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homeimprovementway · 6 months ago

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Upgrade Your Living Room with Slipper Chairs: Find the Perfect Fit

Slipper chairs are armless, low-seated upholstered chairs ideal for the living room. Slipper chairs are a versatile and stylish addition to any living room. These armless chairs are designed to sit lower to the ground, providing a comfortable seating option for relaxation. Originating from the Victorian era, slipper chairs were initially used to assist high-class women in putting on their shoes or slippers. With a variety of styles and materials available, slipper chairs offer both comfort and aesthetics to enhance the overall decor of your living space. Whether used as accent pieces or functional seating, slipper chairs provide a cozy and inviting atmosphere for lounging or entertaining guests.

Benefits Of Slipper Chairs

Enhance your living room with slipper chairs, stylish and space-saving seating options. These armless chairs bring a touch of elegance and versatility, perfect for creating a cozy and inviting atmosphere in any home. Upgrade your decor with the comfort and charm of slipper chairs. Slipper chairs offer comfort and style in one package. With their plush upholstery and supportive cushioning, these chairs provide a cozy seating option for your living room. Their sleek design and varied fabric options allow them to seamlessly blend into any decor, adding a touch of elegance to the space. Versatility In Placement The compact size and armless design of slipper chairs make them highly versatile in placement. Whether used as accent pieces in the living room, comfy additions to a bedroom, or even as dining chairs, they can be easily repositioned to suit different needs and spaces.

Finding The Perfect Fit

Slipper chairs for the living room offer stylish and comfortable seating. With their low profile and armless design, slipper chairs are perfect for smaller spaces. These chairs are versatile and come in a variety of styles, making it easy to find the perfect fit for any living room. Consider Your Space A slipper chair is a versatile addition to any living room, but it's crucial to consider your space before making a purchase. Measure the area where you plan to place the chair to ensure it fits seamlessly into your layout. Matching Your Decor When choosing a slipper chair, match the color and style to your existing decor. Opt for a chair that complements your room's aesthetic, whether you prefer a modern, traditional, or eclectic look.

Popular Slipper Chair Options

A slipper chair is a medium to large upholstered occasional chair that lacks arms and sits low to the ground. These high-back chairs got their name during the Victorian era. The Black Boucle Wool Nova Lounge Chair offers a luxurious curved design with boucle wool upholstery, priced at $772.00 from Rove Concepts. - Modern Slipper Chair Living Room Chairs with Solid Wood Legs - Makeup Vanity Chair Fabric Comfy Upholstered - Beige Polyester Blend Slipper Accent Chair from Wayfair at $135.99 - Bali Upholstered Slipper Chair Fabric: Mint Cotton priced at $767.00 from Birch Lane

Purpose And Functionality

A slipper chair is a medium to large upholstered occasional chair that lacks arms and sits low to the ground. These high-back chairs got their name during the Victorian era, when they were used to comfortably seat high-society women whose attire included cumbersome layers of petticoats, making it easier for them to slip in and out of the chair. Today, slipper chairs are valued for their versatile functionality and timeless aesthetic appeal, making them an excellent addition to any living room. Use In Various Rooms Slipper chairs are versatile and can be used in various rooms throughout the home. Their compact size and armless design make them particularly suitable for smaller spaces, such as living rooms, bedrooms, and home offices. In the living room, slipper chairs can be used as additional seating without taking up too much space, while in the bedroom, they can serve as a cozy reading nook or a stylish accent piece. Their adaptability also makes them a popular choice for creating a sophisticated seating area in a home office or a quiet corner in a library or study. Historical Purpose The historical purpose of slipper chairs dates back to the Victorian era, where they were primarily designed to provide comfortable seating for women wearing elaborate, floor-length dresses. The armless and low-profile design of slipper chairs allowed women to easily slide in and out of the chair without the hindrance of armrests, making them a practical and fashionable seating option. Over time, the functionality and elegance of slipper chairs have transcended their historical roots, and they continue to be favored for their timeless appeal and adaptability in modern interior design.

Comfort And Style

A slipper chair is an essential addition to any living room, offering both comfort and style. With their modern upholstery and plush seating, these chairs effortlessly blend functionality and aesthetics to enhance any living space. Modern Upholstery Slipper chairs are designed with a focus on modern upholstery, offering a wide range of fabric options to suit various interior design preferences. From luxurious velvet to durable linen, the upholstery choices allow homeowners to customize their chairs to complement their living room decor. Plush Seating One of the key features of slipper chairs is their plush seating. The ample cushioning and ergonomic design provide a comfortable and supportive sitting experience. Whether used for reading, relaxing, or entertaining guests, the plush seating of slipper chairs ensures a cozy and inviting atmosphere in the living room.

Where To Use Slipper Chairs

Slipper chairs are versatile pieces perfect for living rooms. Their armless design and low profile make them ideal for small spaces, cozy reading nooks, or as accent seating. These chairs add a touch of elegance and functionality to any living room setting. ass women who wore voluminous dresses and needed to slip their feet out of their shoes. Today, slipper chairs are a popular choice for adding extra seating and style to any room in your home. In this section, we'll explore where to use slipper chairs in your living room, bedroom, and dining area. Living Room A slipper chair can be a versatile addition to your living room decor. They are perfect for small spaces where you need extra seating but don't want to overcrowd the room. Place one next to your sofa or coffee table to create a cozy reading nook. You can also use a pair of slipper chairs to anchor a larger seating area. Choose a bold pattern or color to add a pop of visual interest to your living room. Bedroom A slipper chair can add a touch of elegance to your bedroom decor. Use it as a comfortable spot to sit and put on your shoes or to read a book before bed. A slipper chair can also be a great alternative to a traditional desk chair, providing a comfortable place to work on your laptop or do some journaling. Choose a chair with a soft, plush fabric to create a cozy and inviting atmosphere in your bedroom. Dining Area While slipper chairs are not typically used as dining chairs, they can be a stylish addition to your dining area. Use them as accent chairs at the head of your dining table to add some visual interest to your space. Slipper chairs can also be used to create a cozy and intimate dining experience in a small space. Choose chairs with a durable, stain-resistant fabric to ensure they can withstand the occasional spill or stain. In conclusion, slipper chairs can be a versatile and stylish addition to any room in your home. Whether you're looking to add some extra seating to your living room, create a cozy reading nook in your bedroom, or add some visual interest to your dining area, slipper chairs are a great choice. Choose a chair with a fabric and design that complements your existing decor and enjoy the comfort and style that slipper chairs can provide.

Frequently Asked Questions

What Is The Purpose Of A Slipper Chair? A slipper chair is an armless, low-seated upholstered chair, historically used for putting on shoes. What Is The Difference Between A Side Chair And A Slipper Chair? A side chair typically has arms and sits higher, while a slipper chair lacks arms and sits low to the ground. Are Slipper Chairs Comfortable? Slipper chairs are comfortable with plush upholstery and clean lines, suitable for various living spaces. Where Can I Use A Slipper Chair? A slipper chair is a medium to large upholstered occasional chair that lacks arms and sits low to the ground. They are versatile and can be used in various areas such as the living room, bedroom, and even the dining room. Slipper chairs are comfortable and perfect for lounging or relaxing.

Conclusion

When it comes to enhancing your living room with style and comfort, slipper chairs are the perfect choice. With their versatile designs and comfortable seating, slipper chairs add a touch of elegance to any space. Whether you prefer a modern or traditional look, slipper chairs offer both fashion and function. Elevate your living room with a slipper chair and experience a perfect blend of comfort and style. https://www.youtube.com/watch?v=343sIIHJGuo Read the full article

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yesterdayscake · 10 months ago

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I’m very uninspired by what I can find in my size at my price point rn and I have a beloved sister’s wedding coming up in April, so I’m going to try and make a dress based on the One Hour Dress

the goal is to make it out of silk, or (even better, imo), a fine cotton voile if I find one that is quality enough for a wedding, xomplete with a petticoat because I’ve grown out of my good one and hate most of the ones in stores. and I think I want to add a little bit of fluff to lend a scant hint of the very very fun robe de style width and froth without actually having to go into the house of lanvin quality rigging or have to calculate to their level of dressmaking geometry.

goals are that this is a very low spoon project so I don’t want to fall into my very autistic penchant for doing painstaking repetitive tasks (Like I see the pin-tucks in these extant garments and want so bad to do it but oh my god not now lmao. maybe one day but not now.

another goal is that I don’t want to look like i’m trying to be the bride becausde I’m not, it’s just my sister is a fashion person and I feel like I want to bring it to her wedding.

and finally I want to feel pretty in a disabled body!

which means:

—I need to work out how to have some decent back support without it ruining the lines of the dress

—i sweat a lot so I need to make sure there is some wicking going on and that I’m not overheated or flustered

—I want to feel pretty but also gender, so gotta find a balance

—and also it has to feel fairly current and not like Imm trying to larp, because I have no energy to try and perfect finger curls or whatever else in this time frame. I’ll probably do space buns again if I don’t think of anything else

#project file #one hour dress #wedding guest #real people clothes #home sewing #1920 #2024

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faustfashion · 7 months ago

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For a low price and some knowledge of how to work an iron you could apply patches to the petticoat and bloomers for a full bunny ears madness coord

Extra secrets bunny. I haven’t found any on the market for just the ears but it might exist

while browsing through livejournal,

i found someone saying there were way too many rabbit ear pieces.

you might be wondering what that's about, as I was. I bring forth, all the rabbit ears placements. make a rabbit ear coord. go crazy.

