel, replaced by a flicker of something new: hope.

You take a breath, your voice barely more than a whisper, but clear enough for him to hear. “Last chance, Owens.”

A smile tugs at the corner of his lips, but it’s softer, more relieved than triumphant. He doesn’t say anything else for a moment. Instead, he just pulls you into his arms, wrapping you in a hug that’s full of promise, the kind that says he’s never letting you go. And for the first time in a long while, you let yourself believe him.

You stand there, still in his arms, the weight of his words sinking in. The tension that had built up over the last few days—hell, the last few years—seems to fade away in that moment. Tyler’s hands are warm on your back, his arms strong around you as if he’s holding on, not just to you, but to everything that was between you two. His breath is steady, the pulse in his chest calming yours. He doesn’t let go, not yet. You don’t want him to.

For a long moment, neither of you speaks. There’s no need to. Words were said, the hurt was aired out, and now, the only thing left is the silence between you—a silence that feels like the promise of something better, something real.

He pulls back just enough to look into your eyes, his gaze soft, full of regret and hope. His thumb brushes against your cheek, wiping away the last of your tears. "I meant every word," he says quietly, his voice steady but raw. "Thank you for giving me this chance."

You nod, feeling something inside you shift, finally able to let go of the heaviness that had been pulling at you for far too long. You offer him a small smile, your fingers brushing his lightly as you give him a gentle squeeze.

He exhales slowly, the tension in his shoulders easing. “Hey…” His voice is quieter now, almost like he's considering his next words carefully. "How about we skip the rest of the party downstairs? We can grab some pizza, put on a movie, just... relax in here."

You glance at him, surprised by the suggestion, but something about the simplicity of it feels perfect. You nod, the corners of your mouth lifting into a genuine smile. “Yeah. That sounds perfect.”

Tyler’s eyes light up, a grin spreading across his face. “Good. Go ahead and get comfortable. I’ll order the pizza. Whatever you want.”

You feel a sudden sense of relief wash over you. It’s not just the break from the chaos of the night, but the quiet, intimate comfort of knowing that it’s just the two of you, no expectations, no pressure. 

Tyler watches you for a moment, his smile softening as he watches you dig through your suitcase for something comfortable. You pull out a pair of sweatpants, replacing your jeans, and as you move to crawl onto the bed, he’s already a step ahead of you.

Before you can sit down, he reaches for the bottom of your t-shirt, pulling it up over your head. You freeze, giving him a confused look, about to protest. "Tyler, I’m really not in the mood—"

He cuts you off with a soft laugh, shaking his head. "Not like that," he says, his voice teasing but warm. "Trust me, I’m not asking for anything like that."

Your brow furrows slightly in confusion, but Tyler doesn’t give you a chance to dwell on it. Instead, he reaches down into your suitcase and pulls out one of the t-shirts you had tossed aside earlier—one of his shirts. He holds it out to you with a playful glint in his eyes. “Here,” he says, “put this one on instead.”

You take the shirt from him, still a little baffled. “What’s wrong with my other shirt?”

Tyler grins, a smirk tugging at the corner of his mouth. He steps closer, leaning down slightly as if he’s about to let you in on a secret. 

“Because it’s not your boyfriend’s,” he says, his voice low and almost teasing. “If you’re gonna be my girl, you wear my shirt to bed.”

A smile tugs at your lips, and you can’t help but feel a flutter in your chest. It’s the little things like this—the small gestures, the inside jokes, the way he’s already making you feel like you belong—that make the tension from earlier seem a little less heavy.

You slip the shirt on, and Tyler's eyes soften when he sees you in it, the way it fits just right, the way it looks like it belongs on you. You glance up at him as you finish adjusting it, your voice quieter now, full of warmth. “This better for you, boyfriend?”

"Yes." He grins, clearly pleased with himself. "I think you look pretty damn perfect in it."

You laugh softly, and for a moment, the weight of everything that had happened earlier melts away, leaving you with nothing but the quiet comfort of his presence. You sit down on the bed, pulling the blankets up and patting the spot beside you. "So, pizza and movies?"

Tyler nods, settling in beside you, having traded his tuxedo for sweatpants and a t-shirt. His hand finds its way to yours as he lets out a contented sigh. "Sounds like the perfect way to spend the night."

And for the first time in a long while, it feels like things are exactly where they need to be.

[thepointofme]

modern cherik au where they both are super famous actors, charles is the nation's sweetheart with his big blue eyes and charming personality who steals people's hearts in rom coms and erik is the tall dark and handsome actor who goes for more dramatic/serious roles. they allegedly have no connection with each other whatsoever until one day a few photos are leaked and the world finds out they used to be together when they were younger and the internet goes wild bc wdym charles xavier and erik lehnsherr were a couple???? they're completely opposite!!!! there's not any public statement about it but after that from time to time they're seen together in the same place or side by side walking or drinking or laughing (everybody is SHOCKED to see grumpy erik lehnsherr scrunching his nose with the biggest smile on his face as he laughs with charles or the fond look he gives charles with an expression so soft is almost painful to see) they'd definitely be those types of couples who are on and off because divorce follows them in every universe so people would never really know if they're still together or not bc both of them are very private about their personal life (especially erik, no one knows shit about his life outside of his roles and the few things he shared before), but lets say they're not together anymore and then one day its announced they're going to work together for the first time in a mini series as the main characters and as a couple and people officially lose it all!! give me something dark and sensual where they can explore their talent in acting and their chemistry and im talking about 'kerry washington and tony goldwyn in scandal' levels of chemistry like people would CHOKE with the tension. lots and lots of eye contact and kisses and sex scenes who look way too real to be fake. and i know we could have the 'lets pretend we're a couple again' to promote the show but i want something more interesting, instead they do the opposite and make it CLEAR how they're NOT together at any chance they get. could you imagine how funny it would be to have charles and erik being SOOOOO passive aggressive to each other in interviews, talking about how it was a torture to work together because the other is annoying in a playful tone, the constant bickering, and at the same time complimenting each other's strengths, because they've known each other for so long they know how to navigate around each other even when their relationship is not in "good terms" so no one really knows if they actually hate each other or if they're fucking or if they're couple or all the options above. give me something MESSY!!!!!!! twitter would go crazy with fan theories!!!!! and then after the show ends they'd disappear and come back months later married.

[shalotttower]

Will-o'-the-wisp

Title: Will-o'-the-wisp

Fandom: Hunter x Hunter

Characters: Chrollo Lucilfer x Reader (female)

Summary: Reader encouters fae!Chrollo and breaks some rules along the way.

Word count: 1700+

Notes: yandere!Chrollo, fae!Chrollo, abduction, manipulation, AU, modern setting with fae, Chrollo is charming af and a bit creepy as usual, Reader is doomed long before they know it and slightly depressed

You walk home the same way every day, like many people do. There's comfort in routines. Comfort and security which you crave. The familiar routes, the repetitive programs on TV and the books you've read a million times. You like to know what happens next and hate surprises.

The fourteen-year-old you wouldn't approve.

Maybe even express a little pity, because she always thought you two were destined for an adventure, like in fantasy books you used to devour one after another. Every free second was spent reading or dreaming, but life went on and adventures didn't happen. The girl grew older, a lot more careful and a lot less hopeful.

When you finish work, it's usually around six. Your adult self is practical and prefers to save money on the bus, besides, every other time you take it, you end up having to stand, squeezed between people. It's not worth the frustration; a fifteen minute walk isn't that long and the crime rate in the area is low.

There's a small grove nearby that nobody has bothered to turn into a park. The residents made their own paths in time, put a few signs so the joggers wouldn't get lost, but that's it. Once or twice a month you stroll through there, picking up trash left on the side. People make you want to move to the woods altogether sometimes.

That's how the day starts or ends — with crossing a bridge which connects the grove to your neighbourhood.

And this is where you see him for the first time.

The man looks so out of place among the rustic wooden railings and rushing water below. Nobody wears this kind of clothes here. Expensive and elegant, something that blends well in a big city. They don't stare at passersby like he does either. You hate when people do that ─ block already narrow spaces by just stopping midway. Or groups who spread across the entire sidewalk.

"Excuse me," you say politely. Polite is good. Polite can be used as a shield and always makes you look better than you are. "I need to pass."

He smiles, then moves aside. "Of course."

His face is exactly what you imagine when thinking of pleasant: beautiful grey eyes with long lashes, pointed chin and a strange mix of delicate and sharp edges.

"Thank you."

The smile widens. "You're welcome."

---

It's time to accept that you've grown into an average person with a simple desire to live in comfort. Dreaming isn't your strength anymore, the last book you picked up was several years ago. Movies bore you fifteen minutes in, even if everybody else praises them; the idea of a relationship seems exhausting.

You do enjoy gardening.

Growing tomatoes is a far cry from distant fictional lands, but they taste nice with a pinch of salt.

The condo you live in doesn't have enough space and light, so you chose a small patch of ground in the grove to start a garden. A few tomato plants and some herbs like chives and basil. It might be illegal, yet nobody has come to yell at you. Most people don't pay attention to what's happening here, as long as you don't damage the trees or leave trash.

You water and prune, weed, add fertilizer if needed. There're some flowers too; mother told you that marigolds scare pests away from veggies and keep the soil healthy. They're pretty, little orange spots.

---

You find a crystal at you patch. Azure would be too bland to describe its color ─ maybe more like a mix of cerulean and moon stone. It's round in shape, polished so nicely that the outlines of your face are reflected in the surface. Did a magpie bring it? Or a kid? The thought of someone poking around your garden makes you frown. You hope they didn't step on your basil.

The stone is heavy and cool. You turn it around, entranced, before stuffing it into the pocket of your jeans. Maybe you can ask the neighbours' kids about it later.

"Would you look at that," you mutter and bend to inspect a tomato plant. Two green fruit, each no bigger than your knuckle, hang there, sprouted over the weekend. "Hello, my pretties."

---

You lie in bed, staring at the ceiling. It's past 1 AM, you should sleep; instead, you keep twisting the stone in the moonlight.

You asked kids from around here, but nobody claimed it.

Maybe it's a lucky charm, you've had a wonderful day. Got a call from your cousin in the morning, she has't contacted you in a long while and it was nice to catch up. After lunch, the resource manager praised your work, then an elderly lady from the store complimented your cardigan.

