#m; f. goode \ relationships: axeman

[tartareus]

the way fiona is painfully touch starved and it not only shows but also affects her dynamics with the people in her life is just </3 i’m cry, here’s a little something that has been on my mind for a while....

for starters, in all her independence and selfishness, fiona is - deep ( and when i say deep i’m talking about centre of the earth kind of deep here folks), deep down - lonely and scared. now, different people react in different ways when in fear - some cower, others run; fiona is like a wounded beast, baring her teeth to anyone who gets too close when she’s licking her wounds.

her fear ( of aging, of dying, of losing cordelia, of losing her title, of never being respected nor loved again, it’s a long list even though she will never admit it ) does not incapacitate her, quite the opposite really. fiona's fear propels her to do something, forces to move forward even when against the tide.

i have yet to finish off my hcs about her parents but one thing i can point out now is that fiona did not get enough love growing up, much less displays of affection from her parents. while her mother was never an ounce as horrible as fiona herself was to cordelia, she certainly lacked at comforting fiona and making her feel safe. as to her father, always too busy at the hawthorne school to spare much of his attention on her, spoiled her rotten with gifts.

the family’s calico cat was probably the only companion for a long while - that is, in her early childhood before joining the academy - it’s not surprising that she grew up to be an individual who has one hell of a hard time showing affections; after her death of her mother, when she was taken to the academy to start her training and pretty much ever since that the only one she could truly trust and count on was herself and in her growing powers.

this is one of the many reasons why she does not like to be seen or touched ( no matter how kindly ) as if she were weak. it’s a big deal of pride mixed with uncertainty - of not being able to put her own safety at the hands of another, even if the other ( and, in this case, marie - who is pretty much the only one who even offers her any form of comfort/steady safe embrace even if only to keep her from collapsing ) is trying to help her.

she grew so used to using her looks, and touches as a way to seduce people to get what she wants that, when it comes to something  honest fiona finds herself at loss of how to go from there. take for instance the touches she exchanges with the axeman. they are sexual because obviously she is in a sexual relationship with him for a time.

while it is nothing rooted in love or genuinely romantic ( she fell in love with the idea of being in love and being, truly, loved in return; she likes the axeman, but she loves how he makes her feel more than she could ever care for him. it’s the adoration he gave her when she was at her lowest, the distraction from all the troubles and fears and, of course, the orgasms, she loved those too but we’re not going to hold that against her - considering she might have had those with only few of her partners in life, specially when one notes that she has majoritarily been with men. ) she still clinges to him, 

as she clinges to all others she tries to connect with - regardless the way she wants to do it, if it’s friendly, familial or romantic - in a way betraying her own mask of indiference to the ones around her for she doesn’t want them to leave her, dreads at the thought of being alone, even when she treats them badly - and she does, awfully a lot.

the fact that she constantly has a secret agenda alligned to touching is also something to note, it blurs even more the lines and ends up making whatever attempt to do so honestly fall flat. amongst other things, frustration comes to her often and then, of course, there’s aggresion ( not only in her own self destructive path of booze and drugs, even when she’s ill and fragile) also turned to others.

worst of all when it’s turned to her daughter, who shares a complicated bond with her. she loves her child, truly does so, but hates being a mother - always has. it never sat right with her and it never felt like these shoes belonged to her, like she deserved this. not to mention that, after delia’s birth it felt as if a part of fiona had just died, which pushed her even closed to the postpartum depression phase she went through, perhaps there was a plausible reason to why supremes usually never had kids, or perhaps it’s fiona’s fucked up ways that drove her to be such awful mother, whatever it is has left a mark not only on cordelia but on herself too.

when cordelia comes back from the hospital - after she and fiona had been trying to reconnect over drinks - fiona is seen clutching one of cordelia’s clothes, visibly anguished and, to her own surprise, in pain. it’s a similar pain she felt in the hospital, hours after hours in that uncomfortable chair waiting for delia return. it’s not just the physical pain of her disease eating her away that drives her to steal some painkillers, it’s the emotional pain of almost losing a child, part of herself in a way, that she never thought she loved that much - her mental state is alluded by the erratic flickering lights and her encounter with the young mother whose baby died shortly after the birth.

