#love ssega

[nofatclips]

Say Something by Emma-Jean Thackray from the album Yellow - Director: Avesta Keshtmand

[elaboratetaste]

Love Ssega – Hot Electrolytes

[thatstudyblrontea]

🎶✨when u get this, list 5 songs u like to listen to, publish. then, send this ask to 10 of your favorite followers (positivity is cool)🎶✨

@teawithhobi

Thank you both for the asks☀️ Sorry it took me ages, they got lost in the inbox! I'll list a few songs I've been "rediscovering" lately, here we go:

Telephone Banking - Clean Bandit feat. Love Ssega

the last great american dynasty - Taylor Swift

hurts like hell - Wrabel feat. Sadie Jean

Jolene - Dolly Parton

Too Young - Louis Tomlinson

[concupiessence]

Clean Bandit - Mozart's House ft. Love Ssega [Official Video]

[igotell]

Clean Bandit – Beautiful Lyrics Ft. Love Ssega | DaVido

Clean Bandit – Beautiful Lyrics Ft. Love Ssega | DaVido

Clean Bandit Beautiful Lyrics Ft Love Ssega DaVido

Description: Lyrics Of Beautiful Song By Clean Bandit are provided in this article. This is a New song which is prepared By Famous band Clean Bandit Ft. Love Ssega & DaVido. What Is Love? is the album of this song which is released on 30th November 2018.

If You are Searching Lyrics Of Beautiful Song By Clean Bandit then you are on the right…

[xclusivehiphop-blog]

DOWNLOAD MP3: Clean Bandit – Beautiful ft. Davido & Love Ssega

DOWNLOAD MP3: Clean Bandit – Beautiful ft. Davido & Love Ssega

Clean Bandit – Beautiful ft. Davido & Love Ssega mp3 & audio download

British music group Clean Bandit dishes out a new record ‘Beautiful‘ which features top Nigerian musician Davido and another British singer Love Ssega…..DOWNLOAD MP3: Clean Bandit – Beautiful ft. Davido & Love Ssega

The record makes part of their newly released album by name ‘What is Love?’.

DOWNLOAD MP3: Barry Jhay – Go Down

[b-sidemusic]

NEWS: PRS OFFER FREE ADVICE ON HOW TO MAKE THEM PAY

On Saturday 2nd September, the PRS (Performing Rights Society - the UK-based organisation responsible for collecting and distributing performance royalties that every single musician and songwriter should be a member of, so don't make us nag you, JOIN HERE), will be offering a day of panel discussions and one-to-one advice on the various ways in which it's still entirely possible to make money by writing and performing music.  

Held at Norwich Arts Centre, PRS Foundation's Momentum Day is completely free of charge, and will feature three discussions: 'How to Make Your Music Pay', 'An Introduction to Funding' and 'How to Build Momentum'.  The panelists will include BBC Introducing/Radio One presenter Sophie Little, DIY Magazine editor Sarah Jamieson, Saffron Records' creative director Laura Lewis-Paul, and representatives of the PRS, PPL and Musicians Union.  

The panel discussions kick off at 1pm and will be followed in the evening by a gig, featuring PRS-supported artists Love Ssega, Hannah Peel and Mary Epworth, which is free for attendees (£5 for everyone else).  

To reserve free tickets for Momentum Day, visit the Norwich Arts Centre website or call 01603 660352.

Photo credit: Mary Epworth by Robert-Matthew Hughes

[blk-sqr]

OUGANDA – L’ÉCLECTIQUE LOVE SSEGA Né de parents ougandais, Love Ssega, qui réside désormais à Londres, est un artiste aux sonorités New Wave, disco avec une pointe de pop des années 80.

[theseventhhex]

Love Ssega Interview

Love Ssega

Channelling a mix of New Wave, 80s hip-hop and NYC disco into smart modern pop, Love Ssega's music draws on an evocative point in sound and culture far removed from the Lewisham borough in which he was raised. Born to Ugandan parents and finding initial inspiration in the topical South London Garage, Bass and Grime scenes, Ssega finished school and landed a place at Cambridge University, where he studied Chemical Engineering. Returning to the musical forefront with a catchy range of stunning singles, Love Ssega’s creative outlet is sure win over a host of new admirers with his distinctive and optimistic energy in mind… We talk to the young virtuoso about trial and error, visiting Japan and Anthony Joshua…

TSH: What sort of expressions and perspectives have you primarily been drawn to voice with Love Ssega?

