#lmao i need to force myself to use references
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Emergency Contact
Jason Todd x Gender Neutral Reader
You choke on your words, but you swallow them faster.
Just want you to be my Emergency Contact.
Summary:
After Jason miraculously comes home from his brush with Deathstroke, youâre both feeling it in very different ways. You have an unexpected physical wound from the battle, and he has many (very expected) emotional wounds. You help each other heal. Even if itâs very stubborn on both your parts.
Jason Todd x GN!Powered!Reader. Enemies/FWB to Lovers. Angst and Hurt/Comfort. (Slight Smut). Set during Season 2, Episode 5.
Word Count: 10,400
DC Titans Masterlist | AO3 Link
THIS IS A RE-POST. This is a fic from my old blog (a blog that was shadowbanned, forcing me to move). This fic is not stolen, it is completely mine, and I am just re-posting it to help people find my new blog, and to make my masterlist complete when I post new fics for this fandom.
Detailed warnings and authorâs notes below the cut.
...
Warnings: general emotional angst, Jason has a self deprecating inner dialogue, (kind of) enemies to lovers - more like annoyances to fuck buddies to lovers, friends with benefits to lovers, the reader and Jason have a bantering/argumentative nature to their relationship, the reader is meant to be 100% gender neutral (the reader is never referred to in the third person, so there is no need to use they/them pronouns, but the reader is not called she/her or he/him), Jason calls the reader âbabeâ (imo, a completely gender neutral term and he would call anybody that), mentions of alcohol (Jason drinking a beer), the reader character has ice powers (not entirely relevant to the plot but I couldnât help myself lmao).
sexual themes throughout, mentions of sexting (no detailed descriptions), mentions of sexting in public, mentions of the reader character sending nudes to Jason (no detailed descriptions of the photos), one scene with detailed smut (but it is not the primary focus of the fic), the readerâs genitals are not described in any specific way, some dirty talk, Jason is more dominant and the reader is more submissive, penetrative sex, Jason is annoying even during sex, Jason has a pain kink (even when heâs a dom, heâs a painslut, I donât make the rules), scratching/marking (Jason receiving), slight humiliation kink.
mentions of canon level violence, mentions of kidnapping (in alignment with canon), mentions of Jason being beaten by Deathstroke, mentions of Jasonâs near-death experience (being dropped off the building), gun violence, the reader is injured - has a bullet wound/bullet fragment in their stomach, mentions of blood, descriptions of first-aid, mentions of puss from an infected wound (theoretically, not something that happens in the fic). That should be everything.
A/N: The title for the fic comes from a song by Pierce the Veil of the same name. Itâs a newer song, and itâs one that I absolutely went to when looking for a title for this fic. The concept of becoming someoneâs emergency contact is about upgrading the relationship from casual to much more serious, and just the whole song, and specific lyrics in it suit this fic so well. I highly recommend listening to it paired with this fic.
This was based on a request from my old blog, but obvi I donât have that ask anymore - the request was about Jason getting shot and having his wound attended to by the reader, but I changed it to the reader getting shot cause I thought that was more interesting and less common. If the person who made that request sees this and finds my new blog, I hope you enjoy it! And in general, I hope everyone who reads this enjoys it.
This is another re-post from my old blog, and I do have a sequel for it in my drafts, which I am not actively working on. And before I post the sequel, I do plan on tweaking this and revamping it a little, but I figured I would repost this for now just to have the masterlist complete on this blog.
...
If asked, you would be hard pressed to explain your relationship with Jason Todd.Â
The best way you could describe it would probably be - friends with benefits?Â
But most of the time, the two of you werenât even friends. You werenât the type to hang out casually, or spend time alone together if it didnât involve ripping each otherâs clothes off.Â
If you ever exchanged secrets or those precious bits of your most raw selves, it was by mistake. It was through sarcasm, or coming off the tired lips of someone who had just been exhausted by a few orgasms. The two of you knew each other well, quite literally inside and out. But you always made a deep, concerted effort to hold each other at armâs length. And maybe thatâs part of what all the snark and harsh words were for.Â
It wasnât all arguing. You were friendly. You could be civil, at the very least.Â
Right from the moment you had first met Jason, you had found him to be so damn annoying, a shitstain on the earth - yet, someone you couldnât stay away from. The line between flirtatious banter and a truly grinding argument was always so thin with the two of you.Â
âŠÂ
You hadnât expected that your life would be truly changed when you walked into that safehouse in Chicago that day. You truly thought nothing of him when his eyes landed on you - in those moments, a completely anonymous stranger, raking his eyes over you like you were a piece of meat. It was a gaze that immediately made you feel naked, something that made you want to smack him. You told yourself it was because he was being a pervert, not because of the heat that curled in your gut at feeling so intensely desired by him.Â
He had been sitting on the couch sipping a beer like he owned the place, his thighs spread wide in a way you immediately decided was arrogant and annoying rather than hot - showing off his muscle tone as if it was trying to break through his jeans. Definitely annoying. Definitely the stance of a fuckboy trying to look bigger and badder than he was. He definitely was not attractive.Â
When Dick led you, Rachel, Gar, and Kory further into the condo that seemed far too conspicuous to be a safehouse, the stranger you would later come to know as Jason quickly spoke up.Â
âWho are your friends?â He asked.Â
As he rose from the couch, his eyes lingered on you. Though his words seemed more out of curiosity, you couldnât help but feel that bite of something more salacious lingering in his voice.Â
It caused you to scoff and roll your eyes.Â
âNot important.â Dick declared, his voice snippy. He was clearly annoyed with this new guy, and you could tell that your perceptions of him were definitely not ill-informed.Â
âWhoâs he?â Kory asked, going for the obvious question.Â
âNot important.â Dick parroted out the words again, sounding much shorter with his patience.Â
âAnybody want a brew?â Jason asked, motioning with the beer bottle in his hand.Â
âBrew?â You twisted your eyebrows with disgust, staring him down as you commented on his odd choice of slang.Â
He didnât get to reply, as you were trampled over by Garâs enthusiastic voice in your ear.Â
âI do!â He said, raising his hand with excitement.Â
âNo, you donât.â You quickly told him, reaching out to grab his hand and put it back down. âItâs disgusting.âÂ
You had a grand suspicion that Gar had never drank beer before, and he had no idea what he was truly asking for. Rather, he was simply taking advantage of trying new things because Dick and Kory were incredibly slack parental figures and he was away from home for the first time.Â
âNo, no one wants a brew.â Dick sighed, shaking his head. He threw Jason a small glare and you resisted the urge to laugh.Â
âThat canât be Adamson.â Kory said, motioning toward Jason.Â
This left you confused. But you didnât question it.Â
âHeâs not Adamson. Adamsonâs in the bathroom. Unconscious.â Dick explained.Â
âHi, Iâm Rachel.â Rachel told Jason, offering him a sweet smile - being her usual sweet self.Â
âJason.â He introduced himself, in that moment, finally giving you a name to that obnoxious face.Â
âIâm Gar!â Gar said with a grin, to which Jason nodded.Â
Jason caught you glaring at him, and looked you up and down again, as if trying to willfully tear off your clothes with his eyes. It made your skin itch with heat and you would forever deny that it was a feeling you liked.Â
âWhat can I call you, babe?â He asked, his voice entirely slimy, the kind of tone he would have used to recite cheesy lines to Tinder dates, you were entirely sure of.Â
Before you could come up with some clever reply, Dick sighed in frustration and started balking again.Â
âOkay, who we all are doesnât matter right now.â He pressed, his neck so entirely tense that veins began to pop from the skin. âCan we just chill out, relax, sit on the couch and watch TV or something?âÂ
It seemed that he wouldnât get his wish.Â
Gar quickly charged around the table, finding something else to get strung up about.Â
âYo, when did you get another one?â He asked, putting his hands on both of the expensive cases on the long dining table - a copy identical to the one you knew to be containing Dickâs Robin outfit.Â
It made you curious, and the answer that followed certainly surprised you.Â
âThat oneâs mine.â Jason said, his chest literally puffing out with pride as he stated the fact.Â
âNo way.â You scoffed.Â
âYes way.â He quickly argued back, the whole exchange sounding entirely juvenile.
âThis oneâs yours? Wait, youâre Robin too?â Gar quickly put the pieces together.Â
âI thought you were Robin?â Rachel commented, tilting her head toward Dick with curiosity.Â
âI am.â Dick said firmly.Â
âHe was.â Jason corrected, a cocky smirk forming across his lips.Â
âBatman really lowered the height requirement, huh.â You said.Â
The words flew from your mouth before you could stop them, seeing as it was likely the only thing you could nitpick about Jasonâs appearance. Between his stunning sharp jaw, his piercing blue eyes, his oddly appealing wild hair, his muscle tone being somehow visible beneath his baggy clothing - all of it made you equally frustrated and annoyed with him, and your baser urges couldnât resist the low-hanging fruit.Â
You felt victory and a slight pang of guilt when Jason deflated because of your comment, shrinking back into himself at your words.Â
He didnât have anything to say in return, he simply sipped his beer.Â
âWait, how many Robins are there?â Gar said, beginning to excitedly ramble at the thought. âAre there a lot? Cause I would love to-âÂ
âOkay, quiet.â Kory cut him off, clearly becoming annoyed with all of this dancing around the point as much as Dick was. âSit.âÂ
Her words were firm, and you couldnât help but to listen. You found yourself collapsing to sit on the couch while Rachel and Gar took seats at the dining table. Jason continued to linger in the middle of the room, staring at Kory and Dick as their frustration filled the air.Â
âBathroom.â Kory told Dick, and then they left to deal with whoever - or whatever - Adamson was.Â
Jason sighed and took a seat beside you. When his eyes fell on you, you set your jaw and glared at him. You didnât give away a single ounce of the heat you were feeling as his eyes locked with yours.Â
âEven if I am the shorter Robin, I can assure you that everything else about me isâŠÂ very long.â He lowered his voice and whispered those last words, crowding into your personal space as he did so.Â
It sent shivers down your spine, his silken voice making the words sound too tempting. Even if you twisted your face and said âgross!â causing him to dissolve into laughter, you didnât make an effort to move away from him or put any space between your two bodies on the very large couch. You told yourself it was because you were tired from a very long day of travel, not because you were enjoying the smell of his strangely expensive cologne from this close by.Â
His grin was still entirely smug, and you couldnât stand it.Â
When he raised the beer bottle up to his mouth again, you reached over and put a hand on his forearm, forcefully dragging his arm down as you made a snide comment.Â
âThat shit is disgusting, why the hell do you drink it?â You asked.Â
You found your face drifting toward his again and if asked, you would say it was a form of intimidation - not that you were being drawn in by an unconscious attraction to him.Â
âBecause I can.â He replied, just as snide as he slipped your grip and sipped on the drink.Â
You mocked his words in an entirely childish voice, and then you raised a single finger up to it and skimmed along the neck of the bottle. It took only a single moment of concentration with your skilled powers to freeze the beer inside solid. He thought he felt an extra chill coming off his hand, but convinced himself that he imagined it. But when he kept it tilted and nothing came out to meet his lips, he shook it and then stuck an inquiring eye inside the bottle.Â
When he saw that it was completely frozen, he looked over and saw you grinning, and little did you know - that was the moment he became completely taken with you. You were one of the most annoying people he had ever met, and he found himself so intensely attracted to you.Â
Even if it was getting under your skin by arguing with you or fucking your brains out, he knew in that moment - he had to get inside you and drive you insane the same way that he knew you would for him.Â
âŠÂ
When Dick left to go check on his old circus friend Clay, Jason winked at you and said âdonât miss me too muchâ. You made a show of putting a finger near your mouth and audibly gagging.Â
Later that night, when Jason didnât return, you hated the curl of disappointment that panged in your stomach. You wanted to hit yourself for staring at the door, waiting for the second Robin to come in behind Dick.Â
You hated yourself even more for replying to Jasonâs texts.Â
Apparently he had taken your phone out of your jacket pocket when you went to the bathroom (not to see Adamson - a different bathroom, to pee). And he had put himself in your contacts as âHot Guyâ. He had also sent himself a text from your phone that read âomg Jason youâre so hot, will you fuck me?â. And then replied to it from his own phone with a picture of his cock.Â
Unfortunately, the only thing you could mock about the picture was poor lighting.Â
When you told him as much, he quickly remedied that with several more pictures - ones with better lighting. He sent a video with very distinct audio. You would deny that you rushed to put your headphones in to listen to it while you sat on the train with Kory and Gar. You would deny that it drove a hard, hot pain between your thighs.Â
You dug through a folder and sent some pictures of your own. You told yourself it was to prove to him that you were too good for him - to show off something he could never actually have. To tease him.Â
You would deny that you loved the compliments he gave you, that you ate up the affection like a plant lovingly soaking up the sun.Â
When you were sexting him, you had no clue that you were ever going to see him again. It was almost mindless, something for a dopamine hit to distract yourself from all the chaos going on around you. You werenât doing it because you actually liked Jason. You didnât have any real attractions toward him, or any real plans to carry out all of the bold things you said in those messages.Â
You had no clue that youâd end up living together.Â
When you did find out that Dick would be taking Jason into the newly reopened Titans Tower along with you, Gar, and Rachel, you didnât make a big deal of it in your mind. When Jason made flirtatious remarks toward you in person, you brushed him off. You put up a wall.Â
You told yourself that he was nothing more than a cocky, shallow guy who would use you for sex and then throw you away - something you could never actually build a proper relationship with. And if you were supposed to live together, be some kind of team like Dick expected you to be, then you couldnât be messy. You couldnât get emotional.Â
You had no clue that on one of those first nights living together, your self assured discipline not to give into your lust for him would break like a wafer cookie, and you would be in his bed faster than a sea turtle running into ocean.Â
âŠÂ
âFuck, babe, you feel so good on my cock.â Jason grunted, his face buried in your neck as he thrusted deep inside of you. The loud squelch of artificial wetness coming from between your thighs as he worked his hips, working you open with a needy, demanding pace. âBet you love this cock, huh? Tell me how fuckinâ much you love it.âÂ
âShut up.âÂ
The words came from your throat as a weak whimper, much less powerful than you had intended.Â
You didnât want to give him any more power than he already held over you - he had you weak and willing on his cock, something you would have never admitted could be true until it was happening in these moments.Â
Though you would never admit it aloud, you loved the way he handled you. Having you pinned against the bed with his fingers digging into the flesh of your hips, having you breathless and moaning as he fucked into you with fast, obviously skilled strokes. Your nails cut into the flesh of his back, and he let out a low rumble from his gut as the sharp sting sent a wave of pleasure through him.Â
You hated the twinge of lustful embarrassment that curled in your gut when he chuckled at your words.Â
âOh, you want me to shut up?â He asked, slightly breathless from the act himself, moving one hand beside your head to raise himself up slightly to look in your eyes.Â
He was sweaty, disheveled, his hair a mess, his muscles taught with the effort as he continued to pound into you. You hated that you had imagined him much like this before, and that this outlived all of your fantasies.Â
âYes.â You fired back. âJust shut up and fuck me.âÂ
He bit his lip - something you didnât know was him trying to hold back his orgasm, so utterly turned on by your bratty defiance, the twinge of a whimper in your voice as you said those words.Â
