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mariacallous · 3 months ago

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Usually held in the two weeks after the Olympic Games in the same host city, the Paralympics showcase the best athletes with physical disabilities from around the world competing for their home countries. (The Paralympics are not to be confused with the Special Olympics, which feature athletes with intellectual disabilities.) This year, the Summer Paralympics will take place from August 28 to September 8 in Paris, France.

Quick history lesson: The origins of the Paralympics began shortly after World War II, during the 1948 London Olympics, where 16 wheelchair-using veterans participated. The first official Paralympic Games took place in Rome in 1960 and featured 400 athletes from 23 countries. Since then, the Games have taken place every four years and now feature 4,400 athletes in 22 sports (the Olympics have 32), with 549 gold medals up for grabs.

There are athletes competing from 177 countries (this year’s Olympics had athletes from 184 countries), including 10 countries that have never been represented in the Paralympic Games before, along with representation from the Neutral and Refugee teams. In case you missed it, at the last Paralympics in Tokyo, China earned the most medals, with Great Britain behind it and the US in third.

Since the 1988 Summer Games and the 1992 Winter Games, the Olympic and Paralympic Games have been held in the same cities and venues. Although Paralympians still strive for equal treatment as Olympic athletes without disabilities, there is a large gap in funding between the Olympics and Paralympics.

Where to Watch

This year’s Games will make history as the first Paralympic Games to offer live coverage of every one of the 22 sports played. Like the Olympics, every event at the Paralympics will be available to stream on Peacock if you’re in the US.

If you prefer going old school and watching on basic cable, a select number of events will be airing on the NBC channels NBC, CNBC, and USA Network, along with E!, Golf Channel, and Telemundo, which offers coverage in Spanish. In an effort to make the Games more accessible, closed captioning will be available for every Paralympic event (regardless of the platform). You can also watch highlights and athlete interviews on Paralympic.org.

In the UK, Channel 4 has more than 1,300 hours of live coverage scheduled. Folks can also watch through their streaming service or Channel 4 Sport’s YouTube channel, which will show the entirety of the Games for the first time. BBC, BBC Radio 5 Live, and the BBC Sport website will also air highlights and select coverage. The Paralympics website also has a complete list of where to watch by country.

Opening Ceremony

The Opening Ceremony will begin August 28 at 8 pm Paris time, 7 pm BST, 2 pm EDT, and 11 am PDT. Similar to the Olympics opening ceremony, the Paralympics opening ceremony will be held outside of a stadium at one of the major squares in Paris, Place de la Concorde, and the iconic avenue Champs-Élysées will be transformed into the opening ceremony stage.

The competition starts the following day, on August 29, at 11 am EDT (8 am PDT). Like with the Paris Olympics, the start times will be similarly early and continue throughout the day. The specific timing of some of the events might change, so check the schedule of events on the Olympics' Paralympics schedule webpage.

Blind Football (Soccer)

Blind football is an adaptation of football (or soccer, if you’re American) for athletes with vision impairment played with an audible ball. This men’s competition starts early on September 1 and continues on September 2, 3 and 5, with the gold medal match on Saturday, September 7.

Boccia

Boccia is one of only two sports with no Olympic equivalent. It was originally created for athletes in wheelchairs who have impaired motor function or coordination. To win, each team must get the most balls closest to the white ball called the jack, with athletes allowed to make modifications according to their needs. Men’s and women’s individual games start August 29 and go through September 1, with the gold medal individual matches on September 1 and 2. Mixed pairs and teams start September 3, with gold mixed pairs and teams matches on September 5.

Goalball

The other sport of the Paralympic Games without an Olympic equivalent, goalball is a team sport for the visually impaired and blind, in which players wear special black eye-covering-type glasses so they fully can’t see and are thus more equitable (and honestly, look cool as hell). If there’s anything that the Olympic Games have taught us, it’s that the people go crazy for some out-of-the-norm eyewear. The audience needs to stay as quiet as possible because the ball has bells inside. Thus, the athletes have to rely solely on sound, while they use their whole body to try to block the ball from making it inside the goal. (Lets see Neymar try to do that.) Men’s and women’s games start August 29 with the gold medal games for both on September 5.

Para Archery

The first game played at the early iteration of the Paralympics in 1948, para archery now has men and women’s individual and mixed teams, with wheelchair or standing, and with recurve and compound bows used. Men’s and women’s individual events begin August 29 and continue through September 5, with gold medal matches in individual, teams and with different bows across multiple days.

Para Athletics

One of the most beloved sports in the Paralympics is para athletics, which has been a popular fixture in the games since the inaugural Rome Games in 1960. Today, it spans a wide range of track, jumping, and throwing events, as well as marathons. Because of the wide range of men’s and women’s events, competition begins on August 30 and happens daily with gold medal matches until the Games end on September 8. Check the full para athletics schedule for more specific events’ times.

Para Badminton

Para badminton debuted at Tokyo 2020, although it has been hugely popular for decades. Like badminton, players compete as singles and pairs, as well as standing and in wheelchairs. Group play begins on August 29, with men’s, women’s, and mixed doubles beginning August 31. Gold medal matches take place September 1 and 2.

Para Canoe

The Paralympic Canoe competition features two types of boats: the kayak and va’a (traditionally used in Oceania for travel between islands). Para canoes are basically the same as those used in the Olympic Games, but just have a wider bottom for greater stability. The races begin September 6 with gold medal games on September 7 and 8.

Para Road Cycling

Throughout the years, like many other events, Paralympic cycling has grown to adapt to many disabilities, and uses standard bicycles, handcycles, tricycles, and tandems. In road cycling, there are road races, time trials, and relay events. Both the men and women’s individual and relay events and gold medal races take place daily September 4 through 7.

Para Track Cycling

Para  track cycling is similar to road cycling but takes place on a velodrome track (as the name suggests). Competition is divided into time trials, individual, and tandem or team sprints, using standard bicycles and tandems (all of which can be adapted for the specific athlete). The various track cycling events and gold medal races take place simultaneously August 29 to September 1.

Para Equestrian

Unlike the three equestrian events at the Olympic Games, the Paralympic equestrian program only includes the dressage competition. Para dressage essentially focuses on how well the rider and horse gel, with riders judged on their riding and performance with the horse. All the events are individual mixed, and each competition has gold medal rounds, taking place August 3, 4, 6 and 7.

Para Judo

Para judo is one of two martial arts competitions at the Games. The Paralympics judo follows the same rules as its Olympic equivalent, except it’s practiced exclusively by athletes with vision impairments—and is way more badass, in my humble opinion. (I think I’m allowed to make that assertion since I’m also disabled, don’t come for me.) With the athletes unable to see their opponent, they must use their sense of touch and careful listening—including slight differences in breathing and movement—to sense what their rival may do next. Men’s and women’s matches take place September 5, 6, and 7 and have gold medal matches at the end of each day.

Para Powerlifting

Para powerlifting is a men’s and women’s bench press competition that tests upper body strength where the athletes compete in different weight categories. All of the events are individual and there are gold medal rounds for each competition (which varies by gender and weight class) taking place September 4 to 8.

