#little tiny details that are just indicative of it being a good book make me feel frankly more crazy than a literary device should allow

[cosmicrhetoric]

like again monstrous regiment is fr that good like no one is overstating it but the problem is that every tiny little detail makes me turn into that chain chomp gif. from mario. the whole thing with jackrum being like "well im fat and they dont think fat men are dangerous. they think fat men ought to be funny and that is something i exploit in the name of violence daily" vs. polly's whole "a girl swinging a sword around is funny so you can take sword lessons from the old soldiers you know but you cant be too good in front of them. you are only safe when you are funny" and i RAAAAUGH

[thatssomuchlove]

Fic-o-Ween Day 1

For Fic-o-Ween 2024 put on by @noots-fic-fests! All characters by @lumosinlove

The first (and hopefully not only) chapter inspired by the Mafia AU invented on the Hazelnoot discord server:

Sitting on the couch in his apartment living room, Leo was interrupted from struggling not to let his eyes skip lines during a very suspenseful moment in his book when he heard a loud crash from the kitchen. He jumped up and swung around the door jam to see all his nice pans on the floor…again.

His roommate looked up at him with wide eyes from where he stood by the coffee maker, “I swear I didn’t touch it!”

Leo sighed, “It’s not your fault, Finn. That rack keeps falling down because apparently these wall anchors do not hold their advertised weight!” He huffed. The cabinet space in their tiny New York apartment was abysmal, so hanging up his pans like they do in those fancy kitchens with marble counters or copper detailing seemed like the best option.

“Could also be these shitty walls,” Finn chirped and tapped the wall behind him.

“Yeah, that too,” Leo returned Finn’s grin and could tell he was also thinking about how well they can hear the music from the online Zumba class that one of their neighbors attends religiously. “I’m just going to have to get a stud finder at the hardware store. You have a drill, right?” Finn grimaced and shook his head. “Then a drill set, too.”

Finn clapped a hand on his shoulder as he brushed by with his travel mug, “I would offer to go with, but I’m headed into the office.”

“What? Finn, it’s Saturday.”

“A journalist never rests!” And he was out the door.

Leo looked at the small tear through the dry wall from the anchor being ripped out forcefully and sighed again. He stacked his pans on a clear spot on the counter and went to collect what he needed for a walk to the hardware store.

~

The bell on the door jingled overhead as Leo entered the shop. The closest one he could find on maps seemed to be a family-run place without much information on the page at all—just the open hours and a handful of reviews, no website or pictures of the inside. Leo would have to agree with kathybee309, it was surprisingly warm and inviting as soon as he stepped inside. He couldn’t see the check-out counter from the door, but clear, handwritten indices at each aisle directed Leo to the stud finders. He was holding two options in his hands, trying to think of a reason he shouldn’t just get the cheapest one, when a soft voice spoke up to his right.

“Are you finding everything you need?”

Leo noted an accent and looked up quickly only to almost drop what he was holding. The employee that spoke to him was decently shorter than him and had a combination of curly chocolate hair, bright green eyes, and prominent muscles—truly the way his heavy apron cinched around his waist and barely covered the width his denim-wrapped thighs was criminal—that had Leo a bit weak at the knees. “Umm, hi, yeah I think I’m um good,” he stammered. “Just,” a nervous laugh, “trying to decide.” Leo held up the stud finders and tried to make his smile friendly and not as painfully awkward as he currently felt.

The store employee walked closer to him and examined the options in his hands before meeting his eyes again. At this distance Leo could read his nametag: Logan. “What are you working on?”

“Oh, I’m just trying to hang up my pans. The darn wall rack keeps falling out, so I decided to go a little more heavy duty than dry wall anchors.” He held up one of the stud finders and tried to joke, “need some studs.” Logan gave him a smile, small and breathtaking.

“Well, they’ll both work for that, but this simpler one should be sufficient,” Logan tapped his finger on the cheaper one. Yeah, Leo would say that they were working just fine considering the person in front of him. “Is that all?”

“Yep,” Leo nodded, no thoughts in his brain.

“Trés bon, you can follow me back to check out.” Logan jerked his head back the way he had come and started down the aisle. Leo hurriedly put the other stud finder back and trailed after Logan, almost tripping when he noticed the way his ass moved in those tight jeans. He kept his eyes fixed on the back of Logan’s head for the rest of the short walk to the register.

It wasn’t until Leo had closed his apartment door behind him that he realized that he completely forgot about the drill. He leaned against the door and cursed quietly. At least this time he would be prepared for the hardware store hottie and maybe not make quite as big of a fool out of himself.

~

He had decided to give it a day, with the hope that Logan would not be working so that he could avoid further embarrassment. The other half of his brain really wanted to see the hot employee again, convinced that this time he would be able to successfully flirt.

“This is a terrible idea,” Leo murmured under his breath as he rounded the sidewalk and came upon the beautifully carved dark red-brown doors set into the corner of the building.

He beelined to the drill section upon entering and luckily didn’t have as much trouble choosing this time. He came from a Milwaukee household. His eyes bugged out a bit when he saw the prices, “Jesus, that’s expensive.” Good thing his new job paid pretty well.

“We actually have a sale going for those right now.” Leo jumped at the voice behind him and turned to see a familiar, unfairly handsome face.

“Logan, hi,” Leo recovered quickly and came to the conclusion that he would have been far more disappointed to not see Logan today.

“I feel a bit at a disadvantage with you knowing my name when I don’t know yours.”

“Oh lord, where are my manners? My name’s Leo,” and he reached out to shake Logan’s warm, callused hand. He couldn’t squash the urge to explain himself, “I realized yesterday that a stud finder is a little useless without a drill and screws .”

Logan turned to the opposite shelves and scanned them for a second before picking up a box of screws. “These should work well for dry wall and studs.”

Leo offered a winning smile, “What would I do without you?” and took the box from Logan, quite possibly deliberately brushing their fingers together.

Logan looked up at him for a beat too long before stepping back. He cleared his throat, “Just doing my job. Do you need anything else?”

After taking a quick survey of what was in his hands—drill, drill bits, screws—Leo responded, “nope,” and followed Logan to the counter. In effort to keep the conversation going as Logan was ringing him up, he commented, “the front doors are gorgeous.”

“Merci. That was a long project, but one of my favorites. I can’t stand painted front doors.”

Leo chuckled, “Neither can my mama.” He looked behind him in the direction of the front of the store, “I can’t believe you made them,” turning back to look at Logan again, “y- that’s incredible.”

He was rewarded with another small smile, but this one had a tinge of something sad, “Oh I didn’t do them on my own. I was mainly helping my father. This whole store was his passion project.”

“Hell of a successful passion project, I bet I’d be astonished to see what he could accomplish with his day job!”

Logan’s smile twisted confusingly wry, “His day job wasn’t as important to him,” then that same sadness again, “But we’ll never really know what all he could have done, he passed several years ago.”

Trying to temper his shame of talking with Logan about his dead father with the fact that Logan brought him up, Leo erased the shock off his face and brought one hand up to squeeze Logan’s shoulder, “I’m sure he feels at peace knowing you are carrying on the legacy of what he loved.”

“Well, he’s not the only legacy-carrier, are you Lo Bear?” a voice called, and a young woman emerged from the back. Leo dropped his hand. If he hadn’t already guessed that they were related from her statement, he would have known just by looking at her. They could have been twins, but her green eyes were piercing through him where Logan’s were a warm, solid weight.

Logan, with color on his cheeks, huffed, “Leo, this is my sister Noelle.”

“It’s nice to meet you, Noelle.”

“Likewise,” she cocked her head at him. “What brings you here this fine Sunday morning?”

“Oh, just trying to hang stuff up in my kitchen. Not enough cabinet space.”

“An eternal struggle in Gryffindor.”

Leo chuckled, “Yeah, I’m finding that out.”

“Did you move here recently?”

“Yes, actually I moved here only a few months ago.”

“For a job?”

Leo was starting to get slightly unnerved by the accuracy of her guesses but tried not to let it show, “yes ma’am.” Logan had finished putting his things into a bag and pushed it his way while glaring at his sister. He looked between the siblings for a second before politely saying, “well I’ll let y’all get back to work. It was nice to see you again, Logan.”

Logan turned back to him and his gaze softened, “come back any time, Leo.”

~

As soon as Logan heard the sound of the door swinging shut behind Leo, Noelle jumped up and hastily looked around the store, but it was empty. She turned back towards Logan, who furrowed his brows at her.

“Thank god I was here today. You need to be more careful, Lolo.”

“Quoi?” Logan looked around in confusion, “What are you talking about?”

“Are Jackson and Evgeni here?”

“Ouais, of course. What’s going on?” Logan’s eyes started darting around the store and his fingers gravitated towards the handgun strapped to the underside of the counter.

