#lol if i don't post this now i will never post it

[hyuckmov]

haechan — settle down (rockstar hyuck) | part 3 of 3

wc: 11k (lol) genre: angst, smut (18+ minors dni), fluff warnings: unprotected sex, making out, creampies, fingering, oral (f recieving), lowkey don't have that dog in me anymore so this is kind of vanilla, dirty talk, aftercare...? needs to be read after part 1 and 2 a/n: fucking finally. so so so sorry for the wait and also this is lowkey probably so BAD because its been a hot minute since i've written for tumblr. because this could be written/ended in so many ways, AN EPILOGUE IS COMING with a 'happy' ending, just not putting it here in this part because i think i should post this out first on it's own. i love you guys so much, thank you to every single person who's read, commented, let me know how much you liked it, and waited so patiently. i cannot express how much it means to me.

—

"whose party is this again?" 

"jaemin's friend chenle," mark says, placing his drink down on one of the tables. "think they should be around here somewhere." 

through the smoke, he can see your eyes shine. you've come even closer now, and it's as if every movement of yours is liquified, rendered in slow-motion – you flick a strand of hair out of your face and it's like he can feel the damp air on your cheeks, a slow smile spreading across your face like sunrise spilling over the horizon, that lovely curl of your lip that he's memorized. he feels his chest cave in when he hears you laugh, feel you take another step closer to him even though your eyes never meet his, even though you never look his way – every memory he has of you threatening to burst through his seams. 

your skin glows under the dizzying lights, and all he can think about is the fact that you’re so close, he could reach out his hand and touch you. but he can’t. you weren't his – and he was the one who had thrown you away.

jisung comes up to you, and haechan can see his friend's shy smile met with your beaming grin as you turn to face him. jisung is saying something to you – a hand gently placed on your shoulder as he speaks into your ear, the other gesturing vaguely towards the upstairs rooms. and then you're nodding, and haechan watches wide-eyed as he takes your hand in his and begins guiding you up the stairs. 

he can't help it – he only waits a beat, enough for you to disappear up the stairs, before he's rushing through the crowd, climbing the stairs two at a time. he rounds the corner just as he sees the flick of your skirt as you disappear into the nearest room, the door clicking shut softly. taking a moment to calm himself down – chest heaving, wringing his hands – he pads softly towards the room, placing both hands on the door, straining to hear anything that might be going on. 

low voices. the rustling of fabric. haechan's imagination spun out of control – jisung's large hands on your skin, his plush lips exploring your neck, your soft sounds, the way you might look under him. he heard a light laugh, and he pressed even closer to try to catch what was being said – what if he had you on his lap? what if you laughed because he'd kissed you behind the ear like haechan did once? it had caught you by surprise, and you'd giggled – burying your face in the crook of his neck. you were sorry. you were just sensitive. haechan had wanted to pull you into his chest and never let you go. 

he knew he was breaking his own heart – over-analyzing each muffled sound that came through, all his thoughts drifting back to memories of you. but he couldn't seem to peel himself away as the party raged on and on downstairs, didn't want to be anywhere else but near you even if you didn't know he was there. he had never felt this way with anyone else before – never needed anyone else like this, never afraid like this – and the realisation roared loud in his ears along with the feverish ghost of your fingerprints all over his skin. 

–

jisung knows haechan's going to talk to him. 

can see it in the way he hangs back after practice, fiddling with his guitar and placing it back on its stand, before picking it back up again for no real reason. there was something off, slightly, about haechan these days. not enough for jeno or mark to comment about it, to hold an intervention, but things had definitely changed – haechan never brought around girls, or showed any interest when jeno and mark would discuss them. he was quiet, and subdued during practice, absorbed in his own guitar, or else discussing new songs with mark in low voices. and strangest of all – jisung mused, slinging his own bass over his shoulder as he ambled to the door – haechan started to seem afraid of jisung. 

jisung – who had for the longest time been the most timid and shy of the group, the least experienced by far. he remembered how haechan would tease him if a girl paid him any slightest bit of attention: half-joking, but half trying to build up his friend's confidence. he remembered how he used to be wary of haechan's attention at after-show parties, because haechan would watch him like a hawk and push him into any girls he showed the vaguest interest in. he remembered his shock at haechan, who had never been mean or vindictive – a pain sometimes yes, but never truly cruel to him –, standing there obstinately in his place on stage, staring down at you in the crowd. 

to the version of haechan now, who could barely look him in the eye. 

"jisung?" 

haechan clears his throat. jisung stops in his tracks, turning back to look at haechan. 

"yeah?" 

haechan's gaze is directed at his shoes. swallowing, he takes a moment before he asks. "uh…how was…um…how've you been?" 

jisung has to stop himself from laughing out loud. "i've been good," he says, amiably. he's not going to let haechan have it easy. 

"nice…nice," haechan mumbles. "uh…seeing anybody?" 

"haechan," he keeps his tone light. "come on." he moves towards where haechan is standing awkwardly, taking a seat down on one of the stools. after a beat, haechan sits down too. 

"how did it go with y/n?" haechan sounds almost timid – like a child asking a question, but scared of knowing the answer. 

"can't you ask her yourself?" he knows he's making things difficult, but he needs haechan to work for it. needs haechan to articulate, because he knows that's the least you deserve. 

"i…i could," haechan says. "but i…i don't want to seem possessive. i already fucked up by wishing her luck on the date and i just…" he buries his face in his hands. jisung doesn't say a thing, waiting for him to finish his sentence. "i don't want to hurt her anymore…but i need to know. i need to know what to expect.…" haechan's voice is so small, like he's disappearing into himself. 

"haechan��" he starts, slowly, but haechan cuts in, hurriedly. 

"if you really love her, jisung, if you're happy together, i'll back off. i won't see her again. it'll be…it'll be too hard to see her with you but that's for me to figure out. you…you should both be happy. she deserves you, ji. you'll be good for each other." 

"what are you even saying…" jisung lets out a nervous laugh. he knows haechan tends to get dramatic – loves blowing moments out of proportion, lingering on stories that were fun to tell and relive. loves to exaggerate – always taking the smallest details too seriously and making light of things that had real consequences. but as he watches haechan – curled in on himself, he sees that this is something else entirely. this haechan was anxious and overthinking, unsure of himself, fractured into a thousand different wants and needs. 

"i'm serious, jisung." haechan, the vocalist he is, keeps his voice as steady as possible. "i'll back off if you tell me to. if i'm making it hard for you in any way…" 

"haechan, it's…it's going to be fine. it's not what you think." 

"you…you're not together now?" a hint of hopefulness. 

jisung chooses to be kind. "we're not," he says, gently. when haechan's lips part, he continues on, interrupting him. "it had nothing to do with you. we're just…not." 

"i'm sorry," haechan murmurs, finally lifting his head. "i know you wanted it to work out." he truly means it.

"i'm happy with the way things are now," jisung says it, and he means it too. "but…but you know she's going to start seeing other people, right?" 

a beat. "yeah…yeah of course." 

"you can't go after all of them and ask them if it's working out or not, you know?" jisung says, wryly. "at some point…you need to just talk to her." 

"i…" haechan break off, a pained expression flitting over his face. "i don't have anything to say. but i really want her to be happy. i just want her to be happy. but it sounds…" he catches the look on jisung's face. "i know it sounds like a guilt-trip. i know what it sounds like." 

"give her space," jisung suggests, quietly. "figure out what you're willing to give. who you can be for her."

"hyuck or haechan." he says it almost spitefully. he had never hated the difference more. 

-

you were in the crowd today. 

it had been a little over a month – 6 days more, to be exact, – since haechan had last seen you in the crowd, each time spotting your face easily, everyone else fading to nothing. each time noting every which way your eyes shimmered under the lights, the ways your pretty lips curved into a smile or a shout, or even each time you looked away, distracted. 

he'd practically rushed into the dressing room after the show ended, anxious hands tugging at his clothes, trying to fix himself up just in case you decided to come find him. questions had spun around in his mind so much during the show, he was afraid he would start singing them in place of mark's carefully written lyrics. he's thought of a thousand ways to bring it up, but he wishes he could just ask — how've you been? have you forgotten me? 

he's still lost in thought when the dressing room door opens softly, the lock turning gently in the door barely louder than a whisper. 

"haechan?" 

he turns, and you're there. you're wearing a new dress, probably the shortest one he's ever seen on you, black glittery fabric barely brushing the tops of your thighs. but he doesn't linger on your body, his eyes seeking out your own, the flush of anticipation and adrenaline in your cheeks, the way your hair falls slightly loose, framing your face. the question is on the tip of his tongue, his lips are parting, his breath catches in his throat –  

" – don't worry," you say, breathlessly, as you catch the look on his face. "no one saw me." 

oh. 

walking towards him, you pull him into a hug, arms wrapping around his neck, so you can brush your lips against his cheek. pulling away, you peer at him, wondering why he's looking at you so lost. like he was wondering something since he laid eyes on you tonight.

you frown. "were you going to ask me something else?" 

his lips part, soundlessly. you've never seen him so speechless. his arms tentatively circle around your waist, fingers brushing the fabric of your dress, and understanding dawns on you. 

"yes, it's a new dress," you smile. 

he swallows, the cloudy look clearing from his eyes as he finally runs his heavy touch down your back, a feeling you've grown used to. 

his tone is slightly darker when he plays along, masking the traces of disappointment. "for me?" 

you nod, letting his hands wander to the zipper, eyes traveling to the mirror to catch the way he fiddles with it, slowly starting to drag it down your spine. 

what you don't catch, is the way he's looking at you – lip caught between his teeth, eyes focused on the side of your face, regret and sadness and a desire he still couldn't shake coursing through his body. you had come back – and maybe that was all that he should care about. 

"come home with me," he blurts out, suddenly. "i have to show you something." 

confused, you look back at him, frowning. "now?" 

he swallows. "yes. we'll still…it's just…" he stammers, confidence draining as he watches you zip your dress back up. "i mean…i just…thought you'd like my bedroom more than this dressing room. you said- you said it was uncomfortable, that last time…" he trails off. his head droops, fingers picking at his nails. 

you place your hands on his chest. his head lifts just slightly, glancing at you through his lashes. "haechan," the ache in your chest making your voice soft – barely above a whisper. "why are you so nervous today?" 

"i'm sorry," he starts, but you shake your head. "it's been awhile."

"that's fine, i'll go home with you," you say, smiling, hoping to reassure him. the words instantly relax him, and he lets out a breath. you can feel his chest move under your palms. 

"i'm sorry," he repeats, softly, but you don't know what he's saying it for. 

–

you don't know how you ended up here. 

one moment, haechan was unlocking his door, one hand fumbling with the keys as he held yours tightly in his other palm. the next, you were pushing him against the door – his plush lips, soft and tasting slightly like honeyed lip balm, finally kissing you deeply in a way you'd craved. and then he was sweeping you up into his arms, your legs locked in around his waist, his bag slumping to the floor as he focused all his attention on you. placing you on the countertop, he takes his time with your lips – his hand first cupping your face, then working its way down your neck, as if he was making sure you were wholly real through touch since his eyes were closed for the kiss. 

"hyuck?" you murmur. 

guilt pricks at your conscience when you feel him falter. you would never admit that you realized the name did something to him – made him more desperate and more tender all at once. you used it sparingly, only in certain moments, and tonight seemed just right for it, what with the way his touch was already so infused with longing. 

he hums in acknowledgement, pausing. a gentle palm tilts your face towards his, and his eyes are wide and patient. 

"what's wrong?" he asks. 

"i want to suck you off," you mumble, your words coming out rushed and careless. you almost think he might not catch it, but haechan goes still. his hands, caressing your face, stop moving.  

"what?"

your mind explodes with a million thoughts. did he not want you to? how many girls had sucked him off before you – did he think you wouldn't be good enough? was he not attracted to you enough? 

he was still just looking at you – something unreadable in his eyes. 

"do you not want me to?" you ask, doubt making your tone come off a little more insecure than you'd have liked. "is it…is it because i've never done it before?" 

he blinks. "what?" he repeats, again. 

you shift, uneasy. "you can teach me," you insist, holding onto his arms, wanting to be closer to him. "i'll practice…" 

"oh god," he whispers. "oh… oh y/n…" his hands barely skim your skin, nervously tucking your hair behind your ear. "don't," he says, quietly. 

"why?"

i don't want to hurt you," he says, voice so tender it wavers under the weight of his feelings for you. "being able to touch you is already everything to me-" he trails off, biting his lip, and then he's weak in the knees, and you melt into his embrace as he holds your body against his. "i don't want you to do anything you're uncomfortable with." 

"i want to please you like the girls before," you protest, weakly. "i want to…i want you to tell me your fantasies." 

"all that matters to me," he says, slowly, eyes suddenly grave and solemn. "is that i'm here with you. just you." he holds your hands up to his lips and kisses the tips of your fingers. 

you don't know what to say. the charged atmosphere from before has dissolved into the night, leaving a balmy and sweet taste on your tongue. the only thing that feels right is to hold him in your arms and hold him as close as you can. 

he's looking at you, before suddenly pulling you into him as if he could read your mind – arms wrapped protectively around your back, one hand coming up to stroke your hair as you lean into his chest. 

the memory of that first night comes back to you – the first time he rejected you. he hadn't wanted to hurt you then, either. and then he proceeded to in all ways possible – playing with your heart in a terrible back and forth. and then he disappeared from your life, and then he came back and something was different – in the way he touched you, looked for you, looked at you, was careful with you. 

but you moved on – told jaemin, told yourself you weren't waiting. you'd gone on a date with jisung, and then to some more with a few other guys on campus. you didn't hang around the band all the time now – didn't show up for every concert. and even when you did, you rarely stopped by to see haechan – spending more and more time with jisung, who was steadily becoming one of your closest friends. 

you tried to keep things light when you did visit haechan. always easy, relishing in how well he knew how to please you, how he always knew what to say. and for the most part, he was able to play along – a smile always tugging at the corner of his lips, or his tongue poking into his cheek as his eyes turned dark. 

but it was on nights like these – when the moon was a bit too bright and the air between your lips and his dense like honey, your skin heated and his face flushed – when you used the wrong name, or he said things too vulnerable and too intimate. it was on nights like these when you are faced with the reality that he made you feel the way no one else could – even as he was ever-changing, ever showing you a different side of himself. on these nights you plunge your hands deep into the kaleidoscope of him, and its like diving into shattered glass. 

