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#lupin the third elusiveness of the fog
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Sorce: Lupin The Third- Elusiveness of The Fog
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Been a long while since I've seen this one but from what I remember, it was alright. The story was a bit bland but it wasn't too boring to the point I would give up and just switch it off. The animation and the Lupgang character designs mostly carried it for me lol
I was so thrown off about how they designed Kyosuke Mamou tho by giving him an emo fringe lmao
The idea of time traveling was pretty neat but the way they executed it could've been better, pff-
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rowanberrypop · 1 month
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to me they’re two different guys, same bloodline
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bestoflupiniiipoll · 6 months
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Best of Lupin III Poll
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nicomrade · 1 year
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A genuine question here, but why do you dislike The First so much?
well its a weird thing to talk about cause really its the same reason why i dislike stolen lupin or any other low tier TV special. the real question is why other people liked it so much and i think its only because its such a pretty movie, its jaw dropingly gorgeous and the lupgang banter is great but just those 2 together isnt enough to make a good MOVIE. but it is enough that u can have a good TIME if u dont think about whats happening. thats the short version, its just a bad movie. sorry🐅
i purposefully havent been too frank when talking publicly about it (why i kept a mean tweet about it in drafts for literal years) but compared to the unlimited love it gets from the fandom it looks like thats enough for people to pick up that i dislike it so much lol. so lets talk about the first!
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ill be brief on each point. that ancient technology thing it does w the eclipse? thats a bad trope. its a very very bad trope. its the atlantis conspiracy theory, its 1 throwaway line away from slipping into ancient aliens, they pull the same shit in a couple other TV specials and none of them are fondly remembered so hopefully we all know this plot point sucks and is racist. if not you can google it. lets move on
the nazis. after watchin harimao i said it was more anti-nazi than the first, idk if id stand by that cause i havent seen it again since but i mention it to put it in lupin context. generally if it isnt OK to have lupin scam an ex-nazi in part 2 ep 3 by disguising himself as hitler, whys it OK for lupin to steal from nazis by disguising himself as hitler? at no point is the movie actually anti-nazi (though i wouldnt call it pro-nazi either) and its fucking weird to see lupin disguised as hitler in modern lupin cause each time nazis show up in classic lupin everyone agrees its tasteless & overdone.
laetitia! TMS did a genius thing w her cause shes incredibly well written as a self-insert fic protag. it is very easy to watch the first & pretend u urself are best friends w the gang by projecting urself onto her. this doesnt balance out her lack of character it only helps the audience not care about it. compare her to mariya from tokyo crisis- one could be written out of her own movie and we only get info bout her to move the plot (the bad, boring plot) forward, one is essential to the core of her movie and shes realistically affected by the things that happened to her and makes believable connections with some of the gang. yay! a character!!
the movie is also very segmented between "plot scenes" and "lupgang banter scenes" you will notice everything fun about lupin STOPS when we are being explained Plot Elements. lupin talks to laetitia and its a boring nazi ancient treasure movie. then we get a scene thats not about the eclipse or laetitias grandpa or the nazis and all of a sudden its super fun !!!!!!! this is bad writing. lol. watch fuma & see how lupin at its best can blend comedy and plot and exploration and fun banter.
