#louis le breton

[victusinveritas]

All credit goes to Arcane Bullshit (the art itself is by the 19th century French artist Louis Le Breton, who was mostly known at the time for marine and nautical art but did sketch up 69 demons because, as the French say, Nice.)

[satanachia666]

“Sakimouni ou Saki-Mouni” by Louis Le Breton 🐰🌕

Published in Dictionnaire Infernal by Jacques Auguste Simon Collin de Plancy (1863) 🤘🖤

Wikimedia Commons

[savage-kult-of-gorthaur]

GROTESQUERIES IN ANCIENT OCCULT DEMONOLOGY -- TERRORS & ENEMIES OF MAN.

PIC INFO: Resolution at 1272×1600 -- Spotlight on an occult demon illustration, artwork by Louis Le Breton for the 1863 edition of "Dictionnaire Infernal" (book on demonology, English: "Infernal Dictionary") by Collin de Plancy.

EXTRA INFO: ""Diable," a general name for demons. It comes from a Greek word meaning Satan, fallen from heaven, but devil signifies any order of malicious spirits, especially those which are the enemy of man."

Source: www.flickr.com/photos/13490215@N08/3372933111.

[halloweenlandmotherfucker]

Abraxis from Dictionnaire Infernal by Louis Le Breton

[dovesick]

stolas, the demon astronomer

[i-hear-a-sound]

goetia beelzebub you will always be famous .

[enchantedbook]

Image of Barbatos from the Dictionnaire Infernal by Louis Le Breton (1863 CE), based off of engravings by M. Jarrault.

[combustible-lemons]

asdfjklalskdf omg look at this illustration of stolas I fucking love him!!!! he’s just a lil guy :)

not me going on a wikipedia rabbit hole about the ars goetia/lesser key of solomon lore because of goddamn helluva boss

[publicdomainreview]

Depiction of Bael, “the first king of hell”, with the head of a toad, a man, and a cat — one of the many illustrations by Louis le Breton for the 1863 edition of Jacques Collin de Plancy’s "Dictionnaire infernal". More here: https://publicdomainreview.org/essay/defining-the-demonic

[winterspellsfrozenkit]

Twisted Wonderland's Grim is a Grimalkin.

Okay TWST fandom, so today I was chatting away with another friend who plays TWST explaining that it's highly likely that Crowley summoned us due to the opening you get when you first start the game and she asked why he'd do that. And I said this without thinking:

Once I said that, it hit me: GRIM IS NOT NAMED FOR GRIMM'S FAIRY TALES, HE'S A GRIMALKIN.

Let me explain! (This is a long post, you've been forewarned. There is a TLDR at the bottom if you need it.)

So I like reading fairy tale books, retellings, etc., and I learned a long time ago during my high school hyperfixation on reading faery based YA readings about Grimalkins. What are Grimalkins?

Grimalkin (Also spelled Greymalkin) is an archaic term that was often used to describe cats; particularly haggard, female cats. Grimalkin, according to the Oxford English Dictionary, likely comes from compounding the words "Grey" and "Malkin". "Malkin" is a term with several meanings including: a low-class woman, a weakling, an untidy slovenly woman. It's also used to describe cats and hares.

Grimalkins were listed in Scottish legends as a faery cat that dwelt in the highlands, but during the 16th Century witch trials, cats became associated with the devil and witchcraft. Women on trial in Scotland were frequently accused of having a familiar, a ‘demon in disguise’, which was often a Grimalkin. One example of Grimalkins being tied to witchcraft and the devil at the time is William Shakespeare's play MacBeth, which shows the Three Witches who foretell Macbeth's future as having a cat familiar named Grimalkin. They're also in Louis Le Breton's Dictionnaire Infernal, which is a book on demonology.

So how does this relate to Grim?

Grim's design is heavily influenced by common media portrayals of the Devil with a pitchfork tail and fiery pointed ears that can look like horns at times.

One reason that fire is blue like Hades, Idia, and Ortho's hair is because thanks to the Pop Culture understanding of Christianity, people heard Hades and thought to equivocate him to Satan which is why he's the bad guy in the Disney movie, Hercules, when in the original myth, Hera is the one antagonizing Heracles.

Also, most of the fandom believes this creature in the pre Prologue scene when you first start the game, is Grim.

Just saying this looks a lot like different representations of devils and demons.

Note the human hands and clawed feet on this statue of Pazuzu.

And the incorporation of animal traits blended with humans

This is some concept art for Bald Mountain in Fantasia and I can see leathery wings like a dragon/bat, one has a snakey tail, and some have those human-like hands, but clawed feet.

As stated earlier, Grimalkins are tied heavily to devils and witchcraft and TWST tends to push this at us. For Halloween, while all the Dorms have different monsters such as mummies, ghost pirates, headless horsemen, but Ramshackle's Halloween outfit is this:

Not only that, but when we wake up, this is what Crowley says to us about Grim, when he finds us in the library after Grim cornered us, trying to get our robes:

Again, the most common familiar that people accused of witchcraft were said to have was a Grimalkin. A demon cat. This also ties into why we and Grim are put in Ramshackle Dorm.

Now, as some know, Ramshackle Dorm is based on the Haunted Mansion. But the Haunted Mansion had a specific haunt that was cut before the ride came out: The One-eyed Black Cat.

Now, if you don't know this cat, it's okay. He was cut before the ride came out. To sum up, X Atencio, the Imagineer who came up with the basic story ideas and the script for the rides of Haunted Mansion and Pirates of the Caribbean, had many drafts of the Haunted Mansion's story. One of these cut drafts had a distinct villain character: The One-Eyed Black Cat.

Now, people might argue the Bride/Constance Hatchaway is the villain of the Haunted Mansion, but the One-Eyed Black Cat was different. In that draft, the Ghost Host would warn guests about the One-Eyed Black Cat and the One-Eyed Black Cat was specifically trying to attack/get the guests on the ride and detested mortals, especially happy ones. Guests would've seen signs of the cat throughout the ride as if he was stalking them (Think something akin to the little glimpses of Catnap as he stalks the player throughout Poppy Playtime Chapter 3). At the end of the ride, they would've faced the cat, who's face would turn into some form of human-esque skull like head.

Now the cat made it pretty far before he was cut, because we do have surviving sound outtakes of Paul Frees, the voice of the Ghost Host, saying "Except for that unnatural and dreadful one-eyed black cat" which implies he's not one of the 999 happy haunts, but something truly evil, like a demon.

Now, One-Eyed Black Cat's not mentioned in the Haunted Mansion ride, and there's an idea that his role was passed over to the Raven, another cut antagonistic character who would haunt the rider specifically, but was less unnatural than the cat, but the more likely reason is both the raven and the cat were cut due to the ride changing from story driven to an atmospheric ride. However, nowadays, you can find the One-Eyed Black Cat on the Composer's Crypt in Walt Disney World and as a statue in Disneyland's Haunted Mansion (Funnily enough, during the Haunted Mansion Holiday, the cat statue gets a black and white pinstripe bow...).