–

"i wanted to show you this," he murmurs, shyly. 

he places a pair of headphones clumsily on your head, his long fingers scrambling to adjust it on your head, trying not to pull at your hair. your hands come up to help, and you shoot him a reassuring smile. 

it was even later in the night. you were both showered and dressed for bed – you in a long-sleeved shirt of his that you liked. when you came into the bedroom, he was fiddling with his laptop – and you could hear snippets of his honey-sweet voice starting and stopping as he tapped at his keyboard. it was natural, to head over to the bed and lean your head on his shoulder, as he started to explain to you what he was doing, eventually grabbing his headphones from the bedside table. his skin smells faintly of baby powder, and his bare face under the dim light is so soft – mellowed curves, the constellation of moles on his cheek ever visible, eyes tired but warm. 

he clicks play, and his voice fills your ears – clean, without any backing vocals or instruments. you try to catch the lyrics, but he mumbles through his words, voice meandering effortlessly around the melodies, drawing beautiful loops. his voice is delicate and gentle, flowing water with a current of electricity running through it, humming and buzzing with dangerous life. 

it ends all too quickly, and haechan – who was watching your face carefully the entire time, clicks on a few more tracks. you can hear his voice, muffled from under the headphones, start to explain. 

"that's…that's my draft for the melody. i made it for this, uh, it's one of mark's demos–" 

a sultry, low beat now plays, low strings filling in the gaps. when his voice leaks in, you feel your cheeks start to heat up. the same melody from before – so innocuous and sweet, maybe something even vulnerable – sounds sinful all of a sudden. you can practically hear the scream of the crowd punctuating each line, and now even the way he mumbles is hazed with a sort of suggestive glow. 

you look at him, wide-eyed. he's still watching your face, this time his lip caught between his teeth, looking up at you through his lashes. when the song ends, you tug the headphones down from your ears, and he takes them from you absentmindedly.

"mark told me to try writing for that. he said it suited my voice —" 

"it does," you respond. your hands reach out to play with his, tracing the way his fingers curved, running your touch along his calloused finger-tips. 

"but i…i don't know. i want to write something…something that feels…" he stumbles over his words, eyes lingering on the way your hands play with his, the gentleness of your touch. "that feels like this," he finishes, softly. 

"like what?" you hum, tracing loops on the back of his hand. 

but he doesn't respond. 

"do you like it?" he asks, quietly. 

you give his hand a squeeze. "sing it for me?" 

his hand trails off to the keyboard again, but you hold it steady in your palm. "no, sing it for me now. here." 

he's still. you almost think he won't do it, but then he's pushing the screen of his laptop shut, and he turns to face you. 

this time, when he sings, he gets all the words out. 

in person, his voice is hushed and soft, like every word is a secret. his eyes flutter shut, and he ducks his head shyly as he continues. when he ends, his voice trails off, and he doesn't turn to look at you, staring at his hands. you stay silent, until it's like he can't bear it, and his head turns to face you, eyes seeking reassurance. 

"i like it just like this," you tell him, softly. 

his smile blooms. 

—

"keep haechan on his toes," jaemin says, leaning back in his chair. the steam from the coffee he made – a 2am jaemin specialty — curled gently in the air, your hands nursing the mug in front of you, sipping just to have something to do. "don't see him for awhile. keep him guessing." 

"that's cruel," you mumble. 

"he's done crueler," he points out. "you know you don't owe him anything, right?"

"i know i don't," you say, slowly. "i just think that it would kill me not to know how he's doing. if he was going on dates with other people…" 

"and would he tell you?" 

no, is your automatic answer, one you can't run from in your head, but jisung cuts in. 

"he wouldn't go on a date with someone else," he shakes his head, leaning back in his chair so he could stretch out his long limbs. blinking sleep from his eyes, he shook his head again to clear his bangs away from his eyes. it had been late already when he showed up, after a show, bringing food, a tired but giddy smile on his face. "you really fucked him up, that's all i'm going to say."

"he may not go on a date, but he'd fuck someone else, probably." jaemin rolls his eyes. 

"we actually haven't fucked in awhile." the realization feels like butterflies in your chest – an uneasy, fluttery feeling. 

"what?" jisung looks at you in disbelief. "sorry," he adds, suddenly sheepish when both you and jaemin stare at him. "i just thought that was the big part of your relationship." 

"it was…" you say, slowly. ignoring how jisung said 'relationship' when it was really never that. "but…but i don't know. recently we always get distracted…or… or he's… i don't know." 

you think of his unmade bed. the careful, tender loop of his arm around your waist. you think of the way his lashes flutter when you lean in to kiss him – 

and yet, there was something bigger bothering you about this, something that tugged at your gut, the words forcing themselves out of you. 

"i hate that it feels like there's nothing more to me than this." 

"y/n, what are you talking about?" jaemin asks, his voice quiet. when you pause, he presses on, urgency in every word. "what did he say to you?" 

"nothing," you shake your head. "he didn't say that to me, it's something i feel. no matter who i'm with…even when i'm alone….i can't run from it." you take a breath. you hated admitting this, but jaemin's eyes were kind as they looked into yours. "even when we weren't talking, i was thinking about him…and tonight…jaemin i don't think anyone should be able to make me feel like this." 

“there's nothing wrong with being in love," he says, carefully. when you don't say a word, he continues on, as gentle as possible. "you know that no amount of attention he gives you will change the way you feel, right?" 

he was right. if you really dared to dream – to use up every last shooting star, count on all of the angel numbers — and haechan, donghyuck, gave himself to you fully like you wanted, you would still be afraid of losing him. a sick flutter beats in your chest at the passing thought of him slipping away again – that all this fight would have been for nothing. 

it was as if jaemin could read your mind. "there was a life before him," he reassures you. "there is so much more without him. you just need to start living like it, to really see it."

you had nodded, but you couldn't shake the feeling that no matter how many shows you skipped, no matter how many times you drove by his apartment or ignored his messages, it wouldn't change a thing: that even though there was a life before him, maybe it wasn't one that you wanted anymore.

—

you're cutting through the park on your way home from class, when you hear a shout of your name. you barely have time to turn before a small girl is launching herself at your legs, standing high on her tip-toes to throw her arms around your waist. 

"slow down!" 

you'd know that voice anywhere. 

haechan looks different. he's dressed in a striped sweater, glasses askew on his small nose. your heart skips a beat – he looks warm, and cozy, and comfortable. behind the frames, his eyes glow when he looks at you, an involuntary smile tugging at his lips. 

the two of you just stand there, looking into each other's eyes. every sense of yours is heightened –  the autumn air cold on your skin. the light catching everything around you. and your heart beating in your chest, speeding up with every moment you continue looking at him. you can't help it: even now you smile looking at his face. 

he raises his eyebrows. 

"what?" you blurt out, caught off-guard. 

he laughs lightly. "what are you doing here?" he asks, like he's explaining a question. 

"just…passing through," you say, slowly. "you?" 

"the…uh…kindergarten's right near here." haechan point vaguely at a point in the distance, you only look at it for a second before you focus back on him. you can't help it. he smiles again. "you're just passing through? can't you stay for awhile? we were going to get ice cream." 

his sister tugs at your sweater, excited at the sound of ice cream. you look down at her face – she has the same nose as her brother, the same bright smile. 

"just for a bit," you concede. haechan pumps his fist, playing up his excitement to make his sister laugh. it makes your heart go still and race all at the same time. 

—

"we need to talk." 

there was something wrong with haechan. 

the smell of rain and cigarettes hung in the alley behind the dingy venue. haechan sits on the steps with his head in his hands, jeno leaning on the wall opposite, jisung against the doorway behind. it's mark who stands directly in front of him, as he rubs his face with his hands, trying to calm down. mark who crouches down, mark's prying hands which make haechan lift his head to look at them. 

"what happened?" he asks, his eyes blazing. 

haechan swallows. "it's been a bad day," he tries, weakly. 

"it's been a bad month," jeno corrects. at haechan's glare, he raises his eyebrows in a silent challenge, and it's jisung who pipes up.

"i think people are starting to notice something's off," he says, softly. "that you play differently, sometimes."

"you mean that he messes up when she's not in the crowd," jeno says, bitterly. 

"i only messed up today," haechan mumbles. "it won't happen again." 

"what about yesterday? it's like you weren't onstage at all." jeno protests. 

haechan opens his mouth, but closes it. he knew this conversation had to happen, that things would lead to this – his fingers faltering, his mind going blank as his solo began. jeno's drums continuing relentlessly, mark's eyes on him, as he shook his head fiercely, trying to clear his mind and focus all at once. unsure of what to keep — the image of you, or the chords he'd worked so hard to get right. 

"hyuck, do you need a break?" mark asked, his words slow and gentle. "we can stop performing for awhile, cancel some of our gigs…"

"no," he breathes.  "don't." he doesn't want to lose all of it – and because he knew that if he stopped performing, he didn't know if he would ever see you again. 

and it's like jeno reads his mind. "she's not going to like you like this," jeno says, his voice impersonal. "she likes the version of you onstage, remember? it's how she first met you, it's what kept her coming back for more." 

"jeno." mark's voice is stern, but haechan looks up right past him, hurt pooling in his eyes. 

"i know," he breathes. "i know that. but i don't know if i can be that around her anymore." 

"not just around her," jisung notes. "you're not haechan anymore. it doesn't make you happy." 

"i know," he repeats, quieter this time. 

"hyuck, listen," mark sighs. "you're not doing yourself any good going onstage like this. i'm canceling the next few shows –" as haechan protests, he cuts him off with a hand on his shoulder. "no. we could all use a break." 

"mark," haechan croaks. "i can't." 

"we'll still have practice," mark says, firmly. "you still have to show up for all of it. and those songs i told you to work on —" 

"you should go home," jisung adds. "take care of your sister." 

there's a pause, as they wait for jeno to chime in. 

"none of it matters if you don't figure it out with her," he says, a tone of finality ringing in his words. he straightens, broad shoulders squared, suddenly much bigger under the lights. "if you need to get over it, you have to. staying like this is hurting everyone." 

haechan's lips part, soundlessly. there's a sharp creak, as jeno stalks back into the venue, followed by mark – who pats haechan gently on the shoulder. vaguely, haechan waits for the sound of jisung's soft steps to fade, but they only shuffle closer, until the lanky boy drops down next to him. his legs stretch out into the dingy alley, as haechan hugs his knees closer to his chest, for the first time perhaps truly afraid of what he was about to hear from his friend.

"sometimes, we meet the right person at the wrong time-" jisung's voice is quiet, almost a murmur, but the words still scrape against haechan's skin, rough like sand. 

"don't say that." he bites his lip harshly, a sudden rush of anger at the pity in jisung's responding sigh. "don't fucking say that." 

"haechan, it's okay. she liked you, but then she moved on after you realised you —" 

"she didn't –" his fist clenches, restless in his lap. "she didn't move on." 

"really? not at all?" jisung's eyes are fixed on haechan's, holding his gaze. "after weeks of telling her you couldn't give her what she wanted…you think she's still waiting for you?" 

"ji-"

"why should she wait for you?" 

haechan swallows. "she shouldn't," he mumbles. "i…i need to really let her go. jeno's right." he truly means it.

jisung hesitates. he's been spending more time with you, as friends – joining on your movie nights with jaemin, or else baking together, or letting you style him for shows and concerts. and the more time he spends with you, really gets to know you, the more he can see why you and haechan seem to need each other. your patience and gentleness matched the soft way he's seen haechan take care of his sister and at times, mark. he watched the way you sometimes falter – worry overtaking your features for a split second when you stop at a red light, or your teeth tugging at your bottom lip as you stand in front of the stove – and instinctively he can imagine haechan's confidence, his natural propensity to make everything seem easy, fitting in with you and taking care of you. 

but he knew that haechan could only give you his attention – not his heart, not until he was brave enough to admit how much you meant to him. 

your resolve to stay friends with him was as flimsy as haechan's promise to let you go. jisung almost wanted to laugh at the insistence both of you had, upon lying to yourselves. 

"be honest," he says, gently. "what do you want?" when haechan doesn't answer, jisung's low voice continues on, coaxingly. "what's your best-case scenario? what do you want to happen?" 

haechan takes a deep breath. "i don't know." 

jisung tries to hide his disappointment. "do you not know, or are you not ready to say it?" 

"i don't know," haechan mumbles again, burying his face in his hands. i don't know if i deserve it. 

the two of them sit there for a long, long, time. 

–

there was something wrong with haechan.

something's different. that's what jeno had said earlier, after the show. exhausted from sleepless nights, screaming fans making him feel nauseous, haechan barely paid attention to anything during his performances except for his own guitar. he hardly looked at the crowd, didn't acknowledge their pleas of his name, as if it wasn't one he recognised at all. 

he'd started missing parties, and was barely there even if he showed — ignoring the way girls swarmed around him, wondering if he was playing a new game, one where they had to work harder to earn his attention. it was a game they never won, his eyes trained on his cup, or else on the door. 

but out of all of haechan's bad habits, this might be the worst of them – sitting in the living room past midnight, sipping down to the last dregs of his alcohol, waiting for the knock on his door. 

it was late now — so late that the hours had bled into the next day. he hadn't seen you at the concert, not at the party, and despite telling himself not to dream, not to hope, he still carried enough desperation in him to stay up again. 

he's relieved he did. 

his hands shake as he opens the door. his hands falling to his sides as he drinks in the sight of you, letting you in. 

"hi," you breathe, and you don't ask before you lean into him, soft lips brushing his plush ones. 

he's at a loss for words, his tongue numb in his mouth, limbs still heavy from how tired he'd been all day. he lets you guide him to the couch, into the cushions. lets you straddle his hips, holding your body close to his with careful arms, as he meets your kisses gently.

something's different, but haechan's not the only one who's changed. on nights like these, all you do is take and take and take. 

"i haven't seen you in a while," he murmurs. quietly, softly, the words almost getting lost between kisses. immediately after he says the words, he slots his lips with yours firmly, as if afraid of what you would say if he let the space between you and him grow. 

"i've been busy." at the crestfallen look on his face, a small smile tugs at your lips, and you lean in to brush your lips with his. "why? did you miss me?" 

"i did," he says, almost timid. "i missed you."

at this, you raise your eyebrows. "you could have had anyone else." 

but he shakes his head. "i missed you," he repeats, hands mapping your skin, as if checking if you were really here, seeking the familiar way you fit into his palms, your slopes and your edges. 

"i missed you too," you say, meaningfully, letting him pull you in for another kiss. but when you push against him, body rocking into his and mouth open and wanting, the glow in your eyes tells him you're talking about something else entirely. 

his mind races. the feeling of you against him wakes him up like nothing else, the way you touch him, your smell and your taste setting fire to all his senses. there's something sweet about your lips tonight, something he wants to savor on his tongue and drown in all at once. 

he doesn't want to waste any of this, because this was the only thing you ever wanted to see him for — and that's what he tells himself as he pulls you into his body, because finally, finally, your attention is all on him, an electric heat simmering over each fibre of his being, the feeling of your body too sweet to be true.

but it's been one too many nights he's waited, a weight on his chest and a drowsiness he can't shake overcoming him like a cloyingly sweet poison. 