my personal experience w the movie! the first time i watched it i had to pause it cause i was bored out of my mind. iirc it was more or less when lupin gets on the eclipse ship thing n all banter stops cause its just him n the nazi dude n i realized hey this movie kinda sucks actually! i texted a friend about it n he was like. yeah having to force urself to finish it sounds like ure not enjoyin this movie. i did watch the first 3 or 4 times? i did gif it a lot. theres scenes i like (the banter) but it doesnt make it a good movie. like i said when i first wrote my personal review of it: "I think looking at gifsets of this would be more enjoyable than actually watching it". laetitia really embodies her movie in that sense, shes a really good character if you only look at her. she shares her name with all of her ancestors! just who is she? why is she wearing short shorts? why was she a cop? how old is she? then you realize theres nothing there
and ultimately this IS a reaction to it being an unpopular opinion. there are so many lupin entries a lot more worthwhile than the first (2019) that dont even get half of the hype. in my personal ranking its in the bottom 10 (tho ive skipped 2 specials so u can consider that the bottom 12). i genuinely dont like it but im not as vocal about lets say, angels tactics, because we usually agree thats a bad one- or at least we dont recommend it to newcomers. the first has a good reputation so i feel more strongly about it despite liking it more. i would be just as vocal about dragon of doom & voyage to danger if people talked to me about them more often. (and i have a much more coherent critique of dragon of doom lol)
so i dont really know how to explain why i dislike the first cause i just do; the same way u just dislike a bad part 2 episode, the same way most of the fandom just finds napoleons dictionary kind of boring. how do u explain why u dislike the nazi ancient tech self-insert npc girl movie- except by calling it just that? i guess i wasnt blinded by how pretty it is which makes me sound full of myself LOL. but its true a lot of animation can get away w god awful writing if its well animated enough- and if its too ugly no one will watch the best written animated movie. i love animation too and it has so much to offer and i want to see more done in the style of the first with the story of [insert your personal favorite TV special]. im glad it opened the door for vs cats eye to look that way (though lets not forget the 2012 3DCG lupin short!). but the WRITING the STORY the MEAT of the first just isnt any better than any other mid to low tier lupin TV special. is it really worth recommending the first as someones entry into lupin just because it looks pretty? is it really better than the anime that made the author reboot his own manga? why are we even still talking about the first?
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catchyhuh · 1 year
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If you'd be willing to share: Thoughts on Fujiko x Lupin?
WILLING? I’VE BEEN WAITING FOR A MEDICAL EXCUSE TO DO SO now you want thoughts or you want thoughts because i’m passionate about these bitches and their dynamic.
but first thing's first look at this :)
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for starters, i’m a firm believer that fujiko does love him. it’s just that, like i’ve said before, she doesn’t express it normally? people love the “aloof cool guy who’s only sort of soft with his love interest” trope all the time and she’s just the girl version of that!! i’m sick of people insisting they want mean girlfriends and then blanching when they see lupin blushing over a woman being sarcastic with him. get it together guys!!
the reality is that if you really look at their relationship throughout the series, lupin is rarely, if ever, actually upset by her frequent betrayal. it’s not… totally manipulation if you know it's coming and seem to expect it every time. clearly, lupin has a particular fondness for people who understand he’s somehow a genius AND stupid as hell and get giddy over expensive rocks. and speaking of jesus christ give jigen a break lupy he’s gonna burst a blood vessel if he finds out you gave fujiko the third insanely valuable cursed artifact of the month. what do you MEAN it’s possessed you. AGAIN??
fujiko just. is weird about things. you know? she just gets silly with it. it makes sense: if you've used affection as nothing more than a tool for most of your life, you'd show sincere love differently. if fujiko didn’t really love lupin, why would she come back to him? why would she turn to him, SINCERELY turn to him, when she could get help from any other pitiful little man trailing her heels? oh god mamo remember mamo? fujiko gave up immortality bc he couldn’t come along with her. she gave up living in her prime forever all because it wouldn’t be the same without her weird little boyfriend. amour!
i can refute any claim a Hater makes. any and all. “fujiko is selfish” points you to the other characters “lupin only likes her for her looks” well it’s obviously a factor i mean look at her. but when doing dirty work for other hot babes has threatened his life even barely he taps out and calls out the woman like "wtf i couldve died" and yet he continues to fawn over fujiko, ESPECIALLY when she does some cool murder shit. he met fujiko’s ancestor in that elusiveness of the fog special or w/e it was called and specifically said “she even has her toughness heart emoji" or some shit! “fujiko is materialistic” points you to the other characters “fujiko wasn’t bothered by the thought of lupin dying in alcatraz connection” neither was goemon they know he fakes this shit all the time. and in fact when they really DID think lupin was dead in missed by a dollar it took fujiko a whole second to break out of her shock that lupin was alive and she immediately laughed and hugged him so tight he almost lost his grip on the steering wheel! “lupin’s just stupid when it comes to her” points you to the other ch
i keep saying i’m gonna make a compilation of all the times they actually express love as the average joe gets it but. not today. nay
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supermeem2002 · 2 years
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Sorce: Lupin The Third- Is Lupin Still Burning?
