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velvet4510 · 1 month ago

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Why Magneto’s Storyline in X-Men: Apocalypse is The Worst (it’s not just Cherik)

Ok I just need to vent because this has been chewing away at my brain for far too long.

Cherik is far from the only reason why Erik’s family plotline in X-Men: Apocalypse is some of the stupidest, sloppiest, and most character-ruining pieces of writing I’ve ever seen. Haters may say “oh you’re just upset because he married someone who wasn’t Charles.” But, like, aside from the fact that the original timeline already established that Erik’s top priority was always the fight for mutantkind and he had no interest in settling down - whether that had anything to do with his feelings for Charles or not - the problems with the Apocalypse writing go WAY beyond just him & Charles:

Erik would never abandon his cause at this point. By the end of DOFP, Erik has just been imprisoned for a full 10 years thanks to the JFK situation. Meaning he has spent a full decade being forcibly inactive in the fight for mutants. And he just learned that all of his fears about humans and mutants came to pass in the future to the level where a time-traveler had to be sent to change the past. And he was so set on averting that future that he tried to kill his friend and the sister of the man he loved, and then made a whole speech on international TV begging for the mutants of the world to fight alongside him. This is the POLAR OPPOSITE of a man who would feel like settling down and walking away from the fight within the next decade. The Sentinels being cancelled did NOT make mutant life easy overnight; Stryker was still up to no good, and there is no way that there weren’t others like him doing the same. Yes, Raven’s actions made a very positive difference, but I think we have enough brain cells to agree that this did not mean things for mutants immediately became sunshine and rainbows to the level where Erik - the most (understandably) paranoid character in the X-Men series - would even consider taking a break, let alone giving up the fight permanently. Knowing what he did about the possibilities of the future would’ve made the Erik we know double down on his commitment to his cause and follow up on his actions in Washington.

Erik wouldn’t risk starting a young family at this moment in his life. Erik was a Holocaust prisoner, his people were massacred, his mom was shot when he couldn’t move the coin, and then Charles was shot when Erik accidentally deflected a bullet into him, and then every member of his Brotherhood save Raven were captured and killed. Not only is this more than enough grief for one character to have, but the man wouldn’t dare risk having a new family of his own when everyone he’s ever loved has gotten hurt (largely because of him), and when he’s an international fugitive. That is no time to risk being selfish, and he would know. He would’ve been the first to realize that a potential spouse and child would also end up killed, and so he’d avoid that altogether. In fact, he wouldn’t even consider it, because, as mentioned, he wouldn’t leave his cause behind. You know, if he was actually in character.

Magda is a human. At this point, Erik hates humans. Again, he has just been imprisoned by humans for 10 years for trying to save a mutant, and he just learned that in the future, humans would’ve wiped out mutants, exactly as he feared. Everything that happened in DOFP would only further inflame his already-passionate hatred of humans. He is not in the mental state to even begin to consider Charles’ philosophy and give a human a chance at a relationship, let alone marry a human.

The family lives in Poland. The country where Auschwitz is. The country where Erik and his family and people was imprisoned, tortured, and executed. The country where Erik had to watch Shaw kill his mother. Basically the LAST country in the freaking WORLD that Erik would want to ever see again, let alone spend the rest of his life in. Erik is fluent in multiple languages - he is shown to easily converse in French and Spanish in First Class - and has been all over the world thanks to his Nazi hunting, so if he really needed to flee the U.S., there were a hundred other countries he could’ve gone to and blended into (Canada, France, Mexico, anywhere in South America, heck, he even could’ve discovered Genosha during this time). But in the original timeline, he didn’t leave the U.S. at all despite being a national fugitive after escaping his plastic prison, and he never did get caught again, so….