Para Rowing

A relatively new sport, rowing debuted at the Paralympic Games in 2008. Now, there are five rowing events, including three mixed events. Para rowing rules are nearly identical to those at the Olympics and rowers are eligible for different events according to their gender and impairment categories. The races begin across all categories on August 30, continue to August 31, with final gold medal rounds on September 1.

Para Swimming

Para swimming has remained one of the most enduring sports in the Paralympics since its debut at the Rome Games in 1960. Its popularity is due in part because athletes with all kinds of physical and mental disabilities can participate and doesn’t require any specific equipment. (Prosthetics aren’t allowed either.) Featuring different swims at different distances, athletes compete in breaststroke, backstroke, butterfly, freestyle, and medley. As one of the most popular sports, there are men’s, women’s, and mixed events virtually nonstop with gold medal races near the end of every day, August 29 until September 7.

Para Table Tennis

One of the OG Paralympian games, table tennis actually has a longer history in the Paralympic Games than its Olympic counterpart. When it began, it was only open to wheelchair users, although today athletes are placed into 11 different classes based on their physical and intellectual impairments. Men’s and women’s doubles, singles and mixed games take place August 29 to September 7, with gold medal games every day except September 2.

Para Taekwondo

Para taekwondo is a new competition that made its Paralympic debut at the Tokyo Games. Focused on athletes with upper limb impairments, they are split into two sports classes and divided into weight categories. Men and women compete August 29 to 31, with gold medal matches at the end of each day.

Para Triathlon

A relatively new sport introduced at the 2016 Rio Games, the para triathlon is held over the “sprint” distance, which is half the Olympic distance for individual competitions, where athletes swim 750 meters, cycle 20 kilometers, and run 5 kilometers. The competition is divided by men’s and women’s, with medals being awarded for each race September 1 and 2.

Shooting Para Sport

Shooters compete in rifle and pistol events from distances of 10-meter, 25-meter, and 50-meter in men’s, women’s, and mixed fields. Depending on needs, athletes compete in a kneeling position, prone, or standing (or in a wheelchair or shooting seat). The games take place August 30 to September 5, with medals awarded each day.

Sitting Volleyball

Sitting volleyball is pretty much the exact same as the volleyball we know and love, except as the name suggests, is a sitting variation of the sport. It’s played by two teams of six players who move around the court using the power of their arms, along with a lowered net that’s 3 feet high. The games start on August 29 and continue until the men’s gold medal game on September 6 and the women’s on September 7.

Wheelchair Basketball

Originally used for rehabilitation and exercise for World War II veterans—wheelchair basketball is quintessential Paralympics. Now, it’s one of the most popular and beloved sports for wheelchair users around the world. Games start August 29 and go until the men’s gold medal match September 7, with the women’s September 8.

Wheelchair Fencing

What’s more badass than fencing? Wheelchair fencing. In this sport that requires discipline (and ability to not flinch when a sword is coming at you), athletes compete in a special wheelchair frame designed for the sport which is fastened to the floor—meaning the fencers cannot move and are always close to their opponent. Just like the Olympic equivalent, wheelchair fencing consists of three disciplines: foil, épée, and saber. The men’s and women’s matches take place September 3 to 7, with gold medal rounds at the end of every day.

Wheelchair Rugby

Wheelchair rugby is a four-person team sport played in specially designed wheelchairs. It combines elements of rugby, basketball, and handball, with players using a round ball. Because it’s such an aggressive sport, it’s often referred to as “murderball.” Need I say more? You’re gonna wanna watch this one. Mixed games start August 29, with the gold medal games September 2.

Wheelchair Tennis

Wheelchair tennis pretty much follows the same rules of able-bodied tennis, except here the ball can bounce twice before the player hits it back. Athletes are divided into open and quad classes, along with men’s, women’s, singles, and doubles. Games start August 30, with gold medal matches September 4 to 7.

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gunsatthaphan · 7 months ago

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~ Monthly BL Breakdown: April 2024 ~

🌷 Happy May!!! ☀️

Disclaimer: ALL shows can be streamed here or here, as well as on Youtube and other platforms. For more info on where to watch what, check out this post!

New breakdowns are coming at the end of every month - feel free to add stuff! -> previous breakdowns

What came out this month? (green = seen/currently watching)

🌟 Love is Like a Cat - April 1st (South Korea / Thailand)

🌟 We Are - April 3rd (Thailand) ✅

🌟 Memory in the Letter - April 6th (Thailand)

🌟 Living With Him - April 11th (Japan)

🌟 Gray Shelter - April 11th (South Korea)

🌟 Beating Again - April 13th (Thailand)

🌟 Blue Boys - April 15th (South Korea)

🌟 At 25:00 in Alasaka - April 18th (Japan)

🌟 GMMTV2024 Part 2 (lineup event) - April 23rd (Thailand) ✅

🌟 Boys Be Brave - April 25th (South Korea)

🌟 CHANGE2561 2024 lineup event - April 25th (Thailand) ✅

🌟 My Stand-In - April 26th (Thailand) ✅

🌟 City Boy Log Vol. 3 - April 30th (South Korea)

New series & movie announcements

🎥 The Fridge - Date TBA (Thailand)

🎥 Flavor of Us (starring Benjamin B., Dome W. & others) - Date TBA (Thailand)

🎥 Children's Day - Date TBA (Taiwan)

🎥 Blue Time - Date TBA (China, possibly censored)

🎥 Bad Guy My Boss - Date TBA (Thailand)

🎥 Oriental Magician In The Ent. Circle - Date TBA (Taiwan)

🎥 Under the Oak Tree - Date TBA (Vietnam)

🎥 Invitation - Date TBA (Thailand)

🎥 The Love Matter - Date TBA (Thailand)

🎥 I Saw You in My Dream - Date TBA (Thailand)

🎥 I Wish You the Best - Date TBA (Thailand)

🎥 Impression of Youth - Date TBA (Taiwan)

🎥 Meet You at the Blossom - Date TBA (Taiwan)

Other news from the BL world

❗️ The production company Studio WabiSabi announced that their actors Boun N., Prem W., Santa P., Sammy C., Yacht P. and Stamp P. have terminated their contracts and will no longer be artists under the company on April 15th. Shortly after, GMMTV announced the 6 of them as newly signed artists, along with the disclosure that BounPrem's upcoming BL Vampire Project is now being produced under GMMTV, who now also own all broadcasting rights; WabiSabi will function as a co-producer. New S. stated on Twitter that the decisions had been long in the making, as well as the fact that WabiSabi no longer functions as a management agency for actors and is now a mere production company. He also denied the rumors that the company is shutting down. Shortly after the transfer of the Wabi Sabi actors, actor Fluke Jeeratch (formerly Pongsakorn) joined GMMTV as well.

❗️ The Filipino BL Gameboys is getting a third season. An air date has not been confirmed.

❗️ P Ekkapop and Pan Jirachot, the lead actors from Kiseki Chapter 2, have announced a new project together. Details are unknown.

❗️ Actor Barcode Tinnasit has announced his departure from his agency Be On Cloud.