“Nothing right now.” Noelle flashed him a quick smirk, “I thought you were just flirting with a customer and wanted to come out and see, but then I got a good look at him. The tall blond cutie pie is not what he seems, he’s the newest detective on the Gryffindor police force.” At Logan’s wide eyes, she tacked on, “Ouais, the ones who would have us in handcuffs if they even so much as caught a whiff of what’s going on.”

“Merde,” Logan breathed out. While he wouldn’t have pegged Leo as a cop in a million years, he could see how his underlying air of quiet confidence would make him an effective detective. Still, he seemed too genuine to be at the shop secretly sniffing around for a case, and Logan had a good bullshit detector, “I will be more careful, Noelle, but I don’t think that’s why he was here.”

“I trust you, Logan, just don’t let that pretty smile blind you.” Noelle ruffled his hair and stepped back, “I’m gonna head back to Maman’s. I love you.”

“I love you too, Nolly.” Logan waved goodbye and waited until she was out of sight before he sat down with a loud exhale, running a hand through his hair.

He wished that knowing Leo was, in essence, his enemy had halted his fantasies about the man altogether, but it had unfortunately and predictably only intensified his desire. It was unusual for him to feel a connection with someone so quickly, without really knowing them at all, but Leo was special somehow, just like… Logan shook his head.

Why was such a seemingly sweet guy working for such a corrupt system? Why did Logan have the urge to trust him anyway? He opened his laptop and set to find out everything that he could about Leo, the new detective at GPD, for his family’s safety, of course.

[tenebris-lux]

I’ve seen the headcanon here and there that Sir Danvers was a more guilty party than was let on and that there was possible justification for Hyde killing him, but I disagree with that. The most we have to go on for that is that we don’t know what the conversation between him and Hyde was; someone could insert anything into that.

But in his final Statement, Jekyll didn’t really give himself any justification for killing Sir Danvers aside from being stir-crazy with withdrawal. If Sir Danvers did say something shady, killing him would still be an overreaction on Hyde’s part, but there’d be that tiny justification in Hyde’s feelings of animosity. Yet even then, “feeling threatened” doesn’t justify beating someone up. However, that’s not the case.

The fact that Jekyll didn’t go into the scene in detail indicates that it wasn’t really important what they were talking about. It didn’t have to be Sir Danvers he ran into—it could’ve been anyone. What he says specifically about the scene is this:

“I was conscious, even when I took the draught, of a more unbridled, a more furious propensity to I’ll. It must have been this, I suppose, that stirred in my soul that tempest of impatience with which I listened to the civilities of my unhappy victim; I declare, at least, before God, no man morally sane could have been guilty of that crime upon so pitiful a provocation; and that I struck in no more reasonable spirit than that in which a sick child may break a plaything. But I had voluntarily stripped myself of all those balancing instincts, by which even the worst of us continues to walk with some degree of steadiness among temptations; in my case, to be tempted, however slightly, was to fall.”

So he was already itching to hurt someone, wound up real tight, and drowned out his senses of restraint and reason; and then this polite guy shows up and just starts chatting. Jekyll uses terms like “civilities” and “unhappy victim” to describe Sir Danvers, and those terms/phrases should tell us (if we had any doubts) that Sir Danvers was innocent. (“Unhappy” could also be synonymous with “unlucky”.)

Why was Sir Danvers delivering something to his lawyer at 11 at night, rather than during the day? No idea; it seems a little odd, but it’s hardly an indication that it was anything sinister.

Of course I am curious—about the unheard conversation between Sir Danvers and Edward, and the whole scene between Jekyll and Lanyon later—but only because I like the story that much, and world-building is fun. However, the book is written to circle specific themes, so all the tangential stuff was streamlined out. And the ambiguity makes the book even tastier.

It’s much more interesting to me if I just roll with the general impression that Sir Danvers was completely benign—it means Hyde is worse for having no justifiable reason for killing him. And his latent reactions as Jekyll are questionable as well. He doesn’t express much remorse for having killed someone, but rather relief that he now has a good excuse to stay “on the wagon.” He says he had “streaming tears of gratitude and remorse.” But was it remorse for having killed someone, like what you’d expect of most people? Or remorse that he couldn’t go out and play anymore because he had screwed up so badly?

I’m really, really happy that I can’t know for certain.

[entomolog-t]

gt tropes: I love some good fearplay, particularly when the tiny is not in any real danger, but is still plenty intimidated. Especially when the giant neither means to be intimidating, nor does much to counter/prevent it.

Lets get those glasses back on.

Time to analyze on of my favorite subjects in G/t; Fearplay.

Fearplay, especially in the context of G/t deals with two main drivers; fear and power. With the theme connecting them being control, or lack thereof. These themes/emotions are deeply ingrained in our nature, as some of the most basal emotions we feel. Not primitive; but ancient.

Fearplay in and of itself is a very broad topic and greatly depends on the specificity in the interaction. So, lets breakdown what we have

Tiny is unintentionally intimidated by the Giant, and the Giant does little to help this fact.

For a more personal analysis of this trope it would help to know which aspect of the G/t dynamic you personally identify with.

The G/t dynamic sets the stage by introducing a power dynamic, with the resulting gradient of power causing the tiny to fear. The unintentional nature indicates a level of safety; The danger is mostly just through perception.

From the perspective of fantasizing as being the tiny, this could indicate a desire for relinquishing and control without relinquishing ones safety. However the devil is in the details. What traits do you typically assign to the Giant in this scenario (assuming you fantasize about being the tiny). From the example, its sounds like they are either unaware or uncaring of how they are perceived. Particular traits assigned to giants especially within fearplay could be personal projections of aspects within ourselves which we are afraid of.

Do you find others do not understand your intent? Are you perceived as cold or uncaring? Or are their other aspects you assign to the role of the Giant that may offer personal insight as to what you fear within yourself.

If this is missing the mark it could be less projection and more oriented on your interactions with others; such as being afraid of those who come off as cold but using this fantasy as a way to cope, as they are not truly a threat, just an unintentional one.

Another key factor we are missing is how do you like this scenario to play out? Does trust build over time? Does the tiny accept this is the way the Giant acts, or does the Giant change their mannerisms to suit the tiny. This small details could offer a lot more insight.

Now, from the perspective of identifying as the Giant in this scenario. There is something deeply alluring to be feared. As stated earlier, fear results from a unbalanced power gradient and to be feared is to be powerful. To be powerful is to be in control. Control means personal safety. It is equally important in this scenario to try to assign traits and specifics to both parties. Does the Giant notice they are causing fear? What traits are assigned to the tiny? How do they feel towards the tiny? Are they interested? Frustrated? Does being feared make them happy or upset?

In a lot of fearplay scenarios, there is an overarching theme of the Giant desiring trust. They want someone to know they have all the power, but still love and trust them. Their size might be symbolic of the faults or shortcomings they have (please love and trust me in spite of my size/my faults), or it could simply be a manifestation of desired power and control for their own security.

I would highly recommend playing out these scenarios while keeping an eye out for particular traits assigned to the players, as well as the emotions you personally feel when and where in the scene.

-----

See the receptionist to book our next session.

[thechekhov]

Alright, alright, I caved.

After a slot opened up in me to be able to take on another show emotionally, I decided to invest in OwlHouse. I thought I would probably like it, but it won me over faster than I thought it would.

I’ve already watched a few episodes, but I realized that it might be more fun to do liveblogs, so here I am - with a liveblog...

I will be doing this episode by episode, and probably releasing them every once in a while. Everything will be under a cut, however, to save you all dash space.

If you’d like to follow, please track the #chekhov watches owlhouse tag!

(I’d also like to dedicate this post to the Tumblr Staff Rob, who did his best to restore this post for me when tumblr queue ate it.)

Without further ado...

Episode 1!!

Fair warning - this is technically not a ‘live’ blog, because I have already watched some of the show before deciding to do this, but I’ll still react to them to round things out.

Immediately, this reminds me of Little Witch Academia... Anyone? No? Only me? I feel like maybe I’m getting my wires crossed, but there HAD to have been some inspiration taken from there?

“No-- my only weakness! Dying!!“

Same, big snake monster. Same.

Oh, backup snakes? This girl is READY.

Please don’t mistreat the snakes.

Spider breath... This kid is on my wavelength. That griffin seems to be waiting to be put out of its misery though, and I don’t blame it.

My child... where did you get that pigeon head though.....

Nurse mother, do you REALLY think signing up your spider-summoning daughter for summer camp will actively make her antics slow down instead of ramp up to 60?

Awww, baby makes AMVs... But also, NO ONE TOLD YOU TO THROW AWAY THE BOOK??? I know it’s symbolic, but goodness, isn’t that a bit much???

wait a sec, is that Eda????

Love the realistic bilingual kid experience of replying in English when your mom talks to you in your native language. Universal.

Love this introduction of Eda’s character. She’s got that little green scarf on and everything. Like a tiny trash grandma.

Oooh, okay, let’s extrapolate...

