#love a lesbian moment i completely forgot about it until i just rewatched it | Explore Tumblr posts and blogs

bucksbisexual · 5 years ago

Text

okay since im rewatching 2gether, might as well make my reaction public lol

tine trying to be a supportive boyfriend by asking wat if something is troublig and wat’s himbo self being like “nah fam im good” god i love this dumbass

also tine not knowing how to talk about his feelings is so relatable help

honestly i would’ve LOVED to see sarawat at least one (1) question

tine’s smile while wat drinks..... Sir I Am In Love With You

also his blush..... Sir I Am More In Love With You Than I Was Before

“is the lyric about smile or happiness?” “don’t cheat” wat saw through his bullshit right there KSJFHKS

i wonder what’s in those glasses because it doesn’t quite look like coke but it obviously isn’t beer,,,,

ohhhhh “a friend from high school” ... explains tine’s reaction we see in the teaser when he introduces pam as his highschool friend

also explains why tine thought sarawat made that video for her instead of him. wat is in his high school clothes and tine probably thought it was before he saw him (when in fact it was probably recorded the same day lmao sarawat hopeless romantic)

tine: one more game! [spins the coin and supposedly falls on heads] wat!

sarawat: no one can talk to me if i fall asleep

i’m trying not to look at bright’s jiggly butt why is ass so fat fOR

it doesnt add the points here if i dont write something else so intro time yeet

yknow what . we need more earn and more pear in these two last episodes . i need my wlw rep and i need it Now

“personal space is important even for couples” still cant believe man was the owner of their braincell in this scene

tine giving all of type’s info away to wat so wat can give it to man who tine knows will use to pester him until he becomes his boyfriend...... say it with me: tine mantype shipper

“how did you know?” “i prayed to god” literally the funniest part ever

manboss: im not going good luck wat: you’re so full of bullshit

GREEN <3

i will just say that pink is tine’s best colour. i need him in every soft pink thing u can find. it accentuates his skin colour so perfectly and we are Here for it honeyyyy

MIL SHUT THE FUCKUP

sarawat being a savage (rachet booty nasty) we stan

bro get over him oh my god he’s taken and happy with wat LEAVEEEEEE

and man pestering type begins Now ksjfh

i’m like 100000000% sure that the only thing in that whole backpack is a pencil and half of an eraser

im also sure type saw him buy the book since u literally can see him from where man and that girl are and

hold up the waiter looks like a guy from whyru,,,,,,,,,,

i need someone to write a fic about tine being an astronomy lover and wat falling in love with him because of the joy in his eyes when he talks about the stars and interesting facts about the universe and new discoveries of galaxies and other things that wat doesnt really care about but he listens to either way because he’s too in love to shut off his brain

okay back to the episode sorry i just really had to say this

wat really said “don’t take advantage of me when i’m sleeping” when they haven’t even kissed.......... no words, completely speechless

tine probably thought he was being real sneaky right there lmao boy he fell asleep 2 seconds ago

god green really appears for 2 seconds and yet he steals the show KSFJHKFJFS he really was about to beat the person in front of him’s ass for not walking faster im crying i love him

BITCH SHUT UP AND LEAVE THEM ALONE STOP TRYING TO BE A HOMEWRECKER

wat looks so offended by his offer it’s so funny jhfksjhgj still MIL GET THE FUCK OUT

them running around is so funny when u know they had to do that like 20 times and were tired as fuck KSJFHKSHFS

WAT YOU SMOOTH FUCKER i love u

omg the bracelet truly isnt there at the start of the scene :-(

“nuisance tree” lemme just cry a bit

the music stopping here......... they truly played with our feelings there huh

WAT YOU SMOOTH FUCKER 2

the reactions are so kdrama outro i cant breathe KJHFJSFKJS

GET THE FUCK OUTTTTTTTTTTT

“well, you left him” IM GOING TO STEP ON YOU

bracelet where r u :-(

“it was here a second ago” it wasn’t im an obsessed bitch and noticed just as the scene there started

he looks so worried:-( tine baby

“i can make you a new one” “but i want the old one” why do i feel like that has more than one meaning,,,

half of the times wat touches tine’s head his hands are dirty as fuck lmaoooooo

is- is someone wearing a marihuana dress??????

manbosss again and he has a book

type is the teepakorn brother that can lie and will lie meanwhile tine can’t lie for a living

I LOVE THIS GUY GIVE ME HIS SELF CONFIDENCE

dim really made up a whole spirit just for wat to be with tine lmao i cant breathe (unless the pine tree spirit is an actual thing and he just used it for this specific thing lmao)

“that senior is me” “and who did you go with?” “that was a long time ago” “it wasn’t me, it wasn’t me” “green, drop it!” i love them KSFJHFSJHF

green and wats faces i cant bREATHE these are the faces of people who know this is all fake

BRO WAT WASNT EVEN THAT SLICK WITH THE PAPER IN HIS HAND SJKHSFHHKFS

my guess is that he had two papers that were the same number just incase they didnt get the same number but then somehow mf MIL had to come in and ruin it

i dont know who chose to make bright wear this much brown but it honestly fits him so well

coffee for his soon to be boyfie

man: loving u is kind of bothering? type: o_o man

he’s still reading the book kjshfsf WAIT HES SO CUTE

“you gotta miss me if i don’t show up one day” “just back off. i’m leaving. do not follow me. give me some time to miss you” okay tsundere ass bitch

type’s so rich he’d rather spend money on getting his tire fixed than get it fixed by man for free i hate rich people

he’s also too rich to care to check if his doors were locked i-

“for me?” “do you see anyone else?” bitch ass tsundere

type: smiles, realises he just did that, eyes cutely go o_o

type looks so cute in that scene for no reason im going to eat ur cheeks if u dont stop being a cutie

aaaaaand of course theyre not paired up

dude of course he is youre creepy and also trying to break his relationship apart only because u dont have the decency to see that you dont have a place in his heart whatsoever

dim honey........ jskhsjf

tine’s hair....... PLEASE I NEED TO TOUCH IT IT LOOKS SO FLUFFY

“the spirit doesnt like it when you pray with your eyes opened” did literally no one notice how nonsense that was? KSFJHSJ

GREEN U SCARED THE BABY WHY WOULD U DRESS LIKE THAT

he looks so cute im gonna cry like actually cry

weak ass blankets they gave them i swear

if u cuddled then u wouldnt have been cold but noooooo ur big puppy boyfriend has trust issues

baby:-((((((((((( i will cover u with a blanket and give u lots of kithes and hugs

tine having his phone die at an important moment and also having no sense of direction whatsoever is so relatable lmaooooo

thank god for the rain because otherwise sarawat wouldnt have ran the way tine actually went lmao i wouldve beaten dims ass if mil was the one who found him

this scene hurts so much:-(( his throwing the grass like that in complete defeat??????? the flashback to him saying that bad things seem to happen to them lately makes my heart break

the soft touches:-((((( please im gonna Cry

dnotsaysorrydontsaysorrydonsaysorrydontsayHE SAID SORRY FFS

baby :’((((((

“i prayed for something but i havent redeemed that prayer yet” “what did you ask for?” “it’s if i got to see you again, i would show you the video i made. it’s the song your smile you are so curious about” BITCHHHHHHHHH

HES GONNA SHOW ITTTTTT YES I LOVE HOPELESS ROMANTIC HIGHSCHOOLER SARAWAT

he’s all shy i cant breathe he cant even look at the screen skjfhksh

oh so it was on the same day sksjhj forgot about that

I CRY I LOVE HIM SO MUCH

tine is all blushy im gonna sob i love these two

im trying not to scream and tines reaction to wat telling him he went to every scrubb concert just to look for him

ITS NOT GONNA GET STUCK ON THE VIDEO BABY HE WILL LIKE U BACK IN A YEAR!!!!!!

“i like you” “yeah. i know. i like you too” AAAAAAAAAAAAAAAAAAAAAAAAAAAAA IM LITERALLY REWATCHINNG BUT I STILL JUST SCREECHED AT THAT I LOVE THIS CHARACTER DEVELOPMENT

their smiles after he said it tho.......... my heart hURTS

wat: the wish only drew us to cross paths again. us being together is because of something else, tine: what then? wat: shout out to my homies for being there for me since day one i love u bros

THE FLASHBACK AAAAAAAA I FOUND HIM YES U DID BABYYYYYY

boss’s whistle after he tells them that he only said he would kiss him until he dropped lmaoooooo

“his name is tine. [with the softest voice ever] what a cute name”

manboss looking at each other like this bitch is so gone for this random dude but we’re gonna support him because we’re the only friends he has

wat was probably wishing the pool had water in it so he could throw both of them into it at that moment KJSFHJSFHF

“he’s the one i like” “shiiiiiit” same dim, same

fan dee nAAAAAA

his ass was so gone he was gonna make his ig username lovetine i literally cant believe him

boss having the braincell in this scene i love it

“but earn has a boyfriend” LIES. SO MANY LIES. ITS A GIRL. SHES A WHOLE LESBIAN.

boss once again being the owner of the braincell...... im starting to think he owns it half of the time

“you get it now? us being together is not a coincidence. it’s because of us” WAT YOU SMOOTH FUCKER 3

wait,,,,, tine’s little head tilt,,,,,,, SIR I AM IN LOVE WITH YOU

the stars!!!!!!!!! theyre there!!!!!!