❗️ After some confusion, the Korean production company Studio X+U announced that their upcoming series Fragile - which was initially advertized as a Korean SKAM remake - is in fact not connected to the Norwegian web series and is instead a standalone series, which focuses on the life of a group of teenagers. According to ZUM News, there was supposed to be a Korean SKAM remake based on the Norwegian original, which was however cancelled due to unknown reasons. Fragile was created as a substitution.

❗️ GMMTV held their 2024 part 2 event on April 23rd. The following BL projects were announced:

The Heart Killers (starring FirstKhao & JoongDunk)

Perfect10 Liners (starring ForceBook, PerthChimon, JuniorMark)

Heart That Skips a Beat (starring EstWilliam)

Revamp (starring BounPrem, formerly known as Vampire Project)

Sweet Tooth, Good Dentist (starring MarkOhm)

The Ex-Morning (starring KristSingto)

❗️ The production company CHANGE2561 held their 2024 lineup event on April 25th. The following BL projects were announced:

This Love Doesn't Have Long Beans (starring SailubPon)

Goddess Bless You From Death (starring PavelPooh)

I’m The Most Beautiful Count (starring PingSupanut)

Pit Babe Season 2

Upcoming series & movies for May

👉🏻 You Made My Day (starring Tar A. and Bom T. from I Will Knock You) - May 3rd (Thailand)

👉🏻 Inverse Identity / Upside Down - Mary 3rd (China)

👉🏻 Wandee Goodday - May 4th (Thailand)

👉🏻 A Balloon's Landing - May 10th (Taiwan)

👉🏻 City of Stars: Special Episode - May 10th (Thailand, cinema release)

👉🏻 The Time of Fever (Unintentional Love Story spinoff) - May 15th (South Korea)

👉🏻 Blossom Campus - May 16th (South Korea)

👉🏻 OMG! Vampire - May 19th (Thailand)

👉🏻 Manji Reverse - May 24th (Japan)

👉🏻 My Biker 2 - May 28th (Thailand)

#doreens monthly bl breakdown #thai bl #bl drama #upcoming bl #update #bl news #decided to do my likes/dislikes in the tags in case some entitled 'fans' are coming for my throat again #my Monthly Like goes to My Stand-In because sorry but the first ep slapped #the story is really interesting also i missed my boy Up so much??? I havent seen him in like 3 years 🥺#Ming is a red flag lmao but up is doing really well and I also didn't think he would act again since he's been producing lately #but I'm so happy he's back!!!#and I really hope the show stays at that level bc the 1st ep was more than solid #the other guy is pretty good too #another Like is going to the gmmtv lineup bc I feel really good about it!!#so many promising projects it makes me excited 😊#my Monthly Dislike goes to Love is Like a Cat bc wow it's terrible lol #good to know that Mew's lakorns aren't paying his bills anymore lmao #I dropped it instantly #its SO bad #kinda sad for Mew though #in other news this korean skam situation is confusing me so much lmao #like there was supposed to be an adaption but that got cancelled for whatever reason so now they're making a new show that's.....the same?#make it make sense lmao #also what up with all those gmmtv tranfers lol #whos next??#dmd hand over ur gays jhgkfd #or maybe dont #can u imagine the dmd boys at gmmtv #they would get fired for public indecency #jhdsfkd

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transformativeworksandcultures · 9 months ago

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TWC 42: Fandom and Platforms [Special Issue]

Editorial

Maria K. Alberto, Effie Sapuridis, and Lesley Willard; Putting forward platforms in fan studies

Article

David Kocik, PS Berge, Camille Butera, Celeste Oon, and Michael Senters; "Imagine a place:" Power and intimacy in fandoms on Discord

Kimberly Kennedy; "It's not your tumblr": Commentary-style tagging practices in fandom communities

Axel-Nathaniel Rose; #web-weaving: Parallel posts, commonplace books, and networked technologies of the self on Tumblr

Sam Binnie; Using the Murdoch Mysteries fandom to examine the types of content fans share online

Gamze Kelle; How Covid-19 has affected fan-performer relationships within visual kei

Rhea Vichot; The expression of sehnsucht in the Japanese city pop revival fandom through visual media on Reddit and YouTube

Welmoed Fenna Wagenaar; Discord as a fandom platform: Locating a new playground

Sourojit Ghosh and Cecilia Aragon; Leveraging community support and platform affordances on a path to more active participation: A study of online fan fiction communities

Paul Ocone; Fandom and the ethics of world-making: Building spaces for belonging on BobaBoard

Amber Moore; Analyzing an archive of allyish distributed mentorship in "Speak" fan fiction comments and reviews

Jionghao Liu and Ling Yang; Censorship on Japanese anime imported into mainland China

Lin Zhang; Boys’ love in the Chinese platformization of cultural production

Matt Griffin and Greg Loring-Albright; Platforming the past: Nostalgia, video games, and A Hat in Time

Irissa Cisternino; Players, production and power: Labor and identity in live streaming video games

Symposium

Yvonne Gonzales and Celeste Oon; Public versus private aca-fan identities and platforms: An academic dialogue

Dawn Walls-Thumma; The fading of the elves: Techno-volunteerism and the disappearance of Tolkien fan fiction archives

Martyna Szczepaniak; The differences between author’s notes on FanFiction.net and AO3

Muxin Zhang; Fandom image-making and the fan gaze in transnational K-pop fan cam culture

Sabrina Mittermeier; "One day longer, one day stronger": Online platforms, fan support and the 2023 WGA and SAG-AFTRA strikes

Book review

Sebastian F. K. Svegaard reviews "Vidding: A history" by Francesca Coppa

Laurel P. Rogers reviews "Fandom, the next generation," edited by Bridget Kies and Megan Connor

Axel-Nathaniel Rose reviews "Mediatized fan play: Moods, modes and dark play in networked communities," by Line Nybro Petersen

Multimedia

Naomi Jacobs, Katherine Crighton, and Shivhan Szabo; Building the spear: A demonstration in faking and remaking real feelings for an imaginary work

Rachel Loewen; "Darkness never prevails": Doctor Who Covid-19 videos as keystones for pandemic engagement

#twc #otw #fandom #fan studies #academia #fandom studies #academic journals

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eretzyisrael · 7 months ago

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by David Christopher Kaufman

In the 1950s, lists naming accused communists and homosexuals were used as tools for blackmail, influence-peddling and ruin.

Clandestine dossiers played a part in the Rwandan genocide that claimed the lives of 1 million ethnic Tutsis 30 years ago, as well the purges of elites and intellectuals during periods of political upheaval in China, Cambodia and, of course, Nazi Germany.

Today, the woke left are putting together their own lists of the “Zionists” in our midst. These lists are just as dangerous, just as disgusting.

8“Wild” author Cheryl Strayed — left, with Reese Witherspoon who played her in the movie version — has been called out as a Zionist on the “is your fav author a zionist?” list.WireImage

Last weekend, a Google doc detailing the supposed Israel affiliations and adjacencies of nearly 200 well-known authors — including some who are dead — made the rounds on social media.

