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izloveshorses · 3 years ago

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here’s a thought: anastasia was the embodiment of what it means for a story to be told from the female gaze and a lot of its criticisms were about those exact characteristics

actually, u know what, i had a lot of cherry moscato and i talked about this for hours with leah the other night as i typed the above paragraph, and the more i think about it the more there is to say. so i’m gonna write this essay now instead of later when i think i’m more coherent. here’s a quick summary of my rationale and the expansion of my thoughts will be under the cut because i got a little wordy, as usual :)

listed below are characteristics that fall under the female gaze theory:

the main lead is one of the most complicated characters out there and yet her desire is so simple and therefore so universal: she wants love. she wants to belong. she wants to figure out who she is.

the main lead is looking for a matron, whether she’s aware of it or not, and the matron is looking for her.

the other women in the show are also complex and are allowed to have relationships with one another.

it’s implied that anya endured a lot of trauma, not just from the massacre but from her years on the streets, and yet we don’t need to see any of that stuff to understand and feel empathy for her.

the hottest man in the world wears a tank top and his sleeves rolled up and other slutty but not slutty looks. a win for all boytoys out there.

the love interest is also a three-dimensional character that exists for his own journey but he learns and tries to better himself because he knows it’s the right thing to do, not just to ‘impress’ the lead with a temporary fix.

the romance story, arguably the most important relationship of the show, isn’t about physical attraction or being good enough for the other, it’s about mutual respect and learning how to communicate.

her other traveling companion is a lovable father figure who supports her through their whole journey together.

the other man of the show exists to show why this breed of a man, the authoritative figure who uses political ideals and expectations of his patriarchal figure to justify violence and specifically violence against women, is... well, scary.

in the musical at least, anya’s appearance is never mentioned at all, and she’s never expected to change how she looks to “appear” like anastasia. the only time her appearance is sexualized is by the resident villain.

all of that being said, a lot of the critical reviews of the show stem from the above aspects, which says something about the demographic of theater audiences and who controls what gets higher remarks (which,,, does this affect ticket sales?). do with that what you will.

many think the female gaze is just the reverse of the male gaze, which means it’s just objectifying men (à la magic mike). which, honestly, could be true. but according to my whopping 3 minutes of wikipedia research, the female gaze is “the perspective a female filmmaker (screenwriter/director/producer) brings to a film that would be different from a male view of the subject... The films are meant to represent the desires of female protagonists and, therefore, are to represent the desires of the female movie-viewer.” Jill Soloway has a really neat talk about this subject and she says stories told with the female gaze are formatted with the heroine’s journey as a template, which is more about feelings and internal emotions and stuff inside bodies and what it feels like to be seen, than their outward actions. it’s about people’s impact on the world and on each other. this theory applies to three different viewpoints: the writer/creator, the character portrayed, and the spectator.

that was a really long-winded definition of something y’all probably know and it still doesn’t quite capture everything about the subject lol but now that we’re on the same page... how does this apply to anastasia?

other than like, idk the obvious stuff like the main character is a woman and she doesn’t exist as a visual or physical prop for the male costars, there’s so much more to it. anya was written for girls. but not just for girls, she was written for anyone trying to find themselves or seeking love of any kind. she is complicated and three-dimensional and messy and real. but, still, her desire and goal for the show is relatively simple. she’s looking for someone to belong with, and in turn thinks that will help her discover who she is. which, honestly, is pretty universal. it’s about the internal feelings! lead characters under the female gaze theory are about being relatable to the audience, not being an idealized, flawless caricature.

not to mention, whether anya is aware of it or not, the home she is looking for is the matron of her family. so the core relationship of the show is about two women wanting to find each other again! how rad is that!

it’s also implied that anya endured a lot of trauma before the show starts. i mean of course there’s the trauma of surviving the massacre that killed her family, the emotional toll of being alone for so long, etc, but there’s still the implication that she had a lot of unpleasant encounters on the streets in the ten years between the murder and her entrance. even so, these implications are just that. implications. because we as an audience don’t need to witness her being assaulted or attacked in any way to feel empathy for her!

the three most influential male figures of the whole show represent simplified versions of the type of men women experience: vlad, the found father figure. dmitry, the love interest who grows on his own accord. and gleb, the man we are afraid of.

yes, dmitry has sex appeal™ and linda cho put him in all these thirst outfits for us, which... thanks queen <3 (and even so, this is a period piece so his costumes are still period appropriate, and not unjustifiably revealing, which says something about the female gaze’s taste in what women want to see men wear vs the opposite, but i digress), but in this perspective, he as the love interest has a responsibility. he takes care of her, but maintains boundaries. he senses danger when they encounter the ruffians and doesn’t get offended when she says she doesn’t like them, he just tries his best to remove her from the situation entirely before it escalates. yeah, she proved she didn’t really need protection, but when we’re walking alone at night or something don’t we all wish we had someone there to use their privilege to protect us? and sure he was rude to her at first but he always sees her as an equal and as a partner in this dangerous task of escaping russia together. it’s mutual. they look out for each other and learn how the other communicates along the way. the more he learns to respect her the more vulnerable he becomes (aka the more he feels!). when he realizes he has feelings for anya he doesn’t put her on this unreachable pedestal and mope about it (we could argue he does brood, but in a handsome angsty way, not in a self-pitying way), he tries to better himself by making choices he’s learned are right and still prioritizes her happiness. and finally, he leaves it up to anya to pursue a relationship, because he doesn’t want to distract her from her individual goals, even if his own priorities and desires have changed. mmm. top tier man.

in all of gleb’s scenes with anya, he always has the higher ground, the higher authority, the upper hand. he infantilizes her in his solo songs (“she’s nothing but a child, a waif who needs protection”) and his infatuation is clearly one-sided. his whole motivation is about filling his father’s shoes, and more broadly, the shoes of patriarchal expectations. he makes his Politics™ and War™ his personality, blinding him to the nuances of individuals and how his Outward Actions affect the underprivileged lives. the confrontation moment is so alarming not because we’re afraid he’s actually gonna shoot her, it’s scary because it’s something out of a woman’s worst nightmare. like you’re left alone for One second and you turn to leave and a man who is obsessed/infatuated with you is waving a gun around and using his political ideals to justify his violence against you. and the show portrays this as bad. rightfully so! i mean it’s obviously not great, and they still take the time to make sure the audience understands his motivations with careful writing, but he’s ultimately portrayed as the villain. gleb’s violence against women, no matter how “unhappy” he is about it and no matter how dramatic his monologue is and no matter if he doesn’t follow through, is still a villainous action. that being said, he is still a complex character with many layers and motivations. not a top tier man at all but a well-written one for the most part.

anya’s physical appearance is never mentioned in the musical. i think dmitry compliments her at some point, but other than that, it’s never a plot point that she’s “just as beautiful” as anastasia or has to alter how she looks to appear like anastasia, other than buy finer clothes and take a shower lol. when they get to paris she’s glammed up, but it’s not presented as a ~transformation~ where the girl takes off her glasses and suddenly she’s beautiful and worthy of the journey she’s on. her blue and red dresses are gorgeous and a little more revealing but they’re period appropriate and more about her getting to go on this exciting and emotional journey, not about what dmitry will think when he sees her or whatever. (while we’re here, i think it’s worth noting that none of the other characters are sexualized beyond what’s period appropriate. even the hussies aren’t sexualized!) but you know the only time her appearance is sexualized? it’s when she’s in front of gleb. he grabs her arm and then he grabs her chin and says “your eyes, a man can look right into them,” and he sings “she trembles like a flower” (ew aslhjkdf). his infatuation is clearly presented as one-sided and the narrative tells us this is more than uncomfortable.

the romance between anya and dmitry isn’t about physical attraction. they’re both very attractive people but the root of their relationship is about learning to communicate. it’s about being vulnerable and letting someone else heal with you. it’s about seeing past the presuppositions of a person and choosing to find the other again. it’s about swallowing pride, a character flaw for both of them, for the sake of expressing feelings. it’s about mutual respect and seeing one another as an equal. all of this is internal growth, not external action. the ideal romance.

all that being said... how does this apply to my claim that the root of most of the show’s criticisms lies in criticizing the female gaze?

someone who knows more about the inner workings of broadway and how reviewing shows affects ticket sales and stuff can probably articulate this better than i can (and should, please consider this an invitation to drop stuff in the comments!), but i mean... when you read the negative reviews of a show whose whole heart beats with female influence, they follow a pattern. the majority of the audience is made up of women in their teens to around their thirties, but i imagine, like hollywood, the majority of producers and reviewers are older (white) rich men. the few reviews i read said stuff like, “it’s only good if you like fairytales,” “this show has no identity and turns from cinderella into the princess diaries to every other princess story,” “it’s too sentimental,” and other things that criticize what’s geared towards female audiences. songs like crossing a bridge, which expand on the heroine’s emotions, are slashed away because “it’s too boring and doesn’t push the plot forward.” all of these characteristics are what make the show fall under the female gaze theory, and all of which are what were criticized the most.

i’m not here to preach to y’all about feminist theory or whatever. but these are just some characteristics i noticed recently and the connections were too good to not discuss. thank you for reading this far <3

#anastasia #anastasia broadway #anastasia musical #idk what to tag this as tbh #meta #?#dimya #pls pls pls feel free to drop stuff in the comments bc idk how successfully i articulated any of this lol #if any of y'all have taken feminist theory classes feel free to add on too! or anyone who knows more about the theater demographic #bc i'm curious #idk it's just really interesting to me #and if i missed something pls add on lol there was a Lot more than i initially thought

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melbmemories · 2 years ago

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TEN ACRES OF DRUGS” at Frankston.

Headline from “Melbourne Herald” on the 24th August 1946.

“On a secluded pine-sheltered hillside three miles from bustling Frankston are 10 privet-hedged acres of herb garden which through the war provided all Australia with drugs formerly coming from abroad. This garden even provided the drug used in the AlF's invasion anti-sea-sickness pills. The rows of purple, red and white' blooms are the result of the enterprise and foresight of Mr Russell Grimwade.”The article continues….“Thousands of pounds worth of digitalis, heroin, hyoscine, opium, and other deadly, but life saving drugs were produced during the war from the 10 acres, which are part of Mr Grimwade's beautiful estate."More than 20 years ago Mr Grimwade made a hobby of cultivating small patches of herbs and drug-yielding plants. When the Second World War started, he foresaw a shortage of certain essential drugs. Immediately the war started he cabled an English firm for a pound each of five drug seed varieties. Within a few months rows of plants were showing their heads above the fertile, sandy loam.")"The deadly leaf harvest was gathered and sufficient seed extracted to make a hundred-fold crop the following, season. Meanwhile, engineers, architects and industrial chemists had been busy. Drying rooms, were built which; could handle 700 pounds of leaves in a single day. Choppers and desiccators were, designed, and the whole vast resources of the drug industry coopted.” (Link to full article https://trove.nla.gov.au/newspaper/article/245541410?searchTerm=frankston%20acres%20drugs“

Sir Wilfrid Russell Grimwade CBE (15 October 1879 - 2 November 1955) was an Australian chemist, botanist, industrialist and philanthropist. He was the son of Frederick Sheppard Grimwade and brother of Harold Grimwade.An endowment by Grimwald in 1929 was used to create the Russell Grimwade Prize, a scholarship for study of forestry. As of 2018, the annual prize value is $40,000.

In 1934, he presented Cooks' Cottage to Victoria after purchasing it in England and shipping it to Australia.He received a CBE in 1935 and was knighted in the 1950 King's Birthday Honours List.” (Russell Grimwade - Wikipedia)“Sir Russell was an extremely interesting man.

He purchased Westerfield in 1920 as a rural retreat when it became popular for Melbourne’s prominent families to buy holiday houses on the Peninsula. The house was designed by ‘in vogue’ Melbourne architect Harold Desbrowe-Annear, who was at the forefront of the arts and craft movement, and still retains many original features. It has no corridors, unusually shaped rooms, and the floors, skirtings, architraves, doors and built-in furniture pieces are all constructed from stained timber. There is also a water tank built inside a timber tower rising from the centre of the roof.The grounds around this property are what really astound. Sir Russell had a thirst for knowledge and a wide range of interests, including carpentry, photography, forestry and arboriculture. He was also a motoring fanatic and was the first to drive from Melbourne to Adelaide. He loved botanical literature and campaigned assiduously for the preservation of forests, and it is here at Westerfield that we see his love of plants and natives really come into play. There’s a eucalypt paddock, a long formal garden with flowerbeds and a lily pond, and the subjects of many of Sir Russell’s original plantings, including a crab apple tree, roses, lilacs, and lemon, apple and pear trees, still stand today. The bushland around the magnificent house at the end of the long driveway is also considered to be an important wildlife corridor.” (morningtonpeninsulamagazine)

Cooks' Cottage was purchased in 1933 by Sir Russell Grimwade as a centenary gift to the people and State of Victoria. The cottage was moved, brick by brick from Great Ayton to Melbourne, shipped in 253 crates complete with a ivy cutting which had grown on the original building. Today the cottage is covered by the ivy.

