#looks at all the Is in the sentence I just wrote

[gay-dorito-dust]

Can I request headcanons for Zayne, and Slyus react to his shy gn crush giving him a love letter before leaving quickly?

You were quick with your exist, Sylus had to give you that as the moment he looked up from the letter, only to see that you were long gone.

Naturally he would’ve caught you by the wrist and kept you close until after he had read the letter. However since that wasn’t how the events played out, Sylus walked back to his room to read the letter, fully intending to ask you the next time he sees you what this was all about, all the while lightly scolding you for running away.

He even made Mephisto leave the room for full privacy, the crow was offended by this not going to lie and instead made himself comfortable on the nearest perch he could find.

Sylus wasn’t dumb, your expression gave it all away what type of letter this was and he couldn’t help but smirk when he read your sweet words, chuckling as he felt your emotions through every sentence he read and how many words you had scribbled out in your attempt of making a confession to him.

While he would’ve preferred to have you confess to him in person, he couldn’t hold it against you that you felt overwhelmed and too afraid to do so and speak your heart to him, but that was okay when you had written your heart to him on a piece of paper instead that made him smile as warmth spread throughout his chest.

You were so cute when you poured your heart out into the letter and Sylus knew he would be keeping this as his own personal memento of the time where your relationship changed. Needless to say after reading the letter you got a greeting by Sylus later that same evening as he made himself comfortable in your apartment, eager to start your relationship as soon as he could by making you a dinner for two.

He casts his gaze down at the letter you hastily shoved into his hand, giving him no room to ask what the contents of the letter was before bolting off down the hallway with a flustered expression upon your face.

Zayne tilts his head to the side as he then takes the letter into his office, not wanting anyone to peer over his shoulder and read the words that you had specifically wrote for him and him alone.

He knew of your nervousness and tendency to tell him personal things through the likes of cute letters, but this was a completely different level of that as he got an insight to your thoughts and feelings towards him that you couldn’t put into words. It was highly detailed with moments where you realised that you like Zayne more then ‘just a friend’

He found it sweet and warming as he too would reminisce on the moments that you bring up and suddenly everything becomes clearer for Zayne. The moments where it seemed like you were more sheepish and unable to meet his eyes, all of it made all the more sense to him now as you gave clarification to why you acted those ways back then.

You adored him and yet you couldn’t find a more fitting way to tell him than a letter that resides within his hands.

It felt good for Zayne to know that his feelings wasn’t one sided and that you felt similar to him. It was all he could ever wish for even though he tried not to fall for you, only to find it increasingly difficult when you were practically a big part of his day to day life, and he couldn’t help but feel as though a weight had been taken off of his chest knowing that he didn’t have to hold back his feeling anymore and finally get to do what he always wanted.

He has a reservation booked at a fancy restaurant to you both, but is more than willing to cancel it to just walk through the city with you should that be more your speed, or maybe even some quality time at home with some take out. Zayne didn’t want you to become overwhelmed and would much preferable to have you at your most comfortable when you’re both talking about your future relationship.

[burningcheese-merchant]

When Burning Spice was introduced a lot of people made comparison with Capsaicin, and even thought they were related. You have any thoughts on that?

I do, and you're all probably going to be very disappointed lol

Not only do I NOT vibe with the idea that they're related, I'm actually really annoyed that it's as popular as it is lol. It doesn't even make sense. Burning Spice was in prison for thousands of years; when, where and how did he have a kid? At what point in time did this occur? Capsaicin is a young man. A regular mortal, outside of his "Spice Overlord" thing. I ask you all again: when? Where? How? WHY? Has anyone ever actually thought this through?

"ThEy LoOk SiMiLaR" okay, and? So fucking what? Neither of them own the concept of "long hair" or "muscles" or "sharp teeth". Pitaya has those too, and he has an arguably more substantial connection to Capsaicin because they're actually from the same fucking area. Happenstance. Lots of characters in this game have similar attributes, that doesn't necessarily mean anything

"ThEy'Re BoTh SpIcY" Refer to point A. Do you all think all the nut-based cookies are related, too? That's the logic you might as well be operating on. Correlation is not causation

"Blah blah both jail" you know how many characters in this whack-ass phone game count as felons, bro? How many of them SHOULD count as felons lol? The Cookie Run universe might as well be one giant Alcatraz with all the shit these little affronts to God get up to every day, I ain't making them all each other's relatives because of it

They're the wrong ages for them to be family. Burning Spice was serving a life sentence since long before Capsaicin was even thought of, he literally got out after the guy was already a grown ass man. They're not even from the same fucking CONTINENT! Capsaicin has probably never even HEARD of Beast-Yeast! Even that little comic the CRK Twitter account posted makes fun of all this shit!!! The Wild Spices mistake Cap for Spice from behind, and then get confused when he turns around because THEY VERY CLEARLY DO NOT KNOW WHO HE IS AND HAVE NEVER SEEN HIM BEFORE! Wouldn't an army know if their general had a son, even if it was only mentioned in passing? Wouldn't THIS army have a vested interest in having their general's son around if he existed, and stop at nothing to bring him home should he vanish, to gain favor with Spice and because of how powerful Capsaicin is and how useful he could be to them?