“i think nothing bad is going to happen anymore” honey you got a big storm coming

it ended :’(((((( my beautiful boys i love this episode and drama so much i swear

lets watch the next episode teaser

i dont think tine is gonna lsiten to pam saying that but if he does,,, baby pls dont overthink okay he loves u and wont leave u for anyone in the world

phukong dont come back to him he knows that u like him and will play with ur feelings

type is gonna have to choose between im guessing either a boy interested in him from work or man and im gonna vote for him going with man lets hope i win

WHAT IS WRNOG WITH U BRO GET OUT HES HIS BOYFRIEND OF COURSE HES GOING TO CARE AND WORRY YOURE JSUT A CREEP FOLLOWING HIM AROUND HOPING THAT THEIR RELATIONSHIP ENDS SO U CAN SNEAK IN UGH

“is pam your first love?” WHY DID U END THE TEASER THERE AAAAAAA BITCH

im so glad that the episode comes out today because i Need to know more

okay thats it if anyone read all of this first of all sorry kjshkfj and second of all thank u ,, u didnt have to but u did and ily for that okay bye

#2gether #2gether the series #2gether ep11 #2gether reaction #svt-district posts

27 notes · View notes

thewrongexecution · 4 years ago

Text

thinkin’ ‘bout final fantasy

I go by Not The Author for exactly the reason that I ain’t no expert on any given work of fiction, but I do like to make connections what make me seem smart: an illusion, haphazardly crafted by incident accident and supplemented by precocious pretentiousness. All the same, here are some fun thoughts I had that you might also enjoy!

I do have a point, that I do get to. I feel like I should say that ahead of time, all things considered. Like, I can appreciate if you can’t appreciate a shaggy dog story? But there is a point to all this.

...Eventually.

Spoiler Warning:

Final Fantasies 1, 6, 7, 7R, 13 and 15

Content Warning:

Discussion of death

Cussin’

Length warning:

5621 words

13 sections

16 digressions

Let’s dig in.

- - - - -

Final Fantasy 1 was not my first Final Fantasy experience, but I think it was the first I ever played by myself? The remaster for the GBA, came bundled with FF2 on the same cart, which I played briefly but did not complete and do not remember, except that it had Cid.

FF1 doesn’t have a Cid, but I really loved the narrative anyway, straightforward as it was, because it was very specifically about spitting in the face of an uncaring god who would doom the world for a laugh. Take these chains that bind us to darkness and, though we be forgot to history, strangle with them that selfsame darkness to bring an end to its tyranny.

((it is a terrible curse, to love time travel. so many grand expectations, so few ever met. play ghost trick, chrono trigger, radiant historia, majora’s mask, outer wilds. have you any recs yourself, lemme know! I digress.

((I digress a lot, as I may have mentioned. they’ll be noted in parenthetical, like this.))

This is the foundation upon which Final Fantasy is built, and while any student of architecture could tell you of many and varied perfectly valid construction techniques, it resonates. Grappling with an immutable past to course-correct an uncaring future is, too, an apt description of personal growth; a theme as universal as being alive. And I, as an impressionable youth, ate that shit up.

((I assume I was young, at any rate. my love for time travel, be it era-spanning or moment-stretching, is, I suspect, not entirely coincidental to my terrible temporal memory.))

And that was the tale of the studio, too. Final Fantasy was so titled because, the story goes, the developers knew they would shutter if it didn’t make bank. Staring your imminent demise in the face, knowing your fate is doom, and giving it your all, all the same.

And then they made another twelve, plus two-and-a-half MMOs, and god knows how many mobile games and spin-offs, and now the Fantasy is that there could ever be a Final one. so say I: life parodies art.

((the half-an-MMO is FF14 1.0, which no longer exists and is a fascinating tale, a rally against bleak futures all its own. I’ll [link] Noclip’s three-part documentary covering the developer’s side of things, because that’s the one I’ve seen. there’s plenty other material to hunt down, though, if you wanna.))

- - - - -

Final Fantasy VII is a game about fate, too. Particularly Death, that most ultimate of fates. Tragic, to be sure; preventable, or at least delayable, in many cases; necessary, at times, for the growth of something new.

Unrelenting. Unstoppable. Inescapable.

Death, and the fights against it, take many forms. There are the fascist death squads that hunt down your ragtag band and any dissent against their cruel masters, but these will only truly stop by cutting off the hydra’s head and building an entirely new society; eight dudes and their dog, faced with a corporate private military, can survive but never win. There are such disasters as do slay that hydra, be they natural or man-made. There’s the space alien and the apocalypse it ushers. There’s literal illness and injury, physical or otherwise. There are the deaths of loved ones, friends and family, that lead to some subtler deaths within those that survive them. The deaths of relationships, by neglect or abandonment. The ideological deaths we inflict on ourselves, accepting ever-growing lesser evils in the name of some impossible ideal.

Every day, the person we were becomes the person we are, and soon, the person we are will give way to someone new, and this, too, is a sort of death. In this sense, we tally Cloud’s deaths at least five: failure to become a Soldier and rebirth in shame, the massacre of Nibelheim and rebirth in grief, arrival at Midgar and rebirth in delusion, his cratering at the Crater and rebirth in nihilism, and his death and rebirth in the Lifestream of Mideel.

((you could prolly hunt down another two if you wanna be cheeky, but I lack the knowledge, motive and patience. frankly, this whole thing is to create a leading line of logic and probably isn’t, uh. academically ethical? or whatever the term is. I’m not necessarily wrong, but I’m definitely scuttling nuance. oh well!))

Now, I say “rebirth,” because that’s how deaths of identity more-or-less work. There’s usually some new identity waiting in the wings to take over. And rebirth is itself a notable theme, inasmuch as it is one outcome of death. But death is oft more final than that, and what people do in its imminence and wake is key here, too. Wutai’s collapse into an insular tourist trap. Avalanche’s vengeful fervor, in general and post-plate drop. Bugenhagen trying to pass his knowledge on to Red. The whole party’s ongoing post-traumatic depressive episodes.

Ultimately, death is the inescapable fate of all things. It’s what we do, in light of that, that makes us who we are.

- - - - -

Final Fantasies 13 and 15 are the only modern Final Fantasies I’ve beaten, and I bring them up because both deal very prominently with fate and death, and as Square’s most recent mainline FF titles, Remake can’t exist without comparison to them. Here’s what I remember:

Final Fantasy 13 was a game I enjoyed. The stagger system mixed up my casual FF tradition of Get The Big Numbers by putting a prominent UI element onscreen that says You Can’t Get The Big Numbers Unless The Bar Is Full. Suddenly there’s a natural-but-enforced ebb and flow to combat built in, where you gotta juggle chip damage, survival, and crowd control while keeping resources enough to burst down a staggered foe, but maintain situational awareness to swap back into survival mode if you’re not gonna down your enemy, all in something close to real-time. Very obviously a direct precursor to the combat of Remake. I didn’t realize the depth of it, but it was still super fun.

People at the time didn’t like the linearity of the game and, I can see that in retrospect? I think it’s closer to, there weren’t breakpoints, there wasn’t variety. It was cutscenes, combat, and the stretches of land between them; the only real thing for the brain to get a workout on was the combat, and eating only one kinda food is gonna make that food taste bland.

((I didn’t mind, but I like idle games, and, also probably had depression around then. Take that how you will.))

The story, though, I loved. You got your uncaring gods forcing mortals to do their increasingly-impossible bidding, cursing them to agonized unlife if they take too long, and with blissful, beautiful death if they succeed. It sucks! And here you have a ragtag band of incidental idiots trying to rebel against a system that, actually, wants them to? Like that’s the plan? Have mortals kill god and summon the devil to destroy all life, because god, doesn’t.... like life anymore?

((The lore gets more than a little impenetrable, and I remember bouncing off it a couple times. The throughline of God Sucks And Makes Zombies was good though.))

The biblical parallels are obvious, and if they weren’t, the final boss’ design will clue you in, god that’s a good design. hang on I can add pictures and already tossed a spoiler warning, here, look at this:

(per the Final Fantasy Fandom Wiki [X])

That’s literally The Holy Trinity But A Sword The Size Of A Building. It’s perfect.

Anyway, I love this game, because the heroes win, which is what God wants, so in winning, they lose, as was fated to be, right? Fuck All That, say the lesbians from space australia, as they turn into satan and, as satan, stop God’s shitty metal moon from crashing into space australia and destroying all life.

((this awakened something in me, though, as is becoming a theme, I wasn’t aware of it at the time. actually hold up I’m gonna rewatch that sequence.

((yeah okay wow on review that was aggressively cheesy and had a whole bunch of weird emotional whiplash that just leaves a super-bad aftertaste. I don’t really like it as an experience, but big bazonga lesbian satan with arms for hair is still a look-and-a-half.))

The whole thing is not entirely unlike if meteor was also Midgar, and there’s more than a few points where I went, hang on, are they trying to evoke 7 here? “Lightning” is ex-military and bad at emotions, Sazh is a black dad w/ guns and emotional trauma and I love him, quirky pink healer girl who might be an alien is here, the game starts on a train and leads into a robot bug fight; obviously it’s not one-to-one but the connections are there for a brain like mine to make, and only more prominent for the fact that FF7 was the more satisfying game.

((I cannot speak to 13-2 or -3; 13-2 was fun up until the enemies were abruptly 30 levels higher than me, more or less a mandate by the game for me to do all the side content, which I was not on-board with. I skipped 13-3 entirely, especially when I learned the whole game is on a timer. did not and do not need that stress in my life.))

- - - - -

But okay, FF13 was “too linear” and wasn’t doing super great. Enter Final Fantasy Versus 13, by which I mean enter Final Fantasy 15 actually, we don’t need any more of this 13 crap. And once again, I enjoyed it! ...Right up until it was bad.

Final Fantasy 15 was not a finished game, and we know this for certain now, because all its DLC was to make it a finished game. At the time, though, there was uncomfortable and inconsistent story pacing, only one playable character, relatively sparse combat mechanics... but it was open-world, and hey, that’s what you wanted, right? open, non-linear environments? I picked it up because, Teleporting Swordsman With a Motorcycle Sword. I am of simple pleasures, and those are they.

