#love him is the thing he's such a mess

[vaguely-concerned]

I love it when odo drops a line he's clearly taken wholesale from one of his hardboiled detective novels fjdksah. 'you'll find I'm a man who... collects on his debts' yeah okay you embarrassing beige nerd

[clarisse-doodles]

inspired by this post, in which Damian does not know what Vine is

[asthedeathoflight]

I think an underrated angle on 2x05 is something that either Jacob or Assad said in some interview somewhere, which is that in that episode Louis is addicted to heroin. Thats why he has that whole stash of drugs that he gives to Daniel, that's why he gives Daniel the drugs even though he's already got him alone. He didn't just use those 128 boys for sex he was using them to get high. Bring them home, get them to shoot up, and then drain them to get that secondhand high.

It clarifies something that's always confused me about that scene, which is why Armand saves Daniel the first time. He wouldn't save Daniel as a person, he clearly knows Daniel needs to die, but he's not seeing Daniel as a person there. Daniel is just a substance. He rips him away from Louis to stop him from using.

And i think that adds a whole other layer to the fight he and Armand have to think that this is Louis on a bender, with Armand cleaning up after him because he's not stable enough to. Louis in the bed for a week isn't just healing from the burns, he's going through withdrawal. Him at the table with Daniel giving him the "bright young reporter" speech is probably the first time he's been sober in months.

It adds another layer to Armand's desperation, that Louis has been running from both Armand and himself in this way, and of course Armand wants to erase that memory. Of course he wants to pretend that that fight never happened. Not just to protect himself but in a way to protect Louis from having said those things. When he describes the fight to Louis afterwards, he says "you said the worst things you've ever said to me." And he doesn't really know how to forgive Louis for that so he just wants to bury this rock-bottom moment and move on like it never happened. After all, Louis was high, he didn't really mean it, but if he remembers then maybe he might think that he had a point. Better to wipe the whole experience away.

[jameszmaguire]

I think it would be better for everyone if I were to be left alone in the future. Don't you?

[nadiajustbe]

One of my favorite parts about the writing of Howl's Moving Castle is how easy it is to write off all the things from our world at first as him just being a weird wizard™ (also thanks to bestie @jutenium for spotting this I wouldn't put it like that without you!!/pos). Sure, Sophie uses weird descriptions, but readers have every reason to believe them because of the way Howl is presented as a character. When Sophie says he wrote with a quill that doesn't need an ink, you wouldn't think it was actually a ballpoint pen, you would think Howl had just enchanted his quill so that it wouldn't need ink! When she adds that she can't make out a single word, you think he has matchingly terrible handwriting, but in fact Sophie has simply never seen a pen writing. When she sees the mysterious labels on his books, you think he's keeping a lot of obscure magical literature, but it's really just an encyclopedia and a guide like "Top 10 Rugby Tips." When Sophie notices the bottles in Howl's bathtub, you think they're some kind of magical jars where he keeps girl's hearts, but I'm almost certain that they're just 'Dove' and 'Head and Shoulders' that he's enhanced with his spells and put silly labels on. When you read Calicifer singing a song in a language Sophie doesn't understand, you think it's some kind of ancient cipher or code, but it's actually just a rugby song in Welsh that Howl sings when he's drunk. And finally, when you see the terrifying black door, which is completely shrouded in darkness, you imagine a passage to an eerie, mythical place, similar to what Miyazaki showed us - but it's just fucking Wales.

[poorly-drawn-mdzs]

Not beating the allegations.

[First] Prev <–-> Next

[egophiliac]

I have SO many thoughts about everything and they are in no kind of order yet, so here's just some quick little bits in the meantime!

I am not normal about any of these characters!

[willowser]

i don't think bakugou is that kind of useless dad that can't do anything without you helping him, but i do like the idea of him being a slightly frazzled new-ish dad 🥺

katsuki decides to take the baby with him on his run to the grocery store because you deserve a break, however small, and everything is fine, honestly, like. he can handle it.

but he is standing in line to checkout and there is drool on his shirt and his hair is a little messed up and sticky from being tugged on and he's got his items in one hand and baby on his hip.

your little girl has entered into that phase where she just likes hearing herself make noise, so she's clapping her hands together and just babbling, sometimes too loud, so loud that it attracts attention.

and katsuki is sort of bouncing her a little bit to keep her from getting squirmy, mumbling, "yeah, dah dah dah dah, i know," right to her ears only, giving curt nods to any of the older ladies in the store that coo over the sight of them.