I wouldn't be so bent out of shape about all this if it wasn't LITERALLY FUCKING EVERYWHERE!!! I cannot enjoy any content of Burning Spice OR Capsaicin without having to endure a fucking barrage of "hurr durr father and son" posts!!! I just want to ogle my hot, sexy, deliciously evil spice man BY HIM-FUCKING-SELF in peace, I never asked to have to hear the exact fucking same "hi son I came back with the milk" joke over and over and over again

I know I sound like a massive dick right now and I'm truly sorry. You are more than welcome to think of these two as related in some way if you wish. I am not your mother, nor your leader, nor your god, I'm just some cringe loser on the internet. Enjoy this game and its characters in whatever way you choose. I even actually like a good bit of the father/son art, a lot of it is cute and funny. I'm able and willing to say that with complete sincerity.

I just wish I didn't have to feel like it's being forced on me. That is one of the biggest issues I have with this fandom: how oppressive it often feels. You MUST ship this particular pairing, you MUST headcanon these characters as family, you MUST take this one-off joke that was clearly just a goddamn joke and preach it 24/7/365 like it's the gospel truth that Devsis themselves wrote on stone tablets and delivered from the top of Mount Sinai. And then when someone doesn't want to do that, everyone else descends upon them like a plague of fucking locusts. I actually saw a Dad Spice + Son Cap post on here with the person who made it saying something like "ok since everyone agrees that these two are family [...]" and I just got so fucking irritated. No, actually, not everyone agrees. Not everyone agrees on a lot of the fanon that's shoved down the entire community's throats on a regular basis. PLEASE stop acting like they do. I still remember when people would get flat-out harassed for not acting like Herb is Sea Fairy's son (old ass drama lol).

Say what you will about me, I'm just one person and you can block me or whatever dumb tags I use for my dumb shit. There is NOWHERE I can go to avoid this. Twitter? Plagued. Tumblr? Plagued. Even fucking reddit is on this nonsense (only in my personal opinion). But that's what I get for acknowledging Reddit in any capacity lol

I shall once again sincerely apologize for my harsh tone here, I am not attacking you personally or anyone who headcanons these two as relatives. I am just generally, profoundly frustrated and I need to get it out. I appreciate you taking the time to ask me an honest question, I hope you can forgive me for my painfully honest answer

[laura1633]

Oh wow i have a serious problem i just went over what i wrote to you and i probably should have stopped at the first two sentences but it gets me upset the abuse lando faces i dont even like the guy i perfer oscar, max, charles and carlos but even i know that sending death threats to someone is not okay, and it upsets me that people almost always take his words out of context like when did lando say he actually had a chance at winning the wdc this year? I've seen people bash on him for the latest race where max raced incredibly, but what they dont seem to understand is that the race's terrible race conditions could have actually seriously injured him, we all seem to forget that the guy is younger then max, less experienced, and has huge problems with self-worth that actively seem to affect the way he race's. the fact that max won in the rust bucket that barely seemed to work in favor of the guy is incredable, but bashing on another driver for seemingly not wanting to take a chance with the awfull race conditions (*please note that this is what it looked like to me on what lando was doing that race where he did make mistakes but the weather wasnt helping ether* also note that that franco, oliver and others commented ether on the weather being dangerous, their cars 'Presumably the cars not agreeing with the weather ether', or the fact they couldnt see for shit and out right stated that someone should have a talk with the fia *i couldnt watch the whole race but ive seen snippets of driver radio's and the like, so i cant say with 100% certainty that this is correct*)

So yeah i think that, if i as someone who doesnt like lando, its really concerning what some people say about the guy and as a side note none of the other drivers seem to notice the hate from what ive seen but this last part might just be me. What are your thoughts on the hate lando's been getting seeming to increase anytime he seems to actually want to enjoy racing with the other more popular (equally popular?) Drivers?

🍑anon

Hi anon, 

That’s okay, I will respond to this ask rather than the previous one (but just for context for anyone else the previous ask was about fan fiction so wan’t anything mean). This ended up being a really lengthy answer because I have lots of thoughts!!! 

I’ll put the answer under the cut and tag as anti Lando despite this really just being my opinion and I personally don’t think I am being particularly harsh here but maybe people will disagree.

Firstly hopefully to most people it goes without saying that sending death threats is not okay, that goes for any of the drivers (and various other individuals that I have seen targeted over the past few years). I also have never understood people specifically going to an individual’s social media page just to spout negativity or abuse at them, if you don’t like someone you don’t need to follow them. 

However, I am surprised that people seem to be shocked that Lando is receiving hate online as this is absolutely nothing new and, if I am being honest, I have seen worse (not that this is a competition!).