Of the little I remember, one point that’s stuck with me is the sequence following the Leviathan fight. See, we’ve been talking about fate and destiny and how Final Fantasy likes to spite them. Here in 15, our main man Noctis doesn’t want the destiny he’s been burdened with, to Become The King and Save The World from the Coming Darkness, or whatever. He’d really rather be doing, anything else? like hanging out with his buddies or actually getting married or, I dunno, grieving the death of his father. Nope! You don’t get to do that. Go find the ghost armaments of your dead ancestors so you can ~saaave the wooorld!~ I would have been in college around then, so, eminently relatable.

Now, on this journey, you meet a guy called Ardyn. He’s the sort of character that was built as an attack on me personally: sleazy, charming, possessing airs of casual familiarity with people he’s never met, kinda helps you out in tight spots, and also, by the way, vizier to the empire that killed your dad and wants you and your friends dead too. But not in the “secret good guy” way, he just likes fucking with you! he’s perfect.

Right up until the Leviathan fight.

See, Lunafreya, your betrothed--

((I’m so mad about this stupid, stupid garbage. I love Lunafreya on principle, but the game doesn’t bother to give her screentime. you only ever hear about her incidentally, which can be cool if you then meet the character and get to compare/contrast what you’ve heard, but the initial release only has her show up for this one chapter, and your party doesn’t really get to interact with her that much.))

Your betrothed is here and she’s some symbol of the peoples’ hope, right? she’s got light magic or something, and can actually commune with the gods. the gods are on your side, but you can’t actually understand a word they say, but she can, and that’s sick as hell. anyway.

You lose the fight against Leviathan, because you’re a shitty emo teen who doesn’t know how to use your ghost swords, and she got beat up earlier when Levi got all pissy at being summoned. And then Ardyn shows up in his magitek dropship.

Now earlier, Ardyn had Luna as his captive, completely at his mercy, and right now, he who would be king of kings, destined to save the world from darkness, is clutching at rock in a hurricane, beaten, wounded and dying.

Of the two, which do you think he stabs to death?

if you thought, “the protagonist, which will allow him to win, and subvert Final Fantasy’s themes of defying fate by having the villain be the one to do it, forcing everyone else to scramble for some alternate solution and deal with the fallout,” congratulations! You win disappointment, because that idea’s cool as hell and they didn’t. fucking. Do it.

((Ardyn, before this, had given me major Kefka vibes, and thinking on it now, the world descending into darkness in the 15 we never had could have played with even deeper parallels to FF6... but I never played 6, and that FF15 doesn’t exist, so... I’ll leave that analysis to better scholars.))

now, with the benefit of hindsight, that was never going to happen. too long in development hell, game had to ship, had no time or budget for mid-game upheaval. but at the time? made me lose any interest I had in Ardyn, made me mad at the developers for passing up on fulfilling the themes their series had explored in past, made me almost stop playing the game. I’m still mad about it for crying out loud!

((thinking about it gets me tensed up, coiled, with that sort of full-body thrum that’s best conveyed with letters that jitter around. best I can do here is bold italics, but it doesn’t have the right energy. it’s a fleeting feeling, but when it’s here? god. given the men that wrote this scene I would fight all of them and win.

((inhale...

((exhale...

((and move on.))

We, the player, never really meet Luna, so there’s no real... impact, no substance to it. It’s sad, but impersonal. villain kills damsel to inflict manpain on hero. that’s it. we’ve seen this song and dance before.

But kill Noctis? The character the player’s been controlling all this time, who they know intimately? Now it’s personal. Now your party members’ grief is a mirror to your own. And now you get to play as Luna, maybe? give the game time to flesh her out, have her bond with your old companions over their shared grief, and maybe use her connections and public speaking skills to rally the people of the world, in a perhaps-vain attempt to resist the oncoming darkness, while simultaneously using that public-facingness to drive her to hide her own fear and hopelessness...? That’s a complex character ripe for drama and tragedy right there! And then her, at the head of a story about people coming together to solve a global calamity themselves, rather than await their appointed savior?

Even then, but especially now... You can see the appeal, right?

- - - - -

Lemme step back and zoom out for a moment, because there’s one more kind of Fate to discuss before I finalize my thesis. Yes, I promise, there is a point besides being mad at FF15, this is still ultimately about Remake. Bear with me a little longer.

See, Remake’s premise is that it’s not quite FF7, but that itself is predicated on Remake being essentially FF7. Certain things must be in the Remake series, or it will cease to be the Final Fantasy 7 Remake series. The developers have gone on record saying as much, that they’ll still cover the thrust of the original, and that makes a lot of sense from a development standpoint. Building on an existing framework saves loads of time, and lets them focus on details as they have in Remake.

((I think they've already set up an in-universe justification for this, too. The party may have defeated the Whispers at Midgar, but the Whispers are the will of the planet. The only way to truly defeat them would be to defeat the planet itself, which: kind of the goal of the villains!

((a bit ironic, because the villains are the Whispers’ means to keep manipulating events. Remake backends a very large portion of the plot, and I don’t think Rufus seeing the Whispers is a throwaway detail. The party chases Sephiroth by chasing Shinra in the original, so even if the party has shaken free of the direct influence of the Whispers, manipulating Shinra should in turn manipulate the party.

((on top of which, Rufus prizes power, and the power to change or control fate-- something both the party and Sephiroth have seized-- would be as enticing as anything.))

But this begs the question: How much of Final Fantasy 7 is necessary before it stops being Final Fantasy 7? Do you need all nine characters? The Weapons? Rideable chocobo? Breedable chocobo? What about locations? Can you drop the Gold Saucer? or Mount Condor? or Mideel? How many minigames am I holding up? These are necessary questions, but so is this:

“Would a one-to-one recreation of the original game have the same emotional impact as when it released, twenty-three years ago?”

- - - - -

Now, the phrase “emotional impact” is necessarily kind of nebulous and subjective, so lemme dig into that a little bit.

The first significant chunk of the original FF7 takes place entirely in Midgar, which is one huge city. Every screen is densely packed; movement is typically constrained to narrow corridors and industrial crawlspaces. The whole world is deeply claustrophobic and visually hostile, by design.

This is FF7 for the first few hours, before a motorcycle chase deposits you outside city limits, and then... you hit the world map, and everything changes. The world is rendered in three whole dimensions, now! (Then, a technological marvel in its own right.) There’s a sky! There’s a horizon! Grass, mountains, the ocean!

Boundless, terrifying freedom.

From a mechanical standpoint, there’s only one real destination, an A-to-B with random encounters before a small enclosure with an inn and shops, no real change from what you’ve already been doing. But the mood? Everything’s fresh and new, now. Everything’s an unknown.

So, how do we do that again, two-and-a-half decades on?

Let’s say, something like this: Remake 2 starts with Cloud and Sephiroth en route to Nibelheim. For new players, this provides immediate intrigue: why are these mortal enemies hanging out in a truck? how did they get here, where are they going? For veterans, it’s familiar: oh, we’re in the flashback sequence.

For both, it provides mechanical familiarity. We just finished last game hanging out in Midgar, a bunch of town squares with shops and cutscenes connected to hazardous corridors. Well, Nibelheim’s a town with shops and cutscenes, connected to a monster-filled anthill and capped with a reactor. We know this. We’ve done this. We can do this again.

And when the flashback ends, we’re in Kalm. Another town, maybe with sidequests this time; Midgar looming in the distant skybox as a reminder of how far we’ve come.

And then you leave Kalm, and the camera zooms out, and out, and out...

Remake is essentially 7, and you can’t have the impact of 7′s world map reveal if Remake isn’t functionally open-world too. Square has plenty of experience with open environments, however successful their more recent attempts have been; I’m confident that the have the ability, at least, to craft an expansive world that feels appropriate to FF7.

((I’d like to take a moment here to talk about FF14, which mixes both compact twisty dungeons and wide-open overworld zones, and is necessarily wildly successful to still be operating as an MMO... but though I have played it briefly, I don’t claim knowledge sufficient to go in-depth. The point is, Square not only can make a game like that, they have, and are, and apparently possess non-zero competency. I have worries, but I’m not worried, if that makes sense.))

So, can you recreate a given kind of emotional impact? Yeah!

Can scenes from the original Final Fantasy 7 be rendered into a new context, more-or-less as they were? Absolutely!

Would a one-to-one recreation of the original game have the same emotional impact as when it released, twenty-three years ago?

- - - - -

Aerith dies.

If you opened this post and didn’t know that, well. There were spoiler warnings up at the top, the game’s more than two decades old, and the spoiler itself is basically a piece of pop-culture, up there with space dad and wizard killer. There’re probably plenty of people who know next-to-nothing about Final Fantasy 7 except that Aerith dies.

Everyone knows because, at the time, it was so big a thing. This was a title that Square hyped to heaven and back to push JRPGs into mainstream western markets, and it worked. And this was before major death was so common and arbitrary as it is today; even now, Game of Thrones and its ilk are a relative rarity. The death of a protagonist or love interest wasn’t a new thing for games, or any media really, but usually you knew it was coming, or it served some purpose. Aerith’s death was sudden, arbitrary, you’re almost immediately thrown into a boss fight so you don’t even have time to process it right away, and it’s the first stone in an avalanche of other pointless arbitrary tragedy. It’s an obvious narrative setup for the endgame confrontation with Sephiroth; instead, Cloud has a breakdown, Meteor happens, and now there’s an entire Disk 2.

Fandom has always been fandom, even before the continuous immediacy of the modern internet, but... people wrote letters to Square, and got sad on message boards. There’s an entire subset of forum signatures, back when those were a thing, that you could sort as “people fucked up over Aerith dying.” And again, this was the world. Not just Japan, or Asia, but everyone.

((Or, everyone with the finances to have a PS2 and/or an internet connection. Gaming as a pastime remains way expensive, whether played or watched. But you know how it is.))

And that’s the problem with answering that question.

See, FF7 is a lot of things, but for better or worse, it is defined by Aerith’s death. It’s one of many factors, but you can’t... leave it out, right? or it wouldn’t be FF7 anymore.