At a certain angle, the stone seems almost glowing. A summer night sky condensed into a tiny orb. Your fingers trace its smooth surface without much thought until eventually it drops onto the pillow by your side.

You don't notice when exactly you fall asleep.

It's the strangest dream you've ever seen.

Gone is the condo building with its stuffy kitchenette and old pipes that constantly rumble. Instead, you feel damp grass underneath your feet. Wind brushes through the hem of your nightdress, carrying the scents of rain and moss. So many shades of black and raven blue swirl together that you barely recognize a signpost nearby. It's the grove, but you've never seen it like this, as dark as it can be only at night.

It's uncomfortable to stand barefoot, with a chill creeping up your legs.

After a while your fingers touch the rough bark of a nearby tree to get a sense of direction, and you start walking, because there isn't anything else to do.

There's the bridge, you think. If you just get to the bridge, the rest will be simple.

You're walking there, or that's what you think when a small ball of light appears right before your nose.

Fireflies don't glow blue. It doesn't falter, doesn't flicker, coming up closer then farther like a pendulum. There's something uncanny and fragile about it. For a second you forget everything and stand mesmerized, until it starts moving.

Through the trees, past the branches, onwards.

It's more instinctual than anything ─ you don't want to be left here alone again, so you follow. Light is good, darkness isn't. The ground becomes more uneven as you go, the grass changes to moss, but you can barely register anything at this point apart from that lonely glow. It halts at times as if making sure you're keeping up.

Is that a clearing ahead? Your eyes hurt from trying to focus.

The blue dot continues to float, never speeding up, never falling behind.

Then it disappears.

No. Not disappears ─ settles on the tip of a pale finger.

There's your tomato patch, your plants, the empty box that you forgot to take back to the condo.

But it's impossible.

Your garden should be not very far from the border, yet it feels like you've walked through half of the grove by now.

Why is he here?

"It took you a while," he says, the stranger from the bridge whose eyes made you pause before you caught yourself. "I was waiting, my dear."

Maybe you shouldn't ask. Maybe the wisest thing would be to turn around and run. You step back and trip on a root which somehow snuck between the moss. He catches your hand before you fall and doesn't let go. Instead his thumb caresses your skin in leisurely strokes.

There's a faint scent of lilies coming from him, and something else. Something heavy, equally sweet that lingers on the edge of cloying and enticing.

Smells aren't supposed to be so strong in dreams.

"I need to go."

"Where?"

This simple question asked in an equally plain tone makes you falter. What does he mean 'where'?

"Home," you say softly and try to free your hand again without success. The man leans in close enough that you can see his face, illuminated by that blue light.

"And where is home?"

"I-" you swallow. "I have to go."

He releases you with surprising ease; you don't waste any time rushing towards the path. The long walk has exhausted you, and the lack of light makes it difficult to tell which turns to take. You stumble multiple times. The hem of your nightdress catches a few twigs. You sprint past the trees, past the low bushes along the familiar trail, and it's there, suddenly in front of you: the wooden bridge.

Out of breath, you grab the railing. And then open your eyes on the same side where you started.

How?

Again and again, you dash across it, yet every time there's a single step left to cross over the stream, the view shifts. Your feet land at the beginning of the bridge. On the ninth time when it's impossible to run any longer, you press your forehead to the railing. Every breath feels short and raspy.

"That's enough, dear."

"What is this?" You grip the planks with trembling hands. "I don't understand. Why can't I-"

A coat falls over your shoulders; you clutch at it mindlessly, because it's warm and you're shaking all over.

"You thanked me. Claimed my land, charmingly audacious of you. Such care and love, right under my nose."

There's no malice in his voice. Gently, finger by finger, he uncurls the tight grip of your hand. The stone is there, cerulean blue like summer sky condensed into a tiny orb.

"Took my gift and kept it close to your heart."

It takes some effort but eventually you manage to speak. "I didn't," you whisper urgently, despite the shiny proof in your palm. "I didn't know! Take it back."

"I'm afraid it's too late for that."

"I didn't know!"

He lifts you in his arms when your knees give out and you sink to the ground, still gripping that damned stone. His coat carries the same distinct scent of lilies and heavy sweetness. The sceneries you dreamed of when younger pop in your head, like old postcards covered with dust, of mystical beings hidden from human eye, fantastical places no one has seen, grand adventures where heroes defy impossible odds and come out victorious.

Those were tales for the brave and imaginative. You're neither.

"It doesn't matter. The land claims you," he says. "And so do I."

[backtothefanfiction]

Reading this just made me feel more proud of my writing abilities and reminded me of some of my favourite sex scenes I have ever written and it has really made me want to highlight them for you and why I love them so much.

Each one of these scenes is so completely different from one another, showing the true depths of the characters within them as they use these acts of intimacy to really help develop and flesh out who the characters are both as individuals and as partners. Each scene has a different need to be fulfilled and emotions to be shared and I am so incredibly proud of each one of them.

Angel In The Garden of Evil Chapter 19: Wash It Away

A mob!au Peter Parker Story

The intimacy of this scene coming as a conclusion for all the characters have been through not just during the story as you the reader reads it but also all the history they have together. It’s oddly sweet and tender as he takes the time to carry her into the house, to wash her in the shower and show her how much she really means to him. To literally wash away the old before they make love and bring in the new. It’s almost a whole cycle of life, death and rebirth moment. It’s the deep longing connection of husband and wife and how some loves just endure despite their tribulations.

Make Me Forget

Amazing Spider-Man Peter Parker x Harry Osborn Imagine (part two of crushed)

Running to the one person you shouldn’t to make the hurt go away. Asking your now ex boyfriends best friend to take you as his own after he rescued you from your abuser and asking them to claim you as their own and show you how to be treated right. To kiss away every hurt. To rewrite every touch on your body. It’s both painful and yet beautiful and hopeful and healing.

Nothing Ever Good Happens After 2am

A Joel Miller Story (Part 3 of the Insecure Series)

This is hate fucking at its finest. There’s so much tension and history and anger for both the past and present. Although so familiar with one another’s bodies they instinctively reach for each other due to that familiarity, but there is no resemblance of the way they once fucked to how they do now. The way they know each others bodies so well they can weaponise them against each other to do even more damage, leaving neither of them fully satisfied in the end and the act in fact only works to make their situation worse just feels heartbreaking on everyone, characters and readers alike. It’s short and to the point and makes me so proud.

What Benny Doesn’t Know Chapter 5

Frankie’s story

This is all about toxic love. It’s all the things well accepted when we are blinded by love. Overlooking the glaring problems just so you can be with them. Accepting their lies and bad behaviour. It’s doing drugs in the middle of the act. It’s cheating on partners. It is love and pain and longing and finally getting what you want but it’s at the wrong moment in the timelines and destined to fail from the second it started. Although a fun read and a wild time, the emotional weight and lessons for the reader also really shine through and I will always be proud of how I chose to handle this one, both for the characters and the over all story and it’s development.

the secret to writing good smut that doesn't feel like you're just repeating the same words for junk and fucking over and over is to spend your effort writing about everything happening around the sex and everything happening inside the heads of the people having sex and before you know it you have four paragraphs of introspection and two paragraphs describing the space and it's okay to use the word cock again

[forthegothicheroine]

I've made a post about great lesser-known noirs, but it occurs to me that some of you might not be familiar with the classics, and might want to know where to start. This is a ridiculously short list- I have a million more to talk about- but here are some of the big stars of the genre.

The Maltese Falcon: Sam Spade, a clever but callous private detective, gets wrapped up in intrigue relating to an artifact that is functionally cursed. If he's an unscrupulous character, just wait until you meet everyone else. The whole damn cast is electrifying, lending charm and cruelty in equal measure.

The Big Sleep: Philip Marlowe, a kinder and more poetic detective for Humphrey Bogart to play than Spade, is called upon to deal with a wealthy, dysfunctional family, and it keeps on getting weirder from there. Is the sharp-tongued Vivian Sternwood the femme fatale she seems, or is she just another person trying to find the right thing to do in desperate circumstances? And will she and Marlowe keep their hands off each other until the plot has had its last twist?

Double Indemnity: Rich housewife Phyllis Dietrichson and sleazy insurance agent Walter Neff are, by their own admission, rotten people. It's only natural that they should plot a murder together, and that they should turn on each other the very second things go wrong. Every single domestic murder movie since 1944 has ripped this off.

Kiss Me Deadly: This is nominally an adaptation of a Mike Hammer story. Screenwriter Bezzerides hated Mike Hammer. As depicted here, he is one of the worst people in the world. Depending on the cut of the film you see, he may inadvertently cause the nuclear apocalypse. (For once, the theatrical cut is darker.)

Sweet Smell of Success: Cruel, all-powerful columnist JJ Hunsecker wants his sister's boyfriend out of the way (for reasons that are, um, ambiguous.) To accomplish this, he enlists the biggest weasel in New York, Sidney Falco, and the two completely deserve each other as they spend the rest of the movie trading elaborate insults. Popular on tumblr for its dialogue and chemistry between the leads.

Sunset Boulevard: Broke screenwriter Joe Gillis thinks he can con a has-been into hiring him as a script doctor, and that's the last free decision he ever gets to make. From then on, his life is in the hands of Norma Desmond, silent film starlet turned crazed recluse, terrifying yet intensely pitiable. This is as much gothic horror as noir.

Ace in the Hole: The story of a man trapped in a cave is turning out to be a big hit in the newspaper, and if the publicity will make a reporter's career, then what's the harm in delaying rescue just for a little while? This is as vicious as noir gets, but damn it, you've just got to see what happens next. (Watch Jacob Geller's video Fear of the Depths after this.)

Sorry Wrong Number: Of all the films on this list, this is the one that really scared me. In the days of switchboards, a rich hypocondriac woman is connected to the wrong phone line and overhears a murder being planned. It doesn't take her long to figure out she's the intended victim, and each call she makes or recieves makes the situation darker. But how can she escape her fate if she can't- or won't leave her bed?

The Asphalt Jungle: The heist movie. Maybe the only heist movie ever made. Every line is quotable. Every member of the team is an unforgettable personality. When things go wrong, they go horribly wrong. One minute you're laughing, and the next minute you think you'll never laugh again.

