#liza sadovy

[hopecel]

Rodgers & Hammerstein's Oklahoma! in Wyndham's Theatre

[denimbex1986]

'*****

The National Theatre At Home's website is a Rolodex of some of the theatre's greatest productions to date, an ever-updating library of acting royalty. On 6 December, the site is welcoming the arrival of Noël Coward’s Present Laughter - as staged at The Old Vic in the summer of 2019, along with The Grapes of Wrath.

Matthew Warchus’ production’s stellar cast (Andrew Scott and Indira Varma both won 2020 Oliviers for this production) brings its own expectations. They star as the separated but yet-to-be divorced couple, Garry and Liz Essendine. Such are their larger-than-life personalities, that we’re kept guessing about whether it’s all for show or if it’s fundamentally who they are.

The cast is rounded off by Joshua Hill as Garry’s ever-so-real Valet, Fred; Kitty Archer as one of Garry’s many (many) admirers, Daphne Stillington; Luke Thallon as Roland Maule, a budding playwright with a slightly overheated addiction to Mr Essendine; the always so ‘charming’ (and destined to be your favourite character) Monica Reed is played by Sophie Thompson; Abdul Salis and Suzie Toase star as manager-producer duo, Morris and Helen respectively; Helen’s ‘wandering’ (for one of a better word) husband, Joe, is played by Enzo Clienti. Wrapping up the cast list, Liza Sadovy stars as maid and medium, Miss Erikson.

Present Laughter tells of Garry Essendine, an actor and producer in London who is preparing to go on a theatrical tour of Africa, when news of a potential affair, in both the friend group and theatre firm, comes to light. Garry’s loved ones try to support him through not only the tour, but also in how he deals with his obvious loneliness. What they fail to realise is that the only person who may actually be committed to being their authentic self is, in a very weird turn of events, Garry himself! A perfect comedy emerges.

As you would expect, this 21st century version of Coward’s provocative play has seen a fair few changes from the original 1942 production.

Firstly, let’s talk about the queer representation this adaptation beautifully brings to light. Coward initially wrote the part of Garry as a man who filled his loneliness with evening after evening in the company of women whom he barely knew - even spending a night with the wife of his longtime friend and producer. But Warchus has added an even deeper level to Mr Essendine’s antics. The production sees a gender-swapped cast for a few of the supporting characters. Toase’s character, Helen, was originally that same producer, Henry; and Helen’s wandering husband, Joe, was initially her cheating wife, Joanna.

Nothing about the plot essentially changes, however, showcasing a complex and beautifully told story of openly (and some not-so-openly) queer characters in a setting where the plot isn’t necessarily about their sexuality - it is a part of them, not the totality of them.

The play is genuinely side-splittingly funny from start to finish, with powerful scenes of tenderness and humanity to ensure those moments of comedy truly land.

Andrew Scott’s versatility should be studied. The fluidity of his portrayal of Garry Essendine is beautifully orchestrated as if each thought were new, were genuine - he defines ‘truth in the moment’. His vocal gymnastics are both something to be in awe of, but also to hang on to as a key element of the storytelling. From changes in intonation, to completely random tempo changes, Scott hilariously and effortlessly has the audience, and in most cases, the cast, in the palm of his hand - and, sure enough, he milks it for what it is worth, in the best way possible.

Although every cast member had their own opportunity for sending the audience into fits of laughter, it was the earthly rootedness of Varma’s character, Liz, that kept me drawn in during moments of chaos. Varma is effortlessly funny, it’s part of who she is. Every joke lands because she just simply is that funny. I won’t spoil too much, but Varma’s humanity in the piece, specifically towards the end, really steals the show, and complements Scott’s theatrical dramatics perfectly.

Present Laughter is an ideal show to watch with loved ones this festive season: from its humour and clever comedy, to its stunning portrayal of real people living. The simplistic, yet stellar, portrayal of queer characters in a play that was not originally dedicating space for them, is something that makes this piece so special. Chemistry, comedy, and chaos - the perfect evening of theatre that you will not want to pause (even though now you can).

All that entertainment, and yet Warchus’ reimagined production also goes straight into my ever-growing list of ‘plays you must see to understand the complexity of people’...'

[kennamchugh]

" A Real Pain" Trailer and Poster

Jesse Eisenberg wrote and directed A Real Pain as mismatched cousins David, played by Eisenberg, and Benji, played by Kieran Culkin, reunite for a tour through Poland to honor their beloved grandmother. The adventure takes a turn when the odd couple’s old tensions resurface against the backdrop of their family history.

[austenreusedcostumes]

This Dress is worn on Denise Black as Mrs. Brocklebank from To the Ends of the Earth (2004) and worn again on Liza Sadovy as Mrs. Cole from Emma (2009) and later worn again on Unknown Actor as Lady from Poldark (2019)

[artsying-ifer]

I'd only just finished my "commemorating Liza Sadovy leaving Oklahoma!" drawing and then Georgina Onuorah and Raphael Bushay went and left as well!!!! happy trails to all three of them they were such a joy to see on stage!