Erik’s first meeting with Magda is completely OOC for him. Erik mentions that he told Magda who he was the first night they met and he trusted her then. EXCUSE ME??? Erik Lehnsherr does not trust strangers. Erik Lehnsherr does not tell the complete truth about himself and his past to just anyone; look at how deeply Charles had to probe before Erik opened up to him. This stupid line was obviously shoehorned in just to make their relationship seem like perfect soulmates and thus ensure it is doubly tragic when she gets thrown in the fridge 5 minutes later (more on that in a sec). Obviously the intention is for the audience to go “aww, he instantly trusted her, she instantly accepted him, this is true love…” Give me a break. You’re really telling me that Magda met this stranger one night, found out he was none other than the international fugitive who apparently killed the U.S. president and just tried to kill another president on live TV, and went “oh, no problem, honey, let’s make a baby and live the cottagecore dream!” That’s some BS if I’ve ever heard it, and I’m convinced the writers subconsciously knew it; there’s a reason that is revealed in a throwaway line rather than shown onscreen, because then nobody would’ve bought it.

Fridging. Magda and Nina exist in the movie for one reason and one reason only: To get brutally killed and give Erik even more grief and trauma so that he’ll seek revenge on the entire world, aka do what the plot demands of him, aka have the same journey as he did in First Class (more on that in a sec). That’s all. Neither of them are any more than one-dimensional plot devices. They are not characters at all. Magda isn’t even named in the actual movie (he doesn’t even say her name when she dies) - it’s so obvious they didn’t even know what her name would be when they made the movie. This is textbook fridging, and one of the worst examples of it of all time. It’s all the worse considering that Erik never met Magda in the original pre-DOFP timeline, meaning Magda originally most likely lived a long happy life and died old in bed. But now, she gets fridged just because the writers didn’t know what more to do with Erik. It’s misogyny of the highest level.

A parenthood story for Erik was already set up. DOFP already hinted at Erik being a father, with Peter’s comment about his mom. So if the writers wanted to show Erik as a father, and to include Magda, they already had a solution that would seamlessly flow from the previous film - make Erik and Peter’s relationship one of the centerpieces of the story, and let Magda be Peter’s mom! (You know, like she is in the comics!)

It doesn’t contribute anything new to Erik’s character development. From a screenwriting POV, this is unforgivable. May I remind you that Erik’s entire storyline in First Class revolved around grief and trauma for the loss of his family and people, especially his mom, and seeking revenge for it. Giving him a wife and daughter just so they can get killed too adds absolutely NOTHING to his character development. It’s merely retreading everything that already happened in his arc: he loses his family and goes on a roaring rampage of revenge. Completely superfluous, right down to Charles insisting that there’s good in him beyond the pain. The redundancy becomes apparent even in the dialogue, where Charles literally says “I told you since I first met you there’s good in you too.” The script itself can’t help but point out that all of this has happened before and literally nothing new has been added to Erik’s character arc.

See? It’s not just because of Cherik. Erik’s story in X-Men: Apocalypse is an atrocity in basic screenwriting and character development, on every level. And I will never accept it.

(Please tell me I’m not the only one who feels this way…)

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yeeterthek33per · 8 months ago

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Meet you maybe never (Pernille Harder x Magdalena Eriksson x Reader)

A/n Sort of requested. This one's been in the to be done pile for a while, and I wasn't entirely sure about it, but I knew I wanted to write it. Hardersson need more love, and I will go to the grave saying this.

Content/Warning(s): Fluff, mild angst (really have to squint bc honestly), Artist R.

Part one in a new series of mine. Let me know how I went, guys.

Part Two

Pernille's sigh of exhaustion holds a familiar weight in Magdalena's mind.

One that she shares greatly, considering she also shares the exact reason for it.

Moving is a pain in the ass.

However many boxes they'd carried up the stairs to their new shared Munich apartment remains to be seen, given that she didn't remember packing this many boxes.

The place has certainly been well maintained, and everything feels brand new too, so they were both very happy with the turnout.

In saying that, unpacking is going to be a nightmare.

Sure, it was a spacious place, and they have several other rooms to work with, but now with boxes in place, their concerns lie with furniture, only being left with a bare mattress and two camp chairs until they could get around to going furniture shopping.

Looking over from her position leant back against the wall, having set down the final box in the living room, she spots her girlfriend lying flat on her back on the cool floorboards, arm draped over her face dramatically.

An amused smile crosses her lips, and she chuckles, moving to sit cross-legged next to the blonde on the floor, hand patting her stomach.

"All good, Love?"

Pernille hums softly, although given the grimace on her face, it's more like a groan than anything.

"Perfect. Just perfect."

