#location: saatchi gallery

[world-of-wales]

❥ 7 JULY 2024 | Kensington Palace released a new portrait featuring The Prince of Wales announcing a new docuseries titled 'Prince William: We Can End Homelessness'

The docuseries will give an exclusive, behind the scenes look at the first year of the Homewards programme and will follow Prince William as he launches Homewards across the country, as well as the journeys of those currently facing homelessness or who have lived experience of the issue. It will be shown on ITV1 and ITVX this autumn.

The Homewards Programme also announced a ground-breaking exhibition that will utilise the power of art to help improve the nation’s understanding of homelessness & inspire optimism that it can be ended.

In collaboration with the Saatchi Gallery & Eleven Eleven Foundation the ‘Homelessness: Reframed’, will feature works from artists in the UK and beyond, sharing pieces inspired by their own or others experiences of homelessness. It will include pieces created by children and young people at a series of creative workshops held across the six flagship Homewards locations.

[teravarna0]

What Makes Focus Art Fair London a Must-Visit for Art Lovers: A Haven for Contemporary Art

The city of London has always been a hub of attention, be it for art, culture, literature, history and for artistic innovation. And, in 2025, the city will once again take the center stage with the highly anticipated Focus Art Fair 2025 chapter. To be held at the historic Saatchi Gallery London, this premier art fair in London will bring together emerging and established artists, collectors, and art enthusiasts from around the world. 

Are you an aspiring artist who wishes to join the show? TERAVARNA art gallery will let you showcase your art for FREE! You have to participate in the Focus fair contest and if you win, the call is all yours! With its unique curation of contemporary masterpieces and avant-garde installations, Focus Art Fair London 2025 promises to redefine the future of art as we know it. So, let’s know a bit more about it!

A New Eye for the Art World

In recent years, the contemporary art scene has changed focus: more experimental exhibitions and shows are coming up. Focus Art Fair is such an inclusive and new-age show.

Focus Art Fair prioritizes direct artist-to-collector connections while most of the traditional art fairs showcase artworks from commercial galleries. This helps to build a more meaningful and engaging experience for both artist and collector.

The fair tries to break down barriers between artists and attendees, opening new vistas for art appreciation and art sales.

In this iconic fair, a pool of artists will showcase, many of whom have shot to fame with the help of prestigious platforms like Saatchi Art London. This ensures that the visitors will experience diverse art styles, mediums, and genres, right from digital art and conceptual art to figurative & abstract masterpieces.

Why Focus Art Fair London Stands Out

So, what makes the Focus Art Fair London 2025 unique in a pool of other famous art fairs held across the globe? Let’s find out some reasons why this event is set to be a game-changer in the art world:

Global Stage for Talents: Here, in this fair, global talents meet local innovative minds. International artists showcase with leading British artists under the same roof, bridging cultures and artistic expressions.

New-age Contemporary Art: All kinds of artworks will be displayed here, from AI-generated pieces to unique installations, so that the attendees get an inclusive feeling and engage in more contemporary art.

Priority to Artists: Through direct engagement of artists and collectors, unlike many commercial fairs, Focus Art Fair offers a rare voice to artists, allowing them to engage with art buyers without any gallery affiliation.

Meaningful Collaborations: As the venue is none other than the prestigious Saatchi Art London, attendees will get to see curated and groundbreaking works that push artistic boundaries.

Access for All: No matter if you are a budding artist, or a first-time buyer, or simply an art lover, the fair has access for all. It provides an inviting ambiance where everyone can freely explore art and connect with the show better.

Focus is a Rare Platform for Emerging and Established Artists

No wonder, the most exciting part of Focus Art Fair London is its inclination to search for new talents. Emerging artists will have the opportunity to showcase their work beside other seasoned artists and creators in contemporary art! This is a big deal indeed for the growth of art!

Not only for artists, this is the right platform for the first-time buyers and collectors too! This is a unique chance to invest in emerging artists before their careers take off. Saatchi Art London has created and nurtured some of today’s most sought-after artists.

The Venue of Saatchi Art: A Prime Location for Art Enthusiasts

London is home to some of the finest art centers and institutions in the world, and Focus Art Fair 2025 adds more to this glory. The venue being Saatchi Gallery, makes it more prominent and easily accessible to local and international visitors alike. Whether you wish to visit from abroad or a city-dweller wish to explore the contemporary art scene, FOCUS is the perfect opportunity to experience that in a historic set-up of British art and culture.

Besides, the venue is close to other major galleries, allowing visitors to extend their artistic journey beyond the fairgrounds. Attendees can explore exhibitions, network with industry people, and get into the thriving London art scene.

Saatchi Art London and Its Influence on Contemporary Art

What is the most striking feature of this Focus Art Fair 2025 is its collaboration with Saatchi Art London, the most influential platforms for contemporary artists in London. Saatchi Art has helped in building careers of numerous artists, promoting emerging talents and its association with the fair sets a high standard for art.

This will be a rare opportunity for the art-lovers to view exclusive pieces from Saatchi Art -affiliated artists.

The artists and attendees will get to know the latest artistic movements and market trends. This will help in generating art sales and the fair’s role in shaping the future of contemporary art.

FOCUS: A Not-to-Miss Event for Art Collectors & Enthusiasts

Whether you wish to collect some state-of-the-art pieces, or looking for your next art inspiration as a budding artist, or someone who loves to explore contemporary art, Focus Art Fair London 2025 is the event for you! Here you will have the best worlds – innovation, accessibility, sales lead, and a grand curated art experience as one of the most happening art fairs in London.

So, dive in for the exclusive meeting with contemporary art, as this fair is poised to leave a lasting impact on the global art scene!

Get prepared to discover the future of contemporary art at Focus Fair London 2025! Mark your calendars now!

[abbyindenhaag]

Flower power Friday

We intended to start our touring today with a visit to St Paul’s Cathedral, which Bart and I for some reason hadn’t been able to do when we visited last time. But I was foiled again, by all these people in funny robes who for some reason were allowed to take over the cathedral when EYE wanted to see it! This will become my white whale.

We moved on to St Dunstan’s in the East, eight-time champion of the London Small Garden Championship award, which featured a burbling fountain, gothic arches, a mysterious floral scent we couldn’t tie to a particular plant, and a warbling blackbird whose melodiousness surprised me despite the many references to blackbirds singing that I realized I had been indoctrinated with and dismissed (blackbird singing in the dead of night…. Four and twenty blackbirds baked in a pie, which when opened began to sing…). I guess I thought blackbirds sounded like crows.