the pain she feels for her daughter is something secretive and reserved to moments of weakness where nobody is around to witness and she can convince herself that they were nothing but her illness making her soft. a passing thing. still, she tries approaching her daughter - even more so after the truth about hank’s cheating  is revealed - only to find out that by doing so she just might get her ass on the line. she recoils slightly, frowning and instantly regretting her moment of weakness and decides to avoid touching cordelia for her own self preservation within the coven.

fiona eventually leaves her, gingerly saying she’ll get delphine to help her daughter. her own words about cordelia ring on her ears: delia is a survivor.  we later see that fiona does not seem to be able to detach herself from the situation as much as she wanted to - if anything, the way she brought back that baby to life in the hospital and how she aids marie to keep the baby that was meant to papa ( of course with her own hidden agenda of wanting to offer a soul to him to get on his good side ), fiona’s own lack of touch when it comes to maternal matters does not stop her from wanting to avoid other kids from being abandoned. in both cases, by giving the change to keep the kids, fiona is giving another shot a motherhood - not directly, obviously, but it’s as close as it will ever get.

we eventually see that fiona begins to wear gloves to avoid unnecessary drama ( aka delia finding out even more of the dark shit she's been up to both lately and in the past ) and is visibly relieved once she finds cordelia’s sight restored - even if it had been myrtle, back from the stake no less, who had done it. in that fickle moment we can see the softness in her eyes and demeanour, as if she can breath again.

obviously, realising that she truly does care for her own child is nothing that redeems fiona, but it’s an interesting layer to her character - how conflicted she is with her own feelings. we get a slight glimpse that perhaps things were not so different with fiona and her own mother. later, when fiona finds out in horror what cordelia has done to herself to get her second sight back, the two share another heart to heart moment, but that obviously ends up going downhill (and fiona does note how odd her daughter acts at the time) when the sight is not only restored but shows glimpses of a possible future, one where fiona has killed them all.

including cordelia.

now, i do think part of the vision was reflecting cordelia’s own fear of her mother manifesting itself - zoe did end up dying in the very same way she did in the vision, but fiona had little to do with it. queenie herself, after fiona had just killed madison and beheaded the bastien/the minotaur, had her life saved by fiona.

even though fiona was under the impression that the next supreme was gone, using the vitalum vitalis to get queenie's soul back before it went to the afterlife was a risky move, considering that this wonder, unlike resurgence, uses the witch's very own life force. normally a supreme would not faint afterwards, but being with her own health and powers beginning wane, fiona feels the harsh effect of it a couple of minutes later, when she’s in her room and sends delphine away. she held herself against the wall to get there when she could have asked cordelia to help her or even delphine, and the way i see it that she didn’t ask for help for the very same reason why she declined marie’s steady embrace at first some time later:  fiona hates to be weak, to feel useless and powerless and, worst of all, to be seen in a weakened, fragile state. she wants to keep the image she has painted of herself ever since she rose to the throne: of being invincible and in control of everything and everyone. 

by being the biggest source of danger they have to worry about, she finds a way to protect them, or at least distract them, from the real danger that lies just outside their doors, a danger that only few of them would be able to handle: witch hunters.  because, let’s be honest even though fiona was a hazard in high heels to the coven, they were slightly safer with her on their side than against her.

while i honestly don’t think fiona was really up to kill all of them witches when she sent the axeman there to be killed there, i cannot claim she did it with pure intentions. sure, she did it to find the next supreme while she gathered strength to face her, whoever she might have been, but having a secret agenda doesn’t exclude the real thing here. she wanted out. out of the coven’s responsability of finding her replacement ( to her, it felt as if they were burying her before she had even died ) and out of the potentially dangerous relationship she had with the man.

which eventually proved to be a smart move (well, not for long though lmao) considering how the touches they exchanged were either sexual or violent, even though the little spit trick she did on him was nothing but false memories, there’s no denying that she knew his violent nature could get to her one day. she knew he was just as awful as she was.