âYou werenât tellinâ me to shut up when I was texting you.âÂ
He said, all hot breath fanning across your chin, his hips spearing forward in sharp, hard hits that made your skin smack loudly together. It made you work hard to suppress moans deep in your chest in a way that was painful, like venom inside your lungs. You wouldnât give him the satisfaction of your sounds, of knowing just how good he was fucking you - even if he could see it written all over your pleasure twisted face.Â
âYou only begged for more when I was tellinâ you how I was gonna lay you on my bed. Take you apart⊠make you scream my name.âÂ
He reached his other hand from your hip to the point where you were joined. He began touching that tender place, making sharp, vicious strokes that were almost vengeful. Tears easily gathered in your eyes and he let out another chuckle when you choked on a deep, pleasurable wail.Â
âTell me, how many times did you touch yourself reading what I wrote?âÂ
He asked, leaning down to whisper the words right in your ear.Â
âHow many times did you cum thinking about me?âÂ
âI didnât.â You choked out, digging your nails deeper into the skin of his back, causing him to grunt as the pain mixed with the pleasure flowing through him.Â
âSure, babe.â He smirked down at you, turning that look into something absolutely pavlovian that would forever make you feel his cock deep inside of you when you saw it, rather than feeling annoyed.Â
Maybe from that point on, it was a bit of both.Â
In an effort to shut him up, you reached up and claimed his lips. It was supposed to be a kiss, but it was mostly teeth. When you bit down on his bottom lip, snarling, he tasted blood and the way he moaned at the pain was absolutely unmistakable. It was something you remembered and used against him many times after that.Â
âŠÂ
You wouldnât allow yourself any room for self hatred when it came to that break in your self control. When it became an ongoing thing, you spun it as positive in your mind.Â
It was just sexual release. You and Jason both needed it. It paired well with intense training and the heavy studying that Dick made you do. It lowered your stress levels a lot, and it helped you get through the day.Â
The more time you spent around Jason, the more you got to know him, and the more you came to realize that he was nowhere near shallow. You easily saw that he was caring, deep, complex, troubled. The more time passed, you found yourself falling for him and the more you deeply denied it. Because it was just sex.Â
Things were good between the two of you, and you knew that if you added anything else to the mix - any complicated, mushy feelings - you would fuck it up.Â
You were especially reminded of this - how important it was not to fuck things up - just a day or so before every other force aside from you railed Titans Tower and began royally fucking things up.Â
âŠÂ
It was a morning just like any other at Titans Tower. It was delightfully quiet - even though Dick demanded that everyone get up at ungodly early hours to begin training, you had somehow managed to wake up before everyone else and you were enjoying the peace it brought you.Â
When you got up to see that Jason was already in the kitchen, standing at the counter as he munched on a bowl of cereal, you wanted to scorn the idea that your peace would be interrupted. But instead, you found yourself willfully suppressing a smile.Â
You yawned and walked over to the counter, grabbing a bowl from one of the cupboards, thinking that cereal was just the right idea on his part. A deep frown cut through your face when you poured out the rest of the cereal box he had left on the counter, and a very measly amount fell into your bowl.Â
âWhat kind of asshole only leaves three fucking cornflakes in the bottom of the box?â You scoffed, causing him to chuckle.Â
âLearn to count, babe.â He told you, speaking with his mouth half-full. âThatâs more than three.âÂ
You rolled your eyes. You were likely exaggerating - but still, it seemed rude to you to leave such a small portion, barely a handful, in the bottom of the box.Â
âOr did I make you cum so hard last night that I knocked the common sense out of your head?â He added on, throwing you that signature smirk that made heat bloom between your thighs.Â
You let out a sarcastic snort, giving him a purposefully disgusted grimace as you lifted the bowl up and dumped the remaining cereal into his portion instead.Â
âYou might as well take these.â You told him. âAnd donât flatter yourself, youâre not that good.âÂ
You moved behind them, distracting yourself from the conversation by making a cup of coffee.Â
âOh really?â He perked up, rising to his full height, pure mischief in his voice. âIt didnât sound like it last night.âÂ
Much to your horror, he then began imitating your moans.Â
ââOh, Jason! Oh, fuck me! More!ââÂ
It was a cartoonish, pornographic imitation, something he likely wouldnât have done if the others were anywhere within earshot. Oddly enough, even though your relationship was casual, you still kept it guarded and private, as though it were some precious secret that needed to be kept from the others.Â
ââJason, please, your dick is the best! Oh, make me cum!ââÂ
But that was the farthest thing from your mind as embarrassment curled in your stomach, the reaction he likely wanted to draw out of you. You hated that you didnât truly know if it was accurate or not, because sometimes - yes, he did fuck your brains out and make you completely mindless on his cock.Â
But you would never admit that he was right.Â
âShut up.â You sighed, causing him to dissolve into laughter, feeling as though he had won.Â
But you wouldnât simply leave it at that.Â
Instead, as you pushed the button on the machine and your coffee began to drip, you turned around and gently placed your fingers on the side of his cereal bowl. You froze all the milk inside of it solid, making it into one large frozen chunk with the spoon stuck inside when he wasnât looking - distracted, staring at your face, looking for any trace of the reaction that he had drawn out of you.Â
You just glared, and he smirked once more.Â
When he picked up the spoon again and went to take another bite, the entire bowl came with it. He sighed in defeat when he realized what you had done.Â
âYou know, itâs so damn annoying when you do that.â He sighed.Â
âI know.â You grinned at him.Â
He couldnât help the butterflies that fluttered in his stomach at this. He resisted the urge to grab you by the sides of your head and steal the grin of your mouth with his own. He told you that it was out of annoyance, and not affection. He told himself those lines were most definitely not blurred when it came to you.Â
âŠÂ
Confessing your feelings to Jason would not have been your choice.Â
Given the choice, you would have let your feelings quietly live and die inside of you. You would have just kept Jason as a friend. You would have even dropped the amazing sex if it meant staying on good terms with him.Â
But the stakes rose pretty quickly, and things were taken out of your hands. The choice was stolen from you and Jason entirely against your will.Â
When you found out he was missing, supposedly kidnapped by Doctor Light on the heels of some misguided plan - something inside of you shattered. Up until that moment, if you thought it was just a stupid crush, or an infatuation inside of you that would easily fade with time - you quickly found out that you were wrong.Â
You went through the stages of grief like a rocket.Â
Denial. Staring at the door, waiting for him to walk inside at any moment. Just like you had back at the safehouse.
Anger. Being so pissed at Dick at the other older Titans that you could barely breathe. How had they let this happen to him? How could they make him feel so inadequate that he felt the need to go out on his own, half-cocked, clearly doing something in the name of looking for their approval?Â
Bargaining. You would have traded places with him. You would have been the one, alone and scared and stranded if it meant that he got to be at home safe. You would have gone with him to carry out the stupid plan if he had only asked. Why hadnât he asked you?Â
Depression. You wept in your room, hands clasped over your face, letting out chest-shaking sobs as you thought of the possibility of him never returning home again. You realized the possibility of him dying was very real and it made your lungs burn.Â
And then finally - Acceptance. You finally accepted that your feelings for him were something bigger, and if it meant that you were the only person in the Tower who truly cared about him (probably aside from Gar) - the only person who didnât just see him as a pawn to be used against Deathstroke - then you had to do something about it.Â
So you laid out your love for Jason. You put it all on the line for him. You accidentally confessed to him, showed your feelings in a gesture so quiet it screamed.Â
You knew that for someone who stepped up to become Robin, someone who scorned cops for pummeling down on the innocent when they were supposed to be protectors - stepping up to try and save his life meant a love bigger than anything else you could have done.Â
And he was terrified of it. There was a big justice in your love for him. And to him, there was an even bigger justice in giving you an out to escape it - to escape loving him. Â
âŠÂ
Hectic.Â
That was easily how you would describe the last few days at Titans Tower.Â
Between the unexpected arrival of Rose - Dick taking on another stray because, like Rachel said, he couldnât resist a bird with a broken wing. Finding out that she was related to one of the deadliest men on earth that the Titans apparently had previous history with. And then Jason going off on his own without telling you, some botched hostage trade, and the group picking up yet another stray - a strange boy who had saved Jasonâs life. It was all a blur of hectic chaos that had you snapping your neck to keep up.Â
Sleep was scarce and you couldnât remember the last time youâd had a proper meal.Â
But you werenât truly worried about any of that.Â
Dust had been kicked up around your life, and you couldnât wait for it to settle before you made your next important decision.Â
Even though the wounds were still tender, you knew that things were safe for now, and your number one concern was Jason.Â
The minute he had gotten in the door, even though he was slightly hobbled and clearly sore from whatever Deathstroke had done to him, he rushed out of your sight. He was clearly eager to get away from everyone like a wounded animal sulking away to lick his wounds in peace. And when you had chased him, ignoring a nagging pain in your own side from the fight, he had slammed his bedroom door in your face, entirely uncaring of the fact that you called out his name, concerned for him.Â
The rest of the group was distracted with Conner - not knowing what he had been shot with or how to fix it. You hated it, but in the eyes of the group, yet again, Jason and any of his problems fell to the back burner.Â
After you had taken a short shower and changed your clothes, you found yourself here. Standing in front of Jasonâs closed bedroom door, hoping not to face another cold rejection.Â
You wondered if he would be sleeping, wondered if you should interrupt his peace. But you knew that sleep was unlikely after everything that had happened.Â
So you took the leap.Â
You raised a fist, once again pushing down that stinging pain coming from the right side of your stomach. You reasoned that it was probably nothing more than a bruise forming there. And you knocked on the door.Â
A few moments later, the door was jerked open, and Jason glared at you.Â
His eyes were dull and tired, and there was a large bruise forming on the side of his mouth. Probably one of many others that you couldnât see, from the way he had been walking earlier. He likely hadnât been sleeping, but you had disturbed him.Â
âWhat the hell do you want?â He grumbled out, his voice dull, lacking any true fight.Â
âI wanted to check on you.â You told him, entirely honest. âI know it might seem stupid, but I wanna see how youâre doing.âÂ
Jason scoffed and rolled his eyes.Â
He wanted to agree that - yes, it was stupid. It should have been obvious how he was doing after being kidnapped, beaten, and dropped off a building. But he was an idiot who had gotten himself thrown headfirst into that mess, thinking he could handle it. And he didnât need to go crying to you about how badly he had fucked up. He had made a poor choice and he deserved all of the consequences. It was a simple fact of life.Â
âIâm doing just fine, thanks.â Jason said, entirely snide and sarcastic. âLook, I donât need your help, okay? So fuck off.âÂ
It was a set of harsh, cutting words. But he thought getting distance from you would be best. This whole thing had woken him up from the sweet little fantasy the two of you had been participating in. He was a natural born fuck-up. And sure, he could have you for a while, play around a bit - but he could never truly make you happy. Eventually, he would fuck you up too. He was a harsh poison and it would be better if he got out of your life before you felt the full effects.Â
He moved to shove the door closed and upon instinct, you reached up and fought him on it. Unconsciously, you winced as a sharp pain came from the injury in your stomach, reaching for it with your free hand as you held the door open with the other. It should have been no big deal. With your meta abilities, you usually healed quicker. You werenât even used to feeling it when you got hurt. You were probably just feeling it worse because you were tired.Â
You tried to ignore the pain. But in a moment, Jasonâs eyes went wide with worry as his gaze darted from your face, knit with pain, to where your hand was nursing the injury. Any sense of smarmy discontent dropped from his features, immediately being replaced with a softness and worry for you.Â
âYouâre hurt.â He said quietly.Â
He let the door fall open again, reaching for your hand to inspect the injury himself.Â
âIâm fine.â You played the card this time, exchanging his lie for your own.Â
It was an odd play. He had lied about not being so torn up inside, emotionally devastated as he was, and now you were lying about not being physically injured from the fight. The two of you made an odd, but perfectly matched pair.Â
Jason barreled right past your words, and you were easily pliant to his touch as he removed your hand from the injury. You certainly were not expecting for him to find anything incriminating under your hand. But he glared at you when he found bright red spread across your palm, a glossy wetness leaking through your shirt.Â
âYouâre bleeding.â He grunted at you.Â
Clearly, he was disappointed in the fact that you had neglected to bring this injury to the groupâs attention. Pissed off at the fact that you werenât in the medbay with Conner receiving some treatment right now.Â
Maybe you could blame it on the chaos. Maybe you could blame it on the fact that with everyone so emotionally distraught, you didnât want to be just another problem for everyone to fuss over.Â
âWhoops.â You breathed out sarcastically. âI didnât even notice.âÂ
That last part was honest. In all the adrenaline, all your worrying over whether or not Jason was going to live as you watched him dangle so high off the ground - you truly hadnât paid any mind to the injury.Â
âYou didnât-?â Jason huffed out in anger, but didnât bother finishing the sentence.Â
Perhaps he partially understood himself, knowing how the adrenaline from a fight could stamp out pain. Or perhaps he knew how truly stubborn you were and he didnât want to waste his energy arguing with you.Â
âYou need this treated.â He added on.Â
No matter how fucked in the head he was, he never wanted to see you hurt. That was something he would definitely waste his energy on - wearing down your stubbornness until you let him or someone else in the house take care of the injury properly.Â
âConner is worse off than I am.â You shrugged. âHe needs the attention more.âÂ
âThen let me help you.â He said, an impatient nagging rising up in his throat. âBruce gave me some first aid training. One thing that means Iâm not totally useless.âÂ
The words made your chest ache for him, a pain that easily competed with the bleeding wound.Â
âJason-âÂ
You wanted to argue with him. You wanted to tell him he had infinite worth to you.Â
But of course, he cut you off.Â
âJust go sit on the bed.â He told you, quiet, but a firm command that you couldnât ignore.Â
He gently pushed past you, on a quest for some supplies to patch you up with. You then found yourself drifting into his room almost mindlessly, your hand clutching the wound again upon instinct. It was a place that you felt oddly at home. The nights you had spent in that bed since coming to Titans Tower, your head delightfully empty as he had fucked you hard and fast - they were by far your favourites.Â
You would say it was because of the sex, and not just because you got to be wrapped up in Jasonâs arms. Maybe everything had changed. Maybe your answers were different now. Maybe you were raw and tender and Jason wasnât prepared to chase you in that devotion.Â
But that was just the thing. With you and Jason, there was never any sense of devotion. You and Jason were always hard and fast. Teasing each other, verging on the edge of vengeful. It was a flame that burned intensely hot - but it was never anything soft. It was never anything that prompted you to knock on his door so late, wanting to check on his well being. It was nothing that prompted you to make chase to put your life on the line for him.Â
Even just knowing that he had the intent to attend to your injury, called himself useful because of it - the thought cradled you like a warm blanket. It had you balancing on the edge of a dam holding back a barrage of feelings that you had been quelling down since the moment you had first put your lips on his.