#Cooks cottage #grimwade #medications #drugs #1940s #wwII #philanthropy

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christinaroseandrews · 4 years ago

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Looking for a Romance this Valentine’s Day?

So, every publication and blogger is putting out a Valentine’s Day romance list, and we are nothing if not followers. We’ve assembled a large list (33 Books) of a mix of traditionally and indie published books. All of the books on this list are ones we’ve read and feel comfortable recommending. And they all fit the definition of romance - a story where the relationship is central to the overall plot and features a happy for now or happily every after ending.

We’re going to break this down into several categories because not everyone reads Regency romances (but we are going to start there).

Regency Romance

These are books set between 1795-1837. While the Regency itself was only from 1811-1820 most people use these dates including Wikipedia. This was honestly one of the hardest for us to narrow down, mostly because it’s the dominant genre in traditionally published romance -- even Contemporary doesn’t hold a candle to Regency right now.

Sweet Disorder - Rose Lerner - M/F Romance (Steamy) - Election hijinks ensue when the local election hinges on who the widowed wife of a newspaper printer marries. Other Notes: Plus-Sized Heroine, Family Drama, Disabled Characters, Everyday People Falling in Love, Marginalized Author (Jewish).

The Baroness Affair - Jean Wilde - M/M/F Romance (Steamy) - A desperate noblewoman enlists the help of a male courtesan to help her get pregnant... no it’s not what you think. Other Notes: Equal Triad Polyamory, Period Appropriate Homophobia, LBGT Romance, Family Drama.

How To Start a Scandal - Madeline Martin - M/F Romance (Steamy) - A wallflower and secret society reporter reconnects with the Earl Next Door who’s recently returned from the war. Other Notes: Plus-Sized Heroine, Family Drama, Positive Mental Illness Portrayal, Cute Plot Animals.

Project Duchess - Sabrina Jeffries - M/F Romance (Steamy) - A duke returns to his family after the mysterious death of his stepfather, yet another duke, only to be enchanted by a woman who has a connection to the last person to see his stepfather alive. Other Notes: Older Heroine (the whole series features these), Romantic Suspense Series, family drama. I’m really enjoying the whole series and it’s worth a read.

The Rakess - Scarlett Peckham - M/F Romance (Steamy) - This is a love it or hate it kind of book that flips so many of the conventional romance tropes on its ear. It features a hard-drinking, hard-smoking, highly sexual woman who authors progressive literature and causes a scandal just by living her life meeting up with a mild-mannered reputation conscious Scottish Architect with two small children. Even the cover flips the script on the classic clinch cover. I loved it. A lot people didn’t. Other notes: Period appropriate sexism/hypocrisy/etc., CW: alcoholism, neighbors to lovers, adorable plot moppets.

Paranormal Romance

These are romances that feature a fantastical element. This can be anything from vampires to shifters to time travel. These also will often be series which may or may not continue with the same relationship throughout several books.

Hot Ghost - Annika Martin - M/F Romance (Steamy) - A waitress finds love with the ghost who haunts the pier near her family’s restaurant. Other Notes: Major Character Death (It’s a Ghost Romance...), Everyday People Falling in Love, Novella.

Accepting Fate - Deanna Chase - M/F Romance (Steamy) - Fresh from a bad break up, a woman meets her soulmate at an art gallery opening. Together they have to work through their trauma and find out if they can be happy together. Other Notes: Childhood trauma, Fire Fighter Romance, Soulmates, Artists.

Gretel - Niamh Murphy - F/F Romance (Steamy) - A retelling of the fairy tale Hansel and Gretel with a very interesting twist. Other Notes: Age-Gap Romance, Novella.

One Shade of Grey - Monica Corwin - M/F Romance (Steamy) - Dorian Grey, yes that one, has a bit of a problem. He keeps seeing a woman who he thinks is the reincarnation of his lost love. But is she really? Or is he going insane? Other Notes: Positive Portrayal of Mental Illness, Classical Story Retelling, Billionaire Romance, Immortality

Tangled in Time - Barbara Longley - M/F Romance (Steamy) - Cursed to see spirits, Regan is approached by the spirit of a cursed Irish warrior. Now they must work together to lift his curse and fall in love along the way. Other Notes: Fae Romance, Time Travel Romance, Ghost Romance.

Hunger Pangs: True Love Bites - Joy Demorra - M/M/F Romance (Steamy or Fluffy) - A vampire, a werewolf, and a magic user walk into a plot to end the world. Of course they have to fall in love along the way. Other Notes: Vampire Romance, Werewolf Romance, Magic User Romance, LBGT Fantasy Romance, Bisexual Romance, Postive Mental Illness representation, Marginalized Author (Disabled, Queer, Neurodivergent).

Erotic Romance

These are books where the sex is as much a part of the romance as the rest of the story. The plots here tend to be thinner, but they’re still present and important. This is not smut for smut’s sake. The relationship is important too. All of these are going to rate high on the steam.

After Hours - Lynda Aicher - M/F Romance - An executive assistant accidentally observes an after hours orgy in one of the boardrooms. Rather than be repulsed, she’s aroused. And up for more. Other Notes: Workplace Romance, Voyeurism, Exhibitionism, Mild BDSM, Boss/Subordinate Relationship.

Loving Maddie from A to Z - Kelly Jamison - M/M/F Romance - An outwardly happy couple looks to add something to their relationship by inviting their friend into their home and bed. Other Notes: Polyamory, BDSM, Big City Romance.

Ever After - Eden French - M/M/F Romance - An erotic modern retelling of the Cinderella fairy tale featuring billionaires, celebrities, and lots of hot sex. Other Notes: Interracial Romance, Polyamory, Billionaire Romance, CW: Child Abuse.

Test Drive - N.S. Johnson - M/F Romance - A so-called good girl finds that she’s really not when she falls for the leader of a street racing crew. Other Notes: Polyamory, CW: Infidelity, Interracial Romance, Reverse Harem, Recreational Drug Use, Author of Color.

Other Historical Romance

These are romances set outside of the Regency but not during contemporary periods. A lot of old school romances tend to be this because medieval was big then. But it also includes everything up to 1990 too... Yeah... I know... I feel old.

Let It Shine - Alyssa Cole - M/F Romance (Steamy) - Set during the civil rights movement, this story follows two young people struggling to find their voice and love amidst the turmoil of the 1960s. Other Notes: Interracial Romance, Period Appropriate Racism, Period Appropriate Anti-Semitism, Author of Color, Sports Romance, Novella.

In Pursuit Of... - Courtney Milan - M/M Romance (Steamy) - Set immediately after the American War for Independence it features a British soldier falling in love with a Black man who fought for the American side. Other Notes: Interracial Romance, Romantic Comedy, period appropriate racism, author of color, Novella.

Bringing Down the Duke - Evie Dunmore - M/F Romance (Steamy) - A rare female scholar tries to keep her scholarship going while also crusading for the rights of women in Victorian England. Other Notes: Alpha Hero, Clueless Heroine.

Contemporary Romance

These romances are set in the last 25 years and run the gamut of tropes.

Get a Life, Chloe Brown - Talia Hibbert - M/F Romance (Steamy) - Sick of living her life wrapped in tissue paper, Chloe Brown sets off to live a little. And to do that, she needs the help of her building’s manager. Other Notes: Plus-Sized Heroine, Interracial Romance, Disabled Characters, Positive Portrayal of Mental Illness, Marginalized Author (Black). As a note the sequel Take a Hint, Dani Brown is just as good and features a Bisexual Woman of Color.

Beg, Borrow, or Steal - Susie Tate - M/F Romance (Fluffy) - A medical student has to juggle the needs of being a single mother, a student, and paying the bills. And if that means she’s got to take off her clothes to do that, that’s what she’s going to do. Too bad she keeps falling asleep in class. Other Notes: No Sex (No really), But also Super sex positive, Student/Teacher Relationship, Adorable Plot Moppet.

Soft Hands - Ariel Bishop - M/M Romance (Steamy) - A professional Hockey Player ends up falling for the team trainer and massage therapist. Other Notes: Bisexual Rep, Sports Romance, Interracial Romance.

The Year We Fell Down - Sarina Bowen - M/F Romance (Steamy) - Two people who’ve suffered from accidents which have left them disabled find each other at a Harvard Expy. While one of the characters only has a temporary disability (broken leg) it still fucking counts. Other Notes: New Adult Romance, Disabled characters, Sports Romance, College Romance.

Small Town Romance

A subgenre of Contemporary Romance, these are books set in a small town and often the stakes tend to be pretty low. They can run the range of no-sex to lots of steam. They are also often VERY WHITE. While many are set in America, they can also be set elsewhere with Australia and the British Isles being the most common other settings.

Falling for Her Brother’s Best Friend - Noelle Adams - M/F Romance (Steamy) - Who doesn’t love a small town romance featuring characters that used to be childhood friends becoming more? Other Notes: New Adult Romance.

The Last One - Tawdra Kandle - M/F Romance (Steamy) - Meghan, an art student, and Sam, a farmer, and how they meet in small-town Georgia when Meghan comes to teach art over the summer to the kids in town…and ends up staying with Sam and his family. Other Notes: Alpha Male Hero.

If Wishes Were Horses - Caitlyn Lynch - M/F Romance (Steamy) - When an Aussie woman inherits partial ownership in a horse ranch in Ireland, sparks fly. Other Notes: Novella, Irish Romance.

Old School Romance

These are romances that were written before the rise of indie publishing where white men had the power and it shows. These are what people point to when they reduce romance novels to just “bodice rippers” but even then they weren’t just that. BTW none of these books feature Fabio so suck it!

Skye O’Malley - Bertrice Small - M/F Romance (Steamy) - Daughter of a small Irish lord, this book follows Skye through her life and romances across England, Ireland, and even Algeria. It’s wild and all over the place and is not your typical romance novel. It ends on a HEA but there is a JOURNEY. But gods it’s one of my old-school faves. Other Notes: Major Character Death. Non-Con, Pirates, Interracial Romance, Historical Domain Characters, This is not your typical romance. I like the whole series... but that’s a me thing.

The Traveling Matchmaker Series - Marion Chesney/M.C Beaton - M/F Romance (Fluffy) - A housekeeper inherits a large sum of money and decides to use it to travel about England. Along the way, she makes matches for the other passengers of the stagecoach she’s traveling on while getting into all sorts of adventures. This series is pure fluff and I love it. Other Notes: Period appropriate xenophobia, Age Gap Romance.

Remembrance - Jude Deveraux - M/F Romance (Steamy) - A romance novelist discovers that the reason she hasn’t found love is because of an issue with her past life. So she decides to do something about it... only to find it’s just the very tip of the story. Other Notes: Time Travel Romance, Past Lives, Meta... so very meta.

Desire in Disguise - Rebecca Brandewyne - M/F Romance (Steamy) - Look this is set during the French Revolution and features duelling (quite literally) pirates. This is a wild ride and it’s so old school it hurts. Other Notes: Alpha hero, mistaken identity, enemies to lovers, spies, pirates, But oh so many problematic tropes. This looks to be out of print... so check your local library.

Gentle Warrior - Julie Garwood - M/F Romance (Steamy) - Set right after the Norman Invasion of England, this features a Norman Lord who was granted an Anglo-Saxon wife and all of the drama that comes with. Note... this is the first Romance Novel I ever read.. My mother bought it for me when it was newish -- in 1987. Other Notes: CW: Rape, Arranged Marriage, Non-conventionally Attractive Hero.

Books that check all of the boxes of Romance but aren’t Labeled as Romance because Sexism.

Romance isn’t about sex. There’s lots of books with explicit sex in them that aren’t Romance and several with a strong romantic relationship that drives the plot which ends happily and satisfying. But sexism is a thing and so here we are.

The Princess Bride - William Goldman - M/F Romance (Fluffy) - You’ve probably seen the movie. The book is also fun. And since the romance is central to the plot AND the ending is a happy one (especially in the movie) it qualifies.

The Hunger Games Trilogy - Suzanne Collins - M/F Romance (Fluffy) - Look who would have thought that in a book about kids killing each other and the violence of war that Romance would play that big of a role? But it does. And it is. And it’s important.

Katherine - Anya Seton - M/F Romance (Fluffy) - This could feasibly go into Old School Romance, but apparently the publishers have decided to downplay the actual romance and try to sell this as literature. It follows the real-life Romance between Katherine Swineford and the Duke of Lancaster.

Did we leave off any of your favorites? It’s probably because we haven’t read them! We always like recs, especially featuring marginalized authors or main characters with marginalized identities.

If you like this kind of thing, consider leaving us a tip in our Ko-Fi!