"i–" he's cut off by a shuddering inhale as your lips travel down to his neck, your hips grinding against him just right. "baby, i'm sorry," he tries again, his hands now gripping onto your waist, trying to steady you, even as he gives up. "i don't think i can take care of you tonight." 

you still. 

"don't go, please," he begs. "i'm sorry, it's been…it's been a long day and i…" he breaks off. the performance. the fight with the band. the fact that he'd been drinking for hours, the starless sky inky black outside his window, his fingers still stinging from plucking at guitar strings all night. "just give me a second," he stammers, burying his face in his hands, tugging at his features, before looking up at you with tired eyes. "i'll be fine in a minute, then we'll go to the bedroom, i just —" 

your hands slide down the slope of his shoulders. 

"don't go," he repeats, hands fumbling for yours as he brings them up to his lips, like a prayer. "i can take care of you, i promise. just…" 

"donghyuck," you say, softly. again you smile, cupping his face in your palms. his round cheeks, plush lips, the slight flare of his nose. he almost goes cross-eyed staring at you, as you lean in close and kiss him again – this one different from the rest, close-lipped and chaste. 

"hyuck, let me take care of you tonight, okay?" 

caught in a riptide of his own longing, he lets go. 

"you don't have to do anything," he mumbles. his hands tentatively touch your waist, the barest brush of his fingertips, before he's encircling you in his arms, easing you into his chest. slowly, tentatively, he holds you close by the weight of his arms, a large hand reassuringly patting the space right beneath your heart – clumsy, rhythmic thumps that trailed off into a lingering warmth. "i just want to hold you here, like this." 

he can feel the tension that spreads down your spine, your breath caught in your throat. your lips are parted, your eyes looking at his in an unreadable expression. 

"do you not like it?" he asks, his voice small. his hands fall from your waist, nervously tugging his sleeves down over his palms. "i…i'm just…" 

"i do," you say, slowly. and because your faces are so close, the thought is barely crossing your mind before you press your lips against his. it's supposed to be quick, reassuring, but the look on haechan's face when you pull back makes you lean in again right away. 

it was a look that was open and hurt, his hands still tangled in his lap. his eyes stayed open as you kissed him, as if he couldn't dare believe it was real — finally blinking shut when you kissed him again, his slight relief melting on your tongue. his teeth sunk into his bottom lip as you clumsily got up off the couch, and as you straightened, he ducked away from your gaze, staring at his hands. 

"hyuck," you start, but he shakes his head. 

"it's fine." he still wouldn't look at you - fiddling with the hem of his shirt. "you don't have to stay, it's late." 

"hyuck, listen to me." 

"i know," he says, quickly. the slightest trace of fear in his voice. "you don't….you don't have to remind me, i know. it's too…you said we couldn't…"

" — hyuck, i wasn't going to say that." 

his fingers falter, but he stays silent. 

"i can't fall asleep properly in your lap," you explain, slowly. "let's go to bed, okay?" 

he looks up then. "really?" 

"i said i want to take care of you," you repeat, his wide eyes making you feel shy all of a sudden. "i mean it." 

he lets you take his hands, body following pliantly as he stands from the couch, as you lead him to his bedroom, his eyes focused on your intertwined hands. it's both a familiar and unfamiliar feeling — crawling into his bed with his clothes on your body, sinking into the soft sheets and letting the senses of him wash over you. the usual buzz of pleasure isn't there, and its a different tiredness that seeps through your veins, one that comes with feeling safe. 

since when did you start feeling safe with him? 

you feel his weight sink in behind you, the duvet rustling against skin as he turns. an arm curls around your waist. his head lowers into the crook of your neck – you can feel his soft hair, his pouty lips brushing your shoulders in a light kiss. 

"the band is taking a break," he mumbles. "because of me."

"hyuck?" you try to turn in his arms, but his grip only tightens on your waist. he shakes his head. "hyuck, what happened? are you okay?" 

"m'yeah, i'm okay now." he shifts. "just…i just don't know if i like playing in the band anymore." 

there's a pause. 

"are you…are you disappointed?" the thumb drawing circles on your hip stills. "say something," he whispers. "please." 

"why would i be disappointed?" you ask, quietly. placing your hand on his, you turn, facing him as he encircles you in his arms. his eyes are half-lidded, tousled hair falling over his brows, his cheek squished against the pillow into a half-pout. it's almost instinct – the way your hand goes up to his face to brush his hair out of his face, fingers absentmindedly tracing his moles. 

you can feel his lips move against your fingers. "would you still come to see me?" he wonders, softly. "if you didn't have a reason to?" 

you bite your lip. "i would want to…" you say, slowly. "but i don't know if i should. haechan, what's going on? does music not make you happy anymore?" 

his heart aches. your care for him fills his lungs, making his eyes begin to prickle with tears. 

"i don't think the haechan…donghyuck thing is good for me." 

"oh." your thumb brushes over the bridge of his nose. "hyuck…" you start. "i don't…i don't want to overstep." 

his face falls. "sorry," he says, his voice small. "i won't bother you with it…you don't have to…"

"no, i don't mean…hey, listen to me." you wait until he looks up at you through his lashes, nervously. "i think i've gotten to know haechan and donghyuck, you know? i mean…" your heart skips a beat, suddenly shy at your own honesty. but you've already let your guard down – it's no use. "of course i like haechan. haechan's the one who invited me backstage, haechan's the one who made me go on that rooftop…but…" you take a breath. 

the sleep had worn off from haechan's eyes – he was alert as he watched you now,  hanging onto your every word. 

"i've gotten to know donghyuck too, i think. i hope. donghyuck makes the best sandwiches for his baby sister, donghyuck has a bear tattoo because he looks as cute as one, donghyuck is always gentle with me even when i ask him not to be." your thumb traces the constellation of moles he has again, tracing down to his neck. you draw him closer – the way he's looking at you: like you're his entire world, like your words were the only thing keeping him breathing, filling your chest with a tender kind of ache that didn't go away. 

"donghyuck and haechan aren't that different, not really. they're still you. i like them both. i like all of you. if you woke up tomorrow and told me you were someone else, if you were suddenly becoming someone new, i think i'd still want to fall asleep next to you anyway at the end of the day. because i know you –" you breathe in, sharply. "i…i think i do. i…hope i do." 

he doesn't say anything. just leans in, and brushes his lips with yours lightly – once, twice, and finally sealing them in a kiss. he kisses you deeply, intensely – it wakes you up, that familiar feeling stirring in your belly as your hips move of their own accord. a liquid euphoria fills your veins as he pulls you into him – him on his back, you laying on his firm chest, the toned muscles on his chest grounding you, a feeling so familiar, one that you craved for a long time. you've never felt safer, in his arms. he kisses you like with every moment apart, he wonders if you're still there, and each time he sighs into your mouth it's with relief that you're still here, with him. 

"do you want to…?" he asks softly. he's breathing heavily, but he tries to calm himself down. his tongue darts out to wet his lips, and it's that act – so innocent, so nervous even though you've both done it a dozen times with each other, that makes your heart beat harder in your chest. 

"it's been awhile," you murmur. 

"i know." he nods, swallowing. "it just…it hasn't felt right. don't…don't get me wrong, i want you all the time-" he practically groans with frustration. "it's just recently i just…i've been really confused. it's so stupid, but i didn't know which version of me you wanted –" 

"just you," you assure him, softly.

"let me make it up to you then." his tone is just as soft. 

you take his hands, and slide them under your shirt. gently, he tugs it off of you, sitting up slightly to take his shirt off as well before focusing back on you. you're giddy with the feeling of his touch again, nostalgia heightening every single sensation. it's not just hyuck tracing his hands over your chest – his lips finding your nipples, tongue darting out to tease them lightly. it's every single time he's touched you before – in the backseat of his car, hands moving urgently. in your bed that first time – so careful because you were extra sensitive. you have to focus to get back to the present moment, where he's watching you carefully again – noticing that you're lost in your thoughts. 

"everything okay?" he murmurs. 

you nod. "i just missed you so much," you whisper, and you can feel his desperation in the kiss that follows. "i need you now." 

"need to prep you, baby." gently, he eases you onto the bed, crawling down your body as you tug off your shorts and panties. your legs spread, needily, as you can feel him inch closer to your core, his hands coming to hold your hips. "stay still for me?" he mumbles, his eyes dazed as he watches you nod, his own head bobbing along absentmindedly, guiding you through it as he encourages you to bend your knees, baring yourself to him. 

the first flick of his tongue on your clit makes you mewl, hands coming down to grip onto his hair. 

"i know, baby," he comforts you, drawing small circles on your thigh as he leans into suckle your clit, making your hips buck up. he holds you still, patiently continuing to circle your entrance and lap at your clit. "fuck…you're getting so wet, angel." he slides in a finger, and the intrusion makes you clench around him in sensitivity, especially as he kitten-licks your clit shyly while easing in another finger. 

"need you now," you whine, voice reaching that pitch only he seems to bring out in you. his fingers pump more urgently, now curling towards the front of your walls, as he applies more force to your clit with his tongue, massaging the sensitive bud. 

"need you-" you choke out. "need you inside." 

"just give me one right now," he says, a slight plea to his voice. "please, angel. cum for me please, –"

"wanna cum with you inside," you sniffle. that gets his attention. he crawls right up your body until you're face to face, kissing you deeply, palms coming up to hold your face, careful to keep his fingers away. it's heated – your hips rolling into his as he finally loses control, hips bucking into yours until he's practically humping you as he kisses down your neck. your hands go to his waist, and he whimpers into your skin, finally tugging down his sweatpants, and you feel a familiar weight against your core. 

"condom-" he gasps, breaking away. the muscles on his body flex as he reaches for his bedside table, you can feel them move against your hands. 

"have you been fucking anyone else?" 

he blinks. "no, not since…" he breaks off. "no. and i'm clean. mark made me check." the sound of your giggle makes him smile momentarily – a goofy, lopsided grin that makes your heart squeeze painfully in your chest. 

"i want to feel you-" you say, slowly. "please." 

he sucks in a breath. "this…this isn't one of those things you're trying to do to please me, right?" he looks at you, skeptically. "it doesn't make a difference to me, you know that right? i just want you to feel comfortable. and safe…" 

"i am comfortable," you assure him. "i'm on the pill. i really just want to do this with you." 

"because-" he suddenly sits back, running a nervous hand through his hair. "i'm fine with using protection, you know that. i…i love how you feel either way. i never want you to do anything you don't feel absolutely right about…"

"is this about the blowjob?" you raise your eyebrows at him, smiling when you see his eyes widen. "because i'm going to do that too, with you. i want to make you feel good." 

now it's his turn to laugh, tilting his head back. his adam's apple bobs in his throat. "you have no idea-" he murmurs, voice suddenly low and serious. "you have no idea how good you make me feel just by the way you look at me. by the way you say my name." 

"hyuck," you say, patiently. "i need you. don't make me beg." 

"i should be the one begging," he murmurs, and this time when you reach your arms out, he lowers himself right into your arms, letting you wrap your arms around him. he strokes himself a few times, eyelashes fluttering, before slowly easing into you – a soft sound escaping his lips as his eyes went unfocused. it really had been awhile – his length filling you up, stretching you out in a way that was almost painful, but that pain was quickly dulled by pleasure as his body pressed against yours. 

"fuck-" he curses, eyes screwed shut in concentration. "can i…can i please…" 

you rock your hips against him, letting him in even deeper as he bottoms out. "move-" you whimper, "please-" you barely finish your words before he's already drawing back, barely pulling out before fucking himself back in, short intense thursts feeling dizzying. his slender fingers find your clit again, applying a light pressure as the blunt tip of cock perfectly hits the spongy part of your walls, the sound obscene in the quiet room. you were so aroused, you felt that you were making a mess of his thighs – wetness making the scene seem ever more lewd, creaming around his length as he increased his speed, groaning lowly to himself. 

"cum for me, princess," he pleads, lips dipping down to mark the sensitive part of your neck. you were already close from all the teasing – and once again the familiarity of every touch and movement sends your senses into overdrive. your entire body tenses as you climax, and you can hear him hiss out another string of curses, mixed with your name and every term of endearment under the sun. 

"where do you want it?" he all but whimpers, hips still fucking into you like a reflex. 

"inside-" you mumble, ankles loosely hooking behind his back, trying to stop him from moving away. "hyuck, please come inside, fill me up please-" with a soft cry, he pushes in deep – and you can feel him cum inside you, making a mess between your thighs, the feeling so arousing that it awakens something inside you, and your hips begin to move – begging for more. 

"wait-" he pants. "give me a minute, angel-" his eyes are closed again, head lowered, as he pushes through the overstimulation, feeling his soft cock slowly begin to harden again. the sounds falling from his throat now are scratchy, hoarse whines – a sound so dirty it makes your heart beat even faster, a sense of defiled innocence you've only ever heard in his music. the angle in which he's rutting into you stimulating your clit, pushing you closer to your edge as you fuck up onto him. 

"hyuck?" you push his bangs out of his eyes, tracing your hands over his shoulders, his chest. your fingers brush past his nipples and his mouth falls open with need, an achy sound releasing from the back of his throat, his puffy lips parted obscenely. you pinch his nipples again, gently, experimentative, and you feel his body shudder as he cums again, this time going still. it's so fucking arousing, an different side to him that you've never seen, that you feel yourself climax as well, the stimulation overwhelming. 

the both of you lay there for awhile, before he seems to come to his senses — a shaky hand moving the hair out of your face. 

he looks at you, and you look at him. 

and as if he can't help himself, he kisses you again – this time so soft and gentle, almost as if it were the first time all over again. 

"you alright?" he mumbles. 

you nod. 

"let's clean up in a second," he breathes. "just…let's stay like this for awhile." 

you nod again. you don't trust your own voice. something is happening – something tastes different in the air, something in the way you're looking at each other, something in the way he's touching you now – as if you might break or bruise if he even let his fingerprints get onto your skin. in the way he's looking at you now – something urgent in his gaze. 

"are you…are you free tomorrow night?" 

"i am." you sound stronger than you feel. 

"can i take you somewhere?" 

pause. "yeah." you give him a small smile. "i'd like that."

the smile that breaks out across his face is one that you know like the back of your hand. 

–

sitting across from you now, with your plates already cleared away and all that's left is your last few sips of wine, it hits you how that this is the most normal setting you've been in with him, possibly ever. his long legs stretched out under the table over by your chair, gently placing down his wine glass as he looks at you, his expression soft. his face is lit up by candlelight, hair falling over his brows in a hopelessly endearing way. 

"you good?" he murmurs. 

you nod. things feel cozy, and comfortable – it's a feeling so foreign but at the same time so familiar, you have to keep reminding yourself that this is real. 

he bites his lip. "pretend i'm jisung," he says, impulsively. "and…and you're describing how this went to him. how…how did you find it?" 

you give him a look, but he looks so shy, so nervous to be asking you this question, that you decide to play along. 

