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β£ Did you know that the scene inΒ Lady and the TrampΒ when Lady pops out of the hatbox on Christmas is inspired by a true story?
While Walt and Lilly Disney celebrated Christmas Eve with family at their home, Walt snuck the puppy into a hatbox, topped it with a large bow, and slipped it under the tree. Lilly was given the box and was, at first, rather disappointed: she loved to buy her own hats. Suddenly, the box moved, and Lilly screamed as a little puppy poked its head out! From that moment on, Lilly was smitten with the dog they named Sunnee, never letting him leave her sight.
Art Gifs Story
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This is just a smaller observation that will hopefully someday be part of a larger analysis on Kabru's view of Laios & how Laios impacts him...
But I think it really interesting that Kabru surrenders something for Laios twice, and that these moments are inversions of each other.
The first time, Kabru gives up his life to maintain his control. He changes the course of the entire story with this action, and is willing to die to achieve that. Kabru is (supposedly) entrusting the future to Laios, but he is still very much the primary actor in the overall narrative. He is still the one choosing what the story should be.
The second time, however, Kabru gives up his control to keep hold of something personal and selfish (in the way of dungeon meshi selfishness - it is a good thing to keep this desire. It small piece of what makes him a living creature). He steps aside to let Laios choose the way forward. He surrenders narrative agency for personal agency... not changing the story, but changing himself.
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The best thing about OPLA is that they decided to focus on the friendship aspect of the crew and executed it perfectly.
They talk about their past, they share intimate fears, they are open about how much they care for each other - and that's so refreshing!
The scene where Usopp asked them if they think Kaya actually likes him? Him getting visibly hurt when Luffy mentions his dad?
The one when they send Zoro to talk to Luffy about Garp, because they can tell he's upset?
The whole sequence before and after Zoro fought Mihawk? Nami being concerned to the point of crying? Her reading him stories while he was unconscious and getting mad at Luffy for letting it happen? Her calling him a friend after she said she never had one?
The way Luffy was worrying about him so much that he refused to eat and asked Sanji to make Zoro's favorite food for when he wakes up? How hard it was for him to start talking and how easy it was to admit that he needs Zoro?
Sanji defending Nami even when all of the evidences were against her? Luffy proudly saying she's their friend?
That scene with Nojiko where Usopp calls Sanji the best cook?
The banter between Sanji and Zoro that starts from the moment Sanji first speaks and keeps going even as they fight back-to-back?
We get a glimpse of those things in anime and manga, but it's never this raw. The amount of hugging and touching and overall closeness? How Nami and Zoro get annoyed by it in the beginning and how it brings a more prominent smile the more it happens?
I'm so glad they pushed that narrative instead of trying to directly translate the plot for the 3rd time.
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