#Romance novels #romance recommendations #romance books #romance #valentine's day #historical romance #regency romance #contemporary romance #small town romance #paranormal romance #old school romance

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mermaidsirennikita · 2 years ago

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Hi! Who do you think are the best HR novelists of all time?

Hmmmm. Well, keep in mind that I've only been hardcore reading historical romance for a couple of years as a Fully Grown and Informed Adult, so my knowledge is limited. But based on my own taste, reading experience, and knowledge of the history of the genre, I'd say--

Judith McNaught. McNaught actually didn't write that many historicals--I think she has 7 full historicals and one Christmas novella listed on Wikipedia. But imo, the fact that two of them are inarguably some of the most influential books in the genre (A Kingdom of Dreams and Whitney, My Love) makes her one of the best. Whitney, My Love is a rougher read today, but its influence in particular in crafting the dynamic between the hero and heroine is very obvious. A Kingdom of Dreams is an amazing book, and I think the way in which the hero is an alpha in so many ways and emotionally vulnerable in so many others are undeniably significant.

Johanna Lindsey. Some people are understandably having a harder time when reading her books today because she is so old school, but like... Johanna Lindsey knew her shit and tried it all. I think that her a lot of her books haven't aged well, but the good ones gave the genre an adventurous edge that I wish it had more of today as a whole.

Beverly Jenkins. Obviously a legend in that she's the first published author of Black historical romance, but she's also great at conveying strong heroines up against alpha heroes, and her historical research is.... unrivaled.

Jude Deveraux. Proved that you could write historicals set in your own fictionalized but nonetheless grounded nation; did time travel romance before Gabaldon, and left us with one of the genre-challenging classics.

Elizabeth Lowell. I've just started reading her, but Forbidden blew my mind and her entire medieval series was, while dated, really interesting in terms of how it worked with mysticism while still giving you that truly medieval feel. Her heroes are kind of shockingly alpha at times, but never in a way that feels... stupid? They make sense for both the medieval era, and the era in which they were published.

Cat Sebastian. While other authors have been stepping up to the plate with traditionally published queer historical romance at the moment, Cat Sebastian was definitely one of the forerunners and I really enjoy the way that she places queer characters in that historical setting.

Elizabeth Hoyt. She writes some of (maybe the best, period) the best sex in historical romance, and she's not afraid to go wherever the fuck she wants to go with a plot. Secret identities? Kidnapping? Blackmail? She just does what she wants, and she manages to present heroines who deviate from the norm without feeling out of time.

Kerrigan Byrne. Some of her books can be hit or miss, but I think that she's another one who isn't afraid of delving into darkness. She's great at giving a gothic edge to her books and doesn't pull punches.

Lorraine Heath. An unsung hero! Just fucking goes for it, and i so appreciate the "shoot for the stars" approach. Her books have high drama, twists and turns, and major emotional stakes.

#romance novel blogging #book recs #sorta?

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mst3kproject · 4 years ago

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Frankenstein’s Castle of Freaks

This movie has a real all-star cast as far as us MSTies are concerned. There’s Rossano Brazzi, who was Phineas Prune in The Christmas that Almost Wasn’t; Edmund Purdom, whom we know as Griba from Ator, the Fighting Eagle; and Salvatore Baccaro, the leader of the cavemen in Starcrash. The film itself is absolute, irredeemable trash and I love it like my own garbage child.

We begin out of nowhere with a bunch of peasants beating a caveman to death. What? Where are we? When are we? Who are these people? Why is one of them a cavemen wearing a fur loincloth and the rest are just normal people in pants? Why are they beating him? Did he do something that pissed them off, or do they just hate him because they’re, like, anti-Neanderthal racists? What the fuck is going on? We will never really find out. We just cut straight to Dr. Frankenstein hauling the troglocorpse into his lab.

That’s how this movie rolls. Don’t bother asking questions, just try to keep up.

Count Frankenstein’s daughter Maria has returned to her childhood home, bringing along her fiancé Eric and her friend Krista, who has an unhealthy relationship with polka-dots. Krista is immediately fascinated by the Count and his work, and he with her in turn. It doesn’t take long for Krista to find out that Frankenstein is carrying on reanimation experiments in his basement, but that’s actually the least of the bullshit going on around here. There are more cavemen out there, but there’re also rivalries and love triangles among the inevitable gaggle of deformed assistants, and the local villagers are angry about a spate of grave robbing and determined to run the Frankensteins out of town. The ‘monster’ (I’m not sure it quite counts) is kind of an afterthought.

See, Hans the Butler hates Genz the Dwarf (even though it’s actually Kregan the hunchback who is fucking Hans’ wife) so he gets him fired, and Genz swears revenge on the whole Frankenstein household. Wandering in the woods, Genz meets and befriends a second caveman, naming him ‘Ook’ and teaching him how to rape women in the hopes that he will do violence to Maria Frankenstein. Ook, however, kidnaps Krista instead. At about the same time, Genz sneaks back into Castle Frankenstein to free the first caveman, Goliath, whom the Count has been keeping strapped to a table after bringing him back to life, and who has also fallen in love with Krista as the latter assists the Count with his work. Goliath goes on a murderous rampage, then follows Genz back to the cave where Ook is keeping Krista. Sure enough, this leads to a caveman-vs-caveman battle for the girl!

Man, I would love to see earlier drafts of this script, mostly because I’m dying to know whether some prior incarnation of it actually had anything to do with Mary Shelley’s book or even with previous Frankenstein movies. I mean, it starts with the servants digging up a corpse, and ends with a torch-and-pitchfork mob destroying the Count’s creation… the beginning and end of a Frankenstein movie are present. In between those, however, it wanders off on this bizarre tangent about the local cryptids. As it reached the screen, the only thing Frankenstein’s Castle of Freaks seems to have in common with its source material is the threat to the Count’s girlfriend, which was issued by the Creature in the original story. Technically, even the grave robbing and re-animating have nothing to do with Frankenstein, or the Modern Prometheus – the book never actually says how the Creature’s body was created. The idea of piecing it together from corpses originates with the Boris Karloff movie.

Let me describe some more of the stuff that goes on here, in order to give you the flavour of the experience. For starters, Salvatore Baccaro, playing Ook the caveman, is credited as ‘Boris Lugosi’ in the opening credits. The first time I saw this movie I snorted water up my nose when that popped on screen.

Later in the movie there’s a flashback to that first peasants-vs-caveman scene, and it answers none of the questions I listed above. Why are there cavemen in these woods? I dunno, there just are. What did the cavemen do to piss off the locals? I don’t know that, either… they may have been stealing livestock, I guess, but they don’t seem to have been a threat to the people until Genz taught them about rape. Kind of makes one wonder what happened to the cavewomen, since we never meet one and these guys don’t seem to know what women are, as illustrated by Ook initially thinking their nubile young captive is going to be dinner. Also, although there are two cavemen, they don’t know each other. Genz has to introduce them!

There’s a bit where Genz is hiding behind a clock to watch Maria and Eric have sex. The butler comes along and chews him out for it, sends him to his room, and then he stands there and watches them for a while.

In another scene, Maria and Krista go skinny-dipping in a mineral spring, and the longer it goes on the more the dialogue sounds like it’s going to break into lesbian porn. I am particularly fond of the exchange where Maria says, “don’t worry, this dress is designed to be easy to get out of,” and Krista, impressed, replies, “I’ll say it is!”

The subplot in which the butler’s wife is having an affair with the hunchback has no effect on the plot whatsoever. The butler never even finds out about it. There’s a scene in which they run off to the barn to slap each other and smooch, and then the movie forgets about it. Astonishingly, the same is true of the corpse the servants dig up early on. They exhume the body of a recently dead woman, Genz cops a feel and leaves some footprints at the scene so that the villagers can figure out who was responsible, and… that’s it. She doesn’t even hang around as a gratuitous zombie like the grave-robbed girl in The Atomic Brain.

According to Wikipedia, nobody will admit to directing this movie. Like many Italian films, the director used a pseudonym, and the cast apparently disagree on even such basics as his nationality. Some of them think he was Spanish, but Simonetta Vitelli, who played Maria Frankenstein, insists he was an American.

At the end of the movie, Ook is the first of the cavemen to be killed, and we get to see Genz weeping over his friend’s dead body. Then he and Krista hold each other as the mob closes in on Goliath. This is supposed to be a tender moment but it looks a lot like Genz (who is, you must remember, around four feet tall) is enjoying his faceful of boobs. Since all alternative love interests for Krista are now dead, maybe we’re supposed to think she ended up marrying Genz.

Finally, as Goliath’s body burns, Edmund Perdom intones, “there’s a bit of the monster in all of us, especially where there’s fear.” I’ll drink to that, my dude. ‘Twas beauty killed the beast. He tampered in God’s domain.

That probably is supposed to be the movie’s point. The villagers are depicted as suspicious, fearful, and quick to violence, while the cavemen seem to have been relatively peaceful types until Genz taught them how to rape. It’s very much the Homo sapiens who are the monsters there. Frankenstein’s servants are all assorted shades of horrible, from Genz the necrophile to the nasty cackling butler to the adulterous hunchback and cook. Count Frankenstein himself isn’t quite so overtly evil but it’s clear that he’s not very interested in the moral dimension of his work.

Even if that’s an intentional theme rather than just a pithy closing line, I don’t think anybody thought about it very hard. The rest of Frankenstein’s Castle of Freaks is too much of a mess. There’s no real plot, no identifiable protagonist, it’s sleazy and incoherent and at times it’s horrifyingly abelist… and yet, for reasons I cannot explain, it’s weirdly entertaining.

Maybe it’s just that everything in the film is so damn ridiculous. So much of what happens comes out of nothing and goes right back into it… a series of mind-boggling what the fuck moments that surprise the viewer over and over. The impression is that the writers are throwing horror concepts at the screen to see what sticks, but nothing does.

Maybe it’s that this is another villain-centric piece. You know I like those. I guess maybe Krista is the heroine? She seems to do the fewest horrible things over the course of the story, but she’s not a good person, either. She’s totally into the Count’s creepy reanimation experiments, and makes only a token protest about the idea of informed consent. Edmund Perdom’s Inspector character is one you’d expect to try and do something about these goings on, but he never does. Maria and Eric are only in the movie so it can have a sex scene.

Whatever the reason, the result is inexplicably charming. Between the easily distracted plot, the gratuitous breasts, the bad dubbing, the complete failure to either frighten or titillate, and the fact that it tries to tie itself to a lucrative franchise it really has nothing to do with, Frankenstein’s Castle of Freaks is almost the perfect example of a bad Italian horror flick from the 70’s.

#mst3k #reviews #episodes that never were #frankenstein's castle of freaks #tw: rape #tw: ableism #70s

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popculturebuffet · 4 years ago

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Legend of the Three Cablleros: Nazca Racing and Mexico A-Go-Go

Saludos Amgios and welcome back to The Ride of the Three Caballeros! And we’re almost at the finish line! After this reviews only 4 episodes, 2 reviews and a top 12 list/celebration of this long and fun as hell journey, this one for free to thank kev for paying for all these reviews and because without him this probably woudlnt’ of happened for some time and I thank him for that. Point is we’re so close I can taste it to being finished here so with nothing else to cover, after the cut we’re diving right into adventure.. literally.

Nazca Racing:

So we open at the outside of Sheldgoose Manor as while we’re not at the scene of the action YET, the show has kept it’s tendency to have intresting intros as it goes on. Point is Xandra is incredulous about the guys claims of a magic barrier.. for some reason. Seriously Sheldrake is a powerful sorecerer, has a lair, even if they don’t know about that part, why WOULDN’T his place be shielded from you guys? Still she has to test it punchiing it , arrowing it and throwing a rock at it.. and the rock does take out a window prove it even if i’ts vandalism but that wasn’t a crime thousands of years ago and no one saw them so we good.

Our heroes brainstorm back at the Cabana what to do, ignoring the girls suggestion that since the cabs can’t get through the barrier they can but are ignored because ... I dunno. I seriously dont’ know, they haven’t treated the kids like this before or since. Also if you were wondering why not humphrey, spark of life. Too risky. But this discourse is interupted as there’s a signal in peru. The trap has been sprung and the girls warn it might be since they KNOW the cabs will show up where they are and have time to plan but are brushed off. We also get the start of a thread with Jose as he gives all his money to some kittens who are actually con artists. Turns out that’s WHY he’s poor: he gets money easily but donates it all to bogus charities. You know like Louie’s kids or PETA. It’s a nice character trait, showing despite being a lady’s man and having a bit of an ego.. he’s still a very good guy if very, VERY gullible. Hopefully it comes up againa s this smacks of a flaw brought up and solved in one episode, and while ti’s adressed her it really dosen’t get resolved, but with 5 episodes left after this I HIGHLY doubt it.

