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Lygia Pape
Lygia Pape (7 April 1927 – 3 May 2004) was a Brazilian visual artist, sculptor, engraver, and filmmaker, who was a key figure in the Concrete movement and a later co-founder of the Neo-Concrete Movement in Brazil during the 1950s and 1960s. Along with Hélio Oiticica and Lygia Clark, she was an important artist in the expansion of contemporary art in Brazil and pushed geometric art to include…
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Monday's image: November 28, 2022
Lygia Pape, Divisor (Divider), 1968. Performance at Museu de Arte Moderna, Rio de Janeiro, Chromogenic print, 1990. Photograph: Paula Pape. © Projeto Lygia Pape. (Note: Video edit of the 2017 reenactment is hyperlinked via the artwork title, The Metropolitan Museum of Art, New York.)
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#LygiaPape#Divisor#divider#performance#whitesheet#MuseudeArteModernaRiodeJaneiro#chromogenicprint#PaulaPape#ProjetoLygiaPape#MetropolitanMuseumofArt#NYTimes#crowds#Urumqi#China#Beijing#firekilled10people#apartmentbuilding#setoffseveraldaysofprotests#whitesheetsofpaper#muteprotestsigns#FatalFireSpursUnrestInChina#Over'ZeroCovid'#XiFacesNewPressure#SharedSuffering#UnitesDisparateGroupsintheStreets#Covidlockdown#trappedvictimsintheirhomes#tragedy#BahkmutFight#SapsBothKyivAndRussians
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primeira visita a @inhotim #urbanabrunotour2022minas #inhotim #heliooiticica #lygiapape #yayoikusama #tunga #flagrantesdavidareal (em Inhotim) https://www.instagram.com/p/CbgTxWlACBu/?utm_medium=tumblr
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Lygia Pape @ The Met Breuer, N.York, 2017 #lygiapape #lygiaclark #contemporaryart #womenartists #neoconcretismo #heliooiticica #latinamericanart #brazilianart #brazil #ldmlink #riodejaneiro #constructivism #neoconcretism #tefaftour #sculpture #moma #newyork #sergiocamargo #oscarniemeyer #concretism #cppcisneros #bichos #brasilia #museumofmodernart #miraschendel #alfredovolpi #mondrian #guggenheim #metmuseum (em The Metropolitan Museum of Art, New York) https://www.instagram.com/p/ClWElYULAQj/?igshid=NGJjMDIxMWI=
#lygiapape#lygiaclark#contemporaryart#womenartists#neoconcretismo#heliooiticica#latinamericanart#brazilianart#brazil#ldmlink#riodejaneiro#constructivism#neoconcretism#tefaftour#sculpture#moma#newyork#sergiocamargo#oscarniemeyer#concretism#cppcisneros#bichos#brasilia#museumofmodernart#miraschendel#alfredovolpi#mondrian#guggenheim#metmuseum
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#lygiapape https://www.instagram.com/p/BsYOc9kBsyW/?utm_source=ig_tumblr_share&igshid=196tz3j484t8y
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Trabajos del ejercicio Autorretratos de Lía Fernández, basados en los artistas Waltércio Caldas y David Hockney. - Julia Masvernat (ARG) #juliamasvernat Lygia Pape #lygiapape (BR) Ellsworth Kelly #ellsworthkelly (US) David Hockney #davidhockney (ING) José Costigliolo #josecostigliolo (UY) Morris Louis #morrislouis (US) John Baldessari #johnbaldessari (US) Waltércio Caldas #walterciocaldas (BR) - Módulo 2, Color, Sintaxis I, 2022. https://www.instagram.com/p/CfNIoEbJWKZ/?igshid=NGJjMDIxMWI=
#juliamasvernat#lygiapape#ellsworthkelly#davidhockney#josecostigliolo#morrislouis#johnbaldessari#walterciocaldas
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Why was Lygia Pape so genius?
Visual Poems. Tongue Stabbed - 1968
Livro do tempo - 1961/63
Amazonino #1 - 1889
Sculpture. Black and Yellow - 1965
Box of Ants - 1967
Visual Poem. This is not a cloud - 1997
Deus e o diabo na terra do sol - Poster - 1964
Piraquês’s Visual identity - from the 60′s
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Lygia Pape Hauser & Wirth Construction Dessert Venice #hauserwirth #losangeles #lygiapape #crane #construction #butchersdaughter #venicebeach #abbotkinney #california #july #2021 https://www.instagram.com/p/CRx49-Tlfb9/?utm_medium=tumblr
#hauserwirth#losangeles#lygiapape#crane#construction#butchersdaughter#venicebeach#abbotkinney#california#july#2021
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As embalagens de Lygia Pape para a Piraquê.