Next up was the fashion and textile museum, a small exhibition which nevertheless featured many textiles that deeply excited Annie. Here was my favorite, though I was slightly embarrassed to read that the Vietnamese artisans first wove the piece in primary colors and then dipped the piece in a golden-hued dye to “appeal to Western tourists.” Guilty as charged:

We visited the Shard for high tea and panoramic views of the city, replete with lovely conversation, and also a restroom with WAY too much mirrored glass in the restroom stalls:

And then back to the apartment for a short rest before embarking on ANOTHER culinary degustation at Dishoom. Regular readers of this blog will recall that Bart holds a permanent grudge against Dishoom for their snobbish dismissal of us at the Kensington location in favor of some large-black-car-type personality who didn’t even show up while we were waiting. I knew I was never going to go back there with him, so this was my chance, and I am happy to report that while there were four front desk staff who were all sporting officious headsets, our waiter was extremely solicitous even though we did not arrive in a limousine. Due to our recent lunch we ate lightly, but very much enjoyed the samosas, grilled chicken, and lamb. When we left around 7 there was a massive line out the door and I was very grateful to Annie for acting early to obtain our reservation.

Our final stop of the evening was a floral exhibition at the Saatchi gallery in Chelsea! Mostly an exhibition of art pertaining to flowers, though there was also a flower arranging workshop that we did not get to participate in. I appreciated the variety of artwork that made it into the exhibition: album and book covers, botanical illustrations, clothing, wallpaper, The Art of Spring, pressed flower arrangements, a giant dried flower curtain sculpture/instagram bait, movies of flowers decaying, almost-abstract things in weird colors, photographs of protestors putting flowers in guns, color block prints, jewelry, really everything you could think of. Annie said she thinks she likes art about flowers better than real live flowers, because real flowers decay too quickly. I think my most favorite is seeing flowers in real life (side note: I have been appreciating all the pear blossoms, magnolias, and daffodils that have been decorating the streets here), but I do still appreciate efforts to capture their symmetry, transience, delicacy, and color in art.

My favorite pieces:

This, for the color, composition, variety, simplicity and detail

This, for the contrast between the smooth blankness of the dress and the color and abundance of the flowers, and the suggestion of vibrant interiority that is superior to an actual bosom (lol, I may be overreaching here but whatever)

And this, for being actual (and semi-seasonal, I think!) flowers arranged beautifully by the person giving the workshop. Watching the participants leave with their variously limp and staid bouquets — made from the same base flowers as here! — and comparing them to the expertly arranged pieces gave me a new appreciation for the value of the sculptural design of a bouquet, even beyond the selection of complementary colors and shapes. So thank you to florists.

[mahoneysart]

How to Start an Art Collection Without Breaking the Bank

Building an artwork collection is regularly associated with the rich, but the fact is that all of us with a passion for art can start our own collection without spending a fortune. With the right strategies, an eager eye, and a piece of persistence, you may build an impressive series of paintings that reflects your tastes and character. This guide will help you understand a way to begin art collections without straining your price range.

1. Define Your Taste and Style

Before investing in artwork, take the time to explore special styles, mediums, and artists. Visit galleries, museums, and artwork fairs, and read online systems to recognize what resonates with you. Knowing your possibilities will assist you make knowledgeable choices when curating your artwork collections. You don’t need to comply with trends; rather, awareness on pieces that evoke feelings and align along with your aesthetic vision.

2. Set a Realistic Budget

Setting a budget is important whilst beginning artwork collections. Determine how much you're inclined to spend on your preliminary portions and stick to it. You don’t want to spend thousands of greenbacks—many emerging artists sell their paintings at reasonable prices, allowing you to gather lovely portions inside your budget. Allocate finances monthly or quarterly to step by step increase your series without monetary strain.

3. Discover Emerging Artists

One of the exceptional approaches to construct art collections cost effectively is via making an investment in emerging artists. Many talented artists are inside the early degrees of their careers and offer unique works of art at decrease charges. Visit artwork faculty exhibitions, neighborhood artwork festivals, and on-line structures along with Instagram, Etsy, and Saatchi Art to discover new skills. Not handiest will you be helping artists, however you can additionally collect a valuable piece that appreciates through the years.

4. Explore Affordable Art Mediums

Original paintings may be high priced, however there are numerous other less costly mediums to do not forget whilst beginning art collections. Look for prints, pics, drawings, and mixed media works of art. Limited version prints, for instance, are a cost-effective manner to very own works with the aid of mounted artists without the excessive price tag. Art postcards, posters, and digital prints also are remarkable options for price range-conscious collectors.

5. Buy Directly from Artists

Purchasing without delay from artists is an exquisite way to gain artwork at affordable charges at the same time as constructing meaningful connections. Many artists promote their paintings through social media, personal websites, and local art activities. By buying without delay, you could avoid gallery markups and even negotiate charges or charge plans to make obtaining art greater viable.

6. Utilize Online Marketplaces

The internet has made amassing art more handy than ever. Numerous online platforms provide artwork at numerous price factors, making it smooth to discover pieces inside your budget. Websites like Artsy, Saatchi Art, UGallery, and Singular characteristic works from emerging and established artists, regularly at aggressive costs. Be sure to investigate the seller, study evaluations, and verify authenticity earlier than creating a buy.

7. Attend Art Auctions and Estate Sales

Art auctions and estate income can be goldmines for less costly artistic endeavors. While high-profile auctions may also cater to rich collectors, neighborhood public sale houses and estate income often characteristic hidden gemstones at decrease prices. Platforms like eBay and local Facebook Marketplace companies additionally offer possibilities to locate tremendous offers on art work from private dealers.

8. Consider Framing and Presentation

How you show your artwork can substantially effect its appearance and perceived fee. Simple, elegant framing can enhance the beauty of a bit and make it appearance extra luxurious. If you purchase an unframed artwork, discover price range-pleasant framing options at nearby stores or online shops. Additionally, test with gallery walls and creative arrangements to make your artwork collections stand out.

9. Trade and Swap Art

Engaging with other artwork fanatics and creditors can provide opportunities to exchange or swap artwork. Many artists and collectors are open to changing portions, permitting you to diversify your collection without additional spending. Join online artwork communities, attend nearby artwork meetups, and connect to fellow collectors to explore ability trades.