So our heroes are off to the Nasca lines of having gotten there with the help of a shady pilot... instead of you know.. porting there.. but given the Nazca Lines are best seen from air according to wikipedia and best shown off that way, as well as the fact it’s revealed you can enter the realm the creatures represented in the lines inhabit via plunging into it, it does make sense. She could’ve TOLD them all this before going but this is one of her off days. The Nazca Lines are a real life set of geoglypys that look really damn cool, and show up in all sorts of works, the two off the top of my head are Mega Man Starforce 2 where their used as the basis for the villians, and Yu-Gi-Oh! 5ds, where there used for the basis for the earthbound immortals.. also villians, a series of powerful and evil gods, and naturally represented by cards, that bring people back from the dead to serve as their avatars, known as the dark signers.

As you can see they also look really fucking awesome. Sadly I have not had a deck with them as I haven’t really thought about it and you need a field spell to keep them alive, but still good stuff. Really need to watch that arc in full some day.

Point is the plane starts to fall apart because the pilot swindled them, or rather Jose, and they have to jump without a parachute as there’s only one. Xandra of course leaps first forgetting her friends don’t have god strength or durability and will just go squish if her logic doesn’t pan out. Panchito naturally leaps without thinking and Jose decides why not and sky captain and the crappy plane he bought for 5 bucks decides to snatch the parachute so Donald’s forced to leap. It does work though and we do get one of the best parts of the series thus far: our heroes are drawn in chalk which is beautiuflly animated and a really creative idea. Granted the magic chalk thing dosen’t make a LOT of sense given the lines are carved in.. but at the same time we’re talking about three talking birds and a goddess chasing after an overweight one percenter, his talking staff and said talking staff’s son/lover/donkeybatmonkeyrat. Exact accuracy to real life can be waved just a smidge. Point is they find Mono, a monkey and one of the guardians of the lines, who Feldrake apparently trapped, though Xandra is suspcious. NOW, after their already in the trap basically.

But yeah Mono tells them Feldrake is going after the Nazca Gyroscope, a device at the center of the earth that keeps the earth orbiting the sun.

Point is our heroes have to stop him though Xandra is again suspcious as Feldrake wants to conquer the world not destroy it....�� forgetting the whole lava lizard scheme... just.. seriously what was his plan there. rule over a pile of ashes.. actually given Feldrake’s competence and intellegence so far. that’s probably exactly it. Why is Sheldgoose the one getting called fool a lot again?

So we get another really stellar Musical Number, draw the line as our heroes progress through the Nazca world. Also I forgot to mention but earlier, in a nice bit of setup, we set up both that jose is a talented artist, which comes in handy here, while donald struggles and doubts himself. Can.. .can relate. Say that a lot but REALLY can relate. They end this wonderful song easing on down the road while our villians watcht hem.. instead of you know going ahead up and erasing them as is their plan.

Meanwhile, the trips sneak into Sheldgooses mansion trying to find some sort of evil scheme or lair or some clue they can use. But instead june, looking for some secret in the money vault, instead is caught by security so a chase insues and our heroines spend the episode barely outrunning the security dogs.. who SHeldgoose apparently raised.

Don’t.. DON’T want to think about THAT any longer than I have to. Point is they find Feldrake’s hidden lair we saw in the second episode where Sheldgoose found the staff. Not bad stuff, just really not something I need to spend an hour recapping.

So our heroes continue along encountering Hanzy, another guardian with giant hands who they free from a finger trap.. and her reasoning is both adorable and chucklesome, as Sheldgoose, having a piece of the chalk, drew a finger trap and never having had one in her size she just had to try it. So the party gains another member as they tread carefully past the spider, the final guardian and one who will eat them without a second thought. With that they reach the gyroscope.. and Mono turns on the cabs revealing Sheldgoose tricked him into thinking they were the bad guys and this is naturally a trap. And that is part of the episodes problem: the tension from “well their walking straight into a trap” is kinda.. nonexistant. OUr heroes ran in blind, and even when suspicious in the liens being on their guard amounts to nothing and we know from last episode this is a trap. It’s one thing to have a plan turn out to be a trap for the heroes or for the villians, as we’ll see later this week, that’s fine.. but either the audience isn't aware or there’s general tension from our heroes not knowing. Here there’s none of that.

So our heroes are trapped in a cage while Sheldgoose and Feldrake head up top to erase them, as if their drawings on hte line, the way they came in are erased so are they. It’s a good plan.. and the tension is dissipated again as hanzy just casually tosses the cage off, mono apologizes and our heroes use the chalk to draw themselves flying machines, with Donald only having a balloon and a basket. Comedic gold. Despite once again any dramatic tension this episode evaporating like ..t ears in the rain? I dunno I don’t have a metaphor that works here. Despite this the race is genuinely thrilling with sheldgoose busting out a shark rocket launcher since neither Feldrake nor Xandra’s magic work in the lines. Nice touch by the way. But he runs out of chalk (”You should’ve learned how to conserve space!”) though our villians reach the exit first by unleashing the spider, who Jose tries to smooth talk into not eating them.. and Donald, like me afriad of spiders, iconically shouting “KILL IT, KILL IT WITH FIRE!”

The heels erase Hansy, which is genuinely sad. Our heroes do escape in time though before he can get them and while Feldrake makes a speech in an awesome moment, Xandra just.. ignores it and fills him full of arrows.. well the g rated equilvent about that, I don’t think any of us want to see Wayne Knight bleed buckets. I”m still not over that scene from Jurassic Park where we saw nothing but I imagined it all right.. I.. imagined it *shudders*

So i’m scared for life but our heroes are free and revive hanzy with the chalk and we get a really sweet payoff to Donald’s trouble drawing as his new finger for her is a bit crooked but she loves it. It shows even if your art isn’t as good as other people’s it’s still worth something. A nice message. Feldrake once again berates Sheldgoose who points out the cabs can escape death again and again... giving Feldrake the idea to go talk to death personally. And yeah these teases... while I get this series was made for streaming.. they keep hurting the story slightly like they did here. Though I will give them credit this one.. ends up ratcheting up the tension next time so props.

Final thoughts on Nazca Racing: This one was decent. The animation was gorgeous and always the jokes were top notch, and the subplot was a nice opportunity for the triplets to take the stage and have an adventure.. but the plot banks a lot on our heroes walking into a very obvious trap and that just sours things for me. Still it’s not a bad episode like “World Tree Caballeros” or “No Man is an Easter Island” for the reasons stated above. And there was no daisy for an episode so while I badly wanted to find out how she’d react to the events last episode, we also got a break from her being bitchzilla, queen of monsters for an episode.. for an episode. “Sigh”

Mexico-A-Go-Go:

Okay back on form. Our heroes return home to find.. a conspiracy board all around the house.

Sadly it’s not that but it turns out the girls haven’t slept since the mansion and while Donald objects to their breaking and entering, they soon reveal what htey found: The Sheldgooses have all been linked to eveyr major disaster over the centuries... ever since Feldrake, who we see as a mortal for the first time, holding his OWN book as a counterpart to the heroes. They also uncovered a connection to Clinton coot and the sheldgooses but don’t have time to elaborate before Donald waves them off to check his messages. Unsurprisingly it’s Daisy who says “In light of recent events” i.e. you know seeing Donald’s friend save her life, dapper abandon her and seeing donald fight an evil sorcerer and wrangle a bear, to give him one more second chance.

Yeah i’ve spent a good chunk of this series complaining about Daisy.. and given she appears in the final two episodes i’m probably not finished. But this is just.. wow. So now she KNOWS, if not all the details that Donald and his friends are entangled in something big and scary, that involves a lives bear and actual fucking magic, so that his ducking out on her last time was NOT him being irresponsible or going to hang with his pals or something stupid, but probably something pretty important, she’s not fully aware of everything but she’s aware ENOUGH to know Donald really is making something of himself or at least is trying and really didn’t mean to mistreat her.. and she STILL is giving him fucking ultimatums!

I just.. i’m so done with this whole fucking subplot. All of it. Not just Daisy, Donald constnatly having a moan about loosing her and whining about going on missions to save the world instead of keeping this ungrateful, bossy, self esteem shattering, shrill, selfish, gold digging, impossibly high stand’s keeping big gulp full of bitch.

Donald.. buddy YOU CAN DO BETTER. Xandra’s right there and even if she’s not interested there’s a WHOLE TOWN of rich, eligible ladies. Go woo one of them! it’s hard getting out there, believe me I know, it’s VERY hard and i’ll probably die alone.. but your a good man, you have good friends. Friends who’ve screwed up yes but good friends to wingman and wingwoman for you. Just... leave Daisy behind. It’s not good for your mental health to keep bending over backwards for someone who wants you to be something you’ll NEVER be. Who wants someone sophisticated and with a steady job.. and the latter part’s never going to happen now your a Caballero, and given that’s more important.. good! If she can’t see what you do or won’t take the time to fucking listen... MOVE. ON. I know moving on’s hard but you have to. For your own health. Staying stuck in place over a person just hurts you and them.

And as for Daisy.. this is easily the worst version of the character. And I went into this FULLY KNOWING this version was bad, FULLY KNOWING she was going to be grating and some of the things she’d pull like Dapper thanks to spoilers. It’s why I held off watching this for so long.. and turns out while it was worth it, the series is quite good, my fears were JUSTIFIED and no amount of reading it could prepare me for how terribly written and horribly damaging this all is. And I do mean damaging: Kids pick things up from media. And while I should’ve caught on sooner, can’t fully blame a cartoon, I did as a kid and teen get my idea of romance from cartoons and tv and thus got the idea that pining after someone in secret was okay and they’ll come around eventually and starring at them and what not is entirely fine and not creepy. Of course it isn’t, of coure you have to say something, and of course you have to let it go if there with someone else. I know that NOW, and there have been much better geek gets the girl plots. .but it still seriously fucked with my autistic brain’s view on friendships with women, something I still struggle with at times. And that’s why I take this shit seriously: Because while thankfully I never bought into THAT , shit where “it’s okay if it’s a WOMAN, abusing a MAN”. Men can be abused to. It’s why we had SO SO MANY unfunny stalker characters in the 2000′s, and so many plots like this where the guy is wrong.. because h’es male and his partner being domineering and expecting him to change everything without doing anything for them or treating them as an equal.. is just not okay. And it speaks to a bigger problem.. out of touch writers who assume because THEIR wives are only with them out of obligation that’s how ALL relatoinships work, when no it’s not get a divorced please god. The Duckverse REALLY doesn’t need this According to Jim, My Wife and Kids, George Lopez, Home Improvement, Cleveland Show, King of Queens, Dinosaurs, Rick and Morty, Glen Martin DDS, etc all bullshit. People break up and Donald deserves better. And I genuinely blame both EP Matt Daner and Tony Anselmo for this. And I have a LOT of respect for both guys, i’ve made that very clear.. but Matt as EP and thus the one in charge fo the overall storyline is clearly the one who thought of this and Tony, who helped write for Donald this series, didn’t either get Tress, whose been doing daisy for two decades and is as knolwedgle for her as he is for donald the same courtsey or chime in given he should know daisy better. Both of these men should know better. Danner wrote for Xiaolin Showdown, that had great female characters for the most part and Tony is a grown ass man whose worked with women and is married as far as I know. Figure it out. This Daisy thing has EASILY been the worst part of this retrospective as a whole, the worst part of this series and probably the worst thing i’ve seen in a duck property.. and again I saw daisy ACTUALLY HIT DONALD.

And this is worse. Because instead of one moment of terrible writing and misplaced slapstick that comes off as abuse, it’s just a constnat barage of emotoinal abuse treated as if i’ts DONALD’S fault. Donald did nothing wrong to her and his only crime is obessing of this hellspawned hardian. Fuck this entire plot with a garden rake lined with acid.

Also just a quick note before we speed through Daisy’s screentime to get to the good part of the episode, there’s, at least no yet NO proper reaction to Donald’s new life and it bothers me it bothers me a lot. She learns he has this whole secret life and has no fucking questions just more of the same old bullshit. “SIGH”

So yeah this b-plot: Donald wants to stay for Daisy

And the others drag him along though this time.. Donald comes off as the asshole because he KNOWS they need him, knows he’s useful and knows this is more important but drags his feet anyway for someone who again, has done NOTHING good for him. And even with the girls saying the’ll help and telling him to keep the mirror handy, he still keeps complaning up until the plans reveaeld.

The plan, which.. May I think, the orange one. I know June is purple, but while May isn’t on board for this, the plan is to have April and June do the totoem pole trench and have donald be the face. So the entire plan is basically this

They have an actually nice date till the ruse is revealed, and while he says “I can explain” which he can.. she PUNCHES the mirrror saying explain this.

