#louisa moritz

[esqueletosgays]

NEW YEAR'S EVIL (1980)

Director: Emmett Alston Cinematography: Edward Thomas

[theactioneer]

Louisa Moritz & Sylvester Stallone filming Death Race 2000 (1974)

[videoreligion]

Death Race 2000 (1975)

[loveboatinsanity]

[randomrichards]

THE LAST AMERICAN VIRGIN:

Timid teen and friends

Desperate attempts to have sex

Loves transfer student

[i-heart-schlock]

“Is that a grenade?”

“A ‘hand grenade’. That handshake is all I've lived for for as long as I can remember.”

[abs0luteb4stard]

🔪 W A T C H I N G 🥂

[ourstaturestouchtheskies]

taylor swift lyrics x colors x textiles in art – gold

Tied Together with a Smile – Taylor Swift // Portrait of Archduchess Maria Magdalena of Austria – Frans Pourbus the Younger 💛 The Best Day – Fearless // Amarillis Crowning Mirtillo – Jacob van Loo 💛 Castles Crumbling – Speak Now // Madame Sophie of France – Jean-Marc Nattier 💛 State of Grace – Red // Louise, Queen of the Belgians, as Marie de Bourgogne – Jean Baptiste Madou 💛 End Game – Reputation // Princess Louisa Maria Teresa Stuart – Alexis Simon Belle 💛 So It Goes… – Reputation // King Gustav III of Sweden and His Brothers – Alexander Roslin 💛 Dancing with Our Hands Tied – Reputation // Noble Lady – Moritz Stifter 💛 Dress – Reputation // Portrait of Jemima Crew, Countess of Kent – Workshop of Godfrey Kneller 💛 Daylight – Lover // Portrait of Frances Theresa Stuart, Duchess of Richmond and Lennox – Peter Lely 💛 invisible string – folklore // Princess Margareta – Oscar Björck 💛 invisible string – folklore // Portrait of Eleanor Maria Josepha of Austria – Benjamin Block 💛 gold rush – evermore // Portrait of Doge Francesco Venier – Titian 💛 coney island – evermore // Portrait of Princess Louise Marie of France – attributed to François-Hubert Drouais 💛 long story short – evermore // King Gustav III of Sweden – Alexander Roslin

[ulkaralakbarova]

An unemployed pot-smoking slacker and amateur drummer, Anthony Stoner ditches his strict parents and hits the road, eventually meeting kindred spirit Pedro de Pacas. While the drug-ingesting duo is soon arrested for possession of marijuana, Anthony and Pedro get released on a technicality, allowing them to continue their many misadventures and ultimately compete in a rock band contest, where they perform the raucous tune “Earache My Eye.” Credits: TheMovieDb. Film Cast: Pedro De Pacas: Cheech Marin Anthony ‘Man’ Stoner: Tommy Chong Arnold Stoner: Strother Martin Mrs. Tempest Stoner: Edie Adams Chauffeur: Harold Fong Richard: Richard Novo Jail Bait: Jane Moder Jail Bait: Pam Bille Arresting Officer: Arthur Roberts Strawberry: Tom Skerritt Sgt. Stedenko (Narc): Stacy Keach Laughing Lady: Cheryl Smith Harry: Mills Watson The Hoods: Factory Boss: Val Avery Officer Gloria Whitey: Louisa Moritz Jade East: Zane Buzby Rodney Bingenheimer: Rodney Bingenheimer James: Raymond Vitte Roxy Doorman: David Nelson Film Crew: Director: Lou Adler Editor: Scott Conrad Director of Photography: Gene Polito Writer: Cheech Marin Writer: Tommy Chong Associate Producer: John Beug Casting: Monica Lauer Art Direction: Leon Ericksen Makeup Artist: Wes Dawn Hairstylist: Lola ‘Skip’ McNalley Producer: Lou Lombardo Movie Reviews: Filipe Manuel Neto: **A good example of how irresponsible and careless cinema can be when it wants to convey messages to the public.** I have already said, in other reviews of other films, that I see cinema as a leisure experience and as a form of artistic expression. At its core, this is cinema. However, there are so many films that seek to indoctrinate and convey political or social messages that it is not easy for us to forget that the industrial and propaganda machine linked to the movies is perfect for the mass “brainwashing” of crowds. It’s something I don’t like and it’s even dangerous, taking into account that it can be used for good or bad, depending on the message being conveyed. And the message that this film sends us is one of tremendous social irresponsibility! Released in 1978, at a time when American cinema still felt the strong influence of hippies and the ideals of a libertarian and counterculture Left, the film begins by revealing two very different characters (a poor Latino and a well-born and spoiled rich man) who unite in their love for drugs, and especially marijuana (or weed). The script is non-existent and underwritten: the characters limit themselves to an incessant and eager search for more and more drugs, ending up returning from Mexico with a van made of weed and leaving a trail of smoke and people accidentally stoned, and apparently very happy with that. The film is one of those films that Hollywood should be ashamed of: it is a great apology for the consumption, liberal and recreational, of a varied cocktail of drugs, which starts with weed and ends with acids, “speeds” and heroin. The amount of substances mentioned in the film is vast and the way in which the subject is approached should have led to legal actions and arrest warrants against the actors, producers, studio and director, in order to answer for this irresponsible and inconsequential movie. And if the reader finds that too drastic, I leave you the question: would it be reasonable or good that they had released a comedy that made a sympathetic or pleasant portrayal of Nazism, or the Holocaust? Yes, one thing has nothing to do with the other! But there are reasonable limits for everything, including comedy, and there are themes that are simply not meant to make people laugh. I don’t mean by this to say that I think the film was instrumental in increasing drug use, or that all the people who saw it went out and bought some weed. But if we, as a society, start to allow certain reprehensible acts and behaviors to be seen in a careless way, this gradually becomes ingrained in people’s minds. In addition to this issue of moral and social irresponsibility, the film also has a perfect bad taste humor: ...

