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#lm 1.3.3
cliozaur · 8 months
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This chapter is the first in a series of Hugo’s nostalgic musings about old Paris.
However, it is Fantine who is in focus. From the detailed description of her outfit, I suspect that it was relatively expensive for a poor grisette. Can it be that at least part of it was a gift from Tholomyès? She is the only one from the company with her chest covered (an example of a canezou in the picture below). Hugo is trying hard to emphasize her exceptional modesty, chastity, naivety, and virginity. And, as always, he is awkward discussing virginity. Oof.
Here we have the first parallel between Fantine and Enjolras, who are both likened to statues: “sculptural and exquisite—such was Fantine; and beneath these feminine adornments and these ribbons, one could divine a statue, and in that statue, a soul.”
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pureanonofficial · 2 years
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LES MIS LETTERS IN ADAPTATION - Four and Four, LM 1.3.3 (Les Miserables 1925)
To an observer who studied her attentively, that which breathed from her athwart all the intoxication of her age, the season, and her love affair, was an invincible expression of reserve and modesty. She remained a little astonished. This chaste astonishment is the shade of difference which separates Psyche from Venus. Fantine had the long, white, fine fingers of the vestal virgin who stirs the ashes of the sacred fire with a golden pin. Although she would have refused nothing to Tholomyès, as we shall have more than ample opportunity to see, her face in repose was supremely virginal; a sort of serious and almost austere dignity suddenly overwhelmed her at certain times, and there was nothing more singular and disturbing than to see gayety become so suddenly extinct there, and meditation succeed to cheerfulness without any transition state. This sudden and sometimes severely accentuated gravity resembled the disdain of a goddess. Her brow, her nose, her chin, presented that equilibrium of outline which is quite distinct from equilibrium of proportion, and from which harmony of countenance results; in the very characteristic interval which separates the base of the nose from the upper lip, she had that imperceptible and charming fold, a mysterious sign of chastity, which makes Barberousse fall in love with a Diana found in the treasures of Iconia.
Love is a fault; so be it. Fantine was innocence floating high over fault.
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bobcatmoran · 2 years
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Today's chapter of Les Mis, 1.3.3 is "Four and Four," and…uh…Hugo? My dude? Yesterday was "A Double Quartet." Are you trying to pretend those are different?
Oh well. 365 chapter titles, I guess he had to run out of ideas somewhere.
Anyway, I always crack up when I read, "Then they went to Saint-Cloud by the coach, looked at the dry cascade and exclaimed, 'This must be very beautiful when there is water!'" because what a touristy thing to do. Go to a local landmark and wind up being like, "Wow, this must be really cool when it's working!"
Hugo's doing that thing where he's great at little character moments for women, but then gets creepy AF when he tries to describe actual female characters.
Anyway. This chapter and the next are interpreted by Arai from pages 269–279 in the first English omnibus. Arai does keep in a little of Hugo's weird innocent purity stuff, but puts it in Tholomyes' and Blancheville's mouths instead, lashing it with an air of cynicism.
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dolphin1812 · 2 years
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This chapter feels somewhat melancholy when taking Hugo’s exile into consideration. The opening paragraph centers around how much Paris (and France as a whole) has changed between 1817 and 1862:
“ It is hard nowadays to picture to one’s self what a pleasure-trip of students and grisettes to the country was like, forty-five years ago. The suburbs of Paris are no longer the same; the physiognomy of what may be called circumparisian life has changed completely in the last half-century; where there was the cuckoo, there is the railway car; where there was a tender-boat, there is now the steamboat; people speak of Fécamp nowadays as they spoke of Saint-Cloud in those days. The Paris of 1862 is a city which has France for its outskirts.”
Of course, part of this paragraph’s purpose is just to provide context for his readers, and it’s not as if many of these changes weren’t visible when he left the city. But there’s a sense of nostalgia permeating this paragraph, a longing for an older Paris. The rapid urbanization and increased speed of transportation that took place over the course of the 19th century radically altered the meaning of the city and its boundaries, as Hugo points out. But it’s sad to think that the city and its surroundings kept changing while he was gone without him seeing it.
The moments of foreshadowing in this chapter are also so painful. Aside from the opening paragraph (and my discomfort whenever Hugo writes about women), this chapter is really light-hearted. I even laughed at Tholomyès (This sentence about him specifically: “”That Tholomyès is astounding!” said the others, with veneration. “What trousers! What energy!”” - “What trousers” is just a very funny thing to say)! But then Hugo has to add this toward the end:
“Although she [Fantine] would have refused nothing to Tholomyès, as we shall have more than ample opportunity to see”
If the dark aspect of the last chapter was knowing the extreme power imbalance between these two because of their financial statuses and Fantine’s naivety, this one leans once again into the latter: she loves him and doesn’t want to deny him anything, even though he’s horrible.
