#lyrics explainer

[thedynamicuniverse]

Lauryn Grace Video: Whispering Loudly

New video from Lauryn Grace "Whispering Loudly"

Nu Soul from Lauryn Grace. He said something wicked during an argument and in that moment learned- some things you just can’t take back. Lauryn Grace from The Dynamic Universe presents “Whispering Loudly” from her album Washed Away. Have you ever been hurt by words? Have you ever chosen to forgive, but not forget? Whispering Loudly When I listen to what you’re telling me It feels like you’re…

[humbuns]

please never go away

[k1tty5]

the simplest words

[b6d11f]

at my best, I'm a sacrificial lamb at my best, I am something you could handle

[c-kiddo]

you wouldnt last an hour in the asylum where they raised me

[ranna-alga]

"Do the Evolution" - Pearl Jam

[judasisgayriot]

how a song is born

[ghostorbz]

Wooo

Also a zadr version hello

THESE WERE SCHOOL DOODLES HEHE

I just made em digital

[lynn-tged-posting]

"i get to thinkin' 'bout your sun-kissed face / and a quiet place i could give you all my time"

textless :3

based on a self-indulgent headcanon that lloyd laughs like a goofball and very easily at terrible jokes. he snorts and giggles and wheezes, his nose wrinkles and his grin is all sorts of lopsided. he has to hold himself from falling over, and crinkles form underneath his eyes, and he's laughing so so loudly and javier thinks it's the cutest look in the world. lloyd really should laugh more often, take it easy more often. it suits him.

[miranagi]

Waters deep to the roots of something greener

[untimelybones]

smth like "The sky was so blue on the day that you died / It faded to gray, like a needle to my eye" lol

weirdo

[rozzsum]

Kingdom of the Planet of the Apes / Then There Was You by Calum Scott

[whollyjoly]

push your face down on my chest and your heart ain't nothin' but the best and now a dog's a stray but i'm gonna stay

aka the bucktommy cowboy au nobody asked for part one (part two) (part three)

(song insp.)

[get-back-homeward]

Peacock: Can you tell me about the first track, “Let ’em in?”

Paul: It was half-written with Ringo in mind actually. He asked me to write him a tune and there was that one and another one. In the end, I told him I was nicking it and he could have the other one. I just got this idea for a song about someone knocking on the door, someone ringing the bell, and then in the middle, I got into the idea of naming people, just sort of symbolic of a crowd coming in… Sister Suzie, Brother John. Who’s Brother John?

Peacock: I was wondering…

Paul: Whoever you want it to be really, Uncle Ernie? Keith Moon flashing, I suppose, but the trouble with talking about things like that is .. that’s you’ve got to make an excuse for it all after. Someone says, “What did you mean by that?” And really I don’t know. It just comes into your head. Brother Michael — that’s obvious — that’s my brother Michael! Auntie Jin — I’ve got an Auntie Jin, Brother John — that could be whoever you want.

Peacock: Do you get fun out of the thought that people are going to sit down trying to work out the meaning behind lyrics like that?

Paul: It would be great if I wasn’t the ultimate authority on it. It would be just like “Match of the Day” watching them all go around delving into who the Walrus or Brother John is. I mean, to me Brother John is John Lennon, or Linda’s got a brother called John. I suppose it’s anyone’s brother John, but to me, it’s John Lennon. But not in any weird way. It just came out like that. So rather than hide it or change it, I left it. But now, they’re going to ask me. That’s the only problem, that’s the reason it’s not so much fun as it could be because there’s always someone coming up saying “What did you mean by…” or “Linda is Venus, you’re Mars — right?” Wrong, they’re planets, remember?

Peacock: Do you ever take things out because they might be misinterpreted?

Paul: No, I don’t think I ever do that, because normally when it’s writ itself then it’s writ. I don’t really much around with it too much. It’s like most things — you do a painting and think it’s not quite right so you do it again and it’s worse. Like a record — you can go on beyond the right take, but it’s never better. No, I don’t take things out for that reason, in fact, I’d leave things in because people were going to talk about them.

April 3, 1976: Paul McCartney talks to Steve Peacock for Street Life (Vol. 1, Issue 12, Apr 1976)

[dreadark]

looking longingly through mofun's alnst merch catalogue and—hang on what's that in the corner

<Unknown Sorrow> A punk rock band of two young men with contrasting charms!

...wait this Ivan and Till are actually in a band together? just the two of them?? and they called it UNKNOWN SORROW????? ?!?!?!?!?!??!???!??????

[glitchingfluffster]

good job ronin for perfectly executing vocamedley

next time there will be peepaw cover band /j

thanks @butterfilledpockets for this chaos, it melted my brain for a few weeks