Now, this may be reaching, but Grim chasing the player throughout the school, trying to steal their robes because he wasn't allowed to attend NRC, feels like a reference to this possibly demonic cut cat character. Also, his smirk face does make one of his eyes look smaller than the other, kind of like the image on the Composer Crypt.

Anyways, back to Grimalkins. So besides being tied to the devil and witchcraft, Grimalkins were also known as Scottish faery cats. Why does this matter? May I draw your attention to these moments from Book 6 and Book 7?

(Warning minor spoilers)

Idia discussing what Grim is.

Idia and Ortho describing powerful magic cast on Grim.

And from Book 7 Chapter 106

Soi in Book 6, Idia notes Grim is some magical mix of direbeast and animal. In a lot of faery stories, faery animals like Grimalkins, Cat Sidhe, and Kelpies look very similar to normal animals, but they are distinctly a fae, which makes them much more dangerous to mess around with. Much like how Grim is not fully an animal, he's also part direbeast which, considering what has been mentioned in game about direbeasts, sounds like a distinctly magical species that is far more dangerous that regular animals.

Grim is also noted to fluctuate between full Phantom and absolutely no blot levels, but Idia does note a complex magical spell on him that later Papa Shroud mentions is very similar to Malleus's magical realm, which is a faerie spell... (Again, there's that faerie connection). Likewise, depending on the story context, Grimalkins can either be demonic familiars to witches (more akin to TWST Phantoms) or they can be faery creatures (more like TWST Direbeasts).

I've also noticed people point out some kind of connection between Malleus and Grim. There's a blog post by ventique18 does a really good job about pointing out the similarities between the two. Here's the link: https://www.tumblr.com/ventique18/721267245925400576/three-pronged-tail-bringing-back-the-grim-is?source=share

So perhaps one of the reasons for the tie between them is Grim is at least in part based on a Grimalkin, a faery cat, and Malleus is a dragon faery. With all these little things lining up, maybe Grim got his name in part from Grimm's Fairy Tales, but I really and truly do believe Grim is some form of Grimalkin and his name is more a reference to that, but whether he is based on the demonic familiar, faery, or BOTH, we shall see.

TLDR: I'm pretty sure Grim is HEAVILY based on a Scottish fae cat creature/demonic cat that act as a witch's familar called a Grimalkin because there's a lot of references that seem to point to that.

[ltwilliammowett]

The Astrolabe stuck in ice on 6 February 1838, by Louis Le Breton, 1846

[satanachia666]

“Diable” by Louis Le Breton in Dictionnaire Infernal by Collin de Plancy (1863) 🤘🖤

Wikimedia Commons

[starrywisdomsect]

1863 edition of the Dictionnaire Infernal by Jacques Collin de Plancy with illustrations by Louis Le Breton.

[stellae-de-baphometis]

The Bastardised Interpretations Of Daemons (And Other Spirits) Within The Dictionnaire Infernal

+. GIF Credit .+

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So I got the idea for this post from my best friend @sortiarus-de--naturas--daemonum, and we both agreed that this was something that needed addressing; Especially in regards to Daemonolatry.

The Dictionnaire Infernal is one of the most widely known grimoires on demonology and all things occult. But what a lot of practitioners might not know is that it's actually quite a problematic resource for Daemonolatry and occult practices, and for several reasons. In fact, I personally don't think it's a reputable source in general, and this post is going to be detailing exactly why that is.

So without further ado, here's why the Dictionnaire Infernal might not be the greatest resource for Daemonolatrists, and why it's much more problematic than you think!

Full post under the cut. ↓

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So, why is the Dictionnaire Infernal a bad resource for Daemonolatry and daemons in general? Well...

For starters, the book was written by someone who had very, very problematic views on other religions and belief systems... As in, racism, xenophobia, and religiophobia kind of problematic.

On top of that, Jacques Collin De Plancy (the author) had converted to Catholicism by the time he had started writing the Dictionnaire Infernal. So at this point, he was already going to have a biased interpretation of the Daemonic Divine, as he was interpreting them through a Christian-tainted lens; That is, in comparison to someone who seeks to learn about and venerate them. As a result, the entries on the daemons within his book were evidently written to play into the vilifying and denigration of daemons in general.

And to add insult to injury, a later edition was published with added illustrations, likely commissioned by De Plancy and drawn by Louis Le Breton, showcasing bastardised interpretations of daemons and demonised deities, interpreting them to look as monstrous and hideous as possible.

All around, it seems that both the spirits' entries and their illustrations were made with the main intent to mock and degrade them, as well as to portray them as being mere dirt beneath the feet of the Christian God. Obviously, a book portraying daemons in such a way is not going to be very helpful to a Daemonolatrist. If one wants to honour and work with daemons, what use is such a book that primarily mocks their very existence going to be?

Don't get me wrong; I think it's okay to go to the Dictionnaire Infernal for research, but only with the foreknowledge and understanding that the lore and mythology of the daemons and other spirits listed therein runs much deeper than the mere entries within the book, and that you shouldn't rely on it as your sole source of information on the Daemonic Divine.

But aside from these glaring issues, the Dictionnaire Infernal is just iniquitous and amoral in general; Which is no surprise, given that it was written in the 19th century and people back then held some very problematic beliefs... But that doesn't make any of it okay.

So, what other issues lie within the pages of the Dictionnaire Infernal? Let's delve into them...

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◦──⋆ I ⋆──◦

~ Demonising Deities Of Other Religions ~

Something I noticed from the get-go was the fact that De Plancy is very quick to declare deities from other belief systems as Christian demons who oppose God, when they're historically not documented as such. He did this with several Hindu deities such as Bhairava, Ganga, Kali, Durga (a.k.a. Deumus), Kateri, and Garuda. The illustrations of these deities drawn by Le Breton seem to be quite shocking and possibly kind of racist as well.

I mean, take these depictions of Bhairava (left) and Kali (right) for example, and they seem to speak for themselves. I don't know for sure if these depictions are racist or not, but they definitely feel like they might be...

At the very least, they seem to be extremely bastardised and monstrously grotesque misrepresentations of these deities. See these more historically accurate depictions below for comparison:

De Plancy also included entries on deities and entities such as Abraxas, Adrammelech, Alastor, Astarte, Chemosh (Chamos), Dagon, Dumuzid (Tammuz), Flaga, Guayota, Hadad (Rimmon), Milcom, Moloch, Nergal, Nibhaz (Nybbas), Nisroch, Pan, Peckols (Picollus), Pluton, Proserpina, Pucks, Rubezahl (Ribesal), Succoth-benoth, Torngarsuk, and many others that were criminally misrepresented and twisted into something they weren't.

It likely only reinforced the idea of deities such as Moloch, Chemosh, Dagan, Adrammelech, and Abraxas being considered Christianised "demons" rather than simply just deities pertaining to other religions and belief systems. Even mere underworld deities tasked with watching over the dead in the afterlife (e.g. Peckols, Pluton, Proserpina, Nergal, Dumuzid) were tainted with the stereotypical Christian idea of Hell; Fire, brimstone, pain, torment, and suffering for all of eternity.