Gun Crazy: Laurie and Bart, two practiced sharpshooters, are perhaps the most perfect match in all of noir- and that's a bad thing. When one half of the duo gets a criminal idea in their head, the other can't say no. When the opportunity to ditch her man like a sap comes up, the femme fatale throws it away to be doomed at his side. He fell in love with her when she first aimed a gun at him. Quentin Tarantino kissed star Peggy Cummins's feet at a showing of the film, and I hope she kicked him in the head.

Laura: Everyone was in love with Laura Hunt, and somebody killed her- or did they? Did they get the right person? Is the cop on the case in love with a dead woman? Was her columnist mentor just her gay best friend, or was there something darker beneath that facade? And what would Laura think of all this? A big inspiration on Twin Peaks.

In a Lonely Place: Bogart isn't at all heroic here, as a screenwriter with a drinking habit and a violent temper. He's obviously a bad idea to date, but just how bad an idea? He's not the type of guy who'd kill a woman, is he? Bogart and Gloria Holden give perhaps their best performances here, and they'll wound your soul.

Touch of Evil: A Mexican cop (played, unfortunately, by Charlton Heston) finds out a nasty secret about the big hero cop Hank Quinlan: he's framed the culprit in most of his cases. Not because he's crooked, but because his intuition tells him they're guilty. Director Orson Welles as Quinlan is frightening, grotesque, and a little bit tragic in what some consider the last classic noir.

The Killers: The first twenty minutes or so are an adaptation of a Hemingway story, where out of town hitmen gun down a man so depressed he won't even bother to run from them. The rest of the film is an investigation into how he got that way. It had something to do with a radiant gangster's girl, and something to do with a few botched crimes. Sometimes a man can die before the bullets even touch him.

The Third Man: Everybody is lying about the whereabouts of an American expatriate named Harry when his friend comes looking. Did they do something to him? Or, more frightening still, is he the one who's been doing things to other people? Orson Welles is a more charming monster than he was in Touch of Evil; the light and shadows on his face cast him as a vampire, while his fingers sticking up through the sewer grate look like something terrifying emerging from the earth.

[buckysfaveplum]

doomsday

summary: missions don't always go according to plan, sometimes you lose people- that's the job. bucky told you that himself.

pairing: bucky barnes x female reader

word count: 3k

warnings: violence, character death, um yea this one's sad. OH and Steve is dead in this (I mean he was like 90 something in endgame...)

a/n: GUYS omg i missed youuu i hope you remember me. its been like almost two years? i moved to ireland and started grad school! things are different. buttt here’s a new fic cause i’m back!!! ANGST omg im sorryyyy.... idk I wanted to right something that hurt okay okay bye (:

masterlist | send requests

You hated funerals. 

The suffocating smell of formaldehyde and roses wafted through the wake hall. The sounds of distant friends and relatives feigning grief, playing up small interactions with the deceased as more than just pleasantries while siblings and best friends' voices seem to be gone with a lack of words to express their suffering. The stale cookies and donuts in the hall, as if someone’s lover isn’t lying in a casket 50 feet away. All wrapped up in black dresses, suits, and handkerchiefs.

You hated funerals.

Today was no exception. An agent lost on a routine mission in Guam, taking out an arms dealer terrorizing a village. There were loose connections to Hydra, but just petty violence and shootouts for nothing. It shouldn’t have resulted in the loss of an agent. But sometimes things go wrong. A gun barrel stalls, someone trips, a civilian happens to be in the way. Sometimes people die. That’s how you ended up here.

Sarah was a good agent, a great one. She was top of her class at Westpoint, went straight to the FBI, and was recruited into SHIELD- all before 30. She was good- too good for a slip-up like this.

As speeches wrapped up, family and friends began to say their goodbyes. A line formed at the casket as people poured their hearts out for the redhead you once called a friend. You waited patiently at the back, making sure you were one of the last. You always did. Maybe out of respect, perhaps guilt? Who knows. You always felt guilt, even if there was nothing to be done. There was guilt.

Finally, as the small crowd left the room, flooding into the hall outside, you made your way to the front. Laid out before you, Sarah’s curly and wild hair was in two thick braids on each side of her head, a blue dress covering her as well as a soft cream cardigan. She looked beautiful and peaceful. But she was dead. Your friend was dead. No makeup or pretty clothes would lessen that blow. The plush velvet of the casket seemed to soften the prison that her body would rest in. At every funeral, you were reminded of how you wished to be cremated.

“I’ve never seen her hair so flat,” you turned to see Bucky standing beside you.

“You know, even wet her hair always seemed to spring up. Had a mind of its own,” you said, your gaze resting on him.

He was clad in a simple black suit, an older set you’d gotten him at a vintage shop. Something familiar. A simple cream button-down, no tie. It was simple, but that was him. What was most striking though was his serene demeanor. It never seemed to settle with you how unaffected by death he was. How easily he was able to gather himself and keep going. You couldn’t blame him though, 90 years of pain, death, torture, and violence will do that to you. You’d only seen him torn up once. And it was beyond devastating. Steve. “You okay, kid?” he asked, wrapping an arm around your shoulders. 

He was your partner, in every sense of the word. In the field, as a friend, in life. He was everything. Your taut shoulders melted under the firm comfort of his vibranium arm. You could rest in its embrace a thousand times and never cease to crave its solace when away. He was your rock through every debriefing, call to family, black dress, and smeared mascara. Who knows what you would be without him?

You rested your head on his chest, breathing in the potent smell of his old cologne and something that was distinctly Bucky. 

“I hate funerals.”

——

“Do you ever think about dying?”

Bucky’s grip on you tightened slightly at your words. Wrapped in the soft linen of your duvet and the sunlight streaming in through your windows, his body lay around yours. His short choppy locks were tousled fresh from his slumber. The previous night’s sleep had yet to let go of his consciousness fully, still cozy and relaxed in your shared bed. His vibranium fingers continued to play with your hair as he considered your question.

“Not anymore,” he said.

Your face scrunched in confusion at his words. Your fingers traced gently over the thick scars on his left shoulder. They mangled and twisted, sprouting in angry red from the line where his skin met vibranium. Shuri had done her best to soften the tissue when replacing his arm, but only so much could be done.

“I did a lot when I was first drafted. I was scared of it then. And in those early days under Hydra. It was all-consuming. But at some point, I wasn’t scared of it, I embraced it- prayed for it,” your fingers froze at his words. It was nothing new to you, you had spent countless late nights and early mornings recounting the abuse of his days as the Winter Soldier. But hearing him say flat out how he wished to die. That was jarring. “After the Blip, I’ve just become a bit numb to it. I don’t really think about it if that makes sense. It could always happen.”

His hands danced down your spine as if his words were simple.

“You expect it?” You asked, propping yourself up on your elbow.

“It’s the job, Y/N. It comes with the territory. Sometimes you lose people. And it could always be you,” he said, giving you a soft look. “You know that, doll”.

“I just, I don’t expect it in the field you know?” you relaxed a bit, regretting the subject you forced upon him.

“Hey, maybe that wasn’t the best way to put it,” he said, giving you a ginger smile as he leaned close and cupped your cheeks in his hands. “Death has just followed me for a long time, doll. I mean I’m a 106. I’m just not scared of it anymore.”

You tucked yourself into his chest, his words soothing the fears swirling in your mind. You knew the job was dangerous. That any mission could be the last. You just hoped it would never be him.

“Why do you always pick the heaviest topics of discussion early in the morning?” he asked, his voice still groggy from sleep. He smiled as you chuckled against his chest. 

“Probably cause I’m hungry, Plum,” you said, turning to lay on your back as you smiled up at him. 

“Yea? What could we do about that, huh?” that devilish smirk of his could stop your heart anytime and you’d be grateful. “Pancakes? Clinton St?” 

You nodded eagerly at his suggestion before taking his hand and slipping from the bed.

——

The rumbling of the quinjet shot up your spine. Sam and Bucky’s relentless bickering filled the steel jet as you came closer to your destination. Your gloved hands worked at strapping your knives to your thighs as they quarreled over how best to stain wooden beams in Sam’s living room during your and Bucky’s next trip down to Louisiana.

“No! NO! Buck, that stain doesn’t go with the accent wood in the kitchen! I already told you,” Sam said as he fixed his shield to his back. You chuckled as you walked over to them. Your backup squad, full of agents fresh from SWORD’s training academy, snickered at the two men as Bucky rolled his eyes.

“The beams are in your living room, what does it matter?” He said. 

“I wouldn’t take any interior design advice from him, he wanted a purple couch in our living room,” you said, wrapping your arms around Bucky’s waist. Sam laughed as he turned to grab the mission report. The jet was drawing close, entering stealth mode and preparing for landing.

“It was a plum color,” Bucky grumbled, nuzzling his face into your hair. 

“Okay team, huddle up!” Sam said. “This is just a simple in and out. We gotta get these hostages out safely so no risky moves- I’m lookin’ at you, Buck.”

Bucky threw his hand up in defeat, scoffing jokingly under his breath. 

“I’ll swoop through and scout entrances, Squad Two you’ll be with me for direct combat. We’re clearing out the building. Squad One, you’ll be with Y/N and Bucky, you’re getting those hostages out. You bring them straight back here, got it? There’s four so it shouldn’t be too strenuous,” he said, closing up his report before slipping on his cowl. “Alright team, let’s show ‘em what we got.”

——

Fluorescent red light filtered across your face as you slipped through the hallways. Half the squad led ahead of you, banging on doors in search of the hostages. Bucky hung close behind you, the rest of your squad keeping your entrance open for your escape. His hand rested on the gun strapped to his hip as he kept an eye on your blind spots.

Watching your back on the field was second nature to him. Protecting you, be it on the subway or in an active battle zone, was something he felt born to do. A reason to survive all those years under Hydra.

After several doors, your team stopped; having heard the pleas for help on the other end of the steel doors, they backed up to allow room for an agent to blast the lock. You stumbled back into Bucky, tripping on your own feet. His arms caught you before you could even glance at the floor. You felt his fingers gripping your hips and fidgeting with the straps on your thighs as you straighten.

“Some reflexes you got,” you whispered to him.

“Can’t let my babydoll fall,” he said, kissing the back of your head before his focus shifted back to the lock, now falling to the floor.

The agents flooded into the room, pulling hostages out and bringing them back into the hall. As they streamed out, you realized something was wrong. You only counted 3.

“Where’s the fourth hostage?” you asked. 