[s0fter-sin]

ghost who was chemically castrated by roba and soap who wants to help him to regain his sexual autonomy

nsfw, angst, roba, unnegotiated unsafe but consensual gun play, hopeful ending

💀🧼

ghost walks like it hangs low.

there’s a tilt to his hips and a spread in his thighs and johnny’s never been able to stop staring.

and ghost’s never asked him to.

he knows he’s seen him; he’s not exactly discreet. he swears he’s even seen him cock his hips out before to give him a better view. but he always pulls back just as they toe the line; verbal cold water on the tentative heat they almost can’t help but spark when they’re together.

it’s never a no; johnny’s not so selfish of a cunt that he’d push when he knows he isn’t welcome. it’s always a reluctance; an “i wish i could,” never in so many words. an open ended “but…” as ghost circles the reason without ever actually saying it. johnny knows it’s something personal, something more than a difference in rank could ever excuse.

so he backs off when ghost does, jokes instead of flirts and holds his breath through the agonising wait until ghost lets him in close again. waits to know if he’ll let him close again.

it’s almost anticlimactic, the end of their dance; his delicate steps and looping logic to work out why bulldozed as ghost comes out and says one random night, “i can’t fuck.”

it’s not bitter. it doesn’t grate coming out of his throat; he doesn’t spit it like it’s something to be ashamed, not twisted with insecurity as if it’s an accusation by an ex.

it’s a statement of fact.

“you can’t fuck,” johnny echoes anyway because even if it is the reason, the big why… it still doesn’t really answer anything.

“i can’t get it up,” he elaborates, this horrid blankness in his eyes like he’s reading from a script. “whatever you’re looking for, whatever you want- i can’t give it to you.”

johnny just looks at him, the chill air prickling his skin. “right,” he nods calmly. “because my interest in you starts and ends with your dick.”

that blank calm shatters. “johnny…” he warns.

“do you really think i’m that shallow?” he cuts in, curing himself for the way his voice breaks but he never thought ghost would think so low of him; that this whole time, ghost’s thought that’s the only thing he wants from him. “like i’d take you for a ride ‘n just drop you?”

“there’s a difference between not gettin’ it for one night and never gettin’ it at all,” ghost growls, turning his back on him to lean against the edge of the roof. his shoulders heave and the anger seeps from him in one long breath. “it’s not a hitch, johnny. not a performance issue or ptsd or whatever the fuck you’re thinkin’. it’s permanent. irreversible.”

irreversible.

johnny stops, cold creeping up his limbs and dousing his defensive anger. ghost is many things and when it comes to his words, chief amongst them all is deliberate. he didn’t say it’s unfixable. incurable.

irreversible.

johnny buries his selfish hurt and scuffs his boots, an unobtrusive warning of movement, and comes up beside him; just enough distance between them to catch their breaths. he leans back against the ledge and looks over the opposite side of the roof at the dark sky.

“mexico,” he murmurs. not an accusation. not even really a question but ghost collapses in on himself anyway; sinking into his crossed arms digging into the ledge.

“mexico,” he agrees just as quietly. “‘pparently, roba found it more entertaining to let me keep it but- cut the cords. more demeaning that way; cock’s gone, at least you don’t feel the urge. don’t have to look at the fuckin’ thing hang there when nothin’ fuckin’ works.

“it’s not ‘bout how i see you, johnny,” ghost promises and it’s almost apologetic. “but you like sex. eventually, you’ll want it. and i can’t give it to you. easier to just… not let it get to that point.”

johnny’s jaw flexes. everything in him wants to reject it, wants to protest that something as trivial as an orgasm is more important to him than ghost.

but he also knows words are useless here.

they stand there looking out into the gathering dark, tense silence hanging between them, and the only thing johnny knows is if he isn’t careful, he could lose the one person he cares about most.

