#lonely!john

[ultramarinaa-reblogs]

OH MY GOOOOOOOD

WAIT LONELY!JOHN IS ACTUALLY THE ONE WAY I CAN BE CONVINCED TO DRAW HIM WITH LONG HAIR!!

I LOVE THIS RAHHHHHHH

I just thought about long-haired Jon designs, and how I don't tend to draw him like that, but then I remembered I did once for this lonely!Jon comic, I looked it up and decided to redraw it in color.

[hoshizoralone]

[bazlk]

🌼🌼🌼🌼

[cascade05]

*sigh* the feminine urge to kiss a big beefy man so he calls me pretty

[taepomme]

savour your savoy truffle 🍰

[fictionadventurer]

I love libraries.

I'm browsing the WWI shelves (as you do) and notice a very old book about the war. I glance at the first pages that talk about how one day the war will be over and we'll look at this place and not see any signs of the battlefield.

Then it hits me. And I check the publishing date.

This book was printed before the war's end. Not written. Printed. The physical object was created in 1918, while the war in question was raging and the end was as yet uncertain.

Now I'm standing on the other side of the apocalypse, with this physical link to that era in my hands. I'm living proof that the war did end and life did go on and we can all look at the end of the world as a long-ago memory.

Reading old books is cool enough, connecting our minds and hearts through the ideas of people who lived long ago, but there's something extra profound about holding a copy of the book that comes from the time that it was written. It's a physical link between the past and the present connecting me to those long-ago people. A piece of the past come into the future that gives me the chance to almost take the hand of some long-ago reader, to hold something they could have held, connecting not just mentally but physically to their era, a moment of connection across more than a century.

Excuse me while I go weep.

[catgriller]

[sabonitoo]

Sit back and let the evening go

Sergeant Pepper's Lonely Hearts Club Band!

[sesamestreep]

I really feel like one of the best details in “A Scandal in Bohemia” that I never see people fixate on enough is that the story starts with Watson stopping in to see Holmes at Baker Street on a complete whim, because he happens to see that he’s home (and Watson is now married and living elsewhere). Like he doesn’t send word first, he’s not invited, he just shows up and surprises Holmes. Which is not that weird but then Holmes is like “oh good, I’ve got a case anyway, you might as well hang out!” which just makes it funnier when the King shows up and is like “I’d really rather speak to you alone, actually” and Watson tries to leave and Holmes is just like “anything you can say to me, you can say to my best friend John Watson, and if you ask him to leave, I would consider it a grave insult, you would be my enemy and I will not help you ever!!” And the king is like “…ok” and just moves on.

like, that is crazy behavior. Holmes is talking about how there’s probably lots of money in this case, and then almost turns away the client for…not knowing who the fuck Watson is?? He’s not even supposed to be there?? He just came to say hi?? “It is both or none”… girl, GET UP.

[alicewav]

Favorite commissions I’ve done lately, these are still open and at a cheap price!

[beatsfornone]

[jordankennedy]

i saw someone assigning characters from the saw movies to the entities on twitter and they were so incorrect it made me mad enough to do my own

[beatlesmenrock]

hi guys

[mupparts]

Jade reunions!

[gobiuxs]

FIRST POST ON TUMBLR DOT COM!!! Just to make you guys familiar with my art since this is kinda old 😅😅😅🧞‍♀️🧞‍♀️🧞‍♀️✨✨✨

[taepomme]

So let me introduce to you the one and only…