And while some forgotten gods of dying religions might take a liking to being embraced as daemons or daemonic deities worthy of veneration in the context of Daemonolatry (as long as it's done in a respectful manner of course), these deities have still been obscenely misrepresented through the distorted perception of De Plancy's problematic views on other religions.

And that leads us into his similarly skewed views on the Daemonic Divine themselves, which isn't any better...

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◦──⋆ II ⋆──◦

~ The Monstrous Misrepresentation Of Spirits ~

So not only was De Plancy a racist religiophobe (which was already rather obvious lol), but he was also quite uneducated on daemons as a whole; That is my personal opinion as both a Daemonolatrist and a Daemonologist. Having converted to Catholicism, this likely made his perception and interpretation of daemons extremely biased, because it's quite commonplace for Christianity to depict daemons in a grossly negative light.

They're basically viewed and treated like they're evil incarnate and are frequently scapegoated for most of the world's problems by religious extremists, even in the modern day. As someone who has a lot of love and respect for the Daemonic Divine, these ideas criminally misrepresent the daemons I know and love; And that goes for how they're portrayed in the Dictionnaire Infernal as well.

On top of De Plancy having a warped perception of daemons, he also seemed to have limited knowledge of the Daemonic Divine beyond their grimoire appearances; He didn't seem to have much of a UPG on them (other than the fact that he believed they were literal fallen angels who disobeyed god and were cast out of Heaven as a result), which is probably because he was biased, and didn't care to see daemons in a different perception beyond the Christian interpretation of them being the "villains".

From the thorough research I've done, it seems much more likely that daemons originate from deities pertaining to pantheons of other religions and belief systems, rather than being literal fallen angels. But that's for a whole other post in and of itself.

Aside from deities such as Baal and Astarte already being bastardised into the daemons Bael and Astaroth, as well as being depicted as such in the Dictionnaire Infernal, De Plancy himself also misinterpreted and misrepresented several deities and spirits of other folkloric backgrounds. This is very evident in his "hellish hierarchy" of spirits he considers demons included within his book. He also assigns absurdly inaccurate roles to them too. Here are just a few examples:

Kobal - This is likely a demonisation of both the Kobold sprites of Germanic mythology and the Kobaloi sprites of Greek mythology. Kobolds were commonly considered household spirits who stirred up mischief around the home. In some accounts, they were also known to do chores at night that humans neglected to finish during the day. Kobaloi were said to be impudent and mischievous spirits that were fond of tricking and frightening mortals. They were companions of Dionysus and also had the ability to shape-shift. De Plancy represented these sprites as a singular demon and assigned him with directing theatres and being somewhat of a "stage manager" in Hell.

Nybbas - This is a demonisation of a supposed deity of the Avim called Nibhaz, worshipped during the reigning of Shalmaneser I, mentioned in 2 Kings 17:31 of the Bible. Nibhaz is a rather obscure Mesopotamian deity mentioned in the Bible who was either 1) A deity whose history and mythos has been lost to time, or 2) A deity that likely never even existed in the first place. Thus, there's barely any information on Nibhaz, other than the fact that they apparently appeared in the form of a dog. De Plancy portrayed this deity as a demon under the name of Nybbas, who was in charge of managing the visions and dreams of mortals. He was said to be treated with little respect, and was regarded a "buffoon" and "charlatan".

Nergal - Here's another Mesopotamian deity that was mentioned in 2 Kings 17:31 and later demonised by De Plancy, though, Nergal seems to have a much more pronounced mythos. Nergal was a chthonic god associated with plagues, war, pestilence, death, and devastation. However, he was also said to be a benefactor to mortals; Hearing their prayers, reviving the dead, and protecting agriculture and flocks. He was equated with Irra, a god of war and scorched earth. This is probably why Nergal was later regarded as a "destroying flame" and described as "scorching". De Plancy assigned him with the role of being chief of Hell's "secret police". He is also listed as the first spy under Beelzebub's command who, in turn, is under the surveillance of "the great vigilante" Lucifer. I have absolutely no idea why Hell would even need secret police or where he even got that idea in the first place, but go figure lol. That's De Plancy for ya.

Proserpina - As far as I know, I don't think Proserpina was actually demonised prior to her appearance in the Dictionnaire Infernal. It seems that her entry within the book is the first time she was ever demonised. Proserpina is a Roman goddess (Greek equivalent: Persephone) of fertility, nature, agriculture, vegetative growth, the underworld, and the season of Spring. She is best-known for the myth of her abduction to the Underworld by the chthonic god Hades (Roman equivalent: Pluto). De Plancy includes her in his "hellish hierarchy" where he regards her as an archdiablesse (French for "archdemoness" or "arch-she-devil") and princess of evil spirits. In her grimoire entry within the Dictionnaire Infernal, she is described as being queen of the infernal empire and is associated with serpents and snakes.

Hutgin - This is another case of De Plancy demonising sprites and faeries. Hutgin is likely a demonisation of Hodekin, a kobold or sprite of Germanic folklore. Hodekin was said to be a helpful sprite and somewhat of a familiar spirit who lived with the Bishop Of Hildesheim. Hodekin was said to mainly be a nocturnal spirit and only active at night. He could see into the future and could warn one of problems to come. One of the myths surrounding Hodekin is that he was tasked with watching over the bishop's wife to make sure she remained faithful while he was away. Whenever she tried to cheat on the bishop, Hodekin would step in and assume frightening shapes, scaring the paramours away before the wife could be unfaithful. De Plancy assigns Hutgin with the role of being Hell's ambassador to the country of Turkey (for whatever reason lmao).

I don't really know how De Plancy came to such conclusions regarding daemons, deities, and other spirits; But clearly, a lot of these depictions are not very historically accurate lol. And that leads us into the next section of this post, where the depictions of the Daemonic Divine in particular weren't exactly without error in comparison to their other grimoire appearances.

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◦──⋆ III ⋆──◦

~ The Inaccurate Depictions Of Daemons ~

A lot of people in occult spaces are likely familiar with Le Breton's illustrations within the Dictionnaire Infernal. However, what a lot of people don't know is that the illustrations and grimoire entries aren't very historically accurate depictions of the Daemonic Divine; That is, when you compare them to the daemons' original grimoire appearances in books such as the Livre Des Esperitz, Fasciculus Rerum Geomanticarum, Liber Officiorum Spirituum, and the Pseudomonarchia Daemonum. From the disparaging illustrated depictions to the bastardised lore, the Daemonic Divine aren't exactly documented so accurately within the Dictionnaire Infernal. Let's delve into some examples:

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Pruflas (also called Bufas, Suffales, Bulfas, Pruslas, and Busas) is a daemon that appears in the Livre Des Esperitz, Liber Officiorum Spirituum, Pseudomonarchia Daemonum, and the Dictionnaire Infernal.