10. Stay Informed and Educated

A well-informed collector makes better purchasing decisions. Keep up with artwork tendencies, comply with artists on social media, and study artwork blogs or books to expand your knowledge. Engaging with the art international thru exhibitions, workshops, and lectures will assist you refine your flavor and make confident funding alternatives whilst growing your artwork collections.

Conclusion

Starting an artwork collection on a budget is absolutely viable with the right technique. By exploring emerging artists, considering low-cost mediums, buying immediately from creators, and using on-line resources, you could construct art collections that mirror your specific fashion without overspending. With persistence and a keen eye, your series can grow right into a meaningful and treasured asset over the years. Happy collecting!

[neogeist]

The Museum of the Future: How Immersive Tech is Changing Art Spaces

Museums have long been places of quiet reflection, where viewers engage with art by observing from a respectful distance. But in recent years, immersive technology has begun to revolutionise these spaces, turning passive viewing into interactive, multi-sensory experiences. From augmented reality (AR) to virtual reality (VR), technology is reshaping how we connect with art and history.

This shift raises exciting questions: are we enhancing cultural experiences or losing something in the process? And what does the Museum of the Future look like?

The Rise of Immersive Technology in Museums

Immersive technology is redefining traditional museums, offering audiences the chance to step inside art and history. Exhibits like Van Gogh Alive, where visitors are surrounded by animated projections of the artist's work, and the Frameless Immersive Art Experience in London, which brings iconic paintings to life, are just the beginning. These experiences go beyond observation, encouraging viewers to engage physically and emotionally.

Interactive exhibits are also breaking down barriers, making art more accessible to younger, tech-savvy audiences. Features like AR overlays in historical museums allow visitors to visualise ancient ruins as they once were, while VR tours of archaeological sites transport viewers to far-off locations.

The Debate: Enhancing or Distracting?

While immersive technology is undoubtedly captivating, it also has its critics. Some argue that the spectacle of these exhibits overshadows the art itself, shifting focus from the artist’s intention to the technology. For example, the contemplative atmosphere of the Rothko Room at the Tate Modern relies on the stillness of the space—a quality that could be lost in an immersive reinterpretation.

Another concern is the environmental cost. Immersive installations often require significant energy to operate, raising questions about sustainability in a world increasingly focused on reducing waste and emissions.

London has become a leader in integrating technology into its art spaces. The Saatchi Gallery and Southbank Centre regularly host cutting-edge exhibits, while smaller venues like Frameless in Marble Arch are experimenting with boundary-pushing concepts. These institutions are turning the city into a global hub for immersive art, blending tradition with innovation.

The Future of Museums

The museum of the future is likely to be a hybrid—a space where traditional exhibits coexist with immersive installations. As technology continues to evolve, museums will have new opportunities to reach broader audiences, offer more inclusive experiences, and engage visitors in ways that weren’t possible before.

Imagine a world where AI curates personalised tours based on your preferences or AR glasses enhance exhibits by overlaying historical information in real time. The possibilities are endless, but the challenge will be ensuring that technology serves the art, rather than overshadowing it.

Immersive technology is reshaping the way we experience art, challenging the boundaries of what museums can be. While it presents new opportunities for engagement and accessibility, it also raises critical questions about sustainability and authenticity.

As we look ahead, the future of museums will depend on their ability to balance innovation with tradition, ensuring that the magic of the art itself remains at the heart of the experience.

[ethannaickersblog]

statement draft

The sins in all of us  

I will portray a guy, but he will be portrayed with each of the seven deadly sins and in the end will show that each sin is a part of him.  

I will try and portray these themes and ideas through the use of colour as well as graffiti stylized art that will be collaged onto the photos.  

Everyone has all the different sins in them, so to ignore that would be foolish, and if one acknowledged their demons, you could fight them.  

You don't need to villainize sin or blame sin for bad actions but to accept they are a part of you, but that doesn't define you. The unique approach will be to have the character as all the sins but each as different part of the character and have the final image being him with all the sins. 

One thing i have unique access to is a gothic mirror which I plan on being the main subject in the shoot.  The reason for this is that there are a lot of tropes with mirrors being able to view a person's soul. There is a mirror in harry potter that show a person greatest desire which is something that I am taking inspiration from. The mirror also is a way to show the person but to view them in an alienated way. 

The title of my photo book will be called The Sins in Us. I think the title I have chosen the audience will view the photos with a different lens. Instead of looking at just the photos they will try to look for the deeper meaning that the title suggests. As well as compare it in relation to their lives.  

I would like the view to feel a sense of connection a disgust for sins themselves but the realization that the audience and the subject are the same. I would like to feel a sense of reflection at the final photo. The main object is to get the viewer to think and reflect when seeing the photos. 

The role of the text will be to guide the audience in the right direction. It won't flat out say this is pride but rather “built by ego” will be the title so that view can form the connection by themselves. They work together to back up each other by reinforcing the idea of each sin.   

I will only require One shoot; the shoot just needs to be a well-planned outshoot. On the Potential that it does go wrong, the location is a closed environment with convivence to get to the location. 

The main gear that I will need will be a tripod, as well as all the props that are required, which includes a gothic mirror, seven sets of clothes as well. The plan will be to arrange a time with my actor around midday and positioning the mirror while the actor is getting ready. After the actor is ready, I will position them in view of the mirror and guide them on how to pose. The process will be repeated seven times to capture the Seven Deadly Sins. The angles will have a slight change and change from horizontal to vertical. 

For the software pipeline I will try to limit the amount of software so there is less error, I will start off in adobe bridge the move to photoshop. After the editing process I will do a mock layout on PowerPoint then move to fliphtml5. 

My research will be to investigate photographers who use collage in their work to understand the unique spin on photography and will enable me to understand what I find desirable or not, as well as practical research by trying out the collage aesthetic with previous photos that I have taken. Three of the photographers I have found that influenced my work are John Stezaker, Hannah Höch, and Robbie Ewing. Stezaker and Hoch use the collage style that I plan on using for my final images. Ewing uses the bright bold colours that I found convey feelings really well through his images.  

 Saatchi Gallery https://www.saatchigallery.com/artist/john_stezaker  

 hannah-hoech-escape-1931_content https://iggh.ch/agenda/hannah-hoech-montierte-welten-fuehrung-mit-gebaerdensprach-dolmetschdienst/  

Robbie Ewing photography  https://www.robbieewing.com/  

In order to understand photobooks, I read a book by Paul Ernest Michael Edwards called The Photobook World: Artists' Books and Forgotten Social Objects after reading it I understood my vision of what I would like my photobook to look like. 