Spoilers below:
Although the descriptions of Fantine mostly just made me uncomfortable and I didn’t want to analyze them too much for that reason, I can’t help but think of Enjolras every time there’s a reference to divinity, chastity, or disdain when describing Fantine. @yoursjustasitwas commented on how just as Fantine’s youth is emphasized here, so is Enjolras’ when he’s introduced, but to different effect: whereas the focus on youth for Fantine and the other women is used to define one of them as old for being in her early 20s, his youth (he’s around the same age) makes him tragically young. Fantine’s youth is tragic in some ways as well (it’s tied to her naivety, she loses her youth to Tholomyès’ callousness and to poverty), but it definitely reads very differently from the tragic nature of Enjolras. I feel the same way about their physical descriptions. Some of them I just find funny (like Hugo focusing on “disdain” when describing their expressions), but his focus on Fantine’s “virginal” appearance is much more uncomfortable than it is with Enjolras (to me, at least) because of the differences in intent. Enjolras is shown as a “priest” to the revolution while Fantine’s “virginal” qualities are emphasized to show what she “loses”. I don’t think Hugo fully uses the “fallen woman” trope because he maintains our sympathy for Fantine the whole time. But I also think he’s concentrating on these parts of her character precisely because he sees that as the most effective way to get his audience to feel for her. He knows they’ll feel more for a beautiful woman who’s not seen as transgressing social norms until later on, once they’ve already come to care for her. I respect that aspect of his approach, but it did make chunks of this chapter very uncomfortable to read.
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psalm22-6 · 2 years
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Omg is this a les mis reference on Jeopardy!?
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longselling · 2 years
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fremedon · 4 years
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Brickclub I.3.1 - I.3.3
In this readthrough, the big thing I’m focusing on in I.3.1, “The Year 1817,” is what it’s even doing here: why is this the framing for Fantine’s introduction? 
 So, jumping straight into the next two chapters, “Double Quartet” and “Four for Four" (otherwise known as exhibits A and B in Briana Lewis’s theory that fours and eights are unlucky in Hugo’s numerology):
The tone of “The Year 1817,″ of characterizing a time through lists of things--mostly ephemeral, insignificant things--associated with it persists through both chapters: the Oscars/Arthurs digression, the paragraph on how railroads have changed Paris’s conception of the countryside, the descriptions of fashions and hairstyles. The tonal similarity sets us up right away to look for more significant things in these catalogs--possibly for things whose significance is downplayed or unrecognized.
I think we get one of these in the aside that Fantine has no baptismal name, because she was born under the Directory--which, in 1817, puts her age between 18 and 22. Favourite, the Old One at 23, is definitely older than the Directory but the other two aren’t necessarily; and it’s implied that they don’t have much more family than Favourite, either. But Fantine is the one who is “brought forth from the heart of the people”—a child of France, and of no one else.
I think we can pretty safely assume that, just as Cosette appears to have been conceived around Waterloo, Fantine appears to have been born around the time Valjean went to prison—she’s the child of France under Napoleon’s ascendency. And looked at that way, “The Year 1817” makes a lot more sense. It’s France’s abandonment of Napoleon and the last vestiges of the revolution, seen through fashions and daily life and personal hypocrisy.
Of course Fantine is about to get jilted, and in the pettiest way possible.
Stray Observations:
—Courfeyrac is the character who is canonically compared to Tholomyès, but in his introduction he comes off as the anti-Lesgle: balding, ironic, unlucky (in his health) but cheerful about it, and—though we don’t know it yet—willing to go to great lengths for a joke. The difference being that Lesgle’s jokes are (1) funny, and (2) not at anyone’s expense but his own.
—“Listolier and Fameuil, discussing their professors, explained to Fantine the difference between M. Delvincourt and M. Blondeau.” Both of whom will still be there eleven years from now when we meet our next set of law students. —Fantine’s initial description echoes Enjolras’s very strongly, down to the marble/statue descriptors. And the repeated stress on modesty and chastity. Which I think has just broken down the last of my resistance to considering canon-era Enjolras ship fic as canon compliant. If Fantine can be canonically praised for some inherent quality of virginity, regardless of how much actual sex she is having, then so can Enjolras, dammit. 
--There’s a lot to say about Fantine’s wisdom and simplicity, and I’m going to come back to it after the next couple of chapters. But right from the start, her lack of artifice—or of the ability to expect or understand it in others—is shown as the source of her wisdom, or at least as inextricable from it. I feel like this is another thing that links her with Enjolras: two characters who meet the world with radical transparency, and expect the same, and are righteously angry not to get it.
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everyonewasabird · 4 years
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Brickclub 1.3.3 ‘Four to four’
Which-translation update: Both today, I couldn’t decide. I read the bulk of it in Wilbour and compared a few of the differences in French.
FMA preserves Favourite’s wordplay in the note to Tholomyes:
French: “C’est un bonne heure de sortir de bonheur.”
Wilbour: “It’s lucky to go out early.”
FMA: “Early rise gets the prize.”
(Pun! I knew she could read and write, but a Pun! There’s just a lot more to her than I’ve noticed before.)
But FMA describes Favourite as a “young deer” which seems to be a mistranslation--Wilbour says a “young faun,” which is closer, though it reads as oddly male in English. The French is “jeune faunesse”--a young female faun or satyr.
Maybe I’m reading too much into it, but I’m getting the vibe that Favourite has been cheating with Tholomyes for a while. I don’t know, the way it’s just assumed that her fun wordplay note will go directly to him without involving the people either of them are actually dating is striking me that way.
We don’t have a reason to find Saint-Cloud ominous yet, but I think most of the other mentions in the text are about how it’s where the net is strung to catch the bodies of suicides. Hugo does set it up as a not very impressive spot to bring your date, which seems in keeping with Tholomyes.