Love Ssega: I guess it’s my own life experiences. It’s that line in Out Here Looking “you don’t go where I was, haven’t been where I am…”. I happen to have found myself in some pretty incredible situations, and most were pre-Instagram, so I have to sing about them for people to believe me. Also, there’s a lot going on, so musically pop should be deeper than just about who Taylor Swift is beefing. Some things baffle me, so I think I should sing about them.

TSH: Is it key to not be too serious and to have a playfulness feel with your crafting process?

Love Ssega: YES! If I wanted to lecture people I would have stayed in academia. And if you think you’re the best musician since Beethoven took off his wig, then remember, Crazy Frog has probably sold more than you. Don’t be too serious.

TSH: In terms of gear, what sort of styles and techniques do you look to incorporate?

Love Ssega: The best ‘gear’ is live musicians. Bands are undervalued, so I’m on a crusade to show they matter. Think about it, no one pays a lot for a gig then shouts ‘that beat machine was so good’, whereas they might mention a bassist, or a drummer or lead guitar… There’s cost cutting, but I thought this was the entertainment industry, not Office for Budgetary Responsibility.

TSH: With your music, can it be as case of embracing spontaneity, as well as trial and error?

Love Ssega: In the early days spontaneity was the go to! It was called not having a lot of money for recording studios, so you pretend each take was a perfect take or intentional. Job done. And as for trial and error, let’s just say some major labels can pay good money for that too, so I’m not complaining! Nowadays it’s all meticulous and forensically planned.

TSH: What sort of energy and feel were you looking to imply with ‘Hot Electrolytes’?

Love Ssega: The opposite of “cold pizza” I’d say. I had a really long answer, but I think this one is even better.

TSH: Moreover, what does a track like ‘Out Here Looking’ signify to you?

Love Ssega: I love this track and I didn’t realise that it would come out with so much global fuckery going on, especially in the UK. Really geeky point, but I added some piano chords late in the process to uplift the second part, because through this all, we need uplifting, generally and through music. But this song is a little reminder that younger people are watching.

TSH: Thinking about your live offerings, what are the key incentives that you want to manifest?

Love Ssega: If you come to my live show, come to dance. Expect a 5-piece band and energy. Watch us and you’ll see us enjoying it on stage and you’ll see where the notes are coming from. If the band is having a party on stage, the crowd has to join in.

TSH: Are there certain emotions that you feel are difficult to articulate with your songwriting?

Love Ssega: I think that problem only comes about when you have songwriters writing for artists that haven’t experienced that emotion, so on a philosophical level, maybe the inability to articulate a feeling is the precise emotion. Then the song could be about naivety, innocence or maybe even insolence. Went a bit off piste, but maybe that’s a hint of more music to come…

TSH: Does the vastness of chemical engineering seep into your music in any way at all?

Love Ssega: Chemical engineering gave me more random words to use, so maybe subconsciously. Plus most parents love a bit of engineering chat, so I can revert to type if the Hot Electrolytes aren’t flowing around a conversation.

TSH: What were some of your highlights during your visit to Japan earlier this year?

Love Ssega: Speaking a bit of Japanese on stage to the crowd, visiting the Maison Kitsuné store in Shibuya, as they put out one of my tracks, and then seeing a life-sized Mario Kart driving around Tokyo. I love Japan and the fashion there is crazy.

TSH: How was time spent at London Fashion Week recently?

Love Ssega: London Fashion Week was great. I’ve never been, so I’ve always been an outsider, but I have a selection of British Men’s fashion shops that I always go to in London. To get a GQ invite to the Hogan x Aston Martin collection launch was pretty cool and being not so long after the London terror attacks it was good to see the city back on its feet celebrating something creative.