Aerith dies in FF7, and everyone knows it.

- - - - -

But Remake has promised, repeatedly, that things will be different this time. Everyone is coming together to defy fate, and Cloud in particular is here to keep Aerith from dying. Bodyguard jokes aside, Cloud repeatedly has flashbacks (flashforwards?) to Aerith’s death and the events leading to it. When he meets her in the church, when they cross into Sector 6, twice in the final battle. Hell, the very first time they meet, Sephiroth taunts him about not being able to save her. Even from a metatextual standpoint, since everyone knows Aerith dies, that’s like, The Most Obvious Fate To Change.

If, after all that, Aerith still dies? It’s not just tragedy, at that point. That’s the developers, actively lying to the player about their intent in making this game series. That’s frustrating, and immersion-breaking, and when said death is likely to still have one or more entire sequels to come after? maybe not great for sales! I know I didn’t bother buying the complete edition of FF15; I couldn’t bring myself to care enough about a game that set up this cool possibility, and then just, failed to deliver on every count.

And, Remake is being made for two audiences. I’ve said “everybody knows Aerith dies,” but that’s not really true, is it? It’s been 23 years, after all. Remake could well be someone’s very first Final Fantasy experience. That’s why they’ve been telegraphing Aerith’s death so hard. Not everyone knows, but at least everyone can guess. Is it fair, then, to this new audience, with potentially no knowledge or understanding of the legacy of this flashy new action game, to foreshadow tragedy in the future, have everyone come together to say, We’re Going To Stop This, and then... not? Is that good writing? Is that satisfying? When this is a multi-game and potentially multi-console investment of time and money, is this, as a newcomer, a story you’d want to keep playing?

And then on top of that, it’s 2020.

I don’t mean that in the current-year-fallacy, “we’re better than this now” kind of way. Rather, the way I felt about Final Fantasy 15 is even more relevant now. People, in real life, are realizing that the powers-that-be are failing them, have failed them, have been failing them for far longer than twenty-three years. The people that already knew that are actually showing up for each other, to spite what felt and feels like inescapable fate and finding that, together, they might just be able to ruin God’s day.

Game development is, of course, its own whole beast, and projects in motion tend to stay in motion; deviating from a plan takes time and money that Square may be unwilling to spend. But, under current world circumstances: is making a game where the hero sets out to save one specific person from their fated death, and following that with a game where that one specific person dies anyway, aside from everything else, a good business decision?

- - - - -

So... Aerith, shouldn’t die, right...? But, FF7 requires Meteor, and so requires the Temple of the Ancients and the Black Materia. And, Meteor can only be stopped by Holy, so FF7 requires the Forgotten City.

FF7 is a tragedy. FF7 demands blood.

...Hey, actually, hold that thought. How come Cloud can remember Aerith dying in the first place? He’s not from the future, right? He’s got a connection to Sephiroth, who is from the future... and Sephiroth can manipulate his memories...? but, why would Sephiroth let him, or make him, remember that?

Hey, how come Zack is alive, but like, in the “narrative scope” sense? Wouldn’t his presence circumvent Cloud’s delusions about the Nibelheim incident?

Hey, how come Cloud had multiple big climactic Sephiroth confrontations at what’s essentially the end of the prologue, including one that mirrors the very end of the original FF7? Shouldn’t that still come at, like, you know. the end?

Hey, how come--

- - - - -

Remake has these... Callbacks? Refrains? Like my favorite, when Sephiroth throws a train-- you know, The Fate Metaphor-- at Cloud, who absolutely shreds the thing. Or, for a more direct example:

And it frequently uses these to show that people are changing, that things can change. You know, the whole Running Theme the game has going on.

Sephiroth gets a refrain, too.

At the start of the game (give or take a reactor), in his first real appearance, Sephiroth philosophizes at Cloud, makes sure Cloud hates him, and tells Cloud what he wants.

At the end of the game, in his last appearance, Sephiroth philosophizes at Cloud, tells Cloud what he wants, and makes sure Cloud hates him.

Structurally, these encounters more-or-less bookend the game; thematically, it doesn’t exactly indicate change. Barret may or may not have come around on Cloud, and his admission that Cloud is important to him after all is, itself, important. Cloud, on the other hand, was always going to defy Sephiroth. He stands resolute, now, ready to fight rather than flee, but apathy was never on the table.

Now, Sephiroth’s whole Thing is psychologically manipulating Cloud to get what he wants, and as part of that, what Sephiroth wants is usually not what he says he wants.

All throughout the original FF7, Sephiroth riled up Cloud so that Cloud would pursue and defy him, culminating first in the Black Materia incident, and then again in the Forgotten City. None of the Sephiroth clones could survive the trip through the Northern Crater, so Sephiroth had to lure Cloud, with the Black Materia, to him, and then also convince Cloud to give up the Black Materia of his own accord. Mind control, memory manipulation and illusions were involved, but if Sephiroth could maintain those indefinitely, he probably just. Would have done that instead. Way easier,

The point is, in Remake, in addition to all the intermittent retraumitization sprinkled throughout the game, Sephiroth goes out of his way twice to directly ask Cloud, “hey, you hate me, right?” And, as part of that question, he tells Cloud, “this is what I want.” And Cloud? He hates Sephiroth, and will do his damnedest to keep Sephiroth from getting what he wants.

So. What does Sephiroth... say he wants?

- - - - -

One last aside before we cap off: This post would not exist without the valiant efforts of one Maximilian_dood. His devotion to the series kept myself and many others engaged and excited and, frankly, hopeful, in the leadup to the release of Remake, and his correlations between the rest of the FF7 series and Remake were enlightening and entertaining.

and had he not the gall to identify defying fate as a device to make aerith’s death more tragic, I would never have been angry enough to write this.

((I know, I know. Gaming and streaming and lit analysis are all hard individually, and I don’t begrudge losing one for the other two. And it was a first playthrough! I might have seen these lines sooner than some, but collating all this info was certainly not instantaneous. And Square can be hack writers at times-- see again my rant on FF15-- so even then, I can’t discount the possibility.

((but, still.

((Really?))

So, while I would like to believe that I have, by now, made my thesis on Remake’s narrative direction abundantly clear, here it is spelled out anyway:

- - - - -

At the bottom of the Forgotten City, at the shrine on the pillar in the lake, Cloud will find Aerith, who believes her fate immutable.

Sephiroth will descend, and Cloud will sacrifice himself, that Aerith should live.

This is Sephiroth’s plan.

- - - - -

Hey, thanks for reading this far! With my conversational tone and rambling tendencies, I’d have preferred to make this an audio post or, god forbid, a video essay, but I got a keyboard, and that’ll have to do. Diction is important to me, as the capitalization, italics and use of punctuation may have clued you in on, so... maybe you’ll get a dramatic reading sometime in the future? but, don’t bet on it.

Feel free to riddle me with questions, or point out inconsistencies with this big ol’ thing! I’m not exactly an expert, and I’m sure I glossed over, heavily paraphrased, completely forgot, intentionally ignored and/or aggressively misrepresented some stuff, but I love learning and teaching esoteric bullshit about The Vijigams. On that note, anything that sounds like it should be sourced is sourced from “I heard about it on social media or in a stream or youtube video one time, but if I actually had to hunt it down this whole thing would never see the light of day, and it has already been like three months,” which isn’t to excuse my lack of due diligence, but I do, lack diligence, so, tough.

Oh! but the Remake screens all come from [here]. Don’t care much for that splash screen, but, I Get It, so, whatever.

There were some other things I wanted to touch on but couldn’t really find a spot for. FF7 Remake as a metaphor for its own development, for example. Or, some of The Possibilities, like how Cloud’s death could very literally haunt Aerith, or how Remake sets up a more fleshed-out Midgar revisit that Cloud’s death specifically would make infinitely sadder.

On that note, if it was not yet obvious, I love speculation, and if they do go this direction, it’ll probably be their justification to go completely... off the rails? Remake only has to be FF7 until it doesn’t, after all. If there’s some wilder implications youall see for like... I dunno, a Jenova more fully-regenerated from also having Cloud’s cells back, getting into proper Kaiju-on-Kaiju battles with the Weapons, or anything like that? Feed me your brain juice, etc.

And, once more, for the road: this is interpretation; subjective, opinionated, and very much in denial of any kind of author-ity. Nor is this a claim on how things should be, or an assertion that this would be good or bad. Everything ultimately rests on Square's narrative design team and, we’ve touched on them already.

((but, for your consideration: I’m smart, and right))

Here’s hoping, whatever happens, we get the game we deserve.

thanks for coming to my ted talk, have a great day

#In This Essay I Will but for real this time #but hell if that's stopped me before #ff7 remake #blatant speculation #ff7 remake spoilers #ff7 spoilers #ff13 spoilers #ff15 spoilers #I dip into spoiler territory on more but these ones get a deeper dive #also if any of y'all know how to get images screen-read-able please lemme know #the screenshots are to point out that the game itself does do these things #but I don't wanna content-lock anybody out of my bad garbage #also also if the wordcount didn't clue you in:#long post #posting this right now immediately listening

8 notes · View notes

starbuck · 5 years ago

Text

Terror Notes: “Go For Broke”

well… I guess I’m really doing this! Some proper, bullet-pointed notes for each episode of The Terror, starting with ep 1: Go For Broke!

I wrote these out last night (and edited them this morning to make them readable - you’re welcome!) so I hope that y’all enjoy my thoughts and assorted nonsense! I tried to save my comments for points I actually wanted to make because I feel like they bring something to the table but I still ended up writing A Lot lol

I love that Crozier couldn’t even be bothered to be present in welcoming Sir John and Fitzjames onto Terror, making Little and Hodgson do it by themselves. One could argue that he had important captain-y things to be doing at that time or something but I’m not 100% sure that wasn’t the case.

idk if it’s just the angle, but I paused the episode just as the shot of the officer’s mess is coming in from above and Hodgson’s hands make me so uncomfortable. They look so bone-y and weird. (Just what you came here for, I know. Hand commentary.)