So our heroes need to go to Mexico, Panchito’s homeland and somehow, in a series based on and starring primarily south american characters... one of the two times we visit the region and the only time we visit one of the cabs two home countries. Now the latter part i’m fair on since they were likely saving Brazil for the season 2 that never happened and didn’t want to blow their load just yet. The other part.. not so much. I’m not saying set the entire series there, there’s a lot of world, but most of the locations aside from the world tree are pretty common for globetrotting adventure: Easter Island, Stonehenge, Mt. Rushmore, The Pyramids, the Moon, and coming up Camelot and Shangri La. These aren’t BAD settings mind and are used creatively and probably will be in the two I haven’t seen, and the setups involving king arthur and a yeti spa do sound like they wont’ dispoint, but you had a real opportunity to teach kids, and my grown man self, about South America and ya blew it.

But we’re in Mexico where after meeting a spooky cloaked guy who says they might not leave alive

So our heroes enter the temple and the other side and find a bunch of chickens who see Panchito, who insisted on the trip due to his luchadores code of always helping the incident, as a god and their chosen champion for the goddess of light as the preistess explains. So we get a montage of Panchito getting pampred while the other cabs get pushed around, ending at a restraunt. Xandra is naturally suspcious as the locals are being AWFUL vauge about what’s going on here, and this is getting pretty midsomar. Donald is distracted by daisy and Jose is distracted by a beautiful senorita, leaving Xandra to TRY and get panchito to think.. before being distracted herself by a mysterious handsome latino gentleman in black. Though during the dance with thier respective partners, Xandra and Jose both remark that it’s weird.. but are distracted by the sexy long enough for it to be revealed what Panchito’s duty is: as the champion of life.. he has to fight the champion of death. No Prize for guessing who. Though unlike with “Nazca Racing” where the teaser removed all tension since we knew it was a trap, here the teaser last episode helps, as we don’t see Team Feldrake till this moment, and we know something involving death itself.. and finding out panchtio’s representing life just ratchets up tension: we know the bad guys are involved.. but we don’t know how or what they’ll do.

And the how is simple: A one on one wrasslin match!

Or lucha match since we Panchito’s a luchador and we’re in mexico. He’s wearing his usual outfit while Sheldgoose is wearing standard wrestling tights.. so a superstar babyface versus a heel comentator... but actually entertaining this time. As you can tell I love wrestling. While i’m more of a casual fan, I watch OSW and some other wrestling youtubes and don’t really watch the product at the moment, I do love and respect the sport and love a good wrestling episode or series of television as a result, so this hits the spot.

So the match goes on and Panchito has the clear lead as Sheldgoose is playing by college wrestling rules and Panchito is playing by pro wrestling rules. And while you can use standard holds well you gotta mix the two together kurt angle style. Eventually Xandra decides to confront the sexy bird and sexy boy, and finds out, in a twist I didn’t see coming they ARE the god of life and god of death, respectively. While I knew this was a fight to the death, as death explains, a symbolic battle between the two with real stakes to keep ballance, I thought these two were just illusions brought up to keep Xandra and Jose from leaving or digging deeper. Instead they were just doing it on their own and as the god of death shows, they were genuinely intrested. I mean... why not get some while preparing to have your champions do battle. God for you death god, multitasking like that. Same for you goddess of life. Get it girl, you get after it. Jose is a fine man. I’d tap that if I could. Get after it. So Xandra warns Panchito who finds taking life against his code and Jose again shows his awesomeness by pointing out the obvious: the match is timed, so if they run out the clock it’s a draw. Might lead to something but it’s better than nothing. So Panchito TRIES this, but Sheldgoose has leopold “Throw mommy to daddy” (One of my faviorite gags of the episode), and wacks him with feldrake before the whole thing becomes a brawl. And the god of Death does not take DQ’s or outside intefernce well and instead kills them all for breaking the rules.

Not kidding. The main cast is DEAD minus Xandra, as Death still wanted to bone her, but she refuses. So now Xandra is left while al lher friends are dead while the god and goddess head off in his caddy to go knock over mailboxes I guess.

Final Thoughts on Mexico-A-Go-Go: Outside of .. certain parties, this was a REALLY fun one, with a great wrestling theme, a great mystery and the awesomeness that was the god of death, who was smooth, cool and thoroughly interesting and I wish there was a second season and his and xandra’s dynamic was really interesting. One of the series best, helped by the fact the Daisy bit while thoroughly irritating, was religated to a pretty funny subplot, with May being understandably skeptical of the plan, it somehow working and the sheer redicuonsess. It dosen’t make daisy tolerable, but it makes the episode better.

#the legend of the three caballeros #donald duck #jose caricoca #panchito romero miguel junipero francisco quintero gonzalez #panchito pistoles #xandra goddess of adventure #april duck #may duck #june duck #humphrey the bear #the arcuan bird #ari #baron von sheldgoose #lord sheldrake #ride of the three caballeros #the three caballeros #ducktales #donsy

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tellthemeerkatsitsfine · 3 years ago

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I’m reading Born Lippy by Jo Brand, and I got to a bit when she lists her top five favourite literary heroines. I found myself immediately thinking, “I hope Jo from Little Women is on there.” Because I read Little Women when I was young, and Jo was the first female book character I ever read about who really strongly reminded me of myself.

The whole time I’ve been reading Born Lippy I’ve constantly found myself thinking “Holy shit, Jo Brand is saying everything I want to say so much better than I could ever say it, it’s been a long time since I’ve found so much of myself in a book”. So I immediately hoped that maybe Jo Brand would have related to the same literary heroines as I did. And of all the female characters to whom I related as a kid, Jo from Little Women was pretty much the only one I could think of who was from a book that’s old enough so Jo Brand might have read and loved it when she was young as well.

I knew it was a long shot to expect this one character, out of all the characters in all the books that have been written, to happen to appear on Jo Brand’s list of favourite literary heroines. She just came into my mind immediately and I really hoped she’d be on there.

So I read the list, and of course Jo was on it. This made me happy, as it made me think young me had something in common with young Jo Brand; we both read Little Women and related to the rebellious, stubborn, and unladylike character named Jo. Jo Brand wrote a little paragraph about why Jo from Little Women was on her list of favourite literary heroines, and her reasons were the ones I expected: tomboys are happy to find ourselves in books. But at the end of the paragraph, Jo Brand mentioned something I had not expected. Apparently Jo Brand felt an extra connection to that character because her own mother, who was a feminist as well, named her daughter after Jo from Little Women.

Jo Brand is one of the British comedians I knew of long before I started my dive into British comedy in 2020; my dad introduced me to her when I was a teenager and I listened to some of her stand-up back then. From when I first heard of her until a few months ago, I assumed her full name was Joanne or maybe Joanna, as those are the most common female names that get shortened to “Jo”. A few months ago, I was surprised to learn from Wikipedia that her full name is Josephine. Because even back when Jo Brand was born, in the late 1950s, Josephine was not a common name.

It turns out that Jo Brand has the outdated name “Josephine” because her mother named her after a feminist character from a book that was written in the 1860s, back when “Josephine” was a common name. I am so fucking pleased about that fact and I am also enjoying the Born Lippy book very much.

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dramapic · 4 years ago

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MASTERLIST

I update this list everytime I watch and review a show.

Disclaimer: These reviews are subjective and only reflect my opinions. There are no drama on that list that I’ve turned off and all are worthy of a watch.

Recs welcome!

#1 Crash landing on you

(사랑의 불시착)

Grade: A++

Genre: Modern, Star-Crossed lovers

Episodes: 16

Happy Ending: Yes

Watched on: Netflix (FR)

Son Ye-jin (who plays Yoon Se-ri) and Hyun Bin (Ri Jeong-hyeok) have amazing chemistry and every episode plays out like the chapters of an excellent fanfiction. Classic romantic tropes, humour, angst, action, CLOY has it all. Moreover, if you’ve never watched a Kdrama in your life, CLOY is a great starting point—not only will it introduce you to Korean culture but also to popular tropes and codes of the genre.

#2 Rookie historian Goo Hae-ryung

(신입사관 구해령)

Grade: A++

Genre: Historical, Age gap

Episodes: 20

Happy Ending: Yes

Watched on: Netflix (FR)

Delightful from end to end, with lots of humour and an engaging story. The romance between Goo Hae-ryung and himbo-prince Dowon will make your heart go soft, especially if you’re into reverse gender dynamics (she’s older and kisses him first *le gasp*)

#3 Memories of the Alhambra

(알함브라 궁전의 추억)

Grade: B+

Genre: Modern; Sci-fi; Fantasy

Episodes: 16

Happy Ending: No

Watched on: Netflix (FR)

Intriguing premise, great cast and tons of special effects but the romance between Jin-woo (Hyun Bin) and Hee-joo (Park Shin-hye) won't go down in history. On top of that, the ending is a bit wishy-washy in that annoying “maybe there’s more to come” kind of way. Give us a clear cut ending, damnit!

#4 Good doctor

(굿 닥터)

Grade: B-

Genre: Modern, Medical drama

Episodes: 20

Happy Ending: Yes

Watched on: Netflix (FR)

Good heart but the writing is really clumsy at times and the hospital politics don’t make an awful lot of sense. On the bright side, Joo Won is great in the role of Park Si-on.

Note: I haven’t watched the American remake so can’t compare.

#5 My love from the star/ You from the stars

(별에서 온 그대)

Grade: A

Genre: Modern, Sci-fi, fantasy, Star-Crossed lovers

Episodes: 21

Happy Ending: Yes-ish

Watched on: Netflix (FR)

Jun Ji-hyun is absolutely stellar in the role of Cheon Seong-yi, a ditzy Hallyu* star whose career is going south while Kim Soo-hyun plays the emotionally closed-off alien to perfection. Lots of pinning, a dose of angst mixed with a pinch of wacky humor.

*Hallyu means “Korean wave” in Chinese and refers to the popularity and spreading of Korean pop-culture outside of Korea.

#6 Hwarang The Poet Warrior Youth

(화랑)

Grade: B

Genre: Historical, Coming of age, fake siblings who catch feels

Episodes: 20

Happy Ending: Yes

Watched on: Netflix (FR)

Cute boys and interesting lore rooted in true facts (the bone rank system and the real Hwarang, the “Flowering Knights” of the Silla kingdom) but the story drags. I guess I expected more bromance and frolicking and less angst. Lastly, the main girl starts off quirky and fun but they quickly transform her into a sobbing mess which becomes real annoying real fast.

#7 Love in the Moonlight / Moonlight Drawn by Clouds (구르미 그린 달빛)

Grade: A

Genre: Historical, Romance, Coming of age, Posing as the opposite sex

Episodes: 18

Happy Ending: Yes

Watched on: Netflix (FR)

A classic tale of a girl raised as a boy who ends up in a situation where she needs to do her best to not blow her cover while catching feels (As someone raised on Versailles no bara and Ribbon no Kishi, it remains one of my favourite tropes)

Sweet romance and good characters. The fact that Crown prince Lee Yeong doesn't turn emo when he starts developing feelings for Eunuch Ra-on before discovering she's a girl is the cherry on top of the cake.

#8 Something in the rain

(밥 잘 사주는 예쁜 누나)

Grade: C

Genre: Modern

Episodes: 16

Happy Ending: Yes, but it still doesn't make you happy

Watched on: Netflix (FR)

Wasted potential!

Great start but the characterization falls apart quickly and you end up wondering why the main characters keep sabotaging their lives. By the end, despite their reunion, you're left with the impression they've learned nothing and that their relationship is doomed to fall apart.

On top of it all, watching Jin-ah fight sexism in the workplace and gaining nothing is depressing af (I don’t need realism in my escapism, thank you very much).

Too bad because Son Ye-jin and Jung Hae-in look really good together and the acting is top-notch. My advice is to watch the first 8 episodes then make up your own ending in your head.

#9 Moon embracing the sun

(해를 품은 달)

Grade: B+

Genre: Historical,Star-Crossed lovers

Episodes: 22

Happy Ending: Yes

Watched on: Netflix (FR)

A traditional historical drama with all the tropes that go with the genre + a hint of esoterism.

If you love ill-fated relationships, tragic love triangle, evil queens, and amnesia, this is the show for you. Beware, the interrogation/torture scenes are rather brutal.

#10 My sassy girl

(엽기적인 그녀)

Grade: B-

Genre: Historical, Rom-Com

Episodes: 16

Happy Ending: Yes

Watched on: Netflix (FR)

Cute and lighthearted but easily forgettable. Still worth a watch thanks to Joo Won & Oh Yeon-seo's chemistry.

#11 Coffee Prince

(커피프린스 1호점)

Grade: A

Genre: Modern, Posing as the opposite sex

Episodes: 16

Happy Ending: Yes

Watched on: Netflix (FR)

Solid story, great cast but be ready for a lot of bickering.