âI told you to sit.â Jasonâs voice came from behind you.Â
He had raided the infirmary and now had a handful of supplies - luckily without anyone seeing him or questioning why. When you turned to him, he was closing the bedroom door behind him, sealing you both in with this newfound soft intensity, the tired lull of two people unwilling to hold back that softness anymore. It was entirely dangerous, and entirely life-saving at the same time; and neither of you realized it.Â
âSince when do you get to boss me around?â You told him, your voice low and lacking any true spirit or sarcasm.Â
It was in the same vein as the banter the two of you usually threw around - bickering about who was a bigger asshole, who was more stubborn, who was better in bed.Â
You expected some kind of sexual comment in return. You could almost hear it now - he was the boss of you because he made you melt on his cock, made you mindless and dumb with it.Â
But, no dice.Â
The longer you stared at him, catching bits of the fresh pain swimming through those gorgeous blue eyes, you wished so badly for the mischief and sarcasm and light to come back and bite you the way that it used to.Â
It only made your stomach churn harder at the whole situation. Things had officially changed between you and Jason. You had yet to find out if it was for the better, or for the painstakingly worse.Â
Jason sighed through his nose.Â
âYou can be such an asshole sometimes.â He told you. Coming from him, and given the nature of your relationship, you knew it was almost a compliment. âWill you just sit down and let me help you?âÂ
Even though you were utterly terrified of the swelling of emotions you felt, bound to come to a head - you did.Â
You sat on the edge of the bed and he placed the supplies beside you.Â
When he mumbled out a quiet âlay backâ, and you did, his cool fingertips at the hem of your shirt pulling it upward felt strangely more intimate than any other time you had been in this same position. It wasnât heady, you werenât granted the distraction of his mouth on yours and his tongue shoved between your lips while a harsh throbbing nagged between your legs.
This was quiet, and calm, and gentle.Â
When you caught his eye above you as he wiped away the blood with some clean gauze, you saw nothing but pity and worry and sparkling affection for you. You almost dared to call it something as epic and dangerous as love, buried deep in his eyes. He worked with the most delicate touch, almost as if he was afraid to break you, before he glanced down and inspected the wound.Â
His brow furrowed with even more intense worry, guilt nipping at his insides when he got a good look at it.Â
âI think I see a bullet in here.â He told you, and then he moved around the bed and grabbed his phone, turning on the flashlight to have a better light to inspect it. You felt intensely naked, intensely caught when he began shining the light on your stomach with a harshly inquisitive look across his face. âDefinitely something shiny. You got shot and you didnât fucking tell anyone?âÂ
It was only then that you realized when you had gotten the wound - the exact moment clicking into place in your mind.Â
âIt was only a ricochet.â You argued quietly. âItâs not that bad.âÂ
Jason scoffed and rolled his eyes, and began sorting out his supplies, preparing to pull out whatever was lodged inside of you.Â
âŠÂ
Dick explicitly told you to stay put.Â
They only wanted the more experienced Titans, the Varsity squad on the case when dealing with Deathstroke. He blamed young naive incompetence as the reason Jason had gotten captured in the first place. You blamed him and Bruce pushing Jason out, making him feel like he needed so desperately to prove himself. But it was something Dick wasnât ready to hear - an argument you werenât going to have with the very stubborn team leader.Â
Instead, you went for the silent route. You trailed the rest of them out of Tower, and when Dick strayed away from the rest of the group, his head on a swivel as he glanced back and forth, seemingly wanting to assure that none of the others were following him - you followed your gut instincts and went after him.Â
You hid in the shadows and the moment that Deathstroke hit the button and those panels scrolled up, revealing Jason stranded on that scaffolding - you couldnât help yourself.Â
âJason!âÂ
You screamed out his name, you leapt forward.Â
Dick didnât have time to scold you, not before the gunfire started.Â
Kory came out of nowhere - seemingly, she had the same idea as you. Putting her life on the line for an emotionally repressed man that she hadnât admitted her feelings for. But she was there because she was in love with the other Robin. (Or rather, a man who claimed over and over again that he wasnât Robin.)Â
Things quickly became a blur - flashes of flame as Kory fought, battling with the muzzle flashes from Deathstrokeâs guns, limbs flying as they fought each other. You didnât see it, but Deathstroke raised and aimed at you as you rushed toward the window, blindly going after Jason. In response, Dick charged forward, redirecting the gun as he pulled the trigger. You heard the sharp âpingâ sound of metal on metal - what you couldnât see was the bullet hitting one of the metal beams in the ceiling. But you certainly felt it when it sliced into your side.Â
At the time, it was nothing compared to the fear you felt for Jason.Â
His eyes were wide with terror, and you could only focus on getting him to safety. You had no idea that a large part of his panic came from seeing you in the building. He had hoped that Dick would keep you away from all of this. But there you were, standing a few feet away from a man with a gun who was shooting around wildly. Jason would have delighted in being dropped off the building to his death if he had to see you get fatally shot when he could do nothing but squirm on the other side of the glass.Â
You put two hands on the glass, banging on it - of course, it was no use. It was inches thick, meant to keep people from going through it at this height. Working entirely on instinct, you put your palms flat across it and began forming ice crystals over it, hoping to make it rigid and breakable if it was frozen.Â
Once there was enough ice, you quickly looked around and spotted a metal pipe there for the in-progress construction of the building, so you grabbed it and rushed to smash the glass with it. You felt victorious as it shattered, and Jason flinched away from the shards, putting you one step closer to freeing him.Â
Though the moment the glass was cleared, leaving the wind whipping around you, his first words of greeting to you were not celebratory.Â
âWhat the hell are you doing here?â He barked at you, clearly angry with you.Â
You felt a dull ache in your chest at this. You thought he might be relieved, happy, pleased. At the time, you couldnât interpret his harsh reaction as worry for you possibly getting hurt.Â
Nonetheless, you ignored his harshness. You would save him, whether he wanted to be saved or not. You draped your body through the window, reaching out to him. You made an effort to keep most of your weight planted on the floor of the building, in case the scaffolding wasnât stable enough to hold two people at once.Â
âWhat do you think?â You replied, pure sarcasm dripping through your voice as you reached behind Jason and began fiddling with the rope around his wrists.Â
The position put the two of you in intensely close proximity. Jason caught a whiff of your unique scent, the shower gel you used that mingled with your bodyâs natural oils; and he felt so painfully at home. For the first time that night, he held back tears. He couldnât help but to lean his forehead on your shoulder, taking comfort in having you so near after being on edge and terrified for so many hours. You resisted the urge to run a hand through his hair, to cradle him and give him further comfort. You forced yourself to focus on the task at hand - getting him to safety.Â
Behind you, at the very back of the room, Dick and Deathstroke wrestled with the remote for the explosives attached to the scaffolding.Â
Just as you managed to get Jasonâs wrists freed, Deathstroke hit the switch, and the bombs went off.Â
âŠÂ
You winced loudly as Jason dabbed at the wound with disinfectant.Â
âI would say sorry⊠but, youâll thank me later when this isnât swollen and leaking puss.â He told you, throwing you a small smirk.Â
It was smug. It was the usual kind of humor that he gave you.Â
It was comforting to know that every trace of the Jason you knew hadnât been stolen by Deathstroke.Â
You held your breath as he pressed down with the medicine-covered gauze again, drawing much less of a reaction out of you this time.Â
âGreat mental image, Jay.â You replied, your voice dull. It lacked any of the true bite you wanted to deliver in response to him. âIâm sure itâs such a turn-on thinking about my puss.âÂ
It was meant to be a joke. But even unconsciously, it was an acknowledgement of that dangerous line - the line between truly caring and just using someone for sex. The line between having someone in your life as a body to get off with, and being so⊠homely with them.Â
You and Jason were towing that line dangerously. It was a thread that you were balancing on, and it would either break, or you would cross to the other side and be forever bonded to him.Â
Jason shrugged. âMaybe I donât have to be turned on by you all the time.âÂ
There was more stuck in his throat. Another dangerous acknowledgement of that line.Â
âMaybe I just have to care.âÂ
Both of you lulled into silence because neither of you dared to say it.Â
After a few moments, Jason put down the gauze and hesitated to reach for the tweezers. He knew that pulling the bullet out would be painful, but inevitable. It was a lot like the state of your relationship with him. Break it off, and find happiness elsewhere, or acknowledge this big thing swelling to fruition between the two of you. Have Jason fuck it up eventually. Painful, but inevitable.Â
âYou shouldnât have to be hurt like this.â Jason said quietly. âYou shouldnât have gotten hurt for my sake.âÂ
There it was again - words with a dangerous double meaning.Â
You looked up at him, pure pain knit across his face, and for a moment he looked from the tweezers to you and he could hardly stand holding your gaze.Â
âItâs worth it.â You wanted to say. âFor you, Iâd bear any pain.âÂ
The words lived and died behind your eyes, and your tongue decided on something else entirely.Â
âItâs nothing.â You told him.Â
You downplayed the pain, pretending that the injury was only a minor inconvenience for you. And in the grand scheme of life, it was. With time, it would heal. Losing Jason would be something youâd never heal from.Â
Jason shook his head at this statement.Â
He forced himself to reach for the tweezers then. He handed you his phone, a silent agreement that you would hold the light as steady as you could. He knew you well, too well, and he knew that you needed something else to focus on to push away the pain. He put his free hand on the plush of your stomach, pulling back slightly to hold the wound open while you held the light on it.Â
When the sharp metal of the tweezers breached your wound, you wanted to swear. You wanted to call him an asshole as the pain shot through you. You wanted to scold him for leaving the Tower and being kidnapped in the first place. But you knew that even if it was playful or sarcastic, fueled by the bite of your pain, it was not what he needed to hear right now. So instead, you held your breath, and gripped his phone hard, keeping the light steady as you bared the sharp shocks of pain.Â
After a moment of digging around that felt like an eternity, he pulled out the fragment and held it up to show you as you collapsed back against the bed, panting with tears stinging the edges of your eyes.Â
âItâs not nothing.â He declared sharply.Â
You couldnât conjure a response. You knew he was right. And you didnât want to be forced to admit it.Â
Instead, you turned off the light from his phone and relaxed into the bed, closing your eyes as he walked around to the trashcan and threw out the bullet fragment. It fell into the bottom of the plastic wastebasket with a very small âpingâ - making you wonder how something so small could cause so much trouble.Â
Jason quickly returned to you, dabbing more disinfectant into the wound in a way that made you groan and flex away from the touch. Once again, he did not apologize.Â
There were a few moments of muddy silence with nothing but your slightly labored breathing, trying to contain your sounds of pain so as to not make him feel any further guilt about the whole incident.Â
Your mind churned, and you couldnât help the next words that came from your mouth.Â
âI meant what I said.â You told him.Â
At the sound of this, his hands immediately stilled. You felt his eyes on you, and you forced yourself to open your own and look up at him once again. He stared you down with intense examination. He looked for any ounce of falsity, any sign that you were lying, even posturing to make him feel better after everything that had happened.Â
He didnât find any.Â
You thought he might acknowledge you, that he might say something back to return your mighty words. Instead, he simply reached for more gauze, and began putting a final bandage on your wound.Â
âŠÂ
The explosion caused a sharp rattle through your ears. It shocked you and made you dizzy and put the whole world off-kilter. The only thing you could perceive past the mind-numbing hum in your brain was the feeling of Jasonâs rough glove gripping tightly onto your wrist, so you gripped back as hard as you could.Â
When you blinked open your eyes, you were half-hanging out of the open window, the edge of the floor cutting into your waist as you held onto Jason by nothing but his wrist. His whole body weight created a harsh burn, straining on the muscles in your shoulder as you watched him dangle hundreds of feet above the street.Â
Panic flooded you.Â
You scrambled to reach out with your other hand, and the moment you moved, your shirt slipped against the sleek, polished material of the floor and you began sliding out the window. You gasped and Jason stilled his panicked flailing immediately.Â
âDonât move!â He shouted.Â
âGive me your other hand so I can pull you up!â You shouted back.Â
Beyond the unpleasant hum of your eardrums rattling, you still heard chaos behind you. Gunshots, the grunts of fighting, Kory and Dickâs voices yelling. They were busy with Deathstroke, they couldnât help you or Jason.Â
Jason looked up at you with glassy eyes.Â
He knew that with all his gear weighing him down, even with the training you had been doing, you wouldnât be able to pull him up. Not by yourself. And if you werenât careful, his body weight would just pull you out of the window and cause you to go tumbling down to your death along with him.Â
When you saw that frown etch across his lips, that filthy look of dawning - you glared at him.Â
âGive me your other hand!â You screamed, your voice raking across your throat like hot coals. A hot boiling rage at the fact that he seemed almost determined to die.Â
There was one thing he was determined about. If he was going to die, he wasnât going to take you down with him.Â
His gloved wrist started to slip from your nervous, sweaty palm, and you tried hard to hold on tight. You formed large shards of ice, hoping you could create some kind of bond there by freezing your hand to his. But it would only be temporary with gravity trying to tear the two of you apart.Â
âYou have to drop me, Y/N.â He said, nothing but pure mourning on his lips. âIâm dead weight.âÂ
You both knew it was a horrendous double meaning.Â
He thought he was a dead weight to your life.Â
âNo!â You immediately defied this thought, that feral rage ripping at your throat once again. âIâm gonna pull you up. Iâm gonna pull you up!âÂ
You reached your other hand down and tightly wrapped both of your hands around his wrist, yanking upward. The harsh movement caused you to slide even further out the window. You were now dangling dangerously over San Francisco with only the thickness of your thighs giving you any real stability on the intensely high up floor. It made you dizzy, and the only thing you had to focus on were the wet wells of Jasonâs eyes staring up at you.Â
âItâs no use!â Jason said tearfully.Â
You ignored him.Â
You cast your chin over your shoulder, and began shouting.Â
âHelp me!â You screamed, trying desperately to get the attention of Dick or Kory. âHelp me! Fuck!âÂ
âYou have to let go.â
Jasonâs words immediately shifted your focus back to him.Â
But of course, you refused.Â
âIâm not letting go of you!â You declared sharply. âNot that easily.âÂ
As he stared up at your tearful eyes, he knew that you meant it as more.Â
Unfortunately, it was the one thing he was terrified of.Â
He thought that you saw him as some shiny perfect thing, something good and worth having in your life. He thought that you were incapable of seeing the poison, the true fuck-up that he was. If you didnât let go of him, sooner or later, just like everyone else in his life, you were going to get burned.Â
So Jason did what he had to do.Â
He began prying your fingers off his wrist, trying his best to keep you stable while he forced himself from your grip.Â
âNo!â You shrieked. âNo, no, no-âÂ
You didnât have much room to fight him about it without falling out of the window yourself.Â
You made a move to readjust, to get a tighter grip on him - and it was the one deadly move that caused him to slip out of your touch completely.Â
You were forced to watch on in chest clenching horror, blinking through heavy tears as he began hurtling toward the ground.Â
âŠÂ
If not for Conner - a literal miracle - swooping in and saving Jason at the last second, then you would have spent the rest of your life regretting those moments, wondering what you could have done differently to save him.Â
When Jason finished taping down the bandages, making sure the wound was clean and secure, he laid his palm flat on top of it. It was a kind of âkissing it betterâ that instantly spread warmth curling through your gut. It was a touch so incredibly tender - especially compared to the heated, aggressive groping you were used to from him - that it caused a whimper from the back of your throat.Â
You knew it was unlikely, but you hoped that he hadnât heard it.Â
âAll done.â He said quietly.Â
You instantly felt regret when he took his hand away and began tidying up the medical supplies. But you forced yourself to sit upright, now feeling only muscle soreness and a much duller pain coming from the area. You felt intensely thankful for his care as you pulled your shirt back down, righting your clothes back into place.Â
âYouâre free to go now.â Jason told you, his voice still low, as though a single decibel would shatter the delicate peace between the two of you.Â
You felt your heart sink.Â
In an instant, you understood what it was - he was concerned about your physical wellbeing, but he didnât actually want to have you around. Just like his reaction to you showing up at the hostage exchange - he didnât want your presence there.Â
You heaved a sigh and got off the bed as Jason busied himself with gathering up the used gauze to throw it away. As you put your hand on the doorknob, you couldnât quite bring yourself to leave.Â
It was something else.Â
It had to be something else.Â
Jason hadnât let himself drop off a building in some desperate ploy just to get away from you. He had been trying to save you.Â
He was so utterly willing to give his life for yours.Â
And now he was trying to back down from that.Â
You turned and faced him, leaving the door closed. When he turned from ditching things in the wastebasket, he froze. He was entirely surprised that you were still there.