Titled “is your fav author a zionist?” the document features a rainbow flag’s worth of categorized color-coding: Red for “Pro-Israel/Zionist” at one extreme, blue for “Pro-Palestinian/Anti-Zionist” at the other. In regards to the former, it calls for us to “stop buying their books … streaming their shows or promoting their work on any social platform.”

8The author blacklist encourages users to “stop buying” books and streaming projects related to writers including “Wild” memoirist Cheryl Strayed.

Progressive bête noire J.K. Rowling is firmly in the red camp, singled out for being “pro Israel for a while.” (“She’s also a terf so conversation over right there,” her entry reads.)

Also in the red are Emily St. John Mandel, author of “Station Eleven” (“talks favorably about [Israel]”), and Taylor Jenkins Reid of “Daisy Jones and the Six” fame, who apparently “posted pro-Israel content that had no mention of the lives in Gaza.” “Wild” author Cheryl Strayed and Nicholas Sparks of “The Notebook” fame are both outed for posting “a pro-Israel graphic.”

8A screen-shot from the “is your fav author a zionist” list color-codes boycott levels.

James Baldwin, who passed away nearly 30 years ago, gets a pass as “pro-Palestine.”

The X account Zionists in Film has called out Keanu Reeves — the poster child for Hollywood civility — for transgressions: Attending a 2014 Malibu party where Benjamin Netanyahu was also in attendance, and being trained by an ex-Mossad agent for combat scenes in the “John Wick” franchise.

#blacklist #zionists #hamas #writers and artists #writers #artists #is your fav author a zionist

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cyberpunkonline · 10 months ago

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The Race for the Everything App in the West: Unraveling the Quest for Digital Domination

In the neon-drenched, cyberpunk reality of the 21st century, the digital realm is witnessing a colossal battle, reminiscent of Neal Stephenson's speculative universes. Tech corporations, with their sights set on the horizon, are not just competing but are on an ambitious quest to forge the "Everything App"—a digital El Dorado that promises to centralize our online lives. This pursuit, led vigorously by X (formerly known as Twitter) and echoed by a symphony of other platforms, is transforming the way we interact with digital services.

At the heart of this evolution lies a simple, yet profound strategy: expansion beyond core functionalities. Apps that once specialized in specific domains are now crossing into territories uncharted, offering a suite of services that range from messaging and social networking to financial transactions and beyond. This trend is not a mere coincidence but a calculated move towards creating a digital ecosystem where users can perform every conceivable online activity within a single app.

The Vanguard of the Everything App

X, under the stewardship of Elon Musk, is potentially the most audacious contender in the race. Initially a platform for microblogging, X is now venturing into areas like payment processing and content creation, aiming to transform itself into an indispensable tool for its users. However, X is not alone in this pursuit. Apps like WeChat in China have already demonstrated the viability of the "everything app," serving as a model for Western counterparts.

Facebook (now Meta), with its vast suite of services including Instagram, WhatsApp, and Oculus, is another titan striving to stitch together a comprehensive digital tapestry. Google, through its ecosystem encompassing Gmail, Google Pay, and YouTube, is also inching towards creating a unified experience. Meanwhile, Amazon's expansion into cloud services, media streaming, and even groceries underscores the same ambition: to be the one-stop digital shop for its users.

The Siren Song of Convenience

The allure of an everything app lies in its promise of unparalleled convenience. Imagine a digital Swiss Army knife that not only connects you with friends and family but also handles your finances, entertains, educates, and even shops for you. The potential benefits are immense, offering a seamless integration of digital services that could simplify user experience, enhance efficiency, and possibly even reduce the digital clutter of having multiple apps for different needs.

A Dystopian Shadow

However, beneath the glossy surface of convenience, there lurks a more sinister possibility. The consolidation of services into a single platform raises alarming concerns about privacy, data security, and monopolistic control over the digital lives of billions. The more we rely on a single app for our daily needs, the more we risk creating a digital monoculture vulnerable to surveillance, censorship, and exploitation. In a dystopian twist, the everything app could become the ultimate tool for digital hegemony, where choice is an illusion, and autonomy is traded for convenience.

The Unstoppable Momentum

Despite the dichotomy of potential outcomes, the race towards the everything app is unlikely to slow down. The convergence of services into unified platforms reflects a broader trend in digital evolution, driven by user demand for efficiency and the corporate quest for dominance. As this race accelerates, we find ourselves at a crossroads, navigating between the utopian dream of digital convenience and the dystopian nightmare of centralized control.

The everything app is both a looming threat and a beacon of progress in our communications landscape. Its emergence is a testament to our insatiable appetite for innovation and our willingness to explore the unknown. As we venture further into this digital frontier, the decisions we make today will shape the cybernetic world of tomorrow. The everything app is not just a possibility; it is an inevitability. Time will tell whether it becomes a tool for liberation or an instrument of control.

In the words of Neal Stephenson, we are coding our own new world, and in this world, the everything app stands as both the zenith of our aspirations and the nadir of our fears. As we hurtle towards this uncertain future, one thing is clear: the digital landscape will never be the same again. - REV1

#everythingapp #x #elon musk #elon #cyberpunk #neal stephenson #tumblr #technology #tech #communications #comms #digital

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rainbowsky · 1 year ago

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As someone who lives in Southeast Asia, let me tell you : the scandal will NOT have any significant impact at all.

Why? Because we have no idea (about the scandal AND the person, like who the fuck this man/woman thing is type) and do not care enough for other actors/actresses beside the most famous ones (in this case, Wang Yibo). So little coverage about a Chinese star here except someone as famous Jackie Chan, Andy Lau, Dilraba, etc.

So if a movie fails in Southeast Asia, it's definitely NOT because of any supporting actress/actor's scandal in China.

This is in reference to a previous post.

I think you misunderstand what we were talking about. We weren't talking about whether a bit-part actress' rumored tax evasion scandal will be enough to turn away SE Asian audiences from seeing a film. If that was the only issue, I totally agree - no one's going to give a flying fuck about that. They'll buy tickets or not based on the actor they want to see.

This is about the way the Chinese public, government and industry respond to artists who are deemed immoral, criminal, etc. by 'disappearing' and blacklisting them. You don't seem to be informed on that angle (or else I think you'd have immediately picked up on what we were talking about).

If you don't think a tax evasion scandal can kill an artist and their projects, just take a look at Fan Bingbing, Deng Lun, Yuan Bingyan and Zhao Wei, or some of the big Chinese influencers who have been canceled due to tax evasion.

It's not uncommon for an artist in this situation to be removed from/edited out of projects - even ones that were ready to air - and entire projects have been completely removed from streaming services and made no longer available for viewing.

And this isn't just about the industry/government. Chinese audiences will often turn totally against artists who are involved in this type of scandal.

This can have a disastrous effect on everyone else involved in those projects, even though they are totally innocent of any wrongdoing.

Because One and Only has already been released it's at least been able to reach audiences, but if she's found guilty of the accusations against her there's still a possibility it could be held back from release on streaming platforms indefinitely, or until edits are made.