Everything about the party except Fantine is lovely and fun but very superficial. The narration is extremely concerned with how these people look together, and it doesn’t care about anyone’s inner life. The friendships are also shallow: two women stay near each other because they know they look good that way, and there’s no evidence there’s anything deeper among the men. It’s too bad this book never gets much in the way of female friendships--Marguerite may be a lone bright spot. For men, of course, we’ll later see what real friendship is.
Also, to everyone who’s been talking about how much Fantine looks like Enjolras... holy shit does Fantine look like Enjolras. Right down to the classical profile and the thing where she can turn suddenly severe in an instant. Pilf, you win.
I keep thinking about the poet who says “One too many!” when he compares the women to the graces. As @fremedon​ pointed out, these chapters are at the heart of Brianna Lewis’s four or eight = catastrophe argument, and that line is part of it. Things that are one off from four or eight are instantly fixed: the four National Guard uniforms that meant Marius had to choose a man to die are fixed with a fifth one, the catastrophe of the barricade is mitigated when the ninth Ami declares he belongs to it. The random poet at the park that day knows what he’s talking about, and also he’s a colossal dick for wanting a group of women walking by to conform to his vision of how they’d be prettiest by leaving out one of them.
But he really does convey the feeling that Fantine is the odd one out.
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meta-squash · 4 years
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Brick Club 1.3.3 “Four For Four”
Hugo introduces the chapter by going over the many changes that have happened in Paris since 1817. However, I think it’s kind of an unintentional “the more things change, the more they stay the same” moment when he talks about all these changes, and then a few paragraphs later mentions M. Delincourt and M. Blondeau, law professors at the school whom Bossuet and Marius are still taking courses from 15 years later.
It also feels like a “pay attention” moment here in terms of Hugo talking to the reader. He’s describing these changes that have happened between 1817 and 1862, and yet it’s a moment for the reader to take stock of what has changed in the world between then and the present in which they’re reading, and also what is still the same. Technology is drastically different, social standards are drastically different, and yet you will still find eight friends running around on a weekend having fun, and you will still find a person who falls in love with someone who uses her, and you will still find women who are happy with quick-and-dirty flings, and others who get screwed over by the men in their lives. Technology is ever-changing and constantly advancing, but certain aspects of humanity and human interaction are universal.
In all this discussion of joy and fun, Hugo specifically references Edme-Samuel Castaing, a doctor who in 1822 murdered one close family friend and attempted to murder his brother, in order to gain their fortune. Kind of dark for such a happy occasion. Each chapter leading up to the climax of the dinner seems to have a reference or two that’s just slightly sinister or strange, in the middle of all the happiness.
This chapter really tries to put you in the shoes of the grisettes, with all it’s direct discourse to the reader as well as its beautiful and detailed descriptions of all the places they go and things they do on their outing and how much fun they’re having. The reader is set up for just as intense a disappointment as Fantine here.
Hugo also describes the poet Jean-Pierre-Jacques-August de Labouisse-Rochefort (guy’s got a Tikki Tikki Tembo-level name) walking past them and comparing them to the three Graces, but noting that there’s one too many. Again, this feels like a separation of Fantine from the others. She’s not supposed to be there, not supposed to be in this situation, because she’s not like the other grisettes and perhaps isn’t treating this outing in the same way that the other three girls are.
What are the “keepsakes” Hugo mentions here? I know about Victorian memorial jewelry for mourning or hair-based jewelry and art to commemorate certain occasions, but this seems more romance-based and google is giving me nothing.
Tholomyes is in control here, and everyone knows it, even though Favourite is leading the group. It seems implied that he’s kind of been the one calling the shots the entire time this group has known each other. He’s pretty much a walking display of up-to-date fashion and wealth here. I’m not sure if the “nothing being sacred to him, he smoked” line is in reference to some sort of specific smoking etiquette of the time, or simply just idea that instead of frolicking with the others, he’s hanging back on his own and puffing on this cigar for his own singular pleasure. Either way, giving off pretty big “look at me I’m cool and idgaf” douchebaggery vibes here.
We see Fantine happy! Hugo also draws more attention to her teeth and hair, even having her hold her hat instead of wearing it. Maybe I’m wrong, or maybe working women had different fashions, but my conception of early 1800s hairstyles is fairly pin-heavy updos, so it seems like Fantine’s flyaway hair is just another symbol of her childlike-ness or naivety, especially paired with the description of her “babbling” in the next sentence. Her clothes are also described as being much more conservative than her friends. Altogether the picture of innocent, modest youth.
Erigone is the origin of the constellation Virgo. (Sidenote: trying to look up images of actual ancient Greek masks in the dumpster fire of 2020 is ridiculous.) I couldn’t find any mask references, but there are plenty of Erigone paintings from the late 18th and early 19th century. She also apparently featured in pastoral poetry quite often, so the use of her image here makes sense.
Hugo references Galatea earlier in his description of Fantine, and then again when he says “you could imagine underneath this dress and these ribbons a statue, and inside this statue a soul.” Hugo seems to imply less that she is a sort of Galatea-esque figure, and more that she is like Galatea in that she has a potential inside her that is as yet unrealized. And unfortunately it will remain unrealized, at least until she dies and becomes this symbolic, religious sort of spirit venerated by Valjean.