Bucky commed Sam, hoping he’d scanned the place and found a lead. As he spoke, you gathered the agents, giving them an order. Lead them through the building, get out to the other half of the squad, and get them into the jet. You’d meet them on the other side. You and Bucky would find the last hostage. The agents fled, leaving you and Bucky alone in the dark hallway. 

“Where are they?” you asked. Bucky sighed, as he grabbed a knife from his hip.

“In the lab in the basement, must’ve been the first to get taken,” he said.

The hostages weren’t nobodies. Prisoners were taken from SWORD on a mission to squash a newly established radical group. A group that seemed to resonate with the ideas of Hydra. This mission was all too familiar to Bucky, and all the more upsetting. You gave his free hand a firm squeeze before you turned and bolted to the lab.

You could feel the heaviness of the lab as soon as you entered the basement. The looming presence of the sterile room filled the hallways as you stalked toward it. Bucky was unusually quiet as he covered you from behind. You knew this was triggering, it had to be. He would always tell you he was beyond triggered episodes, having gotten a firm grasp on his PTSD. But you knew better. The subtle tremor in his brow told you so.

As you reached the eerie room, you stilled. Bucky came up behind you, resting a hand on your waist as you assessed the space. Metal shelves lined the walls full of jars, syringes, and test tubes. Sleek steel tables with rags soaked in blood, white grimy cabinets full of scalpels and needles, and an operating table at the center. The floors were coated in grot, each crack in the tile stained brown. Your mind couldn’t help but wonder if this condition was what Bucky was used to for all those decades.

Realizing the area was clear, you entered. Quickly, you spotted the hostage. Strapped to a chair in the corner with an IV jabbed into his arm. Bucky squeezed your arm as he headed over, slipping his knife back on his hip. 

You felt a pit growing in your stomach. You pulled your gun gently. This hostage didn’t look familiar, you thought Sam said he was a brunette, not blonde.

Bucky began to break the straps holding the man down. Slipping the IV gently from his arms, Bucky eased him up into a sitting position. He spoke to the man calmly, explaining to him who you were and that he was here to get him out. He seemed off, but Bucky just assumed it was the experimentation. He was wrong.

“Do you know who we are?” Bucky asked, helping the man up.

“I know who you are, Soldat,” the man said.

A chill ran through your legs, almost toppling you over. You reached for your gun, but the man was quicker. He was able to log four bullets into Bucky’s chest before you could get one in his skull. 

Shots rang out in the room, flooding your ears. As soon as you pulled the trigger, the man fell to the ground. Your bullet nestled into the side of his head. Your hands were shaky as the gun fell from your grasp, clattering across the floor and sending echoes through the rotting room. Of course it was a trap. The rubber of your boots squeaked as you sprinted your way over to your lover. He stumbled back against the filthy wall, his hands pressing firmly on the holes scattered across his chest.

As soon as you reached him, his legs seemed to give out. Everything in you tried to keep him up, your hands gripping the straps of his suit to keep him from surrendering to the floor. But he was too heavy. You followed him down, gathering him in your arms and holding him close. His breathing was labored and rough. Squeaks and coughs escaping from his punctured lungs haunted your ears, taunting you as you desperately tried to get him to stand.

“Baby, baby come on… you gotta get up, love,” you said, pulling him as you tried to get his attention.

His eyes were fixed on the mess in his chest. Blood bloomed across the fabric of his blue suit like a watercolor painting. His hands slipped from their place over the wounds and grasped yours. 

“Y/N…” he said. You froze at his voice. It was weak and unsteady. His grip on your hand was tight, too tight. He was always so gentle with you. As if you were glass under his hands and he was afraid you cracked. Now, he gripped you so hard you were afraid your bones would fracture.

“Bucky, you gotta get up. You’re gonna be okay,” you said as you tried to stay calm, but your voice failed you. You commed Sam, “Sam, Sam! Bucky’s down, I need help please!” 

You tried your best to stop the bleeding, tearing fabric from your pants to stuff the wound and slow the blood. But it didn’t seem to help. Bucky’s vibranium hand rose to your cheek, holding you steady. You mumbled to yourself, beginning to panic as blood spilled onto your hand; it stained the groves in your knuckles and cakes in your fingertips. Bucky’s coughing finally brought you out of your spiral. Blood began to trickle from his mouth.

“Doll…I can’t- I can’t breathe,” he said, his voice hoarse from the blood filling his throat.

“Bucky, hang on for me okay, please,” you said, your hands grasping his face and pulling yourself closer. You pressed a firm kiss to his forehead. When you pulled back, you could see it in his eyes.

“Y/N, I’m scared…” you felt bile rise in your throat at his words. The reality of the situation began to set in. Sam’s glitchy voice rang through your coms but you barely registered it.

“You’re okay, plum. It’s okay, I’m here. You’re gonna be okay,” you said. Your voice was frantic and distraught. The need to reassure him he would make it was overwhelming. But was it for him or you? Perhaps if you kept repeating it, doomsday would stay at bay.

His hands returned to yours, grabbing them and pulling you close as another cough racked his body. Blood speckled across your hands. You were white in the face, all the color drained.

“I…I love you, kid,” he said, his grip loosening. 

“No, baby, you’re gonna be okay. Sam’s on the way, it’s-”

“Y/N, I love you,” your hands gripped his tighter, wishing the firm hold he had minutes ago would return as his hands became limp in yours.

“… I love you, Buck,” you said softly, resting your forehead on his.

You pulled him close, kissing his lips one last time. You felt his breathing slow, his lips still. You didn’t pull back, you couldn’t. You knew what would await. A thick sob slipped through your chest. 

You tucked yourself further into his body, pulling him close and wrapping your arms around him. His head rested tucked into the crook of your neck, your hand tangled into his hair. You closed your eyes as you pressed your face into his hair, your free hand stroking his back and you rocked his now limp body. And you waited for Sam.

——

The smell of formaldehyde was the same, but no roses- Bucky preferred lilacs. You didn’t want the standard service, but SWORD insisted. No speeches, except for the pastor leading the service. You didn’t want any speeches, you knew Bucky would agree. 

You sat in the back, behind the small crowd of agents, friends, and the team you had come to consider family. Sam kept looking over his shoulder, keeping an arm behind him and resting on your knee. Perhaps he was trying to stop its shaking through the service or just to bring you comfort.

The service was simple, it was quiet. It was small. But it didn’t change anything. 

You hated funerals.

**taglist has been reset! let me know if you'd like to be added**

[ph-cutie]

why is evrart's portrait so weird? a visual and written analysis.

Most of us on this website have warm sentiments towards him, but I feel confident in saying that his portrait art looks, or has looked, somewhat off-putting to a lot of people, and that this fact was intentional. So if you've always felt a little strange looking at him, but couldn't put your finger on why, I've got you! This is a remake of a 1k word, 12 paragraph post I've made on reddit this same day, but tweaked to be in a more tumblr cadence :3

FORENOTE: This post is solely about the portrait art. Not the man portrayed in the model and concept art, or his general features. Just making that clear.

BACK TO BUSINESS: I've made a little diagram circling out and numbering the most jarring parts of this image.

TLDR: this piece draws on mild anatomical distortions and body language discrepancies to catch the viewer offguard. if you want to know more you're a VERY lucky person, because i've got nearly 800 words explaining each point for you, under the readmore.

UNUSUALLY LONG&WIDE LOWER FACE: Probably the thing most people actually notice. Even compared to other images of him, his jaw is quite exaggerated. wouldn't stand out had the rest of him been unremarkable, however he is *very* remarkable.

STRAINED SMILE - MUSCLE TENSION: I'm not super into the "true and genuine good person smile" vs "deceitful scary smile" dichotomy, I myself am cursed with a jimmy donaldson smile. However, his smile does not look restful/easy-going. It's very horizontal. Corner 1 is pushing excessively into his cheek, corner 2 isn't even angled up. Lower lip is stuck out. CONCLUSION: looks forceful and a little painful on his end. Not the weirdest part of the image, but it creates problems later down the line with his other features.

FOGGY GLASSES: They say that eyes are the windows of the souls, and his design messes with that by fogging up his glasses. But even that has another layer to it, so let's peel it! His right eye (to the right of the image) is looking at the viewer, however, the glass obstructs it to such a degree that we do not get any functional information from it beyond the knowledge that it exists. His left eye is drawn much clearer, however, it's not looking at us. It can't tell us anything about what it's owner is feeling, it has nothing to do with us. For people who care about eye contact, this part of the drawing was made to be frustrating. The connection is juust out of reach :)

LACK OF VISIBLE EYEBROWS: Eyebrows are one of the most expressive parts of the face, and he's lacking them for whatever reason. Not much more to say on that for now.

NONSENSICAL PLACEMENT OF HEAD ON BODY: Compared to the concept art, where his shoulder is a little below his earlobe, the portrait's shoulder is portrayed as above THE ear. Basically, there is no neck/separation between his head and body. The rest of the drawing doesn't give a clear explanation on why this is (such as if he were clearly portrayed as sticking his head forward), so I deem this to be a genuine anatomic perversion. (AFTERNOTE: APPROXIMATELY 20 PEOPLE ON REDDIT HAVE TOLD ME "no that's actually the back of his chair you can tell from this slight hue shift" MAYBE IT IS. BUT I DO NOT BELIEVE THAT ANYONE REALLY NOTICED THAT LITTLE PIXEL LINE, AT THE SIZE OF THE PORTRAIT WHICH IS PORTRAYED INGAME. THE PAINTER KNEW WHAT IT LOOKED LIKE. SO DONT BOTHER ME ABOUT IT )

ARCHED CURVATURE OF THE SHOULDER- MUSCLE TENSION AGAIN: But I'm not done with his shoulders! His shoulder have an arched shape, which means he's hiking them up. Much like with his smile, it's a forceful posture, associated typically with some kind of discomfort. (SAME AFTERNOTE AS POINT 5)

LACK OF DETAIL IN THE CLOTHES: While we can choose what we look at, the human eye will always be drawn to the most striking or detailed parts of images. Artists know this. Often-times, we wish for the viewer to look at the face of a character- hence the popularity of anime girls with glossy, candy-colored eyes. Claire's zone of maximum detail density starts at his nose and ends at the bottom of his double chin. His clothes, meanwhile, are basically just flat shapes. His background is very simple too. SO basically, the remainder of the image is a graphical desert, and his jowls are the oasis your eyes will always wander back to :D.