The only decisions that are not yet made are what images I will be using for the collage effect. I understand that I want a graffiti art styled collage. I think the way I solve this will just be to take the photos and then find the stickers naturally and see what fits and what doesn't.  

References  

Paul Ernest Michael Edwards, The Photobook World: Artists' Books and Forgotten Social Objects, (Manchester University Press, 2023) 

With this draft i was given advice to be more in-depth so i will add more and increase the academic level of writing i will also go more in depth as to the relation that I have with this topic.

[jongasfineartphotography1]

Fine Art Landscape Prints: A Guide to Beauty and Inspiration

Fine art landscape prints are a beautiful and inspiring way to bring the natural world into your home. They can capture the majesty of mountains, the tranquility of forests, or the allure of the sea. Fine art landscape prints can also be used to create a sense of peace and calm in your space, or to add a touch of elegance and sophistication.

Whether you are a collector of fine art or simply looking for a beautiful piece to hang on your wall, there is a fine art landscape print out there that is perfect for you. In this guide, we will explore the different types of fine art landscape prints available, as well as how to choose the right one for your needs.

Types of Fine Art Landscape Prints

There are many different types of fine art landscape prints available, including:

Photography prints: Fine art photography prints are created from high-resolution digital photographs that have been carefully edited and printed on high-quality materials. Photography prints can be either black and white or color, and they can range in size from small to large.

Giclée prints: Giclée prints are a type of high-quality inkjet print that is created using archival inks and papers. Giclée prints are known for their vibrant colors and sharp details.

Canvas prints: Canvas prints are created by printing on canvas material. Canvas prints can be either stretched over a frame or mounted on a backing board. They are a popular choice for fine art landscape prints because they can create a look that is similar to an original oil painting.

Metal prints: Metal prints are created by printing on a metal substrate, such as aluminum or stainless steel. Metal prints are known for their durability and their ability to produce vibrant colors.

How to Choose a Fine Art Landscape Print

When choosing a fine art landscape print, there are a few things to keep in mind:

Subject matter: What type of landscape are you drawn to? Do you prefer mountains, forests, seascapes, or something else?

Style: Fine art landscape prints can range in style from realistic to abstract. Consider what style of art you prefer.

Color palette: Do you prefer prints with bright, vibrant colors or more muted tones?

Size: Consider the size of the space where you will be hanging the print. You want to choose a print that is the right size for your space.

Budget: Fine art landscape prints can range in price from a few dollars to several thousand dollars. Set a budget before you start shopping.

Where to Buy Fine Art Landscape Prints

Fine art landscape prints can be purchased from a variety of sources, including:

Art galleries: Many art galleries sell fine art landscape prints from both established and emerging artists.

Online retailers: There are a number of online retailers that sell fine art landscape prints. Some popular options include Fine Art America, Saatchi Art, and Artfinder.

Direct from the artist: Many artists sell their prints directly from their websites or studios.

Tips for Displaying Fine Art Landscape Prints

Once you have chosen a fine art landscape print, you will want to display it in a way that showcases its beauty. Here are a few tips:

Choose the right location: Hang your print in a location where it will get plenty of natural light, but avoid hanging it in direct sunlight.

Use a mat and frame: A mat and frame can help to protect your print and enhance its appearance. Choose a mat and frame that complement the style of your print.

Hang your print at eye level: This will help to ensure that your print is properly displayed and that it can be enjoyed by all who view it.

Conclusion

Fine art landscape prints are a beautiful and inspiring way to bring the natural world into your home. When choosing a fine art landscape print, consider the subject matter, style, color palette, size, and budget. Fine art landscape prints can be purchased from art galleries, online retailers, and directly from the artist. Once you have chosen a fine art landscape print, display it in a way that showcases its beauty.

Additional Tips

If you are unsure of what type of fine art landscape print to choose, consider visiting a local art gallery and speaking with a gallery owner or art consultant. They can help you to choose a print that is right for your taste and budget.

When purchasing a fine art landscape print online, be sure to read the reviews carefully before you make a purchase. This will help you to ensure that you are buying a high-quality print from a reputable seller.

If you are purchasing a fine art landscape print directly from the artist, be sure to ask about their return policy. This will give you peace

Source URL: https://bit.ly/3FqcdIw

[exhibit-of-the-century]

Where to Begin with Art History…

Masterlist

BUY ME A COFFEE

In all honesty, there is no direct stating point. You sort of have to half figure it out on your own by trying new things. But if you, for instance, don’t have an idea on where to begin, here are some things to get you brainstorming.

A brilliant starting point is museums, entry should be free, especially in the UK, unless you’re going to want to go for a specific exhibition. Then there’ll most likely be an entry fee. Given my focus location being London:

Tate Modern: Bankside, London, SE1 9TG 10am – 6pm

National Gallery: Trafalgar Square, London, WC2N 5DN 10am – 6pm

National Portrait Gallery: St. Martin’s Pl, London, WC2H 0HE 10:30am – 6pm

Wallace Collection: Hertford House, Manchester Square, London, W1U 3BN 10am – 5pm

Design museum: 224-238 Kensington High St, London, W8 6AG 10am – 5pm

V and A – Victoria and Albert Museum: Cromwell Rd, London, SW7 2RL 10am – 5:45pm

Saatchi gallery: Duke of York’s HQ, King’s Rd, London, SW3 4RY 10am – 6pm (certain days)

Of course, there are so many more museums in London, but I’m focusing more on the ones that I frequent and have a lot to say about. I recommend whenever you see a ‘What’s On’, don’t just focus on the exhibits, but check out talks, lectures, gallery tours, as they are what usually have far more insight and intrigue. Given most of them are presented by professional Art Historians or incredibly educated people who know how to inspire while delving deeply into an artwork, it’s process, interpretation, and history. On top of that, these sessions are usually cheaper than big exhibits, and sometimes even free.

You could start chronologically, from a textbook. I recommend Art History for Dummies, if you wish to have an actual timeline and deeper dive into the subject matter.

If you’re someone who doesn’t have a museum close by or doesn’t know a lot about artists/artwork. And has a textbook, or an art book to hand: flip through it and note down the paintings that catch your eye, then look up that artists body of work. Then note the time period, and look at other artists work during that time as they probably belong to a movement (or period) of art. From there, you can go back and discover the inspiration of that movement/period, or more contemporary work that links or cites its inspiration from them. Doing this can also aid in forming a vague understanding and skeleton of a timeline of art history. This also works if you do have a museum but not a textbook: wander around and note down those points. Artist’s name, date, movement/period, and do your own further investigation when you get home, as I’m sure most people have access to the internet and are capable of a quick google search. Remember: google exists to feed out imagination and curiosity.