💀🧼

ghost’s been uneasy since his abrupt confession.

he knows it was sudden, borderline cruel to dump his shit on johnny with no warning but he just couldn’t take it anymore; couldn’t take the back and forth when he knew it would never go anywhere, couldn’t take johnny’s hope when he knew he’d have to watch it twist into disgust and pity.

into disappointment.

he figures that’s the end of it; there’ll be no more flirting now, no more staring or heated looks, no more teasing him by spreading his knees out just to see the flash of hunger in his eyes. the control he felt playing with johnny knowing it was welcome, just because he could- he’ll never feel that again. not now that johnny knows the truth.

then he steps into his room to find johnny laying naked on his bed.

he’s not spread out like an offering, not throwing him some cheap sultry glance as he plays with himself. he’s not even hard; his cock limp over the cradle of his balls, his legs bent loosely together, arms under his head as if he’s settling down for the night.

ghost sighs and shuts the door behind him. “johnny…”

“i know,” johnny says and it’s gentle; not cutting him off, just getting his attention. “just… hear me out?”

there’s nothing else to say. there’s nothing johnny can say or do to fix his violated body. but ghost still crosses his arms and leans back against the door like he can anyway.

johnny pushes himself up and off the bed, closing the distance between them but still giving him enough space to breathe; to open the door behind him, to escape.

“i can never know what was taken from you,” he starts and ghost’s fingers dig into his arms. “i can never know what it means to you. and i can never get it back.”

he doesn’t break eye contact and slowly lowers himself to his knees. “but i can give you something else.”

“you?” ghost guesses flatly and as much as it warms his blood, as much as he’s imagined having johnny look up at him just like this… it’s still not enough to offset the sickening swoop in his gut when his cock doesn’t so much as twitch.

“i’m a nice bonus,” johnny purrs but his smile remains gentle. “but i’m not the main event.”

he lifts a hand and ghost readies to smack it away when he reaches for his thigh holster instead of his belt. he flicks the closing strap open and pulls his handgun, his favourite, free.

“you told me you can’t fuck,” he murmurs, popping out the clip. he taps it against the side and loads it back in with a practiced hit with the butt of his palm. “but fucking isn’t all there is.”

“johnny, what…” ghost starts just to cut himself off as johnny thumbs off the safety and loads a round into the chamber.

“you trust me?” johnny asks and it’s as loaded as the gun in his hand.

good then, that ghost knows the answer. “always have.”

johnny’s smile blooms with warmth, with pride, and it chases away any reluctance he could possibly feel. he lets him take his hands in his, wrapping them around the gun with his finger on the trigger guard. he brings the barrel up beside his temple, holding it steady before his hands fall away.

until it’s only ghost between him and a bullet.

johnny’s hands go to his belt, his movements slow enough for ghost to stop him long before he reaches his cock, forever hanging limp in his pants. but he just rubs the muzzle along his temple, almost nuzzling him with the gun as he pulls down his jeans and boxers.

he waits for johnny to take him in hand, maybe try and pantomime a handy, and his hips almost recoil at the thought.

but he doesn’t try to touch him.

instead, he takes his wrist and guides the gun to sit in front of his cock; angling it to follow the same slight curve he has then holds his hands behind his back like he’s standing at attention. he splays his knees wide, sinking deeper and ghost sucks in a harsh breath as johnny ducks under the gun; his eyes locked on his as he curls his tongue under the barrel and brings it into his mouth.

it takes every ounce of will he has to not let his hand shake around the gun as johnny gives it the slowest, messiest blowjob he’s ever seen; slowly rising higher on his knees, guiding the gun up with him as if it’s his cock hardening. his cheeks hollow as he sucks, tongue laving up the barrel and flicking out to play with the muzzle like a cockhead, moaning with every bob of his head until saliva drips off the metal and makes a mess of his chin.

ghost’s never felt so powerful as he does watching johnny hang off the end of his gun; watching his cock harden and drool between his legs without a single touch, knowing he could pull the trigger at any time and johnny would not only let him but he’d thank him.

the thought breaks him from his paralysis, drawing the gun from his lips and johnny immediately stills; rolling his wide eyes up like he’s trying to check on him. ghost pushes every ounce of heat into his gaze and cocks the gun to the side, slowly pushing it back in until johnny’s lips meet the trigger guard.

johnny whines as he fucks his mouth, thrusting his hips along with each long drag like the gun is an extension of his body; almost too rough as tears prick his eyes and his lips redden and bruise but he never asks him to stop; his cock leaking a puddle on the floor beneath him.