Magda holds back a laugh, letting her hand fall to rest on her girlfriend's arm, caressing the skin above where it had fallen to rest over her eyes.

"We'll get there, Love. It's not like you haven't done it before."

"And every single time, I'm reminded how painfully exhausting it is."

The defender simply chuckles, nodding her head as her hand migrates to the woman's hair, gently carding her fingers through the light blonde tresses.

Humming softly, she shifts to lay her head in the younger woman's lap, looking up at her with a small affectionate smile that's returned with a loving look in the swede's eyes.

"Hi."

She playfully taps the defender on the nose.

"Hi."

There's a soft giggle from the light blonde.

"Love you."

Magda's small smile turns into a bigger one as she moves her hand to cradle her face.

"Love you, too."

Maybe moving to Munich isn't all that bad.

--------------------------

"Magda, come look at this."

"One second love, this dining set would go pretty well with-"

She looks around her when she notices isn't beside her.

"Babe?"

She calls out.

"Come look."

She wanders over to where Pernille is pointing, a wall across the street visible through the furniture store's windows.

It's painted in varying stages of forest greens, baby blues, and over the top is a beautiful landscape of what they assume to be the German countryside.

A little cottage on a hill, in front of a rising morning sun, brilliant oranges, and reds contrasting the background greens and blues.

"That's gorgeous, we should go have a look later."

"Let's go look now."

"But we have to-"

Pernille's already out the door before Magda can stop her, leaving the swede to sigh softly and walk back out the door after her excited girlfriend.

The painting up close is intricate with little design details that you wouldn't find unless you looked up super close.

Little details, like the bricks on the little cottage, aren't actually solid bricks but aligned words like quiet, peace and home.

The sun is made up of faintly written words of bright, future, and Pernille tells Magda, the German word for Happiness.

It's feels so planned out and thought out, they spend a long time looking over each detail, feeling every line and ridge of paint on the wall.

A local actually stops to tell them about it when they ask.

It'd been there for a couple years, having no idea who'd painted it. It just appeared one day.

They decide they love the piece, snapping a photo of it to show to family and friends for later.

--------------------------

"Shit."

You barely feel the wall against your back in the cold.

Winter in Germany is not a fun time to be outside, and yet your stupid bored brain decided it needed to scratch an itch right now.

Waiting to be pick the perfect blank canvas, you had to duck behind a bricked off area while wearing your mask.

It covers most of your face bar a small gap for your eyes.

You hadn't exactly been subtle before and you'd already been photographed wearing it.

The last thing you needed right now was the press up your ass, or worse, the police.

Unfortunately, no matter where you are in the world, paparazzi are terrifyingly aggressive.

Quickly slipping away over another wall, you hop over a bin and find a blank, almost white wall, perfect height and size.

Assessing it for a second and checking for anu nearby vantage points that people could see you in and finding none in the low rise area.

You quickly drop your backpack, rifling through the old thing for your spray caps, and move to get to work.

It had come to you earlier and had been what had initially started the itch, said itch having been in the middle of a work meeting that you could not wait to get out of.

There would always be satisfaction in the way the lines matched up and swirled around others.

This time, though, it wasn't just a colourful background to look at.

You wanted to leave something on top of it, and you knew this one would take time.

Thankfully, you knew this area of buildings was mostly abandoned due to high levels of restructuring, so getting caught by locals wasn't an issue.

It was the occasional roaming tourist that gave you worry.

Pulling out a piece of charcoal, you use it to sketch out the baselines, not wanting to get ahead of yourself again, like you had last time when you spent far too long changing little mistakes made by using black paint first, leading to your biggest issue in the first place.

A public image to the mysterious artist of Munich.

Not something you need right now.

Sighing, you roll your head side to side, eyeing up the now line drawing in front of you

It looks pretty good.

It seems frustration helps you work better.

Unlike quite a few of the lackeys you know at work.

You roll your eyes at that.

Popping your achingly cold knuckles, you admire the lines for a moment longer.

This is one you want people to see, like many of your others, only more important.

It was a big thing for you, and you knew it would finally do something for the right people.

Now, just to fill it in and get the hell out of there.

--------------------------

Magdalena and Pernille get a welcoming party with the team.