“A gaiety tempered with dreaminess.” Fantine is so head-in-the-clouds so much of the time. She seems to operate on a slightly different level from everybody else. Somebody mentioned a headcanon of her being autistic? That certainly seems to scan for a lot of this. (I also love it and hate it at the same time. More autistic main characters please! But also less tragic autistic main characters please!)
Hugo is very not subtle about Fantine being a symbol for Innocent And Pure Woman here. He really goes all out when describing her as this working girl who has all this ideal beauty and grace and modesty.
He also really wants to hammer home how important her modesty is specifically. I feel like there are some interesting implications here. Fantine at this point seems to be having as much sex as the other grisettes in her cohort. She gets to be modest and pure despite her sexual activity, while the other grisettes do not. Obviously we don’t really know much about the other girls, so maybe they also have children, but it seems like Fantine may be the only one. So despite the child out of wedlock and the sexual activity, Fantine gets to be pure and modest in personality, in dress, and in symbolism, while her friends are not. Partly I think this is, as Hugo said in the last chapter, an aspect of the powers of Love and how Fantine’s capacity to love so completely makes her different. But what does that say about the other grisettes, who don’t have that passionate and loyal love, and yet are still negatively affected by society or poverty? I mean, I get what Hugo is doing, making Fantine extremely sympathetic, but also making her this pure and modest woman instead of just a regular working girl like her friends seems to imply a betterness? Or at least a Reason for her goodness, while perhaps that reason wouldn’t exist had she been a grisette who acted like the rest of her friends do.
“Love is a fault; be it so. Fantine was innocence floating upon the surface of this fault.” The reason for Fantine’s wisdom is her capacity to love. It’s also her downfall. Because she loves without pretense, without experience, she is ruined. This makes me feel like her “wisdom” isn’t necessarily an intrinsic knowledge of any kind, it’s more like this unhindered ability to love despite the world’s cruelty? Every other main character starts out with a lack of love and then slowly discovers the ability to love (and also to be loved). Fantine starts out with not only the ability to love, but the ability to love completely. She gets screwed over by Tholomyes, and she does harden a little bit, but she never loves Cosette any less. Compare this to the Thenardiers and their children, or Magnon and her children. Fantine’s unique wisdom is that her love does not diminish the more hardship she encounters or the more miserable she becomes.
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linhgd9 · 3 years
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Table of Contents
1 Roll Forming Machines and Lines Market Overview 1.1 Roll Forming Machines and Lines Product Overview 1.2 Roll Forming Machines and Lines Market Segment by Type 1.2.1 Roll Forming Machines 1.2.2 Roll Forming Lines 1.3 Global Roll Forming Machines and Lines Market Size by Type 1.3.1 Global Roll Forming Machines and Lines Market Size Overview by Type (2016-2027) 1.3.2 Global Roll Forming Machines and Lines Historic Market Size Review by Type (2016-2021) 1.3.2.1 Global Roll Forming Machines and Lines Sales Breakdown in Volume by Type (2016-2021) 1.3.2.2 Global Roll Forming Machines and Lines Sales Breakdown in Value by Type (2016-2021) 1.3.2.3 Global Roll Forming Machines and Lines Average Selling Price (ASP) by Type (2016-2021) 1.3.3 Global Roll Forming Machines and Lines Forecasted Market Size by Type (2022-2027) 1.3.3.1 Global Roll Forming Machines and Lines Sales Breakdown in Volume by Type (2022-2027) 1.3.3.2 Global Roll Forming Machines and Lines Sales Breakdown in Value by Type (2022-2027) 1.3.3.3 Global Roll Forming Machines and Lines Average Selling Price (ASP) by Type (2022-2027) 1.4 Key Regions Market Size Segment by Type 1.4.1 North America Roll Forming Machines and Lines Sales Breakdown by Type (2016-2021) 1.4.2 Europe Roll Forming Machines and Lines Sales Breakdown by Type (2016-2021) 1.4.3 Asia-Pacific Roll Forming Machines and Lines Sales Breakdown by Type (2016-2021) 1.4.4 Latin America Roll Forming Machines and Lines Sales Breakdown by Type (2016-2021) 1.4.5 Middle East and Africa Roll Forming Machines and Lines Sales Breakdown by Type (2016-2021)