I will speak from the perspective of being a Max supporter and say that the abuse he has received both online and at track has been appalling over the years. After Silverstone 2021 there were plenty of comments from people saying he ‘deserved’ such an awful crash or that they wished it had been worse. Even this year there were memes going around saying that maybe we needed a repeat of Silverstone 21 (a meme liked by Lando’s dad no less, not that I think we should be blaming children for their parent’s actions!). Not only that but there is rarely a week that goes by that I don’t see jokes online about how Jos is the only one that ‘can beat Max�� or people posting memes about Max being left at a gas station when he does badly. Max needed a bodyguard in Mexico last year because there were concerns over death threats, he’s been booed up on the podium, had people chanting cheat at him in the fan zone, every comment section on his social media includes comments telling him he is a cheat or that his achievements mean nothing. The British media are like vultures any time there is even a hint of controversy. I don’t know why everyone is suddenly up in arms about Lando receiving hate, perhaps its a case of only caring when it happens to ‘their’ driver. 

It doesn’t just happen to Max either. I don’t follow Lewis on social media but I still know the type or racist abuse he has faced over the years. Other drivers also receive abuse - Lance for example has vile things said about him, Nicholas Latifi was sent death threats after 2021. I am sure most if not every driver has experienced some level of hate. Social media can be extremely toxic. 

Do I think any of the drivers should have to deal with such toxicity? No, but Lando is nowhere near the only one to receive hate and I don’t think someone like Max who appears ‘strong’ should have to put up with things because people get the impression it doesn’t bother him.

Whether the other drivers notice, well probably they do but its not happening just to Lando. Did Lando realise how much toxicity was being thrown at Max after Austria or Mexico? Did he try and calm things with the media or did he double down and make things worse for Max? 

As for taking Lando’s words out of context. That definitely happens from time to time, the same as with any driver. Media goes for clickbait headlines and run with them. The problem is that Lando has also said things that haven’t been taken out of context and that people still find distasteful. The comments about it not being talent and being luck did not come across well. I was tempted to give him the benefit on that one and assume he was referring to himself and saying it was not him being untalented but unlucky but then he doubled down by saying nobody deserved to win the race more than George - how can I take that any other way other than the fact he was saying Max didn’t ‘deserve’ to win the race. 

As for Lando saying he thought he could win the WDC, if he didn’t think he could win it this year then to me that would be more of a concern. He has a championship winning car and has done for most the season, if he can’t win it now then when?! He should have been confident that he could win or at least put up a good fight. I would have had no problem with him openly saying he is going for the championship. Look at Charles who is not afraid to say that whilst it is still possible he is still fighting. I think part of the problem here lies with Mclaren because they should have been fully backing Lando and hyping him up but seemed to flip flop back and forth about whether they thought he was truly in the fight. It’s hardly going to give Lando confidence when his team don’t seem to be backing him as strongly as they could be. 

As for Brazil, Lando didn’t have a great race. George got past him at the start. He made too many errors. Charles finished in front of him despite starting behind him. Max, Esteban and Pierre took a risk staying out on those worn inters, they gambled on the fact the race would be red flagged but also on their abilities and confidence to keep the car on track under those conditions. They all did extremely well and deserved their podium spots. The most important thing though is that all the drivers came away without serious injuries because over the course of that weekend there were numerous occasions where entertainment was put over safety. If a driver felt they had to pit for safety reasons then I am glad they took that step.

Lando is younger than Max but I don’t think we need to baby him in terms of his racing or in terms of giving him a free pass with what he says in the media. He is 24 years old, the same age Max was when Max won his first championship under very intense pressure. 

I think you are correct about confidence or self worth affecting him. Whilst I wouldn't like to comment to much on his mentality, to me (and I don’t tend to watch too many of his interviews so I could be wrong) he seems to flop back and forth between being overly critical of himself and then also not taking accountability and saying someone else just had the fastest car or were lucky. I think it would be really good for him to be able to look as objectively as possible about where he has actually made mistakes and can improve but also being able to pick out the things he has done well and be proud of those things. 

Overall I don’t think any drivers should have to put up with the amount of hate that they have to put up with but Lando is not the only one to receive hate and, dare I say it, I don’t even think it has been as vicious as some of the things I have seen over the years. Social media is toxic and people should be more mindful and realise these are real people - all of them!! 

Also, once again lets be thankful that nobody was seriously hurt over the weekend and lets hope the Fia take steps to act more swiftly when safety cars and red flags are needed and that they put safety above other concerns.

[weaselandfriends]

What makes prose good unto itself (and not just as a delivery mechanism for plot/character)? Despite being an English major I never really grokked this, beyond basic advice like "use significant images."

I would break down prose quality into two major parts, each of which is very broad and can be achieved in many different ways.

Part 1: Is it good aesthetically?

This is very simple. Does the prose sound good? This is usually achieved via a lot of high school English test terms, stuff like assonance, consonance, alliteration, rhyme (internal or not), meter, repetition, etc. but can also be a factor of syntax and word choice: "dismal" is generally a more evocative word than "bad," for instance, though given context one of those words might sound better than the other. Bad is shorter, harsher, more abrupt, compared to dismal which has the S and L sounds that glide. Dismal also sounds more British, which comes with its own array of connotations that can affect how the reader reacts to the word. Compare "I pray you burn in the flames of eternal damnation" to "I hope you die in a fiery death."

Punctuation, sentence length, sentence structure all make some kind of change to the way a sentence reads. Parentheticals, abrupt stops, sentence fragments. They influence the aesthetic experience of reading the text, and the best prose wields all these tools (and more) strategically to create the greatest aesthetic impact. If someone is specifically trying to make their prose unobtrusive to the semantic content of plot and character being conveyed, they are surrendering aesthetic control.