The two of you locked eyes, both staying still - like a predator and prey locked in a stalemate, wondering who would run first.Â
In this situation, you werenât sure who was the prey.Â
You were both so vulnerable.Â
Jason thought it would be selfish to get caught up in all of this, to finally admit those dangerous feelings he had for you. When he cared for things, he usually ended up breaking them. Of course, it was never on purpose - he was an idiot. Everything he touched, he fucked up. He had made that more than evident with his last braindead plan, the outing to prove that he was worthy of being Robin. Something that had gotten you shot, probably could have gotten you killed.Â
If you stuck with him any longer, you probably would end up being killed. And he would never forgive himself for that.Â
He would be better off ripping himself from your hold, as much as it hurt. Giving you a dose of that heartbreak now so that you could get over him and go after better things.Â
As you stared at Jason, you could see all the pain boiling underneath his surface. You wondered what he was thinking, what the hell he was churning over in that intense brain of his - but you didnât dare to ask.Â
You knew that he needed to be held right now - in every sense of the word. You knew that he needed to be cared for the way he had cared for your wound, pushing past the pain in order to heal. You wondered if he would lay down and bear it or if he would continue to fight you.Â
You were the one to bravely step forward. Though Jason was tempted to ask you to leave, that thing inside of him yearning to marinate in his isolation because he deserved it, he pushed it down. He let his hands naturally come to sit on the plush comfort of your waist as you put a gentle touch on both his shoulders, leaning into his body ever so slightly.Â
You laid your forehead on his cheek, right next to that ugly bruise that had been left on him, and he let out a contented sigh as he felt your warmth envelope him. For the first time since his feet had touched the ground, he felt calm. He felt safe.Â
You smoothed a hand across his shoulder, and raised your head, using your touch to gently tip his face toward yours. He quickly realized that your intention was to kiss him. And something ached in his heart - something painful and longing. He knew that it would not be needy and haste with the intention of pile-driving toward sex like your other kisses had been. He knew that it would be the metamorphosis of your relationship that he was not prepared to go through.Â
He nuzzled along your forehead, gently stopping you.Â
âPlease donât do this.â He murmured quietly into your skin.Â
He knew that it would break him.Â
He knew that this was the moment - like Gatsby reaching up toward the stars - this would be the moment that he was tied to you forever, damned by his love for you. Only, much different than Gatsby, he wasnât destined for some grant fate if he didnât have you. He was on a one way path to a messy death, and he was determined not to take you down with him.Â
Tears pricked the edges of his eyes at the thought.Â
You pulled back, just enough to properly look him in the eyes, and your own tears formed when you saw that pathetic puppy dog looking back at you.Â
âWhy not?â You demanded, much sharper than you intended. You knew he was fragile and you didnât want to upset him any further than he already was.Â
âYou know why.â He replied, his voice barely scraping above a whisper as the emotion clutched at his throat.Â
Jason wanted to hold onto you forever, but he was also a realistic person. He expected that any minute now, you would rip away from his arms and charge out the door, entirely angry with him, and this would finally be over. You would finally be safe from him - safe from any nasty fate his life could conjure up for you.Â
You hated what he was asking of you - asking you not to care for him anymore. As if you could somehow switch it off. Impossible.Â
âI meant what I said.â You repeated yourself, still entirely firm in this conviction. âIâm not gonna let you go that easily.âÂ
You leaned in, planting your lips on his in a light kiss. A pained sigh ripped through you when he didnât make any moves to kiss you back.Â
âJason, please.â You whimpered out desperately. âIf you get to bandage my bullet wound, then I get to do this.âÂ
Jason wanted to spell it all out for you, plain and dirty. He wanted to get angry, he wanted to scream. He wanted to rush along the inevitable. He wanted to tell you what a poison he was to the world, that he deserved to die and you deserved better things. But he had the utmost feeling that you wouldnât listen.Â
âPlease, stop pushing me away.â You whispered against his lips.Â
Instead, he listened to your plea. He let himself indulge in this selfish softness for once.Â
He reached up and grabbed your jaw, pulling you into a firmer kiss, declaring every ounce of passion and terror that he was feeling in those moments. You answered it all right back - digging your fingers into the shoulders of his shirt, letting out a hot huff against his cheek as you leaned into his body.Â
He would never be perfect - but he was yours.
...
The sequel to this fic is now posted, but I do highly encourage you to leave a comment on this fic telling me what you enjoyed about it before you continue on reading.
Keep Reading Here: The Jaws of Life - Jason Todd x GN!Reader
#sundrop writes#dc titans#titans fanfiction#titans x reader#dc titans fanfiction#jason todd#jason todd x gn!reader#jason todd x gender neutral reader#jason todd x y/n#jason todd x you#jason todd imagine#jason todd x reader#jason todd smut
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I'm honestly amazed by how well you can imitate the LO S3 art style! Have you always been good at this sort of thing or is it a skill you developed due to your work as a tattoo artist?
ahhh thank you, but ima let you in on a little trade secret -
it's literally just referencing LMAO which is a valuable skillset to have! but one that I think a lot of folks tend to overlook because they think "learning to draw" means "I need to be able to draw everything perfectly from imagination!" Which sure, learning how to draw things without needing references might be cool, but it's ultimately not the sole defining feature of a "good artist" and I think there's frankly way too much emphasis put on "drawing without references" these days because it creates this unrealistic expectation of what an artist is. Referencing is part of the process! It's important! And it's a valuable skill to have so that you can actually grow your skills beyond your own limits! Referencing is as important to the process of creating art as research is to the process of writing, you can only produce so much new stuff if you're not taking in new stuff alongside it.
Though I use this skill a lot in tattooing as well, it's mostly rooted in my animation schooling which broke me out of the habit of drawing purely from imagination and taught me how to properly reference other material for educational purposes.
And I'm sure there are people in audience right now gasping at the fact that I simply cropped a bunch of different shots of Minthe from S3 and rearranged them like some surgical madman playing with body parts-
-but this is like, the actual majority of the process when it comes to learning other art styles and this process is taught as a skill in a lot of art schools because it forces you to draw what's there rather than what you think is there. This is the basis of master studies, to learn the techniques of other artists by trying to mimic them as closely as possible. Don't know what tools that artist used specifically? Try to recreate the work anyways with your best guess. Even if you only get close but not perfect, you'll still likely learn a lot along the way and may even develop some brand NEW techniques that weren't present in the original work you're studying from.
Imagination is necessary to the creative process, but it's only part of that process, you can't suddenly learn how to draw the way other artists draw through imagination alone because your imagination is limited purely by your own lived experiences. Our brains don't come pre-installed with these skills, they can't just magically unlock the capability to "do the thing". Just like how we have to learn to follow recipes as a means to becoming a baker or learn to read the alphabet to learn how to read and write, we have to learn how to draw what we see and reference the material around us if we truly want to expand our own innermost knowledge which will allow us to draw from imagination.
Here are some other examples of studies I've done, such as my attempts to learn the art style of The Doctor Foxglove Show:
As well as a background study from S1 of LO:
And of course here are a handful of the shitloads of studies I've done to try and "figure out" how to draw Hades and Persephone from S1 of LO:
Aaaand just for the fun of it, here are some completely non-LO studies, like the ones I did of Kazuma Koda's background work and Akihiko Yoshida's character designs for Nier: Automata:
And this sorta rotoscoped ??? animatic of Mitsuhiro doing the opening jig for Still Feel by Half Alive which is 100% not done and probably never will be LOL
I'm always progressively doing studies of both LO and other media in this way so that I can update my knowledge and continue to improve my skillset.
Though, despite my best efforts to mimic the original creator's style, works like Rekindled will always have my own stylizations present, as that's just an inevitable consequence of it being made by myself and Banshriek (and the fact that we just refuse to draw worse to look more like LO because jfc so much of LO's original art, even the stuff we love, is rooted in Rachel's trial and errors lmao), but that's a feature, not a bug :') <3
So the answer is yes, the Minthe S3 redraw was done through skills I developed over time, though not necessarily through tattooing, simply through learning how to actually practice properly beyond "drawing a lot". And you can too! Draw lots, but also remember that your brain isn't naturally just going to "get better" at whatever you're trying to achieve just because you really want to achieve it. I try to avoid the mantra of "just practice" because it oversimplifies what's truly necessary to learning - having something to learn from outside of your own imagination. If you don't learn how to practice properly, then you'll just wind up repeating the same mistakes and reinforcing the same bad habits over and over again.
All that's to say, if you want to learn how to draw like a certain artist, try and recreate their art for yourself ;0 (but like also please for the love of god remember that it's for EDUCATIONAL PURPOSES, I shouldn't have to tell y'all not to copy directly off other artists' work for your own because that's just deadass stealing lmao) I know this enters the ethical dilemma of tracing, and whether or not it's a "valid" way to learn, but there's a lot of virtue in learning through referencing other artists and building new skills through them. I'm sure folks will argue that it's a 'crutch' or 'training wheels', but that's all often being touted from the perspective that crutches and training wheels... are automatically bad things and aren't meant to help people ?
Like obviously if you want to create your own thing that isn't purely "living in the shadow" of the works that inspired you, you WILL have to make that leap into the unknown. But that leap's a lot less scary to make when you have a parachute.
#sorry this turned into a long art advice post LMAO#but i hope it's helpful!#ask me anything#ama#anon ama#anon ask me anything
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the way it follows you home, the stories i never told
My guy Vox once again graced us with lovely Goyuu fanfics, and the way it follows you home, the stories i never told, made me go FERAL.
Time travel? Two Gojou Satorus? Double affection for our sunshine Yuuji? Yuuji sandwich? What feels like possible continuation of (you'll whisper, serpent tongue) what you fear you have become???
FUCK.
I need to stop indulging my imagination too much. I shouldâve been content with writing long-ass comments but noooooo, my brain goes âyou gotta draw itâ. DAMMIT VOX, YOU AND YOUR DELICIOUS WRITINGS HHHHHH
So⊠usually I shouldâve picked a favourite scene that is within my drawing capability, but I just⊠love all three chapters??? So I made a questionable time investment? I canât stop??? Help???
This is probably the most ambitious fanart project Iâve ever done so far. Fair enough, considering I might combust if I keep these welled-up emotions inside from reading Voxâs Goyuu fics. Fuck.
Fic info:
Title: the way it follows you home, the stories i never told
Author: @voxofthevoid
Pairing: YuuGoGo. Future!Yuuji, Future!Gojou, Teen!Gojou
(idk why I laugh writing YuuGoGo. Iâm beyond help)
Currently, it is 3 chapters out of 8. And itâs gonna be NSFW chapter 4 onwards, so donât forget to read the tags first, folks!