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Sorry for the late post, I was out and about and got really distracted lmao
I actually liked this OVA, despite the weird scenes with Mr. X and Fujiko shsgshhshs
I really liked the callbacks to part's 1 and 2 in it, and the concept of Mamou teleporting Lupin to the past to change it to break up the gang was WAY more better than what was going on in Elusiveness of The Fog pfff
It was also really nice seeing pt 4 styled Lupin in his Green jacket and red pt 2 jacket fit lol
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carriagelamp · 4 years
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hey... so i’m pretty sure I found caveman!jigen in the comic series I’m reading right now
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notfspurejam · 3 years
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Lupin III: Elusiveness of the Fog
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gentleman-thievery · 3 years
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Stitched shot from The Elusiveness Of The Fog (2007)
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dagmartoons · 2 years
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when is the lupin isekai gonna get its own anime
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mxterhyde · 2 years
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…so they just left several guns, a motorcycle, and a fucking rocket launcher in the 1500s huh
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lupincaps · 4 years
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go thief boy go
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bestoflupiniiipoll · 1 year
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Best of Lupin III Poll
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bonehheadj · 4 years
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ok so like. elusiveness of the fog is not very good.... animation wise. except for the boat chases theres a weird attention to how they move on the boat from a distance? but besides that pretty lackluster, but like. I really like time travel. like REALLLLLY like time travel. like its stupid how much i like time travel. so if you catch me liking elusiveness of the fog. mind your business.
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mischiefmaverick · 3 years
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@aimlovesmusic I got you, fam.
- 1969 - Lupin III: Pilot Film
- 1969 - Lupin III: Secret Files
- 1971 - Lupin III
- 1977 - Lupin III: Part II
- 1978 - Lupin III: The Secret of Mamo
- 1979 - Lupin III: The Castle of Cagliostro
- 1984 - Lupin III: Part III
- 1985 - Lupin III: The Legend of the Gold of Babylon
- 1987 - Lupin III: The Fuma Conspiracy
- 1989 - Lupin III: Bye Bye Liberty Crisis
- 1990 - Lupin III: The Hemingway Paper Mystery
- 1991 - Lupin III: Steal Napoleon's Dictionary
- 1992 - Lupin III: From Russia With Love
- 1993 - Lupin III: Voyage to Danger
- 1994 - Lupin III: Burn, Zantetsuken!
- 1995 - Lupin III: Farewell to Nostradamus
- 1995 - Lupin III: The Pursuit of Harimao's Treasure
- 1996 - Lupin III: Dead or Alive
- 1996 - Lupin III: The Secret of Twilight Gemini
- 1997 - Lupin III: Walther P-38
- 1998 - Lupin III: Tokyo Crisis
- 1999 - Lupin III: Fujiko's Unlucky Days
- 2000 - Lupin III: Missed by a Dollar
- 2001 - Lupin III: Alcatraz Connection
- 2002 - Lupin III: Episode 0 'First Contact'
- 2002 - Lupin III: Return of Pycal
- 2003 - Lupin III: Operation Return the Treasure
- 2004 - Lupin III: Stolen Lupin
- 2005 - Lupin III: Angel Tactics
- 2006 - Lupin III: Seven Days Rhapsody
- 2007 - Lupin III: Elusiveness of the Fog
- 2008 - Lupin III: Green vs. Red
- 2008 - Lupin III: Sweet Lost Night
- 2009 - Lupin III vs. Detective Conan
- 2009 - Lupin the Third (Music Video)
- 2009 - Play the Lupin: Clips x Parts Collection
- 2010 - Lupin III: The Last Job
- 2011 - Lupin III: Blood Seal - Eternal Mermaid
- 2012 - Lupin III: Lupin Ikka Seizoroi
- 2012 - Lupin III: The Woman Called Fujiko Mine
- 2012 - Lupin VIII
- 2012 - Lupin III: 3DCG
- 2012 - Lupin III: Another Page
- 2012 - Lupin III: Shanshei Pilot
- 2012 - Lupin III: Shanshei
- 2013 - Lupin III vs. Detective Conan The Movie
- 2013 - Lupin III: Princess of the Breeze
- 2014 - Lupin III: Jigen Daisuke no Bohyou
- 2015 - Lupin III: Part IV
- 2015 - Lupin III: Part IV Specials
- 2016 - Lupin III: Italian Game
- 2017 - Lupin III: Chikemuri no Ishikawa Goemon
- 2018 - Lupin III: Part V
- 2018 - Lupin III: Is Lupin Still Burning?