Part 2: Does it contribute meaning?

It's one thing to craft a beautiful sentence, but if it's beautiful simply for the sake of being beautiful it can often come across as needlessly indulgent. (The purple prose criticism, though in my experience most truly purple prose is aesthetically bad.) The best prose is also contributing to the meaning of the work through its aesthetics. The most obvious way this is done is through tone. Tone is how a story feels, and in many ways is far more important to a work than plot or character. A horror story has a certain tone. A comedy has a certain tone. To an extent tone can be conveyed via plot (i.e., a story where people are murdered will innately have a different tone than one in which they are not), but most of the heavy lifting on this front is done by the prose: a dark, oppressive atmosphere will put a reader on edge, even before someone is slashed in the attic.

Beyond tone, prose can provide insight into character (especially in free-indirect discourse, AKA close third person, which is extremely popular in contemporary literature) or theme. Symbolism, metaphor, various other literary devices can be used to this effect, or even simply more mundane elements like sentence length. Cormac McCarthy wrote two novels about brutal, violent journeys through utter waste lands - Blood Meridian and The Road - but the vast differences in the prose of those two novels make starkly different statements about what that violence means. Blood Meridian being a work of excess, of hedonism, while The Road is a work of restraint, of emptiness, of lack. And this is even with both works doing many of the same of McCarthy's goofball punctuation gimmicks.

I don't think anything I said here is very deep or difficult to grasp, and in other artistic mediums correlated concepts are taken for granted. In film, if you want to convey information in the easiest-to-understand method, then just do shot-reverse shot as two characters talk. It's simple, basic, and if what the characters are saying is interesting, nobody will notice. But the best films use blocking, dynamic camera angles, and varied shot length and composition to subtly make statements about character, setting, tone, and theme, while also simply looking more aesthetically pleasing. That's what prose can do for a work of literature. And the truly best prose stylists, the people pushing the boundaries of what can be done with language, will come up with prose compositions that I would never even expect.

[thegoldenpen00]

In honor of Destiel Day, I thought I would share the first Destiel fan-fic that I wrote. It was published some days ago on A03. It's a post-canon fix-it about how I think Dean and Cas would've reacted to seeing each other after The confession.

It's been two months since they defeated Chuck. Dean and Sam are free to live their lives, but with Cas gone and Jack not answering their prayers, it's hard to find joy in their new life. When Jack eventually shows up, he has Cas with him, human but fully alive. Dean rejoices in seeing him alive again, but he remembers all too well what Cas had told right before dying. And now he has to face the fact that Cas is in love with him.

***

“So you uh …”, Dean turned around and looked at Cas. Cas met his eyes with uncertainty. For a minute Dean found it hard to get a word out of his mouth, then he cleared his throat and said: “How’re you feeling? Better?” “Yes, I feel more well-rested now.” Cas nodded and they fell into silence once more. Dean hated silence. He wanted to fill it with something, to say something funny that would make Cas squint, but he couldn’t come up with a single thing to say. The silence stretched on and just as Dean was starting to contemplate making some small talk about the weather (he had no idea what weather it was today) Cas emptied his glass and got to his feet. “I’m gonna …”, he didn’t finish the sentence and just left the room to Dean’s relief.

[wufflesvetinari]

hi!! okay so i really loved that one fanfic you wrote (3:16) way back when, it's honestly one of my favorite fanfics ever but I have a question for you!! I've honestly adored your writing style and techniques and I was wondering: what is your writing process? Not just plot wise (although yes that!) but also prose-wise? because honestly, the first thing that drew me into your fic was how FUCKING good your prose was and I was just in absolute awe reading what you had written, and it sort of started me on a journey to improve my own prose and make it sound nice.

so uh yeah!! what is your writing process and if you have any advice for how you write so beautifully (Not just prose wise!! plot and character wise too haha) or just like. writing advice in general, i am ALL ears <3

oh this is so incredibly sweet, thank you!!!

i've tried to marshal some thoughts...tbh i am always envious of effective writing that is UNLIKE mine, so there are lots of ways to go about this. (and also i am just Some Guy.)

i'll focus on prose things i think about during writing/revision b/c otherwise we will be here all night...but imo some of this overlaps with effective pacing, character, etc.

Prose is character – some writing is “voicier” than other writing is, living closer in a character’s POV.  but in most cases, if you are in any way in a character’s head, your prose is part of their characterization. dick grayson will use different words and notice different details than damian will. being intentional about a character’s voice has the nice iterative effect of strengthening their characterization, which then makes your prose more confident as you understand their voice, and on and on it goes

Allow “workmanlike” phrases – sometimes cliché exists for a reason; you don’t actually need every sentence to be a poem. in fact, you NEED simple writing to string together your powerhouse lines without turning it all into purple prose/losing the reader/ruining the pacing.