TSH: Which artist in recent times have you been most fond and respectful of?

Love Ssega: Bjork. From the prettiness of Gling-glo to the strange atmosphere of Medulla, and then she gets David Attenborough doing skits on Biophilia! Mad! I saw her show at Alexander Palace in London. Also, she’s making videos with more powerful computers than I had in my Chemical Engineering lab. Some people want to be ‘weird’ but Bjork has never been a-melodic. Her songwriting is ridiculous and that’s the key.

TSH: How would you sum up your range of emotions during Joshua vs Klitschko?

Love Ssega: I love boxing and Joshua is a new breed of individual popping up. As a young black Brit, I had to be proud and I like the way he carries himself. I had a full range of emotions from 6th to 11th rounds, but it’s that true grit that came through. Plus he played a road rap anthem on his ring walk! Love that cheekiness. Real champ and the People’s champ.

TSH: What sort of TV do you watch in your spare time?

Love Ssega: I wish I had more time for TV but I do watch a lot of YouTube Hip Hop interviews, mainly The Breakfast Club, because these guys were real stars. Before media training messed the whole game up and gave us dull soundbites and safe questioning. I need to watch the new Aziz Ansari (Master of None) and Donald Glover (Atlanta) shows though, as they are certified greats in my opinion. Plus they go against stereotypes, which is something you might have guessed I like.

TSH: For you musical endeavours, is it very much a case of making work that you feel challenges yourself?

Love Ssega: Jamie Oliver doesn’t go out and sell the same omelette all day, so yes, I should challenge myself too. Also, I wouldn’t congratulate people for selling the same product to the same people who like buying stuff multiple times. Each to their own, but I didn’t stop laser spectroscopy to be the musical equivalent of a double-glazing salesman. As profitable as that may appear.

TSH: Finally, is the following statement you shared on social media the type of advice that you feel matters a lot today – ‘It's not about winning people over, it's about showing them it can be done.’..

Love Ssega: Absolutely. If everybody sees what you’re doing and ‘likes’ it instantly, then it is unlikely to be paradigm shifting - it’s more likely to be a rehash of ‘common consensus’. And social media is great at amplifying common consensus, or worst still, the lowest common denominator. We’ve gone from ‘show and prove’ to ‘prove then show’ which is a bit baffling. Especially the ‘it’s hard to prove without showing’, meaning many ideas die before being shown because they didn’t have ‘sufficient social media numbers’. Before we had the “underground” - nightclubs, pirate radio, raves - to protect subcultures, freaks and geeks from the mass judgement until they “showed us it could be done”. Here’s to the subcultures, freaks and (chemical engineering) geeks.

Love Ssega - “Hot Electrolytes”

Hot Electrolytes - Single

[purpleprent-blog]

Love Ssega

[popmd]

Hot Electrolytes by Love Ssega

[barulhobom-blog]

Love Ssega - Noise

Conheça o produtor londrino Love Ssega e seu mais recente lançamento, do final de Novembro '16, 'Noise', que acabo de colocar no gênero upbeat neo soul electronic. :) Vale acompanhar o que vem mais por aí, pq até agora as que lançou são dignas de coração e repost, inclusive vocal em uma música original do Bruce Springsteen, em versão country nada chata (só não chamo de Folk pq faltou camisa xadrez, suspensório e barba mal feita). Tudo no Soundcloud dele. 

[danbenzvi]

Just listened to: “Clean Bandit - What Is Love?”

Featuring the following tracks:

“Symphony” (featuring Zara Larsson)

“Baby” (featuring Marina and the Diamonds & Luis Fonsi)

“Solo” (featuring Demi Lovato)

“Rockabye” (featuring Sean Paul and Anne-Marie)

“Mama” (featuring Ellie Goulding)

“Should’ve Known Better” (featuring Anne-Marie)

“Out At Night” (featuring KYLE and Big Boi)

“Last Goodbye” (featuring Tove Styrke and Stefflon Don)

“We Were Just Kids” (featuring Craig David and Kirsten Joy)

“Nowhere” (featuring Rita Ora and KYLE)

“I Miss You” (featuring Julia Michaels)

“In Us I Believe” (featuring ALMA)

“24 Hours” (featuring Yasmin Green)

“Playboy Style” (featuring Charlie XCX and Bhad Bhabie) (Seriously, Clean Bandit, *Bhad Bhabie*?!  Full grade off just for that.)