The captain, Glódís, introduces herself to the pair.

They immediately find the woman incredibly welcoming from the get-go, a warm smile to pair with the kind words and introductions to the staff at the party.

"And finally, you've met him already, but, our beloved man in charge, Alex Straus."

Alex shakes both of their hands.

"Lovely seeing you ladies again, even if it's only been a couple of hours."

He pauses to chuckle softly and then gestures around him.

"I can only hope you're settling in well. The girls are eager to get started on the season with you both."

The nod from the Icelander confirms that with a small chuckle, herself, the lot of them pestering her about the team's newest signings, having to remain tight-lipped until they could meet them in person tonight.

She gestures over to the not-so-subtly excitedly waiting group of women in the room.

"Better go introduce yourselves. Otherwise, I fear they might have my head for hogging you both."

The couple giggle softly at that.

Pernille's the first to settle with the girls.

Having spent four years with Wolfsburg made it so she had to learn German if she wanted to keep up with the banter, so she's into the mix of things quite quickly.

Particularly with the international players who all find immediate common ground with someone who they've played against many times over the years, especially after the most recent World Cup.

Georgia tucks the Dane under her arm, officially claiming her already, and latches onto Magda not soon after, both of them attaching to the Englishwoman right away.

"Finally, after who knows how long of losing to these two at City, I get my transfer here and the find the next season, the ol' captain and striker who gave me so much strife playing against Chelsea, followed me here."

There's so good-natured ribbing, and Georgia pokes Magda in the ribs in particular.

"What, can't take a little Chelsea blue, Gee?"

Magda pushes back of course, competitive as she is.

"Pft, you and I both know Manchester Blue is the best blue."

The swede scoffs.

"You wish, Stanway."

"Nah, it's just facts, Eriksson."

The rest of the group giggles, knowing this fast friendship was going to be an entertaining one.

--------------------------

It seems it doesn't take long.

News of the artwork in Munich spreads like wildfire, catching the attention of your bosses almost immediately.

There was no way they would allow the media team to share this, considering the illegal nature of the piece, but they weren't displeased with it's sudden appearance, nor the traction it's gaining either.

It's a big thing for them.

It means more attention on the club, and it means more support from people because of how much they love the artwork.

That was an ego boost and a half.

Now, as you stare at the image on the projector board, you start doing what you always do and pick apart the piece.

Somethings not quite right with it, you think.

"Ms L/n, what do you think of this new development?"

Trying to appear as though you were paying attention, you look around at the other board members around you.

"I think it's the perfect opportunity for our latest news to gain attention. It certainly won't hurt that those players will gain attention, too."

Pausing to think for a moment before adding.

"Of course, there is always the risk of bad attention, especially from the press, but we can deal with that like we always do."

Another pause for a moment.

You glance over to the projector with the photo of the mural, rubbing your jawline softly, noting that something just felt off about the piece all of a sudden.

The eyes aren't right, there's not enough curve to the jaw.

You can't figure it out yet.

The itch returns for a moment before you continue, avoiding starting up too much on the itch.

"And with the good press, the club will gain more support from fans who will follow the players here, too. We should try and boost the promotion while we're at it. I'm aware the media team is doing the usual, but let's get in on the waves these two seem to be making while we're at it. Does anyone have any ideas?"

A woman further down the table pipes up.

"We can set up for some get to the know the players videos, have some meet and greets, send some of the veteran players with them over to a couple different plazas?"

A soft nod from you in agreement.

"Sounds good. We can let the media team handle the rest. Please. Stephen. Continue."

He nods before flipping to the next item on the agenda.

"Thank you, Director."

Nodding at the man, you turn back to your papers, scribbling small notations every so often, once again.

It seems the board aren't against it.

Good.

For now, you'd just have to encourage the publicity of the piece.

Not yourself.

--------------------------

With training beginning within a couple of days of moving to Germany, it doesn't take long for whispers of the piece to make it to the gossip in the changing room.

Magda and Pernille don't realise what it's about until they ask what all the fuss is.

Some of the younger girls had been fawning over a photo taken from a distance, the piece lit up perfectly under the early setting winter sun.

Catching the sight of it over the shoulder of one of them, they ask about the name attached to it.