THESIS: Claire's anatomy is mildly distorted in points 1 and 5, which immediately throws off the audience. His body language is strained, borderline convulsive in points 2 and 6, while his features at 3 and 4, which we look at for information (is he happy? angry? in pain?), are left blank. This discrepancy leaves us emotionally confused and unsatisfied. Thus, the vague sense of something being wrong with no further information. Point 7 is just a little garnish to maximize the above effects. Tada! that's it.

WHY DID I WRITE THIS?: People usually focus on beautiful art and what makes it as such- I've seen many brilliant analyses of Lieutenant Kitsuragi's portrait and why it comforts us. But I find it equally interesting to break apart pieces that just don't emotionally click with us, that feel off, and I also love Evrart Claire, and find him to be a good example of this that nobody seems to have previously discussed. So I took on the challenge! I find his portrait art actually really cute now so this is mostly drawn on from the feelings of Ghost of ph-cutie Past. I genuinely doubt anyone will read all of this so if u have, I thank u from the bottom of my heart <3.

[tench]

Veilguard is such a weird game.

It's not a Dragon age game, it's bately a role playing game. It's an ok action. Even though it is the most stable AAA release it is still just a bunch of barely tied together stuff in a trench coat.

The writing (insultingly dumbed down and absolutely incapable of taking itself seriously untill the last 1/6 of the game) is all over the place, the direction is nonexistent judging by the tonal shift from one quest to another. We can have very heart felt monologue about the fear of death sit right next to a conversation where a lot of things are told using one specific phrase (I really hope in a clumsy attempt at emphasis) repeated till these words lose any meaning to you.

There's also a problem of role-playing in this "rpg" and the Rook. None of your dialogue choices matter in terms of defining your character, no matter the option you choose, the general conversation will carry the upbeat silly tone. "Your backstory and class matter more than your race" works untill it doesn't, like when you are a dwarf but you are denied your own journey and realizations tied to the titans, and maybe it is not your journey to take yet you can't even try to be a part of it, even when Harding is actively reaching out to other dwarves to share this connection. It's also weirdly more interested in writing romance between npcs than for the main character (Lucanis comes to mind, it feels like the game is actively punishing you for pursuing him, you have to lose the whole shadow dragon faction, you won't get to hang out with Dorian and still you have bare minimum and he more interested in Neve anyway), that's extremely funny that this game is player-sexual yet completely player-aromantic. (And I miss the dai option where you can come up and kiss your LI whenever you feel like it).

I won't even touch on the weird and unnecessary sanitation of everything, like we can't allow people or factions to have negative traits whatsoever. And it's not "southern propaganda", it's "we are not engaging with complex topics for the sake of clear dichotomy between good us and evil overlords". Speaking of which

The whole plot.. The general idea of it is ok. You come to stop Solas, you make the situation go sideways, you have to work together to fix your mistakes and maybe learn to sympathize with the antagonist haunted by his own transgressions with the main theme being legacy and your relationship with your culture and the baggage it brings. But the journey is a complete disaster. Part of it works solely because the characters absolutely Refuse to make a plan and the other - because the main character has a blunt head trauma. Maybe it's related. Maybe it's all a mass hallucination. I may try to elaborate on how it's absolutely ridiculous how little the inquisition and the politics have any impact in this game yet somehow 8 people squatting in the Fade with no political affiliations are held responsible for providing for every faction they come across. I won't even try to make sense of it. It's the usual case of "the main character does everything".

The direction is not only absent in the writing. Some lines that are ok in text delivered in such a way you may think they were allowed only to use the very first take.

The music is absolutely forgettable. Also the odd riff during the dramatic reveal absolutely took me out because I thought I heard kazoo (but I bet Varric would love it).

The visuals are.. Ok. It's pretty on the first glance but the more you travel the more you realize that the general design of the locations are kinda lacking. They have this weird gradient that makes everything a little bit more unfocused and a bit washed out. There are also too many cases of the horisont just drowning in the fog. Air perspective is great and it suits locations like Necropolis, but I would argue that these establishing shots should be used for environmental storytelling in other places, with some focal points in the background, like during the final mission where you see the world absolutely drowning in the blight, devouring local statue of liberty. Or the dead Titan. Or the first shot of the Veil jumper forest (I forgot how it's called) where you see the ruins going into he sky. But because of the fog (or sometimes darkness) it feels like the game is more interested in cheating the optimisation than to hint on the bigger picture (like the chantry and the gallows buildings that you can see almost from all locations in DA2 or the andrastian/dread wolf imagery of inquisition)

So, in conclusion. Not the worst game I played, yet disappointing, even if we pretend it's not an installment of a beloved franchise that people were waiting for 10 years.

Ps. Also making such a game with nerfing all the lore only to nuke all the legacy locations is a choice I won't ever understand. It's like it is not for the fans and it's not for the new people but a secret third thing.

[wilcze-kudly]

Something I've always loved about atla is how it handled scars, particularly Zuko's facial scar and Aang's lightning scar.

I've probably spoken before about how, as a burn victim with a ton of skin grafts on my legs, torso and hand, Zuko really was the first character "like me" that I saw on TV. It was, as you can guess, quite a momentous moment for kid me. Which is probably why I'm so disheartened on the live action show shrinking and toning down Zuko's scar significantly.

Too often scars, especially burn scars are seen as gore or body horror and too graphic to be seen on TV that isn't horror or related genres. And often scars, especially facial scars are reserved purely for villains and are used as a signifier for 'evil'. A trope that you'll find is still alive and kicking even today even in big franchises.

And while Zuko does reinforce this trope to some extent, I think it was subverted enough for it to have irs own merit. Atla also steers away from the scars=evil narrative, by having a lot of "good" characters have scars too like Bato and Song. This helps destigmatise scars as a whole, making Zuko's 'scarred villany' seem like a more individual case.

In Atla, scars are more the trademark of victims rather than villains and this rings true for Zuko too.

Zuko is a victim of the Fire Nation in the sense that the Fire Nation's values of war, strength and honour facilitated Ozai's abuse of him, particularly the scarring.

Zuko's scarring does follow a very established trope of a son being scarred by a father, which is surprisingly prevalent, especially with burn victims. Seriously I collect these men like pokemon. This tropiness isn't a bad thing, since I think it leads to us very quickly sympathising with him. I certainly did, since his experience mirrors my own.

The scene of Zuko's scarring is also particularly special, due to it being rather unique, because it isn't quick or an action scene, nor is it shown as an overly gory horror scene, despite it being, well, horrific.

It's... tasteful. Or at least, as tasteful as the scene of a child getting scarred by their father can be, I suppose. It doesn't linger on the violence, but also doesn't sugarcoat it. The scene of Zuko's scarring, and the events leading up to it also give us a good exposition to his better qualities, like his compassion, and a good explanation for why these qualities stay buried.

I can understand why some people in the fandom believe that Zuko's scar symbolises his 'worse side', but I actually believe its the opposite. Very often, when a character has a 'split down the middle' type of scar, their scarred side represents their worse half, like with Two Face from DC.

Because Zuko's scar doesn't symbolise his allegiance to the Fire Nation, it symbolises the fact that he failed to live up to the Fire Nation's standards. It's a physical reminder of the time Zuko actively defied the Fire Nation's standards and mindset.

We get a lot of nods to Zuko's scar aymbolising disgrace and failure to uphold ehat the Fire Nation expected of him. It's literally a physical blemish upon his 'honour'.

This is especially noticeable when Zuko's appearance is contrasted with Ozai, who exists as sort of the human stand in for the Fire Nation's imperialism. For most of the show, we are not shown any of Ozai's features, his face being obscured by shadow or out of frame.

We finally see Ozai's face, it's when Zuko is seeing hik for the first time in years. And Ozai looks so similar to Zuko. An unblemished, perfect, complete Zuko, so to speak. In Zuko's fever dream, where we see an unscarred Fire Lord version of Zuko, he looks exactly how I imagine a younger Ozai would look. I also love that Zuko's adult design seems to lean into this similarity.

Furthermore, Zuko's scar is used time and time again as a way he connects with victims of the Fire Nation. People who don't know him, like Song and Jet, assume him to be another victim of the Fire Nation, citing his scar as the reason why. Which is half true, Zuko is a victim of the Fire Nation, just not in the way they think.

Jet: I think Lee would make a good Freedom Fighter. He's just trying to find his way in the world, like us. Smellerbee: You don't know anything about him, Jet. Jet: I know he didn't get that scar from a waterbender.

One person who doesn't connect to Zuko over his burn scar is Katara. I love the scene of Katara and Zuko in the crystal catacombs. It's a profound scene and one that always makes me a bit emotional, especially in the wider context of atla, a subject I've touched on in this post.

However, the handling of Zuko's scar in this scene is especially dear to my heart. I strongly remember that, when Katara offered to heal Zuko's scar, I actually got scared and upset. I was terrified of Zuko's scar being erased, of the connection I felt to him snuffed out and one of the best parts of his characterisation being erased.

But that's not what happened, and the scene is amazing on that front and all others.

We learn that Katara asscociates Zuko's face with the Fire Nation, which makes sense, since he's been kinda clingy for the entire 1st season. Katara denies it having to do with anything with Zuko's scar.

Katara: It's just that for so long now, whenever I would imagine the face of the enemy, it was your face. Zuko: My face? I see. [He touches his scar.] Katara: No, no, that's-that's not what I mean.

The Katara lover in me believes her. As a a member of the Sothern Water Tribe, she probably has seen many burn victims. And her pursuing healing would also probably lead her down the route of normalising and understanding burn scars.

However, I would not be surprised or disconcerted if the scar did have something with Katara perceiving him as a villain. After all, to a lot of people, scars and "ugliness" denote moral ugliness. The very obvious fire asscociation probably doesn't help someone traumatised by the Fire Nation too. It is a sad fact of life that even those who know better subconsciously react to people with scars and other "deformities" with disgust and distrust.

We also see Zuko explicitly give us the rundown of his previously unspoken struggle with feeling like his scar is defining him as a person.

Zuko: It's okay. I used to think this scar marked me. The mark of the banished prince, cursed to chase the Avatar forever. But lately, I've realized I'm free to determine my own destiny, even if I'll never be free of my mark.

This is something I can relate to as someone with prominent scarring and I'm sure we all sometimes feel defined by things outside of our control. Sometimes It's hard to seperate your identity from your appearance. And it's even harder to seperate yourself from events that influenced you so harshly.