“you gonna cum for me, johnny?” ghost croons, holding back a groan when just his voice is enough to make him shiver. “gonna cum with my fucking gun down your throat?”

he gives a broken whimper, as close to an agreement as he can make, and ghost crowds in close. he grips the base of his mohawk, wrenching his head back until his throat is flush to the front of his thigh. johnny lets out a choked cry, eyes rolling back and he doesn’t hold back as he brutally fucks his face; feeling the bulge of his gun in his throat against his leg.

“come on, johnny; you wanna be my good little holster?” he growls and makes sure he’s watching as his finger moves from the guard to the trigger. “then take my fucking load.”

he forces the gun as deep as he can and johnny gags, his shaking body locking up as he cums untouched; painting the floor and ghost’s boot, cock twitching and pulsing hard enough to bump against his belly and leave a string of cum threading from it to his cock.

ghost watches him spasm and moan, his throat convulsing around the gun and a heated knot of satisfaction tightens in his gut; so close to the memory of an orgasm, he’s almost dizzy with it.

johnny slumps forward, his hands slipping from behind his back, and ghost quickly flicks the safety back on and drops to his knees. he slides the gun away and pulls johnny forward to collapse into his chest, taking his weight off his knees; his whole body trembling with aftershocks.

“you’re crazy, johnny,” ghost whispers, awed, and feels him smile against his chest.

“aye,” he agrees, voice raspy from his gun scraping up his throat. “how else am i supposed to prove that i mean it?”

ghost tries not to tense up; tries not to let hope sink its cruel roots into his chest. “mean it?”

johnny pulls back, his cheeks still flushed and sticky with spilled tears. “i’m yours, ghost; in any and every way you’ll have me,” he promises. “sex or no sex. this can never happen again and i’ll still never stop wanting you. it doesn’t matter to me as much as you do. you’re everythin’ to me, ghost. not your body; not what you can give me. just you.”

a knot crowds in his throat. “and you needed to deep throat my pistol to prove that?” he deflects.

and just like always, johnny lets him. “worked, didn’t it?” he winks. “you fucked my brains out.”

ghost rolls his eyes to hide the softness he knows is flooding them and helps johnny up and gets him into his shower; cleaning him of the sweat and cum and spit covering his body.

that ghost covered his body in.

his chest hitches at the reminder as he strips himself down to a single layer and all but falls into bed, tugging johnny in after him when he hesitates just slightly at the edge of the bed; splaying his still naked body over him, sated and loose.

“i really do mean it,” johnny whispers into the crook of his neck sometime later; when their breaths have settled and synced.

ghost sweeps his fingers up and down the length of his spine, skin he’s never seen. skin he now knows every inch of. “i know you do,” he whispers back.

and for once, he thinks it might be enough.

[demaparbat-hp]

In your Spitfire AU, since Zuko is looking after Lu Ten II, what happened to Ursa?

Zuko is slightly older in the Spitfire AU. He was banished at fifteen, his head a little clearer and denial a little weaker than in canon. After his first look through the Air Temples, Zuko decides that if he can't find a myth, he might as well search for the next best thing.

Finding Ursa isn't easy, but in time he makes it to a secluded house in a near-forgotten part of the world. His mom is there, older and stronger and alive.

But she isn't alone.

And Zuko, as it turns out, didn't keep the best company during his search.

When Ursa is discovered and her secrets are laid bare for assassins (for Ozai) to find, she begs Zuko to take his little brother and run. She'll do anything it takes to protect her children, even if that means leaving them behind to keep a target off their back. Ursa diverts attention from them and allows Lu Ten's ancestry to be kept a secret. She orders Zuko not to follow her again, and disappears.