"well, jisung-" you take a deep breath, smiling when you see him smile too. "haechan picked me up today, that was really nice-" 

"-sounds like the bare minimum," he mumbles back, head bent.

"well, yeah it kind of is. but he doesn't have the best track record." you see him wince, so you let that comment linger for awhile before continuing on. "he's been a gentleman today. he…he took me to a restaurant that he found out i've been meaning to go to for awhile now, because he asked jaemin beforehand." 

"and that's…creepy? doing too much?" 

"it was thoughtful," you mused. "even though he made the reservation for the wrong date…"

"fucker," he shakes his head. 

"...it was nice because we got to go to walk around, and there was this moment, um…" his head darts up. now you can see him break character – something piercingly vulnerable in the way his bambi-brown eyes shine. 

you swallow. "we were crossing the street…and he put his hand on my lower back, just to guide me forward, and when we got to the other side he took my hand in his and just…held it-" 

he's looking at you, slightly confused and a little nervous. 

"yeah?" 

"he…he usually only acts like that when we're alone…when there's no one around." he still looks lost, so you reach forward across the table, taking his hand in yours. as if on instinct, his hand squeezes yours. "it's sweet," you reassure him. "it was really sweet." 

he bites his lip, but nods to show that he understands.

there's silence, for a bit. you think of breaking the silence, of saying anything, when suddenly he clears his throat slightly, sitting up a little straighter.

"hey, mark-" now he's doing the same bit, and it catches you by surprise a little - making you smile. "yeah, i'm still with y/n. i...uh...i fucked up the reservation, you were right, i should've checked again..."

"i really like spending time with her," he says, slowly. "i...i can't stop staring at her - she looks so beautiful tonight. and...and i can't believe she's finally here with me, that i somehow didn't fuck this up. and um...we were in this record store just now...and i was listening to her talk about an album she liked -" a smile plays on his lips as he recalls the memory. you suddenly become aware that your heart is beating hard again, pounding in your ribs. "and she was so excited, and she kept laughing as she talked, and...and i just realised i would do anything to make her that happy, all the time. and that i want it to be me, i want to be the reason she smiles like that."

you swallow.

"haechan..."

"you don't have to say anything-" he rushes to say. "i just...i just wanted you - i mean, uh, mark - to know."

"okay." you take a deep breath. "and um, i want jisung to know that-"

"yeah?"

"i like spending time with him too," you say, faintly.

he nods, but he doesn't smile.

-

as the car pulls up to your driveway, the quiet hum of the engine is silenced – headlights turned off, only the soft glow of streetlights casting their pools of gold over haechan's face. it's so quiet, you hear the shaky breath he takes as he steadies himself. 

"i have something for you," he murmurs. you can feel the warmth radiating off his body as he leans to pick something up from the backseat, the comforting smell of his perfume making your heart warm. but then you hear the crinkle of paper, his hair falling over his face as he sits back into the driver's seat, and your heart falls in a completely different way – your insides rushing with inertia, dizzy and heady – because he's holding a bouquet of dark red roses. they're wrapped sweetly, tied off with a piece of red ribbon to match the blooms, and your eyes linger on the way his fingers tremble as he holds them out to you with both hands. 

his starts to speak, but whatever he falters as he watches you stare at the soft petals, stems completely stripped of their thorns – and he bites his lower lip, breath caught in his throat. 

"too much?" he asks, softly. "i just thought…i just…mark and jisung said it would be a good idea," he stammers, lowering the bouquet as one of his hands falls to his thighs, nervously clenching his fists. "i was supposed to give them to you when i picked you up, but i got scared…you don't have to take them, i just thought…i wasn't thinking-" 

your hand closes around his hand holding the flowers. your other goes to his face, your thumb brushing his cheek as he falls silent, his eyes fixed on yours, caught in the haze of your touch. slowly, so as not to startle him, you lean in and kiss him gently. it's a beat before he kisses you back, as if he couldn't believe it, and when you pull away just slightly with a soft sound, you can see the nervousness in his eyes. and so you lean in to kiss him again – you kiss him until his lashes flutter shut, until you can feel him settle in his seat, sighing into your mouth as he kisses you deeply. you pull the flowers into your lap, his hand giving up control easily, coming up to your face to hold you in his palms. 

"hyuck." 

he pauses, leaning back – but his hands only leave your face when you hold them in your own, guiding them down to rest against the center console, your fingers intertwined. 

"i never want you to feel like i'm ashamed of being seen with you," he blurts out suddenly. 

"what?" 

"i never meant to let it get that far," he continues on, looking at his hands. "when i first met you…i wanted you to be like everyone else. i tried to do what i always do, but i just couldn't. you kept getting in my head, and i kept hurting you, and i didn't know how to stop and i just-" he exhales. "i never want to make you feel like that again." 

"hyuck, was this a date?" 

he swallows. "if you want it to be," he starts, but then he shakes his head. "the truth is, i was afraid you would say no if it was. but i really want it to be. i really really do." 

"hyuck," you take a deep breath. "whatever you're going through, you're not going to find the answer in me." 

"y/n, i love you," he says, quietly, tenderly. he says it like it's the easiest thing in the world. "i want to be a person who deserves to be with you, and love you, and i know you think you can't change me, and it isn't your responsibility to try at all…but you already have, and you can't take it back. when i'm with you i feel like i can see this version of donghyuck that i want to be all the time for the rest of my life." 

"no two people should change to be with each other –" you start, but he shakes his head. 

"we aren't a scenario," he insists. "this isn't a hypothetical. there's no should and shouldn't, because you know me –" he's pleading. "i'm not the same boy you saw onstage that first time you came to our show, and you're not that same girl on the roof," he pleads, voice breaking, tears welling up in the pretty cut of his eyes. "why is it so hard for you to believe that this version of us is meant to be together?" 

there's silence. 

"i can believe it," you start, quietly. "that's what terrifies me." 

you can see him start to lose hope. he can't force you to stay with him when you're not ready, and he doesn't want to be that person either. 

"i…" he hesitates. he wants to say so much more to you – that no one else makes him feel the way you make him feel. that he feels like he'll never love anyone again, not the way he loves you. the fact that you're it for him in a million different ways, a love he never thought he'd find. that he'll never be able to give anyone else a fair chance. 

but he can tell his love makes your shoulders heavy, makes your eyes go foggy with tears. already, you look shattered sitting in the passenger seat of his car, his love a weight on your chest that you don't know what to do with. already he's losing whatever bravery he had before – the bravery his love for you had given him. 

"sometimes-" you start, breaking off, your voice quivering. "when we're together, i feel like i could do it for the rest of my life. that you're the only one i've met to make me feel this way, that i'm the only one who knows you so deep." 

"you are," he breathes. 

"but-" your voice rises, agitated. "you hurt me. again and again. i came back when i wasn't ready, i should've given it more time, i just couldn't stay away. and then you came back into my life, and i forgave you to be with you again, and i tried to give other people a chance but i just…i just couldn't. what if this is too soon again?" 

i'll wait. the words are on the tip of his tongue, but he knows its the wrong thing to say, wrong thing to want. there's nothing romantic about waiting for someone – it's a cruel promise, one that rots each day going by in the wait for the future. 

"do you…" he takes a deep breath. "do you want to let me go?"

you nod, slowly. haechan can feel his heartbeat in his ears. 

"i'm not sorry," you whisper. "it's not right. you…i know you think you know what you want, but i need you to be sure of who you are, and who you want. i can't give you the answers." 

haechan remembers how – and it seems so far away, almost like a dream now – the night you went out with jisung, he dreamed of you. dreamed up the final version of you and him – everything good and always good, coming backstage to you, coming home to you. and some part of him had dared to hope, that despite everything, despite himself, the two of you would make it to that final version. 

but maybe the final version of you and him was this – the sound of the car door shutting as you walk up the steps to your apartment, and him crying all the way home, roses left in the front seat of the car, the ghost of your hands burning on his face.

(EPILOGUE RELEASE SOON)

@neochan, @ahncosette, @18shy @kittydollzz @jenoslutie @pussymode @yyfka @cheolctrl @jaeminsballs @mysummerhyuck @strawberrytyong @rosiejunnie @nctzen4eva @haechskies @wickedrei @sundamariis @liliansun @lanadreamie @nodisdino @angelwonie @foxydumps @manooffline @moonsmias @skzct7 @iscocohere @ficrecnctskz @makiswrld @itskkung @simpforarmihn @aryraaaa @rbf-aceu @laubyrinthine @yujuvly @nctevia @hyuckenjoyer @guhhfgbbj @girlwholoveslpreppyattire @kasperneo @eneiyri @toroufriteh @cauliephays @jisoung @niinjo @wonaoi @yuskitty @strawbabyz @readingisgodly @daegalfangirl @minkyuncutie @feat-sun @chaoticstrawberryland @shawnyle @sofix-hc7 @scftharu @spageddy @adorejaehyn @manooffline @02mrk @tyongspice1 @runahways @neosdaisy @hotmessexpress35 @kim-seungmins-gf @delllllllsstuff @nohunlee @kingsoowolves @enhasrii @fnafgirl87 @imzerozen @toroufriteh @torothecatt

[suchawrathfullamb]

No, the flannel and the wolf cut don't make you look like Will Graham. I see a lot of people trying to emulate Will's style or hair but of course it doesn't satisfy them because they're not fully getting what they actually wanted, which is the Will VIBE. So here's a guide, for you, because I love you, and fashion and aesthetics and the codes of physical appearance.

How to Give Will Graham

(oh and do check out my vibe analysis where we go into the spiritual code of Will Graham using astrology and numerology).

Now, I'm sure you didn't aim to give "plaid and kaki" vibes, right? Maybe you did, in that case you can move along. But if not, you were aiming for Will by just copying his clothes, which would never work because he doesn't give plaid and kaki guy, he gives sexy confident motherfucker with a gun who isolates himself because he thinks he's too cool but also because he is a menace and has no patience for people.

In other, better lol, words, he has the codes of disinterested academia. I made that up. But it's accurate.

It's the code of intellectuality but without the academic flair of formality.

Sam Winchester has almost the exact same wardrobe yet the vibes are different (the character arc is the same, interestingly enough), Sam is softer and kinder, and Will is more fuck everybody get out of my sidewalk vibes.

So there's an arrogance to Will. He isn't interested in what most are, he thinks most things are boring. And he's also hiding his true self, which comes out a bit more in Season 2 when he have the Slut Fashion Transition, which is excellent. Translating that to his style, you have outfits that carry a bit of an edge, although concealed to avoid exposure, and lack of attention to detail. So Will would not care to choose patterns because that is too much detail, or belts, or too many layers. His mind is busy with other things, he cannot focus on styling details.

So you can evoke the vibe without copying his exact outfits. As long as it has the elements of a put together but simplistic academic "southern" style. Which is also known as rugged americana.

(post prison inspired)

(twitchy man, season one inspired)

[sunshinetomioka]

He also said Jayvik was a bromance (which is a term I really dislike as I've always seen it used by cis men to discredit mlm ship) and now homophobic fans are using it as an "own" (you can't tell me he didn't know it would have this effect)

And like in all good faith we need to take a step back and realise a lot of (again) cishet men who are "ok" with Caitvi as a ship but against Jayvik because (according to them) it has no logic and that it's just bromance (and now adding the asexual part) are homophobic and riot never really tried to do something about it.

You just gotta see how they treated K'sante, barely writing a good lore about him, just throwing in there he had a boyfriend and just completely ignored him during the heartsteel era. Like cool there's a bunch of lesbian but honestly I'm wary about it since LoL is mostly aiming at cishet dudes like... Arcane did make a lesbian ship not sexualised and feel like an actual real couple but there's lot of underlying homophobia in the community.

Also back on the literal ableism, I've seen people explain that Viktor was aroace cuz he ignored Sky (?????) and was too focused on hextech (he was literally trying to save himself from dying ???) and yet they'll say that if you don't have the vision then you didn't see well ??? And it's also something I've seen talked about with Jinx :///

Sorry for ranting on your post OP :') it's just so frustrating.

I'm not a fan of Viktor being asexual because that reinforces a lot of stereotypes about this community.

Apparently the co-creator of Arcane said that Viktor is asexual right after the show ended and people started shipping jayvik... Sorry but it looks weird!! Are you trying to stop people from shipping these characters? Because it won't stop!

You know, disabled people, people with autism and people with mental illness are often portrayed as asexual because they think they're incapable of falling in love or that they don't deserve to be loved. Furthermore, with disabled people reinforce the idea that they aren't desirable. People can't imagine the idea of them having sex, enjoying intimacy.

Sex education condemned that with Isaac's character!!

I mean sure, it's okay to headcanon Viktor as asexual (more if you are asexual, we need more ace representation), but I don't think the co-creator of the show is doing that in good faith. I'm pretty sure he doesn't know that asexual people can fall in love, have a partner and even had sex (obviously depends on the person).

Also, sure make the guy in your show dealing with no feeling emotions and become some kind of machine the ace representation of your show, how original! Never seen before!!

[mean-scarlet-deceiver]

Gordon and Edward, Part 2

Hello and welcome back to "Jobey ruins beloved RWS characters for you, using the power of... the actual RWS text!" 😇

Part 1: Gordon, what's your damage? 😭 / The Doylist Reason / Rent. Free. 

Post 2 (this post): Edward's Defences / Gordon's Growth

Post 3 (upcoming post, link later): Collision / Uh… Cleanup Crew?

Edward's Defences

Pretty consistently, through the next 45 years, Edward (most conflict-avoidant engine ever built?) takes a four-pronged approach to dealing with Gordon and the threat he represents:

He keeps Gordon at a distance. He focuses on building connections with… Literally Everyone Else. Gordon is kept more than a good buffer's length away (and when they must be in close proximity things do tend to go south in a hurry).

He tries to never give Gordon a reaction, or any other ammo. Will not admit weakness or discomfort or upset. Difficult, because he has a transparent face when he's sad! And he's comfortable confiding in others! But he'll never, willingly, let Gordon see him bleed. 

Instead he treats Gordon very lightly. Adopts a sort of affectionate knowingness, which allows him to "laugh off" Gordon's more irritating or threatening qualities. 

He takes control of the narrative. He doesn't shy from telling humans the engines' business. He spreads stories (I'm not saying false stories) that counter Gordon's branding of himself as supreme and infallible. He also builds his own brand as reliable and sensible. 

Where do I get all this from? The text: 

"I've got some trucks to take home tomorrow," he told him. "If you take them instead, I'll push coaches in the Yard." (~1925)

We're less than one full book away from "now all three engines are great friends" and Edward is already shedded somewhere else, baby. That move was likely integral to developing those two new friendships with Henry and especially with Gordon… ironic but true. Hey, we know that the big engines seem to have only learned to appreciate Thomas after he left, too! And, of course, it gives Edward some space from all of the *waves hand vaguely* at the Big Shed. He doesn't like conflict (and Gordon is a conflict-generating machine). 