Examine “workmanlike” phrases – that being said, another failure mode is RELYING on these phrases instead of digging for something more interesting now and then. i might write the phrase “a chill went down her spine” – ok this is fine, but I’ve read this sentence 15,000 times in my life and seeing it in my own document should be a trigger to slow down and decide if there’s a more specific or vivid description that conveys character or mood or theme better. or is just prettier lmao. i think to myself: how does it feel to be scared? what is a physical reaction that’s REAL that i have experienced, and am not just taking from a list in my head called “Descriptions Of Being Scared That Writers Use”?

The fucking thesaurus lmao – do not find/replace willy-nilly obviously BUT if the only word you can think of is Not Exactly The Right Word Dammit then the fucking thesaurus is a perfectly valid brainstorming tool to get closer to what you are trying to say. even if u don’t find the right word, it’s often a jumping-off point to a better way to approach the sentence

Note your “is”es – ok this is the annoying one. imo this really strengthened my writing but i hated it so so much. when revising, find any instance of “is/was/seems.” (ex: “He seems impatient, and there’s a pile of paperwork sitting in front of him.”) There’s nothing WRONG with that sentence, but it’s worth checking to see if it’s an opportunity for a more active one that gives more character detail (“He taps impatiently on a pile of paperwork.” there. done.)

Condense – ok look at that example again. i phrased things more actively but i ALSO condensed two concepts (He seems impatient + there is paperwork) into a sharper sentence that ALSO tells us a bit about how this character acts when stressed. imo you can accidentally find really interesting prose this way, in addition to improving pacing.

Vary sentence structure – that being said, sometimes the way to go is a beautiful run-on, so long as that sentence has intention packed into it! if you are writing long lovely flowing sentences, it’s going to hit hard if you drop the emotional reveal in a short, choppy, standalone one. or if your sentences shorten as the mood of the scene changes, or or or.

Use detail to let a scene breathe – personally, i never want to write the phrase “there was a pregnant pause” or “there was a brief silence” if i can help it. this is personal preference, but i think the principle stands: you can instead control your reader’s sense of timing, create an implied pause, by giving detail in the right place. the reverse is why it bothers me when a conversation is interspersed with paragraphs of introspection lmao: in my head i’m wondering why pov is taking so long to respond

Use repetition – oh my god this is my cheat code. if you are really proud of a beautiful, distinctive phrase you wrote? use it again!!! make it a callback at an important moment!!! make it thematic!! do it on purpose. trust me it’s cool

Get out of their head – ok here’s an experiment. take a concept (“Dick is scared”) and tell yourself that you have to express this, but you CAN’T describe anything about Dick himself in order to do it. you can use the way the crumbling buildings of gotham loom above him, or the weather, or the way people react to him—but you cannot say a word about his actions or thoughts or feelings. chances are, you’ve now created some interesting prose getting at the concept abstractly. cool! use that, and also go and add the direct feelings back in if it makes sense to do so

"Unconscious" writing - uhh ok this one is weird, but sometimes for a VERY early draft—like, when I am staring down the blank page—I will stop…trying to write a story? I will instead begin to write, uh…poetry about what is happening in the story? Just, impressions, details, stream-of-consciousness…this will all have to be cleaned up and made linear later. but for now, go nuts. and usually it gives me a) some workable, pretty prose and b) an entry point into what i am trying to say so i can go back and write the “real version”

Dissect!! Good!!! Writing!!! - i'm sorry, this one is so boring. but if there's a writer who really WORKS for you, read very slowly and break down what's so effective about it on a prose level. i do this with ursula le guin. also, do this with poetry!!! which poems slam you to the ground and take your lunch money? how?

i know you also asked abt plot and character but i've already written so much lmao plz forgive me. i am not a big craft book person but i did enjoy refuse to be done and a swim in a pond in the rain. i also try to collect tips i find in this tag!

[arsenicflame]

steddyhands modern au inspired by this post:

(1828 words, themes of kink but nothing explicit, established blackhands & gentlebeard-centric. Happy Pride!)

Stede picks up leatherworking in the wake of his divorce. He's not exactly sure how it ended up being such an important hobby for him, only that he had always admired the intricate designs on his horse's best bridles, and with little else to do with his time, he decides to give it a go.

It's rocky going at first, but he's having fun working with his hands for the first time in his life, and there's a sense of satisfaction in seeing the design come to life as he works. With practice, his skills improve, and he learns how to make things that are truly one of a kind.

He starts off posting his pieces online, as a way to reach fellow enthusiasts, but quickly finds himself with a rather large audience. Stede’s style is unique, and, after many requests from his followers, Lucius encourages him to make some more basic pieces he can sell. It's not about making money for Stede, but another way to meet new people who share his interests- as Lucius keeps telling him, it's sad that his personal assistant is the main person he talks to these days. 

So Stede sets out on a new adventure, and has quite the time designing a new range of patterns for the market. He makes purses, belts, bracelets, and, most importantly, dog collars- all still with his unique designs embossed into them, of course. He rents a booth at his towns monthly craft fair, and very quickly finds himself with a new group of friends in the other regulars- Pete, his usual neighbour, who sells an array of wooden figures he carves, Roach, who runs a stand for his bakery, and Frenchie, who isn't actually a stallholder, but is almost always busking near his friend Wee John’s stand of knitted goods, bringing life to the market even in the pouring rain. There's also Buttons, another regular at the market. Nobody is exactly sure what he does there- he doesn't sell things, or seem to buy anything either, but rain or shine, he's there with the birds.