In the Dictionnaire Infernal, Pruflas is depicted as a man with the head of an owl. But for some reason, his illustration depicts Purson rather than Pruflas (Purson is described as a lion-headed man riding a bear, also being associated with trumpets). Perhaps this was either some sort of error, or De Plancy and/or Le Breton considered Pruflas and Purson to be the same daemon, even though this is not stated anywhere in the Dictionnaire Infernal.

In the Livre Des Esperitz, Pruflas's appearance is not described. In the Liber Officiorum Spirituum, he is said to appear as a spark of fire. In the Pseudomonarchia Daemonum, he is said to appear with the body of a fiery flame and the head of a nighthawk or nightjar (described as "nycticoraci" in the original Latin version).

The term "nycticoraci" or "nycticorax" is translated to "night raven" in English. This term likely originates from Leviticus 11:16 of the Bible, which regards the "night raven" as any bird of ill omen. The specific birds regarded as night ravens mentioned in Leviticus 11 are; Eagles, vultures, black vultures, red kites, black kites, ravens, horned owls, screech owls, gulls, hawks, little owls, cormorants, great owls, white owls, desert owls, ospreys, storks, herons, hoopoes, and bats (even though bats aren't birds lol).

Later, the term "nycticorax" was used to name a specific genus of night herons. It was specifically also used to refer to the best known species, the black-crowned night heron. Given that the term "night raven" can refer to any bird of ill omen in Christianity, this may explain why daemons such as Stolas, Andras, and Aamon are depicted as either being owl-headed or taking on the appearance of an owl.

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Buer (also called Gemer) is a daemon that appears in the Livre Des Esperitz, Pseudomonarchia Daemonum, Ars Goetia, and the Dictionnaire Infernal.

In the Dictionnaire Infernal, Buer is depicted as appearing in the form of a star or five-pointed wheel. Le Breton's illustration depicts him as a disembodied lion's head with five goat legs, giving him the ability to "walk" or roll in all directions. This is a historically inaccurate depiction of how Buer appears, because he isn't depicted as a quintuple-goat-legged lion head in any of his grimoire appearances whatsoever.

In the Livre Des Esperitz, Buer's appearance is not described. In the Pseudomonarchia Daemonum, he is said to appear in the form of a star. In the Ars Goetia, he is said to appear in the form of a "sagittary" or centaur, specifically when the Sun is in Sagittarius.

Buer is likely a demonisation of Chiron, a superlative centaur from Greek mythology who specialised in healing, medicine, and astrology; Which explains Buer's similar functions and the account of him appearing in the form of a "sagittary" in the Ars Goetia.

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Barbatos (also called Barbates, Barbares, Barbais, Barbas, and Barbarus) is a daemon that appears in the Livre Des Esperitz, Munich Manual Of Demonic Magic, Liber Officiorum Spirituum, Pseudomonarchia Daemonum, Ars Goetia, and the Dictionnaire Infernal.

In his Dictionnaire Infernal illustration, Barbatos is depicted as a bearded hunter wielding a hunting rifle, and he is said to inhabit the forests. In his grimoire entry, he is alternatively said to appear as an archer. He is also compared to Robin Of The Woods (a.k.a. Robin Hood) and Jack In The Green.

In the Livre Des Esperitz, Barbatos's appearance is not described. In the Munich Manual Of Demonic Magic, he is said to appear as a forest archer who is accompanied by four kings carrying trumpets. In the Liber Officiorum Spirituum, he is said to appear in the form of a shouter, forest man, or wild archer. Alternatively, he is also said to appear as a centaur or "sagittary" that is described as being "half-man and half-beast". In the Pseudomonarchia Daemonum, he is said to appear in the form of a woodland archer. In the Ars Goetia, he is said to appear in the form of a "sagittary" or centaur, specifically when the Sun is in Sagittarius; Similarly to Buer.

While his form described in the Ars Goetia is said to be a mistranslation, it's not technically an inaccurate depiction. He appears as a centaur in the Liber Officiorum Spirituum, after all. His depiction as a forest man isn't too inaccurate either, given that Barbatos is possibly tied to the mythical figure Woodwose originating in medieval Europe, and functions similarly.

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Gaap (also called Tap, Goap, Coap, Taob, Ducay, and Balath) is a daemon that appears in the Livre Des Esperitz, Munich Manual Of Demonic Magic, Liber Officiorum Spirituum, Pseudomonarchia Daemonum, Ars Goetia, and the Dictionnaire Infernal.

In the Dictionnaire Infernal, Gaap is said to appear at noon in human form. But in his illustration, he is depicted as a devil-like figure, or more plausibly, as a man riding upon the shoulders of a devil-like figure. Many people have interpreted this illustration as the demon figure being Gaap himself. But given his Dictionnaire Infernal entry, it's probably more likely that Gaap is the human mounted on the shoulders of the demon-like figure.

In the Livre Des Esperitz, Gaap's appearance is said to appear "very benignly". In the Munich Manual Of Demonic Magic, he is said to appear as a healer that assumes human form, and is also regarded as a doctor. In the Liber Officiorum Spirituum, he is said to appear as a misshapen image. In the Pseudomonarchia Daemonum, he is said to appear in a "meridional sign". In the Ars Goetia, he is said to appear in human form when the Sun is in the Southern signs.

As previously stated, it's likely that many people have interpreted Gaap's illustration as him being depicted as the devil-like figure, instead of the man that is mounted on him. Looking at his other grimoire appearances, it's likely that the illustration was meant to depict Gaap as taking the form of a human mounted on the shoulders of a devil-like being.

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Beleth (also called Bileth, Bilet, and Byleth) is a daemon that appears in the Liber Officiorum Spirituum, Pseudomonarchia Daemonum, Ars Goetia, and the Dictionnaire Infernal.

In the Dictionnaire Infernal, she is said to appear as a "terrible" king riding a white horse, preceded by cats blowing horns and trumpets. However, her illustration seems to depict her as cat-headed person playing a horn, surrounded by dancing mice. Perhaps this illustration was meant to depict one of the horn-blowing cats that precede Beleth? I'm not sure.

In the Liber Officiorum Spirituum, Beleth's appearance is not described. In the Pseudomonarchia Daemonum, she is said to appear furiously, riding upon a pale horse; The sounding of trumpets and the playing of all sorts of other musical instruments are heard before her. In the Ars Goetia, she appears pretty much in the same way as described within the Pseudomonarchia Daemonum.

It's also just my personal UPG that Beleth is a girl lol, as I believe she likely originated from the Mesopotamian goddess Belet-ili. As far as I know, I don't think Beleth is depicted as a woman in any of her grimoire appearances. Her Dictionnaire Infernal entry and illustration don't seem to align either, so it's likely that the trumpet-blowing cat drawing was meant to depict the cats that precede Beleth, rather than Beleth herself.