They both rested at the next station; Edward told James how Gordon had stuck on the hill, and he had had to push him up! (1925) 

Bro. Bro bro bro bro bro. I am pointing urgently. 

This bit is so telling. It's been two years since the events of EDO/E&G and Edward is already seen defining Gordon's whole brand as we now know it to newcomers. 

If it wasn't for that moment, I wouldn't insist with nearly as much confidence what I think then comes into focus as a clear fact: The early RWS itself is all evidence that Edward is winning the propaganda war, lol. Gordon's opinion of himself is a silly, endearing, limited point of view. Edward's opinion of himself is canon, bitches! 

Incredible stuff. 

This scene is a glimpse into the tactics that allowed Edward to eventually win this game (poor Gordon has no idea they're playing). Here he is laying the groundwork a good 20 years before the books about them were even published! And this is a good place to remind readers that, unlike in TVS where they make Gordon's hill problem a recurring gag, we only see Gordon stalling out there and requiring a banker's help once. In Christopher Awdry's Gordon the High Speed Engine, he also specifies that Gordon (who is about to have trouble on the hill again, in the 1980s) stuck before on this hill. "[O]nce." Once. 

This is not a habit of his. It was a one-off thing. It's only remembered at all because his superior attitude and his ignorance of the words "thank you" offended Edward so deeply that he kept the memory of this event alive for over 20 years, until the Thin Clergyman got the story in print. 

It's a bit messed up. 

It's more than a bit petty. 

It's so bloody funny. 

No, I don't think Edward is some consciously evil Machiavellian genius. He's neither vindictive nor that far-sighted. But he's resilient, and creative enough to instinctively change the rules of the game when otherwise they'd grind him into rust. And there is his characteristic kindness mixed up in all of this, too: He needs to find a way to welcome Gordon's presence in his life, so he finds a narrative that makes Gordon funny and lovable instead of a threat. He sees James is insecure, so he tells that story at least partly from real solidarity and empathy. It's not like he's trashing Gordon, either – there is no lie told, and James is not put off trying to "motor-mouth" his way into Gordon's good graces. I'd characterize it, not as trashing Gordon, more… injecting an element of realism into his growing legend ;) We see in the same book that Gordon is continuing in his superior attitude (which involves putting others down, even if it's a bit more indirectly than he did two books earlier) and that his attitude depresses and dejects newcomers like James. There is good, civic-minded reason to slyly undermine Gordon's branding of himself as all-powerful and invincible – it's not good for the railway as a whole if Gordon is allowed to lord over them all on his throne unchecked, the new engines forever overawed. It is kind of Edward to welcome James and give him a boost, it's genuinely useful for everyone that in the end James triumphs to seize the role of a darkhorse rival junior but trusted colleague of Gordon's. 

At the same time, while it's all justifiable and even beneficial, this action is also very useful in cementing Edward's own position. Let's just be clear-eyed about this. 

"Shall I help you, James?" called Edward. / "No, thank you," answered James, "I'll pull them myself." / "Good, don't let them beat you." (1925-6) 

Edward and James show a perfect understanding of each other in this moment – different though they may be, Don't let them beat you is a shared value. (Shared by a lot of engines, of course; probably a steam engine culture thing. Douglas says something similar in RWS after accidentally destroying the spiteful brakevan.) It applies here to trucks, but no doubt that's a value that motivates them in other areas, too. 

It's just worth remembering this, when it comes to Edward's stance re: Gordon. He's more subtle about it than James is. He sort of has to be (he cannot directly compete with Gordon, as James can). But he's still determined to not be beaten. 

Errr, but then Gordon triggers a chain of events that Edward could have never conceived of. The Fat Controller sends him to Tidmouth, Edward goes in with no idea what he's facing, and wham. We have the first of the two really severe strains on this relationship: 

Gordon came clanking past, hissing rudely[...] / "They all hiss me, Sir," answered Edward sadly. "They say 'Tender Engines don't shunt', and last night they said I had black wheels. I haven't, have I, Sir?" (~1927)

Two things to note here. This clash doesn't only represent Gordon's and Edward's differing views on what is proper to the dignity of an engine and what he owes to his railway. That's all The Author can see of it, of course… The Author being a human, and thus with a vested structural interest in vindicating Edward's point of view on this matter — and in mocking Gordon's view to scorn. This is why, so far as the book is concerned, Gordon and his two big-engine followers don't have a wheel to run on here. The Gordon position is portrayed as thoroughly unreasonable (even if, despite the narrative's best efforts, the text must admit that the Fat Controller does actually have to get a new tank engine – which was Gordon's demand all along!) 

Because of The Author's interest, there's no chance of any acknowledgment that the other tender engines' anger might have the slightest validity to it. However I think we are seeing another, parallel clash going down here:

Gordon naturally sees friendship as, well, as an Alliance. My friends are your friends and your enemies are my enemies. United we stand, together we fall. The problem is that while Edward is mild-mannered he's not a follower, like Henry and James – he has his own mind and he's not about to substitute Gordon's convictions for his own. Edward's idea of friendship is mutual sympathy and support. Emphasis here on mutual, because you just know that young Gordon was quite prepared to receive support (as his due!) but had trouble returning it. That's something Edward considers a serious insult… whereas his own idea of friendship simply has nothing to do with "how dare you cut the branch out from under me when I'm risking my tender leading collective action against management!" To Gordon that's a real betrayal. I suspect when Edward undercut his strike Gordon was genuinely hurt and felt a real righteous indignation – one that is never expressed in canon because to the Author there's nothing even slightly valid in Gordon's hurt. But canon (the Author, the railway, the whole institution of human society that made and employs these guys) does validate Edward's position that boasting and one-upmanship are hurtful, itself a sort of betrayal – which is a big problem, since for Gordon they're alarmingly close to a damn love language.

This is a position on which I feel no need to take sides. I know the Author's position. I think they just have irreconcilable values and that Gordon's values, while I don't share them, aren't just shit, either. I don't condone all his behavior here but I do think his idea of friendship is consistent over the course of the Wilbert books and that he would feel genuinely betrayed here. And if you've been betrayed then it makes sense that you are hurt and angry. 

What a mess. 

"Tender Engines do shunt, but all the same, you'd be happier in your own Yard." (~1927)

Guys, I'm telling ya, the Fat Controller knew what he was doing when he separated Edward from the other "great friends" after the events of TTRE. He knows. Letting Edward have distance from Gordon is policy. Pre-existing policy. Drafting Edward to Tidmouth was a last-ditch effort to avoid buying a tank engine but TFC is unsurprised when it takes less than one (1) day of proximity for Edward's "laugh 'im off" strategy to fail. Proximity causes the fragile Edward and Gordon relationship to collapse immediately – which inevitably means that it's Edward who gets hurt – and so Hatt is resigned to his new expenditure. Off to the engine orphanage. 

After Percy is brought in, Gordon et. al. are suitably punished, and equilibrium is restored, there is again a long period of relative peace between 2 and 4. And it's not because Gordon has lost his capability to be an asshat to others (see "Gordon's Whistle" and "Off the Rails" and "Duck Takes Charge" and – etc.) But Edward's defences are restored and he continues to reinforce them. Again in safety at his own station, he regains his ability to laugh knowingly and to gather intel for the oppo file: 

“It sounds like Gordon,” said Edward, “and it ought to be Gordon, but Gordon never whistles like that.” / It was Gordon. / … / He screamed through the station and disappeared. / “Well!!!” said Edward, looking at Henry. / “It isn’t wrong,” chuckled Henry, “but we just don’t do it,” and he told Edward what Gordon had said. (1935-6) 

After Henry's rebuild, there is a long "dark" period – end of Depression (including Gordon's rebuild) and WWII. During the course of the war the Thin Clergyman begins (and ends) his stint as publicity director for the NWR, and in 1945 TTRE is published. I reckon the focus on Edward, Henry, and Gordon reflects that this was a high-water mark in their friendship. The qualities and values that these three actually do have in common – duty, loyalty, determination – would have been at the forefront for those years. They would have faced a lot of very difficult days together, and together they got through them. The bond might have been heightened because frankly this is the sort of circumstance I can see them at their very best but the opposite being true for James, so there might have beena bit of "the old band getting back together" and re-bonding. In particular I can see Edward and Gordon during the war years learning to better appreciate the other's strengths. In 1945 you can easily imagine 'the three railway engines' looking ahead to a happy new era and genuinely believing that all their petty squabbles are in the past, they will never have problems between them again. 

Lmao. 

Well actually, of course, life goes on. By 1952 Gordon in particular is achieving brand-new levels of asshattery in the lead up to his ditch tourism. However, the interactions between him and Edward this year support my guess that this was a period of detente: 

“I won’t go, I won’t go,” grumbled Gordon. / “Don’t be silly, don’t be silly,” puffed Edward. (1952) 

This is their most obvious "tug-of-war" moment ever, but actually the stakes here are soooooo low lol. To me this is one of their cosiest and most comfortable interactions, actually. This is a rare case where they don't sound like stuffy, old-school, vaguely-to-explicitly dysfunctional colleagues. They just sound like siblings. For once they're being fairly frank with each other. 

Wait… what's this... for twice? 

1952 was a banner year for them, guys!

The engines in the Shed were excited and wondered who would pull the Royal Train. "I'm too old to pull important trains," said Edward sadly. / "I'm in disgrace," Gordon said gloomily. "The Fat Controller would never choose me." (1952) 

This is a remarkable moment in this dynamic. It's the only time Edward ever admits vulnerability in front of Gordon. Fascinating. 

I think it's extremely relevant here that Gordon has been in dire disgrace for what appears to be at least two months by this point. His status (though soon to be restored!) is currently nuked. Gordon's been in a very amiable frame of mind towards everyone. He has never been less of a threat.

It's also extremely probable that, even if this book was published first, this scene almost certainly takes place after EtBE. So earlier this same year where Gordon hits his lowest-ever status, Edward has hit his highest since Gordon arrived – the Fat Controller has overhauled him and Edward returned to an enthusiastic hero's welcome from the other engines. Everybody's drinking their respect Edward juice just then. 

So this is a very brief period where Edward does not seem to feel any need to keep a wall up around Gordon – nor the others. 

Now, with James and especially Henry, perhaps that wall never goes up again. But with Gordon, well. Let's just enjoy the moment. Presumably the whole royal visit prolonged this high point in their relationship even a bit longer. But it won't last. 

When Gordon and Henry heard about the accident, they laughed and laughed. "Fancy allowing cows to break his train! They wouldn't dare do that to us. We'd show them!" they boasted. / Edward pretended not to mind[.] (1952) 

Backtracking to earlier the same year. Gordon's acting an ass here – but not like the asshole of the tender engines' strike affair. We're back, not to insults, but to mere boasting. But... reminder that while Edward probably feels an insult keenly (he feels everything else keenly; why not this?), it's boasting that really seems to get under his paint.

I cannot overemphasize the line He pretended not to mind. 

Edward is not a pokerfaced engine! This is not natural behavior for him! He's the "why are you sad?" "hullo Edward, you look upset" "Where is Thomas??? peepipeeeep!!" guy. This is play-it-cool stuff is behavior he developed as a shield against Gordon. 

To be sure, we also see him employ it later this same book, this time against James: "Late again?" / Edward laughed, and James fumed away. The difference is – well, the need for the life-saving chase was pretty lucky, of course ;) but the real difference is that at the end of the affair James makes a real apology. As a result, the narrative tells us (doesn't show us, which is too bad, but I'm going to trust the telling), their old friendship is restored, strengthened even. Unfortunately making a real apology seems to be something completely beyond Gordon, at least at this point. And even if it wasn't, well, Edward never directly asks for one or complains about the behavior of the other engines to their faces. I don't know if Gordon is capable of apologizing to Henry either, but at least in that case Henry is going to be very loud and clear that he wants one. (This is probably at the bottom of the success of the 3+4 friendship. Gordon needs things spelled out for him – and Henry complains and grumbles without restraint, so Gordon will always be kept up to date on exactly where they stand.) Edward doesn't do that, perhaps can't do it because it violates his "never admit weakness in front of Gordon [or, in this one case, James]" defense mechanism. His remark referencing the "Old Iron" insult hints that he's ready for an apology – and James is able to take the hint and respond appropriately. Maybe that's why we've only ever seen Edward have to use the laughing pokerface strategy with James once, and we see him using it re: Gordon many times. 

Going back to "Cows." At the end of that story Edward needles Gordon the same way he later does James. Gordon responds, not so humbly and sincerely, but arguably a form of relationship repair happens: 

"Well, well, well!" chuckled Edward, "two big engines afraid of one cow!" / "Afraid – Rubbish," said Gordon huffily. We didn't want the poor thing to hurt herself by running against us. We stopped so as not to excite her. You see what I mean, my dear Edward." / "Yes, Gordon," said Edward gravely. / Gordon felt somehow that Edward "saw" only too well. (1952)

Well… they too are restored to their status quo. 

It's just that their postwar status quo is polite, passive-aggressive points-scoring. 

Now, at least it's civil! It sounds friendly. It sounds like there's mutual respect there. But...  

It's not enmity. But you might call them frenemies.

I also need to remind us that we are reading the above quote because it is in print. Post-war, there is a new factor playing in this dynamic, a nearly-invisible but probably incredibly important one: the Thin Clergyman keeps publishing one or two books about their goings-on, every damn year. His interviews and his publications have already stirred up all sorts of old history (notably Troublesome Engines came out like two years ago, so they got to re-live that pretty recently). But now the RWS has "caught up" to current events so the engines are having the interesting new experience of an account of their doings for the year coming out, like, right away. Everyone becomes famous, but this also means that the books (and The Author's take on them) are shaping more and more people's perceptions of these guys, who have enough foreign traffic on their railway in this era that they cannot be ignorant of this effect. You know what they say about fame: it takes already imperfect relationships, and makes 'em better! 😇 Wait, no, they definitely do not say that... There is no chance that this sort of meta "reality tv show" factor didn't affect their outlooks and relationships. 

Especially in a relationship like this. Where the Thin Clergyman's account of things heavily favors Edward, and rather severely trims Gordon's wheels. 

Ooooooooooooof. I don't even want to speculate about the details of how this play out, but just bear in mind that it's. there. 

Maybe it illuminates a lot of stuff going on in Duck and the Diesel. Including this… 

“[H]e told Edward what Gordon had said. / “Don’t take any notice,” soothed Edward, “he’s just jealous. He thinks no engine should be famous but him.” (1957) 

Erm. That's a pretty blunt assessment. Especially from an engine who usually has rose-colored glasses firmly attached. 

I've never heard Edward say anything negative before about… anything. Literally anything. Let alone an anyone. 

His prior remarks about Gordon always had the air of "haha… lol… Gordon, we love him of course 🙃…" There's no laugh here, no fondness, no attempt to soften things. 