I don't think it's hugely likely given that the project has already been released and she's only in a smallish side role (it's more likely she'll just be removed from credits, promo materials, etc.), but it's definitely a very real and troubling possibility - especially if the offenses are serious and she's found guilty of criminality. This is just the way the industry works in China.

#one and only #brotherhood and stuff #ask

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zhongwans · 1 year ago

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hi, this is very random, but have you heard of the drama stay with me? i am so confused how this passed censorship, did the rules change?

I don't think so. Stay With Me is operating on grey area rn because despite the show being a Chinese production with Chinese actors, it's actually not officially available in China. You can only stream it on overseas platforms.

The show is Youku's but apparently you can't even stream it on the international Youku app. The international app is different from the one that can be accessed in China and often have different contents. Eg. the international IQIYI and Tencent apps have BL in them (as in, straight up BL. Like Kinnporsche levels of BL) but the versions of the apps that are accessible within China don't have these. So if Youku isn't even putting the show on the international app and chose to pawn it off to Viki and Gagaoolala instead, then we can assume that they felt it was not totally safe.

I'm not sure if this is an actual rule but it's always been widely understood that if a show does not get approved in China, then it does not air at all. Even in overseas platforms. That's why it's moot for people to beg for HYX or SPL to be bought by Netflix or Viki or whatever, because the production would probably not want to risk getting into trouble for flouting censorship laws like that. So I'm not sure what the situation with Stay With Me is but it probably helps that it's a smaller production with newbie actors. And I haven't watched the show yet but I doubt they'll go too far with it in terms of explicitness because I remember a while back there was a mini webseries (by Bilibili I think) that had a kiss scene between two male characters. The kiss scene was only included in the international version but it got quite a lot of attention within China that it was eventually excised from the international version too.

Censorship in China is an ever shifting landscape. You just never fucking know tbh. Just remember the golden rule: the more visible to the mainstream something is, the stricter censorship will be. That's why you can get away with certain things in audio dramas and webnovels that you can't in live action dramas. And that's why smaller dramas can get away with certain things that S+ class dramas with big names can't. But in general, I doubt that policies regarding BL will get better anytime soon, especially if even animated danmei adaptations are being kept from airing and stricter policies are being enforced on BL audio dramas and manhuas.

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head-post · 4 months ago

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Musk’s interview with Trump: All about EU, Ukraine, Biden and Harris

Billionaire entrepreneur Elon Musk spoke with Republican presidential candidate Donald Trump on social network X on Monday as part of the platform’s Spaces feature, where users host live streams.

The interview, scheduled for 8 p.m. US time and expected by hundreds of thousands of users around the world, ran into major overlaps and started 40 minutes late. Musk said X was subjected to a “massive DDOS attack,” which he said caused the broadcast to be delayed.

Musk did not mention his differences with Prime Minister Sir Keir Starmer over the UK riots and free speech, but did raise the issue of an open letter published by EU domestic boss Thierry Breton asking him not to spread misinformation during an interview with the former president.

Mr. Trump responded by saying the EU was “bad” at trading with the US and criticised NATO for not spending enough on defence. Mr. Trump said:

That’s probably why they notified you. They don’t treat our country very well.

Musk asked Mr Trump about his views on the EU’s attempts to censor and impose censorship even on Americans from other countries.

The Republican candidate did not answer the question directly, starting to speculate about the US trade deficit with the EU. He added that, “they (the EU) enjoy a huge advantage over the United States on trade” and “they (the EU) are not as tough as China, but they are bad.”

Trump also touched on EU aid to Ukraine and compared it to US spending. He said:

I say, why aren’t you going to equalize? Why aren’t they paying what we’re paying? Why is the United States paying disproportionately more to defend Europe than Europe? That doesn’t make sense. That’s unfair, and that is an appropriate thing to address.

During the two-hour conversation, the Tesla boss and the Republican presidential candidate declared their mutual admiration and echoed shared political views on immigration and the economy.

Trump took the opportunity to lash out at President Joe Biden and Democratic presidential candidate Kamala Harris, whom he blamed for the rise in illegal immigration. He also said:

She is a San Francisco liberal who destroyed San Francisco, and then as attorney-general, she destroyed California.

“She’s going to be worse than him,” he added, referencing President Joe Biden, saying the country needed to prevent anything happening under “stupid people like Biden”.

At the start of his speech at a campaign rally, Trump spoke about the assassination attempt on him last month, promising to return to the town of Butler, Pennsylvania, where a bullet struck him in the ear. He said:

The doctors later told me that the ear is a very bloody place if it’s hit. If I hadn’t turned my head, I wouldn’t be talking to you right now – no matter how much I like you.

Mr. Trump boasted of his good relations with Russian President Vladimir Putin and North Korean leader Kim Jong Un, while Mr. Musk questioned whether Ms. Harris was tough enough to stand up to foreign leaders. He said:

There are some very tough personalities out there. And if they don’t think the American president is tough, they’re going to do what they want to do.

Earlier, Mr. Trump’s X account posted a series of tweets for the first time in almost a year.

The Harris campaign responded to the interview with a statement saying the following:

Donald Trump’s extremism and his dangerous “Project 2025” programme is a feature, not a glitch in his campaign, which was on full display for those who were unlucky enough to listen today during everything on Channel X. Trump’s entire campaign serves people like Elon Musk and himself – narcissistic rich people who will sell out the middle class and fail to deliver live in 2024.

Donald Trump said President Biden is “close to vegetable stage.” He noted during the interview:

I looked at him today on the beach, and I said, Why would anybody allow him? The guy could barely walk. Why would anybody allow him?

The call, which Mr. Musk described as a “conversation” rather than an interview, started late: people entering the online space were first greeted by music or silence rather than a conversation between the two men. Mr. Musk blamed the attack on X’s system for impeding access, writing, “Looks like X is under massive DDoS attack. Working on disabling it.”

He appeared to blame the Democrats for the attack on X. When one X user wrote: “Democrats are fighting to “save” democracy from two powerful disrupters!”, Mr. Musk replied, “Yes.”

A distributed denial of service (DDoS) attack is an attempt to disrupt a server or network by overwhelming it with a flood of Internet traffic.

Read more HERE

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mieeiraa · 7 months ago

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Performance Art with New Media Technology [ASSIGNMENT 1]

For this assignment, I was tasked to do a case study on international and local artists who incorporated the use of new media technology with their performances. From these artists and their chosen work/performance, we can observe how the technology used improves the performance and how they can be improved in the future.

International artist chosen: PLAVE

PLAVE is a five-member virtual idol group operating under a virtual entertainment company, VLAST.

They are known for using game engines and motion capture technology to track each member's gestures and facial expressions, similar to the concept of virtual YouTubers or Vtubers in short.

On March 12, 2023, PLAVE made their official debut. Focusing on music production in the Korean pop or K-pop music industry, they periodically release music albums and singles just like any other idol group.

Performance chosen: Hello, Asterum!

The concert took place over two days, 13th - 14th April 2024 with the first day being a fully physical performance and the second day being an online performance that was simultaneously aired live online for international viewers.

Domestic fans in South Korea were able to purchase tickets to enter the concert venue during the performance day. Meanwhile international fans were given the option to purchase online tickets for the online streaming scheduled for the second day via Weverse, an entertainment platform originated from South Korea.