Scrawled in the caption, something catches Pernille's eye, having some knowledge of written German.

'Straßengänger'

Streetwalker.

"Who's that?"

She directs the question towards the younger Dutch girl on the team, Jill Baijings.

"Eh, a popular street artist, though they aren't really known aside from the name. Their stuff is really good, though."

She holds the phone closer to the women.

"Have you seen this yet?"

Pernille looks closer at the image, brows raising in surprise, with a soft muttered 'oh'.

The red, blue and baby blue, apparently FC Bayern themed background, made the highly realistic greyscale portraits pop nicely.

It was a promotional image for them.

As in Magdalena and Pernille.

Words scribbled under the image read,

"Welcome to Munich, Magda and Pernille!"

The image itself is beautiful.

It's an image of their faces in what is most likely both stages of goal celebration, screaming with victory, eyes crinkled and wide smiles, paired together over the gorgeous pattern, highlighting it perfectly.

It almost doesn't look real in the photo. But it's still very awe-inspiring to see.

Fans always have the most talent when it came to art like that, and it never ceases to amaze them.

Magda peers over her shoulder beside her, letting her appreciation for the art be known with a low whistle.

"Honestly, you guys will have to see it in person, though. it's so much better when you can get up close to it. All of their artworks always are."

"What did you say the name was, again?"

"Straßengänger."

"What does that mean?"

It comes from Magda.

"Streetwalker. We don't actually know where the name came from, whether it was the artist themself or the locals but either way."

They both nod, humming thoughtfully.

Maybe they would have to check it out.

--------------------------

You know coming back is a bad idea, but you love the piece too much to not come back to it, knowing it would irk you to not get a better stance on anything that might need fixing, despite your best efforts to ignore the itch.

Of course, this time, without the mask on because that be even stupider.

Going back to the scene of the crime wearing exactly the attire that would incriminate you.

Standing back from a distance, you snap a photo under the settling sun in the cooling weather.

Something catches your attention off to the left, a pair walking down the sidewalk, well, more strolling slowly then anything.

Linked arm in arm and bundled far less than a lot of people would be for winter weather, they're wearing coats but braving the cold with thin material pants and shoes.

It's not that that catches your attention, though.

It's more your unabashedly gay side that notices them.

It seems you've caught the attention of your art's subjects.

Because here they are, noticing it finally, standing back admiring your work of them.

You quietly step away, but still close enough to hear the soft murmuring of them, being the only people on the street at this dying hour, you can hear them amongst the small breeze passing over the road.

They're definitely speaking Swedish because you can't make out what they're saying, only understanding the familiar lilt and tone of surprise in their words.

"Det är vackert."

"Varför oss?"

"Jag vet inte men det är fantastiskt."

You're about to walk away when Pernille walks closer to it, running her hand over the dried paint, her eyes moving over the piece slowly.

You notice she's tracing the underlying wording, realising she must have seen your art before to notice it that quickly.

As you keep a subtle eye on her, she's standing in the fading rays of sunlight, giving her a soft golden glow.

Her girlfriend moves to wrap her arms around her and it's then you see both of them a little differently to before you'd seen them in person.

They're absolutely beautiful, together and individually, and you realise you haven't captured that properly with your latest work.

It gives you another itch.

--------------------------

"You know, we have to meet this person."

Magdalena hums softly in agreement, hands running over Pernille's shoulders, staring up at the wall, eyes tracing the lines, the shading and the shape work, particular over the little footballs making up the swirls on the O in Welcome.

Her hand moves to her pupils in the portrait, paying attention to the way they're made up of shining stars.

The same with Magda's portrait.

There's a soft shuffle from behind them, and Magda's head swivels to look up at the source for a moment.

You're standing there, looking down at your phone, a soft smile on your face as you tap away at it.

She'd seen you standing there earlier already, taking photos, so she doesn't pay you much mind in the end, and you turn and walk away, putting the phone to your ear.

Although, there is mild niggle of curiosity, she brushes it off.

You're probably just another tourist looking at the piece.

"Come on, we have to head back soon or we'll start freezing out here."

"Few more minutes, Magda... Where's all those Swedish genes gone huh?"

Pernille teases the taller woman, poking her in the cheek.

