digging my teeth into the really dark fascinating fucked-upness of helnik. they’re fascinating in being a wartime love story about an intentional victim of genocidal violence and an unintentional fuck-around-and-find-out victim of “collateral damage,” both of which are different forms of wartime violence.
nina is targeted as a grisha, she’s almost killed by the druskelle and fjerda in the books not for being a ravkan spy or agent but simply for being grisha. they will kill her for being grisha. and how will they kill her? they will burn her. and it’s fascinating when she tells matthias in a very justified moment of rage (i mean. they’re looking at the dying burned corpses of her people whom jesper, also a grisha, had to physically shoot) and says i want your family to burn i want them all to be burnt in the way my people were. and matthias says, they already have been. they already burned. and how that changes the entire dynamic between them, everything leading up to that, becuase FUCK. yeah. his whole family has already been burnt. he’s a lone survivor of something in much the same way she is, and his family was burnt not on purpose for being grisha but as a “justified accident,” the casual civilian side-damage of war. and it was her people. unlike the intentional, systemic violence that destroyed her people and left nina a shaken, traumatised survivor of a purposeful genocide, we have matthias as this destroyed survivor of one of those little sorts of accidents that’s swallowed and justified by the shape of the war and what Must Be Done to succeed. (also he serves as like, one of the only times i think it’s really faced that the first army is, you known, a national army that does national-army-during-a-war things.) one does not cancel out the other.
their relationship is difficult and fucked and that’s why it’s fascinating and has so much potential to explore. it’s so much more complicated than the tiktok “enemies to lovers” trope because they dig right at the base of what it is to be an enemy to someone else. from the ship nina is an almost-lone survivor of the damage his people did. from his village being burnt by inferni matthias is a lone survivor of the damage her people did. from the consequences of war on his people and violent prejudice against her own, nina is raised a child soldier and in many ways reduced to weaponry, something that absolutely is a form of child abuse. from the consequences of war on her people matthias is inducted into a cult and subjected to spiritual abuse. they’ve been hurt by each other’s nations, but also by their own. there’s something so brutal but also tender in the way they knock each other off the orbits they’ve been living in and force them out of the home that is burning. love may make you free, but not without drowning first.
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heeeeello party people!~ super bacteria uncle nina here using my silly tumblr to cope again ( my culture came back and it was...suuuuper fucking bad! like i knew it would be, lol! awesome! <3 thanks, god! )
but we're not thinking about, what were gonna think about is the time that ravenstan got a little Too tipsy topsy turvy on jerseyky boxwine,
( it's the cab sav one, fyi. i can't drink on all these Fucknut Antibiotics - they prescribed me the wrong one and i took it, if you can believe it; i luv doctors - can y'all believe i did this shit Sober? unREAL, brohs! )
and was on tiktok live, the dawn spawns of the world convinced him to do the 'White Boy Of The Month' filter bc he's too impressionable and what can i say;
The Man LOVES White Boys. ;) xxx
( helpsksdj )
so, he started doing it and was like 'nooooo, is /KYLE/ on this one?!?! You're Joking.' ( everyone said 'JK <3' because they all think they're jimmy valmer stand-up sit-down comedians, smh...but no, naught joking, Actually JK bc in my ncau-niverse, cd and the blondies gang are celebrities, so naturally they’re on A Lot of social filters )
so he was GOING to save The No.1 slot...for the no.1 slut ( if you will, ) my ginger gringo king, ceo of dark academic debauchery and bottom feeding ;), new jay's finest - literally - kyley b matthew broflovski; <33 ( buuuut! he's a reformed manhoe; so watchya mowtH! )
buuuuut x2 ( and i'd say it's a big butt, but it's not, it's ravenstan, so it's flatter than the sidewalk; luh you flat stanley ) Gaydhd Won Again and tipsy ravenstan got distracted by all the FINE ASS WHITE MEN and started getting philosophical about it ( that man put a lil too much #thot into those placings; he was born for it, soz )
had about two spots left ( the top and bottom spots; i am laughing ) figured that there was almost 'No Chance!' he would get jersey...