The drawings are under Read More, because I have lots of thoughts surrounding each chapter and drawings. Itâll be hella long if I didnât hide it here. It was a mess down there. A combination of hours before, during, and after I read said fic. Iâd say good luck finding the art among the sea of jumbled words but⊠youâll find them easily. Donât worry about it haha
SPOILERS FOR ALL 3 CHAPTERS! I highly recommend reading those first before diving into these drawings!
Also for the comics, read from right to left please!
From here on, I will be referring to the Future!Gojou as Gojou and the teenage one as Satoru.
Overall, drawing all these is fun! Really fun! This project pushed me quite hard, forcing me to test my limit (because I rarely draw this much back to back). Since this is a combination of drawings and comics, the coloring style will not be consistent. In a way, I want to try some brushes I never get to use, as well as try out my new graphic tablet. Drawing these got me giggling because I was finally able to let loose during line art. It's much easier to do so, and sometimes I just get to reread the fic and giggle to myself for the nth time.
CHAPTER 1:
Whooo. Whoooooooooâ
Ok, ok, the premise is just that good. It intrigued me, fascinated me, and I just⊠oomph. I cannot refuse a Time Travel Yuuji Sandwich. Sign me up.
Honestly, there are two scenes that are just⊠a bit too clear in my mind when reading this chapter. That would be the one I drew above, and the other is when Yaga called Gojou to come outside of the class. I love, loooove how Vox wrote Satoruâs POV. And when Yuuji fucking giggles?
I lost it.
Can you imagine, drawing Yuuji grins, with shiny stuff, maybe some sunlight, just purely happy and indulging Gojou?
Help me, for I am drowning in my love and adoration for Yuuji.
Page 2 is an experiment on using harsh black as shading (kind of?). I really enjoyed colouring Yuuji, and drawing those buffalo skulls! I wish I can grasp the concept of contrast a bit better tho :v
CHAPTER 2:
This is probably the only chapter where I picture still images instead of comic panels. A bit like those cool chapter covers in mangas. The one I really, really want to draw is the scene with Satoru on the table. Canât pass the opportunity to highlight Satoru being a brat, albeit a really cool brat.
Cool idea drawing always proves to be a challenge, because of course my artistic skill just so happens to be below the requirement. Thank you, Sketchfab, for the chair and deskâs perspective otherwise Iâm screwed lmao
The second scene that I want to draw the most is this:
Gojou is one step away from climbing Yuuji. Also, I have a bit of a problem picturing a man pouting that makes him look crazy instead, so please have Gojou pouting adorably instead. Because, as Yuuji said (with love), Gojou is (also) a brat.
This is possibly my favorite art in this project, after Yuuji's in Chapter 1 page 2. It's clean because I don't have to draw background, and I was having a fun time drawing Yuuji. And Gojou's squishy cheek as well.
Oh, actually, there is a âmangaâ scene in this chapter. Itâs when Yuuji said, âI love Satoru.â
I justâ
AAAAAHHHHH YUUJIIIIIII YOU AND VOX ARE GONNA BE THE DEATH OF ME. That secure relationship between Yuuji and Gojou? Satoruâs description of how Yuujiâs smile could blot out the sun??? Not me screaming đ I also see bits of hints of possible co-dependency, though I could be reading those wrong, but either way Iâm good. Secure and possessive relationships are fun to consume hhhhhh
But yeah. There are too many wholesome Yuuji smiles in this fic, and I⊠I am not confident enough to draw genuine happiness. Itâs too much for me â ( á ăâ )ïŒż
For this chapter, another reason why I chose these two scenes is just because I want to try and draw cover-worthy pictures of Yuuji and Satoru, and Yuuji and Gojou (cough)
CHAPTER 3:
We start the chapter with Nanamin. Ah, Nanamin. I forgot what his teen self looked like and was surprised to see his design again lmao
I want to draw Yuuji and Nanami scene because⊠I just want to, I guess. I have never drawn him before (Yaga as well) so that's an interesting challenge. I got two ideas on how I want to draw it. One is a bit painting-esque, and the other one is like another chapter cover. In the end, I chose the cover one because I want to emphasise the difference between teen!Nanami and the Nanami from Yuujiâs original timeline, and how the watch feels like a connection between the same (yet not) person. Itâs a bittersweet feeling? In a way?
Iâm not really good at explaining my intention â ( á ăâ )ïŒż
I love Yuujiâs answer to Nanami's question.
AND FINALLY.
A Yuuji SandwichTM scene.
And oh B O I do I love it. Have I told you I like every chapter? I probably have. But this one? Satoruâs curiosity, Yuujiâs on-brand self-deprecation, and Gojou come strolling down to show more of Yuuji to his mini-self. I want to draw this whole scene, from Gojou finding them, feeding Yuuji snacks, bitch-slapping Satoru into the backroom, to Yuuji growling. Them trying to hide a boner from Yuujiâs growl got me cackling so hard I LOVE IT đ
I love it all. Please love Yuuji in my stead, Satoru and Satonyan :3
Oh! Also! 40-finger Yuuji sounds really, really cool! Iâll be happy with whatever Vox will give us in future chapters, but 40-finger Yuuji⊠possible scene with this timelineâs Sukuna⊠my god. The action! The drama! The bloodshed! One can only hope.
However, as much as I love that whole scene, itâs still too much for me :â) Iâm still not yet confident in delivering the humour and action. Also my already-long drawing plan had my brain groaning in protest so I canât push my luck :'D
When Gojou said "He looks sweet, but he's a bit of a beast", I kept picturing Yuuji staring innocently, but there was an edge to his look. As if the moment Satoru looks away, he will pounce. But in the end I just stick with innocent-looking Yuuji because I accidentally drew his eyes that way and I want to keep it in lol
Since Satoru points out how soft and cuddly Yuuji is, I also want to draw soft Yuuji :v
And the last one⊠is the last scene. For some reason, I read that both Gojou and Satoru share Yuujiâs lap and was having a frustrating yet fun time figuring out how itâs⊠physically possible, without having their butts on the ground because they both are not small at all. As I lined the art, I reread it again and⊠perhaps I read it wrong? Satoru is beside Yuuji, and not on his lap? So yeah, this one might be the least accurate, but hey, at least you can view it as a crack drawing or something :v
AAAANNNDDD I HAVE EXCEEDED TODAYâS BRAIN CAPACITY OF FORMING WORDS
Have I told you I love this fic?
âŠI probably have.
Have an amazing week (âÂŽâœ`â)*âČïŸ*
#yuu's art#jjk-fic-fanart#jjk ship#jjk-ship#äșæ #goyuu#goyu#5u#gojou x yuuji#speedrun this bad boy of a project in 3 days#from planning#now I can sleep in peace
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Ok so, before the indigo disk released I heard there was going to be people with competitive movesets, so before it released I literally made myself an entire competitive team. IM A CASUAL PLAYER đđ and I just think itâd be really funny that carmine and kieran would probably think iâm just gonna stroll up with my usual team but nope swords dance + scale shot đ if you could write their reactions to the new squad I just think itâd be funny lmao
(If you want the team I made for reference, it was koraidon, ogerpon, chien-pao, blood moon ursaluna, armarouge, and a shiny slither wing because I felt like having a shiny so I hunted one lol)
- đȘđ„
Bro I went into the Indigo Disk 100% blind so you can imagine my shock when I realized double battles were gonna be everywhere </3
I mostly had a "fuck it we ball" mentality going through it (which made some battles go on for WAY too long), but later I taught my Ceruledge Poltergeist when I realized almost every NPC in the dlc uses held items.
Funny enough Ogerpon (with Spiky Shield) and BM Ursaluna were on my team. He was an absolute TANK with the assault vest and he knocked out Hydrapple with a Moonblast
Anyways enough rambling and onto the request!
......
Kieran
He was expecting your usual team when you started challenging the BB Elite Four, rolling his eyes at the thought of you trying to use the same old tactics to defeat him.
But he's changed. He's gotten stronger and wanted you to be surprised by what he can do now.
Instead, though, when you arrive to the championship battle...not only did you bring out Ogerpon with her teal mask to (supposedly) insult him, but you also had Chien-Pao, which may spell trouble for his Dragonite.
He'll admit, you were clever to bring a Pokémon who could lower the defense of all the others and cut their HP in half with Ruination..but he doesn't give up yet.
Seeing a shiny that looked like a Volcarona but fluffier was certainly bewildering--as is the Bloodmoon Ursaluna you managed to tame back in Kitakami and the Armarouge who sets up a Psychic Terrain to boost its Expanding Force, allowing it to hit two of his Pokémon at once.
Oh, and apparently you have not one but TWO Koraidons, with the one you brought into battle being more brash and a fierce fighter in its Apex build.
You set that one up with a Swords Dance + Scale Shot combo that absolutely kicks ass, somehow striking your opponents 4-5 times whenever you command it.
Kieran's certainly gotten smarter about his team, but so have you, and he's livid about it.
It was like you enjoyed knocking him down over and over again...yet he can't hear the reluctance in your voice as you utter the final move that finishes off his Hydrapple.
You knew you had to win. He needed to be humbled.
But it didn't feel good at all as you watched him crumble and Drayton rub his loss in his face.
Carmine
When you battled her, she (like her brother) expected to see some familiar faces on your team.
Yet you surprised her (in a good way, very much unlike her brother) with Ogerpon, and she smiles and asks if she missed her, with the legendary responding with a small hop and a happy trill....
Followed by a devastating Ivy Cudgel that lands a critical hit on her Pokémon.
Yeah, she can definitely tell you've been training the Ogre a lot, but she's proud of how confident she's grown nevertheless.
Seeing you have both Chien-Pao and another Koraidon working in tandem is impressive, especially with that Ruination + Swords Dance + Scale Shot combo you pulled.
BM Ursaluna and Shiny Slither Wing are the only two that genuinely shock Carmine, as she's only seen one in myths and the other....she's never seen in her entire life.
But after the trip to Area Zero, she understands Slither Wings better (although she's amazed you managed to find a shiny down there).
Either way, those two are powerhouses.
She remembered you talking about a little lonely Charcadet you found during an outbreak, and to see it has grown up into a mighty Armarouge was such a sweet thing to see.
You clearly took the time to plan out your team before coming to the Blueberry Academy.
Carmine found your battle to be fun.
Although she can't exactly say Kieran will feel the same way..considering Ogerpon is with you and you have some new tricks up your sleeve.
But she figured he oughta find that out for himself.
#hope you dont mind my interpretation of your team and their movesets ^^;#clanask#chair egg anon#pokemon x reader#pokemon sv x reader#pokemon scarlet x reader#pokemon kieran#pokemon carmine#headcanons#ogerpon#bloodmoon ursaluna#armarouge#chien pao#koraidon#slither wing
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helloo i was wondering if u have any tips on how to start learning how to draw?? iâm gonna try it for the nth time and force myself to not give up and since i absolutely LOVE ur art i was hoping you could help me?? thank you in advance and have a happy new year đ„°
omggg i just saw this :O!! i havent been around here so i didnt see :C but anyway!!! im not sure what advice or tips to give tbh so ill just share some things that helped me đ
knowing what im drawing (basically...using reference lol ) u might've seen this tip a lot but its true đ think of it as like... training wheels on a bike AHSAHSAHHA u use training wheels for some time until u can be good enough to ride a bike without them or something like that.... its the same with using reference. u have to know and get familiar with what an object looks like first before you're able to draw without it and with confidence. tbh i dont always do this bcos sometimes i just wanna mindlessly draw ykno đ and thats okay as well!!! just remember that reference is very helpful when u hit a dead end with ur artwork :D also learn from real life!! look around u! sometimes id stare at something and nod in understanding. ----------------------------------
draw what u love <33 honestly, i only got back into drawing when i went down the vtuber hole a few years ago LMAO i would draw vox akuma eveyday đââïž and then my love for one piece got revived so now i draw my favorite characters every chance i can get bcos its all i can think abt!!! its honestly a good motivator. ----------------------------------
accepting and learning from mistakes ive always struggled with perfectionism and that really took my enjoyment and love for creatingđ„č and that also stopped me from experimenting and exploring coz id always think that it wont come out as i hoped it would. SOOOO for the past 2-3 years i think?? i make it a habit to STOP â being super critical when i see or make a mistake. the perspective is wrong? noted. the anatomy looks wonky? okay!! i let them exist in my artworks bcos how would i even know where to improve in if i dont know what it is đ
i also make sure to keep those errors in mind so i know what areas i should be working on. u can always correct them on ur next work!! and the next!! again and again!!! its never-ending! ure always improving, always learning. ---------------------------------
i also have a board of artworks and styles that i really really like and i look at them when i need inspiration hahaha sometimes u just have to scroll thru pinterest for hours and draw nothing lol
personally, i think one doesnt have to draw everyday to be good. i mean, you can if u want to! but u might burn out fast if u force urself to draw everyday. just.. pace yourself. remember to rest and be good to yourself as well :))
thats all i can think of right now. i feel like i could share more but im just not good with words or explaining things. forgive me đđ our experiences may differ and what helped me may not be of use to u,,, but i hope this can help u even juuuuust a bit :"D be proud of every piece u make. u worked hard on it after all <33
(also sharing my art throughout the years!)