Not that this bluntness is a bad thing, in and of itself. But if the goal of Edward's defences was initially to find a way to maintain a good relationship (and I think it sincerely was), then the last example, from DatDE, is a yellow flag. It's been over thirty goddamn years now, and Edward is not growing more accepting and comfortable with Gordon – the opposite, actually. I don't hear Edward being unfair to Gordon there, precisely, but I do seem to hear markedly less tolerance than before. 

And this is interesting, the hint that Edward is losing patience with Gordon. Because Gordon is actually engaged in a lot of self-improvement. 

Gordon's Growth 

He's been on a magical journey of character development, guys. 

And it started way before his book/1952. 

We see the little crocuses of Gordon's emerging awareness that Other Engines Have Something To Offer, Too almost from the get-go. I would count the fact that (back in 1923) it's Gordon who proposes that Henry is let out of the tunnel to try pulling his train. Which. Crazy idea, really. But even crazier because Gordon's been shown to have previously spent day upon day upon day whistling "Serves you riiiiiiiiight!" 

Honestly, this is yet another hint to me that Gordon comes across as way harsher than he means to. I almost called the above "openly taunting Henry." But honestly, given his immediate and unexplained turnaround by the end of the story… once again, I think Gordon was being judgey and blunt, but really had no idea that what he was doing was so hurtful. Or that other engines have, like, feelings. Real feelings. 

We see this pattern again and again. Gordon tells Edward "[I'll] be a splendid sight for you" and James "Ah well, we all have to begin somewhere, don't we? Run along now and fetch my coaches" and the two smaller engines, quite understandably, seem to say in their hearts oh my God, what an insufferable asshat. Meanwhile Gordon thinks he's being friendly. Or at least condescending (but, like, in the fun, benevolent way). Similarly, Gordon tells back-from-major-reconstructive-surgery Henry that he's been really letting the side down in, like, three different ways – and I bet if anyone had directly challenged him he would have sincerely been like "... What? What's the problem? I told him we were happy to have him back!" Even his spat with Henry that led to his boasting in "Off the Rails" began with what have may been genuinely mother-henning his friend. I would not be too shocked to learn that Gordon gets twinges of unease that he never examines every so often when he sees Henry with a train and has a subconscious flashback to their fears for Henry's life after the Kipper accident. Altogether, there seems to so often be a good and commendable instinct on Gordon's part – it's just that for the longest time he doesn't seem to have a clue about how to transmute those instincts into something that other engines are going to find legible. And then if he gets even slight pushback his good instincts collapse and he reverts to his childish "meee! meeeeeeee! 😤😤" instincts. 

It's a slow hard slog for him to learn how to Use His Words and Relate To Others, but we do get to see progress. And it starts early! He makes friends with James after James successfully takes the Express (1925-6) – and it's really quite a gracious overture. He, along with James, sympathises with Henry after the elephant incident (the Author, of course, explicitly denigrates this, suggests that it was purely a matter of politicking and scheming and that it would have been healthier to have mocked Henry, the way the proletariat should always be cutting each other down at the slightest opportunity, really sticking the boot in each other's neck gratis. But hell with that! Lmao. Catch me ever swallowing Management's narrative about how their striking workers banded together. Anyway, even if I granted for the sake of argument that Gordon was faking his sympathy, well, I mean. Gordon faking sympathy is still #Growth. Fake it till you make it!) He is also friendly and kind when he rescues Percy from the Big Bank of Earth – he indeed shows so much tact that he finds something to give Percy credit for, instead of saying (which would have been true) "This is all your fault, dumbass…" 

"Off the Rails" represents a bad week or so for him, but the incidents in the rest of Gordon's book don't show us a newly humbled Gordon – more just a recently re-humbled one. His behavior to James is perfectly in line with those previous incidents. His behavior to Thomas doesn't come out of nowhere either… although in that one Gordon is trialling some new material: 

“I’m sorry I was cheeky,” said Thomas. / “That’s all right, Thomas. You made me laugh. I like that. I’m in disgrace,” Gordon went on pathetically. “I feel very low.” (1952) 

We all see what's new here?

1) The Alliance. Now, Gordon putting words to it (and words that make it into the RWS) is new. The concept overall is not new; this seems to be a verbalization of an attitude that Gordon has adopted long ago. As I argued above, this is just Gordon's whole concept of friendship. It is worth pointing out, though, that he never before extended this concept to tank engines. (He could condescend to them. Not offer them alliance and equality, though. Therefore didn't get upset when Thomas didn't "understand" his concerns as A Tender Engine, either. There was no expectation of a pact. Not back then. It's only now that this changes.) 

As the next decade or so goes on, we're going to see that Gordon (and Henry) seem to continue extending this implicit alliance to every steam engine. (Diesels, after that whole disastrous introduction to them via the most devious of engines, are a sort of last barrier.) Think "We engines have our differences, but we'd never talk about them to the trucks." Think Gordon laughing with Stepney and Duck over their triumph with "the heavy train." Think of rallying around Donald and Douglas when they learn there is a threat of scrap. That concept of alliance that was once limited between the big engines (plus or minus Edward, depending) is now extended. It doesn't mean that there are never conflicts or clashes within the ranks, of course! But it does mean that there's a new attitude spreading on this railway. This book is where we see the first sign of Gordon spearheading it. I wouldn't say he gets credit for creating or implementing it all himself – but he does deserve credit in the sense that, if he had not whole-heartedly bought into this idea, it wouldn't have become entrenched on the main line. 

2) Vulnerability. I directed attention in the previous section to the way that Edward will not admit weakness in front of Gordon. Gordon has something similar… but worse. Until this point, Gordon would not admit vulnerability to anyone. At most would complain, or try to make some "objective" case as to why he is ill-used. 

That isn't what happens in this exchange. He doesn't make the slightest argument for himself, he doesn't object to being in disgrace. He simply owns, aloud, that it sucks. I feel very low. 

There are other indicators that this is not a one-off, that Gordon is simply coming to terms with the reality that he is, basically, a sensitive soul: 

One day Gordon saw [Sir Handel] shunting, and laughed. / “My Controller makes me shunt,” Sir Handel said sheepishly, “and take trucks to quarries too. I’m highly sprung, and I suffer dreadfully.” / “Our Controllers don’t understand our feelings,” sympathised Gordon. (195…5?) 

This isn't as vulnerable as the Thomas case – Gordon's not feeling Very Low in that moment, after all – but it is very intriguing. In a previous book, Sir Handel treated Gordon like they were equals, which left Gordon "speechless." As well it might! And now, when Gordon meets up with him again, he does have the upper wheel: He catches out Sir Handel not being so very express-enginey after all! But when Gordon laughs at him, Sir Handel owns up to his embarrassment. And this is exactly how you get Gordon's best side. When you're vulnerable, he stops acting the bully, and he's sympathetic. Very similar to the case from "Percy Runs Away." But this time, Gordon seems to be going a half-step further than just claiming the role of benevolent patron. "Our Controllers don't understand our feelings." He really does cement Sir Handel's claim to equal fellowship. 

It's probably not mere politeness, though, that makes Gordon sympathize. He's revealing something important here about his inner life. When Gordon is seen as his most proud and demanding, he is actually troubled and upset – putting up a very good thick front over it, though. 

We will see confirmation that he's a creature of Feels again in 1968, after he spends a whole page (that's a lot of time, in RWS-land) unable to express more than "I'm not happy" – which the other Tidmouth engines ignore or treat as a superficial complaint because, well, they just had no reason to think that Gordon would ever be like this: 

Gordon backed down on his train, hissing mournfully. / “Cheer up, Gordon!” said The Fat Controller. / “I can’t, Sir. The others say I’ve got boiler-ache, but I haven’t, Sir. I keep thinking about the Dreadful State of the World, Sir. Is it true, Sir, what the diesels say?” / “What do they say?” / “They boast that they’ve abolished Steam, Sir.” / “Yes, Gordon. It is true.” / “What, Sir! All my Doncaster brothers, drawn the same time as me?” (1968) 

*dramatic gesture* Gordon the “I Just Want a Little Goddamn Sympathy” Engine, ladies and gentlemen. 

Returning to our overall topic, this is an interesting similarity between Gordon and Edward. Despite their numerous and obvious differences, they both have a lot of Feelings – like, to the point where it’s a burden, and figuring out what to do with ‘em drives their respective character arcs. 

Being them, of course, they approach the problem from opposite directions, lol. Edward is basically toughening up, and starting to adopt the role of an elder/mentor (he does this a lot later than I gather people think he does, and in more limited circumstances. But you do gradually see him becoming less A Normal, Emotive Peer and more of A Sympathetic Listener, One Half Step Removed from Ordinary Engine Life, Giving and Not Asking For Support). Gordon has almost the reverse assignment. He's opening up, and gradually learning how to come down from his high horse and be on a level with others. 

Once Gordon learns how to use his words to express himself like a rational being, he starts being able to form much healthier bonds with others. (I didn’t say with everyone. And I didn’t say they were perfectly healthy. Just… healthier than some of his past bullshit, lol.) 

And, when Gordon gets the kind of support he needs, he becomes much less of a pain in the arse. This arc continues all the way through to the Christopher Awdry books. 

To the extent that, as of Main Line Engines, he IS still a pain in the ass… well, I think we can infer that he hasn’t yet got that support network quite in place. 

Ironically, ‘emotional support’ is a real strength of Edward’s. It’s something we’ve seen him lend generously to a laundry list of other engines… and something we never see him offer Gordon. 

For obvious reasons. Gordon burned him so many times before and (the key commonality, of course) Edward is sensitive, too. It’s always obvious that he feels things keenly and takes things hard. His character arc has a lot to do with channeling that sensitivity into action and learning to build more backbone. 

It's on a collision course with Gordon's character arc, which is about connecting with and owning his feelings and learning how to express them. 

We can see the crash coming in part to, again, the absence of what we see between them in this pre-60s era. Gordon has repeatedly proven that he can be a very good friend, when an engine is down (Percy, James, Thomas, Sir Handel). This is a great footing for Gordon to show his best and most generous side. 

Unfortunately Edward's entire strategy for dealing with Gordon since at least 1925 has been about NOT showing any weakness in front of him. A strategy he's followed with great success. 

So it's no surprise, that both characters are growing and developing, but that their relationship is growing more and more hollow. 

It's no surprise… but it is aggravating. 

And the thing that makes you want to tear your hair out the most? Gordon – Mr. Oblivious himself – has no idea anything's wrong.

And, honestly, watching Edward getting slyer and slyer about forever keeping Gordon squarely on the back foot is a joy… I’m so proud of him… even as part of me groans because, funny though this is, they could have had something even better. 

Let’s take a closer look at MLE. They’ve both spent decades now dosing on ‘character development.’ Unfortunately those arcs are on trajectory to criss-cross – and the smash-up happens here.

[kellyvela]

🚨🚨🚨 The Dreadful 👹 UPDATE🚨🚨🚨

Week 3 of shooting in Cornwall 📽 🎬

More local landscape:

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More Boconnoc Church:

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The weather is being funny 🌞 🌧 🌈🌈

Last week it was unseasonable, unstereotypical sunlight:

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This week rain and mudd:

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Disaster??? 😱 😱 😱

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But don't worry:

[First Marcia's The Dreadful 👹 related post]

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In better news, the costume design & make up teams have started posting!!!!!!!!!! 👘 💄

This piece looks like the first layer of clothing that Anne (and/or Morwen) will wear 👀 👀 👀

In Onibaba, the two women (when not half naked) wear the same type of lightweight kimono. The movie was shot during hot weather after all:

But I'm sure Anne and Morwen will be wearing more layers due to the Cornwall weather . . . . or not??? 👀 👀 👀

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And this prosthetic is something Laurence O'Fuarain will definitely be wearing, since he reposted this story saying [he] "Never looked better! lol"

This weird skin/hair prosthetic reminds me of the disfigured face of the mysterious samurai and the mother in law from Onibaba after taking off the mask:

Now, Laurence O'Fuarain's character is Seamus, Morwen's son & Anne's husband. But he can play the mysterious masked soldier as well, specially if he will wear a mask/helmet & face prosthetic.

I wonder if all that "summoning" posts mean that Morwen will summon Seamus's spirit and will bring a demon instead . . . . 👀 👀 👀

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And another short haired Kit Harington sighting in another golf club 👀 🏌️‍♂️ 👀 🏌️‍♂️

(Picture from The Carlyon Bay Golf Club on Facebook)

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WHERE IS SOPHIE??????????

[pixeldolly]

The Survivors, part 5

(the last batch)

☢️Erwin Pries (by @frauhupfner )

Erwin knows what nobody else seems to - that it wasn't a government experiment gone wrong or an enemy bomb which destroyed that secret lab and unleashed the zombie virus - it was the ALIENS! That's right - wake up, people!

Erwin may look and sound like a kook, but his ideas are surprisingly persuasive - or maybe people are just desperate for an explanation.

☢️Todd Estrella (Sim & bio by @moyokeansimblr)

Todd is rather arrogant but he's a sweetheart deep down. He's not malicious, just big headed and bad at reading social cues to know when he's out of line. He thinks he's tough, so expect him to go into this experience EXTREMELY over-confident before realizing he knows nothing about simanity, let alone apocalyptic simanity. IE volunteering to do things he can't, being places he shouldn't. But he's an excellent hype man. I imagine this experience to be very humbling for him and bring him closer to simkind.

Todd's sexuality should the opportunity present itself, is everybody. But he does have a preference for whatever big strong man is actually the one in charge of everything.

Todd is afraid of everything but masks it with curiosity. His biggest fear is the dark and his bedroom in the UFO he arrived in had six nightlights but don't tell anyone that.

Todd thinks that because he's an alien he's immune to sim germs and grime. But he very much is not.

☢️Hernesto & Nicolas Esposito (Sims & bios by @gvaudoiin-tricou )

Hernesto was one of the scientists in charge of a failed experiment that cost him an eye. When he found Nicolas, he knew the boy was special, but what truly caught his attention was his bright red eyes...and not the fact that the boy was covered in blood, surrounded by corpses. In that moment, he knew neither of them would be alone anymore.

Nicolas never knew who his parents were, or at least doesn't remember their faces. When people started killing each other and resources became scarce everywhere, Nicolas was just a kid hiding in an alley among corpses. Maybe he killed them, maybe he didn't...he doesn't remember either way.

☢️Anne Cleves (by @clouseplayssims)

Anne was a rich, sheltered girl whose family wanted her to marry a much older, several-times divorced man for money.

If not for society collapsing, Anne would probably have gone along with it like a good, dutiful daughter, but now she doesn't have to. If anything good could be said to have come out of the disaster, it is her freedom. Anne would rather take her chances with the zombies, honestly.

(This is my take on a post-apocalyptic Anne of Cleves, lol)

☢️Almalexia Goth (Sim & concept by @veronadragon)

They were the fruit of an affair between a rich Pleasantview socialite and a local man, and as a result she has grown up with many complicated feelings regarding their family.