Cannot tell you how uncomfortable it is, after many rewatches, to listen to Fitzjames recounting in a casual, lighthearted manner 1) shooting people 2) people catching fire (and burning to death), and 3) their burning flesh smelling “like roast duck” (so, like something edible) and it’s even more uncomfortable to have the closeup be on Hodgson’s face as he laughs at the ‘roast duck’ comparison.

On a lighter note: I love that Fitzjames felt the need to remind everyone what size cherries are by illustrating it with his fingers. In case they forgot, I guess? As someone who occasionally speaks unnecessarily with my hands, big mood tbh.

I LOVE it when Fitzjames gives Little that affirmative tap on the arm after he compares Fitzjames’s injury to Lord Nelson’s. My friend Eli and I refer to it as The Fitzjames Arm Tap. I would like a Fitzjames Arm Tap, pretty please.

God, Sir John loudly setting his hands on the table to try to dispel the tension from the ‘birdshit island’ debacle as he attempts to change the subject is so funny. I’m gonna stop just pointing out things I find funny soon, I swear, but I just cannot handle this scene.

Between Hodgson looking horrifically embarrassed by Crozier’s outburst at Fitzjames and Little looking nervous when Crozier shoots him a look as Sir John says that there’s no reason to be concerned about the ice, it really does seem that they were having to ‘manage’ him even back in ep 1 when his alcoholism wasn’t completely out of hand.

Personal sidenote about this: My Pop-pop is often rude to workers in stores and restaurants (he doesn’t drink thank goodness but he has Alzheimer’s coming on which has worsened his temper) so I very much understand the feeling of being on-edge that an outburst is going to occur and trying to deal with the fallout when it does. Just going by my own experience, I can imagine Little apologizing to Fitzjames for Crozier’s rudeness as soon as they were out of Crozier’s earshot (not that anything Little could say would heal the deep psychological wound that Crozier created but hey, it’s something).

The way that Sir John brushes aside Dr. MacDonald’s and Crozier’s concerns about moving Young when he’s in such bad shape never fails to upset me but also ~foreshadowing for hauling the ill on boats oooohhh~

I said I was done pointing out random things that amuse me but the speed and agility with which Des Voeux pops out of the hatch and onto the deck after Orren falls into the water is just so funny. I could watch that two second clip on repeat all day. Might gif it so I actually can.

Is this a good time to point out that there’s also a scene in Moby-Dick where someone falls from high up on a mast and drowns? It’s in a chapter all about bad omens experienced by the crew of the Pequod and The Terror definitely has some similar vibes going on with the sun dogs displayed in the establishing shot of Erebus in that scene and David Young, a “warning of things to come,” on his way over.

The second(?) time I watched the part where Young tells Stanley that he didn’t think anything of getting headaches since he’s always gotten them, I had this thought pass through my head that was like “oh god, I had chronic migraines for years so I’d never have known if I had lead poisoning either!” but then I realized that this probably was not a relevant concern I should have.

Not sure I have any deep commentary on this but as Gore informs Sir John and Fitzjames about the blocked propeller, he’s standing in the same spot, in the same room as Goodsir will stand next episode to tell them about his death.

Also regarding this scene, I love how Gore waits for Fitzjames to give him the go-ahead to leave before actually going. I know that Fitzjames is his superior officer too but, since Sir John already dismissed him, it seems like waiting for Fitzjames’s approval isn’t really necessary, yet a nice thing to do. Perhaps this is a legitimate formality, but something similar happens later in this episode in the command meeting when Crozier asks Gore how many sun dogs he’s seen; he looks to Fitzjames and waits for his nod before answering Crozier. He doesn’t look to Sir John, he looks to Fitzjames. I know that we know essentially nothing about Gore but like.. underrated ship???? Just saying…

Ten nights ago, I was unable to get to sleep for at least an hour because I started thinking about David Young’s saying “I want to go to my grave as I am” and, of course, that ultimately doesn’t happen for him but also, this, like all things about him, is a “warning of things to come.” I’m pretty sure that no one else was properly buried until, arguably, Fitzjames and ironically, that was explicitly not what he wanted done with his body (and, since his grave was later looted by Hickey, similar to the way that Young’s autopsy ultimately achieved nothing, it didn’t really matter anyway).

I know that this happened exactly ten days ago because I forced myself to wake up and write it down in my notes app, lest I forget, which only prolonged my sleeplessness. I suffer for my analysis.

Ah yesssss Tozer’s lesbian haircut. We love it! Why does my hair not look like that when I take a hat off? I’d like to file a complaint.

Was just thinking the other day about how Hartnell being the one to notice that there was something up with the ice in ep 1 is followed up on with Blanky complimenting Hartnell’s ability to read the ice to Crozier in ep 7. I wonder if Blanky ever gave him like. ice-reading lessons after becoming aware of his interest and natural talent at it in ep 1? That makes me happy to think about.

The two people who we’re shown awoken by Young’s screaming are Sgt. Bryant and Morfin and like. Do I even have to explain why that’s an Oof?

The way that Goodsir hesitates before knocking on Stanley’s door and Stanley irritatedly closing his book before answering the knock in an exasperated voice would be comedic in any other context. If I’m being honest, it still makes me laugh. As does Stanley’s “As if that weren’t plain.”

I’ve pointed this out before but mmmmm... that shot of Stanley in profile with the open candle flame in the background… the foreshadowing in this ep is thicker than the smoke at… Oh alright, I’ll stop.

God, the autopsy/dive scene…. Collins being lowered down and entering the water paralleled with Goodsir’s initial cutting into Young’s corpse, the breaking up of the ice paralleled with the cutting of the bone-saw. But most significant to me is the parallel of what is seen/not seen and the long-term effect that this has. Collins sees Orren’s corpse (and then presumably never tells anyone about it), reinforcing his guilt over Orren’s death, the beginning of his mental health decline. Goodsir doesn’t see the cause of Young’s death in his autopsy and this not knowing about the lead poisoning until it’s too late to do anything about it is the cause of many of Goodsir’s later problems as well. And, to finish it all off, both the autopsy and Collins’ dive were ultimately for nothing (considering a spinning propeller is useless when your ships are frozen in).

Crozier and Blanky’s simultaneous face journeys as Sir John rambles on about how there’s nothing to worry about and they’ll find the passage any day now are truly legendary.

I wrote some pretty extensive tags on this already but man… Crozier’s comment about how not all of Sir John’s men returned from one of his previous arctic expeditions is just so nasty and awful. Like, yes, Sir John is wrong to undersell the danger they’re in and Crozier is advocating for the correct position here, but that was completely uncalled for and horrible to say, particularly in a command meeting, in front of so many people. And Sir John looks legitimately upset by it too. He gets over it quickly, at least on the outside, but I still feel really bad for him (and I NEVER feel bad for Sir John so this is weird for me).

“But of course we will not be abandoning Erebus, or Terror…” Let’s check back in six episodes and see how that’s going!

Crozier slamming his fist on the table to prove he’s not being melodramatic reminds me of this one post (that I sadly can’t find rn) about Jesus Christ Superstar that’s like “‘CUT OUT THE DRAMATICS’ Judas hollered dramatically.” It’s such an Overall Mood.

I don’t have a developed commentary on this at the moment but it’s an interesting reverse-parallel that Sir John had no concern for Young’s well-being when he was alive, ignoring Crozier’s concerns about moving him from ship-to-ship when he was in such poor health, yet now that he’s dead, Sir John is the one to recommend that Young be buried which Crozier is surprised by, and seems to feel is unnecessary.

There’s been so much amazing commentary already made about Young’s burial scene so I’ll skip it except to say that Hickey’s irritated sigh when he hears footsteps coming towards the grave is SO funny. That’s exactly how I feel when I know that someone is about to tell me something that will annoy me.

Goodsir was really getting into the emotion of Sir John’s “eulogy”/motivational speech before he remembered the promise he made about Young’s ring. Also, what triggered his memory was Sir John saying “We shall earn our loved one’s cheers and embraces,” so no doubt a reminder of the traumatic “Your loved ones will be there in Heaven to welcome you! :)” “I never knew my mother or father” exchange (or maybe just a reminder of the fact that he was supposed to get Young’s ring to his sister but just let me scrape a little humor out of this. God knows I need it).

The shot of Bryant praying in his hammock the night before they get completely frozen-in is honestly deeply upsetting to me. Especially considering he’s a marine so he Did Not Ask To Be Here, yet there he’ll die.

According to Melville, ship’s compasses occasionally spun round-and-round when a ship was caught in a severe storm and this was an incredibly upsetting thing to behold because of how disorienting it was. So, considering that, Fitzjames keeps his composure pretty well but he clearly has some reservations about how things are going and Sir John has no comforting-sounding remark about ‘Magnetic North’ to offer him now.

The bit where Sir John “sees” Crozier, on Terror, turn away from him with a half-smirk on his face is interesting because there’s no way he could have possibly seen Crozier’s expression at that distance and I’m doubtful that he’d even have been able to make out the identity of anyone he might have been able to see on Terror’s deck. So really, it speaks mostly to Sir John’s mental state; his seeing their getting frozen in as a loss against Crozier and imagining that Crozier would see it as a victory for himself.

Ugh the final shot is making me think about @catilinas’s post comparing a shot of the two ships stuck in to the shot of the ink drops from ep 3 and I am LOSING IT but I was losing it anyway because it’s 2AM now and my entire body feels like gelatin.

THANK YOU AND GOODNIGHT!

SEE YOU NEXT TIME!