[docrotten]

DEATH RACE 2000 (1975) – Episode 185 – Decades Of Horror 1970s

“You know, it used to be in the old days, we would just take someone like you in an alley and blow their brains out.” While you eat lightning and crap thunder? Join your faithful Grue Crew – Doc Rotten, Chad Hunt, Bill Mulligan, and Jeff Mohr – as they take a ride-along with David Carradine and Sylvester Stallone in Roger Corman’s Death Race 2000 (1975). Vroom, vroom!

Decades of Horror 1970s Episode 185 – Death Race 2000 (1975)

Join the Crew on the Gruesome Magazine YouTube channel! Subscribe today! And click the alert to get notified of new content! https://youtube.com/gruesomemagazine

In a dystopian future, a cross-country automobile race requires contestants to run down innocent pedestrians to gain points that are tallied based on each kill’s brutality.

Director: Paul Bartel

Writers: Robert Thom (screenplay by), Charles B. Griffith (screenplay by), Ib Melchior (from his story: “The Racer”)

Producer: Roger Corman

2nd Unit Director: Lewis Teague, Charles B. Griffith, 

Selected cast:

David Carradine as “Frankenstein”

Simone Griffeth as Annie Smith (Frankenstein’s navigator)

Sylvester Stallone as Joe “Machine Gun” Viterbo

Mary Woronov as Jane “Calamity Jane” Kelly

Roberta Collins as Matilda “The Hun”

Martin Kove as Ray “Nero the Hero” Lonagan

Louisa Moritz as Myra (Joe’s navigator)

Don Steele as Junior Bruce (race announcer)

Joyce Jameson as Grace Pander (race announcer)

Carle Bensen as Harold (race announcer)

Sandy McCallum as Mr. President

Paul L. Ehrmann as Special Agent (credited as Paul Laurence)

Harriet Medin as Thomasina Paine

Vince Trankina as Lieutenant Fury

Bill Morey as Deacon

Fred Grandy as Herman ‘The German’ Boch (Matilda’s navigator)

William Shephard as Pete (Jane’s navigator)

Leslie McRay as Cleopatra (Nero’s navigator)

Wendy Bartel as Laurie

John Favorite as Henry (credited as Jack Favorite)

Sandy Ignon as FBI Agent

John Landis as Mechanic

Darla McDonell as Rhonda Bainbridge

Roger Rook as Radio Operator

Dick Miller as a member of the Chicken Gang (uncredited)

Lewis Teague as a Toreador (uncredited)

Join the Grue-Crew as they revisit the campy sci-fi smash-em-up, Death Race 2000 (1975), from Roger Corman’s New World Pictures and director Paul Bartel. The film stars David Carradine (as Frankenstein) opposite pre-Rocky Sylvester Stallone (as Joe “Machine Gun” Viterbo) in the dystopian “future” of the year 2000, a time when Americans root for their favorite drivers as they race from New York to New Los Angeles mowing down civilians along the way for points. Machine Gun Viterbo is out for blood while Frankenstein has other plans. Let the shenanigans begin.

At the time of this writing, Death Race 2000 is available to stream from Tubi, Popcornflix, Cultpix, and PPV from Apple TV. 

Gruesome Magazine’s Decades of Horror 1970s is part of the Decades of Horror two-week rotation with The Classic Era and the 1980s. In two weeks, the next episode, chosen by Bill, will be Sinbad and the Eye of the Tiger (1977), showcasing Ray Harryhausen’s genius, Jane Seymour, Patrick Troughton, and . . . Patrick Wayne? That should be interesting.

We want to hear from you – the coolest, grooviest fans: comment on the site or email the Decades of Horror 1970s podcast hosts at feedback@gruesomemagazine.com. 

Check out this episode!

[scenesandscreens]

Death Race 2000 (1975)

Director - Paul Bartel, Cinematography - Tak Fujimoto

"What'd you expect, another pretty face?"

[oldshowbiz]

April 1970.

Comedian Henry Morgan stormed off the panel on an episode of The Merv Griffin Show because he found the interview with Louisa Moritz too inane.

[mariocki]

New Year's Evil (1980)

"I'm going to commit murder at midnight. I'm going to kill someone you know. Someone close to you."

"Well, we're really off to an interesting start, aren't we?"

[loveboatinsanity]

R.I.P. Louisa Moritz

[filmap]

The Last American Virgin Boaz Davidson. 1982

Carmela’s apartment 10720 Camarillo St, North Hollywood, CA 91602, USA See in map

See in imdb