“Beautiful” (featuring DaVido and Love Ssega)

“Tears” (featuring Louisa Johnson)

[ashleighxcx]

my top songs of 2018

out of my head - charli xcx ft tove lo & alma

xtal - aphex twin

hey qt - qt

sweatpants - terror jr

white mustang - lana del rey

every night - hannah diamond

let’s make a video - poppy

broken flowers - danny l harle

into the earth - bloc party

fanta - easyfun

chun swae - nicki minaj ft swae lee

delicious - charli xcx ft tommy cash

hard - sophie

xo tour llif3 - lil uzi vert

xtc- liz

venice bitch - lana del rey

pull up - abra

i’m poppy - poppy 

beautiful - ag cook

on my own - farrah abraham

chamber of reflection - mac demarco

pobbles - pobbles

blame it on u - charli xcx

champagne coast - blood orange

taker - easyfun remix -k.i.d ft easyfun

bubblegum bitch - marina and the diamonds

religion - lana del rey

bipping - bip ling

army dreamers - kate bush

crystal ball - grimes

in my dreams - danny l harle

every memory - liz

frack - princess chelsea

babygirl - charli xcx ft uffie

don’t delete this kisses - wolf alice

lowlife - poppy

agony - beach fossils

are you satisfied? - marina and the diamonds

it’s okay to cry - sophie

x - 21 savage ft metro boomin & fturue

void vision - cyber people

30 hours - kanye west

jennifer’s body - hole

wow - kate bush

drugs - charli xcx ft abra

fright night (nevermore) - ariel pink

if the car beside you moves ahead - james blake

fingerbib - aphex twin

hills - kim petras ft baby e

bipp - sophie

blood under my belt - the drums

1000 - ben khan

pacify her - melanie martinez

telephone banking - clean bandit ft love ssega

miss world - hole

no angel - charli xcx

your visits are getting shorter - bloc party

beyond love - beach house

polynomial-c - aphex twin

blow away - kate bush

dedicated to bobby jameson - ariel pink

is it cold in the water? - sophie

seeing other people - belle & sebastian

be a body - grimes

solitaire - marina and the diamonds

none of my business - cher lloyd

5 in the morning - charli xcx

west coast - lana del rey

keri baby - ag cook

no chill - abra

lemon glow - beach house

steer clear - slaves

hush - liz

my style - poppy ft charlotte

yoshi city - yung lean

nothing more to say - vox - sophie

like dylan in the movies - belle & sebastian

crime - real estate

heroin - lana del rey

the less i know the better - tame impala

so far away - charli xcx

have a stroll - perfume

full circle - deep trouble

blowin - farrah abraham

eh - death grips

chanel - frank ocean

buy a heart - nicki minaj ft meek mill

dance yrself clean - lcd soundsystem

james joint - rihanna

tomorrow never came - lana del rey ft seaon ono lennon

pink and blue - hannah diamond

death wish - terror jr

oblivion - grimes

gold - kiiara

silver soul - beach house

another one - mac demarco

pulsewidth - aphex twin

everest - public service broadcasting

agony - yung lean

l.o.v.e. - sophie

[insistent-daydreamer]

🎸🎸

playlist 1 aka christmas songs? in may? its more likely than you think

Boogie Woogie Bugle Boy - Pentatonix 

I’ll Be Home For Christmas - Penatonix

Rather Be - Clean Bandit ft. Jess Glyne

See Ya - Madame Monsieur

Joy To The World - Pentatonix 

playlist 2 aka a random track from the wonder woman soundtrack album

We Are All To Blame - Rupert Gregson - Williams

moules frites - Stromae

Telephone Banking - Clean Bandit ft. Love Ssega

Heart on Fire - Clean Bandit ft. Elisabeth Troy

humain à l’eau - Stromae