Lots of bones everywhere. I kinda love the aesthetic here - it’s gross and visceral, kind of like what Luz was making with her school projects. Yet in the middle of it all we have a rather clear gothic looking structure. Is this a power imbalance in the supposed kingdom?

The five circles of stained glass seem to perhaps indicate something like Hogwarts houses? Several different types of magic?

But Luz has no reason to freak out as much as she is - she LOVES weird stuff! Haha... No, I kid, I kid. I get it.

“Am I in the bad place?“

Eyyyyy, gotta love shows referencing other shows. :)

“Oh dear child... I’m not like you.”

Wow, what a DRAMATIC reveal for some pointy ears. :) I love her.

We should all aspire to have such cool and stylistically well put together wanted posters. You can tell the commissioned artist really respects her craft.

Steven Universe fans watching this:

I’m looking too.

Okay, okay, enough shenanigans, let’s have some LORE.

I love this landscape. Teeth or bones, or whatever they are, this is one of the more unique settings we’ve gotten, though maybe I’m prejudiced because I love body horror and bones. The darker orange and red themes fit really well here.

Things I’m desperate for: Giraffe Lore 

Things I’m more desperate for: Eda lore. Why do her limbs fall off? Is she a zombie?

Things I’m not quite as desperate for: Hooty lore. He can keep that to himself.

well hello there mysterious chekhov’s glyph which will DEFINITELY not be relevant in the second chapter (or end of season? Maybe? Idk it just seems important).

Ah, yes. That would have been my reaction as well, to be fair. Somehow I didn’t expect to see this guy so early on. I figured he would be a low stress early villain that got assimilated into the Found Family. Kinda psyched that he’s just there from the start.

....I’m just gonna presume this is all true and accept it at face value.

Old Escape The Cops Lady and Tiny Little Demon King, I need your backstory. How did you meet.

I love looking at background details, because like... you can tell the BG artists had fun. I particularly love how the 3 eyed toad doesn’t actually have any reward attached to her. Though the Knife Baby does intrigue me!

“I write fanfics of food falling in love.”

Why am I being called out...

“Noo! My weak nerd arms!”

Finally, a realistic portrayal of a protagonist thrust into a fantasy setting!

.....................

Okay but. If only humans could pass through the barrier... wouldn’t that mean a human had to have deposited those things in there? Do they have a human on staff in this weird pseudo-prison??? Suspicious....

Confession - when I initially saw ads for this show, I expected Eda to be a villain, not a loveable middle aged witch aunt figure. I am shockingly even MORE drawn to her this way. I expected betrayal. I expected her to be a lowkey threat?? But no. She’s just wholesome in the way a solid raccoon is.

“Eda, are you okay?!”

“Yeah, this just happens when you get older...”

“........does it..?”

If I had to pinpoint the exact moment this show won me over...... it would probably be this one.

I know it’s probably the wrong thing to focus on, but what is that insignia? Wings??? Like.... the kind OWLS HAVE?????

COINCIDENCE??? I THINK NOT!!!

I’m really loving the landscape here. And those fireworks are... hmm... intricate?

Gotta love the old tried and true Witch Apprentice Actually A Live In Intern trope. :)

Hold up...

Is that

Is that Hooty? I thought he was just a door....

Eda: This is my room for human stuff. I will also put my human in there.

. . .

Overall rating: I think this is a cute overall beginning. The prison break went hard! I enjoyed the characters and it kind of surprised me in a lot of ways. It definitely does a great job setting up a world with a lot more to explore while giving us a small taste of cool magic stuff and witchy battles. :)

Now on to Episode 2!!

Read the liveblogs in order by clicking here!

[mostly-marvel-musings]

How about a smut prompt no. 7 with Tony Stark ? ❤❤❤❤

Love to lose

A/N: Thanks for requesting this lovely! Hope you like it :))

Gif’s not mine! Credits to the owner

Prompts used: Oral sex & “First one to make a noise loses.”

Pairing: Tony Stark x Reader

Warnings: 18+ smut, it’s dirty okay...

Word count: 2k

Requests & Challenges

Tony Stark Taglist: @raspberrymama @boop-le-snoot @ladyeliot @make-a-memory-drink-it-up @loveisallyouneed1125 @ownsmyheart @anthonyjanthony666 @downeyreads @the-secret-thief @getlostsquidward @ickleronniekinsemotionalrange @elemephstudies @mycosmicparadise @feetoffthetablee

Everything Taglist: @godofplumsandthunder @ladyacrasia @agustdowney @swaggysposts @suchababie @another-stark-sub @littlegasps @kahlanmars @supraveng @disappointmentofthefam @pandaxnienke @tom-hlover @just-the-hiddles @asmigurub @avantgardium-leviosa @imerdwarf @gladiosamicitias @fanofalltheficsx @ladyburberry

Taglists open! Send me an ask or DM if you wish to be in any of these ;))

.

“First one to make a noise loses? Seriously?”

“Yeah!”

“No!”

“I honestly thought you’d be more adventurous Tony.”

“Honey you’ll get all the adventure you want once I’m done with this project. You remember the night of four times, don’t you?”

Tony raised an eyebrow and smirked as your eyes lit up with thoughts of the night he mentioned, cheeks growing warm as your mind flooded with memories of the aforementioned night.

That night you’d lost all sense of cognition and your legs were pure jelly from being utterly fucked out.

It was never a dull moment when it came to you and Stark in the bedroom. He knew all the right ways to drive you crazy and you had come to learn to push all the right buttons to drive him insane.

“Tony come on! I know you’re up for it.”

You pointed to the half-mast erection currently staring back at you.

He glanced down at it before shaking his head and returning to the screen, soon getting engrossed in the information displayed in front of him. Eyebrows knitting together in concentration while his fingers flew over the surface, probably in search of something you didn’t care about.

You scowled for a little while, arms crossed over your chest before walking towards him with a look of determination that hid unattended lust.

Tony didn’t mind you stepping in between his legs as he leaned against the table behind, until you ghosted your fingers over the button of his denims.

Once you popped it open and undid his fly, he shot you a warning look before his phone rang, giving you time to push the jeans and his boxers down just enough to let his erection bounce free.

“You’re free to do whatever you want only if you’re prepared for the consequences sweetheart.” He warned before answering Phil Coulson’s call.

Desire bloomed deep in your belly as his words sent tingles down your spine, knowing the punishment would either be really good or really bad, depending on Tony’s mood. But you were willing to take the risk, it was always worth it in the end.

Shrugging, you dropped down to your knees, his semi-erect cock waiting for your ministrations as you eyed it before gazing up at Tony through your eyelashes innocently.

He was deep in conversation on the phone but the tight grip of his free hand on the edge of the counter and tapping of fingers against the surface indicated he was waiting for you to make your move.

Tony exhaled a breath he was unconsciously holding as your hand wrapped around his length. Taking your time with it, your hand lazily stroked his cock, thumb brushing over the tip every now and then.

“Please I understand Agent, don’t bore me with those unnecessary details..oh!”

Glancing down, he suppressed the rest of his reaction as your tongue joined the party. Small kitten licks over the tip before you drew a strip all the way to the base, all the while watching his demeanour change from composed to flustered.

You took him in your mouth and began swirling your tongue around his length, smirking when he faltered and brought his hand down to move your hair out of your face.

“I’m going over the details n-now. Oh yes—yes I’ll call Fury once I’m—I’m almost done here.”

Tony didn’t wait for Coulson to answer before he cut the call and practically threw the phone away. Letting out a groan, he jerked his hips forward, pushing himself deeper in your mouth as he grabbed you by your hair roughly, guiding your mouth over his cock.

“You’re in so much trouble baby...”

You simply hummed in response, continuing to finish him off as you increased your speed, feeling him twitch against your lips already. The little grunts Tony uttered spurred you on to bring him closer and closer to climax. Your own arousal had turned your panties moist as you watched his lust-blown eyes shut and bite his lip.

“Ah shit! You want me to cum in your mouth?”

You nodded eagerly as Tony’s hips jolted forward and he cursed out loud before shooting spurts of cum down your throat, face contorted in pleasure as he emptied himself, the warm salty liquid travelling down your throat.

He grabbed you by the back of your neck, making you stand before crashing his lips to yours, tasting himself as you deepened the kiss. You moved your clothed core over his softened cock to get some friction, gaining another groan from Tony who felt how moist you were.

“So wet my dirty girl. Will you give me an hour? I promise I’ll make it worth it.” Tony whispered softly, grabbed your hips to stop your grinding. Reluctant to let you go but the urgency with which Phil had called left him with no other choice than to make you wait.

“Fine. But if you’re late…”

“Trust me babe. I’ll be there sooner than you think.”

“Whatever.” He pecked your pouted lips one last time as you pulled his pants back up, turning to walk upstairs to your shared bedroom.

“Don’t touch yourself.”

“You’re in no position to make demands Stark.”