2 Global Roll Forming Machines and Lines Market Competition by Company 2.1 Global Top Players by Roll Forming Machines and Lines Sales (2016-2021) 2.2 Global Top Players by Roll Forming Machines and Lines Revenue (2016-2021) 2.3 Global Top Players Roll Forming Machines and Lines Price (2016-2021) 2.4 Global Top Manufacturers Roll Forming Machines and Lines Manufacturing Base Distribution, Sales Area, Product Type 2.5 Roll Forming Machines and Lines Market Competitive Situation and Trends 2.5.1 Roll Forming Machines and Lines Market Concentration Rate (2016-2021) 2.5.2 Global 5 and 10 Largest Manufacturers by Roll Forming Machines and Lines Sales and Revenue in 2020 2.6 Global Top Manufacturers by Company Type (Tier 1, Tier 2 and Tier 3) & (based on the Revenue in Roll Forming Machines and Lines as of 2020) 2.7 Date of Key Manufacturers Enter into Roll Forming Machines and Lines Market 2.8 Key Manufacturers Roll Forming Machines and Lines Product Offered 2.9 Mergers & Acquisitions, Expansion
3 Roll Forming Machines and Lines Status and Outlook by Region 3.1 Global Roll Forming Machines and Lines Market Size and CAGR by Region: 2016 VS 2021 VS 2026 3.2 Global Roll Forming Machines and Lines Historic Market Size by Region 3.2.1 Global Roll Forming Machines and Lines Sales in Volume by Region (2016-2021) 3.2.2 Global Roll Forming Machines and Lines Sales in Value by Region (2016-2021) 3.2.3 Global Roll Forming Machines and Lines Sales (Volume & Value) Price and Gross Margin (2016-2021) 3.3 Global Roll Forming Machines and Lines Forecasted Market Size by Region 3.3.1 Global Roll Forming Machines and Lines Sales in Volume by Region (2022-2027) 3.3.2 Global Roll Forming Machines and Lines Sales in Value by Region (2022-2027) 3.3.3 Global Roll Forming Machines and Lines Sales (Volume & Value), Price and Gross Margin (2022-2027)
4 Global Roll Forming Machines and Lines by Application 4.1 Roll Forming Machines and Lines Market Segment by Application 4.1.1 Automobile 4.1.2 Building and Decoration 4.1.3 Oil and Gas Industry 4.1.4 Traffic and Transporation 4.1.5 Storage Industry 4.1.6 Others 4.2 Global Roll Forming Machines and Lines Market Size by Application 4.2.1 Global Roll Forming Machines and Lines Market Size Overview by Application (2016-2027) 4.2.2 Global Roll Forming Machines and Lines Historic Market Size Review by Application (2016-2021) 4.2.2.1 Global Roll Forming Machines and Lines Sales Breakdown in Volume, by Application (2016-2021) 4.2.2.2 Global Roll Forming Machines and Lines Sales Breakdown in Value, by Application (2016-2021) 4.2.2.3 Global Roll Forming Machines and Lines Average Selling Price (ASP) by Application (2016-2021) 4.2.3 Global Roll Forming Machines and Lines Forecasted Market Size by Application (2022-2027) 4.2.3.1 Global Roll Forming Machines and Lines Sales Breakdown in Volume, by Application (2022-2027) 4.2.3.2 Global Roll Forming Machines and Lines Sales Breakdown in Value, by Application (2022-2027) 4.2.3.3 Global Roll Forming Machines and Lines Average Selling Price (ASP) by Application (2022-2027) 4.3 Key Regions Market Size Segment by Application 4.3.1 North America Roll Forming Machines and Lines Sales Breakdown by Application (2016-2021) 4.3.2 Europe Roll Forming Machines and Lines Sales Breakdown by Application (2016-2021) 4.3.3 Asia-Pacific Roll Forming Machines and Lines Sales Breakdown by Application (2016-2021) 4.3.4 Latin America Roll Forming Machines and Lines Sales Breakdown by Application (2016-2021) 4.3.5 Middle East and Africa Roll Forming Machines and Lines Sales Breakdown by Application (2016-2021)
5 North America Roll Forming Machines and Lines by Country 5.1 North America Roll Forming Machines and Lines Historic Market Size by Country 5.1.1 North America Roll Forming Machines and Lines Sales in Volume by Country (2016-2021) 5.1.2 North America Roll Forming Machines and Lines Sales in Value by Country (2016-2021) 5.2 North America Roll Forming Machines and Lines Forecasted Market Size by Country 5.2.1 North America Roll Forming Machines and Lines Sales in Volume by Country (2022-2027) 5.2.2 North America Roll Forming Machines and Lines Sales in Value by Country (2022-2027)
6 Europe Roll Forming Machines and Lines by Country 6.1 Europe Roll Forming Machines and Lines Historic Market Size by Country 6.1.1 Europe Roll Forming Machines and Lines Sales in Volume by Country (2016-2021) 6.1.2 Europe Roll Forming Machines and Lines Sales in Value by Country (2016-2021) 6.2 Europe Roll Forming Machines and Lines Forecasted Market Size by Country 6.2.1 Europe Roll Forming Machines and Lines Sales in Volume by Country (2022-2027) 6.2.2 Europe Roll Forming Machines and Lines Sales in Value by Country (2022-2027)
7 Asia-Pacific Roll Forming Machines and Lines by Region 7.1 Asia-Pacific Roll Forming Machines and Lines Historic Market Size by Region 7.1.1 Asia-Pacific Roll Forming Machines and Lines Sales in Volume by Region (2016-2021) 7.1.2 Asia-Pacific Roll Forming Machines and Lines Sales in Value by Region (2016-2021) 7.2 Asia-Pacific Roll Forming Machines and Lines Forecasted Market Size by Region 7.2.1 Asia-Pacific Roll Forming Machines and Lines Sales in Volume by Region (2022-2027) 7.2.2 Asia-Pacific Roll Forming Machines and Lines Sales in Value by Region (2022-2027)
