#joaojosecosta
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Centered around the Museu de Arte Moderna do Rio de Jainero, the artist collective Grupo Frente (1954-56) experimented with abstraction based on rigorous conceptual precepts. João José Costa, Untitled, 1958, gouache and mixed media on board. #heliooiticica #lygiapape #joaojosecosta #brazil #brazilianart #riodejaneiro #neoconcrete #nyc #galerielelong #grupofrente (at Galerie Lelong New York)
#brazil#lygiapape#grupofrente#joaojosecosta#galerielelong#heliooiticica#brazilianart#neoconcrete#riodejaneiro#nyc
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Currently on view at Galerie Lelong in NYC is an excellent exhibition of mid-century Brazilian modernism: "Grupo Frente." Hélio Oiticica, Untitled, 1955, gouache on board. #heliooiticica #lygiapape #joaojosecosta #brazil #brazilianart #riodejaneiro #neoconcrete #nyc #galerielelong #grupofrente (at Galerie Lelong New York)
#brazilianart#grupofrente#brazil#galerielelong#nyc#riodejaneiro#heliooiticica#neoconcrete#lygiapape#joaojosecosta
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"Grupo Frente" is on view at Galerie Lelong in NYC through August 5th. João José Costa, Untitled, 1959, gouache on board. #heliooiticica #lygiapape #joaojosecosta #brazil #brazilianart #riodejaneiro #neoconcrete #nyc #galerielelong #grupofrente (at Galerie Lelong New York)
#heliooiticica#lygiapape#brazil#riodejaneiro#brazilianart#nyc#neoconcrete#grupofrente#joaojosecosta#galerielelong
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Several members of Grupo Frente were subsequently instrumental in the founding of the highly influential Brazilian Neo-Concrete movement. Lygia Pape, Untitled, 1961, acrylic on plywood. #heliooiticica #lygiapape #joaojosecosta #brazil #brazilianart #riodejaneiro #neoconcrete #nyc #galerielelong #grupofrente (at Galerie Lelong New York)
#grupofrente#lygiapape#neoconcrete#galerielelong#nyc#brazil#joaojosecosta#heliooiticica#riodejaneiro#brazilianart
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