Yoon Eun-hye is a precious bean who manages to sell the story of Eun-chan, a struggling androgynous working-class girl who mistakenly gets hired by a rich guy to play his boyfriend, then becomes his employee, then falls for him while not correcting his assumptions about her gender. Opposite her, Gong Yoo (from Train to Busan fame) is 🥰🥰🥰

Sidenote: Despite Han-kyul's struggle to accept his feelings for Eun-chan, homosexuality isn't treated as a joke or a shameful thing. The one time he goes seek “medical help”, the doctor is depicted as an old, clueless idiot. And honestly, the story would work too if Eun-chan was a guy.

#12 My girlfriend is a Gumiho/My girlfriend is a Nine-tailed fox

(내 여자친구는 구미호)

Grade: B+

Genre: Modern; Fantasy

Episodes: 16

Happy Ending: Yes

Watched on: Viki - Available on Netflix (FR) too

Campy and goofy. It does look a bit dated (it’s from 2010) and the story is a little predictable but Lee Seung-gi as Cha Dae-woong, an aspiring action film actor and Shin Min-ah as “Gu Mi-ho” the nine-tailed fox looking for a mate are super cute. The show is also a good introduction to Korean folklore.

#13 Goblin / Guardian: The Lonely and Great God / The Lonely and Great God – Goblin

(쓸쓸하고 찬란하神 – 도깨비)

Grade: A+

Genre: Modern, Historical, Fantasy, bromance

Episodes: 16

Happy Ending: Yes-ish

Watched on: Viki

Unpopular opinion but since I’m not into older guys, I wasn’t invested in the romance between Bride and Goblin until late in the series. I loved everything else though. The show has such a unique tone and atmosphere. It goes from super serious to goofy in no time. The cinematography is gorgeous (especially the historical sets) and you'll cry your eyes out.

#14 Healer

(힐러)

Grade: A

Genre: Modern

Episodes: 20

Happy Ending: Yes

If you're into toll broody guys and fearless smoll girls, you’ll love Healer. The story is great, the characters are great and the way Jung-hu (played by Ji Chang-wook) and Ji-an (Park Min-young) are horny for each other is peak drama! *chef kiss*

#15 Kangchi the beginning/Gu family book

(구가의 서)

Grade: B-

Genre: Historical, Fantasy

Episodes:

Happy Ending: No

Watched on: Netflix (FR)

Engaging coming of age story of a half-human half-gumiho looking for his place in this world. If it wasn't for the wishy-washy ending it could have been the perfect mix of action fantasy and romance.

Special mention for Dam Yeo-wool (played by Suzie Bae) who is a female character who's allowed to be a bit of everything at the same time (strong, kick-ass, funny, cute, romantic)

#16 Queen for seven days

(7일의 왕비)

Grade: A

Genre: Historical, Romance, Villainous crush

Episodes: 20

Happy Ending: No

Watched on: Netflix (FR)

With that title don’t expect a HEA but there are plenty of sweet moments along the way to make you appreciate the journey.

Chae-kyung loves the Prince and the Prince loves Chae-kyung but the King wants to kill the Prince and Chae-kyung is loyal to the King but the King is a tyrant and everyone wants the Prince to take his throne. On top of that the King wants Chae-kyung. Big mess. Lots of feels.

The story is (very) loosely based on real-life Queen Dangyeong, which makes it even more poignant. I cried my eyes out at the end because I’m a big softy.

#17 Korean Odyssey

(화유기)

Grade: A-

Genre: Modern, Fantasy

Episodes: 20

Happy Ending: Kinda

Watched on: Netflix (FR)

The show (very loosely based on Journey to the West) has its faults including the wishy-washy ending and the fact that Jin Seon-mi/Sam-jang starts off as a doormat but I ended up liking the relationship developing between the assholish Monkey god and the naive human girl more than I expected.

The side characters are compelling, and the banter and bickering between the deities work really well. If you grew up with Dragon ball, you’ll have a blast trying to match-up the Japanese and Korean names of everyone without looking up Wikipedia.

Lastly, not something I imagined saying after seeing him in Gumiho and Gu family book but Lee Seung-gi as Son Oh-gong = BDE *fans herself* 🥵

#18 Strong Girl Bong-soon

(힘쎈여자 도봉순)

Grade: A-

Genre: Modern, Super-Heroine

Episodes: 16

Happy Ending: Yes

Watched on: Netflix (FR)

Trigger warning: Graphic depiction of violence against women

A++ super-heroine story, bad side characters

First, every girl should aspire to find a Min-hyuk in their life. Someone who'll love them because of their strength, and support them unconditionally. Someone who won't ask them to change or pretend to be somebody else.

Second, western media should learn that a super-heroine can HAVE IT ALL—the superpowers AND the love AND the family.

My only complaint with the show (and that's why I gave A- instead of A++) is the inclusion of many cringy side characters/situations that spoiled my overall enjoyment (see the caricatural flamboyant gay co-worker, Bong-soon’s mom hitting her dad, the mobsters...)

#19 The K2

(더 케이투)

Grade: B-

Genre: Modern, Political

Episodes: 16

Happy Ending: Yes

Watched on: Netflix (FR)

The romance is bad and the political story far-fetched but Ji Chang-wook is 🔥🔥PEAK HOTTIE🔥🔥

That being said, I didn’t completely dislike the political intrigue and it was interesting to see the good guy working for the villains (sort of).

#20 Weightlifting fairy Kim Bok-joo

(역도요정 김복주)

Grade: A+

Genre: Modern, Coming of age

Episodes: 16

Happy Ending: Yes

Watched on: Netflix (FR)

Uplifting coming of age story and super sweet romance. Bok-joo (Lee Sung-kyung) & Joon-hyung (Nam Joo-hyuk) are precious children on top of being cutie-patooties. Bok-joo’s insecurities hit hard, especially if you’ve ever been outside the norm of beauty standards.

I liked how the show normalizes therapy and taking care of your mental health.

In one word…

SWAG!

#21 The scholar who walks the night

(밤을 걷는 선비)

Grade: B

Genre: Historical, Fantasy, Vampire, posing as the opposite sex

Episodes: 20

Happy Ending: Yes

Watched on: Netflix (FR)

Guilty pleasure.

Don’t ask me about the details of the main storyline, I’ve already forgotten most of it. Sometimes all you need is a show where a hundred-something years old good vampire with a sad backstory and the main girl who is thirsty for the good vampire are fighting a sexy evil vampire.

PS: Did I mention the sexy evil vampire?

#22 Romance is a bonus book

(로맨스는 별책부록)

Grade: A+

Genre: Modern, Friends to lovers

Episodes: 16

Happy Ending: Yes

Watched on: Netflix (FR)

Imagine reading a relaxing book under a cozy blanket while sipping hot cocoa. That’s how that series made me feel.

Everything is sweet and soft from the characters' fluffy jumpers to the soft palette of color used for the sets. People make books and love books. There’s a mystery but no unnecessary angst. If you need a break from everything, jump in that ship.

#23 Hotel Del Luna

(호텔 델루나)

Grade: A-

Genre: Modern

Episodes: 16

Happy Ending: Sorta

Watched on: Viki - Available on Netflix (FR) too

Interesting world-building and a good cast of side characters but the romance lacks a bit of oomph.

On the + side, the hotel sets are gorgeous and Man-wol's wardrobe is to kill for.

#24 Suspicious Partner

(수상한 파트너)

Grade: A-

Genre: Modern, Star-crossed lovers in an office

Episodes: 20

Happy Ending: Yes

Watched on: Netflix (FR)

Toll serious who hates criminal falls for smoll weirdo falsely accused of murder. A must watch for anyone in search of a quirky romance.

#25 Touch your heart

(진심이 닿다)

Grade: A

Genre: Modern

Episodes: 16

Happy Ending: Yes

Watched on: Viki

Tooth rotting sweetness. The series is just a pretext to watch two good looking people (Lee Dong-wook and Yoo In-na) being nice and awkward around each other. What do you need more? 0

Note: If you watched Goblin you can also pretend it's a spin-off series about the reincarnations of Grim Reaper and Sunny. 💡

#26 Because this is my first life

(이번 생은 처음이라)

Grade: A

Genre: Modern, Fake marriage

Episodes: 16

Happy Ending: Yes

Watched on: Netflix (FR)

The Fake Marriage AU you’re looking for, mixed with slices of modern, messy, complicated life.

The main storyline revolves around Ji-ho an assistant drama screenwriter who struggles to find her place within the patriarchal structure of Korean society, and Se-hee, a socially incompetent computer designer who only cares for his cat and his mortgage. The way they end up in a fake marriage as well as the development of their relationship feels organic and doesn’t rely too heavily on comedy like it’s often the case with that trope.

The show also follows the stories of Ji-ho’s friends, Su-ji and Ho-rang who have different aspirations in life—Su-ji’s goal is to become CEO while Ho-rang only cares about becoming a housewife. I loved that the show makes a point to not pit women against each other and advocate living your life the way YOU want rather than trying to follow societal expectations of what love, work and marriage should look like.

Also they have the cutest cat.

#27 What's wrong with Secretary Kim?

(김비서가 왜 그럴까 )

Grade: A-

Genre: Modern

Episodes: 16

Happy Ending: Yes

Watched on: Viki

I wish Secretary Kim had more agency in certain situations but the romance develops well and the horny moments are caliente 🥵🔥

#28 Where your eyes linger

(너의 시선이 머무는 곳에)

Grade: A++

Genre: Modern, BL, Coming of age, Friends to lovers

Episodes: 8

Happy Ending: Yes

Watched on: Viki

Bite-size BL gem to devour in one sitting.

Stellar acting from the two leads and the balance between fluff and angst is just right. There's no graphic violence that sometimes plagues yaoi and BL and the story is believable. I got emo remembering my first love.

#29 Live up to your name

(명불허전)

Grade: A-

Genre: Modern, Historical, Time travel, Star-crossed lovers

Episodes: 16

Happy Ending: Yes

Watched on: Netflix (FR)

Trigger warning for graphic depiction of violence

Big surprise. I was looking for a cheesy comedy but it was actually a thoughtful story about humanism. I even teared up a little.

Trigger warning for needles. They do some pretty impressive procedures with those acupuncture needles.

#30 W - Two Worlds Apart

(더블유)

Grade: A

Genre: Modern

Episodes: 16

Happy Ending: Yes

Watched on: Netflix (FR)

Imaginary men > Real men, especially when they're played by Lee Jong-suk. Nuf’ said.

Imaginary men > Real men, especially when they're played by Lee Jong-suk.

The silly premise hides a solid story that keeps you on your toes and I was suprised by the rollercoaster of emotions I went through.

“Option 3″

“That’s 4 fingers”

#31 Life

(라이프)

Grade: C

Genre: Modern

Episodes: 16

Happy Ending: Kinda

Watched on: Netflix (FR)

Unless you want to learn how fucked up the private health sector is becoming in Korea, there's not much to gain watching this show.

The story starts off well though. The problem is that by the middle of the series the writers have dropped the main mystery (the circumstances surrounding the death of the director) to deliver an exposé on the political machinations of big corporations, and then shoehorn an explanation at the last minute (“it was all but a misunderstanding”). Very underwhelming.

The relationship between the two brothers played by Lee Dong-wook and Lee Kyu-hyung is the only bright spot.

#32 Pinocchio

(피노키오)

Grade: A-

Genre: Modern, Fake family members who catch feels

Episodes: 20

Happy Ending: Yes

Watched on: Netflix (FR)

On paper, the story sounds a little crazy but it all comes together nicely.

Lee Jong-suk and Park Shin-hye have great chemistry and deliver a stellar performance as “uncle” and “niece” (not related by blood) who can’t fight the romantic feelings they harbor for one another. The main storyline has enough twists to keep you entertained and surprised.

My only complaint is that it drags a little. 16 episodes would have been enough.

#33 My Holo Love

(나 홀로 그대)

Grade: A

Genre: Modern, Sci-fi

Episodes: 12

Happy Ending: Yes

Watched on: Netflix (FR)

Fake men > Real men

Imagine a Black Mirror episode about a love triangle between a woman suffering from face blindness, an emotionally supportive AI boyfriend and the disenchanted creator of said AI, minus the nihilism. *chef kiss*

#34 Legend of the blue sea

(푸른 바다의 전설)

Grade: B++

Genre: Modern, Fantasy, Fairy tale, Star-crossed lovers

Episodes: 20

Happy Ending: Yes

Watched on: Viki

Park Ji-eu (the writer) read the little mermaid and decided to give her a happy ending. Great chemistry between Lee Min-ho and Jun Ji-hyun but the spark is missing for me.

The antics of modern-day mermaid Shim Cheong are a little predictable and Joon-jae needs to be less of a control freak at times but the story remains enjoyable. I was pleasantly surprised to see Shim Cheong’s character grow, making the power imbalance between the clueless mermaid and the con-artist less pronounced by the end of the series.

