! Carry on reading! Or you will die, even if you only looked at the word warning! Once there was a little girl called Clarissa, she was ten-years-old and she lived in a mental hospital, because she killed her mom and her dad. She got so bad she went to kill all the staff in the hospital so the More-government decided that best idea was to get rid of her so they set up a special room to kill her, as humane as possible but it went wrong the machine they were using went wrong. And she sat there in agony for hours until she died. Now every week on the day of her death she returns to the person that reads this letter, on a Monday night at 12:00a.m. She creeps into your room and kills you slowly, by cutting you and watching you bleed to death. Now send this to ten other pictures on this one site, and she will haunt someone else who doesn't. This isn't fake. apparently, if u copy and paste this to ten comments in the next ten minutes u will have the best day of ur life tomorrow. u will either get kissed or asked out, if u break this chain u will see a little dead girl in your room tonight. in 53 mins someone will say i love you or i’m sorry
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There's something beautiful in the changes Carrie 2002 made and I won't apologize for how genuine and honest its sort of optimism is
Between the principal having a file on Chris' bullying, the confrontation in the lipstick isle, Ms. Desjarin telling Carrie about how High School doesn't last forever... even before the final twist at the end, this version is setting up a LOT more allies in Carrie's corner. This really changes the flavor of the tragedy-- it's about how people can still TRY to help and that doesn't fix everything.
I really connected with the way that Carrie's teachers have a lot more care for her, how they WILL fight for her, but they just... can't win completely. She still has to go home to Margaret. She still has to deal with Chris and her goons. Bystanders still go along with the bullying and regret it later. Carrie gets some wins and gets a witty line in here and there, but is still getting harassed every day from all sides.
But like Ms. Desjarin says; High School isn't forever. And I think that goes perfectly with the twist in the end.
Carrie HAS to survive in this version. She HAS to learn that Chris was lying when she said that Sue was "making a project" out of her. Because this version is about moving on from your pain and your mistakes, not the retribution upon the sinners.
But in her haze, she herself lashes out and hurts others, and not necessarily those who deserve it. The principal, 8 prom kids, random people in the town. Even the death of Chris is more incidental in Carrie 2002! If she didn't happen to be driving that way, she would have survived!
"Jesus loves us all. Even me." Carrie is taking the power of the religious abuse back by focusing on LOVE. On the people who LOVE HER. Her mother drowns her in the bathtub and it's her FRIEND who pulls her out, like a baptism, she has been born again.
(and then they kiss.)
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❀ || maeve’s biological mother ( fc. rachel weisz )
maeve’s biological mother, a nineteen year old music student and once classical music prodigy, esther delman would be described by anyone who met her as the sweetest girl. naive and a little sheltered, her entire childhood had been her parents && community pushing her to follow her talent over anything else. coming from an orthodox background, perhaps it wasn’t much of a shock when she lost herself in the newness of it all.
she’d never tell anyone who the father was, ‘a boy at a party’ or some great romance of whom she kept the fond details to herself. the closest esther came was in a letter home to her sister talking about how their father would never accept her throwing it all away for some older guy. no. it was better if the details were only known to her, never filling in the father’s name on any paperwork, nobody even sure if she’d told him.
motherhood wasn’t something esther wanted. but she tried. she truly did, returning home and for the first year trying desperately to feel as if the tiny green eyed being was her own - was part of her.
by just before maeve ( still known as merav ) first birthday it was clearly never going to work. esther’s parents quietly devastated but supportive when esther finally broke down. she couldn’t give the baby what she needed whilst still living her own life, and keeping her in the family would be too much for her to cope with. giving maeve up was the hardest thing she had to do, but it was the right decision for her.
leaving instructions that she was never to be contacted was a lot harder, and at times, something she almost regretted.
( she never wants to have more children and she doesn’t. )
when maeve is sixteen, a close friend && talented hacker decides to get her esther’s name and information anyway. maeve only goes to see one of esther’s performances once - she doesn’t make herself known, she simply watches and then leaves once it’s over. her only attempt to make herself known is a letter she asks to be passed onto her... but it’s never answered and, in truth, maeve knows it was never even opened.
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I am in love with the thought of simon riley being a grumpy snobby nobleman who marries a boorish reckless girl that’s just a ray of sunshine
Simon views marriage as a way to protect his legacy, a way to carry out his high esteem bloodline, he views marriage as a financial decision, after all he’s in his late thirties now and he’s not getting any younger, a few silver strands of hair that decorate his dirty-blonde hair prove that fact
As much as he hates the thought of tolerating a woman who will stick to him for the rest of his life like an unwanted disease, he knows that it’s for the best, he needs heirs to protect his fortune after his death
And so he needs to find a wife as soon as possible, he can not marry a woman from a noble family, from what he has seen so far, noble women are more demanding, they’re constantly in need for attention and because they are used to living lavish lives they tend to be careless with money, he knows that if he marries a noble woman her family would constantly ask to visit her and that means even more unnecessary social events simon must attend, and so he has to search elsewhere for a wife
But he has a plan, instead of going for a woman with high status, he’ll just marry one of the girls that live in the village, and wouldn’t you know it, one of his farmers was more than glad to marry off his daughter to the duke for some quick cash
And a week later, the girl is standing on the porch of his manor holding her suitcase, looking like a lost puppy, fidgeting with the hem of her skirt nervously as she’s waiting for someone to invite her into her new home
Instead of her husband opening the door to her, kissing her cheeks and giving her a warm hug, there’s the mean old lady that does the cooking for the riley manor, standing in front of her in the doorway
And as soon as the poor girl drops off her old ugly suitcase at her bedroom (and simon’s bedroom ofc) she’s running barefoot in the garden to catch a lizard
Now picture this, simon jumps off his stallion in the evening, waiting for his new “wife” to come greet him when he hears screams from the garden, so he runs to the garden to make sure everything is okay, and the scene before him is just unbelievably peculiar:
A young beautiful girl, running around the garden, her underskirt shoved into her belt, her feet covered in mud, and her hair an absolute mess, chasing the old maid with a lizard in her tiny soft hands
And when she runs up to simon, holding up the slimy creature to show it to her new husband, simon is just fucking in love.
Part 2 is here btw:
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