[ulrichgebert]

Die völlig zurecht vielbeachtete Oklahoma-ist-gar-nicht-ok!-Klassiker-Neuausdeutung für das 21.Jahrhundert zeigt uns tiefe Abgründe in der Amerikanischen Siedlerseele und Curly mal endlich als den unangenehm überheblichen Macho, der er ist, dafür lieben alle Judd und den persischen Hausierer.... Das funktioniert ganz ohne den Text zu ändern, offenbar war es noch nie so ok., wie der Titelsong behauptet.  Die schwungvolle Neuorchestrierung ist auch prima, aber die älteren Herrschaften vor uns gehen dann doch lieber in der Pause, noch bevor die E-Gitarre zum Dream Ballett auftaucht.

[jmunneytumbler]

'A Real Pain' is a Real Delight

'A Real Pain' is a Real Delight

No Real Pain, No Real Gain (CREDIT: Searchlight Pictures) Starring: Jesse Eisenberg, Kieran Culkin, Will Sharpe, Jennifer Grey, Kurt Egyiawan, Liza Sadovy, Daniel Oreskes Director: Jesse Eisenberg Running Time: 90 Minutes Rating: R Release Date: November 1, 2024 (Theaters) Before I saw A Real Pain, I read and listened to what other people who had seen it thought about it. (That’s the sort of…

[jackets1213]

Liza Sadovy A Real Pain Brown Quilted Vest

Product Specifications:

Inspired By: Liza Sadovy

External Material: Fabric

Inner: Viscose Lining

Front: Zipper Closure

Collar: Stand-Up Collar

Color: Brown

Pockets: Two Outside and One Inside

SHOP NOW

[bob-the-movie-man-film-reviews]

A Real Pain ('15'): Roman Holiday.... in Poland!

One Mann's Movies Film Review of "A Real Pain". An exquisite comedy trip around Poland. Full of laughs and heart. 5/5.

A One Mann’s Movies review of “A Real Pain” (2024) (From the 2024 London Film Festival). Oh my. This first week of press screenings at the LFF is throwing up some gems, and no more so than this soulful and hilarious offering, written and directed by and starring Jesse Eisenberg. Bob the Movie Man Rating: “A Real Pain” Plot Summary: David (Jesse Eisenberg) and Benji (Kieran Culkin) are cousins…

[boomgers]

Nos echaron por considerarnos miserables… “Un Dolor Real”

La historia sigue a David y Benji, dos primos disparejos que se reúnen para hacer un viaje a través de Polonia para honrar a su querida abuela. La aventura da un giro cuando las viejas tensiones de la improbable dupla resurgen en el contexto de su historia familiar.

Próximamente en Cines.

Escrita, dirigida y protagonizada por Jesse Eisenberg, la película cuenta con las actuaciones de Kieran Culkin, Will Sharpe, Jennifer Grey, Liza Sadovy, Kurt Egyiawan, Daniel Oreskes, entre otros.

[hopecel]

A-yip-i-o-ee-ay!

[themovieblogonline]