Stede’s been doing this a few months by the time June rolls around. As he's setting up his stand, he notices that the area is much busier than it’d normally be at this time of morning. Lucius, who got roped into helping run Stede’s stall somewhere down the line (despite his protests that this is not what personal assistant means… But hey, he got a boyfriend out of it, at least), reminds him that there's the parade today, too- not realising that Stede had no clue there was a parade today, and especially not that it was pride. Stede immediately jumps to fretting about the amount of stock he’s brought, and Lucius takes the cue to escape, saying he’ll go and grab them coffee (but really, he's off to flirt with Pete)

Lucius is still missing when Ed stumbles across the little leather stall. Stede’s just ran back to his car to fetch his last boxes of inventory, and by the time he returns, Ed’s already begun to narrow down his choices. Stede greets him, starting to tell him that they're not actually open yet, but before he gets more than a couple of words out, Ed’s exclaiming “You're a Kiwi!!!”

The two of them smile at the shared recognition, and Stede says he’ll make an exception, just for Ed, and asks him what exactly he was interested in. Ed tells him that he's looking for a collar “for his boy”, and points out the particular design he was looking at. It happens to be one of Stede’s favourites from this latest run of work, a fact he mentions to Ed. It leads them into a discussion about Stede’s craft, and Ed’s Izzy, and then everything in between. Ed’s listening intently to the things Stede’s telling him, completely drawn in by the process, and by Stede himself. He watches as Stede stamps Izzy's name into the collar, and Stede even lets him have a go at one of the stamps. 

Lucius reappears sometime in the middle of this- only to immediately retreat again, seeing Stede engrossed with Ed. He sets up camp at Pete's booth opposite, watching this man flirt intensely with his boss- and Stede flirt back just as hard. Does Stede even realise he’s doing it? Lucius had known Stede was gay since before Stede even admitted it to himself, but this is on a whole other level.

The pair stand there so long that Izzy comes to look for Ed- the two of them are manning a float on the parade with their crew, and it's past time for them to get geared up. He's already worked up, frustrated to have been left to set up everything alone, when Ed had just gone to see if he could get them both coffee. So maybe he's a bit of a prick, approaching with a brash “where the fuck have you been, Edward”, to which Stede brings the same energy, giving a bitchy “Ed! Do you know this guy?” Izzy tenses, ready to snap, but then Ed cuts in, excitedly telling Stede that this is “his Izzy!” Which confuses the hell out of Stede. 

Forgetting his earlier attitude, he asks Ed if he “really named his dog after his friend”, only to be met with confusion right back from Ed at where the hell Stede got the idea he had a dog from. Stede gestures at the bag with the collar in it, to which Ed has to tell him, “oh, no, that's for him.” Ed tells Stede that they're here to run a float for their local leather society, and while Stede is certainly shocked by what Ed’s saying, he's not finding himself… uninterested. It's simply that he’s never even considered any of this before, especially not that people would use the things that he made for this, but Ed sounds so enthusiastic about it all. He tells him about how his friends would love to see Stede’s work, about how classic leather gear is always so fucking boring- but not Stede’s stuff, no, Stede’s stuff is “fresh” and “fascinating” and unlike anything Ed’s ever seen before. 

Ed's enthusiasm is incredibly infectious, so when he invites Stede to come back to see their float, he readily agrees. It’s a concept Izzy’s less than enthusiastic about. He doesn’t really want to bring this man who’s dressed like he just walked out of a HOA board meeting to their kinky little corner of the world, but he is having a lot of fun watching Stede squirm, so decides not to raise a protest. He does demand he gets his long-overdue coffee first, though (Stede pays for it- as “compensation for him distracting Ed from his job”, he says, not giving Izzy a second to process before he's tapping his card)

By the time they return to the float, Fang, Ivan & Jim are waiting for them, all already geared up. Stede is stunned silent at the sight for about 5 seconds, before he starts actually looking at the quality of Jim’s harness, and proceeds to go off about the poor quality of the craftsmanship, about how the hardware is tacky and completely the wrong choice with this leather, how his “ten year old daughter could do a better job!!!” 

There's complete silence from the group, until Izzy, of all people, bursts into laughter at Stede’s audacity (and, the fact he was staring at Jim's tits completely unabashedly, like he hadn't even noticed them in the first place). Izzy's laughter sets Ed off as he tells the group about Stede’s misunderstanding- “you didn't say he was a person!” “I mean, he's my dog”- and soon everyone's having a friendly giggle at Stede’s mistake.

It's somewhere in the middle of the retelling that Ed remembers that this whole thing happened because he was buying Izzy a gift. After a moments fumbling, he presents Izzy with the collar-  It's a rich, deep black, embossed with a rolling pattern that resembles waves. It’s made from a firm enough leather to take the tooling, and to remind Izzy that he’s owned while he’s wearing it, yet still soft enough for long term comfort. Izzy's eyes immediately lock on to it, an unreadable expression coming over his face, and Ed turns it; first so he can really see the design and Izzy’s name embossed into it, and then so he can see the small “Ed ♥” on the inside of the collar, right over his swallow tattoo. 