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These are just a handful of the inaccurate depictions of the Daemonic Divine and other spirits within the Dictionnaire Infernal. If I were to delve into all of them in great detail, this post would be far too long... So I'm gonna end it there lol.

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In conclusion, I personally don't advise going to the Dictionnaire Infernal as your sole source of research on daemons; Especially if you're a daemonolatrist. I'd instead recommend looking at their other grimoire appearances, especially the earlier ones. The grimoires I recommend looking into are:

Livre Des Esperitz

Fasciculus Rerum Geomanticarum

Liber Officiorum Spirituum

Pseudomonarchia Daemonum

Ars Goetia

I hope you find this post helpful! And as always, I wish you well on your spiritual path. Also, a big thanks to my friend @sortiarus-de--naturas--daemonum for helping me out with this post! I could not have written this without her. 💜

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❀༻ Ave Satanas ༺❀

+. Image Sources .+ ... Nightjar Photo ... Centaur Image V1 ... Centaur Image V2 ... Flower Petals Image ... Horse Rider Image ...

[tabletoptrinketsbyjj]

Trinkets, Books, 13: An eclectic library of dusty tomes, fictional textbooks, pocketbooks, paperbacks, hardcovers, booklets, leaflets and magical manuals. Paper leaves and the binding surrounding them can help define a character, kick off a subplot, fuel a fetch quest or simply serve as a generic macguffin. Commonly seen in video games such as Baldur’s Gate, Neverwinter Nights, World of Warcraft and Skyrim, book items are a way to subtly world build while still handing out sellable loot. A wizard has a spellbook, a cleric has a holy text and now you have a trinket list.

A pulpy horror book filled with short stories made to terrify adolescents and thrill young adults. A creature who reads the book suffers from a Random Nightmare later the next time they sleep.

A large reference book on the subject of minted coinage within the realm. The top of each page has an illustration of both sides of a coin from a rubbing of the original, lovingly and delicately inked. Below is everything anyone could possibly want to know about the coin: number of dies in the designs, the date each went into service, the date each was taken out and destroyed, dates of repairs and re-engravings on each, quantities of each kind of coin struck. There is even a statement about whether or not there are known counterfeits. According the inside cover, the tome belongs to the Royal Assay of the city of TunFaire in the kingdom of Karenta.

A brand new copy of “Volo's Guide to What to Expect When You’re Expecting” with a couple of pages dog-eared in and “Congratulations!” written on the inside cover.

On the Sending Out of the Soul: An eight-page pamphlet on astral projection. The first seven pages of the pamphlet contain vague mystic writing; however, the eighth page details a formula for effecting astral travel. Among the required ingredients are a brazier and a mild hallucinogenic herb. The formula is always successful but has an unforeseen side effect: it invokes the horrid Outer God the Hydra. Knowledgeable PC’s are aware that the pamphlet first appeared a few generations ago and circulated among occult groups. Most copies were destroyed in the wake of a series of grisly murders.

Dictionnaire Infernal: A full description of the hierarchies of demons. This edition includes sixty-nine illustrations of demons by Louis Le Breton a skilled warlock, infamous for trading his soul for legendary artistic talent rather than arcane power or material wealth.

A journeyman’s guide to the proper practices of the guild who oversees the use of Random Artisan Tools. The travel volume includes how to care for your tools and how to interact with other crafters to seek replacement tools and have worn ones maintained. Other chapters detail acceptable prices for goods sold and services rendered along with advice on any specific ethical concerns the guild may have on trading. Most of the book contains descriptions and diagrams on how to perform basic tasks with the tools to the guild’s standards.

A small book, entitled "The Torrid Affair of Knight Gawain,". When placed on its spine it automatically falls open to particularly risqué page.

A personal journal owned by a psychiatrist who was studying the concept of nightmares and their metaphysical properties. The doctor recorded dozens of firsthand accounts of her patient’s slumbering terrors within this volume as well as notes on the patients themselves and how the dreams affected them. A person who peruses the journal for more than a few minutes suffers from a Random Nightmare the next time they sleep. Upon waking they feel compelled to document their experience on one of the blank pages left near the end of the book.

Alchemy of the Flesh: A dark green tome describing how to use a plethora of humanoid viscera and organs to enhance standard potion brewing techniques.

Tome Of The Endless Tale: A small, worn book with fanciful creatures or locales on battered leather covers, the tome’s pages fill with serialized stories that engage and distract the reader. The Tome focuses on a specific genre (See Note) but the stories crafted within the pages are unique to each reader, tailored by the magic from their own imagination and so vibrant that the book’s tales seem to come to life in the mind’s eye. Once per day, the reader can speak the command word written on the book's inside cover to fill its its pages with a serial story tailored to the speaker. This story typically takes 1 hour to read, continuing from where the last tale completed. ---Note: The DM can choose a genre or roll at random; 1, Adventure 2, Romance 3, Mystery / Crime 4, Horror 5, Thriller / Suspense 6, Fantasy 7, Science Fiction 8, Historical fiction.

—Click Here to be directed to the Hotlinks To All Tables post, which provides (As you might have guessed) convenient links to all of the loot and resource tables this blog has.

—Click Here for additional Book Descriptions to give these objects even more personality.

—Note: The previous 10 items are repeated for easier rolling on a d100.

A pulpy horror book filled with short stories made to terrify adolescents and thrill young adults. A creature who reads the book suffers from a Random Nightmare later the next time they sleep.

A large reference book on the subject of minted coinage within the realm. The top of each page has an illustration of both sides of a coin from a rubbing of the original, lovingly and delicately inked. Below is everything anyone could possibly want to know about the coin: number of dies in the designs, the date each went into service, the date each was taken out and destroyed, dates of repairs and re-engravings on each, quantities of each kind of coin struck. There is even a statement about whether or not there are known counterfeits. According the inside cover, the tome belongs to the Royal Assay of the city of TunFaire in the kingdom of Karenta.

A brand new copy of “Volo's Guide to What to Expect When You’re Expecting” with a couple of pages dog-eared in and “Congratulations!” written on the inside cover.

On the Sending Out of the Soul: An eight-page pamphlet on astral projection. The first seven pages of the pamphlet contain vague mystic writing; however, the eighth page details a formula for effecting astral travel. Among the required ingredients are a brazier and a mild hallucinogenic herb. The formula is always successful but has an unforeseen side effect: it invokes the horrid Outer God the Hydra. Knowledgeable PC’s are aware that the pamphlet first appeared a few generations ago and circulated among occult groups. Most copies were destroyed in the wake of a series of grisly murders.

Dictionnaire Infernal: A full description of the hierarchies of demons. This edition includes sixty-nine illustrations of demons by Louis Le Breton a skilled warlock, infamous for trading his soul for legendary artistic talent rather than arcane power or material wealth.

A journeyman’s guide to the proper practices of the guild who oversees the use of Random Artisan Tools. The travel volume includes how to care for your tools and how to interact with other crafters to seek replacement tools and have worn ones maintained. Other chapters detail acceptable prices for goods sold and services rendered along with advice on any specific ethical concerns the guild may have on trading. Most of the book contains descriptions and diagrams on how to perform basic tasks with the tools to the guild’s standards.