As I previously highlighted, Zuko's scar relates strongly to his failure to adhere to the Fire Nation's ideals and conventions, his failure to be the perfect prince of the nation. And while to us, that is a good thing, to Zuko, at least at first, that is a very, very bad thing.

To Zuko, the scar is a symbol of his flaws, and a just, if not harsh punishment for his percieved transgression. He sees it as a brand, denoting his mistake and shame. He sees it as the physical manifestation of what his banishment and scorn from Ozai means.

It's only when he begins growing as a person away from the Fire Nation's influnece, that he starts to realise that the scar is just a scar. It holds no power over him. And while he relapses for a moment, "demystifying" his scar allows him to do the same to the event of his scarring. It allows him to look back at that moment and not see righteous discipline, but rather see it for what it was and go "hey wait a minute that was actually fucked up.". Which allows him to look at The Fire Nation's conquest of the world and go "hey this is also fucked up.", when the lessons he's learnt in the Earth kingdom finally click.

I believe this is why we see Zuko almost purely from the side of his scar in the scene where he confronts Ozai, especially when it's contrasted with Ozai's unscarred eyes.

Zuko's scar, like many scars in fiction, symbolises imperfection. But rather than an "objective" imperfection, as most fictional scars do, Zuko's scar symbolises his imperfection through the skewed and biased eyes of the Fire Nation. It's a nice subversion of the trope that usually encourages us to equate beauty with goodness and ugliness with evil.

Side note, I know I've been using the terms "ugly" and "ugliness" to talk about scars. I just wanted to note that I don't think scars automatically mean someone isn't attractive/scarred people are ugly. But in a lot of media, scars are seen as gross and ugly, which is why I've been using these terms.

I like that Zuko defies this trope by being drawn as very attractive with his scar, and even being seen as desireable in canon.

Even though it does loop back to the 'attractive=good' symbolism, I don't think it totally invalidates the story Zuko's scar is telling. Plus it WAS an ego boost to child year old me who thought no one whould ever love me bcs I looked like a burnt chicken nugget. So I'll let it slide.

I love Zuko's scar, and I love how it seamlessly fit into the story, while also subverting tropes and invalidating stigmas towards scarred people. It's probably one of my favourite, if not very personal aspects of the character.

I do however, also want to analyse and go over Aang's scar from Azula's lightning and I plan to go over it at a later date, since this post is getting a bit long and overwhelming.

Toodles!

[gaywarcriminals]

On Mouthwashing, Qijiu, cruel characters, and the role of discomfort in blorbo analysis. 

I recently watched a playthrough and some video essays about the indie horror game Mouthwashing (spoilers ahead). For those not familiar, the game follows a man named Jimmy in a crashed spaceship where he reveals himself to be an unreliable narrator and fucked up in a variety of ways as the game progresses. 

Although I’m not immersed in the fandom and thus have a limited sample size, I noticed that people treat him as nearly inhuman. He’s the sole bad actor, a terrible monster destined to hurt everyone. I find this deeply ironic considering the game’s themes of responsibility and accountability: isn’t this kind of dehumanization absolving him of his responsibility to act decently?

It’s also strange to me, because the game goes at lengths to show Jimmy has an enabler. Captain Curly is Jimmy’s friend and boss who is made aware of Jimmy’s erratic and violent behavior multiple times, chooses to do nothing, and ultimately makes possible many deaths through his inaction. Aside from Jimmy’s public outbursts, there are even scenes with a specific member of their crew expressing how unsafe she feels around Jimmy. Despite this, a decent portion of the fandom sees Curly as nothing more than one of Jimmy’s victims, which is curious to me when placed in contrast with Yue Qingyuan and Shen Jiu.

Yeah yeah I’m blorbo-brained, but I think there’s a lot of points for comparison between Qijiu and Jimmy & Curly, at least in terms of their dynamic and social roles. Jimmy and Shen Jiu are both antisocial assholes with an unhealthy fixation on the generally well liked and affable guy just above them on the totem poll. They’re both convinced their superior is looking down on them, and resent the power he has (SJ less so, he has a lot of other reasons to resent YQY). They both use what power they do have to abuse those below them. Curly and YQY, for their parts, are shown to be explicitly aware of most if not all of their friend’s worrying/dangerous behavior, but do nothing meaningful to stop it. 

If they’re so similar, then why in the case of Mouthwashing is Curly often absolved of his complicity in the face of Jimmy’s overwhelmingly awful actions, whereas in the Scum Villain fandom, it’s just as common to see people pin all of SJ’s actions on YQY and vice versa?

Now, there’s a couple obvious reasons for this. For one, Mouthwashing is a horror game and Jimmy very effectively makes himself the antagonist, which lends itself to the interpretation of him as a the monster afflicting the other characters. For another, Jimmy sexually abused a shipmate, which is a particularly despicable crime (although so, I would argue, is child abuse). There’s also the fact that Curly is very physically robbed of agency for most of the game’s runtime, which might make it harder to see his power and agency before that point, but perhaps the most important difference is that to fans, Jimmy is deeply unlikable, and Shen Jiu is not. 

Personally, I think the reason a lot of people make Jimmy out to be a monster and Shen Jiu to be tragically misunderstood is simple: it can be uncomfortable to like a bad person. 

I don’t think there should be any shame in liking characters who are fucked up people that do horrible things, but I think it chafes at some sensibility within many of us, learned or innate, when we feel such deep emotional connection to a character who’s actions we would normally morally condemn. 

I’ve definitely observed that in some parts of the Shen Jiu fandom– it's the kind of sentiment that leads to discounting his canonical actions in favor of fanon. I’ve never found those fanons very compelling because I have never had any discomfort with Shen Jiu’s canonical actions— in fact, him being a despicable if pitiable mess is what drew me to him (I’m typically quite the fucked-up-evil-guy liker). For once, though, I find myself on the other side of this discomfort with Yue Qingyuan. 

I was thinking today about how one of the earliest things YQY says to SY!SQQ— his 9th line in the novel— was telling SQQ that LBH is strung up in the woodshed, where SQQ always leaves him after beating him. It implies not just that YQY knows about this singular punishment, but that this is an extended pattern of behavior. To me, YQY seems uncomfortable with the situation, but he does nothing to stop LBH from being abused aside from telling SQQ to “be less hard on him”, even though he’s the only person in the sect above SQQ, and potentially the only one with the authority to stop him. 

If Yue Qingyuan knew, did Luo Binghe know the sect leader had found out? Did Luo Binghe know he had been abandoned to his fate?

Like Curly, I think that Yue Qingyuan’s most unforgivable fault as a character was enabling Shen Jiu’s abuse of Luo Binghe and potentially other disciples. I think YQY’s motivations made sense, and I understand the choices he made, but when I think about it for too long I can feel a deep pit in my stomach grow. 

Why does YQY’s arguably lesser crime of enabling SJ bother me so much more than SJ’s own direct actions? Perhaps because I still want to see Yue Qingyuan as a good person, whereas Shen Jiu has already declared himself evil. Maybe I’ve been a little bit caught up in our unreliable narrator’s point of view. 

Fascinatingly, despite his adoration for Luo Binghe, Shen Yuan cum Shen Qingqiu never (to my recollection at least), blames Yue Qingyuan for SJ’s actions. Instead, he sees YQY as one of SJ’s victims— someone that SJ as good as killed, even if it was LBH’s orders that loosed the arrows. 

Shen Qingqiu has a tendency to, for lack of a better term, woobify his favs, and although LBH is by far the most frequent recipient of this treatment, I’d argue that YQY actually receives it more consistently. This is partially because he’s relegated to friendly NPC whereas poor Binghe is the Big Scary Protagonist, but the only time in the whole novel I can think of SQQ seeing YQY as a person capable of harm and fucking up is after YQY’s confession where SQQ puts it together with SJ’s flashbacks, but even then, SQQ sees him more as a cautionary tale for him and Binghe than someone who’s hurt others. Given this narrative bias, I’m honestly surprised* that more of the fandom isn’t simping for YQY too.

Ultimately, I think this discomfort is normal and worthwhile– something to lean into rather than away from. I’d even say it's necessary, should we ever hope to be more media literate than Peerless Cucumber.

*well, I’m not, but that’s a whole piece of fandom history better left untouched

[twilightoftheapprentice]

Of all the examples like this in the game, this one actually bothers me the least because I feel like it makes complete sense given the characters involved.

Isabela is the leader and co-founder of the Lords. She was also very close to Merrill, who was extremely invested in preserving elven history and was attempting to restore a Dalish artifact at great personal cost the whole time they knew each other in Kirkwall (which Isabela was more supportive of than pretty much anyone else in the party). Like, of course after hanging out with Merrill for six years, she isn’t going to loot Dalish artifacts and sell them to human collectors or something. Merrill would never speak to her again. Especially considering all her character development around the importance of human connection over profit. To be honest, I assumed the Dalish expert was supposed to be Merrill but it couldn’t be explicitly stated because she’s dead in some world states.

If they were going to take it in the other direction, I would have wanted them to replace her as faction head. Otherwise it would have felt to me like they were undoing some of her DA2 character development for the sake of adding moral complexity.

I got a party banter between Bellara and Taash about how the Lords of Fortune steal elven artifacts. And then Taash clarifies later that they have a Dalish expert on the team so they can check to make sure the Lords don't sell something culturally important and instead return it to the elves.

Like. I get it. You want the Lords to be fun swashbuckler Disney pirates and Robin Hoods instead of actual pirates who steal and plunder. Because we're only now in Western society realizing that stealing from indigenous groups is, uh, bad. But like. Writing really uninteresting factions for your "dark" fantasy (tho lbr Dragon Age hasn't been dark fantasy since DA2) isn't gonna solve real-world neo-colonialism, ya know? The Lords not stealing priceless elven artifacts and returning them to the elves doesn't signal to me that the Lords are total rascally good guys, it signals to me that BioWare itself is trying really hard to seem morally conscious. "See? We know stealing from other cultures is bad!!!"

And man. Not to be a "political correctness has poisoned media" grifter on main (tbh it's less political correctness itself and more the commodification of real-world activism) but I couldn't help but imagine how this convo would've played out in earlier games, potentially even Inquisition.

You could've so EASILY made this interesting while giving the Lords and Taash and Bellara a lot more depth, while also making it clear that stealing from indigenous groups is wrong.