“I did the heart,” Ed says to him softly, intended only for Izzy’s ears. Izzy's eyes flick up to Ed’s, and he raises his chin to give Ed the room to put it on. Ed buckles the collar around his neck almost reverently, a test of the tightness turning into a caress of Izzy's neck. It's a perfect fit.

It's as though something comes over Izzy; so twitchy and abrasive earlier, now silent, staring at Ed with a look akin to worship in his eyes. He obediently tilts his head for a kiss as Ed's fingers move to his chin- It's a sight to behold, and one that has Stede intrigued. He wants to know more about this lifestyle, and these men in particular. He wants to be the one to put that expression on Izzy's face.

The moment breaks as Ed and Izzy pull apart, and Ed calls for the crew to finish the last bits of set up. Izzy shakes himself a little before running off to bark orders again, but even still, there remains a softness to him that wasn't there before. 

Ed turns back to Stede with an apologetic smile, already obvious that he has to get going. Before he can speak, however, Stede jumps in -“My business numbers on the card in the box… I'll be around all day”- Ed’s smile turns more genuine at that, promising to stop by if he gets a moment, and that he’ll send his friend's Stede’s way- “if he wants that kind of business.” Stede says that he does, actually- that he's seen a whole new world already today, and, while he was a little taken aback at first, he can feel the passion Ed and his friends have for this life. If there's one thing that's ever mattered to Stede, it's other people's enthusiasm. Maybe he doesn't completely understand yet, but he would like to try.

One year later, Stede’s back at the market on pride weekend again, far better stocked for the crowds this time around. Lucius is finally free to spend the day flirting with Fang & Pete to his heart's content, now that Stede’s roped his own boyfriends into helping him run the stall- and into modelling the merchandise. Ed loves that part, while Izzy needs a lot more convincing, but the puppy eyes Stede & Ed weaponise against him make a very good argument.

[antiyourwokehomophobia2]

Man, it is JOEVER.

[witchwhaat]

the urge to chop off all of my hair vs the "you know it takes forever to grow them"

[joyful-soul-collector]

Ya know, I was hoping that when AI became more of a thing, it'd be less about making something that would just Do Things for us so we don't have to put in the effort, and more as a tool we could use to create even more beautiful things. I wanted JARVIS, not an automatic essay-writer or something I can demand stolen artwork out of. It's like asking for a magic paintbrush so you can make something beautiful, and instead being given something that will just make the painting for you. I wanted something that made the process of creation different, not something that just spits a product out at me

[halfelven]

love random not even logged in readers just dropping their 'constructive criticism' on your 100k+ story that you're putting online entirely for free. this is just a rant btw

"You obviously have a great talent and I think you should work on honing it some. As much as I’ve enjoyed the story, there are a few things that stand out that you might consider looking at. I feel like the story isn’t sure what it wants to be at times; is it character driven or plot driven? It doesn’t flow smoothly because sometimes we have these wonderful character vignettes, like Illumi and Kalluto on a road trip or Kite/Leorio/Gon/Killua in an apartment where plot doesn’t really feel important, followed by what feels like heavily plot driven beats, like Kalluto and the spiders. In addition, it contributes to confusion because sometimes we see established characterization turned on its head. Especially the weird way everyone all of a sudden just sort of was OK with Kalluto being a spider and then working with Illumi when they just went to all that trouble to escape him? It all kind of feels forced and not natural. You know?

Anyway, I’ll definitely keep reading and look forward to seeing what happens."

first: love you trying to sound legitimate with your "in addition" like this is some kind of writer's workshop. second: in what way would I, the writer, think that an incomplete part of my story in which the reader does not yet know most of the main motivations (they are only hinted at so far) feels forced and not natural when I know what's happening, where it is going (and where I haven't had other readers comment with confusion about that part)

and moving on. don't do this. also like i said this is a wip in and no, no one is cool with Kalluto being a spider and no they're not cool working with Illumi, really. it was already established that some of them /have/ been working with Illumi before this~ he's someone that they know. like have you never been in a seriously dangerous situation that you just have to get through before you get back to what you want?*** also at this point Chrollo's real motive hasn't been entirely revealed.

Killua keeps changing his mind about what he's doing because he's a scared kid whose self-hatred is destroying him from the inside out. the POV is so tight that I have to keep dropping reminders that what is stated in the narrative is often not true! Illumi's POV, for example, keeps showing Killua as really loving him and being happy he's around but struggling with a desire for freedom, while with Killua's POV he's terrified of Illumi most of the time. like how is that not obviously a distorted POV where you can't trust the narrator?

"where plot doesn’t really feel important, followed by what feels like heavily plot driven beats"

this part is especially irritating because it's like yeah that's how I want to write it? this isn't a published novel. I don't have to commit to making sure every scene is important to the plot. I can spend time writing a full scene about someone drinking a glass of water and then 13 chapters in a row that are for moving the plot forward. I didn't even tag it as a novel... I did tag it for unreliable narration and I keep getting annoyed that people keep ignoring that.