On the one hand, they are away from all of that now - on the other, ruins are awfully cold and uncomfortable to sleep in compared to the cushy Goth manor, to say nothing of rampaging zombies...

☣️Hoppie AKA Patient Zero (by @andrevasims )☣️

When Hoppie drifted into Fallow Shores, she wasn't feeling very well, so she steered clear of the other survivors.

She'd seen what happened to the others!

That was not going to happen to her - she just needed to sleep, she'd feel better in the morning...

[burningcheese-merchant]

@cuppajj

You're 👀👀👀👀👀 you're what 👀👀👀👀👀

Instructions unclear, I have now created terribly drawn angst (I used that one drawing in this post as a reference for Spice in his container, I'm sorry it looks so botched, lvl 0 artist here lol)

And some written angst too, because I only really sort of know how to draw with words, not a pencil (under a cut so nobody has to bother with it if they don't want to)

"Father?"

Nothing.

"Are you awake? Can you hear me?"

Pepper Jack already knew what answer Burning Spice would give: none at all. Had eavesdropping on Celestial Cheese and the cheesebird in charge of "Energy Management" (this is what they meant by that?) not told him so ahead of time, then the sight that awaited him while he tiptoed through the halls and fluttered down the stairways would have instead. A man he'd always known to be larger than life, now a shell of his former self. Reduced to nothing but someone else's battery. Trapped behind glass, never meant to exist in the world again.

He knew all of that already. He knew in his heart that there was no point in talking to him. But he would try anyway. He had to.

"You look..." He paused. "You look thin. Thinner than... than the other you. You look weak."

The room itself felt warm and stuffy from the heat and electricity constantly pulsing through all of the machinery, and yet the glass felt startlingly cold when he placed his hand on it.

"I hate seeing you like this, Father," he said. "It isn't who you are. It's not who you're supposed to be. It... hurts. A lot."

The glass vibrated faintly; just enough for him to notice the pushback against his fingertips.

"Do they... really never let you out? Are you stuck inside of this container all the time? They never let you out to eat? Or move? Or even breathe?"

He leaned in a bit more, trying to get a closer look at Burning Spice's face. His eyes were closed, eyebrows slightly furrowed. His mouth was set in a small frown. Pepper Jack's gaze flickered downward - there was no rhythmic rise and fall of the man's chest like there should have been. The Light of Destruction - still embedded in his chest, to Pepper Jack's surprise; why wouldn't Celestial Cheese just take it while he can't fight back? - still gleamed, even submerged in that strange water and with the glass trying to hide its shine.

"I don't want you in there. I want to let you out..." His fingers curled into a fist. "I'm strong... Stronger than I look. One good knock and it'll rain glass all over the floor. It's nothing to me. But..."

He knocked on the glass once. Just the edges of his knuckles pressing against it, not even hard enough to make it rattle. Just for the sake of hearing the sound.

"But what would it do? What would happen to you? I know they're... draining you, but I don't understand how. I don't know how this container works. What if breaking it while you're still inside only hurts you more? What if it kills you?"

The thought of the glass shattering, granting Burning Spice his freedom back, only for him to slump and crumple to the floor completely lifeless made Pepper Jack's chest ache.

"I... I can't. I can't do it, Father. I'm scared of hurting you. Everyone else has hurt you enough already, haven't they? I won't make it worse if I don't have to."

He paused again. "Father... I..."

It was silent for a little while before Pepper Jack broke it with a soft sigh.

"... I know you're not really my father," he murmured, eyes downcast. "My father is... at home. Somewhere far away from here. You..." He stopped again, unsure of what to say next. "You... You're the version of him that's still a Beast. You're the one who hasn't changed."

He placed his other hand flat against the glass, feeling the faint vibrations latch onto his skin and crawl up his fingers and wrist. "Gold- Celestial Cheese told me you're a monster. That you've hurt and killed thousands. That she defeated you soundly and saved the world from your reign of terror..." He tilted his head. "Well... I guess that technically happened. But... Celestial Cheese... She scares me. She looks like my mother, but she isn't her. My mother would never act the way she does. She..." A lump rose in his throat that he quickly swallowed. "She wouldn't do any of this. She's not a conqueror, she's not a Beast. She wouldn't trap people in jars and lock the jars in a basement, taking away all of their strength until they're nothing but husks. She wouldn't even do that to her worst enemies. I don't even think she'd do it to you."

The Golden Cheese of this world wasn't always like this, was she? She was a hero like his mother - like his Golden Cheese - once. Even if only once...

"I hate to admit this, but... another reason I don't let you out is because of who you are. You're still a Beast, just like her... If I let you out, won't you just go back to hurting people again? What proof do I have that you wouldn't? If you did, would I even be able to stop you?"

Memories of his many spars with his own Burning Spice flooded his mind. Even holding back, the man was so powerful. Pepper Jack always improved, he walked away from every challenge his father gave him a better fighter than before - but he's never walked away the victor. Not yet. And he doubted that a battle against this Burning Spice would be any different.

"Whatever happens after that would be all my fault... I can't allow it. I can't let you be a monster again. I'm sorry."

Somewhere in the back of his mind and the bottom of his heart, Pepper Jack hoped Burning Spice would turn to him and say that it was alright. That he understood his decision. That he respected him. That he was proud of him.

Like his real father would.

His eyes started to blur.

"I..." Both of his hands balled into tight fists now, trembling with raw emotion. "But I still want to. I want to let you out. I know I shouldn't, but I- I don't want to see you like this. She's hurting you. You might deserve it, but- but I don't want it to happen. I want you to be free."

His lip began to quiver. "She scares me. She really does. When she smiles, her eyes don't. She's... I know she's lying. She's lying to somebody, somewhere, all the time. She treats me well, she dotes on me, she tries to act like my mother. But she's not. All she does is wear my mother's face like a mask. I don't understand who she really is, I just- I know it isn't good. She's greedy, but the wrong kind. The kind that leaves everything and everyone hollow, then scratches and howls at the empty space because even that isn't enough. It's scary.

"I just... F-Father, I-" He didn't mean to say that. He knows that's not his father, he really does. He really does... "I don't know what to do. I don't know where I am. This isn't the Golden Cheese Kingdom, not really. I don't want to be here. I don't want to be around Celestial Cheese. I don't even want to be around the cheesebirds, they- they sound like robots sometimes. Like all they know how to do is bend to Celestial Cheese's will. My mother doesn't expect that from our cheesebirds, she's kind and generous and- and she doesn't make them help her hurt other people! My- m-my mother-"

The memory of his mother - of his Golden Cheese, the only Golden Cheese that should ever have existed - made the warm tears that been threatening to spill over for ages finally do so. "I don't know what to do. I don't know where to go. Everything is all wrong here. There's something wrong with everyone, every single person I meet. I try to pretend, I try to act like I'm happy and grateful, I-I let Celestial Cheese hug me and take me places and pinch my cheeks even though I hate when she touches me! But I- I don't know if I can keep it up! I don't even know if she actually believes me!"

Never before had he ached for his mentor's guidance more than he did now. Smoked Cheese always told him he was clever and sought to make him more so. No blade could ever be sharper than one's wit, he said. He taught Pepper Jack to lie. He taught him to be crafty. To do what he had to, when he had to. He had to now, more than ever before - and he was cracking. The mask he wore in this place was ill-fitting. Every day, he felt it slip off further. His only solace was that Smoked Cheese wasn't there to tell him how disappointed he was in his failure.

"You're all I have," Pepper Jack cried. "There's nobody here for me. I'm all alone. I don't even know how I got here! I came here because- 'cause there's nowhere else for me to go! I don't have anyone to talk to! You- Y-You're in here, you're in this container, you can't lie to me or hurt me or- or do anything else! You'll sit there and listen and you won't interrupt me or talk down to me like she does!"

For a moment - just one moment - he thought he saw Burning Spice stir, just a little. It only made him cry harder.

"Please, Father!" he cried, raking his fingers over the glass - right above his chest. Right above the Light of Destruction. "Please, you have to wake up! I need help! I-I need your help! I don't know what to do, I hate it here, you're all I have, please!"

Nothing. Just like when he first called to him. Just like when he'd bothered saying anything else.

He crossed his arms and laid his head against them. "I just want to go home... I don't belong here. Please... You have to wake up. You're all I have in this horrible place. Please, Father, I need you. I-I want to hear your voice again. I want to hear you laugh at something. You're all I have anymore."

Through his tears and down through the glass, into the strange water, right at that godforsaken Soul Jam, Pepper Jack's lips curled into a small, bitter smile.

"You're all I have now... And you can't even hear me, can you?"

His only answer was the steady thrum of all the machinery.

---------------------

I mean... Can he? Can Burning Spice hear him in there? 🤔

Lol imagine he can and he's just like "wtf is this kid on about I don't even know you Jesus fucking Christ"

[echoflowerwhispers]

Your art is so yummy.

In general you have such an amazing idea of the world—I just recently found your blog so I have no idea if you r posted anything about this: but what’s your opinion on Shattered Dream-?

He’s so funny with the fandom in my mine—and even more so how people portray him with Nightmare. How would you portray them-?

I LOVE THIS QUESTION

ok normally I'd add some art as a bonus but I can't really do that rn

Lore dump below

Also I don't know much about Shattered's story so forgive me for inaccuracies

Anyway I see Shattered as a complete ass (kinda like how cannon Nightmare is portrayed) but he is only an ass because he is finally being true to himself and saying the things he is thinking (ofc this is amplified by the negativity/positivity).

Also because Nightmare had a hue shift when he corrupted I think Shattered did as well and now he is more red.

I think when Dream gave up and became Shattered, Nightmare finally realized how bad he had been treating his brother and is now trying to fix their relationship but Shattered doesn't care anymore and he is just doing the things he couldn't before (like murder and chaos lol).

Since Nightmare viewed Dream as being a liar and a fake, i think now that he realises Dream was actually struggling he feels really shitty but won't show it to his subordinates (at least not at first).

At some point I'd like to believe that Nightmare gets uncorrupted because well they are kinda like balance and if one becomes super powerful the other doesn't. And because Nightmare gets uncurrupted he starts to hide inside the castle never even leaving his room.

And sometime after that I think Shattered goes to seek revenge and tries to kill Nightmare. Oh and Cross (who is the only one that stayed by Shattered's side believing that he is still a good person deep inside) tries to stop him and gets hurt really badly

But it's fine cuz in the end Nightmare and Shattered have a heart to heart and after a lot of crying Shattered turns back into Dream and Nightmare gets his corruption back :)

They are so complicated in my head <3

[seraphsfire]

///ARCANE s2 finale SPOILERS ///

LONG POST

SO. THAT VIKTOR ARCANE LEAGUEOFLEGENDS GUY HUH.

some observations that are my personal opinion and/or interpretation of viktor's transformation and physical state. (my screenshots, idc if u repost them or whatever just don't say they're yours, etc)

minor edit: added a sentence i could've sworn i'd written that i hadn't and so my paragraph made no sense lol

love love love the aspects of body horror and character design going on with viktor's post-sourdough-starter cyborg body here, so i was trying to get a better look at it to maybe sort of figure out how his body was transformed, and what it's made of now (metal, magic, a third secret thing, idk)

so it looks like, in general, his skeletal structure and the metal parts in his back brace and his leg brace were fused together and then fused *into* his musculoskeletal structure, not just sort of copied by the hexcore. You can see here he has actual bolts in his spine before he got robot-ified, and to me it seems like this could have been a way for his brace to hook or snap onto his spine more securely to give him extra support.

I think the circles in the middle of the brace over his sternum might have also snapped into bolts in his chest, and you can see them better here

the cloth and leather parts of the brace have either dissolved or been turned into metal.

--I just want to take a side note here to note what im sure other ppl have mentioned but I haven't seen talked much about at least recently, is that viktor's disability wasn't just his mobility issues and bad respiratory health, that he must have been in terrible pain to have a procedure as extreme as bolts being put into his spine and/or chest deemed necessary / beneficial to his quality of life.

In the scene where he tries to destroy the hexcore, he can barely push himself up, and it takes all of his strength to lift a stool over his head that's only a few pounds :(

He later asks jayce to destroy the hexcore because he can't, and ive seen most people interpret that as him not wanting to destroy his life's work, but i always viewed it as him not physically being able to--the hexcore was too strong, and it snapped out at him and knocked him over just at the threat of him destroying it.

That circles over to another thing i thought was interesting, is that when he comes out of the goop he still seems very weak and unstable, even though he now has his back brace and leg brace fused to his skeleton. He still has to use his crutch to walk toward jayce and make effort to straighten his legs, because they're still twisted. It makes me wonder if the hexcore didn't so much heal him as dull his sense of pain so he couldn't feel it, and its energy forced him to move.

That's something i thought was interesting, and it made me think of his line about not feeling cold--he then says he feels something that is exactly how I'd describe coldness to somebody who's never felt it before, it just seems like now, his nervous system doesn't process it in the same way as he used to recognize the sensation of coldness. Interestingly, he still describes it as "unpleasant"

back to the design of viktor's body: what exactly is it made of? Here's where the body horror aspect of it comes in, because i think there's a possibility that's still mostly his body and what we're seeing here is exposed, preserved muscle fiber, because the hexcore either burned or melted off his skin or it literally rotted away while he was in the goop. There's a few artsy little flourishes from the hexcore magic peeking through, but except for the slightly darker color, it looks eerily like how muscle fiber on preserved cadavers looks, down to the way the little filamenty veins are. Granted it could just be a metallic structure the hexcore created, visually mimicking human muscle structure. Or the sourdough starter could have been something super gross like magic sentient cosmic energy formaldehyde--that also makes sense to me because of how when his hair grew out some of the tips had lost color, like they'd been bleached.

anyway the visual aspect of his resurrected hexcore appearance that makes me think of a reanimated cadaver most was how strange and unsettling i found it that he's completely gray and glowing with purple sparks, is that for some reason he's still got a bellybutton and almost a normal skin-like surace to that part of his stomach.

On the other hand, his hip socket and the rest of his pelvis is bony and skeletal. You can kind of see his pelvis not being attached with muscle fiber to his hip socket in that lower corner, it looks the same atp as when he's in his cosmic form.

the jokes about "jayce hugged him with his whole ______ out!!!!" just make me sad bc obviously any extraneous soft tissue was completely obliterated, (I say obviously but idk how many ppl literally believe they were censoring human body parts here.)

Like, he doesn't even have fingernails anymore. The only reason he has a stomach still is because abdominal muscles are a skeletal support structure.