perhaps worse than fiona, if that little hint of her knotty pine hell was anything to go by, she was going to spend the rest of eternity not in hellfire and damnation but with a former lover’s hands on her as she’s at the mercy of all his violence and lechery. while there’s something incredibly ironic about this awful situation. her hell seems, at first, his paradise but, the longer they stay like this, with her forgetting the previous days and only having him and dull aches on her body to warn her of whatever the hell has happened in the previous day, the faster he will realise she never loved him, and never will. he will be stuck with someone he loves but that could not love him back for the life of her. 

before all that happens though, we get to see fiona and cordelia meet one last time. even though it would never explain how awful she was, we get to see that to a big extent what fiona had wanted was to protect cordelia, keep her safe but, above anything else she wanted cordelia to be strong enough to stand on her own, to survive and bite back. which cordelia did, on her own and beautifully so. when she does grow a backbone, as she ascends as supreme that is, is when fiona feels at ease, as if her job ( the most important one, and the one she has forsaken for years ) is complete. cordelia no longer needs her, or myrtle or whatever maternal figure she can find. this time she hugs cordelia, clutches to her not as if her lie depended on it, but as if cordelia’s did. with her out of the picture, her daughter’s powers would fully bloom into what they should be once for all && fiona’s sorry for whoever dares to touch this coven again.

she’s not longer the scared little girl fiona dropped off at the academy decades ago, she’s the fucking supreme now. 

she can handle it.

[ao3feed-sterek]

In My Blood: A Shawn Mendes Fanfic

read it on the AO3 at https://ift.tt/2xOmXOr

by DorianGayFanfiction

Shawn Mendes had a pretty good life. When he was sent to prison, that life was torn away. He must now come to terms with the stark realities, chance meetings and brutal betrayals of prison life. Men's Central Jail in LA is a minefield of horror, overseen by the mysterious Fiona Goode. The cast of characters Shawn meets along the way (Tom Holland, Stiles Stilinski, Derek Hale, Henry Cavill, Nick Jonas and many, many more) will prove to be a raucous band of allies, friends, foes and enemies. Will it all be too much for the young Shawn? Or will he rise to the challenge?

Words: 3260, Chapters: 1/?, Language: English

Fandoms: Teen Wolf (TV), American Horror Story: Coven, Shawn Mendes (Musician)

Rating: Explicit

Warnings: Graphic Depictions Of Violence, Major Character Death, Rape/Non-Con

Categories: F/F, F/M, M/M

Characters: Shawn Mendes, Tom Holland (Actor), Fiona Goode, Henry Cavill, Cordelia Foxx, Stiles Stilinski, Derek Hale, Delphine LaLaurie, Taylor Lautner, Cameron Dallas, Nick Jonas

Relationships: Derek Hale/Stiles Stilinski, Nick Jonas/Shawn Mendes, Henry Cavill/Tom Holland, Cordelia Foxx/Fiona Goode, Axeman/Fiona Goode

Additional Tags: Crossover, Angst, Sexual Humor, Rape/Non-con Elements, Fetish, Alternate Universe - Prison, Prison Sex

read it on the AO3 at https://ift.tt/2xOmXOr

[incrediblyexpandedhorizons]

Jevnation’s top 5 albums of 2018

Kustin here, will be calling myself Jevnation from now on. Time passes quicker than most people may be aware of and as it shows, the members of IEH is certainly moving on to different, new things and interests (and names ;) ). But the love for music is always here to stay and it is in my interest to share my own list of top albums from last year that’s given aural pleasure and new sensations that helped enrich this year and the future to come. There are more albums that’s been on my mind and I’m likely to follow up with worthy mentions. But knowing me, I am a terribly slow writer trying to find words to express my experiences with the albums that crossed my life and ears. Hence this list being a couple of months overdue...

Without further ado, I present to you my top 5 albums in no particular order. Perhaps you’ll find some new gems to check out...!