"I feel like the story isn’t sure what it wants to be at times; is it character driven or plot driven?"

it's both??? it's neither??? it's a fanfic??? why do I keep getting comments lately where people are expecting me to adhere to like fucking publishing standards. this keeps up and I will write a chapter which is entirely about a minor character drinking a glass of water. watch me. I'll write one about phinks drinking a glass of water and you'll like it*

"Overall, the story is good and presented a compelling alternative to CA. Look, each fan has their own opinion on CA and I know I didn’t like it. I think it was a product of what Togashi was going through as he began to experience health issues and then finding himself right back where he said he wasn’t going to be mentally after he ended his earlier manga. We can never know for sure, but it certainly had a “watch it all burn vibe” to it near the end. I honestly believe he wanted it to end with the finality of Gon’s suicide as a capstone statement, but was probably convinced to go a different route, which kinda of left a jarring feel in the narrative and culminated in a rather unsatisfying end to Gon and Killua’s journey. Despite that, I am very reluctant to read fics where the events of CA are erased or grossly modified and honestly yours is really the first long AU/alternate timeline I’ve enjoyed"

okay first of all, I love the CA arc. but I had to split a point off where Kite was going to survive. why do you have to leave this whole paragraph about how you think Togashi was or wasn't going to go with the CA on my fanfic? I didn't even write this as 'oh look at my alternative to CA bc I hated CA' I don't really look forward to hearing comments about how random people didn't like so and so aspect of the story that I'm basing my story off of. I've never written fanfic for a story that I didn't like (except for some things that I don't have published I wrote at a request for friends for a fandom they were into that I wasn't really) and yeah I've wanted to 'fix' aspects (like tolkien's treatment of women for example) but I am not looking for your 'this is what I hated about the source material' comments on my stories

tired of getting comments with little 'oh I didn't like your style at first but now I do' or 'here's how to fix your story!' unsolicited advice from people who aren't better writers than me (I don't even want it from people who would be better writers than me on stuff I'm just doing for fun and for free)

when did stuff like this become normal? at least don't be a coward and be not logged in so you can't even get a response notification. like girl they aren't cool with it! why do you think everyone is on guard standing around like they're in a fucking hostage situation? how do you see such wildly different interpretations from different character's POVs and think it's not intentional? what part about Kite watching Killua like a fucking hawk makes you think he's going to let Illumi take him after this?

like if you've never had to smile and pretend to be cool with your abuser (pretend to love them) or someone who was threatening you to keep someone else safe then good for you! it fucking sucks! also don't know how to explain to you what a child who is growing up in an extremely isolated abusive situation goes through (though I keep writing about it in this story you should catch on...) but it's a million back and forths with emotion and feelings--especially if their abuser does (to in some way or to some degree) love them. and it is often blaming themselves. I'm not letting my years of studying human psychology and child development go to waste here**

is this story perfect? no but I'm not gonna hire an editor for a fanfic. and everyone's interpretations of characters will be different. especially with child characters who are going through huge changes in the world around them and their personal lives. part of the appeal of fanfiction is 'who would they become if this happened instead?' *sorry I keep writing about starving and not having clean drinking water but I will never stop because that's what I grew up with and it's hell. also phinks drinking water would be compelling since I assume he'd have harder access to clean drinking water

**hunter x hunter is also one of the only stories I have encountered with characters who have backgrounds as fucked up as mine and Togashi's interest in human psychology really stands out.

***like good for you but that was most of my life and you sometimes just have to shut up and get through it. and no I will not put my notes in the right order bc I'm not being paid enough****

****I'm being paid nothing

[david-watts]

good evening guess how much work I got done today

[munch-mumbles]

ive been a little upset about it all night so i need to write out all the things that happened at work today and are bugging me so i can TRY to get it out of my head and actually RELAX bc i just keep pacing in circles around it instead of just accepting it and moving on

[kittyhazelnut]

You have to kidding when you say lokius or whatever is the superior Loki ship? Just because you ship it that doesn't make it superior. On top of that Mobius is the ugliest person to ever ship loki with

man, fuck off. someone asked me my opinion on Loki ships and I responded with my opinion on Loki ships. this is that whole "everyone on tumblr is chronically online and thinks every post must be About Them Specifically" bullshit I was talking about earlier. a girl can't even call her fav ship superior in her own post about her own ships without some asshole getting mad that I didn't account for Every Single Marvel Fan's Opinion Ever. make your own post about your own favorite Loki ship if you're this bitter idfc just go away

[hertwood]

i was tagged by @i-am-church-the-cat to post the last line i've written~

Alex's warm body against his back, arm wrapped around his torso, is new, unfamiliar, yet he's not sure how he'll sleep without it when he leaves.

i am tagging @oversteerey @saintdevote @flawlessassholes & @strawberry-daiquiris if y'all would like 🥰💖

[villalunae]

"the us is not a christian nation" says who. george washington?? thomas jefferson??? bilbo baggins?? u mean the bitches who u say we shouldnt care abt just cuz they wrote the constitution back in ye old swagless white boy days and their opinions dont matter to us anymore. u mean those bitches. and ur gonna believe their little dumb bitch asses when they say "the us is not a christian nation" Boy Do You Know What Bias Looks Like Cause Im Boutta Woop You With It