“Am I not?” Even with your back to him, you could sense he was giving you ‘the look’. The one that screamed ‘no matter what, I’m always in charge’. The man was really going to be the death of you some day.

“Ugh. Fine. Hurry up.”

.

“Okay so we need to establish some ground rules first.”

Your eyes snapped up from the book you were pretending to read as Tony swung the bedroom door and got in, locking it before sliding in next to you, resting his back against the headboard.

You were celebrating your victory on the inside because just minutes ago he’d made fun of you for coming up with this game, only to now come up with modifications for the same.

Like a good girl you had behaved, controlled the urge to bring yourself to an orgasm after that little session downstairs. You were still wet, which meant he already had more chances of winning at your game.

This was a bad idea. Why hadn’t you thought this through?

“Hon?”

“Huh?”

“The rules?”

Mentally shaking yourself for zoning out, you sat up straight and faced him.

“Alright. Whines are allowed. Moans aren’t.”

“Fair enough.”

“No oral sex.”

“Not acceptable. You know I owe you for that amazing blow-job. Come on now..”

“Fine. But no fingering.”

Tony made a non-committal huff but agreed, knowing how much his fingers spurred you on.

You went back and forth discussing, rejecting and accepting the terms and conditions as if it were a legit deal.

Soon after you shook on it, there was a switch in the air and neither of you felt the need to say much else except get on with the game.

Climbing in Tony’s lap, you cupped the sides of his face and pressed your lips to his. Softly grazing against each other at first while you fingers teased the base of his neck.

He carded his hands through your hair before pulling you against his chest, hands now splayed across your back as he slanted his mouth over yours and deepened the kiss.

Maneuvering a little so his legs straightened out on the bed, Tony heard a tiny sigh escape your lips as your aroused core met with his growing bulge. Keeping those noises that threatened to leave your mouth turned out to be harder than you had both imagined. You two were quite vocal when it came to sex.

It was difficult, but all the more exciting.

After a while, the make-out session turned out to be insufficient and Tony had you on your back, your clothes removed and thrown carelessly somewhere behind as he settled between your legs.

You had to bite back a moan as Tony’s lips travelled down your neck, littering tiny kisses all over the skin before he found that junction where your neck met your shoulder, the pulse point which he so generously marked a spot on, sure to leave a purple bruise in its place. On cue, your head moved aside to grant him more access as your breaths turned to pants, finding it hard not to think about his bulge that was rubbing so deliciously against your heated core in slow but deliberate thrusts.

You had to push him away to make sure you didn’t lose so soon, that sure earned a chuckle from the genius. Moving further south, he latched onto one of your nipples and flicked his tongue along the bud all the while massaging and kneading the other in his hand. A sigh had involuntarily slipped out, it wasn’t breaking any rules but it sure made Tony gaze up with lust-blown eyes as a smirk appeared on that handsome face.

Trailing kisses along your navel, he reached between your legs and stopped. You shot him a warning look as you sat up on your elbows when his fingers teased along your wet folds, causing him to throw his hands up in surrender before diving in face first into your pussy.

Closing a hand over your mouth, you let your head fall back onto the pillows as Tony licked a fat strip along your wetness, his nose brushing against your bundle of nerves. It didn’t take long for you to feel your heartbeat on your throbbing clit, Tony leaving no stone unturned to make sure you were a needy mess below him.

“What was that baby girl?” He purred, facial hair glazed with your juices when he emerged, giving you a shit-eating grin after you shook your head.

You were so close.

Flipping you on your stomach, you heard him unbutton his jeans and drop them in a low thud on the ground. His hands pulled your ass up in the air, urging the cheeks apart before his cock met your entrance, gathering your wetness, your pussy aching for release at this point.

“Tony..”

“Giving up already?”

Instead of answering, you reached behind, grabbed his cock in your hand and lined him up at your entrance before pushing your hips back. Both of you swallowed your groans as he bottomed out, stretching your walls to the fullest before pulling all the way out and thrusting in.

Your knuckles turned white from gripping the sheets as you were almost ready to give up and accept defeat, until you felt his cock twitch inside you, a sign Tony wasn’t too far along from doing the same either.

Your walls clenched around his cock deliberately, hugging it in their wet warmth and eliciting an involuntary groan from the man.

“What was that honey?”

You teased, repeating the action only to have Tony pull out suddenly, turn you around once more and pull your legs over his shoulder before entering you again.

“You fucking tease..”

“You’re the one to talk. Now shut up and fuck me.”

Snapping his hips to yours at a furious pace, Tony gripped your legs roughly and bit your ankle. The silly little game long forgotten, you let out a pornographic moan as you felt the muscles in your belly contract, thighs tremble and mind turn into a fuzzy blur.

“Cum with me Tony..” you begged as he let go of your legs and buried his face in your neck, a hand snaking downward to rub your oversensitive clit.

“Do that thing again.”

His urgent whisper came out muffled by your hair but you knew what he was talking about. You granted his wish by pulling on his cock with your walls and felt his hips lose their rhythm. He came loud and hard, spilling inside you in spurts triggering your own orgasm as you cried out, digging your nails in his back as you shuddered.

Once you felt yourself float back down to reality, you brought your hands to caress Tony’s hair while he chuckled against the skin on your neck, repeatedly kissing you over there.

“It’s a draw then?” He mumbled.

“Yep.”

“You want a rematch?”

“Definitely.”

[chainofclovers]

Ted Lasso 2x10 thoughts

GOOD GOD.

“No Weddings and a Funeral” is like being hungover but also coming out of a hangover. Having a terrible cold but also feeling better and appreciating every breath that comes through your nose. Embarking on an organizational project and accidentally falling into a photo album and crying about the pictures and organizing almost nothing tangible but making a few things more clear in your brain.

So much of this episode is about the AWFUL POINTLESSNESS OF DECORUM. How loud is too loud when you’re drinking stolen wine and shrieking about sex in a church right before your father’s funeral? How should you feel--thirty years later, as an accommodating, anger-averse person--about having been too angry to attend the funeral for your father who killed himself? What expression should you make when you show up really late to a different funeral? Why must you wear uncomfortable shoes just because someone died? What happens in your mind between standing up to give a eulogy for a man you’re still angry with and choosing to Rick Roll your mom and everyone else as an act of complicated love, humiliatingly incomplete until someone else starts to sing? Should you worry about your therapist seeing your normally tidy flat in a full-on state of depression mess? Is it okay to be offended that your boyfriend is so uncomfortable about death that he can’t stop making morbid jokes? Should you care about other people caring that you’re crunching an apple in church or squealing with joy to be reunited with a friend you’ve not seen in awhile? Are you obligated to explain your behavior if your kid doesn’t understand how you could stay with someone unfaithful? How far behind the counter should you sink when your [undefined relationship person]’s mother has just let you know she can see your dick through your underwear? Is a funeral reception an okay place to find a hookup? Is a funeral reception a decent spot for a break-up? Is a funeral reception a good time for a love confession when you know the person you’re confessing to is happy with someone else? And who do you make eye contact with when you can’t look directly at the person asking you if you’re okay when there’s so, so much about you she doesn’t know yet? Even if--for this tiny little moment within a vast swath of many okay and not-okay moments--you’re honest when you tell her that you are?

I fucking adored this episode because it answers all these questions very simply: Show up. Show up for yourself. Show up for your friends. Try not to harm yourself. Try not to harm your friends.

I love that this episode is about the messiness of adulthood and the things we bring with us from childhood and that it takes place partially in Rebecca’s childhood bedroom, and in Ted’s childhood memories. Dwelling in those places (whether physically or mentally) isn’t an automatic recipe for regression, but it does get everyone closer to the things that made them who they are, to the unresolved and half-buried parts of them that still make them tick today.

Forever obsessed with every single detail about Rebecca’s childhood bedroom.

Forever obsessed with Deborah’s decision to Rick Roll herself every single morning of her life.

Forever obsessed with Rebecca’s decision to Rick Roll her father’s funeral as a way to not have to make up a single word about her father and to do something very vulnerable and kind for herself and her mother and everyone.

Forever obsessed with Ted’s decision to Rick Roll Rebecca Rick Rolling her father’s funeral.

Forever obsessed with an entire found family backing it up.

I love that it is Isaac’s leadership that ensures every single member of the team attends the service for Paul.

I am very, very interested in Jamie’s love confession to Keeley because I do think it will spark some reflection in Keeley but I do not think it’ll go the cliched love triangle route.

Each scene with Rebecca and Sam struck (for me, a human being sharing a subjective perspective on the internet) the tender-awkward-beautiful-stressful chord I was hoping it would. I think it’s wonderful that Sam is honest with Rebecca about how difficult it is to keep their relationship a secret, and I love that Rebecca has a million mostly-unarticulated reasons for why she’d much prefer the secret to continue. I like that Sassy, Keeley, and Nora respond to the revelation as friends; they might be tempering their judgments in part because they’ve all gathered to bury Rebecca’s dad, but I don’t think their reactions would’ve been that different even on a happier occasion.