Bonnets

White Rabbit Bunny Ears Bonnet

Nakayoshi Bunny Bonnet

2. Headresses.

Usakumya's Ears Headdress (2024)

3. Blouses.

Alice Meets the White Rabbit Blouse

Kumya's Strawberry Garden Blouse

4. Skirts.

Alice Meets the White Rabbit Skirt

5. Wristcuffs.

Lyrical Bunny Lace Wrist Cuffs

6. Socks.

Lyrical Bunny Lace Crew Length Socks (2022)

7. Bags.

Fluffy Bunny Pochette

Usakumya Heart Window Rucksack

8. Mufflers.

Fluffy Bunny Muffler

9. Rings.

Little Bunny Strawberry Ring

10. Brooches.

Little Bunny Rosette Brooch

11. Masks.

Usakumya Face Mask

12. Shoes.

Bunny College Shoes

Bunny Girl Pumps

is there a place bunny ears haven't been found..? are there bunny ears on petticoats and bloomers?

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dragonstepp · 1 year ago

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Mother Nature

As a Pagan who believes in a higher entity that rules over all. But I also believe s/he has given Mother Nature freedom to fight against human nature in the climate problems.

But, having said that, I cannot help but wonder if humans gave Mother Nature help along with all these disasters.

I wonder if the fires on Maui was human made. I wonder if the explosion in Pennsylvania was human error. I wonder if so many fires across the US, Canada, and Europe were caused by human actions.

I smoke, not a lot since I have drastically cut down, but I am not thowing hot butts into nature. In fact, I smoke in only one place in my own apartment, with an ash tray within reach. No butts thrown in any place but that ash tray. I cannot say anyone else does otherwise.

Are there any fires run rampant in the Southern Hemisphere? Or all these in the Northern Hemisphere, where there is a high-level of heat everywhere?

I wonder at my own long life. I think 82 is not considered overly high in these days - there are many who are living into the 80s and 90s. Are we here to warn youth to cut back on technology which seems to be a huge problem, worse for humankind than helpful.

I lived my early years without air conditioning. I lived in my early years with low-tech automobiles. In 1957, when I was in high school, my car was a 1940 Ford coupe. We wore skirts and dresses with large petticoats. We did not think about being hot.

But we did start seeing things in the 60s that gave many of us thoughts of what might come. And then technology started manufacturing things that was supposed to make things easier for humans, but may have back-fired over time, and many thought they needed to buy/obtain better and better things, with no thought for how it would impact on Mother Nature.

So we are paying high prices now. Can we ever go back?

Carol

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awhilesince · 3 years ago

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Monday, 2 August 1830 (travel journals)

5 25/..

11 1/4

ready in 3 /4 hour – saw them all off at 6 20/.. – then went to the barracks near an hour there 88 in 1 stable 28 young in another – fed every 2 hours – ordinary allowance per day 8 lbs. [pounds] avoine 12 fourrage 15 straw (paille) besides sonde (mashes)? at noon – 1 very strong large norman (gray) 3000/. others 1500/. to 2000/. price – all stalons – some as colts bought at 400/. from 15 to 50 mares allowed them per annum – several crosses between this Country breed and barbes – some English horses – the man said they got thicker in the neck by the climate 8 of the horses aux caux – some sent every year – one a very fine gray sent because he coughed a little and they were afraid of his wind – some Turkish horses some de Limoges and some Norman, and some pure breed of the Pyrennees Gray or dark bay pretty little clean legged animals 1 man to 4 horses – all apparently very gentle all done by kindness – the manège not so fine as I expected –

drizzling rain from 6 25/.. – thick no view – back at 7 1/2 wished to be off in an hour – no horses till 2 – breakfast – went to my banker – all business at a stand – choice whether to take 25/. or not – yes! for £50 circular –

appalling news from Paris paid the bill here for us all – always give 6/. to the servants find Jean gives 2/50 more for the servants – so it seems we give altogether 8/50.! Sat writing journal and to my aunt till 2 –

off at 2 6/.. – Tarbes really a nice little town – 3 churches – the cathedral a small poorish concern, nor much of transepts near side aisles at all – the church I was in this morning (St. Anne’s) a poor little place, but almost as good as the cathedral – the steeple that seems to have belonged to a tolerably good church is merely part of what is left and now filled with forage for the cavallery – neat barracks (saw them this morning) built for them very lately – I have been more comfortable at Tarbes than anywhere – have nowhere had so good a room –

drizzling rain Till from 6 25/.. to after 12 – then began to clear a little and on leaving Tarbes fair and streets dry and atmosphere clear enough to leave the mountains pretty distinct – quite a farce to compare them with the alps – Tarbes seems placed at the foot of a wide Extended circular gently rising rich fertile plain stretching out obliquely on the right into a sort of isthmus or neck

the high pyrennees sweeping about 1/5 of the circle left Towards the front – and below them a low range of hill extending all round to the neck closed in by a low range quite in the distance the low range in front covered with wood – the other parts yellow with corn stubble (harvest everywhere since before Bordeaux got in) or ploughed land; or wooded or green under vine cultivation – the lands here seem no where more than 4 feet English at most – look like filons, threads – great deal of bled de Turquie – just out of Tarbes pass thro’ orchards of peach trees oppressed with vines –

Fahrenheit 74° at 2 40/.. and quite cool and pleasant – the dust just agreeably laid – the church of Ibos high squary mass (left) a fine object – 1 small tower – the houses of the town not seen till one mounts the hill – and seems a large one had been taken down as low as the roof of the nave –

at 2 began to feel a little indigestion pain and now at 2 3/4 feel it more was it the mutton last night – I never by any chance touch meat without feeling it, and have it not when I stick to my vegetables! –

as we reach the wooded range of hill 3 traverses up it, get out – walk to the top of the hill and 1/2 way over the ridge in 20 minutes and got a good heating in spite of the fine cool hair for the man urged his horses up as fast as he could without stopping and it was hardish work to get much before him –

mountain side wooded chesnuts – near the top heather – top brackens which completely subdue the heather and merely a bit here and there to be seen thro’ it – a few black sheep (hill and heather always make good mutton) and a few horses, i.e. mares and foals – a little scattered generally straw thatched? village – small enclosures – hedges full of thorn and sloe and wild roses hedge row trees – chiefly oak – a few chesnuts gravelled road – fine oaks each side the road and straw thatched and some blue slated neat farm houses here and there vines, a few peaches and much maize –

picturesque straw thatched cottages – women with their red capulets bound with black spinning with a distaff under their arm and the bobbin Twirling against their aprons – beautifully green pastures – fine chesnut Timber as well as oak, hiding the picturesque cottages –

how I enjoy this – I might be – could fancy myself in England save for the capulets, and odd little low narrow waggons and bells and clumsy gear of my 3 abreast carriage horses –

another village – fête here too and dancing to a fiddle and clarionet – peaches and nectarines in the hedges – have no where seen hedge cut and laid – always or buckheaded rather short or clipped – great many pollard oaks, particularly in hedge rows – these pollard oaks form capital hedges for shelter – wherever not cultivated the top of this ridge covered with bracken, and right look up pretty little valley – mountain-top valley evidently small green enclosures by hedges –

road mended with pretty well broken boulder of mountain (primitive?) limestone – dark coloured, veined with quartz? have only seen one patch of oats – standing and another in swathe nothing but maize and a few potatoes –

at 3 55/.. neat white washed hotel des voyageurs a few little accacias and platannes round it and shearing (a man and woman) a good plot of oats – a man and woman courting by the roadside he putting his hand into her right pocket hole and another pair walk amorously set me wrong between three and four which ended in incurring cross about four

about 1/4 hour on the top of the hill and at 1 1/4 very fine view descend into the beautifully wooded rich charming vale of Pau? sprinkled in all directions with towns villages and pretty thatched white washed cottages and farms – water would make it lovely quite – ‘route bordée et ombragée de bois touffus (pollard oaks) – de chênes and châtaigniers all along – the at 1st thro’ a forest and very beautiful Itineraire Midi page 70 says ‘ou est Toujours dans les riches et fertiles plaines de Tarbes’ – these ‘bois touffus’ pollard oaks are really beautifully and thickly umbrageous – should not have dreamt they could look so well – pollard from a thick trunk perhaps 10 feet high from the ground – small enclosures – pretty low hedges – small dun cows picturesque straw thatched or blue slated white washed cottages – charming (very small dun oxen dragged the little waggons and carts on the Top, the plateaus of the hill – pigs lying and feeding under the oaks –

at 4 29/.. good post house in the very picturesque scattered one long street (trees and gardens between the neat houses) village of Les Bordes-d’Expoey red-dun cows with bells and regular dun mare with one young mule and a brown mare with ditto – green champs Elysée of oaks at this end of the village under which herds pigs lying and feeding – Lombardy poplars – Charming the women here with white bound with black capulets and black aprons and spinning as they walk – lock under the left arm and spinning with left hand and twirling the spindle with right hand – said George 10 sols de payé – oui – said the postillion ce quelque chosée pagata –

off in 8 minutes – all the walling done with boulder stones in a cement chiefly blue slated cottages – vines creeping high in the trees – wood côteau – low line of hills right – higher range wooded at bottom heather at top (right) – groves, as it were of pollard oaks – why pollard? postillion from here whip slung round his shoulder with a large worsted tassel as the german postillions sling their bugle horn – the men wear Ayrshire caps – white with red tassel at the top – or one postillion as have observed before wellington blue without tassel –