[ultralowoxygen]

Elemental #290: Fish King, 2020 by Michael Rawling Via Flickr: Series from the Pandemic Years. Limited Edition of 5. Using a 14 month film process. . . Site of Photograph Pentire Head, North Cornwall, South West UK . Found Materials at Location Basalt rock fragments and sand, seashell fragments, Celtic Sea water, seaweed, algae. . . . . How do I do this?? Minute amounts of water, windfall samples - organic and mineral - are collected from the very landscape depicted within each picture - and chemically bonded with the film over 12 months. The result: a developed film and unedited, printed images that are somewhere between a classic photograph and a totally abstract image, depicting the interaction between fundamental chemical elements present at each place & time, representing a more visceral and literal experience of being present in landscapes in a constant state of natural or unnatural flux. . . (C) Copyright 2020. All Rights Reserved. Process Patent Pending. . ******** Next Exhibition! ******** Keep watching for news on the next years upcoming exhibitions! ********************************* . See & browse more at www.michaelrawling.com/fine-art . Saatchi Gallery: Buy this and other limited edition artworks from: saatchigallery.michaelrawling.com/ . Or commission me via direct message. . . . . . . . . . . . . . #instacool #instaart #film #modernart #35mm #artgallery #artcollector #chemical #art #artoftheday #filmsoup #alchemy #instagood #creative #contemporaryart #conceptualart #nophotoshop #nofilter #surreal #artwork #filmdestruction #experimentalfilm #landscape #artistsofinstagram #artistoninstagram #fineart #artist

[voodoolounge]

here’s the band posing for dave j. hogan at the preview of their exhibition at saatchi gallery in london on april 4, 2016.

[jonathanferraragallery]

KRISTIN MOORE, a native Texan, completed her MFA at Otis College of Art & Design in Los Angeles in 2016. She has been named one of Saatchi Art’s 20 Artists To Watch in 2020, and a top 10 finalist in the New Western Talent juried exhibition with Western Gallery. Kristin’s paintings can be found in collections across the U.S. and Europe. Her work has been shown at The Other Art Fair in Dallas, and in group exhibitions with Jonathan Ferrara Gallery in New Orleans, Gallery 1988 in Los Angeles, and SHOWFIELDS New York (curated by The Jealous Curator). She has had solo exhibitions in Los Angeles, Austin, and Lockhart. Kristin currently lives and works in Dallas, TX and is a studio artist at The Cedars Union.

Her love for capturing the aura of a location through painting was amplified when she first visited Marfa,TX. While living in LA, Kristin often would travel to and from Austin in-between semesters. Marfa became a transitional pitstop for her to shake off the edginess of LA and take a breath in the open landscape of West Texas. “Being in the landscape of West Texas is almost like visiting another planet. You can see for miles and miles with no building in sight; the landscape slows down time and calms your mind.” - Kristin on Marfa.

Upon moving back to Texas from California in 2016, Kristin continued exploring the landscapes and highways around her through painting. The experience of living outside her home state had sparked a sense of wanderlust into Kristin’s work; a longing for endless landscapes and wild sunsets was juxtaposed by a desire to capture Americana and architecture of the cities around her. Today, Kristin’s work continues to oscillate between the landscapes of California and Texas, with a continued expansion to the Western U.S. 

[teravarna0]

Behind the Spotlight: What’s So Special about Solo Art Exhibition

"Every artist dips his brush in his own soul and paints his own nature into his pictures."

– Henry Ward Beecher

Having a solo exhibition is something like a dream come true for any artist. It is more than just an event; it is the climax of an artist’s journey, a destination and a story of passion and dedication. A solo show takes an artist from the intimacy of a studio corner to the grandeur of a public gallery, where art gets exposed to a wider viewership and admirers. Whether you are an emerging artist or an established creator, hosting a solo art exhibition is a defining moment that brings recognition and exposure, and it’s something every artist would wish in their heart of hearts.

If you are an artist craving to have your own solo exhibition sometime soon, go through this blog. We will explore the journey from an artist’s studio to the viewers’ spotlight, offering insights into how you can plan and execute a successful solo exhibition while maximizing the impact of your artistic expression. There are reputed art galleries like TERAVARNA who have talented artists share their solo gallery space through participating in solo art contests. There are more rewards and incentives. So, join us now!

The Dream Mission and Vision: Defining Your Solo Art Exhibition

Unlike group exhibitions, every solo art show begins with a vision of the artist. Here the creative space is dedicated to the work of the artist itself, not shared by multiple artists. A solo art exhibition gallery is an intimate experience that allows the artist to convey a unique story through their work and creation stories. There are intriguing behind-the-scenes stories to share as a solo artist. Before deciding on the central theme of the show, an artist should ask:

What message or theme do I want to communicate?

Which pieces best represent my artistic journey?

Who are my target viewers?

Well-defined and creatively conceived themes set the foundation for a showstopper exhibition that captivates visitors and leaves a lasting impression.

How Crucial is Selecting the Right Venue for Your Solo Exhibition

Are you looking for the perfect solo art exhibition gallery that is a crucial step in bringing your vision to life. Several factors should be considered:

Research on the Gallery: Research on the gallery’s footfall and yearly traffic, i.e. whether they attract art collectors and enthusiasts just like renowned galleries such as TERAVARNA, Saatchi Art Gallery etc.

Space and Layout: Think whether the venue complements your art style and pieces.

Budget and Logistics: Think about the price you have to pay for renting a gallery space. Does the budget align with rental fees, promotional activities, and exhibition setup?

Galleries, cultural centers, and even unconventional spaces like cafés and pop-up venues often serve as perfect locations for a solo exhibition, depending on what the artist has in mind, and what theme they are working on.

Curational Aspect of a Solo Art Show: Display the Best of the Lots

Once the venue is finalized, curating the show becomes the next big task.

Follow these easy tips to ensure a seamless presentation:

Artwork Selection: Choose pieces that align with the exhibition theme and narrative.

Mindful Arrangement: Plan the display to guide visitors through an immersive experience.

Lighting and Optimizing Space: Utilize lighting to enhance the impact of your artworks.

Display with Information: Include titles, descriptions, and artist statements to add context.

Every well-curated solo art show will rope in more viewers and onlookers. That ensures that each piece is displayed to its fullest potential, engaging the viewers emotionally and intellectually.