The side characters are interesting but underused, and I wish Tae-oh was more developed. On the other hand, the Joseon area sets and costumes are absolutely gorgeous (Don’t tell anyone but Joseon!Lee Min-ho is hotter than Modern!Lee Min-ho 🥵)

#35 Tale of Arang / Arang and the Magistrate

(아랑사또전)

Grade: B

Genre: Historical, Fantasy,

Episodes: 20

Happy Ending: Yes

Watched on: Netflix (FR)

One word: Campy.

Interesting lore but the pacing is a little off—there’s a lot of back and forth between the characters and the locations and the love triangle doesn't add much.

#36 My ID is Gangnam Beauty / Gangnam Beauty

(내 아이디는 강남미인)

Grade: A+

Genre: Modern, Coming of age

Episodes: 16

Happy Ending: Yes

Watched on: Netflix (FR)

If you’ve ever been bullied for your looks, you’re gonna bawl your eyes out.

The show does a great job of calling out the unhealthy beauty standards imposed on Korean women but the topic is universal enough for the story to resonate with everyone. I love that you never see Mi-rae’s old face because it’s not our perception of her lack of beauty that matters but the fact she suffers greatly. Don’t you hate in western shows when they take a beautiful actress, give her a pair of glasses or a fat suit and call her ugly, making sure the audience feels shittier about themselves? Here, the writers concentrate on Mi-rae’s transformation and her coping with the consequences of her decision to do plastic surgery.

It’s also not a revenge fantasy where the ugly duckling suddenly becomes the most popular girl at school. Being a “Gangnam beauty” leads to a new form of suffering.

Romance-wise, it’s the slowest burn of slow burns because Mi-rae and Do Kyung-seok are the most socially awkward beans on the planet. I love them, Your Honor.

#37 Tale of Nokdu

(조선로코-녹두전)

Grade: A

Genre: Historical, Posing as the opposite sex

Episodes: 32 x 30mns

Happy Ending: Yes

Watched on: Viki - Now available on Netflix (FR)

Fun and lighthearted all the way through.

The story of a guy who puts on a dress to investigate a village of widows could have gone very wrong but it was well handled. It’s refreshing to see the classic trope of posing as the opposite sex reversed and Jang Dong-yoon is never cringy when he’s pretending to be Lady Kim Nok-soon.

#38 Bride of Habaek / Bride of the Water God

(하백의 신부 2017)

Grade: B

Genre: Modern, Fantasy

Episodes: 16

Happy Ending: Yes

Watched on: Netflix (FR)

Content warning: Crime against fashion

Promising premise and lore (I'm interested in reading the original comics now) but the writing fails to deliver an epic romance and a cathartic ending. Moreover, the sets lack imagination (or money?) and in the end I failed to ever feel immersed in a fantasy world.

The unfortunate consequence of the clumsy writing is that the male characters who are meant to be arrogant/confident Gods (Habaek and By-ryeom) sound like they're negging their love interests more than wooing them, and the relationship between Mu-ra and By-ryeom particularly irked me.

#39 Strangers from Hell / Hell is other people

(타인은 지옥이다)

Grade: A+

Genre: Modern, Psychological Thriller

Episodes: 10

Happy Ending: Spoiler

Watched on: Netflix (FR)

Content warning: Violence

What a departure from everything else in that list! Absolutely worth a watch if you enjoy thrillers and shows like Hannibal. If psychological horror isn’t your cup of tea though, you might give it a pass.

The storyline and the characters are a little cliché (it goes with the genre) but the cinematography and photography are fantastic. You can notice how the pension becomes more and more sinister throughout the series via the use of dark greens and browns and pale yellows, as opposed to the mundanity and coldness of the city (greys, and cold blues).

Last but not least, the acting is top-tiers. Im Siwan does a great job at portraying Jong-woo, an aspiring crime novelist who slowly loses his marbles but the true revelation for me is Lee Dong-wook. After seeing him so many times in roles where he plays awkward yet charming men who can barely express emotions, I was intrigued to see him take on the role of a serial killer, and holy cow, he's the perfect mix of sinister and alluring. Towards the end of the series, his character Moon-jo acts like a black-hole whenever he appears in a scene—a towering, dark presence who sucks the light out of the room (If he carries any of that darkness in the upcoming Tale of Gumiho, it’s gonna be *chef kiss*).

#40 Empress Ki

(기황후)

Grade: A

Genre: Historical, posing as the opposite sex

Episodes: 51

Happy Ending: From a certain point of view

Watched on: Netflix (FR)

Trigger warning for violence against women (not graphic but implied)

51 episodes.

Fifty.One.Episodes.

That's a lot of episodes considering the story starts with the ending.

Did I enjoy this show? Yes, very much so. Do I think it's for everyone? Nope.

You'll enjoy Empress Ki if you're into old-school historical sagas or you wished Game of thrones had no gratuitous nudity and violence. If you’re looking for an historically accurate biography of the real empress Ki though, then look away because Empress Ki is basically a lengthy fanfiction trying to justify how the Goryeo native Seung-nyang married the wimpy Emperor of the Yuan dynasty whilst trying to portray her as loyal to her motherland and to her first love, the Crown Prince of Goryeo.

Personally, I didn’t care for the love triangle formed by Seung-nyang (Ha Ji-won), Wang-yoo (Joo Jin-mo) and Toghon Temür (Ji Chang-wook) but I liked the politics and the backstabbing. Also, contrary to GoT, the bad guys get their comeuppance at the end so it makes watching the side characters die less painful.

#41 Meow, the secret boy / Welcome

(어서와)

Grade: B-

Genre: Modern, Modern fantasy

Episodes: 24 x 35mns

Happy Ending: I guess

Watched on: Viki

How do I put it? It's not *terribad* but it's not *good* either.

I was super on board with the concept—if Lee Seung-gi can bang a nine-tailed fox in My girlfriend is a gumiho, I have zero issues with Sol ah, our heroine, falling in love with Hong-jo the cat-person after being dumped for no reason by Jae-sun her boyfriend—but it didn’t exactly develop that way, and as soon as they explained why Jae-sun had broken up with Sol-ah, the writers lost me because I like when things happen for a reason.

#42 Clean with a passion for now

(일단 뜨겁게 청소하라!!)

Grade: A-

Genre: Modern, Rom-Com

Episodes: 16

Happy Ending: Yes

Watched on: Netflix (FR)

Super zany and tropey but that’s why it works so well. The only reason I’m giving it a minus is because it’s trying to be woke but in the end there’s still a lot of unsolicited grabbing and some iffy remarks/pick-up lines said by every male characters (IRL that’s the kind of story that ends up with a restraining order and a lawsuit for sexual harassment).

#43 Mystic pop-up bar

(쌍갑포차)

Grade: A

Genre: Modern, Fantasy

Episodes: 12

Happy Ending: Yes

Watched on: Netflix (FR)

Trigger warning: Heavy themes (miscarriage, pregnancy, loss of a child, death of loved ones)

You know how the meme goes... Sometimes a family is a hot-tempered bar owner, a cursed kid and an ex-Afterlife-Police officer with a secret past.

It took me a few episodes to get into it, but once the characters were established it became really enjoyable.

The tone of the series leans toward wacky but the core of the story is actually pretty dark if you look into it. Every grudge they solve for their “clients” gives a clue about Wol-joo’s personal story and by the last episode I was crying my eyes out.

Last but not least, Wol-joo’s collection of modernized hanboks is *chef kiss*

#44 My secret Terrius

(내 뒤에 테리우스)

Grade: A

Genre: Modern, Action, Comedy, Bromance

Episodes: 16

Happy Ending: Yes

Watched on: Netflix (FR)

An enjoyable action drama to watch with your family or your significant other.

Koreans prove that you can write a story about a black ops agent on the run who becomes a childminder without reeking of toxic masculinity. Contrary to American comedies where the manly-man-hero working undercover is incompetent and believes that working with children is a woman’s job and a waste of his manly-man talents until he has an epiphany of some sorts, Kim Bon (played by So Ji-sub) never once expresses discomfort to the idea of looking after two kids. In spite of his sober demeanor, he’s a caring and attentive person from the start and watching him gradually becoming a part of this spunky family while investigating a national security threat made my heart go awww.

Opposite him, fearless and resourceful mom Go Ae-rin (played Jung In-sun) brings a lot of energy, and the twins are absolutely adorable.

#45 Moon Lovers: Scarlet Heart Ryeo

(달의 연인 - 보보경심 려)

Grade: A--

Genre: Historical

Episodes: 16

Happy Ending: No

Watched on: Random streaming site

Don’t get attached—Moon Lovers is the missing link between Empress Ki and Boys over flowers, but with a sad ending.

I did binge watch the series but there are some frustrating aspects to it that prevented me from giving a perfect score, notably the fact that Wang So remains possessive and demanding with Hae Soo throughout the years—for instance “You’re my person” is a romantic statement until it evolves into “You can never leave me.”

The other problem of the series is that Lee Ji-eun (UI) does cute and goofy really well, but she doesn’t have the emotional range needed to portray a character who goes through many heartbreaks and betrayals. As a result, Hae Soo appears a little fickle in her infatuations with the princes.

That being said if you’re a sucker for tragic romance and you believe that power corrupts even the purest of love, you’ll have a blast.

#46 Forest

(포레스트)

Grade: B++

Genre: Modern, Romance

Episodes: 16

Happy Ending: Yes

Watched on: Viki

UST in the woods (Dat first kiss 🥵🥵🥵)

The characters and the story are a little cliché but who doesn’t love a story where the protagonists are clearly attracted to each other but can’t act on their desires because their moral values are opposite?

*slams fist*

San Hyeok is your typical heartless businessman who refuses to confront his childhood trauma, and Yeong Jae is a surgeon who suffers from panic attacks and cares too much about other people. They’re both good looking and fate brings them to a remote village in the middle of the forest where they have to share a house. Really, I wonder what’s gonna happen?

#47 100 Days My Prince / Hundred days husband

(백일의 낭군님)

Grade: B+

Genre: Historical

Episodes: 16

Happy Ending: Yes

Watched on: Viki

Trigger warning: Important character death.

Cute and charming but also very annoying at times. Obviously, the story is tropey af (fake marriage doubled with amnesia, you can’t really beat that) but it also includes elements I’ve never seen in any other dramas like the fact that the Crown Princess is pregnant with another man’s child (le gasp!). The things that annoy me the most were the unnecessary flip-flopping of the heroine towards the end of the show for the sake of creating artificial drama (just let them be together FFS!) and the fact that the male characters take a lot of decisions for Yeon Hong-shim.

Romance wise, Do Kyung-soo and Nam Ji-hyun are really cute together but in the end I found myself more interested in the political intrigue and the side characters than the main romance because slow burn has its limit. In essence, it’s the perfect drama to watch with your conservative family because whilst the main couple is living under the same roof and is technically married they don’t get frisky.

#48 I Am Not A Robot (로봇이 아니야)

Grade: A++

Genre: Modern

Episodes: 16

Happy Ending: Yes

Watched on: Netflix (FR)

Angsty with a good pay-off.

With a premise like that, things could have gone wrong really quickly but the writers managed to write a story that isn’t a man wanting to fuck a robot because real women are scary so big kudos for them. Seeing Min-kyu celebrating his Roomba’s birthday because he has no other friends will instantly melt your heart and from that point on you’ll cheer for his recovery. The show has the right amount of angst without becoming a mess and they handle the big reveal very well, making sure to show how hurt both Min-kyu and Ji-ah are by the situation, without making you doubt that they can find each other again. The other strong point of the show is that it’s not just about romance, it’s also about friendship and learning to let other people in your life.

The acting is incredible to the point that by the end I wondered if Yoo Seung-ho and Chae Soo-bin were making out in front of my salad or if I was still watching the characters Min-kyu and Ji-ah being lovey dovey.

#49 Sungkyunkwan Scandal (성균관 스캔들)

Grade: A

Genre: Historical, Posing as the opposite gender

Episodes: 20

Happy Ending: Yes

Watched on: Viki

Hana zakari no kimi tachi he with gats.

This show checks so many boxes when it comes to my favourite tropes story-wise and character-wise that I instantly fell in love with it. It might feel a little dated for a younger audience and it definitely suffers from the second male lead syndrome (who wants unseasoned boiled chicken when there are not just one but two juicy rotisserie chickens on the table next to you?!) but it’s still very much enjoyable. Also, they don’t shy away from using the word “homosexuality” and having one of the second lead confessing to having romantic feelings for his friend (I’ll take any scrap of bi-representation, okay?)

#50 It’s Okay to not be okay (사이코지만 괜찮아)

Grade: A

Genre: Modern

Episodes: 16

Happy Ending: Yes

Watched on: Netflix (FR)

Found family.