8 Latin America Roll Forming Machines and Lines by Country 8.1 Latin America Roll Forming Machines and Lines Historic Market Size by Country 8.1.1 Latin America Roll Forming Machines and Lines Sales in Volume by Country (2016-2021) 8.1.2 Latin America Roll Forming Machines and Lines Sales in Value by Country (2016-2021) 8.2 Latin America Roll Forming Machines and Lines Forecasted Market Size by Country 8.2.1 Latin America Roll Forming Machines and Lines Sales in Volume by Country (2022-2027) 8.2.2 Latin America Roll Forming Machines and Lines Sales in Value by Country (2022-2027)
9 Middle East and Africa Roll Forming Machines and Lines by Country 9.1 Middle East and Africa Roll Forming Machines and Lines Historic Market Size by Country 9.1.1 Middle East and Africa Roll Forming Machines and Lines Sales in Volume by Country (2016-2021) 9.1.2 Middle East and Africa Roll Forming Machines and Lines Sales in Value by Country (2016-2021) 9.2 Middle East and Africa Roll Forming Machines and Lines Forecasted Market Size by Country 9.2.1 Middle East and Africa Roll Forming Machines and Lines Sales in Volume by Country (2022-2027) 9.2.2 Middle East and Africa Roll Forming Machines and Lines Sales in Value by Country (2022-2027)
10 Company Profiles and Key Figures in Roll Forming Machines and Lines Business 10.1 Metform 10.1.1 Metform Corporation Information 10.1.2 Metform Introduction and Business Overview 10.1.3 Metform Roll Forming Machines and Lines Sales, Revenue and Gross Margin (2016-2021) 10.1.4 Metform Roll Forming Machines and Lines Products Offered 10.1.5 Metform Recent Development 10.2 Dallan Company 10.2.1 Dallan Company Corporation Information 10.2.2 Dallan Company Introduction and Business Overview 10.2.3 Dallan Company Roll Forming Machines and Lines Sales, Revenue and Gross Margin (2016-2021) 10.2.4 Dallan Company Roll Forming Machines and Lines Products Offered 10.2.5 Dallan Company Recent Development 10.3 JUPITER 10.3.1 JUPITER Corporation Information 10.3.2 JUPITER Introduction and Business Overview 10.3.3 JUPITER Roll Forming Machines and Lines Sales, Revenue and Gross Margin (2016-2021) 10.3.4 JUPITER Roll Forming Machines and Lines Products Offered 10.3.5 JUPITER Recent Development 10.4 Gasparini SpA 10.4.1 Gasparini SpA Corporation Information 10.4.2 Gasparini SpA Introduction and Business Overview 10.4.3 Gasparini SpA Roll Forming Machines and Lines Sales, Revenue and Gross Margin (2016-2021) 10.4.4 Gasparini SpA Roll Forming Machines and Lines Products Offered 10.4.5 Gasparini SpA Recent Development 10.5 SWAH 10.5.1 SWAH Corporation Information 10.5.2 SWAH Introduction and Business Overview 10.5.3 SWAH Roll Forming Machines and Lines Sales, Revenue and Gross Margin (2016-2021) 10.5.4 SWAH Roll Forming Machines and Lines Products Offered 10.5.5 SWAH Recent Development 10.6 Baileigh Industrial(JPW) 10.6.1 Baileigh Industrial(JPW) Corporation Information 10.6.2 Baileigh Industrial(JPW) Introduction and Business Overview 10.6.3 Baileigh Industrial(JPW) Roll Forming Machines and Lines Sales, Revenue and Gross Margin (2016-2021) 10.6.4 Baileigh Industrial(JPW) Roll Forming Machines and Lines Products Offered 10.6.5 Baileigh Industrial(JPW) Recent Development 10.7 IED Inc 10.7.1 IED Inc Corporation Information 10.7.2 IED Inc Introduction and Business Overview 10.7.3 IED Inc Roll Forming Machines and Lines Sales, Revenue and Gross Margin (2016-2021) 10.7.4 IED Inc Roll Forming Machines and Lines Products Offered 10.7.5 IED Inc Recent Development 10.8 Formtek 10.8.1 Formtek Corporation Information 10.8.2 Formtek Introduction and Business Overview 10.8.3 Formtek Roll Forming Machines and Lines Sales, Revenue and Gross Margin (2016-2021) 10.8.4 Formtek Roll Forming Machines and Lines Products Offered 10.8.5 Formtek Recent Development 10.9 COMETAL IMAL Group 10.9.1 COMETAL IMAL Group Corporation Information 10.9.2 COMETAL IMAL Group Introduction and Business Overview 10.9.3 COMETAL IMAL Group Roll Forming Machines and Lines Sales, Revenue and Gross Margin (2016-2021) 10.9.4 COMETAL IMAL Group Roll Forming Machines and Lines Products Offered 10.9.5 COMETAL IMAL Group Recent Development 10.10 EWMenn 10.10.1 Company Basic Information, Manufacturing Base and Competitors 10.10.2 Roll Forming Machines and Lines Product Category, Application and Specification 10.10.3 EWMenn Roll Forming Machines and Lines Sales, Revenue, Price and Gross Margin (2016-2021) 10.10.4 Main Business Overview 10.10.5 EWMenn Recent Development 10.11 Jouanel Industrie 10.11.1 Jouanel Industrie Corporation Information 10.11.2 Jouanel Industrie Introduction and Business Overview 10.11.3 