#love me a rom com

[boseobrien]

Prom pact is such a comfort movie.

[mischievous-thunder]

The Deadpool & Wolverine saga through book quotes:

Bonus:

[dayas]

8 + elphaba & fiyero?

8 ⧽. giving them unabashed heart eyes when they do something cute and getting caught

AHHH MY FIRST FIYERABA PROMPT I AM SO EXCITED!!! I’ve been wanting to write for them since I got out of Wicked last week. Hopefully this is okay!

—

Fiyero Tigelaar isn’t exactly known for thinking. In fact, all he’s ever projected to his fellow students is that he doesn’t think, that he simply dances through life and refuses to invite further stresses and woes in with further consideration. And yet. He hasn’t been able to keep her out of his mind. Elphaba Thropp, the spirited, stunning witch he’d nearly trampled on accident in the forest. She’s the very reason he finds himself in the library of all places, a location he actively avoids. Books are mirrors just as much as they are windows into different worlds, and the last thing he wants to do is risk seeing himself reflected within the pages of some myth or legend.

She’s sitting at her favorite table, her head bent, her braids pulled back away from her face. Her finger traces a singular line a few times over before it moves on, winding itself around the ends of a few of her braids. She’s reading (no surprise there), but what catches his eye isn’t what she’s doing. It’s that she’s smiling. Fiyero doesn’t think he has ever seen Elphaba smile, not like the one she wears now. Something soft and secret, wholly hers, belonging to no one else. Unbeknownst to him, his own face mirrors her expression, a soft smile settled upon his lips. He watches her because he can’t help himself, because he’s still intrigued by her even when she’s silent.

“I can see you, you know.”

Elphaba’s eyes flicker up, catching his gaze and holding it hostage. Fiyero doesn’t flinch, only shrugs.

“I wasn’t certain you could. You’re missing your glasses today. I’m glad to know you’re so attuned to my presence, though.” Her eyes roll quickly, and that same fondness appears in his.

“Maybe in your dreams, Tigelaar.”

“So you dream about me, Thropp?”

She shakes her head, and he flashes a charming grin at her.

“What exactly happens in these dreams?”

“What do you want? You were staring rather intensely, so you must want something.”

Fiyero moves closer to her, settling a few steps away from where she is seated.

“Can’t a man admire beauty from afar?”

Elphaba frowns immediately.

“You don’t have to lie.”

He shocks himself by lowering his voice, the softness of his tone matched evenly by its authenticity.

“I’m not lying.”

Something flashes behind Elphaba’s eyes. He can’t tell what it is — she tears her gaze away from his before he is able to determine it.

When she speaks, it is barely audible.

“Why were you looking at me like that?”

Her eyes, so wide, a beautifully deep green, return to seek his out. The prince’s words are barely above a whisper, the blue of his own eyes holding hers steadily.

“You know why.”

Elphaba takes a sharp breath, biting down on her lip. She takes her book and stands abruptly, nearly running into him in her rush to leave.

“Elphaba — ” Fiyero says, confused, laying a gentle hand on her wrist to stop her. He’s thankful she does, and he uses his other hand to brush his fingers beneath her chin, turning her head so he can see her face. He’s shocked to find tears welling up in her eyes.

“You are a lot of things, Fiyero,” she whispers, her voice shaking, “but I never thought you were cruel. Not like this.”

“You don’t have to believe me.”

His own whisper is an impassioned blurt.

“You don’t have to believe me, but that doesn’t mean it isn’t true. That what I feel for you isn’t real.”

“It can’t be real.”

“It is.”

They are locked in a stalemate he never expected, but one he refuses to leave first. He feels it, when she begins to break down. He takes a step closer, cupping her cheek in his hand, his other holding hers.

“Tell me you don’t feel it too.”

He will leave her alone, he will, if she doesn’t. She’s close enough to him that their chests brush together with every breath they take.

“I can’t.”

The sound of heels clicking cuts through their moment.

“Meet me tonight,” Fiyero murmurs into her ear, “the woods. Eight o’clock.” Elphaba nods, and he takes off then, nearly crashing into Galinda as she puts herself in his path.

“There you are!” she chirps, as bright and bubbly as ever, “I’ve been looking everywhere for you, dearest.”

Fiyero lets her steer him away from the outside of the library and chatter on. He doesn’t hear a word she says; he’s too busy thinking of what will come when the sun sets and he can finally see the woman’s who’s forced him into thinking again.

[livelovecaliforniadreams]

[3080ti]

Frankie and Johnny (1991), dir. Garry Marshall

[thursdayinspace]

This moment. This kiss. The amount of things going on here. It packs such a punch. This is a turning point, and this is an instance where they are not communicating their true feelings and know about it. Because what they need to say is simply too difficult. They are well aware of the cracks in their relationship, but they love each other too damned much to deal with them. Which is so human. I mean, do I like the fact that they're heading towards separation? Of course not. Do I buy it? Absolutely.

They have been through so much. Trauma heaped upon trauma. Death, death scares, abductions, the loss of their child, everything they've seen and done. On top of that now, there is his isolation. Nobody can carry somebody else's happiness on their shoulders all on their own. It breaks you. It's too much. But those two have always been there for each other. Always. And the very fact that they only have each other means they can't acknowledge the fragility of what they have, not even their own fragility, because they're aware of the other one's wounds and don't want to burden them with theirs, for fear of breaking the only thing they have.