PUT /MATTHEW! GRAY! GUBLER!/ AT ONE ( Immaculate Taste, btw! he also put jacob elordi at number two because he is a fucking genius and that...really tells you Everything you need to know about my stan. like tall, could probably be a runway model, intellectual, kind of a jackass, stays fitted, accent or eccentric manner of speaking...yeah )
-- BUT HE WANTED TO BE CLEAR, HE HAD TO SPECIFY THAT HE WAS SPECIFICALLY REFERRING TO /DR. SPENCER REID/ OF CRIMINAL MINDS. WHEN I TELL YOU HE HAS NO IDEA WHO MGG IS BUT HE HAS SEEN EVERY EPISODE OF CRIMINAL MINDS SEVERAL TIMES. IT’S LIKE...HIS /FAVORITE/ FKN SHOW. AND HE DOES HAVE A FAT CRUSH ON REID. YES, I DOES TRACK; I KNOW. )
and RIGHT when he was rolling for the very last spot ranking on the filter ( that's the BOTTOM, i repeat, THE B/O/T/T/O/M of the tierlist )
...hE GOT KYLE
FUCKING
BROFLOVSKI
and had to place him at /TEN/.
-- riiiiiiight as Kyle /FUCKING/ Broflovski came out of the kitchen in the dorky ass star of david apron that sheila got him for hannukah, with his hair up and everything, holding a fork so stan could taste...
...T-THE PASTA HE JUST MADE HIM FOR DINNER BECAUSE HE'S A SWEET BEAUTIFUL /ANGEL/....and i'm talking The Very First Bite Of EXTREMELY DELICIOUS KYLE Pasta that he put ZUCCHINI IN JUST FOR STAN BECAUSE HE IS ( what? ) AN ANGEL!! FROM hEAVEN!!!!! AND THE WHITE BOY OF THE /YEAR/: TAKE YA JERSEY SLANDER SOMEWHERE ELSE: HE'S MY WHITE BUOY UVF FOREVA!
...proceeded to Blow On It ;-;, s-so stan wouldn't burn his mouth... ( bc rav always gets too excited and burns his mouth; nooo :c </3 ) and asked him why his phone was blowing up w/ people tagging him in thirst traps of 'That Supa Nerdy Guy From That One Crime Show' and asking him if stan tweeted something about him cooking bc people keep telling him that he's 'Cooked'. SHKDLDHLKS HEEELP.
And....
*rawr xd home mid/hschooled ravenstan vc*
Scene. <3
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i feel like the original series was red guy centered, the first season was for yellow guy, and i am BEGGING AND PRAYING that season 2 will be more about duck!! i will probably cry if anything happens to him though lol 💀 everytime writers break a comic relief character i just OUGSHGS.. it gets me.
h well I don't think you're wrong about that! Webseries being Red Guys time to shine, S1 of the TV show being for Yellow (esp the last two episodes I think? Even thought outside of that, he does get a lot of focus/he IS the one who talks to the audience the most directly).
From what I remember hearing, the pilot was pretty Duck-centered.
But I think even if he GETS his big moment in the sun, so to speak, it's NOT going to be as emotional as the other twos. On top of him just not being a very um… let's say sentimental character, he's just not the make-you-cry type! It's just not him imo!
IDK, I operate under the opinion that… in his weird little head, the most important thing that he values over everything is keeping the three of them together. Both because he thinks of them as a weird little family AND because he really doesn't have anyone else outside of the trio.
We also know from the interview, and you could maybe argue from the Family episode ( Who do you love?/Anyone who loves me back., I asked every member of my family who they loved the most, and they all said me ) that being loved is something that he actually values QUITE a bit! More than you would assume on first glance! He's weirdly upfront about it haha!
In that way, I imagine that if they were to TRY to pull something to put him in the spotlight in the way you're imagining (i.e. something emotional and focusing on his issues like they did with Yellow & Red) it would either focus on his desire to be loved OR his dedication to keeping the three of them together.
But I would argue they both already did that in the Family episode AND put him through the worst case-scenario in regards to those more emotional aspects of his character ( here I think the worst case scenario to him is the other two rejecting him, harshly, unambiguously and to his face, multiple times and the three of them separating ).
AND THE THING IS… THAT ALREADY HAPPENED! THAT DIDN'T BREAK HIM!
He had his little pout over it in his dress and was like FINE! I DON'T NEED THEM ANYWAYS! So, I really don't think that big "character-breaking" moment is coming. If the Family ep didn't get him I honest to God don't think there's anything else the house could throw at him that could get under his skin.
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cough. here's a little super short fic i wrote bc i make those too. be sure to check out the silly extra details i added in the tags!