They performed live on both days as seen by the clear discrepancies when comparing the two performances side by side, with the pre-recorded videos or VCR being filler segments played in between singing performances.

Technology used:

Motion capture

3D Assets

LED Screens

Stage special effects (pyrotechnics, smoke and haze machines, confetti and streamers, bubbles, drones)

Sound system

Local artist chosen: Abdul Shakir

Known by his stage name "Grasshopper," Abdul Shakir is a multidisciplinary multimedia artist and one of the co-founders of Filamen, a company that specializes in interactive installations, light installations, and projection mapping.

He has experience working in production and post-production agencies and has completed a range of design and art-related projects, including interactive installations, motion graphics, graphic design, and projection mapping.

His projects have transcended Malaysia and are now being shown in China, Hong Kong, Spain, and the United States of America. He has shown his art in a number of prestigious exhibitions, including the George Town Festival, Rainforest in the City, Urbanscapes Art Festival, and LAMPU Festival.

Work chosen: Rimbun

“Rimbun” was showcased during the Singapore Night Festival exhibition back in 2023. This work is basically a form of organic projection where he experiments with the mapping process on living things, including trees and leaves.

For this exhibition, it is focused on projection mapping of cultural Malay designs personally created by Abdul Shakir himself on plant leaves of different plants during the night time.

Featuring seven distinct motifs inspired by plants like Starfruit, Nutmeg, Common Fig, Jujube, Sugarcane, Citron, Cocoa, and Guava, these motifs reflect his personal interpretation of these plants and their significance during Singapore's role as an entrepôt between east and west.

Technology used:

Projector

PC computer

Rendered plant motifs via TouchDesigner

How does New Media Technology Improve the Concept and Stage Performance?

From the implementation of new media technology in performances which are the usage of motion capture technology and projection mapping, they offer the possibility to enhance their storytelling and visual graphics as a whole for a more enjoyable experience.

Visual elements prepared using computer graphics, not limited to pictures and videos but including various multimedia elements such as motion capture and projection mapping allow performers to creatively express themselves and their artworks while being able to captivate the audience.

For example, in “Hello, Asterum!” PLAVE and VLAST were able to utilize the visuals in 3D space effectively, resulting in their performance to look like a projection of a hologram while they were in fact only using a flat screen.

Another instance is the ability to manipulate the space to fit each member’s solo performance, creating environments that fit the genre of the songs being performed.

Being able to manipulate 3D space with their virtual models allows PLAVE to showcase an alluring and captivating stage performance in real time, suitable with their concept of being virtual idols.

As for the idea of organic projection mapping as seen in “Rimbun”, I would say that it promotes the idea of seeing mundane things in our lives in a new light.

As Abdul Shakir mentioned that the patterns and motifs being projected were inspired by plants, it shows a connection shared between the man-made motifs and the plants being associated with, subtly showing the beauty and inspiration from nature.

In my opinion, it is a unique way to show how one element may be related to the other and a great medium for an entrancing storytelling since the audience will need to approach the installation in order to fully immerse themselves with the artwork.

How can it be innovative in the future?

Simply put, stage performance visuals are no longer limited to 2D space as they can be manipulated to be shown as 3D regardless of the projecting medium.

Organic projection can introduce a new method to showcase one’s creativity in storytelling, ensuring that the message conveyed can be understood.

Synchronized light projections via light sticks held by the audience in a large crowd may increase the immersion and elevate the experience during a stage performance.

Conclusion

As technology advances further with time, we can expect to see more implementation of new media technology in future performances.

Taking the opportunity to include and utilize them in stage performances especially may help to increase immersion for the audience and deliver a comprehensive and meaningful performance.

Hopefully, with new media technology, artists and performers are able to experiment with their creative freedom and in the end, bring forward inspiring and innovative works of art for us to understand and appreciate.

#Real time expression

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thepastisalreadywritten · 1 year ago

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SEOUL, South Korea — In fried-chicken-obsessed South Korea, restaurants serving the nation's favourite fast-food dish dot every street corner.

But Kang Ji-young's establishment brings something a little different to the table: a robot is cooking the chicken.

Eaten at everything from tiny family gatherings to a 10-million-viewer live-streamed "mukbang" -- eating broadcast -- by K-pop star Jungkook of BTS fame, fried chicken is deeply embedded in South Korean culture.

Paired with cold lager and known as "chimaek" -- a portmanteau of the Korean words for chicken and beer -- it is a staple of Seoul's famed baseball-watching experience.

The domestic market -- the world's third largest, after the United States and China -- is worth about seven trillion won ($5.3 billion).

However, labour shortages are starting to bite as South Korea faces a looming demographic disaster due to having the world's lowest birth rate.

Around 54 percent of business owners in the food service sector report problems finding employees, a government survey last year found, with long hours and stressful conditions the likely culprit, according to industry research.

Korean fried chicken is brined and double-fried, which gives it its signature crispy exterior, but the process -- more elaborate than what is typically used by US fast food chains -- creates additional labour and requires extended worker proximity to hot oil.

Enter Kang, a 38-year-old entrepreneur who saw an opportunity to improve the South Korean fried chicken business model and the dish itself.

"The market is huge," Kang told AFP at her Robert Chicken franchise.

Chicken and pork cutlets are the most popular delivery orders in South Korea, and the industry could clearly benefit from more automation "to effectively address labour costs and workforce shortages," she said.

Kang's robot, composed of a simple, flexible mechanical arm, is capable of frying 100 chickens in two hours -- a task that would require around five people and several deep fryers.

But not only does the robot make chicken more efficiently -- it makes it more delicious, says Kang.

"We can now say with confidence that our robot fries better than human beings do," she said.

Investing in 'foodtech'

Already a global cultural powerhouse and major semiconductor exporter, South Korea last year announced plans to plough millions of dollars into a "foodtech" fund to help startups working on high-tech food industry solutions.

Seoul says such innovations could become a "new growth engine," arguing there is huge potential if the country's prowess in advanced robotics and AI technology could be combined with the competitiveness of Korean food classics like kimchi.

South Korea's existing foodtech industry -- including everything from next-day grocery delivery app Market Kurly to AI smart kitchens to a "vegan egg" startup -- is already worth millions, said food science professor Lee Ki-won at Seoul National University.

Even South Korea's Samsung Electronics -- one of the world's biggest tech companies -- is trying to get in on the action, recently launching Samsung Food, an AI-personalised recipe and meal-planning platform, available in eight languages.

Lee predicted South Korea's other major conglomerates are likely to follow Samsung into foodtech.

"Delivering food using electric vehicles or having robots directly provide deliveries within apartment complexes, known as 'metamobility,' could become a part of our daily lives," he said.

"I am confident that within the next 10 years, the food tech industry will transform into the leading sector in South Korea."

'Initially struggled'

Entrepreneur Kang now has 15 robot-made chicken restaurants in South Korea and one branch in Singapore.