Smart Marketing & Promotion for Artworks: Attracting the Right People

Every exhibition, solo or group-wise, requires strong promotion to attract art lovers, collectors, and critics. With proper insight and better planning leverage multiple channels to create buzz around your solo art exhibition:

Social Media Campaigns: It is the latest trend to share behind-the-scenes glimpses, teaser videos, and countdowns.

Media Coverage and Press Releases: Engage with local newspapers, art blogs, and magazines.

Email Invitations & Networking: Inviting fellow artists, curators, and potential buyers can make a good impression.

Event Listings & Ads: Promote on platforms that feature solo art exhibition to reach a wider spectrum of viewers.

To have an increased exposure and more publicity of your work, create an engaging pre-event marketing strategy that ensures a successful turnout.

Make a Lasting Impression in the Opening Day:

The opening day is crucial for any solo art exhibition, as it is a moment of celebration and interaction. So, how can one make it memorable:

Artist’s Speech: Share insights into your creative process and the journey behind your works.

Interactive Sessions: Encourage visitors to ask questions and discuss your art.

Live Demonstrations: Showcase live painting or other creative processes to engage the audience.

Music & Refreshments: Set the mood with soft music and light refreshments to enhance the experience.

These exhibitions are rare chances to interact with viewers, collaborators, buyers, etc., so a well-organized opening night will surely help in building strong connections to leave a lasting impact on attendees.

Artwork Sales and Beyond: The Art of Monetizing Your Art

From the perspective of artwork sales, a solo art show is a great opportunity to generate sales and commissions. To maximize revenue and to see a jingling cash box, you have to do these things:

Set the Price Competitively: Research market trends to price your artwork appropriately.

Include the Offer of Limited Editions & Prints: Provide affordable options for different buyers.

Catch up Frequently with the Collectors: Gather contact details and maintain relationships for future sales.

Utilize and Explore Online Platforms: Online galleries like TERAVARNA helps their solo artists to sell their works through their gallery wall space and marketplace. So, you need to do some ground work to seek the right platform.

It’s a great feeling to have your art appreciated and promoted through sales. With these strategic approaches, you can definitely look forward to a financially rewarding solo exhibition experience.

Solo Artists Must Embrace the Journey from Studio to Spotlight

For artists and creators, a solo art exhibition is undoubtedly a transformative experience, providing them with rare opportunities to step into the limelight and connect with art lovers on a broader scale. From selecting the perfect venue to curating a compelling display and marketing effectively, every step of the journey adds on the success of the solo show. Those who dream of such majestic moments of recognition, must visit online galleries and organizations to have unique solo art exhibition gallery experiences. Take a leap into the world of unbound creation, and fulfil your dreams and aspirations to stay within the spotlight. Plan smartly, and take your creations beyond the studio space, so that they can breathe and show their brilliance to the world at large.

[kocovoce]

An Exotic Island Lifestyle

St. Vincent and the Grenadines are the best destination for travelers that like to shop and dine at fine restaurants. You'll see exquisite shops like those in Blenheim Palace.

https://fr.ivisa.com/st-vincent-and-grenadines-pre-arrival-travel-form

St. Vincent and the Grenadines are a chain of twenty-two islands located in the Caribbean Sea, off the west coast of Africa. It's among the most well-known islands to visit from the Caribbean, getting countless visitors from all over the world. When you go to the island, you will discover that St. Vincent and the Grenadines are a true"soft spot" in the world. The island was originally a colony of England but it recovered its independence from the year nineteen hundred fifty. You may observe a great deal of background in the area including the former royal houses and manor houses.

If you plan your vacation to the island you need to make your bookings as soon as possible so that you don't miss your favorite parts of the island during the peak season. To be able to make your holiday more enjoyable, you need to reserve your lodging as early as you can. You can visit the island between the months of May and September. The weather is nice all year round but can become very hot in the summertime so plan accordingly.

St. Vincent and the Grenadines are the best destination for travelers who prefer to shop and dine at fine restaurants. You'll see exquisite shops like those in Blenheim Palace. There is also the Charles Clore Park with amazing gardens and a water feature. For those who are fond of art and culture there is the Saatchi Gallery. There are many more museums and galleries to see.

You are able to enjoy a whole lot of fun on the shore at the St. Vincent shore. There are clubs and restaurants where you can party after having a day out on the island. There are facilities to accommodate your kids once you come on vacation.

You can kayak down a river or have a ride on a lazy river. You can do a little bit of fishing also in the event that you prefer to take part in that game. When you go to the island, you need to make certain to take a look at the coral reefs that are teeming with fishes. They usually come in massive groups.

St. Vincent and the Grenadines really are a wonderful place to see. There are lots of things to do on this tropical island. You'll discover some old temples, caves, mountains and castles together with contemporary townships. You should also try the gumbo as well as the unique St. Vincent cuisine. If you like music then you'll be pleased to know that the island is home to a number of live groups. The music festival occurs during June.

[alchemabotana]

Hindsight is 2020

Walk with us through our medicine wheel:

The Eastern Direction:

No one could have been less surprised by the announcement of the Corona virus pandemic than my medicine hoop. 

In 2018 a local paper, Yes! Weekly interviewed me on my predictions for 2019, in which I detailed many of the struggles we’d see that year as a sneak-peak on what to expect for 2020: Whaples said 2019 is the preparation and intention-setting year, “for the real show;” she said [2019] is the “dress rehearsal for 2020.”“It is an important year to set up positive energy for what you want to come in the future,” she said.

We saw this come to fruition in the work we do with Kindred Spirits, my shamanic healing store and art gallery located in Winston Salem, NC. 

In early 2020, we celebrated my most dedicated Shamanic apprentice, RJ Walker as the Winston Salem Ambassadors awarded him the Everyday Hero Award - an exceptional and much-needed recognition of BIPOC work in the spiritual community.

Having dealt with the emotional and financial hits taken by the closing of the major highway through downtown Winston Salem, we were more than excited to celebrate the re-opening of our roadways and a new lease on business and life. I worked with a local news station to bring awareness to our continued existence in the downtown community, and our work to support and bring together that community. I hope any readers will take the time to watch the linked newsclips in order to gain a deeper understanding of the situation.

Not long after this, one of our hoop members came onto our fb livefeed to announce the pandemic and warn others to be aware of the upcoming energy. You can watch this on facebook!