A Real Pain, directed by Jesse Eisenberg, is a poignant comedy-drama that explores the complexities of family, heritage, and self-discovery with wit and emotional depth. Written, directed, and produced by Eisenberg, the film marks an impressive entry into the realm of nuanced storytelling, skillfully combining humor and heartbreak in equal measure. Anchored by outstanding performances from Eisenberg and Kieran Culkin, A Real Pain is both a deeply personal journey and a universal exploration of human connection. https://www.youtube.com/watch?v=nYPJIOF0ys4 A Tale of Two Cousins: The film follows American Jewish cousins David (Eisenberg) and Benji (Culkin) on a journey to Poland to reconnect with their late grandmother’s roots and their shared heritage. Their clashing personalities—David, the pragmatic and cautious family man, versus Benji, the unfiltered and free-spirited drifter—form the core of the narrative. Eisenberg’s script mines their differences for both comedy and pathos, creating a dynamic relationship that feels authentic and deeply relatable. From the outset, the film juxtaposes David’s stoic demeanor with Benji’s unpredictable energy. Their interactions crackle with tension, revealing long-standing resentments and unspoken admiration. While David views Benji as reckless and immature, Benji accuses David of losing his zest for life. Their heated exchanges are laced with humor, yet they also cut to the heart of broader themes about identity, purpose, and the bonds that tie family together. Heritage, Trauma, and Humor: Set against the backdrop of a Holocaust tour in Poland, the film deftly navigates the challenging task of blending historical weight with comedic elements. The tour itself, led by James (Will Sharpe), serves as both a setting and a metaphor. James’ clinical approach to guiding the group contrasts sharply with Benji’s emotional reactions, providing a platform for the film to explore the tension between intellectual understanding and visceral connection to history. Eisenberg’s screenplay strikes a delicate balance, never trivializing the gravity of Holocaust history while allowing moments of levity to emerge organically. The humor—often stemming from Benji’s inappropriate but oddly insightful remarks—offers relief without diminishing the film’s emotional impact. It’s a testament to Eisenberg’s skill as a storyteller that these tonal shifts feel seamless rather than jarring. Standout Performances: The cast delivers uniformly excellent performances, with Eisenberg and Culkin shining as the estranged cousins. Eisenberg’s portrayal of David is layered and restrained, capturing the quiet frustrations and deep-seated insecurities of a man torn between his responsibilities and his yearning for something more. Culkin, meanwhile, brings charisma and vulnerability to Benji, making him both infuriating and deeply sympathetic. Together, they create a dynamic that feels lived-in and authentic, their chemistry anchoring the film’s emotional core. Will Sharpe provides a memorable turn as James, the tour guide whose detachment gradually gives way to introspection. Supporting roles from Kurt Egyiawan, Liza Sadovy, and Daniel Oreskes round out the ensemble, each adding texture to the film’s tapestry. Visual and Tonal Harmony: A Real Pain is understated but effective on a visual front. The Polish countryside and urban landscapes are captured with a muted color palette, reflecting the somber history that permeates the setting. Cinematographer Michal Dymek uses natural light and intimate framing to highlight the rawness of the characters’ emotions, creating a sense of immediacy and immersion. Eisenberg’s direction is assured, balancing the film’s comedic and dramatic elements with finesse. He avoids over-sentimentality, allowing the characters’ growth to unfold organically. The film’s pacing is deliberate, giving moments of humor and heartbreak room to breathe. A Meditation on Connection and Growth: At its heart, A Real Pain is a meditation on the enduring complexities of family relationships. The film explores how shared pain and history can both divide and unite, and how confronting the past can lead to healing. The cousins’ journey is as much about personal growth as it is about reconnecting with their heritage, with each man learning to see the other—and himself—in a new light. A Few Minor Missteps: While the film is deeply personal, its themes are universal. The struggle to reconcile one’s past with the present, the longing for connection, and the fear of vulnerability are experiences that resonate across cultural and generational divides. Eisenberg’s script captures these nuances with humor and sensitivity, making the film both specific and relatable. While A Real Pain is a strong film, it’s not without its flaws. Some supporting characters, while well-acted, feel underdeveloped, and a few narrative threads could have benefited from more exploration. Additionally, the film’s tonal shifts, while generally effective, may feel abrupt to some viewers, particularly in moments where humor gives way to heavier emotional beats. Overall: A Real Pain is a testament to Jesse Eisenberg’s talent as a writer and director. With its sharp humor, emotional depth, and standout performances, the film is a compelling exploration of family, identity, and the enduring impact of history. It’s a movie that lingers in the mind long after the credits roll, prompting reflection on the ties that bind us and the pain—and joy—of being human. For those seeking a thoughtful and moving film that balances laughter and tears, A Real Pain is well worth the journey. Read the full article

[ulkaralakbarova]

A Real Pain

Mismatched cousins David and Benji reunite for a tour through Poland to honor their beloved grandmother. The adventure takes a turn when the pair’s old tensions resurface against the backdrop of their family history. Credits: TheMovieDb. Film Cast: David: Jesse Eisenberg Benji: Kieran Culkin James: Will Sharpe Marcia: Jennifer Grey Eloge: Kurt Egyiawan Diane: Liza Sadovy Mark: Daniel…

[bdpst24]

Új, online kiállításként is elérhetőek John Sadovy különleges fényképei

Új, online kiállításként is elérhetőek John Sadovy különleges fényképei

az 1956-os magyar forradalom napjaiból A Magyar Nemzeti Múzeum és a Nemzeti Emlékezet Bizottsága, együttműködésben a fotós két lányával, Liza Jane Sadovyval és Yvonne Sadovy de Mitchesonnal, másolati fényképkiállításon mutatott be válogatást John Sadovy 1956-ban készített felvételeiből tavaly október 21. és december 10. között a Múzeum Kupolatermében. Az időszaki kiállításhoz most elkészült egy…

[addictedtoeddie]

How did you find out you were nominated?

Eddie: "I was in my dressing room because it was about five o'clock I think and I was deciding I tend to be doing a warm-up so I was in the middle of brrrrrrrrrrr, and I heard some screams and yelps from outside and that is how I found out."

New video! Tea with the Nominees: Part 1

[eddieredmayneargentinablog]

"Tonight, the Kit Kat Club says auf wiedersehen & à bientôt to Omari Douglas, Liza Sadovy, Jessie Buckley and Eddie Redmayne. Thank you for being perfectly marvellous".

📸 Marc Brenner photography