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Toko Shinoda (March 28, 1913 - March 1, 2021)

Toko Shinoda was a Japanese artist working with sumi ink paintings and prints. Her art merged traditional calligraphy with modern abstract expressionism. A 1983 interview in Time magazine asserted “her trail-blazing accomplishments are analogous to Picasso’s”.

“Jeunesse,” (Youth), 1993,

Woodblock print, lithograph, 14 7/8 x 11 1/8 in. 

Brooklyn Museum, Gift of Susan L. Beningson, 1994.10.2. 

© artist or artist’s estate, Photo: Brooklyn Museum, 1994.

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André Bloc, “Untitled”, Circa 1955,

Bronze, 10.5H x 11Dia inches (26.7H x 27.9Dia cm)

Courtesy: Magen H Gallery

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Agostino Bonalumi, “Bianco,” 1970,

Wood, Fiberglass and Nitro,

124.5 x 85 x 24 cm.

Courtesy: Christie’s

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Sonia Delaunay, “Solar Prism,” 1914,

Collage with additions in brush and ink, watercolor, and crayon,

Overall: 49.5 x 33 cm (19 ½ x 13 in.),

Courtesy: The National Gallery of Art

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Jaromir Funke, “Composition” (White Ball and Glass Cube), 1923,

Gelatin silver print,

4 ¾ × 5 ¾ × 1 in | 12.1 × 14.6 × 2.5 cm

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Vasily Kandinsky, “Black Lines (Schwarze Linien),” December 1913,

Oil on canvas, 51 3/8 x 51 5/8 inches (130.5 x 131.1 cm),

Image courtesy the Solomon R. Guggenheim Museum, New York

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Alexander Calder, “Yellow Beastie,” 1966,

Sheet metal, brass wire and paint,

6¾ h × 11¼ w × 3¼ d in (17 × 29 × 8 cm)

Courtesy: Wright20

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Kazuo Shiraga, “Untitled,” 1998,

Oil on canvas, 60 x 96 cm.

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derniers jours

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Macaparana, Playing with form, (mixed media on paper), 2019 [© Macaparana]. From: Structure du silence, Galerie Denise René, Paris, February 12 – March 27, 2021

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 Bridget Riley, Untitled,1960.  © Bridget Riley 2022. All rights reserved.

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Billie Holiday, April 7, 1915 – July 17, 1959.

At Café Society in New York. 1947 photo by Gjon Mili.

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Libero Andreotti 

 Affrico and Shelf, detail, 1933

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This copy of Traité des délits et des peines by Italian philosopher Cesare Beccaria is a gorgeous book, with marbled endpapers and edges.

Glancing at the title page, you might assume this book was published in Philadelphia. It was actually bound in Paris, where it had been banned for its condemnation of the death penalty. The publishers gave it a false imprint to evade punishment.

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László Moholy-Nagy, Untitled, 1943 Print size (HxW): 25.5 x 20.4 cm Gelatin silver on baryta paper

Bauhaus Archive / Museum of Design All rights reserved / All rights reserved

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Yozo Ukita (1924 - 2013) A White Plaster Spirits style IV

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Philippe Hiquily (1968-1972)