Zuko is left with a little three-year-old brother to raise and a mother he cannot hold onto.

[twentyfivemiceinatrenchcoat]

one morning you cling to satoru’s back and sleepily plead for him not to leave for work and he feels closer to killing the higher ups than ever before

[maythedreadwolftakeyou]

thinking about Lucanis again (always). and how so much of his narrative boils down to the theme of "control". and of course also about how this applies to the Rook x Lucanis relationship.

like the first scenes with him in the game are, in theory, about freeing him from the Ossuary (although he seems to have an escape attempt already in progress at the time, they certainly weren't just letting him keep those knives on him for enrichment purposes, Rook just provided an opening/distraction he could take advantage of and crucially Rook has A Way Out of the whole place not just a cell). but ACTUALLY the purpose it to put him right into a new contract for Us, one set up by his own grandmother and first talon no less, and the person he has the MOST trouble saying no to. He's escaped torture and the Venatori for sure but he still isn't free, which I think is part of what leads to Spite's confusion/the Inner Demons plotline. He agrees to the contract but you can tell it's in many parts out of a sense of duty/mourning vs something he actively wants to do for himself. And then the FIRST real heartfelt conversation you have with him, where he tells you "even before I was captured, my life was not really my own. So much had been determined for me." But he's chaffaing at that! He thinks "to live truly is to live fully" and so directly tells you he doesn't think he's lived a life true to himself. He's been constantly smothered by the weight of expectations around him, even though he longs for more.

And then once you get him to the Lighthouse you see how this Big lack of control in his life comes out as all these smaller frustrations. He's terrified of sleeping and downing 11 cups of coffee per hour because sleeping means he will lose control to Spite, even though Spite is shown to flee rather than fight when he feels threatened, and once calmed down, is more drawn to just benign curiosity/mischief than anything actively malicious. Like if Lucanis loses control and sleeps for a few hours he is not going to wake up surrounded by bloodshed, he's going to wake up to a belly full of candle wax because he wouldn't like Spite taste one while they were awake. Which is the other half of this--he constantly denying Spite's impulses for reasons that in some ways make sense (HE doesn't want to eat candles), but not in a way that's actually satisfying to either of them (why not just take a bite, chew for a bit, and spit it out so Spite knows they kind of suck actually?). But he CAN say no to Spite and so he does. Over and over. Spite's one of the few people he can deny things without feeling bad about it, because it's HIS body he doesn't like that has to share now (<- this is what he thinks about it at first anyway, but he's wrong, it's both of theirs and it's useless to try to hold those kind of boundaries forever. but the "no its mine" spiteful instinct is very beautifully ironic and reflective of them both and their early relationship).

And personally I think this is where his fear of his own desires and intimacy is coming from, at the root. I don't think he's afraid of the concept of being in a romance or having feelings (even if they're unusual and rare for him, this is by no means incompatible with him being demi) but I DO think he is afraid of the kind of power it gives people over you. Getting something you want means there's something else that can be taken away. Admitting your desire means the other person has the opportunity to deny that. The more you have, the more you have to lose, and he has lost again and again and again in his life--his parents, his childhood to the crows, his independence, even his future--he doesn't aspire to be first Talon but he knows the rumors. He knows his grandmother wanted it for him, not Illario. His life path has been laid out for him by others and up to this point he has simply been going along with it anyway, even though it bothers him. He COULD argue and fight Caterina and push for Illario who actually wants the job to be First Talon instead, but from The Wigmaker Job we know he doesn't. He just ignores it and pretends maybe it won't happen, without him having to do any of the work. Which is why in the end Illario is the one who has to make a move about it (and even warns Lucanis of this!!!!). Lucanis KNOWS all this makes him a target but is neither taking charge or getting off of the train tracks, just closes his eyes.