While there are a million and one different reasons why a continued relationship between Rebecca and Sam could cause serious ethical problems, I really love that when people share big news on this show, the people who care about them generally react by trying to see why the person is doing what they’re doing. Doesn’t mean they shouldn’t also hold each other accountable, but in my book it’s OK that Keeley’s first reaction was to feel happy that her friend is having some fun.

Also everyone has been making weird judgment calls this season, and this episode felt like a moment of real breakthroughs in terms of people telling the truth about things that happened to them and leaving themselves open to honest responses from others.

September 13, 1991. It’s so tenderly, beautifully, overwhelmingly meaningful that there’s still so much Ted and Rebecca don’t know about the things they have in common in these parallel lives they’re leading. The scene between Sarah Niles and Jason Sudeikis is so beautifully acted, and so is the scene between Hannah Waddingham and Harriet Walter. The way they intertwine to communicate that Ted and Rebecca basically lost the ability to trust their fathers simultaneously, from an ocean away? In the hands of lesser storytellers, it would feel too perfect a mirroring, but here it feels heartbreakingly imperfect. All the things they still don’t know. All the questions they try to ask each other. All the things they don’t dare ask yet. And then the storytellers are holding a candle up to all of it and letting the audience bask in the glow of this connection even if Ted and Rebecca can’t fully understand it yet.

I am so proud that Rebecca and Deborah were able to embark on the beginnings of a conversation about the ways Deborah and Paul’s relationship might have resembled or not resembled Rebecca and Rupert’s. It feels possible that they could get to a point where Rebecca truly internalizes her mother’s pride that she broke a cycle by leaving Rupert, and could maybe even understand why her mother made the choices she made. I love that in the final scene, they’re still relying on their old mother-daughter conversational patterns—the frustrations, the snippy shorthand, the passive-aggression. Mothers and daughters!

I am also proud that Ted—albeit via a joke about Sharon charging him for the house call—indicates that he understands the value of Sharon’s work. He’s changed a lot, all in realistic ways for someone who loves learning and really does want to meet people where they are and appreciate them. I’m very moved that instead of putting himself in a real harmful situation by showing up to the funeral on time at any cost, he did what he needed to do to take care of himself and accept care from someone else. And then Sharon’s suggestion that he think about things he loved about his father? And the way he’s able to share a positive memory of Rebecca’s own father at a time when she really needed it? Gosh.

Awkward, undecorous transition from 1991 to present-day incoming...but SASSY! She’s just, like, a whirling dervish of loyal friendship and not giving a fuck and penis size discussions and being casually, delightfully cruel to Rupert, who so deserves it. Rebecca was going on a real face journey when Sassy goes off with Ted at the end, and I’m sort of *eyes emoji* about all of that, but I continue to feel like Sassy is the most imperfectly wonderful friend-from-the-past kind of person and I love everything she and Nora get to do in this episode.

Keeley saying “That baby is whack” might be my favorite line in the episode? Maybe the whole show? Not really but really.

FUCK YOU, RUPERT. Bex and Diane, y’all are fine. And I truly feel for Nate...whatever scheme he’s getting suckered into. Whatever insecurity Rupert is preying on. I want Nate to go to therapy, too.

I feel like it was an unpopular opinion at the time, but I loved Rebecca’s 2x1 revelation about vulnerability and fear of getting hurt and needing to let someone love her. Sassy doesn’t always word things in the most nuanced way, but I think there’s a real possibility that she did ask Rebecca to really consider what it means to feel either safe or unsafe with a person but to know that in either circumstance, that person could end up causing her pain. Standing in that closet with Sam, managing to make it clear that she’s not asking for a break because she knows he will hurt her but because she has to figure out how to be with a wonderful person who could cause her pain...the growth, man. Makes me emotional.

I emerged from this episode feeling, of course, stunned by all the amazing parallels and revelations and beautiful acting and Rick Rolls and just, everything. I also emerged feeling sad/raw/tender because messiness and decorum and growth and coping mechanisms and death and dramatic irony and not knowing things about people and not knowing what you don’t know...it’s a sad, raw, tender place to be.

To quote a guy who got a whole sitcom (lol) named after him, life is real hard.

[spideyhexx]

take a chance on me - b.b.

here's something I wrote for @buckyblues 4k writing challenge! I've been wanting to get back into writing, so here's my first go at it :)

using the song prompt "take a chance on me by abba." @edenslibrary

be sure to let me know what you think :) reblogs, likes and comments are appreciated 😊

bucky barnes x reader

summary: bucky has a crush on you. he's doubtful of himself, messes up, but turns it around.

WARNINGS: sfw. fluffy. some tiny tiny angst. bucky being self deprecating. huge hate of chekhov. bookstore owner!reader.

word count: 2.3k

Bucky replays his conversation with you a billion times within the couple of minutes it takes for him to walk from the quaint little book shop to his apartment.

After his favorite bookstore closed, Bucky took to finding a new one and stumbled upon the Murky Lime. He thought the name was strange, a little off putting, but as soon as he walked in, Bucky knew he was going to enjoy spending his afternoons there. It always smelled like hazelnut or vanilla, a scent he found so incredibly comforting that he bought a hazelnut scented candle for his home. Although it was a small shop, the shelves were loaded with books and he was able to find a hidden corner to sit down and read for a couple of hours, unbothered.

Not to mention the pretty girl that worked at the main desk and seemed to be the owner. You were there every afternoon that Bucky stopped by. He noticed how you would paint your nails when there weren’t as many customers. How kind your words were to anyone who asked for help. It took him a couple of weeks to work up the courage to ask you to help him find a book, even though he knew exactly where it was.

Bucky remembers when he complimented your bracelet and you smiled, stuttering out a thank you. The first time he saw you nervous. It gave him hope that maybe you were into him, but Bucky pushed away those thoughts as quickly as they came.

He couldn’t fathom how someone would truly want to be with him. Besides, he had enough on his plate, what with helping Sam on whatever mission he called him on and dealing with the occasional nightmare that haunted his mind.

That’s why he keeps on replaying the conversation. And cursing at himself for being so stupid.

…

“Hey Bucky!” Your words were cheerful, causing heat to rise up on his cheeks. You loved how a simple greeting seemed to get him all flustered. He’s still not used to even hearing his name come from your lips.

“How’re you doing, doll?” He lets the endearment slip, hoping he’d get to see you smile, and you do, before turning away and pointing at a box.

“I’m alright! And if you don’t mind, and you can totally say no, but I got a whole new set of Chekhov plays and I need to bring them to the play section, which is the furthest point from here and the box is a bit too heavy and I was going to make multiple trips but now you’re here and-”

“Of course I’ll help,” Bucky responded, chuckling at your babbling. You sighed, secretly hating your rambling habit, but it was hard not to when a handsome man was standing in front of you.

“I thought you hated Chekhov?” Bucky asked, picking up the box and following you to the play section.

“Oh I do, but a customer has been calling in for the last three weeks, asking if we have Chekhov and I thought I should finally put my Chekhov hating ass aside to appease the people who adore him,” you told him.

You couldn’t remember when you told Bucky you hated Chekhov, but you did not necessarily need to say it for someone to understand your distaste for the author.

“Or they could’ve just gone to a different bookstore,” Bucky mumbled, but you heard and let out a laugh. He put the box down and leaned against the opposite book shelf, hoping you would continue talking to him as you put the books away.

“So, I had another question for you,” you said, sneaking one glance at him before looking away.

“Go for it.”

“I was wondering if you wanted to go out sometime? Not sure where but we could just go get some coffee? Or go out to dinner?”

This was it, the penultimate moment Bucky had been dreaming about ever since he laid eyes on you. Yet his mouth began speaking before he could really take it in.

“Um, no,” he said, immediately widening his eyes at your expression. Your mouth dropped to say something, but you weren’t sure what to even say.

“I mean, I don’t know. I don’t think I can, right now, maybe?” You raised an eyebrow at him and smiled softly.

“It’s okay to say no, Bucky.”

“I know that, I know. I think I’m just not ready right now,” he said, his voice quieter as he said the last part. His brain was screaming at him to retract everything he had just said to you and to tell you he would go on a date, but Bucky could not do it. He already felt like he had failed and saw no point in trying.

“That’s okay. But...if you ever change your mind, let me know, I’d still be down,” you said.

You were slightly disappointed, but understood his reasoning even if he didn't give you an exact one.

Ever since he first came to your shop, you knew exactly who the tall, blue eyed man was. It was hard trying to comprehend everything James Bucky Barnes had gone through. You knew asking him out might’ve been a big step from having occasional small talk. A small part of you hoped he would take a chance on you someday.

...

Bucky throws his jacket haphazardly onto the couch as soon as he gets home, not caring that it ends up falling to the floor. He lights the candle on the kitchen counter and collapses onto the couch face first, letting out the sigh that was building up in him ever since he left the Murky Lime.