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I remember you posting a blurred gif of the outline of atws, so if you don't mind me asking, how do you do that? Like, get the outline onto paper and not just scenes in your head. That's something I've always struggled with, because it's hard to write without an outline, but hard to do the outline when I don't have a first draft? I'm not sure how to explain it so I hope this makes any sense at all lmao
ahh so fair! some people just don't operate that way and you gotta do what's best for your brain. no point exhausting all your energy trying to squeeze into a "standard writing process" that'll make writing even more difficult for yourself.
under the cut, i'm going to explain my writing process every step of the way, using scenes of ATWS. i hope it helps in some way? i don't think it's anything special, but this is just how i write to appease my adhd.
first, this might help: i once used storyplanner.com when i didn't know how to even start a story and i loved it. it's a great tool that can hold your hand every step of the way, or just prompt you to think on your own. there's over 20 planners that ask different questions like "what's your character's major flaw?" "what's the inciting incident?" "what outside elements hinder the character?" etc that will present you with a complete story structure when you're done with it.
ok, now, how i write:
as for the post in reference, that's the 2nd stage of my writing process. i get carried away with tangents and hone in on details, so i plan in dot points to try and force myself to keep it simple and stay zoomed out.
i just write what happens in chronological order, and if i have an idea for a later scene (or something that i just want to happen, but don't know when/where/how), i note that in a separate document that i can refer to while i plan. this also allows me to gloss over vague sections to keep my writing flow going.
stage 1:
i've started using Notion's "toggle list" feature to minimise the less important parts of a scene and keep myself focused on the overarching plot during this stage. this is what the first point looks like:
i go beat by beat, essentially amounting to an elevator pitch for each stage of my story. "crowley and aziraphale are streamer roommates" + "people start to notice they each live with someone and the speculation starts" + "crowley and aziraphale interact on twitch" + "they attend the edinburgh meetup" etc.
i finish a story before i move on from this stage. i won't start writing something in earnest until i know how it ends.
stage 2:
this is what you saw in my gif, and why that page was so long. that's every scene i'm going to write in the story.
sometimes i jump straight from stage 1 to writing, but ATWS required a lot more figuring out before i started any kind of prose. here i'm basically noting down the details of what each scene is, the brunt of what's happening. this is when i have to figure out those "vague sections" i glossed over earlier.
it's still just intended to be a rough outline so i know where the characters are and what's moving their relationship along. most of these dot points are short because i've already thought about them a thousand times, and may have more details noted down in a different document.
meanwhile some of them i'm planning out the scene as i'm dotting it, making not of dialogue that i want to include.
stage 3: my bracket method
i only use this stage when i'm struggling to write and need to baby step into it. this is my "bracket method" in which i write the scene without, like... caring? some people may consider this "double handling" which may drive you mad, but it's the most helpful thing i've ever done for my process.
i switch tenses, i write how i chat (no capitals etc) and just word vomit the scene without focusing on prose. ATWS came quite easily at first, and i didn't need to use stage 3 until i got to chapter 4 and hadn't written in a few days.
stage 4:
this is writing the actual prose, but i wanted to include it so you can see the differences, to help better understand my notes/planning/outlining stages:
and this is what a scene looks like with stage three bridging the gap:
#i swear this had a point#i think the point is: i literally just write each scene one by one as i think of them#but use all these little methods to keep it clean and tighten my own leash so i dont get carried away or lost#rat writes#ratwips#writing tips#writing process#art process#fan fic#ask a rat
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Random bullshit headcanons for LU pre-GLaDOS I illustrated instead of talking to my family for Christmas
Look in shock and awe as I draw them completely differently each time
Now close ups and yapping abound
Iâm actually horrible at drawing clothes and being time accurate at the same time uh oh. Doug seems like the kind of guy to have like 5 or 6 outfits and thatâs it. At least 2 of those outfits are just what he wears to work. Also likes collars and buttons. The way he goes from work to casual is just taking off the coat and slipping on the vest. Hes got a suit jacket somewhere but thatâs for when he needs to not be at work but also be dressed up.
Iâm also horrible at facial hair so just⊠be nice to the man on the end he looks like shit.
Wheatley is a little more time period specific but also EXTREMELY outdated. His ass is NOT keeping up with trends. Heâs a man who enjoys layers. I stole the upper half for his work clothes from @underhell69 because it was better than anything I could come up with.
This one down below was the first one I drew and you can tell I wasnât exactly confident in drawing them just yet lmao
Itâs always one of the default smart people things to have them be good at chess, or if the story is really going for lazy shorthand, they can solve a Rubix cube. So no, theyâre both terrible at it. Wheatley suggested using house rules, but Doug was pretty sure that would break the game further. They prefer mancala.
Doug has insomnia. That is all. Wheatley usually puts a blanket over him if he finds him, or tries to use something as a pillow.
Not always in a bad mood but like 4/5 times, heâs angry or upset and he just wants to feel like a dancing queen. Wheatley is a big pop girlie, I will not elaborate. Man fucking loves his Eurovision.
Yes, thatâs gen 1 Star Scream heâs holding. Despite Doug being primarily a programmer, he was pretty much forced to learn how to handle the hardware. Things Wheatley has asked Doug to build, despite this knowledge: lightsabers, a Dalek (no Doug, if you make it really small itâll only exterminate bugs), many variety of Time Machine (he WONT break anything, stop saying that), transformers as seen above, a proton pack despite not believing in ghosts, a hover board.
Things Doug has actually built: A gundam from a kit (he has never watched gundam, he found it in a clearance bin), a number of small trinkets solely for Wheatley to fidget with, the outer casing of a lightsaber (the laser bits real hard)
Yes this is a Kafka Metamorphosis reference
I finally figured out how to draw them isnât that neat. I stared at @beanzabear âs art until shapes made sense (sorry if this mention is annoying but you deserve credit for that and for getting me to use a softer color as my background :P). Is this kind of a spoiler if itâs something that happened in the past? Yeah, at some point they moved in together. Yes. They were roommates.
I could draw so much more but itâs getting to be a real problem, I think about them so much, my friend seven-gill had to tell me to go to sleep. I gave myself brain worms, no one else.
(Tumblr mobile has a 10 image limit so I sacrificed the piano image but his mom taught him how to play just a little bit and the one song he knows is Fur Elise)
#MY TAGS DIDNT STICK#I HAD A WHOLE LIST. GOD THIS SUCKS#portal#portal 2#art#learned unhelpfulness#doug rattmann#wheatley#wheatrat#portal learned unhelpfulness#Iâll add the bases if anyone asks#Wheatley is a big sci fi fan#Doug didnât have a tv until Wheatley moved in#Iâm so normal about them#send help#Wheatley hates the word âapartmentâ#that and other headcanons I have floating around my brain
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can you please expand on deuce/riddle ??? im rlly curious abt them tgt in your AU,,,,
(if you have the time i would also love to read abt azurid & mallerid :D ! no pressure though! im mostly interested in deurid ^^)
the riddle ship trifecta...
i enjoy them bc i think riddle really needs a calm presence in his life that makes him feel like he can act in ways he never had the freedom to do before, without feeling judged or made fun of. whether that is acting childish and silly or just expressing emotion freely. he's obviously really sensitive to being teased so he needs someone who is ok with that and just finds joy in his joy.
i relate to this a lot bc i myself am a very sensitive person, and get emotional really easy but im also very cynical and dry, so i think ppl see that contrast and find it funny. which is fine, but i get hurt or annoyed really easily by teasing bc i think what i really want is for someone to see how easily i get emotional (like crying at almost every movie i watch) and rather than seeing it as smth weird and funny, they recognize my empathy as something good. i want someone to see the value and worth in my emotions, no matter how trivial they seem.
and i think riddle needs that too. deuce isnt super smart but i think he's really earnest and riddle would appreciate that about him. he shows a lot of self awareness in recognizing how his past actions hurt his mom, and realizing he needs to be proactive if he wants to be a better person. very few ppl are willing to admit when they are the problem. he's just a very soft guy, but like, passionately soft. he wants so bad to be good. and i think he would want so badly for riddle to be happy, it would become really important to him just like his mom's happiness.
malleus is super honest about his intentions, which i think riddle needs bc his lack of social skills leave him anxious. he probably would get too frustrated having to play games and guess feelings. malleus just has a super calming presence and riddle needs that so bad. i think they are both pretty awkward bc of their upbringing so maybe they could find comfort in each other, knowing there's no judgement.
azul is none of these things lol đ i do NOT think these 2 would be a perfect healthy couple but i enjoy their dynamic. riddle is sensitive ofc but hes also super smart which is why i like the thought of them together. the two top students, not really in a competitive way, more like they recognize each other's weaknesses but also highly respect each other. to the point that they wouldnt ever make a move against the other. i could see them having a more loving relationship but in my mind they are more like a power couple lmao. like two powerhouses joining forces. i do think seeing riddle trying to overcome his own trauma and be a nicer person could inspire azul to do smth similar, realizing that if he likes and respects riddle, there must be some value in kindness without reward.
none of these would be canon in the AT au unfortunately, at least not in my mind (you can do whatever you like with it tho, it also doesnt mean i wont still talk/draw about it). there would definitely still be interactions among them with plenty of room for interpretation. obviously the most between deuce and riddle bc they are both HL.
i could see an episode where riddle recruits deuce to help him repair one of the elephant guardians (since deuce is good at repairing stuff) and they become closer. bc deuce used to get up to a lot of trouble he also has a lot knowledge of some of the rougher parts of the kingdom (im referring to deuces former crew as the spoiled fruit gang) and probably accompanies riddle when he needs to go there. riddle might sometimes go to deuce for advice on his relationship w his mother, since deuce is close w his mom. it would be cute if deuces mom came to really adore riddle and gave him a lot of the experiences he didnt get w his own mother.
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Thank you for your various huntl0w negative posts because I've never liked the ship but I've never took the time to put it into words and you do it so well. I'm just now coming back into the fandom and the sheer amount of it is. Kinda disappointing.
I feel like both Hunter and Willow become significantly less interesting characters due to it. (And I'm honestly really attached to the idea of aroace willow personally. Even before the finale it was my main hc for her)
Also as someone who is physically disabled, to the point of not being able to do some tasks abled bodied people can do. The comparison being willow being "half a witch" and hunter being one as well is. So odd. As a justification for the ship
Because willow just isnt physically disabled? Shes even extremely good at the magic shes good at. She was only bad at magic previously because she had not yet found the thing shes good at.
While Hunter just can't use magic. (And, in Hindsight this makes the girlboss/Male wife dynamic they're forced into having even. More uncomfortable for me because of course the abled person has to "be the leader". Despite the fact that the disabled is extremely capable.
You are very welcome, anon! And as an aside, Iâm sorry to the anons and asks that have rotted in my inbox over the past year,, work has been taking over my life and I have had much brain power to devote to responding to asks or,, talking to people in general. I definitely want to work on getting some semblance of my life back this coming year lmao (now that I have a good team who can mostly cover things if I need time to myself).
Hunter & Willow definitely both become less interesting characters after theyâre shoved together in the show, which is canonically platonic and not even romantic, so imagining them in a canon romantic relationship is even worse. Hunter has one passion: tradhusband, while Willow girlbosses herself into becoming swole and playing sports⊠uninterestingly. Jokes aside, I also subscribe to aroace Willow, even over the more popular aroace Hunter headcanon. She never, ever, ever showed interest in any sort of romance throughout the entire show, and I argue doesnât even show it to Hunter in the finale as she acts the same way with Gus in the end credits (the blink & you miss it blush in FtF aside). Willow has been shown throughout the whole series to be very physical and touchy with her close friends. And thatâs that to me đ€·đŒââïž
The disability issue is just. A whole other world of baffling to me that we even let that slide in the show. Everyone Iâve heard comment on it has been physically disabled to some extent themselves (including myself), so Iâm not really sure why those critiques arenât taking precedence over the people that like the ship. Itâs always made me extremely uncomfortable for the exact reason you said- Willow is not disabled, and is actually good at magic. She was just being held back due to her dadâs wanting to encourage a more âusefulâ coven track. Hunter literally cannot preform magic. Which is a disability on the Isles, when everyone else born there naturally has magic and uses it in their every day lives. I cannot get over the concept of their âhalf-a-witchâ experiences being anywhere close to similar. If someone like Willow said that to me, when what I was referring to was being physically disabled, I would have been SO put off by it. I hadnât even fully considered the implications of the trope they get pigeon-holed into, even by the crew, in relation to that fact. Which is. So fucking icky actually. Especially when you also consider how bulldozing and pushy Willow is, both in general and when they first met, all but forcing him to join her team & sucking him underground with vines at one point. And then the next time they see each other being totally down with Bump turning him in, and only stepping in when he gives real proof that heâd been with Gus, who is and has been her best friend for years. Willow was 100% ready to back him being handed over to Belos despite knowing the things Belos has done. Just. Hate that relationship concept personally. But maybe thatâs just me đ
#huntl0w negative#toh#the owl house#Hunter toh#toh hunter#willow park#willow toh#toh Willow#hunter clawthorne#hunter noceda#hunter wittebane
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In my own writing I struggle with giving each character their own voice (speech patterns, phrases they use) and in Dialtown each character is super specific. Are there certain things you had to remember for each character, other than Oliver using his fucked up slang lmao.
When I write my characters, I can usually hear them in my head to some extent. Like, I can picture how it would feel to talk to them, or if I tuned out while one of my characters was chattering away about something, I can kinda hear the unintelligible static.
If you want me to write a lil essay pointing out differences in how the characters in the main cast are written, alright, I'll bite:
Verbal ticks help differentiate characters for me. We all know about Randy's stuttering, but there's more than just that in how the characters' sentence structures affect how we see their speech.
Karen's sentences tend to end in periods, if they aren't questions or if her voice isn't raised. Almost all of Randy's sentences, meanwhile, end with ellipses (âŠ) or hyphens to indicate he trailed off/stuttered his way through the ending. Oliver does occasionally end sentences with ellipses or hyphens, but defaults to periods and often exclamation marks, as he's pretty excitable. This alone shows the difference in tone/confidence that the main 3 have without changing any words.
The characters all use slightly different terminology when they speak. Oliver's fucked up slang is only a part of it, he also uses theatrical language, often framing sentences creatively and in a way that absurdly beefs up the word count of his dialogue. He uses fairly atypical adjectives, surrealist language. He refers to himself in the third person sometimes. He uses imperfect tenses in order to make his sentences longer/less uniform. I'll give an example, from when Gingi asks Oliver if film reel movie projection is magic:
"I consider myself a sorcerer of FILTH, perhaps (an apt conjurer of muck/grime), but this artform isn't QUITE witchcraft NOR warlockery, I'm 'fraid."
Okay, putting aside the bizarre content of the sentence itself, one curious thing to note is that the whole sentence is full of words that don't convey any additional information. Conjurer is a synonym of sorcerer and he uses two synonyms for dirty AFTER already using filth. Guy loves theatrical language and will structure his sentence to make sentences much longer, so he can fit more of it in. But, then ends the sentence by taking a whole syllable away from the word 'afraid' and abbreviation it, like speaking with an accent. Oliver's sentence pacing is completely different to other people because of the volume of odd language he uses. In the context of the game, he's also drawing the player in by creating a pause, as the next line is:
"No, the actual "beaming" work comes from our dear old movie projector, and possibly my greatest love: Big Bertha!"
He likes Big Bertha and enjoys talking about her, and he tries to draw Gingi in and get Gingi invested in this thing by drawing out the introduction and forcing Gingi to wait for him to introduce Bertha in suspense. Randy volunteers info as if he thinks you're gonna hit him, unable to stand silence and hence, the sound of his own thoughts.