#the terror #i'm REALLY proud of these!! this was so fun to do!#i definitely intend to do this for each episode #no promises for the timing on that but i legitimately have nothing better to do so lol hopefully ep 2 will happen soon!#hope y'all enjoyyyyyyyy #feel free to add comments if you like or you don't have to! whatever is good - i just appreciate anybody slogging through this lol

27 notes · View notes

yiling · 4 years ago

Text

Untamed rewatch Episode 15

oh boy, here we fucking go

-my mom when sect leader yao showed up: oh! it’s the clan with the funny hats!

-I know we all hate sect leader yao but this is still :(((( I completely forgot this happens wow

-“jin zixuan is somewhat a decent person” amazing

-every time jc calls him a-xian I die

-it’s interesting that yanli goes with her father to lanling. she would be a good diplomat! Shame we don’t see it!

-even when Madame yu is being nice (in her own way) the brothers still look like they don’t trust her. (though some of that is obviously worry over their father and sister too)

-“we should come up with a plan to protect lotus pier” “okay if the wens come I’ll just kill them all” jc...you wonderful macho dumbass. that’s not how it works.

-my sister pointed out there’s at least 2 different sets for wrh’s throne room, they’re different shapes

-I forgot we see resentful energy bleeding out of wrh. Bodes well for later!

-first mention of yiling

-AWW JC DEFENDS HIS BROTHER WHEN THE DISCIPLES TEASE HIM ABOUT THE DOGS AW

-oof the looks wwx and jc exchange when madame yu comes out to yell at them...big “siblings allied against a shitty parent” energy

-jinzhu and yinzhu are cool I wish they got to do Anything More Than This

-wwx getting thrown across the room is yikes, but that table is so obviously designed to break

-I wonder how common it is for yzy to strike wwx with zidian. there’s an interpretation where she’s only doing this to deescalate with jiaojiao, and jc’s horror suggests that this is not common. but I know she hits him with it a couple times in the novel

-...I wonder if yzy would’ve actually cut his hand off if jiaojiao hadn’t pressed her advantage. she certainly seemed to be considering it

-...also ngl madame yu threatening jiaojiao like this is hot

-I like that we get one (1) scene where it’s all about the women.

-(where’s the lesbian version of this show I fucking swear)

-oooof after jc clashes with wzl, madame yu checks his pulse to see if he still has his core...

-this whole scene is. ouch. honestly? if there were no romance, or no resurrection, if this was just the story of this messed up family, I’d be just as happy. I love all these characters a lot!

-(also zidian cool)

-what’s interesting is wwx is visibly checked out/dissociated during the whole scene with madame yu. he barely reacts to her shouting at him (and you wonder how much of his childhood was spent like that), or to jiang cheng’s tears. he doesn’t break and start weeping until jfm shows up.

-even then, he’s set apart from his siblings (his sect siblings, it’s made very apparent here. he’s not their blood). they cry out to their father in their distress, and wei wuxian can only call him clan leader.

-it’s also worth noting that for all the angst over whether or not jiang fengmian favors wwx... in this moment, he treats his adoptive son like his wife does. he does not comfort him as he does his blood children. he tells wei wuxian it’s his duty to protect his siblings.

-jiang cheng and wei wuxian are holding hands

#cql #the untamed #untamed rewatch liveblog #this is #oof #mine

2 notes · View notes

annakie · 5 years ago

Text

Thoughts on a DW Rewatch & Mass Effect replay.

So I’m in the Eleven / Clara half-season now.

Also I’m now replaying Andromeda. I have thoughts, about both. I’ll start with Doctor Who then label it when I get to Mass Effect stuff.

Oh my God this gets long and rambly. Apparently, I have a lot of thoughts.

So, season 702... I’m ready for it to be over. I miss the Ponds. I felt like most of the first half of this season was pretty great, honestly. I’d forgotten how fun some of those episodes were, I think at the time we were anticipating a new companion so heavily that it was harder to appreciate those episodes? I feel like there was a lot of criticism levied towards them that now I felt like was a bit too much. The western episode was kinda meh but still not bad.

I’m not sure what exactly it is about these Clara / Eleven episodes that I’m still not connecting with but I’m in the middle of the Crimson Horror episode (which is a Vastra/Jenny/Strax heavy episode and enjoying it more than anything else so far this half-season.

*edit later* NOPE NOPE NOPE I’D FORGOTTEN HOW THE DOCTOR FORCES A KISS ON JENNY. GROSS. SUPER GROSS. SHE’S A MARRIED WOMAN, A LESBIAN AND DID NOT CONSENT TO ANY OF THIS. BAD DOCTOR, BAD.

Honestly even with some excellent guest start acting, the Russian Submarine episode was STILL a slog and the ghosts in the 1950′s episode no better. Like they still weren’t ridiculous and unwatchable but... just didn’t feel fun or interesting at all? The Journey to the Center of the TARDIS episode was decent, and I felt like that wasn’t nearly as cool as it should have been..

I remember reading a criticism of these episodes early on where they said that the biggest fault is that they failed to give Clara any real characterization or solid personality other than “girl the Doctor is obsessed with”. She’s SUPER IMPORTANT but not only do we not know why at this point but it really doesn’t feel... earned? I don’t recall it ever feeling earned that Clara was supposedly always so important? “The most importantest companion EVAR!”

And as someone who stanned the hell out of a character who was hated in the fandom for “replacing” a previous companion I’m checking myself to make sure it’s still not because I Miss the Ponds. Like, I don’t HATE Clara, I just, at least at this point in the rewatch, can’t find any reason to really LOVE her? She’s there, she’s fine, Jenna-Louise Coleman is doing a great job with what they’re giving to her but... I don’t know. It all feels... off.

I had forgotten all about the “the Doctor rides a motorcycle up the side of a skyscraper” moment and something hit me in that moment that made me remember that wow people hated that moment. It felt really... shark-jumpy somehow.

I love Eleven, but this half-season isn’t connecting with me, AT ALL. It feels like the writers just went and dug through a bunch of rejected script ideas, polished them up and were likle “let’s just do this until Matt Smith is gone.” I’m anxious to get to Twelve.

Mass Effect Stuff

OK TECHNICALLY I haven’t finished ME3. I still need to do the party and the goodbye scene, (Citadel Epiloge Mod installed) but I’ve gotten all the Stuff and done all the missions in the arena. I just wasn’t quite ready to say goodbye yet, so I started Andromeda a bit early.

-----------------

OK look I had a point I wanted to make and never quite got where I wanted to go with it right here. I’m too tired of trying to fix it, so this stands as written.

This playthrough had me ruminating a lot on Kaidan and Garrus. I really love both of those characters, though in my heart I’ll always primarily love Kaidan, I’ve done the Garrus romance and wouldn’t mind playing that character again to see the romance one more time. In ME1, I bring Kaidan everywhere all the time, and pick which other companion I bring to the story-based missions based on what I know is gonna happen like I’m sure most people do. Wrex for Therum, Tali for Feros (though I REALLY wish you could switch before going to see the Thorian), Liara for Noveria, Ashley on Virmire, Garrus for Ilos/Endgame. I rotate through all five for sidemissions.

In ME2, Garrus is my always-bring companion, with Garrus + Miranda being my favorite team. Except after the Omega relay, where characters with Throw really shine with all those husks running at us, Jack holds the bubble, and Miranda and Thane, who both have Warp to help take down the Reaper Baby, are the preferred team. Also so Miranda can tell TIM to fuck off.

Then in ME3, once the game opens up, Garrus is back on the perma-team, with a preference towards bringing Liara along... until we get Kaidan back. And then I realized I didn’t bring him to a single thing except a side mission or two until Earth. Mostly, this is because I’m following the Kaidan Banter guide and it turns out Garrus is a real banter hog for most of the missions. At leat he’s not James, who I literally never use unless I’m going on an N7 mission and feel bad that I haven’t taken him off the Normandy in awhile. I mean, even Javik gets more play. Also EDI doesnt leave the Normandy til near the end when all of a sudden she gets real important.

But Garrus is always on the team for Priority Earth. And that always felt like the way the main game should end, with your two favorites. (Also what kind of monster wouldn’t bring Wrex to the combat-centric areas of Citadel DLC? I keep thinking I should have runs where I bring other people but... Wrex is my other fave and we don’t get him with us AT ALL since ME1.)

I love Garrus, so much. And I was thinking with this whole parallel DW rewatch / Mass Effect replay think I’m doing right now how both Rose Tyler and Garrus Vakaraian are characters that were ruined for me for awhile due to their respective... overly enthusiastic fanbases who a small percentage of were dicks to people who loved other characters. The Kaidan tag (and from what I understand Thane got some of this too, but not nearly as bad) was a pretty hostile place for awhile (and yeah I used to check the Garrus tag too and there was a small amount of tag-invasion there but uh, like 5% of what the Kaidan tag got) which made loving the character of Garrus a lot harder for awhile. But when actually watching seasons 1 & 2 / the end of 4 of DW, or actually playing the games, those characters are awesome.

Fanbases can be amazing or terrible, and time and time again I think you start to realize that no matter how great a fandom is, there are going to be a few people who can only enjoy themselves by feeding on drama, or on lifting up what they love by stomping on other people/characters/plotlines. Going back through my blog reminded me that even the TAH fandom had some of this, with a small percentage of fans being real dicks to two prominent female characters in favor of their favorite ship, which soured even that just a tiny bit.

It’s not fair to characterize everyone who loves a popular thing as someone who does this. It’s also hard to avoid completely because there will always be jerks, or young/new people who don’t realize what bad form they’re showing. I did learn by trying to fight it for a year or two, that responding might help that one person not do it again, but it’s not going to stop overall. Maybe yelling a lot about Martha Jones did change some people’s minds. It still isn’t that good of a look now, even knowing that in general I was pretty polite and logical about it. I might respond to an odd comment now and again in some favorite character tags, but in general, turns out that kind of fight just isn’t worth it.

And those fights seem so stupid in the light of everything else happening in the world today.

Anyway, don’t be a dick about the things you don’t like.