Cardhouse - City Blur Genre: Electronic/alternative rock The Liverpool band Anathema is seeing evolution and re-invention of their sound constantly, flirting more with modern electronics that graced their recent albums lately. Their current keyboardist/drummer Daniel Cardoso has fit well into the band's current formation and played competently in live shows though his apparent, creative mindset wouldn't be showcased there as much as it would show in his own debut, solo record he produced. Enter, Cardhouse! (I see what you did there, Cardoso)

The music in it is tricky to categorize but does deliver its own thing; a unique combination of alternative/indie rock with modern, electronic production and a dark, aesthetic foundation for the album. Cardoso handles all the instruments and programming that's well calculated yet sounding so unchained. (Yes, he did the Elvis cover here, too)

His crooning vocals go around the mid-high register, which adds to the melancholic value of certain songs but also belts out some yearning tones that adds some weight to the music. The vocal production is also enhanced by applying light pitch vibrato reminiscent of Daft Punk and distortion for intense moments, respectively.

Overall, City Blur is an engaging journey through the nocturnal soundscape that's defined by the electronic-rock hybrid and I anticipate a continuation of Daniel's creative, solo outputs in the near future.

Stand-out tracks: Ink, Forgotten, Monster.

Michael Romeo - War of the Worlds Pt. 1 Genre: Progressive power metal, Symphonic Metal Symphony X is going low since they released and promoted their latest album Underworld, leaving the members to pursue other projects while recharging. The classical-influenced axeman Michael Romeo, however, channels some of the 'X to his solo project, orchestrating new music while taking in other influences and musicians on board. They all fit like a glove together while the fresh singer John Castellano delivers nicely the melody lines, having the timbre and attitude of Kelly Sundown and occasionally reaches up the raw power of Russell Allen.

The record is a sci-fi concept album about the tense relationship between man and machine, making for a blending pot between metal, orchestral music and electronic music at some point. The Symphony X fans will rejoice to the band still sticking to the familiar songwriting, as much as I got instantly engaged in the first half of the album featuring tight songwriting, virtuoso musicianship, memorable hooks and meaty riffs.

Some curve-balls are thrown in, most prominently in the track "F*cking Robots", which I could describe it as a call-and-response between man and machine riding on EDM-metal crossover. Overall, the record had me blown away so here's to hoping the 2nd part holds candle to its predecessor, which might see the light of day this year or next.

Stand-out tracks: Fear The Unknown, Black, Djinn.

Mike Shinoda - Post-Traumatic Genre: Alternative hip hop, rap rock, alternative rock Following the tragedy that has befallen Linkin Park regarding Chester's suicide led by depression, the fellow band members have decided to take a hiatus in order to cope with their terrible loss. Whatever happens to LP remains uncertain by this day but Mike Shinoda has decided to write his difficult experiences and laments, after losing his close friend, into his solo rap album.

As it's a less common genre in my musical taste, Post-Traumatic is a mixed bag of musical elements embraced in Mike's recognizable rapping and songwriting akin to Linkin Park. The songs mainly contain electronics and sample-based beats but there are some rock music implemented in the album. Mike's lyrical deliery walk a fine balance between clear re-telling and poetic expressions, for the listeners to get a share of his states of mind throughout the griefing period that led into this album's production. There's also a handful of songs that feature guest artists that make fine contributions without taking over.

Post-Traumatic is an emotive concept rap record that is pretty dark and honest to its subject matter, with a vulnerable and cathartic side as presented by the LP vocalist, musician and producer. It was surely a difficult record for Mike to put together; the results show how he went through terrible times but forges on as a musician and living person.

Stand-out tracks: Over Again, Lift Off, I.O.U.

Phideaux - Infernal Genre: Progressive rock (Crossover) The wait has been long and Phideaux Xavier finally shows he's still around in the music world, juggling between his jobs as a series director (General Hospital) and his solo prog rock band. The previous album was released in 2011 but seeing that his band's trilogy had yet to finish their concept album trilogy that started with The Great Leap (2006) and Doomsday Afternoon (2007), the time finally came for them to wrap things up after 12 years of waiting. The fans could rejoice for Phideaux's return, as the years of teasing are finally through.