I enjoy today’s drive exceedingly –

Long straight road before me from Bordes d’Expoey the hedge row trees generally pollard oaks forming sort of avenue all along – all the women spinning but have only once seen some women heckling short line – woman astride white black bound capulet and white handkerchief and blue coarse linen? small white spotted gown with her long petticoats covering even her toes – I think she had her knees much stuck forming a hump on each side not ungraceful under the petticoat and certainly not looking masculine –

so many people afloat on the road near all the villages must be a general fête? – quite in the basses Pyrenées now – left the high pyrennees on descending the hill into the beautiful valley of Bordes d’Expouey or does mist hide everything (left)? at a little distance (right) a low nicely wooded fertile range which wheels round towards the front of me but soon wears itself out –

a great many of the country waggons on the road – most of them drawn by 2 little dun oxen and 2 little horses wrapped up in linen sheets white first the leaders – the road all along quite gay and in places thronged with waggons and people –

the women that ride have their petticoat slit open fore and aft I see and thus it so covers gracefully will covers the whole leg and foot – get prints of all this and the waggons at Pau – pass malle poste at 5 3/4 – strange to find common sense only among the Pyrennees – where else do the women ride astride! where else do they not torture their horses and themselves by a position equally dangerous to the one leg unnatural and uncomfortable to both? –

at 5 3/4 a little drizzling rain begins – Fahrenheit still 73° – all alive in Pau a fair or fête or what? a fair? enter by long small boulder stone paved street (paved or boulder-stoned as at Tarbes) – desperate to walk on in thin shoes – a sort of gateway (2 posts) spacious street – of splashed dirty white good 3 story houses – full of people carts and business –

at Hotel de France Pau at 6 – heard all the news from Lady Stuart – dinner wrote to my aunt not directed at 7 1/2 – came to my room at 10 20/.. – Fahrenheit 74° at 11

left margin:

Fahrenheit 73° at 4 1/4 p.m.

reference number: SH:7/ML/TR/5/0027 - 0031

#annelistercodebreaker #annelister #traveljournals #pyrenees #august1830

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christaline · 1 year ago

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Yes all this. I’d like to just add my experiences as someone who’s into that neither has the money nor the “ideal body” for it.

Seriously, take this advice. When i was younger i did not know about all the bs, awful quality “dresses” on shit sites like milanoo and the like. I would buy them and never be satisfied with the look or the shape and would only be able to wear them once or twice. It was a waste of money. I wish i had pictures of some of them bc they were dreadful😆. When i say “don’t buy on ebay or wish or anything” I really am not putting anyone down. I get it, you want the look but it’s out of your price range and those seem like viable options. But let me tell you, what is in that picture is not what you will get. I recommend always looking at the reviews with pictures. Does it look weird on the person? Is it overly wrinkled? Is it actually constructed the same as the picture? Look closely and you will see the dress in the pics and the dress people get is entirely different and made with different materials. Usually really cheap polyester. Some people (smaller folks, sorry) can make that work for them but if ur bigger, just don’t waste your time.

I would not personally buy a dress for less than like $60-80 on a resell site. My ccat rainbow dollhouse was like $40 on sale lol. The other was like $110 (i did it for the color😭). Just be very careful out there bc I’ve also just gotten completely scammed (thankfully i was given a refund but i would have been out $116!).

I definitely can vouch for 42lolita. I buy my tops and bloomers from them. Just make sure if ur a bigger girl, to be careful cuz i have some stuff I cant fit (gonna have to taylor it).

Lacemarket has been my go to. People are super kind and accommodating. If you need a payment plan, just ask. No harm in doing that, the most they can do is say no. I’ve bought most of my stuff from there. I got my dream dreas, AP Little House (in blue!!!!!!) from there for $310. The sellers let me do a payment plan of $100 bi weekly. I’m definitely not saying everyone has to do that tho. But it can be a real help if you are looking at a brand dress that’s high to be able to work out a payment plan. The thing i like about lace market is that you are talking to a fellow lolita. They’re gonna understand what you’re talking about if you have questions and most people love to answer them even if you aren’t buying (but u probably should be buying if ur gonna ask alot haha).

Also, you can kind of get away with buying some decent shoes or jewelry on aliexpress. I have two pairs of nice shoes from there. Obviously, look at the reviews and never buy from someone with 0 reviews (and I personally don’t buy from anyone with a low number of reviews or no picture reviews).

(I swear i have more dresses lol i just never take pics).

These two pics are of my ccats. Both pics have shoes from aliexpress. The bonnet is from lacemarket (it’s so nice…omg…). The petticoat is from a website called vintage fashion (I’m going to get another bc i want a different shape) and the bloomers are from…either 42lolita or devilinspired (uhm, this place can be iffy, i only buy tops and a few accessories…use caution here). Both these looks were bought over the course of months to years. Don’t rush your wardrobe, man. It’s gonna take a long time. I’ve been buying for 2 years and only have 7-8 dresses and one skirt lol. I just have alot of tops to mix and match. Well, I’m rambling here’s my list of really cool places that’s good for all my lolitas on a budget but still want to be the doll that they are:

42lolita

Lacemarket

Onigeishi shop (idk how to spell it)

Melikestea

Lolitawardrobe

Etsy (accessories, some independent makers sell thru etsy)

Aliexpress (for shoes and accessories)

Theres more but i am blanking right now lol.

My friend is getting some crap on instagram about perceived classism in the lolita community, and as someone who runs a budget-focused lolita fashion blog, I'm going to rehash some of the old "but I can't afford burando!" conversation.

For some background reading, here's where I bought three "lolita" "dresses" off ebay, and what I actually received for my money. And here's a breakdown of one of those specifically. I'm linking to these because I want everyone to remember that the pictures on ebay, amazon, wish, etc do not represent what the actual piece you receive will look like.

Lolita fashion can be expensive, but the less expensive end of legitimate lolita fashion is not actually as expensive as many people think it is. It's not all $300 for a dress and $60 for a pair of socks. There are options that bring the price down to other fashions. It cannot compete with the hyper-fast fashion of Shein and H&M and other places where the clothing is designed to be disposable. This is because lolita clothing is not disposable. Even modified or damaged, lolita fashion pieces have resell value. It's very common for people to be wearing garments that are over ten years old. There's also a lot of documentation about how hyper-fast fashion is damaging to the environments where it's made and the people who made it.

Okay, so that's all very fine and well, but it's true that recognizing that something is worth the money doesn't actually get you the money to buy it. There's a lot of things that I recognize are worth the money it costs to buy them, but that I don't have the money for. I don't drive a high-end electric car, even though I think it would be a better choice for me, because I don't have the money for a high-end electric car. So I do, very distinctly, understand that. I'm not about to tell someone "just save up for it!"

But, when someone tells you that you cannot buy lolita fashion on wish dot com, they're not actually saying "you won't be accepted in a wish dot com dress." They're saying, "any money you spend on a wish dot com dress will be wasted, because you will not receive a usable garment." Let's play pretend for a second. You come up to me with $20 and say, "I'd like to buy clothes." I say, "Good. I'll sell you some clothes." I then take your $20 bill, rip it into small pieces, eat all of the pieces, and say, "that's your clothes." Now, you didn't actually get any clothes from that, and there's no way you're getting your $20 back because I have consumed it. Your friend comes up to me and says, "Hi, I'd like to buy clothes." You say, "Don't give her that $20! It will be a waste of money!" Your friend says, "That's classism, because I only have $20." That's the conversation that's happening right now on my friend's instagram.

Classism does exist in the lolita fashion community. It can even come from people with good intentions. But, when it comes to buying on Ebay and Amazon and Walmart.com, people who are saying, "you can't buy lolita fashion on walmart dot com," aren't saying, "we won't accept your walmart dot com dress, because it was cheap." What they're saying is, "the thing that the site is telling you that you're buying and the thing that you will receive are going to be two different things. The thing you will receive will barely be a garment." There's a reason why, when I say "lolita dress from ebay," I have to typeset it as "'lolita' 'dress' from ebay," because it will probably be neither lolita nor a dress.

If you're new to the fashion and want a good shopping resource, 42lolita is a reseller/shopping service that will tell you what the shipping will be up front. Many other resellers will send you the shipping costs after you make the purchase, which makes it harder to predict what you'll be paying. You won't be getting a dress for $20 on 42lolita or anywhere else, but the prices they charge are more in line with shopping at a department store, rather than shopping at a big name designer store. There's a lot of other ways to purchase lolita fashion, and I just used 42lolita as one example.

The number of people who genuinely want the fashion to be as expensive as possible is not all that big. Even people who occasionally buy a $300 dress enjoy finding inexpensive accessories and support pieces. Finding lolita-usable jewelry on the Walmart clearance rack is a thing that's exciting to most people in the fashion. If there was a secret to buying $20 dresses on ebay and getting something that could be used in the fashion, people in the fashion would absolutely already be doing that.

So anyway, yeah, there's classism in the lolita community, but telling someone that they should not give me $20 for clothes when experience shows that I'm just going to rip it up and eat is not classism. Friends don't let friends spend money on badly made replicas on aliexpress.

#lolita fashion #hope this rant helps…someone #i have alot more to say abt buying on sketchy sites but…yeah

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bates--boy · 4 years ago

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In the moments when everything is still and silent, Peter’s skin still itches from the sensation of that man. It still crawls with the memory of that John's lips sucking at his neck, the graze of cheap fabric as the bastard ground his wanting bulge against Peter's bare thighs, and the moist palms as John groped and pawed with the grace of a fool who really thought he was doing something.