Just have the Lords, yeah, actually sell those artifacts. But also establish that the Lords take in and help elves from all walks of life. That they free slaves, or collaborate with alienages. Then you could have Taash defend the practice by saying to Bellara that little orphaned elf kids being sold as slaves probably don't give a flying fuck about some artifacts they're never gonna see, but the money from selling those artifacts goes to buying them food. And have Bellara fire back that preserving elven culture is also part of its survival, and that there are Dalish clans that would be willing to pay for them or offer something in return. Or have her say that the Lords are doing charity for the sake of recruitment rather than actual altruism. And then Taash responds that those high and mighty Dalish elves don't do shit to help abandoned city elves, just because those aren't part of their correct elven subculture, and they care more about reclaiming old glory than helping the people that exist here and now.

Then you could have side missions or at least codex entries that describe maybe some Lord recruit being conflicted about what they're doing. Maybe a few of them are collaborating to hijack a deal or steal back an artifact. Have implications that some high-ranking Lords are, in fact, using those artifacts for their own gain, despite claiming otherwise. Have some Lords genuinely trying to help, and believing that gold and trinkets don't matter as much as people's lives, so they sell them in exchange for safety for refugees or slaves or some other helpless group.

But no. Instead it's "hey do you steal from my people?" "nah lmao we have a cultural advisor don't even worry about it" "oh wow so cool and woke of you!" And then that's it. No need for any further discussion. No conflict and no complexity. No bad actors and moral quandaries.

Weh.

[1moreff-creator]

What are some dynamics (in terms of like, foils/parallels) that you enjoy in DRDT?

you’re staring at a forest and asking me for every tree i like. do you want me to write another 28k word post /lh

I jest, of course, but not about the number of interesting foils in this series. It does a fantastic job tying everyone into several key themes in ways that make their dynamics endlessly enriching for my silly little character parallel-loving brain. So, uh, get ready for a long-ish post?

CW: One mention of self-harm, self-loathing

Teruko-David: I mean, you gotta start at the center, yeah? David’s the closest thing to a “main antag” we have, and it’s no wonder; the guy’s built like a standard DR protag, obviously he’s gonna have a cool dynamic with the actual protagonist. 

These two could breathe a bit weird and somehow parallel each other doing it, that’s how much this foil permeates both their characters. From their fatalistic outlooks on the world (“my luck will always be terrible, I’ll always be betrayed” vs “people can’t change, the world sucks”), the ways they hide their feelings (Teruko was more distrustful than she first presented herself as, but cares about people more than she shows during most of CH2; while David has an entire different persona up to 2-11 and then pretends to be worse than he actually is), the self-loathing (Teruko refuses to think she could be a good person, David has the whole “inhuman” thing going on), down to the oddball sibling figure (Terubro “I know nothing about you” Tawaki vs Diana “I’m not even sure you exist” Chiem).

There’s their feelings about Xander and Min, too, which are all over the place. Obviously we all saw in 2-12 how much the British twink fucked both of them up severely, with Teruko rejecting any positive or yearning feelings she may have had about Xander (you can’t hide the cactus scene from us girl) while David vehemently defended him from any criticism. On the other side, Min is less of a narrative poltergeist (for now; XF-Ture exists), but she still comes up with them, with David calling her pathetic eleven episodes after Min hugs Teruko and Teruko’s internal monologue gives away how much she cares about the Student. 

And these parallels play into their weird-ass dynamic very well, because their beefing is founded on their similarities and their differences, out of projecting their self-loathing to someone similar at the same time they hate each other because of their disagreements on things like Xander. Crazy stuff.

Xander-Min: Mentioning these two second because they’re also Eternal Parallels. There’s almost not a single thing about these two that isn’t somehow reflected on the other. If you projected them onto each other’s direction, you would get no perpendicular component. Get it, ‘cuz they’re completely parallel- That is, by far, the nerdiest joke I’ve ever made, I apologize.

But come on. Their attitudes towards fate (the Rebel fighting it and Min resigning herself to the XF-Ture thing), the whole “holding on to the past vs wanting to move on from the past” thing, the similarities between how they actually feel about the education system (they have issues with it) contrasted with the things they actually do in respects to that (Min is still the Ultimate Student, but Xander dislikes that), their already mentioned contrasting connections to Teruko and David… Just, absolutely everything about them is a meaningful contrast. And it comes into play a lot, with their eternal beef being born largely out of these parallels. They’re awesome.

Teruko-Ace: Pretty topical for post-CH2. Ace’s entire arc is sort of a reflection of Teruko’s, yet taken to the extreme because of one particular point of contrast; Ace feared death, Teruko doesn’t think she can die. But he still basically serves as a demonstration of all the flaws in Teruko’s all mindset; the feeling of unchangeable fate, the complete lack of trust, all the good stuff. It basically allows an exploration of Teruko’s mindset from an outside perspective, which makes it easier to see the flaws in it.

Ace-Nico: Also topical, these recap foils go kinda insane. Their motives for murder, their contrasting talents (love for animals on Nico's side and fear of horses on Ace's), the way they relate to the rest of the cast, Ace's persecution complex vs Nico actively disliking how much Hu defends them, etc., it’s all very fun to see play out. 

Ace-Levi: The one who doesn’t care but protects others and tries his best to be a good person so he can be accepted in society without having issues, vs the guy that acts like an asshole because he’s scared of caring too much and he thinks the only way he can get out alive is by being the only one to survive. This leads to a fundamental misunderstanding between them that causes some of the most doomed yaoi of all time, which is the whole “Levi getting frustrated at not understanding Ace.” 

Arei-David: You’ve presumably watched 2-13, so I don’t think I need to explain all the awesome stuff that’s come from their shared themes of “good people” and self-betterment and all that. Not to mention, David’s little breakdown over Arei trusting the letter of the only friend she had being presumably born from the way he saw Xander as the only friend he had. Shit goes crazy.

Arei-Eden: Recap foils… Good people… The choice to be kind… Etc… Woah :O

Teruko-Charles: Ah, Teru’s recap foil. This one’s basically opposite of Ace’s, where Charles used to be sort of like Teruko acted in CH2, but later became a bit friendlier, if still somewhat prickly. Basically, if Ace highlights Teruko’s character traits from CH2, Charles post CH1 serves as more or less the “end goal” in a way. It goes beyond that, too, with the whole memory issues (prosopagnosia vs childhood amnesia) and, again, mysterious siblings (Terubro and Elliot what are your deals), so it’s always neat to rotate these two in the brain.

Veronika-Levi: We really don’t know too much about Vero, which always makes it a bit harder when analyzing these dynamics, but they already got some interesting points of contrast. Neither of them are particularly concerned about the deaths of the others, at least post-CH2 (Levi doesn’t grieve and Vero actively laughs at Ace’s death), but it comes from almost opposite ends of perspective. Levi doesn’t understand others because he doesn’t feel much empathy (if any at all), while Vero seems to treat the others not as people, but almost as characters to be analyzed (that’s the impression I get, at least), which makes her come off as very good at reading people but also occasionally causes her to see them as sources of entertainment first and foremost. Not to mention there’s also the fact they’re both very different people than they were in the past (Levi was some form of delinquent and now is a good person, Vero used to be outdoorsy and then no longer was). Wow that’s… more than I thought there was- How am I finding more interesting foils just by writing more???

Hu-Levi: I kinda talked about this in my CH2 PT2 analysis so read that ig.

J-Rose: A pair of recap foils who haven’t had too much yet, but a lot of their themes, in particular about fate and privilege and stuff, are pretty noticeable with them, so this is always a fun dynamic to consider.

Levi-Arturo: More recap foils, this one’s fun because of the dead family member :) Also things like their talents being related to aesthetics and both doing the things they do for a better life.

Veronika-Hu: This one’s kinda more hypothetical, since Vero in particular hasn’t had as much direct focus as other characters yet, but that’s part of what makes them fun. Past history of self-harm (even if brought on by very different feelings) is just the first of many parallels they could have, and it’s fun to see the contrast between Hu defending Nico to the ends of the Earth and Vero talking about how much she likes Arturo because of how awful he is. They’re really silly.

David-Whit: All the recap foils are fun, but I've always struggled to see this one in particular. Partly because I feel like I know less about Whit than I know about Mai :v Still, certain things like Whit ignoring anything that upsets him which connects to David constantly lying about his real feelings for his fans, which is probably what leads to David's outburst at Whit in the second trial.

Teruko-MonoTV: Because fate. Really this is here plainly because it’s just a funny as hell dynamic to even consider lol.

Teruko-Mai: Have they interacted? Has Mai had enough screen time to truly determine that this parallel truly exists? Do we even know a single theme that Mai’s character touches on for certain? No and it doesn’t matter! Because these two are clearly connected somehow and the whole “someone dearly loved - someone dearly unloved” thing makes me ill. Mai is getting mentioned in this post and you're not stopping it.

Mai-Whit: Fuck it! “We tend to idolize the dead” dynamic!!! It's very speculative, but this one’s just fun to ponder even if we have even less idea of what could be going on between the two than with Mai-Teruko.

Anyways ready for a few themes that run through a lot of characters?

David-Levi-Nico-Rose: The “feeling disconnected from the rest of humanity’s experiences” gang!!!

Min-Rose-Hu-Veronika-Arturo: The “wants to move on from the past” gang!!!

Min-Arei-Teruko-Ace: The “trying to fix mistakes” gang!!!

Teruko-David-Eden-Arei-Levi-Xander: The “what makes a good person?” gang!!!

Teruko-David-Xander-Min-J-Whit-Ace-Rose-MonoTV-Probably everyone else: Fate!!!!

And there’s more than I’m probably forgetting because I can’t possibly check every conceivable connection between these guys. At least I hope I covered most of the major ones. Thanks for the ask, these dynamics are always fun to think about!

[ladykailitha]

Serial Killer!Steve and P.I.!Eddie

Thanks to @dreamercec and @bookworm0690 for the inspiration and helping me work out the kinks in this juicy plot bunny!

Steve was a serial killer of serial killers (a la Dexter) who got his start when he accidentally killed Jason Carver rescuing a girl he was about to murder for the sin of being gay (Robin). And even though he didn’t mean to do it, killing a murderer gave him a rush.

But after he killed Jason he skipped town.

Jason had started killing after Chrissy broke up with him for Eddie because he was being controlling and killed her. Then he started killing other girls whom he decided were sinners and/or sluts.