To contrast, Karen uses direct language, mainly. I wouldn't call her speech robotic, as most of the time she can retract language, she does (I am->I'm, I would->I'd, etc) but usually she uses direct tenses, and takes fewer words to say what she needs to compared to, say, Oliver. Generally, the words she uses tonally matches what she says. Weirder, less usual words come out when Karen is reacting to something she finds weird/illogical.
Norm's speech could be described as someone with a heavy accent who's well read, but is slightly insecure about being well-read. He uses words like 'y'all', 'ain't', 'reckon', retracts words like 'to' as 't'', but if you pay attention, he occasionally uses technical, academic language that doesn't match the aesthetics of the rest of his language. You can take the boy away from book learnin', but ya can't take the book learning outta the boy.
Billy is aggressive and generally, his language is designed to make the player feel bad in some way. Generally speaking, he's either insulting you, mocking your knowledge of the world, pointing out something you said as stupid, or is using words like 'lmayo'. Billy doesn't care much about the player, but is interested enough to talk to the player as a means to offend/demean them until you run out of things to say or leave, frustrated, which is Billy's goal. If you view what he says in this lens, you'll see this accurately describes how he speaks to you.
Billy uses surrealist language occasionally to seem more hellish and inhuman, but often, uses fewer words than other main characters. Subconsciously, it's to convey that Billy doesn't respect you enough to use more words. When Billy DOES use big words, it's exclusively on purpose and exclusively to subconsciously belittle Gingi, like when he refers to Gingi as a 'amphibian moron'.
God, similar to Billy, tends to use fewer words than most other characters. He often gives formulaic dialogue responses. There's no psychological play here, God just genuinely doesn't care how Gingi or anyone else sees him or if his tone/phrasing is improper because he knows how little respect people in Dialtown have for him anyway and embraces it.
Sometimes though, he does use uncommon synonyms for words, a byproduct of having lived so long through other times/eras. The references he makes are much the same. Fucker occasionally references ancient Greek figures and expects the references to land, as if everyone present somehow would've once somehow met these ancient fellows.
Mingus uses formal, impersonal language, and tends to use uncommon synonyms for words. The purpose of this is to subconsciously belittle the person she's speaking to and affirm her social class.
While she'll skirt past a commonly used word for a rare synonym in order to make her speech sound more dignified, she rarely leaves out pronouns in sentences. The reason for this is because most of her speech has an indignant tone. She's complaining about some shoddily done action or what she feels is a lack of service. So, the last thing she'd want to do is miss the opportunity to rant directly about her grievances in direct terms. Creative phrasing isn't used to replace pronouns but used to more elaborately phrase the error someone has committed to further emphasize her dismay. EG:
"You created the entire universe, and yet, the ability to perform a simple CARTWHEEL eludes you?"
Instead of saying "can", she says "the ability", instead of 'can't do', it's 'elude'. Hell, instead of 'do', it's 'perform'. But, both at the beginning and end of the sentence, she doesn't think to phrase the sentence in a way to avoid repeating the word 'you'. Like I said, the flourishes are just to drive the point home that she sees herself as above the person she's speaking to and to reaffirm how absurd she sees the limitations of others.
How Jerry talks is basically the conflict within a well educated but defeated man whose brain is decaying from years of substandard life. His speech, like his brain, is in conflict. His job dictates that he should always use terms of respect, like sir/ma'am, but he curses too. When he raises his voice, his sentences are often short and abrupt, but the words he uses tend to be elaborate and rarely used. Jerry is educated, has opinions on stuff. His mind is wasted at his job, and even through his defeated cynicism, you can subtly see that Jerry wants a better life through the words he uses.
Jerry's speech patterns are actually quite close to the narrator, and this is intentional, actually. The two characters share a few things in common that affect how they speak. Namely: Having to deal with Gingi's antics. There's almost a tired parental tone to both.
I could ramble for hours (please don't let me do this), but those are some examples of core character writing differences, namely in how I try to use language. Incorporating subtleties into the dialogue is good for separating characters and when you plan these out so that these placed differences are specific to traits that the characters have, your work'll feel more alive and be more satisfying to analyze later. Overthink. Overthink overthink overthink. It works, at least for me.
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TAV x ASTARION SONGS ABOUT: Life as Lord Astarion and his Dark Consort
Since I have a massive 180+ song playlist for my Tav, Efenity and Astarion, I decided to gather the most "important" and relevant ones, for my own reference/index mostly, but also if anyone else's Tav has a similar dynamic with him maybe you can swipe some of these songs :P Maybe it will give you ideas or help expand your own TavxAstarion playlists idk. (Obviously I have a lot more for Efenity vs just Astarion, but that's because I'm always inside her head lmao Also, all links lead to Youtube btw. And it's mostly electronic music)
For context of my Tav: Efenity Kelmorn is a half high-elf, Storm Sorcerer (mostly lightning), and criminal. Neutral Evil, ESTP. More about her here.
Here are songs about (my) Lord and Lady AncunĂn post-game:
âââ Astarion's POV âââ â Written In The Scars (Anki Remix) - Galantis (ft Wrabel) â U Found Me - Tritonal â Parachute (Krazy Kat Extended Mix) - Matthew Koma â Touch - Great Good Fine Ok â Sunset (Michael Cassette Remix) - The Midnight
đ©ïžđ©ïžđ©ïž Efenity's POV đ©ïžđ©ïžđ©ïž đ©ïž Your Love Is King - Sade đ©ïž Expectations - SVRCINA đ©ïž If The Devil Is You - RUNN đ©ïž Giving You The Best That I Got - Anita Baker đ©ïž Losing My Mind - Tritonal & HALIENE đ©ïž Peace Sign - Lights đ©ïž Shelter (ft Melanie Fontana) - Jason Ross đ©ïž Ain't Nobody - Chaka Khan đ©ïž Sanctuary (Daniel Kandi Remix) - SMR LVE, Cristina Novelli đ©ïž No Ordinary Love - Sade đ©ïž Jai Ho - Pussycat Dolls đ©ïž Praise You (ft Fatboy Slim) - Rita Ora đ©ïž Sweetest Taboo - Sade đ©ïž Every Every - MOONZz đ©ïž Dissolve - MOOZz đ©ïž Follow You (Stereopole Remix) - Nitrous Oxide
đ©âđ© BOTH âđ©âđ© đ€ Could Have Been Me (Mash Up) - Halsey, The Struts đ€ There's Nothing Holdin' Me Back - Tori Kelly, Taron Egerton đ€ Toxic (ft Lunis) - Besomorph đ€ You Make My Dreams Come True - MAX & Kenzie Nimmo (originally this was just in their playlist as a meme to myself but now it fits unironically lmao) đ€ A Part of You - Didrick đ€ Force of Nature (ft Paperwhite) - Break Science đ€ All Eyes On Us (ft Racella) - Lenno & Jack Novak đ€ Rule The World - TheFatRat & AleXa (it's so happy and ill-fitting in sound, but the lyrics fit so well lmao) đ€ We're All We Need - Above & Beyond (ft Zoe Johnston)
_________
My other playlists like this: SONGS ABOUT: FALLING IN LOVE SONGS ABOUT: THE RELATIONSHIP SONGS ABOUT: BECOMING ASTARION'S CONSORT
#My second to last playlist :'D#ascended astarion#astarion#baldurs gate 3#astarion ancunin#tav x astarion#astarion x tav#bg3#efenity#oc playlist
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currently i'm really busy with writing for my thesis, which unfortunately leaves me with little creative juice... ive been engaging with other people's creations a lot more rather than writing for myself, but have some assorted thoughts on things ive enjoyed recently below, for anyone who is interested. feel free to send me asks about anything that's mentioned, but because of the above, might take me a bit to get back to u <3!
these aren't really x reader thoughts, just rambling! if you read this, thank u, i am giving you a kiss on your forehead/hug/fistbump/handshake/whatever words of affirmation you have been wanting to hear today. pick your favorite!
(Pokephilia mention) Pokémon Legends Z's announcement!! It'll be forever until it's released (which, as a true Pokémon fan, I'm very happy about BAHAHAH), but I'm so excited! Very curious how they are planning to implement, what seems to be, citybuilder elements... If Emmet shows up in this game, I'm going to be super delighted, but I honestly doubt it. Either way, it's made me think a bit more about the twins, and Poképhilia stuff in general as well! It's such a shame/pain the main tag is blocked... one day I will start and stick to my intention to write, like, porn about all the Pokémon, haha. A dream...
(cannibalism(????) monster eating??? mention. consensual!) Dungeon Meshi really was as much fun as everyone mentioned! Don't really see myself writing fic about it, except for a very specific idea I had... I like the thought of Laois 'obsessed with eating monsters' Touden got to meet a monster (AKA Reader) who is equally obsessed with the idea of being eaten!! Maybe a mermaid, or something like that? It's his one chance to eat a humanoid monster! Though the others probably won't believe him when they tell him that it was 100% consensual, and are judging him harshly LMAO
Welcome Home updated! Very happy about this. Though I don't connect them publically, I actually have written quite a bit of WH fic and my sfw sideblog for it used to have more followers than this one LMAOO. Maybe one day I'll write NSFW works for it, but I dunno if there's interest... Plus, I very much fall underneath people the creator would consider 'unwelcome' in their squeaky-clean fandom or whatever, but they have like a quarter million followers now, lol. Anyway, Wally is, as has been said many times before, the Most! He draws me in <3
And also, poor Eddie, lmao. It's very interesting to me, with the inclusion of the Narrator, that the characters seem to be forced to steer in a specific direction, if that makes sense? To upkeep a certain mask. I wonder if 'as above, so below' is a reference to that, in the sense that whatever is dictated by the stronger forces of narrative, is what shall occur 'below'-- In their world. Like, the animosity some of these puppets have for each other!!!!! Some of them are just straight up Not Friends, lmao.
I need to play more of it, but if anyone is reading this, go play I Was A Teenage Exocolonist. I expected it to be waaaay more popular, especially on Tumblr, but it's so underrated? The writing is wonderful, the characters are well-defined, and the art is breathtaking! Please take a look at the trigger warnings, cuz there are a few that are definitely applicable, but it's soooo good... If it has to be said, I romanced Dys first, lmao.
I am watching The Apothecary Diaries right now, just started today, and can I jsut say... I'm such a fan of all the women in this show!! I love the perspective it gives on court life a lot! Maomao definitely is pulling in all the men AND women, huh.... i appreciate that. Jinshi also 100% wants to get degraded by her, huh. Maomao is the sexywoman of this show.
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Hey friend đ I just stumbled across your ghost analysis post and was intrigued, and saw that you do tarot readings?
I recently began looking into tarot, but the two decks I have aren't traditional ones, but I've read from a lot of people that traditional tarot decks are the (only?) way to go. I'm curious about your journey in learn to interpret the deck(s) you have, since I'm also struggling with that.
I also see that you have a free tarot reading Friday, and since it IS Friday, I'd like to ask- how can I overcome the political and religious obstacles that force me to hide?
(if this is a question that isn't so suited for tarot, that's my bad)
-SC
Hey there! (:
So, anyone who tells you there's only One Right Way to do something is full of shit. Folks just like to feel superior for doing things More Correctly Than You.
You can use whatever for divination and get solid results. You could make a functioning system out of coupons. Hell, you could doodle on printer paper, cut it into squares, and then use it as a tarot deck. That would probably work, as long as you understood what the pictures meant.
Some folks have an easier time with traditional decks, others don't. I tend to vibe with decks that are a little funky. Extra cards, different suits, interesting presentations, etc.
The deck I use most often, the Alleyman's Tarot, is technically not a tarot deck at all -- it's an oracle deck, since it doesn't follow the "traditional" composition of a tarot deck (major arcana + minor arcana). But I still call it a tarot deck because I can and I use it like one. It works great.
I do have the Deviant Moon Tarot, which is based on the Rider-Waite-Smith, and it would be considered a "traditional" kind of deck. It's a great deck, and it's the one I taught myself to read with many years ago.
When I got that deck, I believed that someone else had to buy tarot decks for you; it was "selfish" and would "taint" the deck's power if you bought it yourself. Also bullshit, by the way, but I had that belief in me. A kind lady overheard me lamenting and pining for the Deviant Moon in a bookstore, bought me a gift card, and gave it to me with a note telling me to buy the deck for myself. It was a life-defining moment for me, to be sure, and one that sticks with me today. I strive to live up to that kindness.
Learning was an interesting thing. I didn't look up any spreads, and I barely used the book. Mostly, I just wanted to look like I knew what I was doing right out the gate (I didn't; I was 18 and had self-image issues, lmao). So I taught myself to interpret based on vibes and imagery, then went back to reference the book when I really needed to. It helped that I had a spirit ally hanging around that was looking for a vessel; it's still attached to those cards to this day, and it helped me learn how to hone my abilities. For a long time, the act of pretending I knew what I was talking about prevented me from actually learning much at all.
It isn't... well, it isn't great advice. I wouldn't recommend "learning" tarot the way I did. I figured it out after a while, but there was no real system to it. If I could go back and relearn it the way I would do it now, I absolutely would. Here's what I've learned is a fairly good method for learning any new tarot deck:
Shuffle the cards and lay the pile face-down.
Draw the top card.
In a notebook, write down your immediate, knee-jerk impressions of the card. I recommend just key words or single sentences.
Then, take a closer look at it. Note the colors, positioning of figures, background imagery, and other details. Write down what you see, not how you would interpret it.
Now interpret. Take your time writing down how the card's specific imagery makes you feel. What does it remind you of?
Jot down an example question and how you would apply the card to the answer. For example, the question "What do I need to know right now?" answered by Temperance could be something like: "Patience is a virtue. Take your time." Or however you would interpret that.
Set the card aside. Repeat until the entire deck is done.
Congrats! Now, you have a general idea of the entire deck's meanings and a handy guide to help you remember what they mean to you.
Bonus step: Review periodically. Opinions and interpretations change as you do.
I follow this routine with every new deck I get. I've figured out that the same card in two different decks could have vastly different meanings, depending on how it's depicted. It's really cool!