During AFP's visit to a Seoul branch, a robot meticulously handled the frying process -- from immersing chicken in oil, flipping it for even cooking, to retrieving it at the perfect level of crispiness, as the irresistible scent of crunchy chicken wafted through the shop.

Many customers remained oblivious to the hard-working robotic cook behind their meal.

Kim Moon-jung, a 54-year-old insurance worker, said she was not sure how a robot would make the chicken differently from a human "but one thing is certain -- it tastes delicious."

The robot can monitor oil temperature and oxidation levels in real time while it fries chicken, ensuring consistent taste and superior hygiene.

When Kang first started her business, she "initially struggled" to see why anyone would use robots rather than human chefs.

"But after developing these technologies, I've come to realise that from a customer's perspective, they're able to enjoy food that is not only cleaner but also tastier," she told AFP.

Her next venture is a tip-free bar in Koreatown in New York City, where the cocktails will feature Korea's soju rice wine and will be made by robots.

youtube

Entrepreneur aims to improve South Korea's dish using robot

11 September 2023

#South Korea #chimaek #fried chicken #beer #Korean fried chicken #Robert Chicken #Kang Ji-young #advanced robotics #AI technology #Samsung Food #Samsung Electronics #metamobility #Youtube #robot

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mariacallous · 1 year ago

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TikTokkers are using a little-known livestreaming feature to cash in on the huge interest in the Israel-Hamas war despite having no links to the crisis. TikTok, meanwhile, is taking up to 50 percent of the earnings.

In the days after Hamas attacked Israel on October 7, TikTok creators have been engaging in “live matches” on the platform where one creator plays the role of Israelis and the other that of Palestinians, while encouraging—and often shouting at—their followers to continue to donate expensive gifts. The side with the most gifts after five minutes wins the battle.

Some of these gifts cost hundreds of dollars each, and several livestreams WIRED observed in recent days have continued for multiple hours without a break. One battle had seen the creator representing Palestinians winning 72 matches in a row.

The creators can cash out their winnings for real currency, but only after TikTok itself has taken a major cut of the earnings.

As the humanitarian crisis in Gaza continues to worsen, social media platforms have been accused of allowing disinformation to fester while platforms including TikTok have been accused of silencing certain viewpoints. Now TikTok appears to be profiting off their users’ fascination with Israel and Palestinians, and allowing creators who may not be from Israel or the Palestinian territories to earn money off the conflict.

WIRED found dozens of examples of creators seeking to cash in on people’s interest in the crisis, but one pair of creators appears to be cashing in more than most.

On multiple days over the course of the past week, a Turkish streamer who claims to represent Palestinians battled a Greek-Georgian streamer who claims to represent Israelis. In case there was any doubt about who each was supposedly representing, each had the flag of their respective adopted sides onscreen during the battles.

In all of the battles WIRED observed, none of the participants appeared to have any link to the entities they claimed to be representing, and none of them suggested they were planning on donating any of the money earned to the people directly impacted by the current crisis.

Battles between influencers online have been a feature of streaming services since at least 2016, particularly in China, though on most other platforms, the participants have to complete tasks or show off a skill in order to win a battle. On TikTok, it’s mostly just screaming.

Live matches, also known as player knockout or PK battles, have been a feature on TikTok since at least 2021, though TikTok does not mention the feature on its own webpage describing how livestreaming works. Despite the feature being available for more than two years, it is not very well known, and to the uninitiated, the TikTok battles may make little sense, with viewer counters, stickers, and never-ending comments crowding the screen while the two creators shout and scream in a bid to get their followers to donate more gifts.

Rather than making any coherent argument about the rights of Israelis or Palestinians during this crisis, the streamers instead shout out their side’s name or scream comments such as: “Like, like, like,” and “Follow me.”

The streams WIRED observed were watched live by thousands of TikTok users. Today, just before this article was published, a push notification showed the streamers were going live once again.

The two streamers did not respond to WIRED’s messages about their battles.

The rise of TikTok live matches related to the Israel-Hamas war was first highlighted by Abbie Richards, a research fellow at the Accelerationism Research Consortium who specializes in tracking misinformation on TikTok. Richards said it was “gross to grift off atrocities.”

“So this is real people, sending real money to TikTokkers to gesture support for the concept of Israel or Palestine,” Richards said in a video posted on Instagram this week. “But do you know who’s really making money off of these? TikTok, because they take roughly half of the money creators make on live. This helps literally no one except these grifters and TikTok. It’s fucking disgusting.”

TikTok did not respond to WIRED’s request for comment.

A lot of TikTok creators use the app’s livestream feature to generate income, with some streamers broadcasting their entire lives on the platform. The “live match” feature is little known on the hugely popular video-sharing app that allows two people to “battle” against each other for five minutes at a time. The winner is the person who gains the most likes and gifts from their followers.

The strange phenomenon means that the TikTokkers participating need to encourage their followers to donate as many gifts as possible in order for them to “win.”

Virtual gifts are purchased with TikTok’s in-app currency, known as coins. The cost of coins vary depending on how many you are buying, but you can buy 70 coins for less than a dollar.

The gifts range from stickers of roses and the TikTok logo, which cost just a couple of coins, up to animations that take over the full screen that cost up to 45,000 coins. Purchasing enough coins to buy the most expensive gifts on TikTok can cost over $500.

After a user donates the gift to a creator during a battle, those gifts are then converted into Diamonds, which creators can then cash out for real currency.

However, the full value of the gift is not transferred to the creator, with TikTok taking a significant slice of each gift donated. TikTok says that it “shares with creators 50 percent of its net revenue from virtual items, after deducting the required payments to app stores, payment processors, and any other adjustment required under our terms and policies.”

But even small purchases can quickly accumulate. In January, people spent $6 billion in-app on TikTok, according to a report released by Data.ai, a mobile market trends firm

It can be a lucrative business, with some TikTokkers claiming they are making up to $30,000 a month from live matches. Meanwhile, those who are sending the gifts are also reporting that they can easily become addicted, leading to financial and emotional problems.

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gunsatthaphan · 2 months ago

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~ Monthly BL Breakdown: September 2024 ~

🎃 Happy October!!! 👻

Disclaimer: ALL shows can be streamed here or here, as well as on Youtube and other platforms. For more info on where to watch what, check out this post!

New breakdowns are coming at the end of every month - feel free to add stuff! -> previous breakdowns

What came out this month? (green = seen/currently watching)

🌟 Live in Love - September 1st (Thailand)

🌟 Meet Unexpectedly - September 1st (China)

🌟 Happy of the End - September 3rd (Japan)

🌟 Kidnap - September 6th (Thailand) ✅

🌟 The Hidden Moon - September 7th (Thailand)

🌟 Jack and Joker - September 9th (Thailand)

🌟 Takara's Treasure Special Episode - September 9th (Japan)

🌟 Love Sick 2024 - September 14th (Thailand)

🌟 Bad Guy My Boss - September 15th (Thailand)

🌟 Love is Like Poison - September 17th (Japan)

🌟 Smells Like Green Spirit - September 19th (Japan)

🌟 Juicy Lips Juicy Heart - September 19th (Thailand)

🌟 Club Friday Season 16: Domestic Incident - September 20th (Thailand)

🌟 Make Up, Make Me Grow Up! - September 25th (Thailand)

🌟 Teenager Judge - September 28th (Vietnam)

Monthly Likes / Dislikes

👎🏻 the last few months in bl land have been the dryest in years lmao it's been a while since I've really been captured by anything. I dropped a few shows this month, some of which are well received by the public but I just can't get into them. The ones that recently ended were not satisfactory either and the only ones I'm enjoying out of the currently airing roster are not bls lol. The anticipation for THK is what keeps me going but even with that we have no guarantee for quality lol. I'm just really craving something good because this year has been pretty sad lol. recommendations are welcome.