As soon as the national news hit, our store promptly closed its doors prior to the statewide shutdown. We continued to provide shamanic services and wares through our online portal, and distance work.

The Southern Direction:

RJ and I answered a spiritual call close to our hearts in early June with spiritual warfare and ceremonial ritual work on behalf of national and local protesters in the Black Lives Matter movement. I created a ritual crucifix for our hoop member Camille to carry in the protests. One such protest was held on the very street where our store resides, bringing awareness to the issues of racism on our street. A local business owner who had posted racist material was ousted from our block. We celebrated in solidarity with song, drumming, and our ceremonially summoning. We walked, carried the painting of St. Maya Angelou, and wore our traditional regalia with pride:

Antonina Whaples is a shamanic artist and co-owner of Kindred Spirits, a store and healing arts center on Trade Street. She has been marching in the protests while beating a Siberian goat-skin and birch wood drum.

She made a crucifix for her student Camille Adair to carry in the marches. Instead of the traditional Christ figure, the cross bears an image of a black madonna with a sacred heart.

“I said to her, ‘You are like a daughter to me, and I have no other way to express how I feel,’” Whaples said. “It is a layered piece. It is very personal and emotional to me. I felt like Camille would be protected by it.”

Her friend, Elyse Bottomly, carried another one of Whaples’ art works in the marches, “Her Majesty St. Maya Angelou,” which Whaples had made for Rosa Johnson, Angelou’s niece.

Whaples is doing what artists do: responding to the moment and finding ways to express feelings for which there are no words.

We were able to re-open in early July, seeing a completely new client and customer base supporting the work like never before. Just before re-opening, I was able to completely finish drawing the Minor arcana for the Piczanka Tarot, now available for first edition pre-order on the website.  We celebrated this victory by partnering up with an amazing team of entrepreneurs in Winston Salem: PinkTalk Podcast. We truly enjoyed being the guests for Episode 14, hosted by Bobbi Bugatti and produced by Mizz Faith. You can access it on youtube, facebook, instagram, and iHeart Radio! 

The Western Direction:

As a traumatic brain injury survivor still in the depths of my healing journey, I have been a high-risk individual for the entirety of the COVID pandemic. Going further inwards, I focused my sorrow, grief, and understanding on the transformative power of art throughout this year. Creating and displaying hundred of pieces of sacred shamanic artwork at my store, Kindred Spirits, became my purpose and grounding act of revolution daily. In a time of destruction there is nothing more revolutionary than to create.

From late September through August I focused my attention solely on my work for Winston Salem Fashion Week’s 6th show, presented at the Southeast Center for Contemporary Art. Although I had participated last year for the 5th anniversary as a model & guest designer with Melissa Coleman from Hanesbrands; this year I designed jewelry and headpieces for Melissa while also designing my own line of jewelry and clothing for Kindred Spirits.

 This year we presented the fashion week virtually, filming the showcase at SECCA in late August, and launching the showcase in October. Filming was exciting and different, with our models being able to walk through the open and empty gallery during the shutdown. It was a a beautiful presentation. I worked double-time, modeling for Melissa’s bridal line, and coordinating and preparing my own models at the same time. In fact, I walked with one of my own models for Melissa just prior to my own line’s presentation that day. Talk about being in two places at one time! 

My line was sponsored by Goodwill Industries as part of the sustainable fashion initiative of WSFW. I enjoyed painting shoes, purses, and hats - as well as upcycling clothing that represented the designs and colors of our culture lineage systems.

We were happily surprised when Yes! Weekly did a feature-story about WSFW, with our 2019 designs on the front cover, and beautiful large format photographs of additional designs in the inside story. I was especially proud of the front cover, as the make-up design feather, head-pieces, and jewelry thoroughly represented the medicine work we intentionally worked last year. The pre-runway experience was true ceremony. 

But that’s not all 2020 had to offer us! 

RJ and I also worked on finishing many of our long-term projects already far into the completion phase. We announced many of these upcoming releases with Yes! Weekly when it was announced that I had been voted the “Best Visual Artist in the Triad” by the paper’s readers:

“As an artist, to be named something like that in your hometown feels more special than some of these international awards that I have gotten,” she said. “Especially since people voted for it, it has made me feel more affirmed.”

In addition to being a visual artist, Whaples is the owner of Kindred Spirits on Trade Street, a Shaman, a published author, and a fashion designer. Last year, she gave half of her business to her shamanic apprentice, so that she could focus on creating art to sell at Kindred. The new book she just published is called Stone People: An Introduction to Stone Medicine, which she said is a descriptive book about “all the healing stones organized by the chakra system, and how to use them to heal yourself.” Whaples also finished drawing her own 78-card tarot deck she calls the Piczanka Tarot Deck, which is set to be released this month.

“[Piczanka] was the name of the holocaust camp that my grandmother was interned in,” she said. “So this deck is like a reflection and a message from those of us who have already conquered and lived through tragedy to others who are experiencing displacement in order to help them through their journey spiritually.”

Stone People: An Introduction to Stone Medicine has been a big hit at the store, with only 12 copies currently available of the first edition. 

The Piczanka Tarot first edition major/minor arcana has just become available for pre-order this month, and can be purchased on our website. 

The North Direction:

As we close the year, we celebrated the Winter Solstice and great conjunction of Saturn and Jupiter in Aquarius (my natal sun & moon!). Along with this celebration of the dawn of a new age, we at Kindred Spirits were congratulated by the Innovation Quarter, Chronicle, and Triad Minority and Women’s Business Expo, the Urban League, and more as we were named the “Business of the Month” 

I became an official artist with Saatchi Gallery, an international fine arts organization with an online gallery. You can now purchase the originals or prints of many pieces of shamanic fine artwork created exclusively for Kindred Spirits through their gallery online. 

RJ and I are still hard at work completing the final touches of a project over 6 years in the making: the launch of the online Introduction to Herbal Medicine program through Piedmont Herb School. Although we had hoped to launch before the new year hit, it looks like the first thing we’ll be doing in 2021 is making sure that this very important information can be accessed ASAP.

We hope our local and extended hoops continue to be blessed by the important recognition of the medicine work we’ve been deeply involved with this year, and in the years leading up to this massive event. I truly believe that the more recognition and normalcy granted to shamans and medicine people practicing in the open, generational and cultural healing will move further and deeper in our shared experience of community and personal well-being, regardless of your place on a chess board of life. 

We’ll be in ceremony, of course, celebrating the new year and the beginning of our 27th year in business in Winston Salem, NC in the heart of the downtown arts district.