Magda rolls her eyes good-naturedly.

"Yeah, yeah, real funny, babe."

Pernille chuckles, leaning back into the Swede.

She was right, though.

She had to find whoever did this.

The curiosity was getting to Magda, too.

Why them?

Of any of the influential people in Munich.

Or just any of the women's players.

Why them?

She has so many questions.

--------------------------

"And last but certainly not least, welcome to our newest signings, Magdalena and Pernille. Thank you for joining us and we hope you enjoy your stay here at FC Bayern."

The FC Bayern committee room erupts with a small applause from the players and board members before them who were all called in for a club wide meeting, even receiving a small whoop from Georgia in the back that makes the players around her either chuckle or roll their eyes at her.

"Now, handing off to our creative director."

"Danke, Herbert."

Stepping up onto the podium, the person immediately catches Magda's attention.

It's you.

The woman from the other day in town, at the wall.

There you are, climbing the steps up to the podium, black blazer jacket and blue jeans, half tucked with a white button up and a FC Bayern logo embroidered on the jacket pocket.

Pernille notices it, too.

"Now, I know this probably going to be the boring part but I'll try and keep it simple and just go over what our plan is for the next few months."

Looking out over the group, you keep your best public smile on.

"Don't worry, you don't have to remember any of this, as you'll be reminded as each one comes up so we don't miss anybody."

As you start to list off each of the latest marketing events and programs, your eyes shift over the players in their seats, despite the usually tired response at your while lilted, droning about the business side of things, you make eye contact with a very vigilant looking certain pair.

Your eyes crinkle mildly as you fight off too much of wide smile.

"There's a few meet and greets we want to go ahead with before the start of the season, including our newest signings, men and women, we'll send the details to those involved later."

You pause for a moment, eyeing up the latest of the new men and women in the crowd, placing back on the Scandi couple for a second before drifting and continuing.

"And, finally, we have an unfortunately mandatory promotional event on the third of October. It is also a black-tie event, so even me, who as many of you know already, shows up to everything wearing a sweatshirt and jeans, will have to dress up, please do the same. Thank you for listening everyone."

"Thank you, Director."

Taking a seat back with the crowd, it's almost like you can feel a pair of eyes on the back of your head.

You don't turn to face them, though, already knowing exactly who it is.

After the meeting is adjourned, you stand and ready to leave back to your office when a body stands in front of you.

A familiar tall Swede.

"Hey, I don't believe we've met properly."

"I'm Y/n L/n, creative director here at FC Bayern München."

"Magdalena Eriksson, although you already know that, it seems."

You smile, nodding and extending a hand out to her.

She shakes with a warm but firm grip, leaving the skin tingling a little.

She really is much more beautiful in person.

"It's lovely meeting you, Magdalena-"

"Call me Magda, feels a bit much for a full name, now."

"Lovely meeting you, Magda."

Letting go of her hand, you bid her as polite a goodbye as you can give, knowing any longer and you'd gay panic yourself into a problem, you make your way towards the door.

As you shift through the small crowd of players, nodding and smiling in acknowledgement to those who do know you or have met you, you exit the room swiftly, heart mildly racing.

You'd seen the look of recognition in her eyes, not from knowing who you are at Bayern, but perhaps somewhere else.

You aren't risking it.

--------------------------

First and second training with the team went as smoothly as it could for any new team members.

However, their third is a little less cathartic.

Having to do extra medical assessments and fitness testing before being able to join the team, everything had been hurting that day.

They arrive home to their shared apartment almost completely worn down from the session.

At home, in their new apartment, finally furnished, for the most part, they both agree to get an early night's rest.

Annoyingly though, they can't seem to find it in them to sit still and toss and turn for the next hour or so, both of them in agreement they weren't sleeping right now.

They head out for another stroll through the quieter parts of the city, instead, taking a bus out there for the first ten minutes or so.

Hand in hand, they stroll down the quiet village-esque side of Munich, just breathing in the cool air, occasionally stopping to admire the rustic, olden style.

It's in the really silent part of town that they notice something.

The distinct sound of... a rattling can?

A spray can to be exact.

Pernille nods in the direction of a small alley, Magda initially shaking her head no, not sure if they should really confront someone who could be possibly dangerous or someone associated with the law.