And at this point, they know they have been quiet for too long. They have arrived at a point where talking simply won't fix it anymore. And what is so painful about that is that they love each other more than ever. All of that is in this moment. He tells her they can go away, just the two of them. He's begging her to stay, to turn their backs on everything and start over. She looks at him like she wants to believe him so badly, wants to believe that they can run from the darkness.

That kiss is so heartbreaking and beautiful because it's hope and despair at the same time. He's telling her that he knows things are broken between them, but they're still them, they've always made it through everything together. And she's telling him that this isn't them anymore. She wants to stay, but she just can't see how. The one thing they agree on: they don't want this to end.

The way she's crying into the kiss. The way he is so gentle with her. It looks like a kiss goodbye from her, and from him it looks almost like a wedding kiss, as if he'd just promised her forever. And in a way, he has. And in a way, she has too. It's an affirmation of love, of undying devotion, and of clinging with all their strength to something that they can feel slipping away.

They are still so desperately in love with each other, and they can't imagine being apart for even just a day. But the sad truth is that love is not always enough. They have taken terrible care of themselves. Just like you're supposed to put on your own oxygen mask first in the event of a loss of cabin pressure, you have to take care of your own well-being if you want to be able to take care of somebody else. They need each other like they need air. But they also can't go on like this.

I firmly believe that post-revival, they will be together forever. They will get their happy ending. But after everything they've been through and after years of pretending like they can take care of themselves and each other, it makes sense for them to arrive at this point. And still it is heartbreaking to see. They are it for each other. They're each other's person. But sometimes, that is not enough. (And sometimes, you still find your way back to each other and finally find a way to make it work. And they will.)

[marihem]

@fransweek 2024

Day 7: Valentine's

Happy V Day to everyone who celebrates it! 💚💜

[hoe4seok]

So many people are mad about the illness plots in current kdramas but I just can't take those takes seriously. Some of us remember when the drama side plots were not illness but serial killers or kidnappers. In strong woman Do Bong Soon the main couple was almost killed by bomb. Secretary Kim had trauma responses resulting from kids being kidnapped. Hell even lovely runner, time traveling wasn't enough so we need a psycho trying to kill the female lead!! And you want me to be mad characters now have cancer or dementia??? And that they get better? Nah I'll take this any day

[leslieseveride]

they really weren't kidding about the rom-com vibes in this season.

[bird-inacage]

Only Friends Episode 12 | SUNRAY: The Light of Hope

Sand brought hope into Ray's life, and Ray brought light into Sand's.

This was the most touching, gorgeous, wholesome happy ending for these two that I could ever ask for. Watching Sand and Ray basking in their own little world made me so goddamn happy and emotional.

[a-romantics-guide-to-life]

THE WAY I JUST SCREAMED AND JUMPED FOR JOY, SUDDENLY LIFE IS BETTER AND I HAVE A REASON TO LIVE

[lazzarella]

I'm just SO in love with how affectionate Min and Q are! Like, I never doubt that these two people are so so into each other. Their love and desire is so vibrant and so palpable. It's just so lovely to watch them together because I can see they love being together and ahhhhhhhh. Every ep just has me melting into my couch. It makes me so happy!

[noihavenosanitythanksforasking]

please i need just a pure chilhood friends to lovers byler fic. please i need to feel joy

[the-good-luck-anomaly]

ART HAS BEEN SLOW GOING AND ITS HARD TO FOCUS ONNN ANYTHING THESE DAYS. BUT LOOK! I MADE A UNICORN

[livelovecaliforniadreams]

[dearabsolutelynoone]

I watched these films when I was an impressionable teenager and now I have an unrealistic and borderline delusional view of love

About Last Night (1986) dir. Edward Zwick

Quote: “You don't know what love is. You've gotten everything you have always wanted and now you're feeling sorry for yourself because there's something you want and you can't have it. But you had it! I gave you love. But you asked me to leave and I left.”

Pretty Woman (1991) dir. Garry Marshall

Quote: “I'd really like you to stay. I don't want to be alone tonight.”

Ever After (1998) dir. Andy Tennant

Quote: “And we, Princess, are supposed to live happily ever after.”

Dance With Me (1998) dir. Randa Haines

Quote: “I don't wanna be in love.”

You’ve Got Mail (1998) dir. Nora Ephron

Quote: “Kevin, this woman is the most adorable creature I've ever been in contact with, and if she turns out even to be as good-looking as a mailbox, I'd be crazy not to turn my life upside down and marry her”

Someone Like You (2001) dir. Tony Goldwyn

Quote: “I know it hurts. I know. It's so hard to believe that something that wonderful can ever happen to us again, but it can.”

My Big Fat Greek Wedding (2002) dir. Joel Zwick

Quote: “I came alive when I met you.”

Maid in Manhattan (2002) dir. Wayne Wang

Quote: “No, honey. It's more like a dream, you know? And for one night, you're living it for all of us. Don't think about tomorrow. Don't think about anything but tonight. Tonight, the maid is a lie. And this, this is who you really are.”

How to Lose a Guy in 10 Days (2003) dir. Donald Petrie

Quote: “You can't lose something you never had.”

The Last Song (2010) dir. Julie Anne Robinson

Quote: “Love is fragile. And we're not always its best caretakers. We just muddle through and do the best we can. And hope this fragile thing survives against all odds.”