And the absolute fuckery of it all? Peter wants to go back.

Not because the moist groping and aimless dry humping elicited an arousal from Peter. Far from it (unless instinctual repulsion is another new, trending kink that he is unaware of). Success of any kind does something to a man, and a narrow success from a self-appointed dare that could have had many terrible outcomes? Shit, that's a drug. It's a mind-altering drug that makes Peter fantasize about sauntering to that same hotel bar, in something a little tighter with a higher hem, or maybe shoulder-less and back-less, with bolder makeup. In these fantasies, Peter lets these executives and socialites and wealthy pseudo-philanthropists pull him into their rooms, and they tend to have brand new shoes and high-end blazers that are just his size, or the new make-up palettes and jewelry that he'd otherwise have to wait for months to go on sale. They have bulking wads of cash in their wallets (as tourists do) or the new generation of tech that'll go for a high price. In these fantasies, these people have asses.

But there's always the come down, and for Peter, it's acknowledging that this new game isn't sustainable. There cannot possibly be that many married or committed cheaters to justify relieving them of their possessions, and the number would be even less after taking out ones who aren't aroused by an occasional cross-dresser. There is also recognizing that he may never be able to return to that hotel bar ever again, or at least until John dies.

Peter has yet to see his name, face, or description in the news, and he knows that there are cameras in that hall Peter and his first target stumbled around in; a couple of them must have recorded him taking selfies with his loot. He doesn't know why John hasn't reported him, but he can guess that admitting to his spouse and Sweden's authorities that he propositioned a supposed hooker during Sweden's sex-purchasing crackdown would not go over favorably. But how many of those clients in Peter's fantasy would be as scared of a broken relationship, an arrest, and a ruined reputation as John presumably was? What if things go south and they use their influence to make him suffer, or force his hand and drive him to use his strength--

No, he can't go back.

Which isn't a total loss, considering how watery and expensive the drinks were, and how his last killing wasn't something to write home to. A wedding band, sitting somewhere in a pawn shop, a couple thousand krona notes, half of it spent on better wine and half going to his saving accounts, and the watch.

Peter picks it up from the bedside table and dangles it. The cubic zirconia twinkles in the lamplight, crowning the black velvet face and drawing the eye to the golden hands. He turns it around and scowls at the designer brand etched in rose gold cursive.

Gacci.

"Stupid unpawnable piece of garbage," Peter grumbles, before he latches his trophy around his wrist.

Though he knows that he's made the right decision, Peter still thrums with loose cannon energy that he must exhaust through some channel, something that beats sitting in a semi-dark room at two in the morning. He turns his wrist back and forth to catch the light in the glass pieces and silver band. Then, his eyes wander to the orange light in the window, to the shadows that filled the frame, a silhouette backdrop of the district he lived in. The immediate neighborhood is artsy and quirky, a mix of contemporary and vintage; white and ultramodern apartments and townhomes, sitting alongside their older but renovated counterparts and shops. But an energy carries from beyond this square, from across the bridge.

Night life. Neon lights. High hemlines and low necklines. Fruity cocktails and smiley face tabs, all bathed in a type of music that stirs the blood and dirties the soul.

Downtown.

How long has it been since Peter got White Boy Wasted?

Peter turns back to his laptop sitting in front of him to finish his online Christmas shopping for the night, then hops off the bed to skip to his closet. He yanks the door open and paws through the clothing on the hangers.

Indian red off-shoulder blouse, high-waisted black cut-offs, black ankle-high leather boots. Otherwise known as Peter’s most regrettable decision that night, as snowy winds cut through his winter petticoat during his motorbike ride across the bridge. But Peter doesn’t feel the need to complain about the cold; this weather doesn’t remind him of a home he wants to forget, plus there is something delicious about it, the way the pelting flakes bite into his bare legs and neck that grounds him yet makes him feel like he’s flying. It helps that he can’t feel John’s fingers and lips, anymore.

Upon reaching the other end of the bridge, Peter weaves through the streets, eyeing the picturesque nightlife for action through the whipping curtain of his loose hair. Most of these clubs and bars and cabarets Peter has tried out, and even deemed a couple of them favorite places to frequent. Tonight, however, he wants some new excitement, so he takes a street that leads into the uncharted territory. The gradual contrast between the downtown epicenter and this but of fringe land is stark, almost jarring; here, the blocks are darker, and in that darkness, the more brazen move through the unlit areas like shadowy monsters, these stumbling drunks and partiers high out of their goddamn minds.

He's getting close, he can feel it.

He turns a corner, nodding a greeting at a bunch of leggy people standing around the street sign pole, and almost loses himself in trying to guess if they are hookers or not when something catches his eye.

Up ahead, another nightlife creature stumbled out into the open, but before the darkness swallows her as well, Peter catches the way her silver sequin dress flashes red from the lights blinking in the doorway -- his beacon.

He sweeps his bike into the alley a couple buildings down and hops off, hanging the helmet on a handlebar and briskly walking to the club. He can feel the thrum of the music through the soles of his boots with every step he takes. He stops for a moment in front of the woman, who now slides down against the wall. For someone who isn't wearing any form of winter gear and is sitting in an inch of snow, she is smiling a lot, dreamy and sweet as her gaze is fixed on the dark sky.

"Er..." Peter says, bending down slightly to meet her eye. "Hey, ma'am, are you okay?"

The woman blinks, snapping her attention to him, and her dreamy smile melts even more as she reaches to cup and smoosh his cheeks. "Awww, there's my wittle white wabbit!"

Peter's face scrunches as he tries to understand the slow and slurring Swedish accent, made nearly untranslatable by the cutesy baby talk. "Ha ha, right..." Peter takes her hands off his face and nods toward the door. "Do you want to head back inside where it's warm?"

The woman shakes her head. "'Sokay, rabbit, I'm waiting for my friend!"

Peter gives her a half-frown and shrugs. He unbuttons his coat and takes it off, helping the woman into it. She looks like she'd scream if Peter tries to push the chivalrous act and pressure her to get inside the building.

He makes his way to the door, resisting the need to hug himself and rub at his arms. Once there, he stops himself from yelping as a goddamn giant creeps from around the threshold, crossing his arms over his barreled chest. Peter presses his hand onto his own chest and exhales. "Shit, man, I almost pissed myself!"

"Sorry," says the giant whose deadpanned voice and unchanged expression denote his lack of remorse.

"Hmph." Peter juts his chin at the space behind the bouncer. "So, are you going to let me in, or...?"

"450 krona."

Peter pulls his wallet out from within his shorts. "Drinks covered?"

"Nah, you pay at the bar."

Well, shit, Peter snarks in his head, counting out the money. This place is more high-end than it looks!

"It's 800 even if you want to go to Wonderland."

Peter pauses counting out the bank notes, raising his brow at the giant basking in the red glow. "...What?"

The giant quirks an unkempt eyebrow right back at him, his lips twitching in just the slightest grin. The bouncer offers no explanation, and Peter is instantly sold.

Peter holds out the wad of money to the bouncer. The bouncer reaches for it, but when their hands meet, the bouncer grabs Peter's and turns it over, his thick wrist flashing a tuft of dark hair through his sleeve. Peter only has a split second to let out a shocked and protesting yelp as the bouncer pulls something out of his sports jacket's pocket and stabs it onto Peter's skin.

"What the hell, man?!" Peter screeches, snatching his arm away. He examines the back of his hand for signs of damage, afraid of what he may find. He's only somewhat relieved to find that, besides the pinkish ring marking his skin, there is no bruising, just a slightly smudged and shimmering holographic stamp: a top hat.

Peter's eyes wander back up to the bouncer, whose smile is in full stretch across his face, alight with baffled amusement, tight as he tries to stifle a giggle. Peter wonders if he can get away with knocking a couple of this chucklefuck's front teeth out.

Said chucklefuck then instructs him, "Go to the set of doors at the other end of the club, right behind the platform. Middle door. Down the hall, make a right, and ask for the Mad Hatta at the curtain."

Peter nods and rubs his stamped hand, careful so he doesn’t smudge it further. The bouncer steps to the side and beckons him in.

The entryway feels like a tunnel to an underground bunker, the lights flashing a warning of an attack above ground. If it weren’t for the electropop beating against his skin, or the air of sweat and ecstasy and carelessness so thick that Peter can taste it, he might have succumbed to the images of swooping Luftwaffe aircraft that still haunts the back of his mind.

But, no, tonight, he is not the split and damaged identity of Fort Roughs and the Principality of Sealand; hell, he is not even half-year soldier Peter Kirkland. Tonight, he’s a dumb kid looking for Wonderland.

He descends the gentle slope into the wide, square opening, and he is swallowed whole.

No matter which they dance, everyone seems to move as one, arms waving and jerking high above their heads, bodies drawing to each other even if some of them may be dancing alone, bouncing and swaying and swishing. The sickeningly alluring stench that fills the entrance is now strong with so many different types of alcohol that Peter already feels drunk. The red lights bathes the bumping stereos and the people in a nightmare, and the rare streaks of black and white lights makes everything a euphoric horror movie still frame.

Peter grins as a pleasant tingle of adrenaline zips up his back.

He slips through the crowd, twisting and dodging and ducking. He wants to jump into the fun immediately, especially with a few dancers passing him dreamy smiles and curling their fingers at him when he meets their far-away gazes. But the stamp itches on his hand, and he’s going to take that as a sign from the universe that destiny awaits with this “Mad Hatta” (which is far better than the panic that his body is having an adverse reaction to the ink). He makes his way around the platform centered in the dance floor and notices movement high above him. He glances up and tilts his head curiously at the pairs of heavy duty chains hanging between spotlights on the girder frame.