And I think THIS context is what makes the almost kiss scene in the pantry make more sense to me. Rather than being afraid of having feelings (and then NEVER addressing this in game with a Rook who pursues him anyway) or not knowing how to finish what he's started via crow seduction training, it's more like this is a pivotal moment where he can actively choose to step off the planned path of be given a job -> kill the gods -> enact revenge -> go home. even if he doesn't at that point realize that a relationship with Rook could be something that lasts long-term, the very act of doing something just for himself is what's foreign and scary and hard. It's that first step off the tracks, and even if he were to keep walking in the same direction, it means he's making a choice about it. he's accepting that one way or another it IS in his power to go along with everyone else's plans or not. Hence the hesitation, and drawing back, and needing to clear his head.

And then the rest of Rook's role in his narrative IS about giving him more and more control for himself. Inner Demons, dealing with Illario, his questlines move less towards revenge and more towards just... not being locked into one fate. Which of course Caterina comes back and immediately tries to overturn by declaring him First Talon after all, even though she and him and everyone else knows she's not ACTUALLY ready to give up her rule/decision making power yet. Which in a way is maddening because cmon I did all this work here so this sad man could have some agency in his own life just to watch him get sucked right back in (which, at least we get many directions to headcanon from here), but there's no denying that THIS version of Lucanis at least is actually going in with his eyes open now. THIS Lucanis has had a taste of life outside the Crows, and seen the politics and power dynamics in other places/organizations, and finally has emotional ties to the big picture state of the world now, both in relationship and friendship paths with Rook. He's not just hyper focused on each contract as it's given to him now, he's looking at the whole thing.

Anyway of course the beautiful culmination of all this within the romance is the lighthouse scene with Rook, where he finally is willing to let himself be vulnerable (emotionally and physically), and fall asleep without fear of what Spite's going to do in the meanwhile. He also (depending on dialogue choice) finally talks about his feelings directly with you for the first time instead of in roundabout ways (the dessert being "not enough" is it really the dessert you mean, Lucanis. is it.). Even though he is STILL reluctant to verbally admit his feelings or let Rook share their own at this point, I think that's more a narrative choice about saving those last emotional dialogue options for the big final battle. but it is another point where he does have to stop just following along and ACTIVELY choose that yes, yes sometimes loving is worth the risk of losing it. Even if someone takes it away from you later, even if you don't survive it, sometimes the love alone makes it worth it.

I have like another 5000 words I could add into about how Spite ties into all this, about how having the demon in him is something he both fears AND how it forces him to acknowledge that actually yes he DOES share the same base feelings/instincts Spite does in terms of not wanting to be told what to do. And how this in a way is part of what gives him permission to act on it since he can no longer just shove it down out of sight. but this post is long enough already so i'm just going to take the rest of this and gnaw on it all day like a chew toy I guess.

anyway. AHG. it is kind of frustrating that the culmination of his arc seems to be "and then he got the job he never wanted anyway" but I do think at least all this prepares him for it in a way Caterina actively failed to actually do on her own. He NEEDED that step away from his straightforward path. Whether he stays first talon or not, and with or without rook as a romantic partner, he's finally been able to explore ideas outside the expectations of others.

[monkesupreme]

Maybe i SHOULD draft out my ‘Clark is a SuperPlant’ propaganda post

[katabay]

a little one shot scene that I did back when I was sick uhhhhh last year. since it's now 2025. jesus christ, the passage of time sure is a concept.

anyway, I think this is as done as this page is ever going to get, partially because I decided to go in a different direction with fashion decisions, and I like how kay's hair turned out, so I'm freeing it from my WIP folder :)

[asofterepilogue]

I know that penelope saying "don't tell me you're not the same person, you're always my husband" is just supposed to be her saying that all she cares about is that he's odysseus and he loves her (and don't get me wrong it IS incredibly sweet and romantic and it makes me tear up a little)

but considering the first thing odysseus does in the musical is commit war crimes and then he just never stops at all, it tickles me to think that she's also saying he's always been a horrible little monster, she's always known, and she thinks the horrors are part of the fun.

[aroaceleovaldez]

underappreciated Nico detail that I like - he seems to be an angry crier! very frequently he's angry when he cries and he cries when he's extremely angry. very AuDHD of him. emotional regulation sucks my guy and he's just going through it.