[processandenquirysophielindsay]

Sarah Lucas

Two Fried Egg and a Kebab - 1992

Functioning as a critique on sexist attitudes, this sculpture features two fried eggs and a kebab placed on a wooden table below a photograph of the same arrangement as if in a photo frame. The eggs, freshly cooked each day, are located alongside each other, and the kebab, with its open pitta bread encasing kebab folds, is placed below. These food items depict the breasts and vagina by representing the well-known pun on words. Equally, the image becomes a reclining female nude, reducing the woman to what might be seen as her "essential" parts.

Au Naturel - 1994

Predating Tracy Emin's more famous (and more personal) My Bed by some three years, Au Naturel (the title of the work is the brand name printed on the mattress label) is a sculpture in which a yellowing, stained mattress sits slumped against a gallery wall. On the upper left hand side two melons have been inserted into cuts made in the mattress. They are placed above a water bucket, that opens outwards towards the viewer. On the right, two oranges and a courgette protrude from the mattress. The symbolism is, like Two Fried Eggs and a Kebab, crude and unambiguous. Presented at the controversial Sensation exhibition at the Royal Academy in 1997, however, Au Naturel brought Lucas's fascination with crude sexual metaphors to a whole new global audience, and thereby confirmed her ability to confront (and quite likely offend) her audience through a flagrant play on base connotative associations.

Nud 2 - 2009

Part of a series of Nud sculptures - in an interview with Aida Edemariam, Lucas explained that "the word Nud [came] from a phrase of her mother's, 'in the nuddy', meaning naked" - Nud 2 is made of fluff stuffed into tights stiffened and shaped with wire. The visual effect is of limbs endlessly entwined. The limbs are not smooth but mottled, while the texture and color of the flesh is pallid and stony.

It is thought that Lucas first used tights in her art in 1992 when she stuffed them with newspaper while running The Shop with Tracy Emin. But the first of the Nud series came about, as Christine Patterson describes it, when her partner, the artist Julian Simmonds, presented her with a pair of old tights he had found in the garden shed: "Once she'd stuffed them with kapok and twisted them into shape [Lucas] had a 'eureka moment'". With this work the use of tights, whose everyday function is to regulate or conceal skin, becomes the skin itself. The contrast between the twisted limbs and the dark grey breeze blocks that they rest on, both situates these forms in the real-world as well isolating them to be displayed as artworks. Once again inviting sexual connotations, Nuds failed to shy away from bodily imperfections, and in so doing, she presented an afront to the airbrushed images that are presented through the popular media.

Maradona - 2015

I Scream Daddio was Lucas's British Pavilion exhibition at the Venice Biennial in 2015. It took the form of a display of different sculptural works set against a yellow painted pavilion split across multiple rooms. The bold Maradona works, one Deep Cream the other Gold Cup, were located one in front of the entrance of the pavilion and the other in an interior room. Turning the tradition of the reclining female nude on its head, the sculptures are cartoonish balloon-like displays of splayed limbs with a 14 foot erect penis in bright yellow hues made of resin. Blending with the yellow walls, Lucas wanted to create an upbeat piece of work; one that seems almost to celebrate the sensuality of human bodies. In an article by Adrian Searle of The Guardian, Lucas suggested that "The sculptures are set in a sea of custard, Crème Anglais in other words" and she chose that color because she wanted to "put us all in a good mood". Searle added that the sculptures and their surroundings had reminded Lucas "of meringues in a dessert, with [the famous British chef] Fergus Henderson providing a recipe for iles flottantes [in which a meringue floats of a yellow sauce base]".

The Legacy of Sarah Lucas

Even though many in the art world would regard the rise of the YBAs with mixed blessings - reprioritizing contemporary art as commerce, through artworks that more often than not functioned as in jokes and one-liners did not meet with universal approval - the commercial fortunes of Lucas and her peers caused seismic industry-wide waves that have yet to be repeated. Writer and Journalist Charlotte Higgins described how "The YBAs brought great change to the British art world. Tate Modern, Frieze art fair, the mushrooming of contemporary art galleries around the country, the massive expansion of the UK art market - all [of which] were unthinkable when Lucas, Hirst, Tracey Emin, Gavin Turk et al graduated in the late 1980s".

Journalist Christina Patterson has added that, unlike many of the YBAs, Lucas "probably has had the most enduring influence of her 'Freeze' and YBA generation, moving beyond those associations to develop an ambitious and enduring contemporary sculptural practice". Damien Hirst, who has bought all of Lucas's early pieces from Charles Saatchi, and is probably her biggest collector, described Lucas as "the greatest artist I know [and] out there stripped to the mast like Turner in the storm, making excellent pieces over and over again". Indeed, while many of her YBA colleagues have suffered a downturn in their artistic fortunes, Lucas seems to have gone from strength-to-strength following her acclaimed solo exhibition at the Whitechapel Gallery in 2013 and her triumphant pavilion showing at the 2015 Venice Biennale. Journalist Deborah Orr summed up her current output thus: "it is easy to see that Sarah's work has the very qualities that people crave currently, post [financial] crash, the most simple authenticity [and] sheer talent for expression".

[art-now-usa]

Primitive Asian Abstract III, Robert Lynn

Acrylic Abstract. Textured and Layered (37 layers) Gallery Wrapped Cotton Canvas. 30 x 40 x 1.5. Jan. 2018 1/1. I went through a process similar to many of my paintings I create...I built several primer layers and then when I reached to a point of focusing on my concept for this canvas...I applied the main colors of Grey, Silver, White, and Dark Yellow. I created 2 layers with these main colors...letting the first layer dry and then I built texture with my palette knives to let the underlying Grey, Silver, White, and Dark Yellow to blend in with the top layer. After this I have applied the Red patterns to create a bold statement. I finished off by adding a panel of Gold to compliment the Red patterns. When creating these top layers the idea came across for me to give a Asian Primitive feel to the art piece. I hope it is reflected well for the viewer to feel. ***Please note I price my artwork according to hours/labor, cost of art supplies, amount of paint used and Saatchi's % which is very fair and reasonable considering they are promoting me around the World. ***Lighting will be important for this painting with the Silver, Gold, and Red. This is said of any painting. The best style of lighting for paintings is Indirect Sunlight or Overhead Spotlights. Colors of walls will can make the painting dull or shine. In the end-location of any painting will be important to show best.

https://www.saatchiart.com/art/Painting-Primitive-Asian-Abstract-III/416661/4023291/view