Of course, the Dane sneaks over anyway to peek into the alley.

There, a figure stands with their back to them, hand wrapped around a baby blue can of spray paint.

The painting looks halfway done.

It's a portrait.

Of Pernille.

The woman's eyebrows just about fall off her face at the surprise and she turns back to her girlfriend who's waiting anxiously, looking about three seconds from dragging Pernille to the next taxi back to their apartment.

She gestures quietly to whisper to her over the cold wind howling through the gaps in the buildings.

"It's that artist."

"I figured, but we really shouldn't be associating with them. C'mon, we have to leave."

"Magda, c'mon, this is our chance to meet the person behind that mural."

A bit of back and forth before Pernille peeks her head around the corner to look, again.

This time, though, the person is bent down, rifling through their backpack, and a spray cap.

When Pernille turns back to a now very concerned Magda, she whispers in her ear.

"Just another minute. Just have a look at least."

The Swede very reluctantly agrees, looking for herself.

Concern is the first thing to pop into her mind.

This one is just of Pernille, accentuating the woman's eye colour and bright smile.

Is the artist, infatuated?

A million thoughts an hour as she watches the smooth, almost mesmerising way their hands trace lines and fill gaps.

When you pull out a paint marker to start with smaller details, she turns back to her girlfriend.

"Are they obsessed with us or something? This feels a little weird at this point."

Pernille frowns, almost shaking her head to disagree.

As the woman's about to answer, there's suddenly some shuffling, almost unnoticeable jingling of zippers and a body sat up on a short wall on the other side of the walkway, bag back on their shoulders once more.

"Actually, I'd say it's more an appreciation for a pair of legends in Munich."

They both startle heavily, Magda going into protective mode, arm around Pernille, pulling herself in front of the woman fully.

--------------------------

The pair of them peeking on you were about as subtle as a whistle among bells.

Figuring you'd have to finish it later, you pack up swiftly, ensuring your mask sits on your face correctly before sneaking out of the alleyway to sit up on a wall above them.

After a not-so-much needed scare, you raise your hands in a surrender gesture.

"I won't hurt you. I just figured I should say hello personally since you're both here and all."

Magda looks nervous, and you can see the curiosity in Pernille's eyes from where you're casually seated.

"Although, I do suggest not sticking around. It's going to be a PR nightmare for the three of us if you're seen with the Straßengänger."

You punctuate the nickname with air quotes.

As you're about to jump up to climb onto the rook and make a swift disappearance of yourself, you hear one of them yell out to you.

Hesitating, you turn back to the pair.

"Why us?"

Pernille's brilliant grey-blue eyes look up at you, a radiance of dying curiosity in them as she holds her girlfriend's hand to calm the woman.

You stop for a moment before shrugging.

"A pair of beautiful women in the biggest sport and uprising for women. Why not you?"

It's there Magda gets a unrecognisable look on her face and you decide to leave it there.

With that, you scramble up onto the building, annoyed with yourself for having dragged ALL of your gear with you and also for leaving a half finished work behind.

A day or so later.

Luckily for you, no one else seems to stumble upon your work just yet, and with much scouting and caution, you find yourself back in that alley finishing what you started.

Making sure to adjust the shine in the subject's eyes to fit exactly how they shone up at you the day previously.

This time, the representation of the Danish captain seemed far closer to the spectacle she is in real life.

You're pleased with yourself for this one.

And it's scratched half the itch you'd had days prior.

Now for the other half.

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After their sudden meeting with the Straßengänger, Magda and Pernille are left with more questions than answers.

They both agree to just return home for the night, knowing it's a question for another day when they aren't in the middle of an already chaotic media storm.

After that, they get swept up in everything Bayern and put everything about the artist to the back of their minds.

Their first match is approaching fast and Alex already has Pernille in the starting lineup, so she gets distracted in preparation for that, finding herself busy studying the formation and technique of an entirely new team.

So much so, that she almost... almost forgets about the mural maker.

Although...

There's just one question that bugs Pernille constantly, despite her best efforts to focus fully on their new path in Germany.

Magdalena feels much the same.

"Who are you, really, Straßengänger?"

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