- 2019 - Lupin III: Goodbye Partner
- 2019 - Lupin III: Prison of the Past
- 2019 - Lupin III: Fujiko Mine’s Lie
- 2019 - Lupin III: The First
- 2021 - Lupin III: Part VI - Judai
- 2021 - Lupin III: Part VI
I’m pretty sure this is the whole list. I’ll update it if I’m missing any.
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aion-rsa · 4 years
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From Lupin III to Inspector Gadget: Examining the Heirs of Arsène Lupin
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This piece contains spoilers for Netflix’s Lupin.
As Arsène Lupin, the gentleman thief created by Maurice Leblanc in 1905, is a renowned master of disguise, it is fitting that he has inspired a number of literary characters to take up his mantle. Arguably the most recognizable riff is Lupin III, a copyright-infringing, quasi-canonical descendant by way of Japanese manga and anime. Yet it wasn’t until Netflix’s new French mystery comedy-drama series Lupin—which reinvented the source material through Omar Sy’s Lupin and the lenses of immigration, racism, and fandom—that readers and viewers have truly been challenged to consider what it means to inherit, whether through blood or through books, an iconic character’s legacy. Consider this a field guide to the many different Arsène Lupins.
What is immediately intriguing about both Lupins is that neither is as white as the top-hatted, monocled thief that Leblanc created over a century ago. Assane Diop (Sy), the charismatic lead of George Kay’s Lupin, is a Senegalese immigrant whose father Babakar (Fargass Assandé) brought him to Paris for a better life. The lethal mix of elitism and systemic racism that they encounter via Babakar’s employers, the Pellegrini family, are what shape young Assane’s life into a revenge narrative, but also become tools in his career as a gentleman thief. Yet even Lupin III, created in 1967 by manga artist Monkey Punch (a.k.a. Kazuhito Katō), is introduced as the French-Japanese grandson of Leblanc’s Arsène Lupin. In the Lupin the Third Part II episode “The Southern Cross Looked Like Diamonds,” which concerns Japanese casualties of the Pacific War, Lupin discusses his dual heritage. Both adaptations add texture to their Lupins’ stories by not allowing them to move through society quite as smoothly as the original French thief.
That said, Monkey Punch’s Lupin III certainly benefits from a fair amount of family legacy by carrying on his grandfather’s and father’s reputation as a world-renowned thief, marksman, master of disguise, womanizer—you name it. He’s almost more of a reincarnation of the original than a descendant, with the only real change being the shift in period from the early 20th century to the swingin’ sixties. Monkey Punch also drew from Lupin III’s contemporary James Bond to enhance some of those darker and more adult aspects in the manga, while basing Lupin’s on-again, off-again romance with bombshell spy Fujiko Mine on D’Artagnan and Milady de Winter’s relationship from Alexandre Dumas’ The Three Musketeers.
According to a 1995 issue of Manga Mania, Monkey Punch had initially considered keeping the blood connection a bit more under wraps, having not obtained the legal rights from Leblanc’s estate, but was convinced to embrace the Arsène Lupin connections. While Monkey Punch’s adoption of the Lupin persona wasn’t kosher by copyright standards, it was also very much in the spirit of the character—asking for forgiveness rather than permission—as well as the creator himself: Leblanc borrowed Sherlock Holmes for a few Lupin adventures before Sir Arthur Conan Doyle realized, and only then changed the detective’s name to “Herlock Sholmes” for subsequent showdowns. Still, it did eventually backfire for him, though it also led to, fascinatingly, beloved animated character Inspector Gadget (more on that later).
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Lupin Part 2: 2021 Release Confirmed by Netflix
By Kirsten Howard
Perhaps the most beloved iteration of Lupin III is in Hayao Miyazaki’s 1979 film The Castle of Cagliostro. Monkey Punch’s manga cast Lupin III as a rather unsympathetic master thief: callous about his victims, a caddish ladies’ man who often harassed women he saw as little more than sex objects. While the anime quickly established a moral code—stealing from rich people who either deserved it or would not overly suffer for it—it was Miyazaki’s film that gave Lupin III real heart. In rescuing princess bride Clarisse from a Gothic marriage, he displays a surprising sense of chivalry, especially when the plucky girl wants to be his sidekick. Lupin’s silent agony over turning her down lends the otherwise carefree heist film a shocking touch of melancholy, and lays the groundwork for a more well-rounded Lupin III in future outings.