A small book, entitled "The Torrid Affair of Knight Gawain,". When placed on its spine it automatically falls open to particularly risqué page.

A personal journal owned by a psychiatrist who was studying the concept of nightmares and their metaphysical properties. The doctor recorded dozens of firsthand accounts of her patient’s slumbering terrors within this volume as well as notes on the patients themselves and how the dreams affected them. A person who peruses the journal for more than a few minutes suffers from a Random Nightmare the next time they sleep. Upon waking they feel compelled to document their experience on one of the blank pages left near the end of the book.

Alchemy of the Flesh: A dark green tome describing how to use a plethora of humanoid viscera and organs to enhance standard potion brewing techniques.

Tome Of The Endless Tale: A small, worn book with fanciful creatures or locales on battered leather covers, the tome’s pages fill with serialized stories that engage and distract the reader. The Tome focuses on a specific genre (See Note) but the stories crafted within the pages are unique to each reader, tailored by the magic from their own imagination and so vibrant that the book’s tales seem to come to life in the mind’s eye. Once per day, the reader can speak the command word written on the book's inside cover to fill its its pages with a serial story tailored to the speaker. This story typically takes 1 hour to read, continuing from where the last tale completed. ---Note: The DM can choose a genre or roll at random; 1, Adventure 2, Romance 3, Mystery / Crime 4, Horror 5, Thriller / Suspense 6, Fantasy 7, Science Fiction 8, Historical fiction.

A cloth-bound book of short stories by famous pulp novelist Cissifin Judeel. The volume is in excellent physical condition.

A bound section that includes chapters six, seven, and nine of some kind of book on mechanical engineering, seemingly torn from a larger work. They describe in enormous detail how to construct an intricate clockwork mechanism, but what it’s supposed to do is left unclear – and, besides, with chapter eight missing you wouldn’t know how to build one of the most important parts…

A cookbook, containing stunningly delicious recipes which, unfortunately, require extraordinarily rare and hard to find ingredients to make. It is no doubt someone's life’s ambition to cook and eat all of them at least once.

An anonymous epic poem about the Brass Spear Prince, full of stirring speeches and descriptions of battle scenes. For many noble travellers, this inspiring story is the reason why they became an adventurer in the first place.

An old bestiary, full of detailed information about monsters and magical beasts. Its sources appear to be approximately one-third hard evidence, one-third rumour or hearsay, and one-third the author's own fevered imagination, with no indication in the text as to which is which. It's information could easily save your life one day if you can only work out which parts of it are actually true...

A strange book whose pages are thin, blank stone tablets bound with knotted leather cords. Skeletons and zombies bow and grovel in the presence of the book.

Phoenix Breviary: A hand-size book bound in what appears to be black ostrich hide. Its pages are empty. Placed in a fire, the book will be unharmed and reveal the canonical hours of a banned cult for as long as it is surrounded by flame. Anything written in it will disappear until revealed similarly.

A joke book, full of genuinely hilarious (If rather mean-spirited) jokes. There are enough one liners alone for hours of belly-laughs and the text would be extremely valued to a jester or entertainer.

An anonymous journal, which records in obsessive detail the suspicious activities of a variety of seemingly-innocuous local citizens, whom the author seems to have been keeping under close observation. Either he was totally paranoid, or they are engaged in some kind of conspiracy. Maybe both.

An instruction manual, which describes in lunatic detail how to build a giant mechanical owl in order to further the cause of righteousness in the land. (The causal relationship between these two things is not made clear.) Chapters 3 through 9, which cover the construction of the owl’s internal mechanisms, have been ripped out.

A book of abstruse speculative philosophy, heavily annotated by some previous student. The annotations to the early chapters are detailed and lucid, but as the book goes on they grow increasingly incoherent, finally lapsing into ravings about a Beast and a City made of Red Steel. Due to the quantity of crazy annotations on its final pages, the last sections of the book are effectively illegible. You've never seen another copy.

An antiquarian manuscript whose author attempts, from the surviving literary and numismatic evidence, to deduce where the major strongholds of the local sorcerer-kings were back in the Age of Wonders. If she’s right, then there are at least three in the area which have been completely forgotten about, one of which is now buried under the streets of a major city…

The memoirs of a famous explorer, describing his many travels. The last chapter describes his plans for his final expedition, from which he never returned. But if the reader can work out where he went wrong, then maybe they'll have better luck…

A catalogue of birds found in this and adjacent kingdoms. Holding the book makes you want to obsessively tick off every species you manage to spot. A former owner of the book seems to have ticked off far more of the really rare ones than you, which causes oddly strong feeling of jealousy. One day, you will surpass him!

A child's sketchbook. On every page that isn't just unintelligible scribbling is a horrific monster.

A book of rather moving and helpfully non-specific love poetry. Memorize some of it for next time you need to persuade someone just how much you adore them!

A notebook in which someone has recorded, in great detail, the gastronomic preferences of a whole range of important and powerful people who live in a nearby large city. Very handy if you want to make a good impression - or to set someone else up to make a bad one!

An extremely spicy erotic novel about the life and loves of a famous courtesan. You keep it with you for, um, further research purposes.

A book of woodcut illustrations, more than a century old, depicting various fantastical monsters. One of them shows a particularly grotesque many-tentacled beastie fighting with a figure in spiked armour, who (Unlike every other figure in the book) has a string of nonsense words engraved beneath them. Disturbingly, these words form an anagram of one of the PC's names.

A book of heretical, politically seditious, and intermittently obscene drinking songs, complete with musical scores. Owning it is highly illegal, but you can’t bear to part with it: after all, it might well be the only copy which survived the purge…

A children's story book with a pressed faerie sprite between the pages...

An engrossing and well-written mystery novel: it's not very deep or clever, but pick it up and you'll soon be wondering where the last six hours went. Handy if you need someone to be distracted without realizing it.

Naga Naga Yo Fraga Blaga: A book whose cover is designed to look as if it was made from green scales, and its pages have golden edges. The volume talks at great length about an ancient race of serpentine creatures of great intellect and natural mastery of sorcery.

Of Gospels and Prophets: A stark white leather cover with gold filigree encompasses this religious reference book. The book does not delve deeply into any specific topic, rather approaches the “mile wide, inch deep” style with no more than 3-5 sentences on any of its entries.

Demozain: A book written by a dozen ur-priests. It makes no attempt to hide the ritual that would summon a sentient black hole to consume a world, but between the lines it reveals secrets of where the gods truly get their power.

A palm-sized notebook that always has at least one more blank page.

A blank spellbook bound in scarred wyvern hide.

Libro Venenum: A vile text filled with pages of aged papyrus and wrapped in dried lizard hide. Translated it proclaims to be the Book (of) Poisons and must be handled with absolute care. The reader is insight into the long-forgotten art of toxic magic, practised primarily by hags.