“Huh...” he mumbles as he continues on. He takes the middle door as instructed, and finds a bit of relief that the hallway has normal, if a bit dimmed, lighting. He wishes something can be done about the sounds cutting through the walls and echoing around the hall, that the party music was loud in here and can cover the sounds of puking, crying, laughing, and moaning that Peter convinces himself was from pain (and blushes something fierce when he hears how breathy it is, and picks up the pace when the woman whimpers deeper. Fuck, deeper.)

For all this nonsense, Peter’s a tad disappointed that the curtain isn’t some grand thing of red velvet, or a sheer, sexy black thing with gems woven in like the night sky, but a plain white shower curtain. He glances at the stamp. You better be worth it, he scolds internally as he tugs the curtain to the side enough to poke his head in.

“Hello?”

“Your hair wants cutting!”

Peter jumps, his eyes darting around what is nothing more than a walk-in closet filled with mirrors and plants. “Mad Hatta?”

A hand slowly comes from behind one of the antique standing mirrors, holding out a black suede top hat with a long pearl feather. The Mad Hatta twirls into view after, plopping the hat on his head of auburn curls and throwing his arms out in one motion. The silver glitter of his tuxedo sparkle in all the mirrors and on all the plants; Peter gasps at the visual effect.

“The one and only! Oh, come in, come in! Don’t be shy!”

Peter enters and approaches the sparkly man. The Mad Hatta claps and reaches a hand out. “Do you come looking for Wonderland?” Peter places his hand in the other’s outstretched one. The Mad Hatta takes one look at the shimmering stamp on Peter’s skin and claps again, even bouncing on his toes. “Yes! Yes! Oh, my dear, you are in for quite a trip! A magical world awaits you!”

The Mad Hatta reaches into his inner breast pocket and flicks out a white piece of cardstock. He holds it out to Peter with a wink. “Have fun, my wonderful little Alice.”

Peter takes the card and is immediately ushered back out into the hallway. As he walks, he flips the tiny cardstock over. On its other side is a pale pink snowflake, about half the size of the blank business card its adhered to. There’s a black, fancy script printed on the top, in a font that’s made to look like whimsical vines and leaves:

TAKE ONE ONLY!

Peter rubs a thumb over the snowflake, nibbling his bottom lip in so deep a thought that he, blessedly, misses the woman’s climatic cry. He thinks about going back to the Mad Hatta and demand to know what type of drug this is and what it’s made of; he thinks about the two steps forward and five steps back he’s taken recently; he thinks about the recent danger he’d put himself and that man in in that hotel room. He thinks about Penelope’s recent confession to being an addict and wonders if, like Peter once upon a time, she’s picked up a bad habit of self-medicating her trauma from the only adult figures she’s ever known. (Shit, does Peter share in that guilt, and not just as an unwitting supplier and victim of theft?)

He pushes out into the dance floor and eyes the platform that stands like the altar in England, and Peter thinks back to the confession. He remembers the gut-grinding terror of his tantrum blowing up in his face, and how he couldn’t even face Ollie without ten walls of intoxication barricading him.

Peter is suddenly tired. He wants to go home.

He also remembers that this shit had cost three hundred fifty krona.

He peels the pink snowflake off and lays it on his tongue.

It all hits his palette at once from so many directions. The snowflake turns into fluff, and it tastes like powdered sugar. The strong, cool minty taste makes him shiver, and for a minute, Peter’s mouth goes numb and tingly. It travels up to his nostrils, so that when he inhales, he’s taking in a whiff of winter air.

He waits until the powder dissolves and licks his lips. Spearmint cotton candy.

With a quick shake of his arms and shoulders, Peter hops right into the fray and invites the music to draw him in. The meld of industrial techno metal makes the harsh red lights even more jarring, but at least this combo makes more sense than with the bubbly electropop. Plus, somehow, this mix is easier to take in. The guttural scream bites into his bones; the synths make his blood boil; the bass pounds against his chest and makes it hard to breath or slow the stammer of his heart. He’s suffocating, drowning in the heavy sensual air all over again. He’s not Fort Roughs, he’s not Sealand.

Hell, he’s not even Peter Kirkland.

He’s not human (though, was he ever human?). He’s an unidentifiable mass within this large pool of energy, an entity feeling like he’s going to melt every time someone brushes against his bare legs and shoulders. He leans into that melting sensation, swishing and swaying up and down, throwing up his arms and flicking his wrist, tossing his already-damp hair. He doesn’t fight whoever rubs their hand along his hips and guides him close. He grinds and bumps against them, even if their body heat against his back and ass makes him want to collapse. He’s taking in so much heat from all around him, but when he breathes, he breathes pleasantly cold air. He breaks apart from his dance partner to throw his head back and breathe. He opens his eyes.

“...Holy shit,” he gasps, because everything is fucking beautiful.

Nothing changes -- Peter is aware of that, yet everything feels... pastel. Odd, but in a fairytale way. The flashing lights lose some of their harshness, and look like they were cast down from heaven itself. Everything has a softness to their edges; Peter squints, and he sees a gentle, golden aura around everyone. White spots flicker in his vision like falling snow, kissing the cheeks of the dancers around him; is that why everyone’s cheeks are so rosy? He reaches to catch one of the dots, but it sinks into his palm. He lets his hand fall to his side, lets the music hug him like a wool blanket. No one pays attention to the new Alice with his neck craned back and the familiar dazed look in his eyes, or the chuckle that’s drowned out by the music. But they welcome him back into their bubble when he resumes slithering like a cat in heat.

Someone grabs his wrist and whips him around, yanking Peter against them. Happily skipping through Wonderland, Peter has lost some of his quick reflexes, and fights back too late when the person grabs the back of his head and smashes their mouths together. He jolts when the person stabs their tongue into his mouth, and hell no! Wonderland may be loosening everything in him, but Peter is not going to do the tongue-battling-for-dominance thing with some crazed freak.

He gets his hands between their torsos to push this person away, but then the minty cotton candy coats his tongue, and he presses further into this person. His hands roam up and down their chest, and he’s surprised to feel soft bumps through the tank top. He’s further surprised that this person letting him squeeze. They pull apart for Peter to find a dark rivulet running from their nostril. He should feel revulsion, but he takes out his handkerchief to wipe it off, spins this person -- this person with around twenty pounds of muscle and five inches of height on him -- and pulls them in, snaking his hand from their hip to underneath their shirt, feeling their abs tighten under his touch the higher up he went.

Peter pauses, thinking of going down, of undoing their belt and sliding his fingers, inexperienced and eager as they are, in their waistband, and forget his stupid rule to protect the last bit of self-worth he has and coax this person to the back room. Then the lights blink faster, the music goes slower. The crowd turns and cheers, converge to the center. The person turns and pushes Peter along, forcing him into the tide that crash around the platform. The rainbow spotlights -- actual rainbow spotlights, not supposedly white ones seen through the eyes of an Alice -- sweep around. Four people stand like sentries by the chains, arms crossed, smiling as people clamor around them.

The crowd hoists a petite woman in sharp stilettoes onto the platform. She’s rocking and nearly tilts over, but the stagehand steadies her, lifts her arms, and fixes her wrists into the chains’ loops. Next, the epitome of gay bears climbs right on, serving everyone his double scoops of ass in soft leather pants and nothing else that Peter can see. His thick wrists goes into the chain loops, too. The crowd is screaming and pumping their fists. Peter cups his hands around his mouth and howls as the third tribute, another Amazonian in a skintight leopard jumpsuit, gets chained.

He’s bouncing on his toes, watching with wide eyes as he awaits the fourth person. He doesn’t care that burning hands are grabbing his legs and his ass. In fact, he’s bouncing so much that he’s somehow flying up to the stage, carried on the vibrating cheer of the crowd. He trips on his feet, but the man catches him and turns him so he’s facing the same way as the others. The man takes Peter’s wrists and yanks them up above Peter’s head. The chains have an odd coolness to them, and their chill runs through Peter’s body. The man slides his palms down Peter’s arms, stopping at Peter’s waist. The man brings his mouth to Peter’s ear. The music is just about to pick back up.

“Dance, queen.”

The stagehands hop off the platform, the music eats into Peter’s flesh, and he dances. He twists the chains around for a better grip, and the links bite into him. He feels the chains clink as he throws himself around, as he jerks and thrusts and twists and drops and jumps. Even with his eyes closed and his head hanging, Peter can see the red and black lights. The couple times he cracks his eyes opens, he spots phones lifted high in the air, horizontal and aimed at them. A spike of panic shoots up in him, but then things start to blur and brighten. He tastes the minty spun sugar in the back of his throat, feels it take on a second wave.

His skin is on fire. His skin is a layer of burning ice that he wants to claw off, but he wants more of it. He wants more until he can’t feel John’s fingers anymore. He wants to be blazing until the shame and belittlement of the other representations don’t even matter, anymore. He wants to be set on fire until he can forget that he's been promised forever, that that promise was broken, and his fort will fall apart and he’s going to become a slowly dying human. He wants to become a pile of ash before this cheering crowd, before circumstance claims him first. He wants to forget about dead stars eating his soul once his time is up. Shit, let him be a dying star!

Peter stiffens his arms and swings up his legs until he’s upside down. The moves he pulls are just as familiar on the chains as they are on the aerial silks, though they are harder to achieve because the damn things don't swivel on ball bearings. But he angles his body and locks his feet and legs and arms when they need to, contorting his body into art. He doesn't even see the crowd, anymore. Not the spotlights nor the chains. It's all lost in the burning cold fuzz of golden white.