New series & movie announcements

🎥 My Stubborn (starring Yoon Phusanu) - Date TBA (Thailand)

🎥 Fight For You - Date TBA (Taiwan)

🎥 My Damn Business - Date TBA (South Korea)

🎥 Impression of Youth - Date TBA (Taiwan)

🎥 See Your Love - Date TBA (Taiwan)

🎥 Minors - Date TBA (Japan)

Other news from the BL world

❗️ The Thai BL Last Twilight won the award for Best Asian LGBT program at this year's Content Asia Awards, as well as Series of the Year at the Maya TV Awards 2024.

❗️ This year's MChoice & Mint Awards were held on September 7th. The following BL actors/productions won:

Pooh Krittin (Pit Babe) - Rookie of the Year

We Are - Entertainment Program of the Year

The cast of 4 Minutes - Breakthrough Cast of the Year

❗️ This year's Asian Academy Creative Awards were held on September 25th. The following BL actors/productions won:

Last Twilight - Best Direction, Best Screenplay & Best Sound

Only Friends - Best Editing & Best Promo/Trailer

Re-Move On by Gemini & Fourth - Best Theme Song

Ping Krittanun - Best Actor in a Supporting Role (The Rebound)

❗️ MaxNat have announced that they will be reprising their roles as Sun and Nuea from the show Y-Destiny (2021) in a series of 10 episodes à 15-20 minutes. The show is set to air in early 2025, further details are unknown.

❗️ Domundi announced a second season for their reality show DMD Friendship with the title DMD Friendship: It Takes Two. A new generation of 7 trainees are competing for the lead role(s) in Domundi's next BL. The contestants will stay in a house where they compete in a series of missions while working on their chemistries in the search for a partner they are compatible with. The show will premiere on October 6th.

Upcoming series & movies for October:

👉🏻 Fourever You - October 3rd (Thailand)

👉🏻 Uncle Unknown - October 4th (Taiwan)

👉🏻 Every You, Every Me - October 6th (Thailand)

👉🏻 DMD Friendship: It Takes Two (reality show) - October 6th (Thailand)

👉🏻 Eccentric Romance - October 10th (South Korea)

👉🏻 Love in the Big City - October 21st (South Korea)

👉🏻 See You (movie) - October 25th (Taiwan)

👉🏻 Perfect Propose: Dream Edition - October 25th (Japan)

👉🏻 Stealing From My CEO - October TBA (China)

#doreens monthly bl breakdown #thai bl #bl drama #upcoming bl #update #bl news #what a boring month lmao #i have nothing to add #october please be good

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chinanewsindia · 10 months ago

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Indian student represented his culture in China through his music

Hasan Ansari, an Indian medical (MBBS) student living in Qiqihar Heilongjiang, China. He has created a lot of buzz with his songs. He has given hits in many shows of Qiqihar Medical University. People claim that whenever he performs on any show, it gets hyped. the views come in abundance. Without him, the game is no fun because his music brings life to the gathering.

Recently, after Covid 2023 it was Eid x Tamil New Year Show , so he gave a very good performance which was amazing.

When he sang the song it was so melodious as if a recorded song was playing, that moment was a vibe and that is considered to be the biggest hit performance of that gathering.

When some Chinese heard his songs and saw him performing in the university, Hasan Ansari started getting many collaboration requests and Chinese people also became very interested in making songs with him.

Then what was it that Ammar Mughal did with him in his latest podcast, a lot of things came to light which were unheard that Hasan Ansari did not like to sing in English and he did not have that much command over the English language, so he asked the university For the first time, he participated in the English Song Competition and defeated the English best singer of the university , and achieved this title by winning the 1st Winner of English Song Storm Award.

This is a big achievement for Hasan Ansari that an artist who does not even know about English songs is winning the first title today from someone who is the best English singer than Hasan Ansari Because Hasan told that if a person has even a little talent, but if he does not lack confidence and is not one of those who accept defeat, then he can win everywhere.

Because Hasan considers Raftaar as his idol and is inspired by him and has also worked with Raftaar in an album named Mr. Nair which has been released under Zee Music Company and Hasan has written 3-4 songs in it. Which was released around the covid time of 2020 and achieved 200 million streams on Spotify.

And he also participated in a cultural event held in Chinese University and he has won the hearts of everyone in qiqihar but to come here at this young age by working hard to be featured on such a big platform with an artist like Raftaar who is one of the finest rapper in Bollywood.

Hasan told that why he chose the music field, when he listened to music in his childhood, so music started flowing in his veins and he wrote many songs. He is claiming that he has 200+ songs already written. People's expectation from Hasan is to listen to his songs because now he has reached the stage of progress, so now he has to move ahead and make his career in music and medical field as he told in the podcast.

But as he has told that after completing his degree, he will start releasing his unreleased songs and he has a lot of collaborations to do, that too will be seen in the future and like the new generation will get to hear some fresh music which will be different taste which changes the whole scene because Hasan Ansari's way of making songs is absolutely unique, he had made such a composition and song which was a hip hop commercial song, after listening to which even the artists of Raftaar and Kalamkar were stunned.

He has produced and composed Raftaar's hit songs like Damn, Drama, Sick, etc. which are worthy of praise and will be written on the pages of history whenever Hasan Ansari is mentioned.

So know more about Hasan Ansari in his latest podcast by Ammar Mughal’s THE MOST UNFILTERED SWAGSTAR which is out on YouTube.

https://youtu.be/YgalX6fi5CI?si=WvoKDcZz2HTSCjQ7

#china #indian culture #qiqihar medical university

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dbiinfotech · 10 months ago

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Top-10 Social Media Platforms for 2024:

Facebook: Connect with everyone (3.05 billion MAUs=Monthly Active Users).

WhatsApp: Private messaging king (2.78 billion MAUs).

YouTube: Video world, from entertainment to education (2.49 billion MAUs).

Instagram: Share your life visually (2.04 billion MAUs).

WeChat: China's go-to app for messaging, social, and payments (1.32 billion MAUs).

TikTok: Short, fun videos with viral trends (1.22 billion MAUs).

Telegram: Secure messaging with a privacy focus (800 million MAUs).

Snapchat: Disappearing messages and fun filters (750 million MAUs).

Kuaishou: China's rural TikTok, trades live streams and e-commerce for trendy dances and ads.(MAUs 673 million)

Sina Weibo: China's "Twitter", Weibo lets users post, trend, and message, catering to a younger, "go viral" crowd. (599 million monthly MAUs.)