Folio Malevolence: A profane book whose spine is crafted from the bones of tormented fairies. The pages are all exposed with no actual cover and emit a foul odor. Upon close examination one can see skin has been stretched and matted onto the parchment. The runes on these pages make the reader feel uneasy and waves of hatred flow over them. Good aligned characters will feel immediate aversion to the text. The text itself orders the reader to let malevolence overwhelm then and to lead a life of malice and constant all-consuming rage at the world and everything in it.

A diary that begins quite normal, even boring, but becomes increasingly nonsensical, and the final few pages are indecipherable scrawlings.

A heavy book titled “The Many Faces of Perun”. Dozens of flowers are pressed between its pages.

Opuscule Covetous: A small notebook created with haphazard pieces of vellum tied together with gold wire. If the pages are spread out they appear to be covered in numbered pictures. Anyone who puts the pages in the correct order will see the drawings magically animate. The story they show will be capturing and include scenes of immense wealth and decadence. Those viewing will be intoxicated with avarice and immediately desire the treasures presented in the story. Unbeknownst to the cursed readers this is an elaborate trap set by a witch. What appear to be treasures are actually items the witch herself desires but cannot obtain. Examples would be a sacred holy relic, a newborn child or perhaps a lock of hair from a person pure of heart. No matter what the item they will always appear as something else to the afflicted character. The curse will cease once one or all of the items are obtained and presented to the witch.

A bound album of various portraits and sketches of individual local people and families. Someone went through and meticulously clipped out the heads of all the people in the pictures, leaving the rest of the scenes intact.

A ledger listing quantities and types of Random Humanoid Race bones and teeth along with dates, costs, and prices of sales and purchasing.

A book of anatomy with detailed drawings on xenomorphic creatures completely alien to this plane of existence.

A book of genealogical research of a prominent family in the nearby city, mostly consisting of a bound collection of public announcement posters and firsthand accounts of the local historical society.

The Parchments of Pnom: A manuscript written by Hyperborea's leading genealogist and soothsayer. It is written in the "Elder Script" of that land and contains a detailed account of the lineage of the Hyperborean gods, most notably Tsathoggua.

A beginner’s guide for people learning to play the Random Musical Instrument. The slim volume includes diagrams with all the parts of the instrument along with instructions for proper maintenance and care. Past the introduction the book contains the basics of how to play, along with a dozen simple songs that even someone who is unskilled in the performing arts could learn to play by reading the book and putting in a few weeks of regular practice.

A lengthy tome that boasts as its title “A complete history of the Random Humanoid Species”. The thick tome is dense with small, fine handwriting and goes into impressive (If dry) detail on the known origins of the people along with the high and lows of their past.

A military historical reference book focusing on the construction, maintenance and historical and modern use of the Random Weapon as it pertains to various forms of warfare.

Book of Dzyan: This work is an ancient text from a far away land, which contains “unwelcome truths”—cosmic revelations inimical to any human mind, which the Book tries to reconcile. As such, it describes accounts of mental and physical rites which are protective to mortals, as well as otherworldly threats and how to deal with them. Anyone who casts bard spells can research the spell contrary melody in this book to learn it in place of a 5th-level spell known.

A child’s sketchbook that features named stick figures of various people in a dozen different hands. The cover is marked with a surprisingly ornate rune, almost beautiful, though reading it makes one’s eyes droop.

De Vermis Mysteriis: An eldritch and bizarre spellbook, written by Ludvig Prinn, an ancient alchemist and necromancer who was burnt alive as punishments for his crimes against nature. Its pages are full of spells and rituals that summon strange entities, familiars, and creatures from beyond space and time. It also has a number of rituals for contacting and dealing with Great Old Ones, Outer Gods, and their minions.

A tiny leather bound book that contains a piece of writing such as a story, a poem, a manuscript, or a recipe. Each day, a new piece of writing magically replaces the previous one.

A cookbook, heavily bookmarked and written on, with pictures to accompany each recipe in the book. Licking the pictures allows you to find out how each dish tastes. Writing new ingredients in the recipes alters how the pictures taste. The back of the cookbook has empty pages to allow people to write down their own custom recipes. A few of the pages already have recipes written on them, some of which sound absolutely revolting.

A small novel, in which its 100 pages are used to describe a pebble. It consists of a single run-on sentence, and the description is often repeated throughout the book.

A leather bound book that bursts into flames when opened and extinguishes itself when closed. The book itself is completely fireproof.

A translation manual that teaches the basics for a long lost language. The guide assists the reader in translating basic words and phrases from the lost language into a commonly known language. This manual has significant values in archeological and research circles.

A bible that contains the founding texts of a now extinct religion that was wiped out long ago. This tome chronicles the origins of a murderous and wild sect that broke off from a popular, but now dead, religion. It gives notes on famous individuals this sect claims to have killed, their method in doing so and gives small insight into where more information about this sect may be.

A humble prayer-book bound in homespun cloth. Even with all your knowledge and sophistication, these simple hymns still have an almost supernatural power to soothe your troubled mind.

The Book of The Keeper of The World: A yellow book that is almost as bright as the sun itself. A bloody skeleton is on the cover with a text in an unreadable arcane language, presumably the title. Eating pages of this makes something in the world just disappear out of everyone's mind, a nothingness filling the place it used to be.

A reprint of a banned book, the last copy thought destroyed decades ago.

A ratty journal overflowing with loose sheets of yellowed paper. They are filled with maddened scrawl and diagrams and calculations and degenerate ranting.

A heavy book filled with Holy Scripture from the Loregiver and proclamations of Fate.

A holy text containing the sacred oaths of the first paladins from each paladin order in the multiverse, listing those of Good alignment as examples to strive for while warning against falling to the dark temptations of those who made their oaths for personal gain or other dark desires.

A book containing a list of artifacts designed for dark purposes, primarily those associated with Evil deities, as well as instructions on how to destroy these items. Several items on this list have already been crossed off, presumably destroyed by previous holders of this book.

A large tome that contains what is likely the largest repository of knowledge on healing salves in existence. It lists out materials, costs, where to find each ingredient, and how to combine these ingredients. There is virtually no ailment that cannot be cured by at least one of these restorative mixtures should the text prove accurate.

A small prayerbook that contains a single long incantation that can be used to contact a celestial who specializes in helping unfortunate souls tricked into a contract with a devil find a way out of their unfair bargains.

Book of Ashur: An arcane tome, bound in ancient dragon hide that contains much wisdom on the conjuring and subjugation of spells.

Liber Noctus: A decrepit tome that bristles with dark secrets and eldritch powers. Reading from the grimoire summons dark thoughts and grim deeds.

A blessed tome containing tales of ancient valour, glory, and self-sacrifice are bound to inspire those of noble heart to greater deeds.

A large book, bound in human skin according to the note tied to it, supposedly it was owned by an ancient necromancer during the age of thunder but its impossible to open as the spirits bound by it will lash out at the carrier. At the bottom it reads that it's currently on loan from Candlekeep.