With plenty of materials to go by, Infernal is a double-disc album that follows the musical blueprint similar to Doomsday Afternoon and their recent albums, comprised from mainly 70's progressive rock, chamber music, neo-folk, psychedelic and gothic rock. This results in the decet (10 members!) band going on their adventurous mix of musical ideas that make every song stick out in their own way, characterized by their familiar use of mixed vocals, instrumental effects from modern and early technologies as well as a rich variety of vintage synth sounds.

The concept theme carries on towards its conclusion, touching more upon the dystopic science fiction that concerns a "Big Brother"-like society and ecological disasters. The tracks flow together and contain many cross references, lyrically and musically, that connect them within Infernal and the previous albums.

By the release of this final part of the trilogy being a fact, not only is it welcome for the fact that Phideaux can now put his mind to rest and move on with new, creative ideas but that Infernal showcases the band I've grown to love playing on a strong note as ever.

Stand-out tracks: The Sleepers Wake, The Order of Protection (One & Two), Tumbleweed

Alter Bridge - Live at the Royal Albert Hall Genre: Alternative metal, Hard rock, Symphonic rock, Post-grunge Live albums don't merit easily in the top lists as much as studio albums, so they have to contain something exclusive enough for a listener to buy it along with the studio album (regardless if they're playing your favorite songs in it or not). But a trend has been growing with rock bands doing live concerts, which is adding extra section musicians or even a full orchestra to add to the band's musical performance. The 90's had Metallica realize "S&M", Dream Theater made "Score" a reality in the 00's and this decade had a decent amount of progressive bands perform in Plovdiv, where a local orchestra has made a niche in augmenting the bands' classics with classical instruments (pun intended). It's probably no wonder that Alter Bridge would follow suit and do their own live take with an orchestra; an idea sparked by their manager that stuck fast and came to fruition.

Their setlist include tracks from every album released before-hand and don't shy away from songs that may have been played less live, on the principle of how well they fit with the orchestra. The best example would be "Words Darker Than Their Wings", which gives a more soaring air combined from the musical elements of epic rock and symphony. The heavier songs gain more dramatic weight delivered through while the balladic tracks are brought out in new shine, well worth hearing in Alter Bridge's both sides of spectrum. There's some behind-the-scenes footage coming up between the songs, which I find helps make a good connection with the viewers and fans to see the process that lead to the band's historical show.

For fans and new listeners alike, I'd proudly call "Live at the Royal Albert Hall" their go-to live album for the diverse yet accessible setlist and the orchestral addition to their music.

Stand-out tracks: Blackbird, Words Darker Than Their Wings, In Loving Memory

[darkitsunex]