-----------------------

I also wanted to say, and I know I said it in a few other posts about this ME3 playthrough, but seriously I cannot believe how much ME3 is a changed game because of the modders. I cannot imagine ever playing ME3 again without these mods. There were so many small things that I kept thinking I should take note of to talk about and I’m sure I forgot 90% of them, but there’s things like... adding in mentions of the Andromeda Initiative, closing a few plotholes, mentioning Emily Wong, adding in many more Spectre console options which end up having their own plotlines, adding in an entire plotline about the VI civilization that had previously only been talked about in like, social media or Cerberus News Network posts, having the Normandy be so much more populated, seeing so many more other species on the Citadel with more variety in clothing for those species that have clothing / could have more variety, way more female Turians.... every time I play ME3 the game is more and more like the game we wanted when it came out.

I am kind of itching to go back and replay it even now.

But hey, instead, its time to talk about Andromeda.

-------------------------

So first of all, yes, mods for Andromeda. A few appearance mods, a lot of convenience mods.

After having recently played DA:I and I think Andromeda and DA:I are a lot more similar than Andromeda and the previous trilogy, I had decided it was time to cut down on the stupid stuff Andromeda does, like “Oh, you want minerals? Spend 10 minutes in each mining zone finding the PERFECT place to gather materials or you’re fucked” No, thanks. I’ll mine but give me that “one probe placed anywhere and you’re done” mod.

Make the modifications and crafting materials I use actually matter. 2% damage increase is nothing. Make my squadmates not suck because I remember doing 90% of the work myself before and that got exhausting with the number of spawns.

I tried to not go overboard so things feel like cheating, but there’s enough out there to just get rid of the stupid stuff, and it’s nice. And works together a lot easier than the DA:I mods did.

One thing I did do was install the Multiple Romance Mod. I enjoyed it in DA:I, even though ultimately I only did 2 full romances. I am **NOT** romancing Gil or Cora with the mod, I just wanted to experience all the content available for female Ryders at once, since I’m not going to have the energy to replay this 100+ hour game enough times to see every romance on its own. So I am poly-romancing Liam, Jaal, Vetra, Suvi, Peebee, Keri, and if it lets me, Reyes when it’s time.

I’ve only gotten all the way through Andromeda once (where I romanced Liam) My second playthrough was right after my first and stalled out about halfway through (was romancing Jaal.) It was one of those “I’m totally gonna get back to this! (She didn’t.)” things. I’m gonna be honest, I enjoyed the Liam romance and was enjoying the Jaal romance, I’d done a fling with Reyes but not the full romance my first time through and the fling with PeeBee on my second. Reyes was probably my favorite out of all of them. So this time I decided.. let’s see which I love the most, all at once. I don’t know if I’ll do this in the future, but this game is too long to not see all the content I wanna see, TBH.

And you know, I still really do like Andromeda. It’s a GOOD game. And I’m forever going to be mad that we’re not going to see how this story ends. This story deserved to finish being told. Like, there are a lot of very legit criticisms about Andromeda, but it didn’t deserve the harshness it got. And the worst thing about it, and DA:I both is that... there’s just a little TOO MUCH of it. 100 hours is an amazing amount of game but... it’s also just too much. For now I’m not trying to 100% this playthrough. My plan is on each planet to get the planet to 100%, take out the Kett or whatever major base, the Remnant Architect, and yeah probably clear out the sidequests that show up on the map, but fuck quests that are like “visit random Kett camps until you find the right datapads that don’t show up on the map!” or “scan random blobs in the forest that don’t show up on the map!”

So like, do the content, not the filler.

I still hate the vaults. The first one is cool. The rest are tedious. But they’re mandatory.

I love everyone on this spaceship though. They did the Tempest stuff SO WELL. All the companions I think are... good? There’s no one I don’t like, even the non-squadmate shipmates ship have so much interaction and so much to do/say. It’s not like “a bunch of randos and Joker, with occasional appearances by Chakwas and the Engineers” There’s no randos, it’s just a few people you have real interactions with, and its great.

The lack of enough beds in the bedroom will never not annoy me. There’s 4 beds for... Lexi, Liam, Cora, Suvi, Kallo, Vetra and Gil? Even if Liam slept on his couch, and Vetra put a bed in her supply room... still doesn’t add up. What, do Salarains not sleep or something? Does Lexi sleep in a medical bed?!? Peebee sleeps in the escape pod, Jaal brings a bed with him, and Drack’s like “Eh I’ll just sleep in the kitchen”. WHAT? THE KITCHEN?

I mean sure there weren’t enough beds, even with the sleeper pods, on the Normandy either, but somehow that was less disturbing.

Also, I know you’re supposed to HATE Director Tann but I love Kumail Nanjiani so I find it hard to be a total dick to him, even if he usually deserves it. If he wasn’t an anti-Krogan racist I think it’d be easier to like him. He was thrown into a pretty shitty situation and... did actually hold things together for some time. He’s not doing anything out of malice. He’s a dick, but also doing what he needs to do to keep the Initiatiave going. Oh, except for being a anti-krogan racist. (Honestly, I also think “until he turned Cerberus Udina was just doing his job pretty well” too, so...)

Taking some screenshots as I go. I mostly just take screenshots for me now. I have a few thousands screenshots from a dozen or more games rotating through my desktop background, and I keep adding to it, and love it.

Anyway, I’ve gotten Eos, Voeld and Havral to 100%. Time to go save the Moeshe. I’m having fun.

*edit from later* I’d forgotten that... idk if the dialog they recorded for Jaal was the first thing they recorded for him or they used a different VA or what but on the Save the Moshe mission his voice is VERY DIFFERENT and oh man, that is still bad.

Might take a break for when Onslaught comes out for SWTOR, though. I haven’t really played SWTOR in months. Oops.

#personal post tag thingy #annakie's mass effect stuff #doctor who stuff #hey this gets REAL RAMBLY sorry not sorry

4 notes · View notes

yuzuria · 8 years ago

Note

for the ask thing fmab, taesachi and nobume

001 | fmab

favorite character: olivier definitely, one main thing i couldn’t get motivated rewatching the first fma is because she isn’t there. i love riza and izumi a lot as well!

least favorite character: envy, he was all right until my 4th rewatch where i just end up getting tired of him being petty overall

5 favorite ships (canon or non-canon): nah. ed/winry is cute though

character i find most attractive: still olivier, and riza, girls who can and will stab my ass are 690000/10 attractive. lust is p hot too.

character i would marry: i’ll say olivier again but i am unworthy

character i would be best friends with: winry , the sweetest girl

a random thought: fmab’s one of the first series i completed and i still think it’s the best thing i’ve watched even at this moment

an unpopular opinion: romantic roy ai is unnecessary

my canon otp: nah

non-canon otp: nah

most badass character: im being repetitive but again, olivier, riza, and izumi. if u want a dude probably kimblee bc of his white suit

pairing i am not a fan of: every ship esp ed/al and every roy ship

character i feel the writers screwed up (in one way or another): i don’t think there is

favourite friendship: remember when olivier and izumi met , i cried

002 | taesachi

when or if i started shipping it: it was last year that i really started thinking about them. there’s almost none of their content around that i didn’t think about them that much in 2015 until i saw some people who liked it and gave me the realization how could i have been so blind?!?! now im in this hell where i see taesachi once every 69 years

my thoughts: up until this day im still a big sucker for rivalry ships who will also team up in order to obliterate the rest, keeping the other for the last one, but also gets along very well… their relationship is pretty much overshadowed by mediocre hetties that we get lil nice things in the bg most of the time in canon and very rare moments when it’s just about both of them. despite that they still have a solid dynamic relationship that’s there right from the start.

like lbr, in this part they most likely had their first fuck. fite me.

what makes me happy about them: every lil things about them ;v; when sacchan considers otae as her rival /and surely not just abt gin/, their personalities mesh well together and raw when with each other, they’re highly competitive against each other, their tag team to kill a bitch, their scene in yorozuya movie made me more happy than sad tbh while everyone’s keeping their face to otae she was the only one who broke down and got angry at otae for giving up

what makes me sad about them: nothing much but just how underrated their relationship is and not much people acknowledge it

things done in fanfic that annoys me: it almost doesn’t exist

things i look for in fanfic: w o r d s

my kinks: they switch a lot between being mutually rough and really tender to each other (like there’s also lots of blushy and sweet giggles),, im de d

who i’d be comfortable them ending up with, if not each other: /edit i forgot to say smth here / i’m not a fan of these questions but i don’t mind tae with gin and sacchan as my gf

my happily ever after for them: sacchan forgets about gin’s ass and otae and sacchan confesses to each other, get married, live a lovey dovey life and and probably adopt some cats too

003 | nobume

how i feel about this character: it was love at first sight!! she instantly pulled my heartstrings, she’s gorgeous, she’s strong and will undoubtedly cut down anyone in her way, she’s not entirely emotionless and also not unnecessarily kind, i love her formed relationships especially how hers and sasaki’s broke my heart, her blooming friendship with kagura… i love everything about her she’s the bestest girl

all the people i ship romantically with this character: kagura

my non-romantic otp for this character: kagura

my unpopular opinion about this character: shes a beautiful lesbian and the only business she has with dudes are to cut them up

one thing i wish would happen / had happened with this character in canon: more gags with her, meet other girls, space adventure with kagura, she needs to appear in 3z tbh and big bonus if she’s wearing a black sailor uniform with long skirt

my otp: kagunobu

my ot3: sisterhood sadist three brot3

#thank u!! truly ;;#ask #piduai

2 notes · View notes

gleefail · 4 years ago

Text

Glee Memories: 1x13 SECTIONALS

A long, long time ago, as Glee was approaching graduation in Season 3, I found myself nostalgic with some rare free time on my hands. So I decided to rewatch the series from the beginning and jot down some memories, discrepancies that have arisen since, fave quotes, tally solos - all that good stuff, strictly for shits and giggles.