It's over too soon, and the stagehand works to undo the locked mess of Peter's chains. He frees Peter and wraps an arm around the dancer to catch him from collapsing. "You did great, sweetheart," he cooed, getting ready to help Peter off the stage. But there's a hesitance in his voice that Peter catches; he feels a hand through the blizzard around him cup his face and tilts it up. The man's eyes appears through the blizzard, hardens, and disappears as he swears.

"Fuck. Hey! Hey! This one's blitzed out!"

He's swept into the snowstorm. His vision winks in and out: the stagehand carrying him bridal-style -- Mad Hatta clicking his tongue and shaking his head -- another of the stagehands shooing half-dressed club-goers out the restroom. In the white, Peter hears snapping rubber. He feels the rubber curling into his mouth and tastes latex in the back of his throat.

"Why do I always have to do this?" Groans a faceless voice.

The latex shoves in deeper, and it burns -- oh shit, it burns! -- coming back up. Peter's body jerks and his lungs heave, his throat contracting around the fingers and his stomach getting sicker from the bitter taste.

"Okay, buddy," the voice says. "There we go. Let it all out."

How much does Peter have to let out? He's sure that it isn't much considering he had skipped dinner, but it takes forever for it to end. But it does ends, with the blinding snowstorm disappearing. Peter's greeted by a disgusting toilet coated with his Pepto Bismo pink puke, and cool tiles under his knees. He's twitching and shivering, his teeth chattering despite still feeling like there's a fire in his core.

"You okay?" Someone asks over his shoulder. Peter tries to nod or say yes, but his jaw is locked tight, his voice is frozen in his chest. Peter can hear the man snapping the glove off and unzipping something. Peter has no energy to protest being pulled into a body for the third time that night, but he's relieved when he's taken into the man's jacket and sheltered in the body heat instead. So they sit like that, Peter tremoring against this man's chest, his body fighting to keep the freezing magic in him.

"Gail should be back soon with your blanket and water," the man says. Peter misses his guy's smoother, more fun and enticing tone on the platform. Dance, queen. This voice is too different and too serious, too clinical, when he asks, "How many snowflakes did you take?"

Peter sighs and slumps against him. "Only two."

"You're supposed to have only one at a time," the man scolds. He gently taps Peter's cheek. "Stay up. You need to get some water first. Do you have any friends who can drive you home?"

Peter, try as he might, only manages a head shake, before his head lolls back on the man's shoulder.

The man lifts Peter's head and lightly slaps his cheeks once more. "Okay, you'll need a cot, too, then."

Thank goodness Gail returns, wrapping the wool blanket around Peter and forcing him to suck down half a bottle of water. The two club workers half-carry Peter out of the middle door and into the rightmost one, into a stretch of whitewashed tunnel lined with cots on both sides. Here, they lay him down on the cot under the watching eye of guards.

Peter curls up on his side and tucks his hands under his head. With a gentle smile on his face, Peter falls asleep in the world blanketed in soft white.

#life thus far ( story )#droid noodles ( writing )#drugs tw #ain't safe for lookin'#vomit tw #my brain @me: please...please i beg of you....listen to ANYTHING but hatari #me: (blasts all yhe hatari albums throughout the whole weekend)#down the rabbit hole

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the-bjd-community-confess · 5 years ago

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You wouldn’t mind paying $100 or more for a good outfit. Let’s see what that means. So take my example of $40 in materials and 8 hours of work for one dress. You want a whole outfit, so I’ll be generous and we’ll say only $5 more in materials and 4 more hours to get you a petticoat and bloomers and idk some fancy stockings. Cool. So 100 - 45 for materials leaves 55 to pay me for my 12 hours of work, which works out to about $4.50 an hour. That’s less than a third of minimum wage where I live. Now you did say “or more” so maybe you’d toss me an extra $20 if you were really impressed, but that means that to you, my labor at a base rate isn’t even worth a third of what the state says is ok to pay entry level workers, and my education—yes, it’s a real education, I took classes in pattern drafting and everything!—is worth nothing. And you expect the work of a master tailor for that? I’m sorry, but your expectations are too high.

The doll companies are able to use factory equipment, cheap materials bought in bulk, and lower paid and less skilled workers following simple instructions (and living somewhere with low wages and low cost of living) to create those factory fashions. Most experienced textile artists don’t even pay themselves a fair rate because of how undervalued our labor is in a world that’s gotten used to sweat shop fast fashion, but the sellers who can come close to the company’s low prices—the ones you’re complaining about selling low quality clothes—are deliberately selling far under the value of what their labor would be worth if they were more experienced so they can make back some of the expense of learning the trade, which is the exact reason you’re seeing flaws like crooked seams and poor finishing. It’s like you’re going to $8 discount haircut day at the beauty school, and when you don’t come out looking like a runway model you complain to the manager of the upscale salon next door because they want more than $8 to fix it.

~Anonymous

#BJD #ABJD #BJD Confessions #TrueBJDConfessions #BJD Fashion #Artisans

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blackbridesmaiddresses1 · 4 years ago

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You’ll also want to have your undergarments with you once you go to your first fitting wedding dress@^&*((!~ under 1000

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princetorn · 5 months ago

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Time was a tricky thing to grasp, now that it had no meaning. Royce had been dead for as long as it took for an overlooked slice of watermelon to spoil at the back of the refrigerator. Royce had been dead longer than he had been alive. Days and decades slunk past. Everything changed constantly, slowly, in a steady erosion of all that had once been familiar. A frog in a pot wouldn’t notice as the water gradually came to the boil – or so Royce had heard it said – and a ghost would pay little mind to the gentle, creeping evolution of slang, technology, architecture, fashion.

It wasn’t until he saw Persephone that Royce realised how much had changed, how much he had ached for his own era. Each fold and seam of her dress whispered of bygone simplicity. It cinched in unapologetically at the waist, accentuating her hourglass figure – the sort he lusted over in life and death alike. From there, the skirt flared out, floating on a sea of petticoats that rustled girlishly. The neckline was a modest bateau, sloping like the subtle curve of a seashell to frame elegant collarbones. His bloody gaze climbed higher, to land on red lips, on the delicate dip of Persephone’s cupid’s bow, highlighted by the bold colour.

Cupid struck him with an arrow then and there, through his stupid dead chest, straight into his stupid decaying heart. Eyes widened in surprise, in unguarded admiration, his characteristic swagger momentarily absent. Percy might shrink shyly into herself, but still she exuded the polished femininity he would have taken his eyes off the road for. A fender bender would have been a small price to pay for turning his head.

“Baby, I love it. I love it.”

The short-circuit in his brain rewired itself at last and he went to her. Capturing one of her hands, Royce raised it, inviting her to spin. Persephone humoured him, her tentative pirouette pulling a low, appreciative sound out of the dead hot-rodder’s throat. Adoration saw him step closer, his other hand moving to roost above the swell of her hip, exploring the hollow of her waist with deathly fingers with a little more eagerness than was considered gentlemanly.

Only then came the distant realisation that this was a gift, something done for him. His darling girl had taken the time to acquire these pieces, to paint her pretty face, to dab her pulse points with a perfume that rang familiar. The dead wanted for little or nothing, but still she managed to give him something priceless. A taste of his past, a glimpse at what might have been if she had lived in his time. Royce kissed Persephone sweetly before resting his forehead against her own, glad that the blood that stained his face would not stick to her. Linked together, leaning into each other, he coaxed her into swaying with him, into dancing without music.

“You’re so good to me, darlin’. You’re a peach – the sweetest damn thing.”

[ CAUGHT ] receiver catches sender getting flushed because of something they are doing or wearing @princetorn

it hadn't been easy—neither finding pieces that fit her, nor getting them into the house without questions from her parents, nor hiding them from royce until the time was right. it was a surprise for him, after all; a chance to appear as she might have in his lifetime, had they met under different circumstances. she's waited for a weekend her parents are out of town so there's no questions from the living when she sequesters herself in the bathroom to pin curl her hair and do her makeup.

she's practically trembling by the time she emerges, as perfectly put together as she could manage. all the same, she worries: what if he doesn't like it? what if it isn't right?

she shouldn't have worried.

percy knows him well enough by now to read his expression, his body language, which is how she knows, immediately, that she's struck gold. knowing that doesn't make his stare any less intense, though—she blushes at the attention, ducking her head as a smile plays at red-painted lips. she smooths her hands over the bodice of her dress, the black fabric tight across her torso before it flares out into a skirt (buoyed by petticoats). it's a flattering silhouette, emphasizing her hourglass figure and hiding the parts she's most insecure about.

"you like it?" she asks. the question is essentially rhetorical, but she poses it anyway. "i hoped you would. i wanted to dress up for you."

#our boy would be biting his knuckles if he wasn't so concerned with seeming cool #percy got him 🥴#✮ royce × persephone — you look beyond the veil of form and separation #spiritdreamt

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mahou-queen · 4 years ago

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♡52 Weeks of Lolita Questionnaire♡

In a recent Lovely Lor video, Lor answered questions from Loliprompts’ questionnaire “52 weeks of lolita”. It seems like a fun list of questions and I thought I would answer them too~ ♡

1. What is your favorite brand, and why? What’s its history? ♡ I guess my favorite brand would have to be Angelic Pretty. I love a lot of other brands, but the majority of dresses in my wish list right now are Angelic Pretty. As for their history? I don’t really know haha, I guess I should research that a bit.