#lygia pape#lygiapape#graphicdesign#design#package#embalagem#design brasileiro#bra#brazil#brasil#braziliandesign#piraque#Lygia#Pape#modernismo#moderno#biscoito#biscuit#biscuits#presunto#ham#goiaba#goyave#queijo#cheese#food
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©Lygia Pape, Divisor, 1968
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Untitled from the series Weavings (Tecelares), Lygia Pape, 1960, MoMA: Drawings and Prints
Gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund in honor of Maja Oeri Size: composition and sheet: 8 5/8 × 10 7/8" (21.9 × 27.6 cm) Medium: Woodcut
http://www.moma.org/collection/works/205987
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(Lygia Pape, Visual Poems | Blood Tongue, 1968. Photo: Tongue, blood; 2nd Image Eat Me: Gluttony or Lust?, 1975, The midia and erotic images; 35mm, 16mm, cor, 9', vídeo; Images © Lygia Pape)
Lygia Pape:
“Was born in Nova Friburgo, Rio de Janeiro, Brazil. Lygia Pape worked in sculpture, engraving, and filmmaking. She was an influential Brazilian artist, active in both the Concrete and Neo-Concrete Movement in Brazil during the 1950s and 1960s. Later on in the 1960s and 1970s, Pape produced more videos and installations using sarcastic and critical metaphors against the Brazilian dictatorship. From the 1980s onward, these metaphors became more subtle. Her artwork seems to have worked as a vehicle for existential, sensorial, and psychological life experiences, much of it based in geometry and relying on both the intellectual and physical participation of the viewer.”
Bio by the Tate
http://www.tate.org.uk/art/artists/lygia-pape-14433
https://www.theguardian.com/artanddesign/2011/dec/07/lygia-pape-serpentine-retrospective
https://hyperallergic.com/368222/channeling-lygia-papes-radical-relationship-to-space/
http://lygiapape.org.br/en/lygia.php
#contemporaryart#contemporarylatinamericanart#latinamericanart#brazil#artelatinoamericano#artecontemporaneo#artist#lygiapape#arte#art#finearts#conceptual#video#artevisuales#latinamericancontemporaryart#artesplasticas#contemporaneo#artista#artedebrazil#visualarts#arteplastica#southamericanart#modernart#artemoderno#arteexperimental
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'Sur moderno' is on view at the new MoMA... Get the book! Featuring abstract and Concrete works by artists from Brazil, Argentina, Uruguay and Venezuela, and drawn from Patricia Phelps de Cisneros' extraordinary recent gift to the Museum, ‘Sur moderno’ is the largest show on view at MoMA outside the newly installed permanent collection. “Current painting and sculpture are converging towards a common point, distancing themselves from their origins," the Brazilian poet and critic Ferreira Gullar wrote in 1959. "They become special objects—non-objects—for which the denominations painting and sculpture perhaps no longer apply." #lygiapape #oiticica #lygiaclark @themuseumofmodernart @cppcisneros #surmoderno #cisneros #nonobjects #abstraction #concreteart https://www.instagram.com/p/B39xlXSpvdD/?igshid=5ji1nhb8hpc7
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B E A M I N G Prefers strings attached Lygia Pape, "A Multitude of Form". Met Breuer. #art | #architecture | #design | #museum | #met | #nyc | #ny | #breuer | #MarcelBreuer | #LygiaPape | #MetBreuer (at The Met Breuer)
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Centered around the Museu de Arte Moderna do Rio de Jainero, the artist collective Grupo Frente (1954-56) experimented with abstraction based on rigorous conceptual precepts. João José Costa, Untitled, 1958, gouache and mixed media on board. #heliooiticica #lygiapape #joaojosecosta #brazil #brazilianart #riodejaneiro #neoconcrete #nyc #galerielelong #grupofrente (at Galerie Lelong New York)
#brazil#lygiapape#grupofrente#joaojosecosta#galerielelong#heliooiticica#brazilianart#neoconcrete#riodejaneiro#nyc
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#lygiapape Book of Time. 1961-63. @metbreuer
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