Also, it's kind of important to note that I'm not really a full animist. I don't think that tarot decks (or other tools) have individual spirits. My Deviant Moon deck has one, but that's because of the ally I mentioned before. The Alleyman's deck doesn't have a spirit as far as I can tell. I've got spirits hanging around that enjoy assisting with divination and magic and such, though.
As for free tarot, it's closed for now! The update reblog was sent to my drafts instead of posting,,, sorry about that!! Your question would definitely be fine for tarot interpretations (though a little shallow with only one card; situations like that are typically better interpreted with more cards I've found). I do open it up every Friday, though, so feel free to stick around and send another next week! (: (Or visit my Ko-Fi linked in my pinned post if you want a more in-depth paid reading! /shilling)
#aese answers#tarot#divination#learning tarot#tarot tips#thank you for the opportunity to ramble about tarot#i love it very much. obviously
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Probably the dumbest munday question across the land but do you have any advice for creating good oc reference sheets? In terms of stuff like canvas size, % of space given to the character and colors, how much information to include, and background colors.
It's definitely an ocd thing for me but I have a hard time making refs that are both informative and look nice without being too cluttered or bare. Your oc refs are always very helpful so aajhbdsjkbhsd
(( WEEPS THANK YOU FOR THE KIND WORDS?? I didn't answer it before because I.. forgot!
BUT I WILL TRY TO ANSWER TO THE BEST OF MY ABILITY...
DISCLAIMER SONG This is how I personally make my OC references, based on tips I've been given over the years and what I find easiest for me! I make my OC references for ME and based on my own preferences, so they are heavily catered to what I want in a reference image. Also because I will forget how to draw my own character if I do not have it. That's not a joke either I am just that bad at what I do lmaO
Behold my totally professional labelled example of a basic reference, using... Basic!
THE ANATOMY OF A JAZZY REFERENCE
This is basically how I try to make my references look most of the time! Simple but it works for me!
I ELABORATE MORE BELOW THE CUT I just talk so much I am sorry
Number 1: A basic pose
For reference images, I always use a bare basic pose. I do not try to do anything dynamic or special. It is a reference image, it is meant to show the design clean and concise, not to impress anyone. I have a inside joke of "Stand straight, Hand Out" with myself because that is 99% of my reference images lmao The main image is always unshaded. I do not shade my refs. At most I will add effects to the eyes, but that is it. I avoid shading refs because a ref should be the basic plain colors. I know some shade but still add plain color dots.. but a lot of the time with complicated OC designs, adding shading can confuse some people. I know I certainly get confused! So I avoid it at all costs
Number 2: LARGE color dots
Having color dots / some form of palette is obviously extremely important... so people can like.. color pick. BUT I make them LARGE. Taking up around half the ref sometimes. I do this because if you make the dots too small, they will be JPEG crunched when shared across platforms. It creates a pixel crunch that makes the actual color harder to color pick. (Unless you are linking from a HD source, but also depends what device you are using. My phone will crunch images even if they are HD because.. It's a phone.) I have colored so many people's OCs wrong due to their color dots being itty bitty and forced under image crunch. I've had my own OCs colored wrong because of my refs having small color dots that were put in the ImageCrusher5000. Having large color dots doesn't entirely stop image crunch, but it makes it less egregious.
Number 3: Special eye and mouth color dots
Kind of lumped in with Number 2 but important for me to make separate from the normal color dots. For eyes, as I mentioned I sometimes add effects to character eyes in the ref image. So having a blank plain colors is needed for better color picking. It's a apology from me for adding effects from the reference image lmao
For the mouth, I just add that merely because I have a lot of OCs with odd colored mouths! I love making silly mouth colors!! Having a OC whose tongue is just blue for some reason! It's silly and it's fun! So I add a special "mouth" color dot to the image to show it! I also sometimes use it to show the OCs teeth style. (shark teeth.. flat teeth.. etc etc. It's not ALWAYS the case but still!)
Number 4: Bland/Themed color background
For backgrounds on reference images... I try to keep them plain! Because the focus should be on the character, not the background.
So I try to keep the backgrounds simple. I generally try to choose colors that are dull to draw more focus to the actual character. Nothing eye searing or painful, but I also don't want the background to "blend" with the character colors itself. Especially when it comes to color dots, if the background matches or blends too well with the color dots, they can be hard to see! Just easier to pick a dull, yet mildly ""clashing"" (lack of better word) color to make sure the character and the color dots are seen as best as possible. I will sometimes "Theme" a reference based on what blog/story they are from! All Ask-Eden refs are purple with a dark purple stripe! All Ask-Scrafty refs are this weird dull red color with stripes! Etc etc It's not needed for me to do that, I just do it because it's fun for me to have all the references for a specific story ""fit together"" if that makes sense!
Number 5: Name and Pronouns
Self explanatory really. I wouldn't say a ref NEEDS this information per say, depends on the context. But I generally add this information that way when I share the OC to others, the information is there and easy. That way nobody gotta question who they are or what pronouns they use, it's just already right there. Also avoids having your character misgendered and such. Which may not manner to some, but it does to me so I add it!
Number 6: Speech Colors
This only applies to my ask blog characters I do this because I have a lot of characters... who talk a lot! Often at the same time! So having each fella have their own special colors for their speech bubble, helps show who is talking easier. This is my own personal thing however, I know some people literally do not care but I like it.. so I do it! I add the color text there so that way the viewer knows "Black bubble with green text is This Character talking" and that way I myself, can color pick the bubble so the text remains consistent. Although sometimes depending on the lighting, I may tweak the speech colors a bit.... But they generally "stay true". I would rather tweak a speech bubble color slightly in a image than have it be unreadable, yknow?
Number 7: Important Design Tidbits
These are the tiny bits of text I'll add to a reference, ranges from basic info about the character to design info! I try to limit the amount of information on the ref to what is needed or what I deem is "important to know when drawing this character"
Stuff like this:
I try to keep the information short as I can to avoid cluttering text on the image. I also put things that someone might miss or "get wrong" when drawing the character or just mini text blurbs to describe what is happening in the image. If it is important to the characters design, I add it to the ref.
I cannot complain that someone "drew my OC wrong" if the reference image didn't clarify that aspect clearly. It never hurts to clarify even if it seems obvious
Also it is for me to remember! That way I'm not like "wait why does this guy have these weird spots again?" Because again I just.. I just forget constantly.
Number 8: Bonus Info
THIS can range honestly.
In the example doodle I showed a close up of a paw, to show paw pad details/colors
but this can range from showing another hairstyle.. some extra expressions... Or sometimes, if the character wears clothing, I'll include a another image of the character without the clothes on I do this to show body patterns or body types better. As clothing can hide/restrict what is shown. It's useful for me to have, that way when I draw the character again in a different outfit, I can have accurate info on how their body patterns work. Instead of just winging it every time. I try to not include too much of this stuff in the "main reference" I know some people do but I try to keep my refs as minimal as I can
IF A DESIGN WAS MADE BY ANOTHER PERSON, I will often give text credit within the reference image! I just want peeps to receive as much credit as they can for something they designed. So if it is already in the reference image, it just makes it easier! I usually do it in small text somewhere to the side.
I AM SO SORRY I TALKED FOR SO LONG ABOUT THIS
HONESTLY I just try to keep my reference's as simple as possible. Simple and Clean. I used to make REALLY cluttered references in the past and honestly I don't think my character's need a wall of text on a ref page I just draw a guy standing there with his hand out and slap on some color dots and call it a day.
I can't say I have anything on canvas size? Canvas size is something I literally never pay attention to. I'm a fake artist I know I just do not look at those numbers So my canvas sizes range a lot of the time I think. I only just recently started using the same canvas size for Ask Blog Posts, but that's only because I got really lazy and just copy and pasted some panels
ANYWAYS there is a horrifying insight on how I make reference images!! Could I have simplified this? Yeahg,.
but yeah again thANK YOU FOR THE KIND WORDS ANON!!! So sorry for yapping at you for so long !!!!!
#I dont believe this is 'good advice' or anything. More like.. me rambling forever!#IN REALITY as long as you find something that works for you. thats all that matters!#ooc#mod jazzy#delete later#sfw#long post
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So, I'm not a writer, but I am very curious đ What do you look for in a fic that features Kon? đ What kind of things do you want Kon to do, or experience? đ What characteristics of Kon do you absolutely wanna see? đ What characteristics of Kon you didn't like but want to see adressed in a fic? đ When you're writing, what are three major things about Kon that you MUST INCLUDE NO MATTER WHAT? đđđ Sorry about the many questions!!!!!
OHHHH this is such a good question okay okay okay. let's see.
what do i look for? primarily, kon having an actual character voice. that's the lowest bar to clear (and yet already takes out... a good chunk of the fics ive seen in the kon character tag đđ). he needs to be silly, geeky, deeply kind, earnest, etc. not every fic featuring him will necessarily get into the way he's also existentially lonely and has a Lot of sadness and self-esteem issues (esp after rex leech's roller coaster incident. this has been on my mind today. ough. his self-image never recovered after that one!) but by GOD does he have his issues, so if its a fic going into emotions i want it to do right by his. will def admit thats smth im incredibly picky about.
as for stuff i want him doing? honestly i am here for so much!! i want soft simple character studies. i want action showcasing how fucking powerful ttk can be, especially with a dose of creativity to its use. i want wacky yj space adventures. i want good good whump and hurt/comfort. i want him getting swept off his feet. you could sell me on almost any plot if it's well-written.
re: characteristics... i don't really split them up quite like that, i think! he's a well-rounded character, and that includes both strengths and flaws. ideally, a good fic will include both of these and represent them fairly (like, he's not perfect by any means, and he can do stupid things and struggle with personal issues, but on the other hand very few things tick me off more than portrayals where he's just completely incompetent and dumb as a rock, lmao).
BUT REGARDING MY OWN WRITING. ohhohoohoohooho three things i ALWAYS have to include? a) geek-ass loser (affectionate). i think it is SO endearing and also very humanizing as a quality that he's a trekkie/wendy fan/star wars nerd/etc. b) mixed-race metaphors. they may not be overt depending on the piece but the "child of two worlds that doesn't quite fit into either" thing is Deeply intentional. and c) HES A JUGGERNAUT!!!! i firmly believe adult fully realized kon (a kryptonian, with full kryptonian powers, WITH TTK) is a force of fucking nature. i like this so much and i specifically also always like it when he is at any given moment about 0.4 seconds from freaking the fuck out about how it's Too much strength.
to me, kon is a character made of some very delicious contradictions. he's so painfully human and yet grapples hard with his own personhood and humanity. he's a kryptonian and an alien but he's a child of earth. he's terrified of his own power. he wants nothing more than to protect everyone he loves (and everyone he doesn't love, too). he's always ready to crack a joke or make a silly reference, but he is deeply sad and spent so much of his early life suicidal. he contains multitudes. (and this isn't even getting into my hcs on his gender/sexuality crisis! ksjdhf)
i feel like a gripe i often find myself having when looking for kon fics is that he often gets slotted into the role of "emotional support boyfriend with no personality or role of his own" though, which i guess is why "does he have a distinct character voice?" is my first litmus test for whether i'd want to keep reading or not.
a good kon fic will embrace all his contradictions, i think. (a good fic for any character, really, should show them as well-rounded and three-dimensional.) and i for one love his Problems and Issues, bc man, it's a very fun space to play in! <3
#thank you this was fun to answer!! ive been ruminating on it for a good chunk of the day tbh!#kon#rimi talks#answers#thefantasmarex
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I kid you not I was just sitting in the uni library and before getting up to give up for the day and leave I wrote in my notes app kinda jokingly but kinda not:
âmaybe western beliefs are just so wrong maybe no amount of doctor can fix me maybe I am simply cursed lol for I have sinned many times and seek no forgiveness - a new level of insanity or clarityâ (Ik my notes are full of weird shit.. I was also studying medical dominance and how westerners have made it seemingly superior to other forms of health practices/understandings such as religious sin etc for context)
AND I WALK OUT OF THE LIBRARY, START WALKING HOME WITH MY SAD MUSIC ON REPEAT, ON THE VERGE OF TEARS FOR NO REASON(bc life rough but im fine), ON THE EDGE OF CAMPUS AND AM FULLY FINDING MYSELF WILLINGLY BEING PREACHED TO BY A CULT about the heavenly mother oh my god theyâre getting smarter LIKE SM SMARTER cause I almost believed this was just a hella feminist Christian for a solid 10 minutes help im out of practice I havenât been approached by a cult member in like 6 months cos I rarely leave the house ANYWAYS luckily for me I have an unhealthy special interest? in the researching of cults and every single step of their indoctrination particularly the correlation of various korean cults indoctrinating australian white women (when I say cults I donât just mean religious organisation, cos while there is valid argument that all religion could TECHNICALLY be cult-like, I need u to know I respect religion for others and what it is and am aware there are some prominent factors which differentiate normal religious organisation from genuine proper cult) luckily this particular cult wasnât going to take me to meet its rapist leader in korea like most the other in melb but it does isolate u from ppl u know and force u to âdonateâ all ur money lmao fail bc im already socially isolated and I have no money LOLOOL anyways usually they ask for ur number but they also have half given up when u tell them u used to be religious and ur not anymore bc ur critical but this time they just gave me their number cos I think they thought I was like fully convinced cos I was stupidly engaging in the discourse with half interest (but only bc I was trying to make sense if what they were telling me was accurate or not from a religious standpoint bc I was raised Catholic) but sneakily she was telling me all about the Hebrew bible and shit with examples of Hebrew text I couldnât read LOLOL and what I rlly should have said is god is not my mother or father bitch my (ex) god ainât male or female, my god if existent be a genderless non human spirit referred to as âheâ bc we live in a patriarchal society where male pronouns are pretty standard in referring to just about anything in English language ANYWAYS I lowkey love engaging w cult members while some ppl say dangerous I usually detach my interest while talking as further research into their communicative ways but today I was caught so off guard bc at my particular uni there are usually just religious preachers sometimes who have no ill intent and see my gay stickers on my laptop and give up before they even start knowing they are gonna fail but these ppl defs didnât go to my uni they were just waiting on the outskirts for sad uni students to approach LMAO mission accomplished also they told me im a good listener when I was like zoning out bc I said yes yes yes when they asked me if I was aware of particular religions events and terms lol that was not very convincing bc I was not demonstrating good listening at all ANYWAYS this was a pointless and probably an incomprehensible story that I cbf reading over hope u enjoyed stay safe donât go getting indoctrinated into a cult
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