Jouanel Industrie Roll Forming Machines and Lines Sales, Revenue and Gross Margin (2016-2021) 10.11.4 Jouanel Industrie Roll Forming Machines and Lines Products Offered 10.11.5 Jouanel Industrie Recent Development 10.12 Dimeco 10.12.1 Dimeco Corporation Information 10.12.2 Dimeco Introduction and Business Overview 10.12.3 Dimeco Roll Forming Machines and Lines Sales, Revenue and Gross Margin (2016-2021) 10.12.4 Dimeco Roll Forming Machines and Lines Products Offered 10.12.5 Dimeco Recent Development 10.13 Samco Machinery 10.13.1 Samco Machinery Corporation Information 10.13.2 Samco Machinery Introduction and Business Overview 10.13.3 Samco Machinery Roll Forming Machines and Lines Sales, Revenue and Gross Margin (2016-2021) 10.13.4 Samco Machinery Roll Forming Machines and Lines Products Offered 10.13.5 Samco Machinery Recent Development 10.14 JIDET 10.14.1 JIDET Corporation Information 10.14.2 JIDET Introduction and Business Overview 10.14.3 JIDET Roll Forming Machines and Lines Sales, Revenue and Gross Margin (2016-2021) 10.14.4 JIDET Roll Forming Machines and Lines Products Offered 10.14.5 JIDET Recent Development 10.15 LMS Machinery 10.15.1 LMS Machinery Corporation Information 10.15.2 LMS Machinery Introduction and Business Overview 10.15.3 LMS Machinery Roll Forming Machines and Lines Sales, Revenue and Gross Margin (2016-2021) 10.15.4 LMS Machinery Roll Forming Machines and Lines Products Offered 10.15.5 LMS Machinery Recent Development 10.16 VLB Group 10.16.1 VLB Group Corporation Information 10.16.2 VLB Group Introduction and Business Overview 10.16.3 VLB Group Roll Forming Machines and Lines Sales, Revenue and Gross Margin (2016-2021) 10.16.4 VLB Group Roll Forming Machines and Lines Products Offered 10.16.5 VLB Group Recent Development 10.17 Yingkou Sanxing Roll Forming Machine Co. 10.17.1 Yingkou Sanxing Roll Forming Machine Co. Corporation Information 10.17.2 Yingkou Sanxing Roll Forming Machine Co. Introduction and Business Overview 10.17.3 Yingkou Sanxing Roll Forming Machine Co. Roll Forming Machines and Lines Sales, Revenue and Gross Margin (2016-2021) 10.17.4 Yingkou Sanxing Roll Forming Machine Co. Roll Forming Machines and Lines Products Offered 10.17.5 Yingkou Sanxing Roll Forming Machine Co. Recent Development 10.18 Hebei FeiXiang 10.18.1 Hebei FeiXiang Corporation Information 10.18.2 Hebei FeiXiang Introduction and Business Overview 10.18.3 Hebei FeiXiang Roll Forming Machines and Lines Sales, Revenue and Gross Margin (2016-2021) 10.18.4 Hebei FeiXiang Roll Forming Machines and Lines Products Offered 10.18.5 Hebei FeiXiang Recent Development
11 Upstream, Opportunities, Challenges, Risks and Influences Factors Analysis 11.1 Roll Forming Machines and Lines Key Raw Materials 11.1.1 Key Raw Materials 11.1.2 Key Raw Materials Price 11.1.3 Raw Materials Key Suppliers 11.2 Manufacturing Cost Structure 11.2.1 Raw Materials 11.2.2 Labor Cost 11.2.3 Manufacturing Expenses 11.3 Roll Forming Machines and Lines Industrial Chain Analysis 11.4 Roll Forming Machines and Lines Market Dynamics 11.4.1 Industry Trends 11.4.2 Market Drivers 11.4.3 Market Challenges 11.4.4 Market Restraints
12 Market Strategy Analysis, Distributors 12.1 Sales Channel 12.2 Roll Forming Machines and Lines Distributors 12.3 Roll Forming Machines and Lines Downstream Customers
13 Research Findings and Conclusion
14 Appendix 14.1 Research Methodology 14.1.1 Methodology/Research Approach 14.1.1.1 Research Programs/Design 14.1.1.2 Market Size Estimation 14.1.1.3 Market Breakdown and Data Triangulation 14.1.2 Data Source 14.1.2.1 Secondary Sources 14.1.2.2 Primary Sources 14.2 Author Details 14.3 Disclaimer
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QY Research established in 2007, focus on custom research, management consulting, IPO consulting, industry chain research, data base and seminar services. The company owned a large basic data base (such as National Bureau of statistics database, Customs import and export database, Industry Association Database etc), expert’s resources (included energy automotive chemical medical ICT consumer goods etc.
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wprarworld · 4 years
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Tutor LMS WordPress Plugin is an entire bundle that LMS plugin must create and promote packages on-line merely. This learning administration system is actually probably the most atmosphere pleasant plugin having all selections that hit the entire checkpoints for a full-fledged online course market. You probably can create the web quizzes, courses to ship online, great extremely efficient research and mark sheet making Tutor in all probability among the best WordPress LMS plugin. Easy to deal with your education, one fo sort of online college, and online packages with none help of a single line of code.