How could he do that? Was he actually not ready to date? He told himself he wasn’t, that’s why he felt like he had to say no to your date. But god, does Bucky want to go out with you and hold your hand and kiss your cheek. He hasn’t felt this feeling in a long while.

All the therapy sessions with Dr. Raynor flood his mind. The ones where she encouraged him to try dating and finding new friends but he brushed it off, feeling like he was unworthy of it. How could a sweet girl like you see something in him, he simply did not understand it. But you liked him enough to ask him on a date and he fucking said no.

Bucky sends Sam a quick text that’s more like an entire paragraph explaining the situation and what he should do. He throws his phone to the other side of the couch and drops his head into his hands. His phone pings a few seconds later and Bucky scrambles to grab it.

I think you’re just afraid of dating buck. You’re definitely ready, you’ve done so much work to be yourself again and I’ve seen that in you. If you like her AND she mentioned still going out if you changed your mind??? Go get her, man. Take the chance. If it doesn’t work out and you really aren’t ready, then that’s okay too. But it’s clearly eating you up that you said no, so just go to her.

...

You button up your coat and stuff your phone into your pocket, straining your head to the side to double check the time. Closing the store required a particular routine that you perfected, but you did not expect to see Bucky’s face at the front door. He did not notice you looking at him and you see the hesitation in his hands before he opens the door.

“Hey,” he says, shoving his hands into his jacket pockets.

“Hello again.” Bucky gives you a stiff grin and rocks on his feet for a few moments. The silence is deafening and it’s just about too awkward for you to handle.

“Is there uh..something you want?” He glances up and your eyes lock with his pretty blue eyes. You feel like you could gaze into them all day.

“Yeah, if you’re still up for it, I would like to go on that date with you. I’ve been afraid to put myself out there, but you’re so kind and beautiful..” his words trail off and he’s distracted for a moment at how you’re biting your lip nervously.

“I wanted to take a chance, so yes, let’s go on a date.”

“Do you wanna go now?” Bucky raises his brow and nods. You run to the back door to make sure it’s locked. When you come back, you see that Bucky took it upon himself to turn a few of the lights off and he hands you your purse.

“What a gentleman, huh?” He blushes and moves to open the door for you. You lock it up and turn to him.

“Does a walk in the park sound like a good idea?”

“Perfect.”

Since it was almost evening time, the park was not as busy. Bucky prefers it that way, and you do too. He’s so close to you, you can smell the little bit of cologne he must’ve put on. You want to tease him for it but decide not to. Instead, you purposely brush your hand against his own and Bucky immediately takes your hand in his.

“Maybe after this we could get dinner,” Bucky suggests.

“That would be nice. You can pick where.” Bucky thinks for a moment before responding.

“There’s this diner..a couple of blocks from your shop actually. It was there back in….you know.” Now that he’s thinking about it, he wasn’t sure you knew. He doesn’t wear gloves to hide his vibranium arm anymore and it’s an easy google search but you never showed any indication you knew about his past.

“I know about your past, Bucky. I won’t ask anything about it if-”

“No, it’s okay. I can talk about it.”

You nod. You're not planning to scour his brain about the haunting details of his life as the Winter Soldier, but you were curious about his life before that.

“Does it look the same as it did back then? The diner, I mean.”

“For the most part. There’s some newer technology in there and updated furniture but the style is all the same. It’s kind of nice to go somewhere familiar.”

The two of you walk over to an empty bench and take a seat. Your hands are still intertwined, resting on Bucky’s thigh.

“One more question about the 30s and 40s and then we can head on over to the diner,” you say, making Bucky laugh and nod his head at you to continue.

“How were dates back then? Like would you do the same thing we’re doing now or was there anything different?”

“It’s mostly the same,” he tells you. Bucky looks down at your hand, admiring how you rub your thumb against his hand.

“But there were these dances. I haven’t seen anything like them nowadays.”

“I think the closest thing we have to that is nightclubs. I’m gonna assume that is not your scene,” you say, giggling at his disgusted expression.

“It isn’t. I like forties music. I tried to listen to newer stuff and it’s not all terrible, but still not my favorite. I don’t think anyone in a nightclub will play Tommy Dorsey or Dinah Shore.” You ponder that for a moment as he turns to observe what else is going on in the park.

Quickly, you take out your phone.

“What are you doing?” All you do is smile at him, setting your phone down on the bench and standing up in front of him. He raises an eyebrow suspiciously as you hold your hand out.

“Mr. Barnes, can I have this dance?” Bucky takes a look around. There were a few people around who seemed to not take notice of the music coming from your phone.

“Gladly,” he accepted, taking your hand. Bucky placed one hand on your hip and pulled you in closer to him.

“I must admit, I know this was my idea, but I don’t know how to dance,” you whisper to him. Bucky shakes his head, smiling so wide he thought his mouth would start hurting. He slowly moves his feet side to side.

“Just this is fine,” he mutters. He tries not to take his eyes off yours, but you’re so close and Bucky can’t help but look at your lips, slightly parted and letting out deep breaths. He moves your hand rest on his shoulder, both of his own now holding your hips.

You trail your fingers from his shoulder to behind his neck, clasping your hands there.

“Thank you for this,” Bucky says and he hums along to the song playing, ‘Be Careful, It’s My Heart’ by Frank Sinatra. You smile at it, so he keeps humming. Bucky leans his forehead against yours.

“I know it’s not perfect-��

“Doesn’t matter. It’s with you. And this is...it’s nice.” You feel like your heart is going to burst. His eyes keep flitting down to your lips and Bucky leans in.

As his lips ghost against yours, you move your head, so he ends up kissing your cheek. He pulls back, a confused look on his face.

“Save that for the end of the date, honey,” you tease, leaning up to kiss his cheek. You linger your lips against his skin before moving away from him and his scoff turns into a laugh.

“I’m holding you to that,” he says, biting the inside of his cheek.

“I hope you do” you mumble and Bucky pulls you in close to him, making you squeal. He twirls you and brings you back into his arms, his lips touching the top of your ear.

“Let’s go get some dinner now.” You nod and grab your phone, opting to let the music keep playing. Bucky doesn’t hesitate from telling you random music facts about the artists as you make your way to the diner.

And as you ramble on about your own favorite singer, Bucky thanks the heavens that he took a chance on you and that it was going better than he ever imagined.

[gammija]

The final Web!Martin evidence list

Now that canon is done, and we’ve got word of god confirmation that Web!Martin wasn’t complete nonsense, I decided to go back to my lil chronological evidence list and actually clean it up a bit, delete parts that in hindsight weren't all that indicative, and put everything in a slightly more readable format. (Obligatory disclaimer that i don’t and never did believe or advocate for some kind of evil web!martin, and that I'm not intending to connect a moral judgement to martin (or anyone else for that matter) having some of these traits)

So here: The (hopefully, please) final list with Web!Martin Evidence! Presented in order of importance, according to. me

The final (hopefully) Web!Martin evidence list

(In order from most to least obvious)

Spiders

I mean, it’s called the Web. TMA reiterates quite a few times that Martin liked spiders. Sometimes it IS that easy.

MAG022: Martin: "I like spiders. Big ones, at least. Y’know, y’know the ones you can see some fur on; I actually think they’re sort of cute -"

MAG038: | Sasha: "A spider?" Jon: "Yeah. I tried to kill it…" [...] Sasha: [Chuckles] "Well, I won’t tell Martin." Jon: "Oh, god. I don’t think I could stand another lecture on their importance to the ecosystem."

MAG059: Jon: "I have done my best to prevent Martin reading this statement in too much detail. I have no interest in having another argument about spiders."

MAG079: Jon: "Apparently, biologically, his account of the spiders doesn’t make any sense according to Martin."

MAG197: Martin: “What? Because I like spiders? Well, used to.”

Lies and subterfuge

Martin is able to use lying and subterfuge to achieve his goals, and is called manipulative a few times.

Lies:

MAG022: Martin: "[He] became slightly more co-operative after I lied to him and told him that one of the upstairs residents had buzzed me in."

MAG056: Martin: "I lied on my CV."

MAG158: Peter: “But you said –” Martin: “Honestly, I mostly just said what I thought you wanted to hear.”

MAG164: Jon: "You – I actually believed you!"

MAG189: Martin: “Sorry. Sorry, John. Not sure how much everything up there actually understood what was going on. But, y’know, I didn’t want to take any chances so it made sense to… um…” Jon: “Put on a show?” Martin: “Yeah, basically, more or less.”

MAG191: Martin: "That's not true." Arun: "Liar!"

Subterfuge:

The plan in 118, which revolved around convincing Elias that Martin was only “acting out”, to create a distraction for Melanie. (Also compare the way he evades giving a straight answer here with the way Annabelle talks in 196.)