The unfortunate side effect of Steve blowing town was that he wasn’t in town for the fall out. Eddie Munson was accused of not only the murder of Jason Carver, but all the other girls. It’s not until Robin tells the police that the one who saved her didn’t have tattoos and Eddie finally gives up his alibi for the majority of the murders (a gay club in Indy) that the police even look for other suspects.

Steve never even blips on their radar.

Eddie decides that the cops are useless and becomes a PI to find out who the real killer was.

Steve in the mean time due to a hefty sum from his trust fund becoming available, decides to travel the country at first and the world later, hunting down serial killers and taking them out. He never does a murder the same way twice. He never visits the actual town it’s happening in. And he never leaves immediately after.

Then he accidentally got to close to one. He didn’t realize that the reason this guy was getting away with murder was because he had a partner in the local law enforcement and now suddenly a lot more eyes are on this murder than usual. So he has to kill the cop and make it look like a murder/suicide to get away.

As in the cop murdered his partner, started a manhunt to throw the scent off himself and then committed suicide when the guilt got too much to bear.

So he retires to a nice country with very little extradition treaties and settles back to enjoy life with the rest of his money.

Only now he’s bored.

So he started writing about his murders. Changed the names, places, and how he killed them, but the bones of his murders are there in those pages. And at the end the character always goes to confession and admits his crimes to the priest.

Eddie loves the books. They’re really well written and remind him of the times he would write mysteries for his D&D campaigns. He remembers Steve Harrington from the fact they had freshmen in common, but didn’t really know him.

Then the third book comes out. “Murder in the Heartlands” does he start to connect the dots. The books sounds too close to his own case and starts digging into it. Makes Hopper pissed when he steals police files.

And then he figures it out around the fifth book that all of them are murders and not just his. And this author knows way to much about certain things. So he joins forums and things and while there are some fringe people thinking Steve’s a serial killer, a lot of people wisely point out that Law & Order had been pumping tragic news stories for decades and that Steve is likely doing the same.

So he gets the address from Robin and Dustin who both write Steve all the time and starts trying to see if he can trick him into confessing. But the more they write, the more that Eddie realizes he’s hoping for a different confession.

Then murders start happening in Steve’s new town and he’s freaking out. So Eddie decides to come out to the town and help Steve figure out who this person is that’s doing this.

Well, they figure it out, and Steve is all for tossing his weighted body into the ocean forgetting that this thing every happened. Eddie is for NOT doing that. Like turn him into the cops at least, or blackmail the guy. But no more murder. The kids are about to hit college and need his support now more than ever and picking up and moving elsewhere will hurt them. Especially if they don’t know why.

But they are overheard by the killer and he kidnaps Steve to kill him before he blows out of town.

Eddie comes to Steve’s rescue and has to kill the guy to protect them both. Eddie is standing over the corpse of a very bad man and turns to Steve.

“Oh, I think I get why you do this now.”

Steve snorts and confesses his feelings for Eddie. And they kiss about it .

They call the police, Eddie gets heralded as a hero and Steve goes back to writing.

Finally the day comes and Steve has written his last book.

"Well, that's the last of the cases,” Steve says as he mails it off to his publisher, ”I guess it's time to retire from writing, too."

"I really liked that last ending, sweetheart. You did a good job. Let me take care you now. I'll write all about about a PI chasing a serial killer writing about his kills."

Only now Eddie’s book is popular as hell, and he’s getting questions about whether or not there is any truth the story. And each time he dismisses it as fiction. It’s fantasy. Not real. But the true crime podcasts and mystery shows like “Unsolved Mysteries” think that there has to be something to them. Like maybe cases Eddie solved as a PI. But there is no evidence. Nothing to connect Eddie or Steve to the other crimes and while Steve’s last book was semi-autobiographical, there is nothing that suggest the rest were.

Steve and Eddie both refuse to do interviews and only furthers speculation on either side of the debate.

So because Eddie and Steve are also petty assholes, they write a mystery/fantasy/horror series together called “Stranger Things”.

It has five books.

[lazy-sixteen]

Daniil why would you say that???

Watching Pathologic (classic HD) while on break from suffering in Pathologic 2, and it really struck me how different the first meeting with the Bachelor was in each game.

Pathologic 1, well, only a screenshot can do it justice,

(Yes . . . far be it from me to call myself a person of mystical inclinations. However, when I look at you, I get the feeling that nature is playing jokes on us. It is as if both the left and right hand have clutched the head to realize for the first time they are two parts of a single whole.

>Why?

>I get that feeling too. Does that mean that we are alike?)

That's like the first thing he says to the Haruspex, and while yeah everybody in Pathologic talks like that to a degree, even in game, in character that's a wild thing for Dankovsky specifically to say.

We just spent an entire playthrough as this guy mocking and/or having breakdowns over the existence of the supernatural - especially precognition. And in strolls this 6'2 resting murder-face dude with half-a-medical degree, widely thought to be a serial killer (kinda true), and Dankovsky's like,

"BTW, my heart is telling me we're kinda two halves of the same whole.😊❤️"

Absolutely hilarious. Even funnier is that the Haruspex, grumpy at baseline and currently having the worst day of his life (so far), can agree with him. Great first impression all around!

Then over in Pathologic 2, the Bachelor is high-key fumbling, like fumbling so hard you can get an achievement for it.

Carpetbagger - Remind a colleague of the Hippocratic Oath -- and fail

Not to meme on the guy (who is of course, multi-faceted and at his core deeply altruistic even if he often seems to have trouble expressing that on an individual basis), but initial Pathologic 2 Bachelorencounter is Daniel at his most prickly prick.

He gets Artemy's name wrong (possibly on purpose and definitely twice),

condescendingly demands the Haruspex be his errand boy,

basically calls himself the smartest person in a room of 2,

and can accidentally imply that he left a couple of orphan children to die because he doesn't treat mutts (he actually refused to treat the orphans' dogs).

Yikes - no wonder Artmey spends the first couple of Days taking cheap shots at the guy.

I mean in both Haruspex routes eventually he ends up very friendly with the Bachelor, which makes senses on a thematic level given the some of the Haruspex's major themes/ideals are connection and community. You could say their first meeting was changed to be funnier ("Vorakh") or more in character for the expected tension between two people under a lot of stress who can both be difficult to get along with at baseline

However, what about if we look at it from a meta-narrative level?

While you can play Pathologic 1 as either the Bachelor or the Haruspex on your initial run, it's pretty common knowledge who you are supposed to play first.

"Daniil Danokovsky's Fun Steppe Vacation was just the tutorial for Artemy Burakh's Tormentous Nightmare" - HBomberguy in Pathologic is Genius and Here's Why

This means that the player in Pathologic 1 has already been introduced to Daniil - even if Artmey hasn't - and the game reflects that! You the player know the Bachelor, you've been him, and you probably got really attached after keeping him alive for 12 horrible, horrible days.

Even though you know he can be a bit sanctimonious and dismissive, the player knows he's rational and compassionate and thus already used the evidence at hand to figure out Artemy hasn't killed anybody!

Of course one of the first things you (the player) would want to do as the new protagonist is check on your former avatar, and the game rewards you for it! Talking with the Bachelor on Day 1 as Artemy can raise your reputation - which is super critical. It might be the increase that keeps you from getting hunted in the streets or starving as shops refuse to sell food. What a great first (Second?) impression!!

Daniil's unprompted "hey are we soulmates or is it just me?" line is funny, but meta-narratively it is also true. They are the player's first two avatars, taking turns being puppeted by the same you as protagonists through the same overall story to two opposing conclusions. They are (your) right and left hand. You've played Dankovsky, (you) know this and having previously been the protagonist this new Dankovsky seems to subliminally know this too.

Meanwhile over in Pathologic 2, the only route is the Haruspex - disregarding the Marble Nest (worst day of Dankovsky's life [so far, ad infintuum]) which has enough time fuckery going on that I shall disregard it for this analysis - you can only be Artemy Burakh.

Either under the assumption that the player of Pathologic 2 hasn't played Pathologic 1 or that they've played all of Pathologic 1 including Changeling' Route's extended murder hide and seek between Dankovsky and Burakh, We (the player and Artemy) don't know Daniil when we meet him in Pathologic 2 as anything but the broken man we saw in the depressing into.

Is he our friend this time? Is he our enemy? Whatever he is, he's certainly a sanctimonious prick.

(Today's tragedy won't be the last. I was blessed with a naturally high intelligence, and my observations indicate that a very deadly visitor has come to this god-forsaken town. That's all I can say for now.

>...I don't like you, Bachelor Whatever.)

In Pathologic 2, both the player and Artmey meet Daniil Dankovsky at at his worst, and slowly work-up from there because both of us are meeting, getting to know, and building a relationship with him for the first time.

This is actually parallel to how you first meet the Haruspex in Pathologic 1 as the Bachelor!

If you are playing in the intended order, both the player and Daniil don't know anything about Artmey besides the serial killer rumors, and likewise you meet him at his worst - (in prison and later he murders a young woman to get Daniil the infected heart he needs to try and develop a vaccine). Much like we see the worst of Daniil's classism, arrogance, and inability to connect beyond quid pro quo (hehe, latin) in our Patho2 intro; in Patho1 we initially only see Artemy's standoffishness, brutality, and stubbornness.

Interestingly, following Daniil's themes/ideals of transcendence and rationality we (the player and Daniil) don't actually end up connecting much with Artmey on the Bachelor's route. The player is influenced by the puppet, and why would Dr. Daniil Dankovsky - whose route is plagued by betrayal, manipulation, and the difficulty of connecting to even people who do selflessly care for him (like Eva) - make friends with a violent, possibly dangerous guy who practices a sort of medicine Dankovsky doesn't believe in?

(I couldn't find a good screenshot for this, but mentally insert a picture of Artemy doing a roadside dissection)

Basically if Daniil is the player's protagonist he won't reach out, because in-character why would he?

If Artemy is the player's protagonist, Daniil will try to be friends in Patho1 (because of the player's previous actions affecting both avatars) or in Patho2 Artmey will eventually connect with him because that's in-character for him.

Overall, I suppose this means that Danii's instant and uncharacteristic buddy-buddy attitude with Artemy on the Haruspex route Patho1 is completely justified from a meta-textually narrative, as is his horrific fumbling in Patho2.

And it is also very, very funny.