A thick, heavy leather-bound book that contains illustrations and descriptions of over 3000 different kind of animals, plants, fungi, and minerals that can be used as alchemical ingredients, and how to safely collect, preserve, and store them. It was written by a renowned dark elf alchemist and explorer in the north lands. He spent decades studying and experimenting with the various creatures and plants that inhabit that environment, and compiled his findings and recipes in this book.

A worn-out leather book that has a map of the southern land on its cover. It contains detailed descriptions and directions on how to find and harvest rare and expensive alchemical ingredients that grow in remote, dangerous or hidden locations in the southern land.

A green book that has a dwarven hammer as symbol on its cover. It contains detailed secret information on how to use dwarven alchemy, with a specialized focus on creating oils and elixirs to mix into liquid metal alloys during the forging of weapons and armor.

An old yellowish book that has an elegant symbol on its cover. It was written by a legendary elven alchemist who mastered the art of creating healing potions, over the course of more than half a millennia of dedicated focus.

A collection of slim volumes on a variety of topics, including a registry of the nobility, City Watch commanders, and other notable citizens. Blank pages, a vial of ink, a pen. A number of interesting maps.

A single tome that is a combined multi-volumed summa of unified theory of arcane & divine magic, mechanical physics, psionics, and the cosmos.

An old, small, leather-bound, time-worn book with a goat’s head tooled into its cover. The leather is badly foxed and the pages are barely readable. If studied carefully it seems to be the journal of a fiendish cult.

A sketchbook half-filled with disturbingly accurate anatomical studies of various people, the copper plates that cover it etched with a pleasingly abstract rendering of a human heart.

A strange esoteric translation manual that teaches the basics for a long lost language. The guide assists the reader in translating basic words and phrases from the lost language into a commonly known language. This manual has significant values in archeological and research circles.

A hand-written guide by a purportedly self-taught monk on how to manifest and nurture ki powers. Although the information is not grounded in traditional aesthetic principals, anyone with knowledge of ki will recognize some validity to the methods being discussed. It is from an unknown author.

A religious text of an extinct cult that was wiped out long ago. This tome chronicles the origins of a murderous and wild sect that broke off from a popular, but now dead, religion. It gives notes on famous individuals this sect claims to have killed, their method in doing so and gives small insight into where more information about this sect may be.

A bound set of written texts, recording the beliefs of a famous lone wanderer and philosopher. The individual is well-known throughout the land for his beliefs and exploits but it was previously unknown that he had personally committed any of these things down on writing.

A book of spells with particularly elaborate verbal components written in an unknown but important-looking script. Arcane PC's can determine that only one or two minor spells actually work. Extremely close inspection will reveal that the rest of the "incantations" and "magic words" are actually disguised and encoded reports from a deep-cover spy

A worn, leather-bound journal filled with notes and sketches, offering insights into the daily life of its previous owner. There are many blank pages. Reading from the journal causes miniature illusions to appear for others showing the details of the event written, whether truthful or fanciful.

An alchemical codex containing the formulae for various poisons.

A dusty, ancient tome filled with arcane knowledge and forbidden secrets, written in a strange serpentine language and illuminated with intricate flowing illustrations.

A notebook that contains private notes from a psychiatrist about a patient. The first two pages are banal and clinical; by the fifth, they are inscrutable ramblings.

An identifiable book with a dozen assorted silver nails impaling it. The nails look disorderly and haphazardly hammered, with many bent in strange angles. The book is constantly wet, and the title is illegible.

An arcane spellbook that doesn’t seem to have belonged to a single wizard, bearing many different hands and styles across undoubtedly centuries. Many pages are damaged, arcane scribblings made illegible by time and deterioration. On the pages that remain, it seems that many of the spells appear modified in some way.

A well-worn and obviously fake booklet on how to talk to ghosts.

A bound journal filled with sketches of plants and animals.

A medical journal written in a dead language. It's filled with diagrams and drawings of medical dissections of inhuman alien creatures.

The Book of Fate's Mercies: A book that details incidents where people were saved from death by random chance. For example, a barking dog caused someone to walk just a little quicker down the street, which moved them out of the path of a stampeding horse. The last story in the book is about you, potentially causing you to be extremely aware and reactive but utterly paranoid and agoraphobic.

An inconspicuous diary of a young girl named Fyla. At a young age Fyla's talents allowed her to see into the abyss and corrupted her mind. She wrote in detail about the monsters under her bed and her fears of what awaited her when they would finally come for her on her 18th birthday.

The Book of Wisdom: A tome that contains a collection of sayings, stories, poems, and hymns from every known culture, religion, and philosophy. New entries appear at random, as new Wisdoms are collected and recorded by other disciples carrying a copy of the Book of Wisdom.

A spellbook made from high quality blank parchment is covered in tiny runes. When one of these small inscriptions is pressed the parchment changes color.

Tome Of The Spellblade: A soft-covered leather bound treatise containing writings describing, in the most basic terms possible, methods of magical fighting. Even so, the material is fairly dense and requires definition and reiteration of various terms and ideas. Fortunately, it also contains many detailed diagrams.

Fearful Codex of Ancient Wisdom: A weighty volume bound in pale, scaled leather of unknown origin. This magical tome contains a wealth of knowledge both mundane and esoteric, and is inhabited by an archival spirit that will direct the reader to their desired content on request. Unfortunately, the spirit has undergone a great deal of trauma over the millennia and the "fearful" part of the title is now literal. Attempting to simply open the codex and read normally will reveal nothing but blank pages, with perhaps a fleeting glimpse of text slithering away to pages deeper in the book. Only through persuasion can you access the codex. The book has definite dislikes, some of which follow: Being read by firelight is terrifying - paper burns! Natural light is better, but being read outside in the weather is undignified and risky. Magical illumination is best, preferably indoors and someplace quiet. Any kind of liquid nearby is alarming - ink runs and paper is ruined! Don't even think about eating while you peruse the codex. The book doesn't really like to travel either and would prefer to tucked away safely in a library somewhere when not in use. It enjoys the company of other books but isn't fond of other magical tomes, even non-sentient ones. It's also really, really phobic about the number eight, and invariably uses constructions like "two cubed" or "nine less one" in its own text when needed.

[philoursmars]

Marseille. A la Vieille-Charité, une expo "Panoramas" faisant le tour de la variété des musées de la ville (d'où cet aspect disparate, mais très plaisant)

sculpture Sepik, Papouasie-Nouvelle-Guinée XXe s. ; Wifredo Lam - "Le Bruit"

Victor Brauner - "Les Taraphs"

Roger Bissière - "Tête"

masque batcham Bamiléké - Cameroun, 1880

dessin collectif Victor Brauner, André Breton, Oscar Dominguez, Wifredo Lam, Jacques Hérold…

masque abelam - Papouasie-Nouvelle-Guinée, XXe s.

Giuseppe Penone - "Structure du Temps"

Louis-Ferdinand Elle - "Portrait de femme en Minerve"