2. How would you describe lolita fashion to a curious person you met in passing? ♡ I always just say I am apart of a fashion club? People don’t generally require more than that but if they did I would probably tell them that it’s an alternative fashion based on Victorian fashion and we have a fashion club and we get dressed up and meet for tea and stuff.

3. What style do you think is the most underrated, and why? ♡ qi and wa lolita. I almost never see them, or see interest in them which is a shame because there are some really beautiful dresses out there that are suited for these styles.

4. What does the phrase “lolita lifestyle” mean to you, and do you, or would you like to, adhere to it? ♡ lolita lifestyle is when you try to bring lolita or lolita-esque aesthetics into every aspect of your life. Maybe wearing lolita every or most days, and having a very “loliable” home/room. I could never be a lifestyler because I have other fashion interests. Also lolita is not appropriate at my workplace.

5. What do you think constitutes lolita etiquette or good manners? ♡ I don’t believe there is any “lolita etiquette” I think you should just be yourself. Good manner are good manners, don’t be rude to your comm members, don’t dance on the tables at a tea party. But that’s just commonsense I don’t think there is a way to behave that is lolita.

6. Does your style change with the seasons, or do you dress the same and try to bear the cold/heat? ♡ I try, but admittedly I am awful at it. I try to keep berets in the cooler months, as well as long sleeves. BUT I’m a sucker for ankle socks and I wear them all year despite the cold and I do freeze my legs off at winter meets.

7. Do you have a fashion role-model? What do you admire most about them? ♡ I actually have several! I will list them and their instagrams here: sleepyriri - Her coords are so dreamy looking, very light floaty aesthetic which I love. She also has her own lolita brand! Le_verger_sucre - Her coords are so pink and princess-y. I find myself sharing her photos a lot. Fannyrosie - the classic lolita queen. Need I say more? Tokimeki.bunny - I love the cuteness of her coords. They always have a lot of extra elements and are so well balanced. She’s also really good at coordinating printed tights which I am awful at. Tsumikko - Lavender QUEEN! I love her use of aprons, layering, and color balancing. Very light, floaty vibes. Milkcircus - Print QUEEN. Her use of prints and patterns absolutely inspires me. Coords are always very multi-dimensional Cursed.Kaiser - They’re coords are honestly so cool, there’s a kind of drama in them that I really like. Darkxdelirium - She almost made me want honey cake with her impeccable coording skills.

8. What are the top 10 things you love most about lolita? Can you also compile a list of things you hate? ♡ I don’t think I can come up with 10 but I’ll do my best. ♡ Loves: The community aspect, the ability to reclaim my femininity through lolita, the creativity that goes into building coords, crafting to make one of a kind pieces, being able to feel beautiful without being “sexy”, having a hobby to focus on when I need something to escape to.

♡ Hates: Second-hand market price fluctuation, brands still releasing dresses with a max 96cm bust, buying petticoats, storing my stuff (especially purses), brands who charge astronomical prices for low quality materials (AP purses, Q-pot jewelry, etc).

9. How strict are you in applying the rules to yourself? To others? ♡ I am pretty strict on myself. For a long time I was terrified to be seen as ita. I was even afraid to wear bodyline for fear of being ”ita” even though my coord was good. These days I am less strict on myself and worry much less about these things, but I still struggle to get out of the strict mindset from time to time. others? I love experimentation even if I am afraid to do so so I am really not too strict on others, if it works, it works, and I am not going to criticize anyone.

10. What’s the weirdest thing you’ve ever incorporated into a coord, or the weirdest material you’ve ever worn? ♡ The weirdest thing I think I have ever worn in a coord were a pair of korilakkuma bell earrings. As you can imagine, bells on your ears? not great.

11. What’s the story behind your discovery of lolita fashion? ♡ When I was a senior in high school, a new girl started attending my school. She wore fairy kei and sweet lolita to school. We became friends through art class and eventually she ended up teaching me about the fashion. She sold me my first dress, and later my first brand piece. I am really glad to have met her and to have been exposed to lolita. You can follow her on instagram here

12. What is the one item that you’ve owned the longest? ♡ I still own my very first dress I got in 2012. Bodyline Squirrel Party. However, I am planning to sell it since I’ve worn it in everyway I can think of.

13. Do you think lolita is only about clothes, or does it also encompass a certain attitude or mindset? ♡ Lolita is about the fashion. All kinds of people are lolitas and they like it or wear it for different reasons.

14. Have you ever decorated a room or other space (car?) with lolita aesthetics in mind? ♡ My old bedroom used to be very “kawaii”. I love pink so my car stuff, my desk, as much as I can get away with, is pink.

15. Is it possible to be too obsessed with lolita? ♡ If lolita is interfering with your ability to pay your bills, or to be happy, or to focus on school or work or family then you should probably pull back. Some people do get very absorbed by things and in those cases it can become too much.

16. What are you favorite and least favorite trends? Do you think it’s important to follow them, or to do as you like regardless of them? ♡ My favorite trend ever is the chiffon half blouse. So comfortable, affordable, light, cute, and much more size inclusive. Least favorite trend? mis-matched shoes from the 2010 era. I like my shoes to get equal wear. I think these days more than ever, you can really just do whatever you want. Wear the fashion is right now is like anything goes which I think is great,

17. How do you define “lolita cosplay” and how do you feel about it? ♡ Lolita cosplay is stupid. sorry

18. Are there other fashions that you wear regularly, or are you an everyday lolita? ♡ I don't wear other street fashions anymore. I used to wear fairy kei and himekaji but these days I just dress regular outside of lolita.

19. Do you look for bargains to save as much money as possible, or are you willing to make sacrifices for high-quality products? ♡ I try to find the best prices when applicable but if I am in love with something I’ll do what I have to do.

20. When was the last time you wore lolita, and what did you do that day? If you wear it daily, when was the last time you went OTT or extra-fancy? ♡ The last time I wore lolita was in April lmao. For a virtual meet-up with my comm.

21. If you were to combine lolita fashion with an unrelated style or theme, what would your new creation be? ♡uhhhh I honestly have no idea at all.

22. What is your favorite accessory, and why is it your favorite? ♡ I have 2, 2-way bow clips from back when bodyline had a massive “sundries” section. They're no longer available and haven't been for a long time. I am really glad I got them, I wish I had bought more sundries when that section was still there.

23. What’s your favorite online lolita community or forum? Are there any that you avoid? ♡ I don’t have a favorite tbh. I have never been on 4chan and I never will be.

24. What is your favorite theme (e.g. school loli, pirate loli, nurse loli) or motif (e.g. deer, music notes, stars/constellations)? ♡ black and gold stars! Valentines day! fruits! gingham!

25. Is there any music that you associate with lolita? ♡ orange caramel lol

26. Will you ever be too old for lolita? ♡ never

27. Do you enjoy sewing? Why or why not? ♡ I don’t know how to sew :(

28. How does your location affect your involvement in the local lolita community? Would you like to move elsewhere to be closer, or perhaps farther away? ♡ I drive about 1.5 hours for meetups because that’s the closest active comm. I do not mind so much. I’d like to maybe be closer.

29. Does your sleepwear resemble lolita at all? ♡ not at all. I sleep in oversized t-shirts

30. Can you admit to any unpopular opinions regarding lolita? ♡ I hate peeking bloomers. I’m sorry :(

31. How do you feel about Visual kei or Jrock, and do you feel it’s related to lolita, or not? ♡ Love it, and absolutely. Visual Kei is like lolitas relative.

32. Whether or not you wear them (looking at you, Ouji), do you prefer the look of skirts, JSKs, and OPs with or without prints? ♡ I like both, but these days I am appreciating non-printed items more.

33. How has your style evolved over time? ♡ It hasn't really, just gotten more refined.

34. If applicable, what other communities do you belong to? What other identities do you adopt? ♡ I’m queer, so the LGBTQ community is important to me.

35. What are your favorite shoes to wear with your style, or what’s your dream pair? ♡ I love heels. I do not like flat shoes because I like to elongate my legs. I don’t have a dream pair.

36. Would you, or have you ever, dressed your pets in lolita? ♡ lol I’d try but I don't think it would work.

37. How do you feel about people who wear lolita for Halloween? Does it depend on whether that person is already a lolita? ♡ Wearing lolita for Halloween as a lolita is fine, but wearing it as a costume is kind of meh.

38. Excluding fashion shows, what’s the most amount of outfits you’ve ever worn in a day? ♡ just 1 haha

39. What’s your worst lolita horror story? ♡ I don’t really have any. I one time went with some of my college friends to a con and I left my dorm building in full sweet early in the morning. I was afraid my dormmates would see me cause I did not want to explain but luckily no one was awake and I made it to the van unscathed.

40. Do you like sweets? If so, what’s your favorite dessert? ♡ I love angel food cake

41. Do you have any beauty products, health routines, or special diet to keep you at your best? ♡ I take co-q-10 for my eczema, I like laneige lip sleeping mask, especially in the winter.

42. What were the best and worst meetups you’ve hosted? If you haven’t hosted, would you like to someday? ♡ I wanted to host a garden meet this summer but covid ruined that. Maybe next year.

43. Who is your favorite artist? If not famous for lolita art, do you think they have lolita appeal? ♡ I love a lot of artists, some of them I think are lolita-adjacent because their style is kawaii. I’ll list some here: jisaaaa! ubokhee MISOART_ meowwniz gojio_ hanavbara Fancy Surprise Arcade Healer Yurie Sekiya and many many more. Go stalk my following on instagram for lots of kawaii artists.