In spite of one ridiculous plot twist (that I was aware of when I started the show) this show has made me feel all the feelz. The three main actors all did a phenomenal job portraying their characters in all their complexity and fragility and I ended up crying so many cathartic tears in the second to last & the last episodes.The relationship between Sang-tae and Gang-tae is one of the best sibling relationships I’ve seen on-screen in a long time while the romance between Moon-yeong and Gang-tae blends perfectly elements of comedy and melodrama. Mental illness isn’t treated as something to be ashamed of, whilst showing that you can grow and recover from trauma and finding your own happiness.

PSA from my boyfriend, who dropped the show before the end:

The plot twist is so stupid that it takes away from the rest of the series. In my opinion it negated the positive portrayal of mental illness built up until then. They completely lost me.

^ We discussed a lot about it which is why I wanted to share his POV to balance my own review.

#51 coming soon

#k-drama #kdrama

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ladyloveandjustice · 5 years ago

Text

Winter 2020 Anime Overview: Toilet-Bound Hanako-kun

Ok, so let’s get this out of the way first, 1. I adore this story so much and 2. Toilet Bound Hanako-kun has a horrible, horrible English title that is not actually at all representative of the story’s content and I have no idea what happened when it came to the team choosing that name. To the average English-speaking viewer/reader, this name 100% implies gross stuff and bathroom humor, and there is none in this show.

A Japanese reader on the other hand, would be more likely to recognize the name Jibaku Shounen Hanako-kun as a spin on the classic ghost story “Hanako-san of the Toilet” only A BOY THIS TIME WHHHHA?” Basically, the story goes that a girl named Hanako in a red skirt haunts girls’ bathrooms in Japanese schools and if you knock on the third stall and call “Hanako-san” three times, she’ll appear. She might grant you a wish or pull you into Hell or something else, it varies.

(Her Wikipedia image, aww.)

Anyway, I dunno why the English title didn’t at least go with “Toilet Ghost Hanako-kun” or something that would have gotten the premise across even a little better (HE NOT TECHNICALLY BOUND BY THE TOILET EVEN, HE CAN GO ANYWHERE IN THE SCHOOL GROUNDS THE BATHROOM IS JUST HIS HOME BASE), but our boy Hanako haunting the girl’s bathroom only leads to broad jokes about our heroine being tasked with cleaning the bathroom and “dude you really shouldn’t be in here” comments, it’s pretty incidental.

Now that THAT’S out of the way, let’s talk about my LOVE FOR THIS STORY

Hanako-kun tells the story of a “regular” high school girl named Nene Yashiro, the mischievous and mysterious school ghost she befriends, and all the other weird monsters, exorcists, spirits and curses they encounter. It’s got a gorgeous, colorful bold aesthetic and art style that combines gothic and cute! It has a great mix of humor, intrigue, angst and fantasy action. basically if you love ghosts, monsters, Japanese mythology and legends, supernatural-human relationships, supernaturally fueled angst and drama, stories about trying to fix an unfair system the world has set up, wistful romance, a good shoujo manga with a Lot of Feelings (yes this is a shonen technically I’ll explain that later), weirdo dorks becoming friends AND MUCH MORE...this story will have something that will resonate with you. It’s got a lot going on, and it’s a ton of fun.

Hanako-kun is really one of those surprising stories that fits right into a hole in my story-loving heart I didn’t realize was still there, or that I’d actually been carrying since childhood. I love ghosts, see, and have since I was a kid!!! I knew this, but I kinda forgot how intensely I love them until this show reminded me again??? That’s because regular ghost stories/mysteries/whatever- I like them, but they don’t quite do it for me in the way more character-driven ones exploring the nature of being a ghost and humans and ghosts trying understand each other etc do. Stuff that really gets into the tragedy AND the fun fantasy aspect of ghosts, and plays the long game with it- and Hanako-kun scratches that itch perfectly.

Getting a little bit deeper into the premise of Hanako-kun, Nene is a very brave and sweet but not-all-that-bright girl (or, to put it more bluntly, she’s an idiot in the best way) who has a lot of romantic fantasies and insecurities and is VERY focused on them. After hearing a rumor at school that “Hanako-san of the bathroom” will grant wishes, she wishes to be able to confess to her crush and finds out its actually a weird ghost boy her age named Hanako haunting the bathroom! A lot of things happen, and she ends up cursed and bound to Hanako-kun, but also ends up slowly forming a friendship.

Turns out Hanako is the ghost in charge of the “seven mysteries/wonders” aka seven powerful supernatural entities that haunt this school (he’s number seven). These apparitions only supposed to terrorize students a LITTLE, because apparitions need to have rumors spread about them to remain in the human world.

(‘HAVE YOU HEARD?’ Oh hey shadow girls from Utena see you’ve moved to a new school.)

The rumors also generally dictate how powerful and dangerous the apparitions actually are- but SOMETHING MYSTERIOUS is changing the rumors around the school and making the apparitions go berserk and actually harm humans. So Hanako needs a human assistant to change the rumors and help him calm and seal the apparitions! That’s where Nene comes in.

Hanako himself is a very fun character- he’s very chaotic and revels in his whole “ gremlin ghost” persona, and is upfront about being a bit of an asshole. BUT he also makes his kindness, often good intentions and the fact he’ll have his friends back when it counts obvious from the beginning. B U T! He’s also got darkness and hidden depths to explore, and a lot of his persona is affected and masks deeper issues!

Our ghost boy is genuinely A TAD unstable deep down (as in he straight up has several untreated PTSD symptoms and that’s as disastrous as you’d expect) and packing some serious tragic backstory, as you might expect from a kid who died young and carries around a butcher’s knife, and it’s gonna come back to bite him and and all who care about him hard.

Especially when an overly enthusiastic exorcist named Kou Minamoto shows up! Kou is another one who’s very dumb and very good, a wannabe-shonen-protag with a heart of gold and strong sensitive, domestic side. He rounds out our main trio. Also he gets a tragic, emotionally intense relationship with yet another ghost boy that sings to my heart.

(Yes Hanako’s helping Nene to do the thing)

You may be able to tell, this story has INTENSE good-shoujo vibes despite technically being a shonen in a way that I love- it’s story very driven by big emotions, a variety of fucked up and tragically complex relationships, teen hormones running wild, etc, and it’s just delicious.

Nene is the normal-person-audience-surrogate-girl in a way that is more common for a shoujo protag, and the way her emotional connections to everyone, her sweeping romantic fantasies and her interiority are consistently in focus when she’s there- yeah, she’s definitely a plucky shoujo protag, 100%. And I’m all about that!!!

One thing I especially appreciate (though this comes across more strongly in the manga than the anime thanks to the anime rearranging things) is when Nene finds out about Hanako’s Heavy Baggage, she actually takes some time to herself to consider whether she can handle dealing with someone with these intense issues as a kid who’s never encountered stuff like this before- it’s not assumed by the story that the Sweet Girl is Obligated to help the Tragic Boy. I go into more detail about this part in this part here, but it’s that kind of attention to Nene’s needs that makes her role in the story work. Hanako and Nene and everyone’s struggles to get the hang of and properly navigate honest communication and mutual support in relationships are often really great and real-feeling

The story has a lot more things I love packed in to it- a dorky-but-still-deeply-unsettling villain gang who’s screwed up interactions are just as fun as our protagonists, yokai, A CURSED LIBRARY, some great ladies in addition to Nene, meditations on the nature of life, death, themes about fighting nihilism, and so on...I could seriously go on forever. It’s good stuff, and there’s lots of good weird supernaturals to meet.

The story’s also got tons of intrigue! The overarching plot and Hanako’s Mysterious Past is still in the process of unfolding, but it’s been great drama every step of the way! As mentioned before, the story also really relies on funny character dynamics, interaction and development to carry the whole thing and balance the drama.

The anime itself does have some pacing issues bc they crammed a lot into the first season and rearranged some stuff- an entire two chapter arc was skipped and was unlikely to be covered in the anime and some parts are noticeably rushed. I still really like the anime and it’s a solid adaptation. I love how much of the manga’s detailed aesthetic it managed to keep as well as the amazing voice acting and it made a few small but important additions. But there are some notable bumps- of course this just led me to go binge the manga (up to volume 12 is legally available digitally) and BOY DO I NOW LOVE THIS STORY EVEN MORE.

Now obviously, just because it is Exactly My Shit in a lot of ways doesn’t mean Hanako-kun is the much quested for “unproblematic fave”, there’s several caveats you should probs be aware of- its shoujo vibes also mean some classic shoujo ~Problematic tropes~ and a couple shounen ones.

THE LIST:

-Just as a general content overview thing: if this wasn’t clear the show deals heavily with death, body horror and other horror aspects. There’s heavily implied suicide and abuse and so on- as mentioned, the main character is traumatized and shows a lot of symptoms of PTSD, and Nene has to struggle to navigate her relationship with him because of this, as does Kou.

-Hanako himself has the whole ~loveable pervert~ and ~slightly possessive shoujo bad boy~ schtick going as part of his mischevious persona. In the anime so far, he never actually gropes or comments on not-in-his-naughty-mags-people’s breasts or anything of that level thankfully, but he’s very flirty, clingy, will loudly bring up porn, fond of the ol’ *says something that purposefully sounds sexually possessive* HAHAHA U THOUGHT I MEANT SOMETHING DIRTY RIGHT LOL ACTUALLY I DIDN’T.”

(My unnecessary ‘this part is kinda interesting!’ ramble: Nene always lists “sexual harassment” among Hanako’s flaws (she loves listing them), but doesn’t get visibly uncomfortable with his flirtiness or seem to mind it most times, which at least makes the whole thing more tolerable for me.

(since she doesn’t seem to mind that part and its clear he does it bc of actual affection for her, it’s actually p. cute how huggy he is.)

The one time it does cross the line and genuinely upset her, it’s treated seriously, Hanako is genuinely regretful and apologizes. That’s one of my fave moments in the story and the way it’s handled is well done.

This incident that he’s honestly pretty socially clueless as kid who died young and a lot of his bravado is to cover that up and keep people at a distance- this is a trope into itself that can use unpacking but I do at least appreciate that this is a considered character trait that’s part of his whole messed up package rather than something that thrown in there Just to Be a Fanservice Trope. (Especially since the manga confirms he never acted particularly pervy while alive, further cementing this is an affected persona).

-There’s a running gag around Nene’s insecurity over her thick ‘daikon shaped’ ankles and boys treating her badly for it.

One one hand, her body image issues are relatable, on the other, it feels cruel and annoying just how much the show finds ways to bring it up and humiliate her over and over again.

(My unnecessary “this is part is kinda interesting” ramble:The one thing i did realize that despite bringing it up constantly, we at least have no “i’m going to do this to lose weight” or “go on a diet” rhetoric,like this is just part of Nene’s body type and she knows she can’t change it? Which is kinda interesting. And I’ve spotted what might be foreshadowing something plot relevant’s going to happen with her ankles (I DON’T KNOW HOW, BUT GOD I PUT NOTHING PAST THIS STORY) so uh yeah??? either way it’s not good tho)

-”Obsessive and twisted love” is a running theme in this story, and while it’s generally acknowledged as unhealthy, it can be played for comedy in a way that could make viewers/readers uncomfortable. There’s a couple characters who’s entire thing so far is “obsessively in love with this one person” (and the one only focused on in the manga so far is one of the least interesting characters tbh ugh)

-The antagonist of the show is a member of a main character’s family, and the manner he acts towards pretty much everyone, including (and really especially) his family member, verges on seductive. This is presented as deliberately unsettling and treated as a marker of how unstable and scary he is- and though the backstory between them hasn’t been fully delved into, it’s pretty much all but confirmed he abused this family member physically and emotionally.

-The story has like, A LOT of queer subtext and pretty-heavy queer coding for one character especially, but the few times queerness blatantly comes up in the story, it’s played as a joke in the “haha that’d be kinda weird” way (aside from the rando boys who have a crush on Teru, handled pretty neutrally). It’s not as malicious as a lot of animanga can get (ONE MANGA INCIDENT ASIDE), but it’s something to Be Aware Of, and it makes it clear we’re unlikely to see subtext rise to text and makes some moments feel baity.

-And probably more I might have missed! The manga also has Some Shit in addition all the Good Shit that hasn’t been adapted yet, an early arc has Hanako crossing a serious line etc.

BUT despite how messy it is, I think it’s clear I have a lot of love for this story. In fact, I wouldn’t trade away a good chunk of its messiness (DEFINITELY SOME JUST NOT ALL), it kinda works for the characters and works in the “this story really feed my inner teen” way. Some of the trashy parts are exactly My Trash, basically.

So, I knew I’d ramble on for a while when I talked about his show, but if you’ve read this far, thanks, and I hope that means you’re gonna check out and maybe enjoy this story, bc i need more people to join me in Hanako Hell.

#toilet bound hanako kun #jibaku shounen hanako kun #jibaku shonen hanako kun #winter 2020 anime #anime overview #hanako kun #nene yashiro #yashiro nene #kou minamoto #minamoto kou #yugi amane #amane yugi #my reviews

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