@get-rammed
Monty lets out a heavy sigh, sitting on the much too small couch in his room, his handler close by his side, messing around with wires in the open compartment on his arm. Something went wrong with his claws again, and management is convinced that it’s the programming or the wiring that’s the problem, sicking his handler on the problem again and again. Monty doesn’t think it’s either of those things.
He huffs again and drops his head onto his free hand, boredom clawing at his... shell. His handler bumps with a small clank.
“Sit still, you big baby. I’ll be done in a minute.”
He rolls his eyes. “I’ve never been one to sit still, sweets.”
“Yeah, well, you’re gonna today.”
He rolls his eyes again, resisting the urge to let out another huff. He knows fusing over this is only gonna make it take longer. That and… he can see the bags under his handler’s eyes. It’s late. Far later than any other employee stays, except those working the graveyard shift. It seems like even the other animatronic handlers have gone home for the day. He can tell that they’re tired, but they never bring it up to him. They probably don’t want to worry him, all things considered, but that just makes Monty even more anxious. They look half asleep already, so Monty decides to occupy them with the most meaningless conversation he can muster.
“Hey, so, like…” Monty trails off, rolling his free hand at the wrist. “I barely saw any, uh, human staff around today, even though it was super fuckin’ busy. Why’s that?”
His handler stops, blinking for a second. “Oh, it’s, uh, Labor Day. It’s like a national holiday about unions or something, and people usually get the day off.”
Monty raises a brow. “Why didn’t you get the day off?”
They snort. “You don’t get the day off, so I don’t get the day off.”
Monty hums. “... That’s pretty shitty for us then, huh?”
They laugh, patting his arm. “Yeah. It is. Hey, I just finished up re-wiring everything. Give me a test and see if everything works right?”
Monty obliges, clenching his fists and spinning them around at the wrist. He mimics plenty of movements he makes while playing on stage, and nothing stutters, nothing stalls, or makes any weird noises. His internal diagnostics show no issues, either. All seems well, so he leans back and gives a smug, shit-eating smile. One that’s familiar.
“All’s workin’,” he replies, keeping up his smile when he sees the weight lifted off his handler by the news. They don’t like being comforted. Not directly, anyway.
“Great,” they sigh, slouching into a more relaxed position. They close up the compartment on Monty’s arm, giving it one last, solid pat.
“You good to recharge and everything?” They ask, packing up their small tool bag and tossing it in some random corner of the room. They barely put it away anymore, but management hasn’t caught on yet. Or maybe his handler just doesn’t care that they’re supposed to put it away. Either is possible. “Do you want me to lay with you?”
Monty thinks as they bustle around the room, turning down the lights and doing a cursory glance at his recharge station. He does want them to lay with him. He always does. But Monty sees the exhaustion in their shoulders and feels some kind of misplaced guilt. They’re this tired because he’s a Glamrock now, not just a side attraction. He became more of a handful. He broke more. He needed them more at all hours of the day. They’re his handler. He’s tired, and he’s not even human.
“Naw,” he says, tilting his head and smiling. “I’m good.”
“Alrighty then,” his handler puts on a brave smile, grabbing their oversized Monty jacket and slinging it over their shoulders. Before, Monty would’ve teased them about being such a simp, how they don’t need his merch because they already wear his face all day, or how they could literally just zip up their uniform, but he lets it go for tonight.
“Se you tomorrow, big guy.”
Monty doesn’t comment on how today is already tomorrow.
“Goodnight, cher.”
His handler leaves, muttering about how they’ll probably need to catch a bus because they “don’t think they can drive like this,” and Monty wants nothing more than to invite them back. To give them the whole couch and let them sleep. But for all the crazy hours Fazbear Entertainment expects of them, they’re not allowed to stay overnight. No one is allowed to stay overnight, except for the night shift workers, who all had to sign crazy amounts of paperwork, and they both know it.
So, instead, Monty watches them make their way to the entrance. He watches as they struggle with their ID until the heavy metal doors rise, and they can slip out the door. He strains his eyes to see them disappear into the dark until the metal doors obscure them from view and hopes for all it’s worth that tomorrow will be easier.
___
please ignore any silly typos im p sure i got them all but its super late. i wanna post this tho so im posting it. i may or may not repost this later but like. as a better version lmao ram pls tell me if monty is OOC i was punching AIR trying to write this guy 😭 i thought i knew him well and then BAM no the fuck i dont
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