44. How do you feel about wigs? Do you wear any, or style your natural hair? ♡ I used to wear wigs, but my hair is too long now so I use my natural hair with fake bangs.

45. What’s your favorite animal motif? ♡ bears?

46. Have you ever visited a brand’s shop/boutique? If so, what was your reaction? If not, what shop would you most like to visit? ♡ I want to visit AP San Francisco

47. Do you think posting photos of your coord online is a crucial part of belonging to the community? ♡ YES, it’s how we all stay connected and inspired

48. How has the lolita community changed since you became a part of it? Where do you see lolita heading in the future in terms of community and networking? ♡ I think it’s become way more accepting and accessible. When I got into lolita there were virtually no legit resellers, the community was entirely on livejournal, buying second hand was a nightmare. Buying anything! was a nightmare. There was so much stress around looking “ita”, and the superiority of brand. These days its just not like that. So much amazing taobao brands have really helped even the field for lolita. We have so much more access to the clothes, the community, everything. It’s great. I only see it getting better as years go on.

49. What advice would you give someone who is nervous about starting lolita? Or do you think they should learn their own lessons? ♡ I think too many lolitas today rely on seasoned lolitas to tell them everything. I would say, go watch lovely lor, read @lolita-tips and look at other peoples coordinates. Lolita Tips tumblr taught me basically everything I know back in the day and it a wealth of info and concrit. Part of what makes the lolita journey so great is the research, the learning, the mistakes. You don’t wanna be like someone else, you wanna be you. So you really need to do the work yourself so you can put your personal flair into the fashion. That’s when it’s at its best.

50. What’s your dream dress/garment? Is it a faraway goal or have you obtained it? ♡ My dream dress was AP sweetie violet jsk in lavender. Which I got in 2019. My new dream dress is AP rose tea garden jsk in navy. It’ll probably be a while before I can afford to buy one.

51. How do you feel about the stereotype that lolitas are full of drama? What’s the worst drama you’ve ever witnessed or been involved in? ♡ I think any and all groups of people are bound to have drama. I don’t believe that’s specific to lolita at all. I personally have not been involved in any lolita drama.

52. Are you loyal to any particular makeup brands? ♡ I am very particular about my makeup because I do not like to use certain ingredients. I really like Pacifica. But I also like some Korean brands like The Saem, MISSHA, and TonyMoly.

This was super long but I had fun answering all the questions. Have you done this questionnaire? I’d love to see your answers~

#about me #lolita asks #loliprompts #52 weeks of lolita #lolita fashion #egl community #j fashion

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popculturekuma · 4 years ago

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A Brief Look at Lolita Fashion

There is a difference between Lolita and lolita—one referring to the Nabokov novel from 1955, and one referring to the Japanese alternative fashion. Unfortunately, those not familiar with anime, Japanese culture, or alternative fashion, are confused when people use the term “lolita” to describe the fashion because of the association with the Nabakov novel. To be clear, lolita fashion has nothing to do with the book, and with this article, I want to explore the history of lolita, the assumptions of sexuality about lolita, and feminism in this “cutesy” fashion.

Lolita fashion started gaining prominence in the Harajuku district of Japan in the 1980s. Referred to as Elegant Gothic Lolita, or EGL, the style drew on inspiration from historical clothing from the Victorian and French Rococo, the lavish dresses and oh, the frills! Despite the idea of lolita being all pink, there are actually several substyles within lolita—including classic, sweet, and gothic. Each substyle has their own general color schemes and accessories, but they all follow the same respective silhouettes and guidelines.

(Diagram from PenguinLolita)

An outfit is called a coordinate, and there are multiple pieces that make up a single coordinate. PenguinLolita uses a great diagram to showcase the anatomy of a coord (shorthand for coordinate). A coordinate includes either a one piece dress (OP), a jumperskirt (JSK) with a blouse, or a skirt with a blouse, a petticoat beneath the dress to help achieve an A-line shape, bloomers beneath the petti, usually worn to preserve modesty in case any curious outsiders try to pull the skirts up, socks or tights, shoes (typically a tea party shoe or Mary Jane style), and a head piece. The idea of the head piece is to balance out the volume and shape of the coordinate. Coordinate-inspired accessories are also encouraged, and Over the Top (OTT) coordinates are all the rage. Accessories can include, but are not limited to, rings, bracelets, wrist cuffs, necklaces, and bows. Parasols and purses are often seen to round out the look!

So where does the EGL community and the Nabokov book overlap? Well, they don’t. However, because the fashion shares a name with the Nabokov novel, it is easy for outsiders of the community to perceive EGL as something sexual. Coined as a “lolita complex,” or “lolicon,” this is the idea of older men, typically middle age, being attracted to younger girls, in line with the Nabokov novel. The EGL community is a place for women of all ages to honor this fashion and its roots as a fashion inspired by French Rococo styles. As PenguinLolita puts it, “The lolita subculture emphasises modesty and youthfulness, as well as drawing from the Japanese kawaii aesthetic, and isn't considered overtly sexual by its followers.”

It is, unfortunately, a common occurrence for lolitas to come across those who have assumptions and perceptions of what lolita is. Because of its youthfulness and cute fashion, members of the EGL community are often assumed to be dressing up to play out some sort of sexual fantasy. This really could not be further from the truth. Some lolitas have been attracted to the fashion because of its lack of sexualization and emphasis on expressing oneself. Lolita fashion inherently subverts the social expectation of how women should dress. I’m not saying it’s not impossible for people to be attracted to the fashion and try to use pieces that are “lolita” inspired to fulfil some sexual desire, but that would not be lolita—plain and simple.

Coordinates can be incredibly expensive, especially when considering that pieces are not mass produced, thus emphasizing paying for the unique print, manufacturing of the garment, waiting for the garment to be made, and shipping. Buying pieces from brands such as Angelic Pretty and Baby, The Stars Shine Bright can reach up to $1,000+ USD. Considering everything that goes into a basic coordinate, this can be an easy deterrent for those who are not devoted to the fashion, or for those looking at it in a way that is purely sexual, so it is relatively easy to spot someone who is claiming to be part of the EGL community for all the wrong reasons. Additionally, the EGL community tends to use the terms lolita (lowercase ‘L’), EGL, and “lolita fashion” when discussing the fashion, and they avoid using the words Lolita (uppercase ‘L’), and loli.

What is the appeal to lolita fashion, and is it for everyone? As discussed before, the fashion is inherently nonsexual, and is something people of all ages can enjoy and wear. It is not just for women, though. The idea of lolita is to embrace non-traditional femininity, something that is incredibly important when masculinity is favored so prominently throughout the world. It defies this idea that women need to dress to attract work, love, and have kids. Lolita embraces cuteness and fun, and you can embrace everything that makes you YOU, all while engaging with the EGL fashion, whether you are Black, White, or part of the LGBTQIA+ community. Lolita is about honoring femininity and oneself, and there is a substyle for everyone. Recently, ouji has been becoming more popular to accompany lolita fashion. The term “ouji” refers to a “prince-like” style. If lolita is a “princess-like” style, then ouji is its counterpart. Frills galore, but add pants; and this is the perfect fashion for individuals who love and appreciate the fashion, but do not feel comfortable in dresses or skirts (for a variety of reasons).

More than ever, lolita fashion is accessible to those not living in Japan, or individuals who do not fit in the “one size” (one size fits small) many name brand lolita companies use. Bodyline offers lolita pieces at a low price, and it is easy to buy directly from their Japanese site if you live out of the country. Additionally, Taobao lolita brands are becoming increasingly popular, and consumers outside of China and Japan can use shopping services for both Taobao brands and Japanese lolita brands. There are U.S. stores and websites for Angelic Pretty and Baby, The Stars Shine Bright, so North American lolitas can buy directly from there in English. Lolita has become so much more than an alternative fashion seen on the streets of Harajuku, Kei-Con, a convention for kawaii alternative fashion enthusiasts, popping up in Toronto, Canada, and Paradiso, a J-fashion convention based in the Midwest. With tea parties held at the Angelic Pretty stores around the world, the alternative fashion is becoming increasingly visible outside of Japan and accepted through various local EGL communities.

What about plus size lolitas? Many Taobao brands offer custom sizing on select pieces to help lolitas that don’t fit in the small sizing “standard.” Dollbe on Etsy offers JSKs and OPs up to 5XL, and their sizing is so inclusive. Dollbe is also a Black-owned lolita company! Another size inclusive shop is Lady Sloth, a lolita brand from Poland. They offer custom sizing, as well, and their pieces range from sweet lolita to gothic lolita with classic disbursed between.

The EGL community is wonderfully inclusive and accepting. It embraces differences in those who participate in the fashion. The EGL community is, at its core, alternative fashion, which is accepting of all individuals who want to embrace femininity. Aside from the beautiful coordinates, lolita is about being yourself, truly. It can be an amazing and breathtaking experience to put on your first full coordinate. If you’re interested in lolita fashion, don’t be afraid to reach out to your local lolita community. Additionally, there are many lovely lolitas on Youtube that can aid you in your quest to build the lolita wardrobe of your dreams.

For links to my sources and additionally readings can be found here: Google Doc

A special thank you to the lovely lolitas from my own community in Michigan for helping me with this piece!

#lolita #lolitafashion #lolita fashion #egl #elegantgothiclolita #elegant gothic lolita #japanesefashion #jfashion #j fashion #japanese fashion #alternativefashion #fashion #altfashion #alternative fashion #egl community

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