Working with Peter in s4 under false pretenses, to distract him from Jon and eventually try to learn what Peter wanted.

Manipulation accusations:

These, I know, are somewhat contentious, since it’s mostly villains saying this to him. I’m still including them, since

1): From a media analysis standpoint, being mentioned 3 times is a sign to pay attention, even when it may not be the full truth.

2): I only see it as describing Martin’s behaviour in the previous points, not as a moral judgement; Especially since he almost always ‘manipulates’ people in positions of power over him.

Still, if it bothers anyone, feel free to ignore these.

MAG138: Martin: "That’s it? No, no monologue, no mind games? You love manipulating people!" Elias: "That makes two of us."

MAG186: Martin: “I can be a real manipulative prick, you know that?” Also Martin: “Oh yeah.”

MAG196: Annabelle: “Because you always managed to get what you wanted through smiles and shrugs and stammerings that weren’t nearly as awkward as they seemed.” [SMALL SOUND OF MARTIN’S CONCESSION TO THE POINT] Martin: “Point taken.”

The Lonely/the Web

The Lonely and the Web sometimes affect Martin to similar degrees.

In season 3, when Martin is getting used to reading statements for the first time, most of them leave him emotionally affected: MAG084, MAG088, MAG090,

MAG095: Martin: “S-S-Statement… done.” [HEAVY BREATHING & TREMBLING AS MARTIN STEADIES HIMSELF] “I don’t like recording these. There. I-I said it.”,

MAG098: Martin: [Panting] “End of statement.” [Deep breath] “I, um, I think I might need to sit down. Oh. Yeah, I am. Right. I don’t, uh, I’m not really sure if these are actually getting easier or harder. I mean I don’t feel –”

Only the last two statements he reads are remarkably easier. This might be a hint that Martin is just getting used to reading them, but the quote from MAG098 seems to contradict that. Either way, it’s likely not a coincidence that those last two happen to be the Lonely and the Web:

MAG108: Martin: “Statement ends.” (exhale) “That wasn’t so bad…”

MAG110: Martin: “Statement ends.” [...] “I mean, I think it sounds like a Jurgen Leitner book. About spiders. Hm. Good John didn’t have to read this one, anyway. I know he’s not a fan. Although, this one wasn’t too bad, actually! I – yeah. Anyway.”

In season 5, there are two powers’ Domains that actually affected Martin mentally, as opposed to only physically: the Lonely’s, in 170 (and arguably 186), and, depending on your interpretation, in 172, when Martin went exploring without knowing why he did so.

Proximity

Martin investigates a lot of the Web statements during season 1 to 3 (in other words, when the archive team still researches statements). The only ones he isn’t mentioned in during this period are MAG019 and MAG020, when he’s being harrassed by worms, and MAG081, which Jon records by himself outside of the institute.

Most notably, he’s the one who discovered the statement in MAG114, ‘Cracked Foundations’, which is the one statement in the entire show that sets up the interdimensional properties of HTR.

The Web!Lighter passed through Martin's hands first, before he gave it to Jon.

Similarly, Annabelle mostly spoke to Martin in season 5, despite most other Avatars usually focusing on Jon.

Aesthetics

Apart from the above obviously Web related areas, there are some other aesthetics which are mentioned in connection to both the Web and Martin, throughout canon.

These are describing the Web;

These are describing Martin.

Tapes:

Martin is the only character to treat the tape recorders as friends - any other character is either indifferent, or treats them as enemies.

MAG039: Martin: "I think the tapes have a sort of… low-fi charm."

MAG154 Martin: “Oh. Hi. Hello again.” … (small laugh) “Sorry pal, false alarm this time.”

MAG156 Martin: “Mm? Oh.” [HE LAUGHS, GENTLY.] “Yeah. (rustling paper) I was going to read one. Hate for you to miss it!” [SHORT, FORCED LAUGH, AS HE FLAPS THE STATEMENT AROUND.]

MAG170 Martin: “Oh. Oh, hello. What’s this? Wow, retro! What are you up to, little buddy; just – listening? That’s okay. It’s nice to have someone to talk to.”

MAG190 Jon: "[The tapes] seem to like [Martin]."

Retro:

MAG069: Statement: “I only saw Annabelle Cane once during this period. She wasn’t hard to pick out. She dressed like a vintage clothing store exploded on her, and her short bleach-blonde hair stood out sharply against dark skin.”

MAG160: Jon: “Anyways, don’t tell me the phonebox down there doesn’t appeal to your retro aesthetic.” Martin: “It – might. Maybe.”

MAG163: Annabelle/the Web callying Martin via an old payphone: [ A PHONE RINGS. IT’S NOT THE TINNY, ELECTRONIC SOUND OF A CELLPHONE – NO, THIS IS A TRUE, HEAVY, CLASSIC RING.] Martin: “Uh. John? Uh, J, John – the, uh, payphone that’s – here, for some reason – it’s ringing?”

Hatred of burns:

MAG067: Jack Barnabas’ statement: “I looked up and noticed within the corner of the room, where there had been a spider’s web this morning, there was just a faint wisp of smoke.” “Another held a bag that seemed to be full of candles, while a third had a clear plastic container filled with hundreds of tiny spiders.”

MAG139: Statement by member of Cult of the Lightless Flame: “The Mother of Puppets has always suffered at our hand; all the manipulation and subtle venom in the world means nothing against a pure and unrestrained force of destruction and ruin.” Agnes burned down Hilltop Road.

MAG145: The Web ties Gertrude to Agnes, stopping the Desolation’s ritual (the only Power whose ritual the Web is known to have prevented).

MAG167: Gertrude enlists Agnes’/the Desolation’s help in order to burn her assistant Emma, who was Web aligned.

MAG169: Martin: "Look, I just – don’t want to get burned, all right? It’s, it’s like my least favorite pain ever. [...] I, I legitimately hate burns, alright? They’re, they’re awful, and they scar horribly, and they just – it – it just makes me sick; I, I hate it. Hate it!"

Phrasing:

MAG039: Martin: "I’m trapped here. It’s like I can’t… move on and the more I struggle, the more I’m stuck. [...] It's just that whatever web these statements have caught you in, well, I’m there too. We all are, I think."

MAG079: Martin's poem: "The threads of people walking, living, lovi–"

MAG117: Martin: "This last couple of years, I’ve always been running, always hiding, caught in someone else’s trap, but, but now it’s my trap, and, well, I think it’ll work. I know, I know it’s not exactly intricate, but it felt good leaving my own little web. Oh, oh, Christ, I hope John doesn’t actually listen to these. “Good lord, is Martin becoming some sort of spider person?” No, John, it’s an expression, chill out! Besides, spiders are fine. I mean, yes, people are scared of them, obviously, but actual spiders, they just want to help you out with flies."

MAG167: Jon: “Methinks the Spider dost protest too much.” Martin: “Jon –” Jon: “Joking! Just joking.”

Personality:

How applicable these are depends heavily on how you interpret Martin's own personality, so your mileage may vary.

MAG008: Statement: “Nobody ever said a word against Raymond himself, though, who was by all accounts a kind and gentle soul [...]”

MAG123: Jon: "The Web does seem to have a preference for those who prefer not to assert themselves."

MAG147: Annabelles statement: "I discovered a deep and enduring talent inside myself for lying. [...] My manipulations were not intricate, but they were far beyond what was expected of a child my age, and I have always believed that the key to manipulating people is to ensure that they always under- or overestimate you. Never reveal your true abilities or plans."

Word of God and Annabelle

I kinda wanted to ‘prove’ that Web!Martin had quite a bit of evidence to back it up, hence this header being last. But of course, in this post-canon world, there are a few lines that most obviously confirm the theory:

MAG197: Martin is Web enough to be able to read the 'vibrations', like Annabelle, and see Jon and Basira (the latter being especially notable, as he hadn't known she was there beforehand): [CHITTERING, BUZZING AND HIGH-PITCHED SQUEALS CHANGE CADENCE] Martin: "Wait… Wait, hang on, is that him?" Annabelle: "Yes. I guess you’re better with the Web than we thought." Martin: "And – Wait, ha– No, uh… is that… Basira? He – He’s got Basira with him!" Annabelle: "Yes."

Season 5 Q&A part 2: Jonny: “Essentially, it was fascinating looking at the fandom and, like, the Web!Martin believers, because what they were doing was correctly picking up on hints dropped in the early seasons that were later, like, not exactly abandoned, but it was much more like, ‘Well, no, he does have like aspects of The Web to him, but he is moreover The Lonely.’ And that came about very… very organically, really. Because throughout Season 3 and going into Season 4, we had this conversation and we were like, ‘No, actually he's like-” Alex: “‘It can't be, it cannot be, it must be the other way round’ Yeah.”

(Note that they say “throughout season 3 and going into season 4,” which likely means that season 1, season 2, and at least part of season 3, aka half of the entire show, were written with Web!Martin as an intentional possibility.)