That gives the he heebie jeebies so good, honestly, and what an fascinating choice by the design team instead of giving him idk, age of ultron steel robot shaped abs, which i've seen a lot in like human--robot transformations, he's this horrifying mix of petrified/preserved cadaver tissue, magic metal, and sentient cosmic energy. (Even more tragic and sad if you think about it that way and that jayce might have been hugging his dead friend's preserved, skinned corpse)

the "reanimated corpse" idea fits into the interpretation that viktor's emotions and thoughts are still his, but they've been very dulled by the power of the hexcore, because a reanimated cadaver body isn't going to be able to work as effeciently that way anymore.

or idk maybe the idea that he was still sort-of there, faintly is one i like because it makes me feel better, i can at least pretend some part of him felt comforted being held in such a horrific situation. had to post this screenshot bc that sad little face when hes getting hugged is destroying me

Anyway. many thoughts, many feelings, many possibilities and interpretations. Do with this what you will. I, for instance, will be walking into the sea and never returning probably

[suzy-queued]

Art Tag

Thank you @deathclassic and @doshiart for tagging me!

How did you start drawing? What year was it that you become more seriously and consciously interested in it?

I always drew, and didn't think too hard about it. I chose art electives whenever I could in middle and high school. I specifically chose to NOT major in art in college because "I need a real career." Joke's on me ... I ended college with a degree in fine arts/illustration.

When you felt the urge to share your art with other people? When did you start posting your drawings on social media?

I shared art with friends pre-internet. We'd pass images around at slumber parties and draw art as gifts. I posted online for the first time in the late 90s, illustrations for horror stories that I drew.

Your first/earliest drawing. What were your impressions of it back then and what are your feelings now?

I was always meant to be an illustrator rather than a straight-up artist. Here is a book I created in 1981. I loved it! My spelling wasn't bad for being 6 years old.

Your first fanart ever 1986. This image from Poltergeist II. I flipped to the back page of my sketch book and drew it in secret.

Your first gallavich fanart Kinktober 2021. Charcoal and spray paint.

When you had bad days and things didn't work out, what inspired you to keep trying? I think it was the confidence instilled in me by a supportive family. I never felt like a bad day meant doom and gloom; it just meant things weren't working that day. I don't have qualms about throwing out a piece that isn't working and starting over.

Show your old piece that you strongly dislike and tell why. I don't hang on to pieces that I dislike. They've vanished in time.

Show your old piece that you very like and tell why. What's the difference with the previous? I drew this with colored pencils in 1988. I was proud of how closely it matched the album cover.

Show your old piece that you were very proud of back then. This is one of my first horror story illustrations, for "That Hell-Bound Train" by Robert Bloch.

Do you do any practice sketches or warm-ups before you draw something big? Sure! Here are a few.

Sketch vs Final. Show your process. This is from the Big Bang 2021, for Lem's story!

Your most recent drawing. (Everyone has seen this already -- LOL)

Give yourself some praise! Look at what improved in your art! Do I have to? I don't like to compliment myself because I'm still learning, even after all these years. I can draw more photographically now, but I was looser/freer in the past. Who's to say which is better?

Any advice you'd give to your earlier self? Never stop taking figure drawing classes!

Set a goal for yourself for the coming year. To not let the doubt creep in and keep pushing boundaries. To develop more of a personal style.

Tagging some of my favorite artists ... @deedala @michellemisfit (thinking of you babe!) @vintagelacerosette @darthvaders-wife @heymrspatel

@gallawitchxx @filorux @crossmydna

[randomthefox]

Amy's always been a rude bitch. In Sonic Heroes she calls Eggman a mustached monkey. Yeah Amy smother someone with kindness when they need it but she isn't a saint. I don't know why everyone is suddenly deciding that she's supposed to be a perfect role model.

It's definitely overcompensating due to the utterly abysmal way that Amy is being written in the IDW comics. And due to the misconceptions that people have about the way she was written in Frontiers, because the people who act like the characters are written badly in Frontiers obviously have never actually played it and are just going off of second hand recounts that are incorrect. And also completely ignoring Dream Team and Murder of Sonic the Hedgehog and Superstars and all the other games Amy has been in recently (seriously I am so fucking sick of these threads from Amy fans who say some variation of "the way modern Amy is written" like bitch it's literally JUST the spin offs she's still the same hoe she ever was in the video games.)

They feel like they have to cheerlead because there IS a concerted movement of people who don't like Amy (including Ian Flynn) and they want to change everything about her character and turn her into a completely different character. To "fix" her. So folks feel the need to champion the qualities of Amy as she currently is (or, in their incorrect assumption that she's written badly in Frontiers, how she "used to be" but we're going to ignore everybody who thinks Frontiers is bad for the rest of this post because we all know they're objectively wrong because they haven't played it.) They want to say "NO, AMY DOESN'T NEED TO BE CHANGED TO BE A BETTER CHARACTER, SHE'S ALREADY A GREAT CHARACTER LOOK AT ALL THE THINGS THAT ARE GREAT ABOUT HER!"

The problem is they're acting like they're on the political campaign trail and Amy is running for fucking president or something lol. They're treating Amy like she's a real person who we need to glaze up. They think if they acknowledge that Amy has flaws and shortcomings, it'll undermine the "Amy is fine just the way she is and doesn't need to be 'fixed'" argument, because if they say "Amy is kind of stupid and more than a little crazy" then the Amy haters aka Ian Flynn will jump on that and say "See? Amy needs to be improved!" As if taking a fictional character and sandpapering away all of their flaws to turn them into a boring fucking mary sue has ever been an "improvement."

It's insecurity. Amy fans are insecure. Because they feel the character they love is under attack and at risk of being turned into something else, turned into a different character instead of the character that they currently love very much. They see the way Amy is being BUTCHERED in the IDW comics, and see the way people who like the IDW comics are celebrating that and how the guy writing the IDW comics is stroking himself off like he's so great for "fixing" Sonic Teams dumb pink problem, and they get scared. Then they see that that same comic book writer is credited as writing the latest AAA Sonic game, and they get told by LIARS that he's writing Amy in that game the way he writes her in the comic, and they think their worst fears have come to pass and now they need to champion the values and qualities of Amy even harder to try and preserve her in the face of this perceived wave of ruination spearheaded by people who look down on Amy as a broken character who needs to be completely changed into something else to be fixed.

And it results in overcompensating Twitter threads that get really fucking annoying because Amy is not at risk of going anywhere. Sonic Team still knows THEIR character perfectly well. The shit ass IDW comics are NOT canon and NEVER will be and they sure as fuck aren't the defining or guiding north star of how the franchise is going to be handled or how the characters are going to be written in the actual official products. Sonic Team HAVE NOT and AREN'T GOING TO change Amy to make her more like she is in IDW or was in Sonic Boom or shit like that. They still know how to write their own character and have been seeing to her being written appropriately as she always has been, and as long as these people are still alive and at Sonic Team that isn't going to change.

Amy fans need to chill the fuck out and have faith in Sonic Team and stop worrying about them suddenly changing directions just because retards on Twitter and Ian Flynn think Amy is a bad character who needs to be changed. Just throw the IDW comics in the same trash can of irrelevance that we've collectively put Sonic Prime into and calm down. Also play Sonic Frontiers. And while we're at it stop acting like the 2010s Sonic games were bad.

[drawacirclethatsyourconfession]

Oh my god an actual hetalia confession blog that's active AND doesn't allow stupid ass ship wars? Thank you admin I've been waiting for you since 2018 I have so many thoughts about hetalia and its fandom but no one to discuss it with, both irl and online, so now I'm basically gonna haunt your blog lol

Onto the confession: I really hate nation reveal AU. Like absolutely despise it. Especially if the writer makes it super angsty and grim dark. Just for disclaimer, I don't think this AU and the people who enjoy it are morally bad. I don't need excuses for my irrational feelings lol. And I never hate it openly or try to stop people from loving it. If I see someone posting nation reveal content, the most I'll do is block them and forget about them

So there are 2 main reasons I hate the AU. First one is simply because of my personal taste. I don't like stories with too much angst, which is like most nation reveal fics out there, and I hate unhappy endings

Second reason is more complicated. In hetalia it's canon that nations can and do live freely among human. While sometimes they get harassed by fanatical historians and such, overall there seems to be no major problems with them living this way. Most humans are chill with nations and vice versa. So my second reason for hating nation reveal AU is I don't fucking understand why it exists? It seems like the kind of AU that's made to answer a question fans have about canon, but there's already a canonical answer... So did a bunch of hetalia fans back then saw nations living happily with their people and just went "nah fuck that, let's make them live in a secret society and then make that society not secret anymore so everyone will suffer for no reason" or some shit? Honestly I wouldn't be surprised if that was the case, just mildly disturbed. Like what do these silly immortal guys ever do to you man 😭

🕯️

[rey-jake-therapist]

Excuse me ? "it's you who started it", are you twelve ? You're accusing me of things that other shippers have done, so tone down your voice please.

Yes it was me who posted this comment, I won't deny it. It was in this post, that commented on a post quoting an article that claimed that Galadriel was "done with Sauron" and that Celeborn was an extremely important character in the story of LOTR and that it was imperative that the show would introduce him now. YES I called certain Celeborn stans delusional not because they ship Galadriel and Celeborn lol but because they often make him a much more important than he is, and are also often vocal on how that now Galadriel will "step back", her life will turn around him. This is just not going to happen. And YES I called this take in particular delusional because

1) Galadriel is not done with Sauron, wether you ship it or not it will always remain a very important connection the show

2) Celeborn is a side character, he's not important. Is he important for Galadriel ? Of course he is, he's her husband, the father of her child. But in the overall story? No, he isn't, and no, it's not crucial that he shows up in the story now. But if he does, he does ! I won't stop watching the show because Celeborn appears.

3) and yes some Celeborn stans are often very annoying and agressive, you just proved it. That's why I said what I said in the screenshot. For the record, it came just a few days after certain Celeborn stans blamed Haladriel shippers for chasing Charlie Vickers away from Instagram, while they had nothing to with it, as it was proven. So yes, I was pissed, and I don't do it often but this day I generalized. It was wrong, but since you're just doing exactly the same thing to me by accusing me of things that other people did, I can't say i feel very guilty.

Idgaf about your ship, and i don't think I said anything remotely negative about it in this post, did I ? I called it 'boring', but I also said that most marriages are boring, as 'uneventful'. I find it boring as a subject to watch and analyse, okay ? Christ, I even called my own past relationship 'boring', and I loved most of it ! I don't think it's being anti shipping to say that I'm not obsessed with the daily routine of a married couple to the point of imagining their life together or write fanfic about it.

All that you accuse ME of saying (I say 'me', because I'm the one being personally attacked here. I don't represent the Haladriel fandom as a whole, mind you) : sorry bro, wrong target, because I never called any of C/G shipper 'delusional'. Some of those who use their ship to attack mine annoy me, yes, but I'm also well aware that it's not the majority of the shippers who do that (I know there are fellow shippers that claim that most C/G shippers are fake, but I. am. not. them.)

I also never called any shipper 'puritan incel' for wanting a wife and a husband to be reunited. Not only it will happen, but it HAS to happen. I'm not an idiot, I know how the story ends and it ends well for your ship and really not well for mine. I'm totally cool with it, I even love my ship for this reason, among others.

Also, you're a former Reylo

Ahhhhh again, wrong target bro, I'm not at all a former Reylo, never been a Reylo. I had a vague interest for it at some point, but it quickly passed. And I'll even confide you one thing : I'm always profundly annoyed when I see Haladriel being claimed as another Reylo, because these dynamics are for me extremely different. Sauron is not Kylo Ren, for which I'm very grateful because I can't stand the guy (sorry my Reylo friends, but it is what it is. Love on you though).

Don't start talking me about fandom etiquette when you're the one attacking me. The comments you screenshot were adressed in a post that didn't tag your ship or your beloved Celeborn, so you found it because you wanted it. People are allowed to express negative opinions on a fictional character, and you are allowed to block them if you don't like it. THIS is basic fandom etiquette. Every day I find the worst takes on characters I love, and yet you don't see me whining in the mentions of whoever posted them. Most of the time I just shrug it off and scroll down, because I'm a grown woman !

However, I don't support any of the behaviours you're accusing me of having. I'm not for attacking real people over their like of a ship or of a fictional character.

I'll leave you time to read this answer, then I'll indeed block you because I don't need this kind of nuisance. Go find somebody else to pile on, because you got the wrong person here, clearly.

Why is it so hard to understand that Sauron being the villain and downright evil is precisely what makes Saurondriel a fun and interesting ship to play with ?? I mean it's so amusing to see people clutching their pearls over the fact that many viewers (women mostly) find this dynamic attractive, as if the point of shipping was not often to have FUN playing dolls with fictional characters who if they existed in real life, would have no business being together. Unlike real life toxic relationships, the fictional ones are HARMLESS. Unless you can't dissociate fiction and reality and don't see that Galadriel is a fictional character, there's nothing harmful in shipping her with anyone else than her husband.

I'm not sorry to say I don't see why I should ship Galadriel with her currently dead husband, while Galadriel herself doesn't seem to give a shit about him at all (in the show). Seeing some people bemused that no more fans ship her with Celeborn as if a relationship being canon made it automatically fun to ship is a bit funny, to say the least.

I don't see any fun in imagining scenarios where they live their very normal marital life, raise their very normal kid and sometimes have dinners with their very normal family. Why don't more people ship Galadriel and Celeborn ? Because it's boring that's why. I see boring married people everyday in real life already, my own marital life was mostly boring as well (except when my ex decided it was "put you down for no reason" day.... I preferred the boring days), why the hell would I care for fictional boring married people ?

Don't get me wrong, It doesn't mean that I don't want Galadriel to have this life ! I want her to be happy, of course, but see what's great with Saurondriel is that I KNOW that it will never be a threat to Galadriel's life with Celeborn. I KNOW that he'll come back at some point, I KNOW that she'll have this peaceful marital life, and us shipping Galadriel and Sauron will never change that because it's already written.

[anne-is-confused]

Captain Francis Crozier, at Furthest North.

[icewindandboringhorror]

On average, what is the total MONTHLY amount that you spend on dining out*?

*(This doesn't only count going out to restaurants, but also stuff like picking up fast food to bring home, getting a coffee on the way to work, getting a premade sandwich from a grocery store deli during lunch, buying a quick snack from a convenience store or food cart whilst walking somewhere, ordering a pizza or any other food to be delivered to your home, etc.)

*(If you often dine out in groups/as a household: calculate and divide the costs so that you get a Per Person average. This is for YOU individually, NOT the total household/group costs)

(I'm sure polls similar to this have been made before (very common topic), I just haven't personally seen one that I can remember, so, I was curious to do my own! I was discussing this with a group of people today and it was very interesting to see how widely the number varied between individuals. :0c )

(Reblog for bigger sample size if you can, and feel free to explain your answer in tags if there's anything extra to add!)

[fiepige]

Compilation of EVERY single time they changed Hobie's filter in the digital version:

Left: Theatrical release Right: Digital release

You might have to click on some of them to get a better look at Hobie, sadly I don't have a video editor that allows me to make better edits than these :')