The Lupin III bloodline has extended several generations into the future, though none of these descendants made much of an impact beyond their respective adventures. First there was Lupin III Jr. (yes, that’s his name), the son of Lupin III and Fujiko, who only ever existed in the manga. Elusiveness of the Fog, the nineteenth Lupin III TV special, uses a time machine to jump ahead to 2883 and glimpse Lupin XXXIII, a.k.a. Lupin the 33rd, identical to his green-jacketed ancestor. He gets three whole lines and mostly seems like an excuse to show that thirty generations later, little about the iconic thief has changed.
In between those two there was Lupin the Eighth, would-be star of a 1982 spinoff created in collaboration between Lupin III studio TMS Entertainment and French-American studio DiC Entertainment. The Lupin VIII series would have jumped a conservative five generations ahead, with the familiar crew’s great-great-great-great-great-grandchildren carrying on the same names, traits, and rivalries and romantic entanglements. But when the Leblanc estate got wind of this Japanese/French collaboration showing up on their continent, they put the kibosh on the project; only the pilot was animated, and was shut down before vocals had been recorded.
Because TMS and DiC had already lost their investment, they scrambled to come up with a replacement for the timeslot. And so Inspector Gadget was created, with the trenchcoat-clad cyborg bumbling his way into viewers’ hearts. Despite his complete lack of suaveness compared to any version of Lupin, you could say that, in terms of staying power, Gadget was Lupin III’s true successor.
Yet while Lupin III had every familial and financial resource at his disposal to continue his grandfather’s and father’s work, everything Assane Diop needs to know he learns from a book. The Arsène Lupin books, which Babakar gifts him right before he is framed for stealing the priceless Queen’s Necklace from the Pellegrinis. Babakar’s arrest, guilty plea, and prison suicide leave Assane burdened with a strange inheritance of misfortune, words, and blood money—as Madame Pellegrini (Nicole Garcia) pays for fancy schooling he otherwise would not have been able to afford. Attending a prestigious academy is where he forges friendships with fellow morally gray criminal Benjamin Ferel (Antoine Gouy) and his eventual partner Claire (Ludivine Sagnier) and learns how to code-switch among his peers. 
Presumably, that upbringing creates the scaffolding of connections that allows him to move through high society, but his wealth and prestige in adulthood is all due to Arsène Lupin. Assane studies those books like religious texts, like instruction manuals, like the last connection to his late father. His obsessive fandom provides him the blueprints for foolproof heists that he enhances with his own experiences at playing with disguise. Though he does later employ prosthetics for his appearance as Twitter user Salvator, for the most part Assane doesn’t obscure his face. Instead, he trusts in his marks’ implicit racial biases that they will buy him as a deadbeat dad and immigrant janitor Luis Perenna, then not blink twice when staring him in the face as millionaire Paul Sernine in the course of the same evening. In prison, he literally counts on a white guard’s inability to differentiate between two black men to switch places with a prisoner.
Assane also continues his father’s tradition of gifting the Arsène Lupin books to his own son for his 14th birthday: Raoul (Etan Simon), French-born, mixed-race and equally enamored of the gentleman thief’s adventures. While it’s unlikely that Assane wants his son to make the same dangerous enemies, he clearly wants Raoul to see himself in the character—and to see his father, who understandably has difficulty showing his true self to anyone.
This by-the-book adaptation (Arsène Lupin entered the public domain in 2012) engages with the notion that anyone can embody an iconic character—that their skin color or class upbringing doesn’t have to match the original, that they don’t have to be a blood relation to inherit a persona. For all that Lupin III exists in his own right and will endure as a classic franchise, Assane Diop’s Lupin may be the truer heir to the gentleman thief’s legacy.
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Lupin is available to stream now on Netflix.
The post From Lupin III to Inspector Gadget: Examining the Heirs of Arsène Lupin appeared first on Den of Geek.
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