Chapters: 2/? Fandom: American Horror Story, American Horror Story: Asylum, American Horror Story: Murder House, American Horror Story: Freak Show, American Horror Story: Coven Rating: Teen And Up Audiences Warnings: Creator Chose Not To Use Archive Warnings Relationships: Sister Jude/Frank McCann, Timothy Howard/Sister Jude, Constance Langdon/Travis Wanderly, Massimo Dolcefino/Elsa Mars, Timothy Howard/Frank McCann/Sister Jude, Sister Mary Eunice/Sister Jude, Axeman/Fiona Goode, Sister Jude/Shachath Characters: Sister Jude, Timothy Howard, Frank McCann, Shachath, Elsa Mars, Constance Langdon, Travis Wanderly, Fiona Goode, Axeman (American Horror Story), Massimo Dolcefino Additional Tags: Church Sex, Comfort, Love, Unrequited Love, Love Confessions, Confessions, Sex, Death, Suicide, Suicide Attempt, Fluff and Angst, Angst, American Horror Story References, nunsignor, Marsifino, Faxeman, Priest Kink, Priests, Nuns, Witches, Ghosts, Depression, References to Depression, Melancholy, Falling In Love, Friendship/Love, Platonic Relationships, Platonic Cuddling, Alternate Universe - Soulmates, Soulmates, Platonic Soulmates, Romantic Soulmates, Romantic Friendship, Romantic Fluff, Romantic Angst, Romance, Drama, Drama & Romance, Platonic Romance, Religion Kink, Threesome - F/M/M, Threesome, Drunk Sex, Comfort Sex, Witchcraft, Explicit Sexual Content, Sexual Content, Sexual Tension, Drunkenness, First Kiss, Kissing, Rough Kissing, Surprise Kissing, Hugs, Explicit Language, Language, Adult Content, Mild Sexual Content, Swearing, Neck Kissing, French Kissing, Platonic Kissing, Awkward Kissing, Forehead Kisses, True Love's Kiss, Girls Kissing, Drunken Kissing, Rape, Adultery, Adults, Adulthood, Older Woman/Younger Man, Lesbian Sex, Heterosexual Sex, Heterosexuality, Heterosexual Character, Homosexuality, Female Homosexuality, Developing Friendships, Blood, Blood and Gore, Blood and Injury, Blood and Violence, Mild Blood, Blood Kink, Gore, Mild Gore, Character Death, Minor Character Death, Abuse, Sexual Abuse Summary:

This book is a collection of my ideas for one-shots with Jess's AHS characters and some of my favorite AHS characters. :))

[ao3feed-twfemslash]

In My Blood: A Shawn Mendes Fanfic

read it on the AO3 at https://ift.tt/2xOmXOr

by DorianGayFanfiction

Shawn Mendes had a pretty good life. When he was sent to prison, that life was torn away. He must now come to terms with the stark realities, chance meetings and brutal betrayals of prison life. Men's Central Jail in LA is a minefield of horror, overseen by the mysterious Fiona Goode. The cast of characters Shawn meets along the way (Tom Holland, Stiles Stilinski, Derek Hale, Henry Cavill, Nick Jonas and many, many more) will prove to be a raucous band of allies, friends, foes and enemies. Will it all be too much for the young Shawn? Or will he rise to the challenge?

Words: 7807, Chapters: 4/?, Language: English

Fandoms: Teen Wolf (TV), American Horror Story: Coven, Shawn Mendes (Musician)

Rating: Explicit

Warnings: Graphic Depictions Of Violence, Major Character Death, Rape/Non-Con

Categories: F/F, F/M, M/M

Characters: Shawn Mendes, Tom Holland (Actor), Fiona Goode, Henry Cavill, Cordelia Foxx, Stiles Stilinski, Derek Hale, Delphine LaLaurie, Taylor Lautner, Cameron Dallas, Nick Jonas

Relationships: Derek Hale/Stiles Stilinski, Nick Jonas/Shawn Mendes, Henry Cavill/Tom Holland, Cordelia Foxx/Fiona Goode, Axeman/Fiona Goode

Additional Tags: Crossover, Angst, Sexual Humor, Rape/Non-con Elements, Fetish, Alternate Universe - Prison, Prison Sex

read it on the AO3 at https://ift.tt/2xOmXOr

[ao3-sterek]

In My Blood: A Shawn Mendes Fanfic

read it on the AO3 at https://ift.tt/2xOmXOr

by DorianGayFanfiction

Shawn Mendes had a pretty good life. When he was sent to prison, that life was torn away. He must now come to terms with the stark realities, chance meetings and brutal betrayals of prison life. Men's Central Jail in LA is a minefield of horror, overseen by the mysterious Fiona Goode. The cast of characters Shawn meets along the way (Tom Holland, Stiles Stilinski, Derek Hale, Henry Cavill, Nick Jonas and many, many more) will prove to be a raucous band of allies, friends, foes and enemies. Will it all be too much for the young Shawn? Or will he rise to the challenge?