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marketnewsri · 4 years
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Lending Software Market Strategies, Growth Rate And Forecast 2020-2026
October 12, 2020: Global Lending Software Market report focuses on top manufacturers in global market, Involved the assessment of Sales, price, revenue and market share for each manufacturer, covering •    Ellie Mae •    Calyx Technology •    FICS Software; Fiserv •    Nucleus Software Exports Ltd. •    Ncino •    Byte Software •    Intellect Design Arena Limited •    Mortgage Builder Software •    Mortgage Cadence •    Wipro Limited •    Finastra Group Holdings Limited •    Tavant Technologies •    DH Corporation •    Lending QB •    Black Knight •    ISGN Corporation •    Pegasystems •    Newgen Software Technologies Limited •    Juris Technologies •    SPARK •    Axcess Consulting Group •    Turnkey Lender •    Vernon Street Capital •    Biz2Credit Request a Free Sample Copy of this Report @ https://www.radiantinsights.com/research/global-lending-software-market-2020-2026/request-sample On the basis of product, this report displays the Sales, revenue, price, market share and growth rate of each type, primarily split into •    Loan Origination Software (LOS) •    Loan Management Software (LMS) •    Loan Analytics Software (LAS) •    Loan Servicing Software (LSS) By Application, this report focuses on Sales, Market share and Growth Rate of each application, can be divided into •    Retail Lending •    Commercial Lending •    Trade Finance •    Leasing & Cards •    Residential Mortgages •    Others By Regions, this report splits global market into several key regions, with Sales, Revenue, Price and Gross Margin market share of top players in these regions, from 2014 to 2026 (forecast), like •    China •    USA •    Europe •    Japan •    Korea •    India •    Southeast Asia •    South America Download Full Research Report @ https://www.radiantinsights.com/research/global-lending-software-market-2020-2026
Table of Contents Global Lending Software Market Professional Survey Report 2019 1 Report Overview    1.1 Definition and Specification    1.2 Manufacturers and Region Overview        1.2.1 Manufacturers Overview        1.2.2 Regions Overview    1.3 Type Overview        1.3.1 Loan Origination Software (LOS)        1.3.2 Loan Management Software (LMS)        1.3.3 Loan Analytics Software (LAS)        1.3.4 Loan Servicing Software (LSS)    1.4 Application Overview        1.4.1 Retail Lending        1.4.2 Commercial Lending        1.4.3 Trade Finance        1.4.4 Leasing & Cards        1.4.5 Residential Mortgages        1.4.6 Others    1.5 Industrial Chain        1.5.1 Lending Software Industrial Chain        1.5.2  Upstream        1.5.3  Downstream    2.1 The Overall Market Performance(Volume)         2.1.1 Loan Origination Software (LOS)         2.1.2 Loan Management Software (LMS)         2.1.3 Loan Analytics Software (LAS)         2.1.4 Loan Servicing Software (LSS)    2.2 The Overall Market Performance(Value)         2.2.1 Loan Origination Software (LOS)         2.2.2 Loan Management Software (LMS)         2.2.3 Loan Analytics Software (LAS)         2.2.4 Loan Servicing Software (LSS)
3 Global Lending Software Market Assessment by Application    3.1 Overall Market Performance (Volume)    3.2 Retail Lending    3.3 Commercial Lending    3.4 Trade Finance    3.5 Leasing & Cards    3.6 Residential Mortgages    3.7 Others
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reporthive-blog · 7 years
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Global Mobile Mapping Market Size, Status and Forecast 2022
This report studies the global Mobile Mapping market, analyzes and researches the Mobile Mapping development status and forecast in United States, EU, Japan, China, India and Southeast Asia.
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This report focuses on the top players in global market, like Apple Inc. Google Inc. Qualcomm Inc. Microsoft Corporation Tomtom NV OSI Geospatial Inc. Mitsubishi Electric Corporation Garmin International Telefonaktiebolaget LM Ericsson Leica Geosystems Inc.
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Market segment by Regions/Countries, this report covers United States EU Japan China India Southeast Asia
Market segment by Type, the product can be split into Location based Services Indoor Mapping 3D Mapping Support Services
Market segment by Application, Mobile Mapping can be split into BFSI Telecommunications Energy and Utility Oil and Gas Healthcare Government Travel and Hospitality
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Table of Contents
1 Industry Overview of Mobile Mapping 1.1 Mobile Mapping Market Overview 1.1.1 Mobile Mapping Product Scope 1.1.2 Market Status and Outlook 1.2 Global Mobile Mapping Market Size and Analysis by Regions 1.2.1 United States 1.2.2 EU 1.2.3 Japan 1.2.4 China 1.2.5 India 1.2.6 Southeast Asia 1.3 Mobile Mapping Market by Type 1.3.1 Location based Services 1.3.2 Indoor Mapping 1.3.3 3D Mapping 1.3.4 Support Services 1.4 Mobile Mapping Market by End Users/Application 1.4.1 BFSI 1.4.2 Telecommunications 1.4.3 Energy and Utility 1.4.4 Oil and Gas 1.4.5 Healthcare 1.4.6 Government 1.4.7 Travel and Hospitality
2 Global Mobile Mapping Competition Analysis by Players 2.1 Mobile Mapping Market Size (Value) by Players (2016 and 2017) 2.2 Competitive Status and Trend 2.2.1 Market Concentration Rate 2.2.2 Product/Service Differences 2.2.3 New Entrants 2.2.4 The Technology Trends in Future
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gpllife · 7 years
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