#lothar osterburg

[pinkblanc]

Lothar Osterburg, Tornado approaching Barn, 2018

[bossymarmalade]

- Lothar Osterburg, “Shoebox Archive” (2022)

[theschmerler]

books over the horizon

Respectable! a Tower of Babel built with books found in Brooklyn, that dwarfs a city...Lothar Osterburg, artist. 

https://en.wikipedia.org/wiki/File:Lothar_Osterburg_The_Tower_of_Babel_2015.jpg#/media/File:Lothar_Osterburg_The_Tower_of_Babel_2015.jpg

[mosertone]

Lothar Osterburg

[pyjamac]

why don’t you watch piranesi by elizabeth brown and lothar osterburg

[cccgallery]

Looking forward to meeting and talking to Lothar Osterburg in the CCC Gallery tomorrow for a group Skype Conversation - Join us 2/23  at 1:00!

Lothar Osterburg makes photogravures of small, sculpted models of windmills, lighthouses, sailboats among others, staged in evocative settings. Built from memory of readily available materials, the models have a dreamlike quality which is enhanced by the placement of the camera within their world; the perspective is that of a person within the set, obscuring the actual size of the objects. The viewer, drawn into the scene, fills the gap created by the absence of people. The smallest models are photographed through a magnifying glass or with a macro lens. With this extremely short focal range, the scenes become ambiguous, mysterious, or even ominous while somehow retaining the playful quality typical of Osterburg’s hand.

Whether in his studio, or against the rocky coast of Maine’s Mount Desert Island, or in a microcosm of frozen tire tracks at the MacDowell Colony, the staged settings enhance the textures of the artist’s eccentrically diverse materials, creating a tension between the representational and the realistic.

A downed mulberry tree from his Brooklyn backyard spawned an entire rough-hewn coastal village. Tall ships made of firewood, twigs and toilet paper, a translucent glycerin lighthouse on a potato island, recycled plumbing supplies, glass doorknobs, soap and a stormy sea made of peanut butter all appear in this delightful, buoyant world. - http://home.earthlink.net/~lotharosterburg/

[netlex]

"Piranesi / State 2",  photogravure, 16" x 20", lámina 20" x 27", 2008 Piranesi project

"Tenements", / photogravure, 22,25" x 16,25", 2010 Piranesi project

Trailerpark" Fotograbado en dos colores / photogravure 2 colors, 10" x 10", 2010 "Piranesi project

Downtown Transfer (State 2)"  Hardground photogravure, aquatint, scraping, burnishing and drypoint, 34" x 29", 2010 "Piranesi project  

Lothar Osterburg is a german born, USA based artist specialized in technics of photogravures.

[moodoofoo]

Lothar Osterburg Zeppelins docking at Grand Central, 2013 photogravure on Gampi chine collé 30 x 30 inches edition of 12

[lenscratch]

© Lothar Osterburg 

[fraps2020]

Lothar Osterburg, "Zeppelins Docking at Grand Central", 2013 , photogravure with Gampi chine colle on Somerset White, 30 x 30

[lamurdiparasian]

Anderson Ranch Summer Printmaking Workshops

Anderson Ranch Summer Printmaking Workshops Anderson Ranch offers 1- and 2-week Printmaking and bookmaking courses taught by visiting instructors at the Anderson Ranch Arts Center.  Courses include screen printing, photogravure, monotype, etching, lithography, mokuhanga, and more. UNT Printmaking majors and Printmaking Graduate Students can get advanced elective course credit this Fall for pre-approved summer workshops through ASTU 4302/ 5302: Printmaking Remote Research, which formalizes the off-campus experience into a series of projects that focus on demonstrating new technical skills, presenting awareness of contemporary practices, documentation of professional development, and participating in professional networking opportunities.  Interested students must contact the Printmaking program coordinator Andrew DeCaen to review the requirements then register for the workshop. Textile Printing: screen, block, foil & dye Jun 03 - 07, 2019 With Padma Rajendran Squeezed! Jun 17 - 21, 2019 With Kimiko Miyoshi Polymer Photogravure Jun 24 - 28, 2019 With Meg Turner

Watermedia Monotype Jul 01 - 05, 2019 With Brian Shure Layering Color & Light: woodcut & monoprint – R0606-19 Jul 08 - 12, 2019 With Jean Gumpper Copperplate Photogravure Jul 15 - 19, 2019 With Lothar Osterburg New Approaches to Lithography  Jul 22 - 26, 2019 With Matthew Letzelter The Color Woodblock: simple to complex Jul 29 - Aug 02, 2019 With Katie Baldwin Experimental Color Etching Aug 05 - 09, 2019 With Susan Belau Monoprint for Makers: using laser-cut blocks, jigsaws & stencils Aug 12 - 16, 2019 With Lari Gibbons Mysterious Marks: monoprinting in oil- & water-based ink Aug 19 - 23, 2019 With Karen Lederer Mokuhanga, the Baren & Printing at Home Aug 26 - 30, 2019 With Hiroki Morinoue The Hybrid Print Sep 09 - 20, 2019 With Genevieve Lowe

from UNT Printmaking Blog http://untprintmakingblog.blogspot.com/2019/02/anderson-ranch-summer-printmaking.html UPrintInfo from Blogger http://lamurdis.blogspot.com/2019/02/anderson-ranch-summer-printmaking.html

[mosertone]

Lothar Osterburg

[graphicartscollection]

Library Dreams (after Magritte's Time Transfixed)

Library Dreams (after Magritte’s Time Transfixed)

Lothar Osterburg, Library Dreams (after Magritte’s Time Transfixed), 2011. Photogravure with scraping and aquatint with Gampi chine colle on Somerset White. No. 6/8. Graphic Arts Collection GAX2018- in process Lothar Osterburg’s “Library Dreams” series began during a residency at the Bogliasco Foundation in Liguria, Italy in 2011. While there, he collaborated with the composer/thereminist…