8 years later (eek!) and once more I find myself with an unexpected abundance of free time. With so many revisiting or being newly introduced to the show between binge watching during Quarantine and all the tragedy that has surrounded the show since it went off the air, I figured I’d finish what I started. And by finish, I mean go through the end of S3. Cause I truly cannot acknowledge what happened after that. Except for 5B.

Kicking this off by reposting the first 15 episodes I already went through. Enjoy!

1x13 SECTIONALS

Ah, memories. I watched this with someone who is now a very close friend of mine when we first started becoming good friends. I think it was the first time we hung out just the two of us outside of our big group of mutual friends or work. All snuggled up on her couch with her dog and wine and stars in our eyes over Matthew Morrison, lol.

Amber Riley looks so different (and so good!) here. Like a new person. I think it’s the hair.

Kurt also looks older and a little less chubby-cheeked. Did they have a filming break before this or something?

Um…toddler or not, Rachel is wearing some SHORT skirts sometimes in these eps. Like in that flashback just now. Yowzah.

Quinn immediately starts yelling at Puck and Finn who try to help her when she falls. I’m telling ya. Hardcore rage there.

“I’ve never told you guys this before, but I’m a little psychic.” I kinda hate RIB for not keeping or exploring that talent of Rachel’s. Seriously. How funny would that shit be with her trying to predict things?

“It’s nothing to be scared of. It’s not like Carrie or anything!”

hahaha. I love this ridiculous cross calling as they all walk down the hall together. Wonderful.

“Sex is not dating.” “If it were, Santana and I would be dating.” Yes. The birth moment of Brittana. :) Also, the pause in response, even in the music. Golden.

Except Artie said Rachel’s a ‘total trout mouth’. No no no. Sam Evans (be still my heart) is the only Trouty Mouth at McKinley. Bite your tongue, Artie!

Rachel manipulating the truth out of Quinn. Ugh. Unnecessary. Yeesh, Rachel. None of your business! Real problems and people’s lives that you’re messing with! My God.

“She’s the one they made me talk to when they found out I was keeping that bird in my locker.”

Mercedes just said she works just as hard as Rachel. And Rachel doesn’t argue. So….when did that change? When did Rachel start working harder than everyone around her? I missed it. Let’s see if I can catch it in my rewatching.

Again, this moment with Mercedes, Mike and Matt. Isn’t she popular? Cause obvs, besides Kurt and Tina, they’re her friends. So…?

I love watching everyone watching Mercedes sing And I Am Telling You. Artie’s so enamored. Kurt’s such a proud papa.

You can’t see me. But I’m giving Mercedes a standing ovation right now. Holy. Fucking. Shit. Amber Riley, ladies and gentlemen. I have no words for that performance.

This is where it started. Rachel has to ‘approve’ of Mercedes getting that solo over her. Even though it’s not necessary, she’s gotta say her piece and give her blessing. It all started here.

Also, this is where Rachel’s “I’m gonna hug you now” thing she does that I hate started. It’s not cute. Stop it. Just hug her. Don’t announce it cause you want praise for it or whatever. Ugh. I need to stop before this all becomes an I hate Rachel Berry rant. (too late?)

“So all that stuff in the hot tub…you just made that up?” #BlessFinnsHeart

“I was selfish when I told him. I wanted to break you two up so that he would wanna be with me.” WHY IS THAT OKAY?!

Quinn’s gonna do this pregnancy thing on her own. Hmm…except…doesn’t she go straight into living with and dating Puck anyways? Or am I forgetting about a step before that? Ugh. Not at all condoning what Quinn did but…just imagine when she had to see Carol to move out of Finn’s. The look of disappointment. God. I can’t even think about it anymore.

Jacob was a member of ND for a hot minute. I forgot!!!

Rachel says that going first or last is best. She learned this in her ‘extensive’ auditioning for community theatre. Her reasoning, as a Musical Theatre major, I completely stand by. However…Kurt asks her if she ever got any of those parts she auditioned for. Her face clearly says ‘not a one’. Besides Glee club and Maria, what on earth is on her resume? #oops.

Mercedes’ face while Jane Adams is singing And I Am Telling You is hiLARious. Omg.

Artie’s face as he watches them do Proud Mary. Aw. I just wanna hug him.

Rachel’s face as she’s trying to console them all and the crowd gives a standing O. Ha!

“I’m reasonably confident that you will be adding ‘revenge’ to the long list of things that you’re no good at right next to being married, running a high school glee club, and finding a hairstyle that doesn’t make you look like a lesbian. Love ya like a sistah.”

“Because sometimes being special sucks.”

“Mr. Schue, you forgot your keys.” “No I didn’t.” Cute. Also…can Finn drive?

“What happened to the white guy with the jerry curl?”

haha – Britany waves hi to the deaf choir as they’re performing as the rest of ND mopes. Hahaha, people are crying watching them.

Aw. Santana just admitted she likes being in glee club. :)

“Perhaps I could improvise some of my def poetry jams” oh Artie. Oh Tina’s response. Oh Artie’s “no?” in response to Tina’s response. You are all that is magical and glorious about this show. Moments like that.

Okay, I’m sorry, but no. It is not true that Rachel is the best SINGER that they’ve got. I get it that Rachel’s their star. I agree with that at this point in the series. But best singer is not accurate. It’s just not. I have a couple folks I’d throw in contention for that title.

Rachel just said she’s been working on Don’t Rain On My Parade since she was 4. Not 2 like she says in Choke. #oops.

I always hated (and still do) that they have all those damn songs they’ve CHOREOGRAPHED and LEARNED already this season and they can’t find a song besides Somebody to Love to complete their set list. Are you shitting me? Um…True Colors, His Name, Keep Holdin’ On, Crazy In Love/Hair, Halo/Walkin’ On Sunshine, It’s My Life/Confessions…no? None of em? …ok then.

I love that Finn non-chalantly mentions that he trashed the Cheerios copier after he used it to make copies of sheet music. Love it. Cause he’s so pissed at the world that I don’t doubt for a second that that copier was reduced to mere dust.

So they got dressed, did hair and make-up, learned that new song musically, rehearsed the other(s), choreographed that new song…in an hour? Riiiight.

Will on the phone with Emma confuses me. Is he not allowed, like the general public, to even be in the building to watch the performance? Really?

Alright, it’s happening so very much, I can’t NOT do it – restarting Don’t Rain On My Parade and counting the number of times Rachel squints/closes her eyes. Here we go: 23. In 2 minutes and 36 seconds. So…that’s a squint every 6.7 seconds. Hmm. I’m making a game of this from now on. “Can I count to 7 while she’s singing without her squinting her eyes shut?” is the name of said game. This will be fun.

OMG. First judge’s room ever. Ad;kfafdsasodi. I love these so much. Back when they were funny. OMGOMGOMGOMG!

“I’m just gonna come right out and say it: this is a singing competition. I dunno how those deaf kids got in. They weren’t singing, they were like, honking, and everyone was crying and I was like “get off the stage, you’re terrible, and you’re making me super uncomfortable”.”

“I have no idea what the hell I am doing here. I’m serious. I don’t understand what a glee club is and I had never even heard the term ‘showchoir’ til about 3 hours ago when my boss told me he had tickets to NASCAR and I had to fill in at this fool event.”

I just love that we see these kids put their hopes and dreams into this and stress and stress…and it comes down to 3 fools who have no idea what they’re doing. I LOVE the irony of this. I LOVE Glee that doesn’t take itself too seriously. Ah, memories.

“Get me the HELL outta HERE”

Terri’s seeing a therapist. Yay. ...at the local community center. Not yay. That can’t be real, right?

Oh. Even if people had come, this is the saddest wedding. There are just meat trays and lollipops and Munchies in a bowl.

I had forgotten until just now that I was a fan of Wemma. Like, it was the only relationship on the show I felt anything for at this point. Wow. That was so long ago.

“I can’t see you without feeling heartbroken” Oh Emma. I’ve been there hun. I feel your pain.

“The setlists were on Cheerios letterhead.” “I didn’t do it.” “They say ‘From the Desk of Sue Sylvester.” “Circumstantial evidence.” “They’re in your handwriting.” “Forgery.”

“(You have) besmirched the name of William McKinley!” “A FAILED PRESIDENT!” “Oh please – the greatest one who ever lived!”

Figgins just fired Sue. Knew she’d be back but thought it’d be awhile. RIB. Oh how little I knew you then and what you are capable of.

“Get ready for the ride of your life, Will Schuester. You are about to board the Sue Sylvester Express. Desination: HORROR.”

“You know you just woke a sleeping giant. Prepare to be crushed.” Silly Will. Didn’t you read the Hogwarts crest?! It warns you and everything!

So….Will was on the phone with Emma as they were performing. And Sectionals were Saturday. And it’s Monday. And he didn’t know until afterschool at Glee Club whether they won or not? Teacher of the Year indeed…

I still love My Life Would Suck Without You and the montage of former choreography and moments from musical numbers thus far in the season. It’s like…choreographed with memories. I love that. I would say I wish they’d do that on Tuesday in the graduation ep, but…I’ve learned not to get my hopes up. ;) This is still one of my favorite Glee moments though. And makes me all nostalgic and emotional watching it now, lol.

haha, towards the end of that, someone did something to fuck with Kurt’s little solo soul train moment cause he’s pissed.

ah, the first Wemma kiss!!! And then the promo was like “see ya in April!” and my friend and I were screaming and like “WHAT?! NOOOO!!!!” And then we continued to drink wine and wish we were Jayma Mays cause she got to kiss Matthew Morrison.

SOLOS: Mercedes (1), Rachel (3), Finn (1) MERCEDES TAKES THE GLORY NOTE: 4th time, 1st time in a competition

#Glee Memories #Glee #lol Glee #Glee Sectionals

0 notes