Words: 3260, Chapters: 1/?, Language: English

Fandoms: Teen Wolf (TV), American Horror Story: Coven, Shawn Mendes (Musician)

Rating: Explicit

Warnings: Graphic Depictions Of Violence, Major Character Death, Rape/Non-Con

Categories: F/F, F/M, M/M

Characters: Shawn Mendes, Tom Holland (Actor), Fiona Goode, Henry Cavill, Cordelia Foxx, Stiles Stilinski, Derek Hale, Delphine LaLaurie, Taylor Lautner, Cameron Dallas, Nick Jonas

Relationships: Derek Hale/Stiles Stilinski, Nick Jonas/Shawn Mendes, Henry Cavill/Tom Holland, Cordelia Foxx/Fiona Goode, Axeman/Fiona Goode

Additional Tags: Crossover, Angst, Sexual Humor, Rape/Non-con Elements, Fetish, Alternate Universe - Prison, Prison Sex

read it on the AO3 at https://ift.tt/2xOmXOr

[ao3feed-assassinscreed]

The Cost of Her Love

read it on the AO3 at https://ift.tt/35b0mcG

by Kiatheinsomniac

(Y/n) has adored Arno since the day she met him. She has picked him up at his worst and has helped him through his most difficult times with undying devotion. Yet, he can't see past his relationship with Élise to notice that she is in love with him. Élise wants Arno to stop seeing (Y/n) but he finds this too challenging a promise to keep. In the end, all their fates will be decided by the events that will play out in the temple.

And (Y/n) will discover the cost of her love.

Words: 3387, Chapters: 1/?, Language: English

Fandoms: Assassin's Creed - All Media Types

Rating: Not Rated

Warnings: Creator Chose Not To Use Archive Warnings

Categories: F/M

Characters: Arno Dorian, Élise de la Serre, Axeman (Assassin's Creed), François-Thomas Germain

Relationships: Arno Dorian/Reader, Arno Dorian/Élise de la Serre

Additional Tags: Angst, the price of love, Fluff, Fluff and Angst, Élise bashing, sorry - Freeform, Near Death Experiences, Assassins vs. Templars, Assassin's Creed: Unity, unity, French Revolution, Reign of Terror, I'm bad at summaries but good at writing, Please give me a chance

read it on the AO3 at https://ift.tt/35b0mcG

[darkitsunex]

Chapters: 1/? Fandom: American Horror Story, American Horror Story: Asylum, American Horror Story: Murder House, American Horror Story: Freak Show, American Horror Story: Coven Rating: Teen And Up Audiences Warnings: Creator Chose Not To Use Archive Warnings Relationships: Sister Jude/Frank McCann, Timothy Howard/Sister Jude, Constance Langdon/Travis Wanderly, Massimo Dolcefino/Elsa Mars, Timothy Howard/Frank McCann/Sister Jude, Sister Mary Eunice/Sister Jude, Axeman/Fiona Goode, Sister Jude/Shachath Characters: Sister Jude, Timothy Howard, Frank McCann, Shachath, Elsa Mars, Constance Langdon, Travis Wanderly, Fiona Goode, Axeman (American Horror Story), Massimo Dolcefino Additional Tags: Church Sex, Comfort, Love, Unrequited Love, Love Confessions, Confessions, Sex, Death, Suicide, Suicide Attempt, Fluff and Angst, Angst, American Horror Story References, nunsignor, Marsifino, Faxeman, Priest Kink, Priests, Nuns, Witches, Ghosts, Depression, References to Depression, Melancholy, Falling In Love, Friendship/Love, Platonic Relationships, Platonic Cuddling, Alternate Universe - Soulmates, Soulmates, Platonic Soulmates, Romantic Soulmates, Romantic Friendship, Romantic Fluff, Romantic Angst, Romance, Drama, Drama & Romance, Platonic Romance, Religion Kink, Threesome - F/M/M, Threesome, Drunk Sex, Comfort Sex, Witchcraft, Explicit Sexual Content, Sexual Content, Sexual Tension, Drunkenness, First Kiss, Kissing, Rough Kissing, Surprise Kissing, Hugs Summary:

This book is a collection of my ideas for one-shots with Jess's AHS characters and some of my favorite AHS characters. :))