If you read all that, thanks so much! Obviously, Web!Martin never really came to fruition, so it's fine if you still don't like it. This is just a post explaining where it was coming from, at least for me and the other theorists I've spoken to.

[chudleycanonficfest]

Heart-Shaped Wreckage

Day 16, Story #2 is by @adenei

Title: Heart-Shaped Wreckage

Author: adenei

Pairing: Ron Weasley/Hermione Granger

Prompt: Songfic

Rating: T

TW: implied violence and near-death experience (but nothing explicit)

A/N: This is the part two follow-up to Rewrite the Stars.

************

Hermione’s hand trembles as she reaches over to her nightstand and turns on the light. She can’t sleep, which is a common occurrence as of late. Where she once relished in the quiet of her flat, now the serenity is too much to bear. She is running out of changes to make that will erase the worst, most painful decision of her life. The ultra-soft linens she purchased for her bed are anything but comforting and luxurious. They feel scratchy and cold, and the fresh and clean look of the white comforter with its floral patterns gives off more of a sterile vibe than the new slate she’d been hoping for. Instead, it serves as another stark reminder that all the vibrancy and color had evaporated from her life when she pushed Ron away.

It’s been 62 days since the disaster of the Auror gala, and 50 since Hermione’s received any form of contact from him. Ron has honored her wishes to break things off no matter how much it pained them both to do so. Part of her still wishes he’d floo into her fireplace or knock on her door, begging her to give them another chance. But she knows deep down none of that will ever happen. He is a man of respect, and he will always abide by her requests, even if she no longer wants to keep them herself.

It’s better this way. She reminds herself of the constant scrutiny they’d face if they stayed together, and the hurt and discomfort even at the mere thought indicate that her feelings haven’t changed. There is no way she could put him through that sort of subjection just so she can be selfish and happy. Their lives are too different, and they live in a world where the acceptance of all kinds of love doesn't exist.

So, in the grueling months since they ended things for a second time, Hermione has worked to make changes, some drastic, some minute, in an effort to force herself to move on. She is too proud to let anyone in her life know the pain that she feels with every conscious breath that she takes. Hermione has thrown herself into her work, staying at school late to mark papers, redecorate the classroom, or develop new lesson plans to benefit the students and create more hands-on experiences.

And once she realized that her preparation was complete through the end of next term, Hermione turned to her flat. Weekends have been spent on home projects. Painting the walls, updating the decor, and cleaning every square inch of her flat, all to help her forget.

But the problem is, her heart doesn’t want to forget. Every book she sits down to read reminds her of time spent with Ron. Her renewed efforts in the kitchen never fail to bring a smile or a chuckle to her lips as her mind traitorously wonders what Ron would think if he were here to observe the barely edible mess she’s created. Yet, Hermione is not naive enough to believe that it will change anything. She knows it won’t.

As she sits up in the enormous queen-sized bed, she reaches for the parchment that lays in tri-folds on the nightstand. The paper is worn, with visible wrinkles preventing it from lying flat and tear stains causing the corners to curl as she unfolds the delicate sheet. Hermione’s not sure why she’s opening the letter to read. She knows it won’t bring her the comfort she craves or the answers she desires.

The messy scrawl gives way to Ron’s only correspondence with her since the last time they spoke, and she latches onto it as if it’s the only life preserver on a capsizing vessel. It’s the only thing she has left. The only reminder of the life she could have had.

I’m not scared to tell the truth. 

I went to hell and back and I went with you

Remind me what we were before,

When you said you are mine, and I am yours

Hermione,

There’s a lot I want to say and I’m not sure if I can fit it all in this letter, but I’m going to try. I never meant for any of this to happen, but I did mean everything I said that night. I’m not afraid to tell you how I feel. What we have, er, had, I guess, is special. I’ve never felt this way about anyone in my life, and I don’t think I ever will. And it’s not just about the case and finding comfort in each other. 

When we broke things off after graduation, I felt like a part of me was missing. The Auror academy kept me busy, and sure, my life moved on, but I wasn’t really happy. Not as happy as I was when we were together. And then fate brought us back together and we decided to make another go of it, that’s when I realized that you were what was missing. You make my life so much brighter, so meaningful, and I’m sorry if I sound like a sap, but I need you to know how I feel.

I would give up everything for you. Social status means nothing to me. If the Aurors sack me because of my personal relations, then so be it. I’ll work with George, or find something else. If my family can’t be supportive, then it will be their loss. I’m not willing to live in a world that doesn’t have you in it, and I refuse to give in to the Ministry’s stance on bloody purity. 

I know this is all probably ‘too little, too late’ or whatever that Muggle saying is that you like to use, and I promise you I’m going to respect your wishes. But I had to tell you. I had to let you know because...well...there’s this mission that’s come up. It’s going to be bloody dangerous and Robards asked for volunteers because he knows how risky it’s going to be. Anyone who goes isn’t guaranteed to come back and, well, I won’t go into the details, but I volunteered to go.

I know, I know, I can hear you in the back of my head telling me that it’s probably the stupidest thing I’ve ever done and not to throw my life away because we’re not together, but Hermione, it’s been twelve days and I can’t go on day to day like this. I can’t. Working is the only thing that eases the pain and gets my mind off of everything. I’ll be as safe as I can be, I promise.

I hope you find the happiness you deserve. You’re brilliant, always remember that. Just know that I love you, and it’s because I love you that I’m going to try to let go.

Ron

Tears threaten in Hermione’s eyes once again. It’s no different than every other time she reads the letter. Nothing has changed; Ron’s gone, still on his mission six weeks later and no end in sight. Hermione is sure this is the reason she’s not sleeping. With every passing day and no news of Ron’s whereabouts, she turns to the only object that can provide her with any source of comfort: the letter.

After three weeks of constant worrying and bags under her eyes so prevalent that even her eight-year-old students noticed, Hermione caved and wrote to Harry. Even though they can’t be together, she knows deep down that she can still care about his well-being. 

Harry’s response had been timely and brief. He didn’t have details of the mission but reassured Hermione that no news is good news. Hermione thanked him and asked for updates if it wasn’t too much trouble. The two had been friendly in school, growing closer as her relationship with Ron blossomed as well. She didn’t expect his alliance to stray from his best friend but still appreciated his willingness to be cordial with her after everything she’d put Ron through.

“Please come home to me,” she whispers into the darkness.

Her heart aches more as her eyes hover over the parchment once more, searching for the three words that she knows she’ll never read too many times: I love you.

For some reason, this three a.m. readthrough hits differently. She carefully folds the parchment, places it back on the nightstand and turns off the light. There are still a few more hours left to find sleep.

Hermione tosses and turns as she attempts to focus on sleep and quieting her thoughts. At some point, a flash illuminates the night sky, and that’s when the pieces begin forming more vividly in her mind. The clap of thunder follows seconds later, and with it, a realization is born. As the rain begins its slow cadence of pitter-patters on the window, the brevity of Hermione’s decision hits her with the force of the storm strengthening outside.

I don’t know much, but I know myself

And I don’t want to love anybody else

So let’s break the spell and lift the curse

Remember when we fell for each other head first

There is only one question that forms in her mind. One question that surpasses any of the other thoughts she’s managed to cope with over the last two months. 

What have I done?

None of her previous attempts to move past this matter anymore, even though it’s too late, and there’s nothing she can do. 

Three days later, Hermione is finishing up her night-time routine when there’s a knock on her door. She looks at the antique clock on the wall that reads 10:45. Her heart plummets to her stomach. No one calls this late at night with good news. She stands frozen in place, amazed that the glass of water in her hand hasn’t spilled to the floor as a result of her shock.

Another knock, and Hermione manages to lift her feet from the floor. She reaches over and sets the glass on the counter before pulling her dressing gown tight around her waist. The carpet feels thick and heavy, as if her feet are wading through mud and sludge as she makes the torturous trek to the door. Five steps feel like five thousand. She’s sure all of this has happened in a matter of seconds, but it feels like minutes. Maybe the caller will be gone by the time her eye reaches the peephole.

Her hope is instantly quashed when she peers through the tiny circle to see an older gentleman that she doesn’t quite recognize at first. He’s wearing an overcoat and tan bowler hat, and is looking down at a torn piece of parchment. A pair of cerulean blue eyes drift back up to the number on her flat’s door, and that’s when the familiarity hits Hermione like a muggle slamming into the brick wall that separates platforms nine and ten at King’s Cross Station.

She can feel the blood drain from her face as dizziness overcomes her. Falling forward, she clasps onto the doorknob to steady herself. The noise catches the gentleman’s attention.

“Er, Ms. Granger. Are you home? It’s very important that I speak to you. Please, I mean no harm if you’ll open up.”

Hermione struggles to find her voice to respond. Her hands are shaking so violently that she can barely latch on to the deadbolt that has been fastened for the evening.

“Oh, er, please forgive me. We haven’t formally met, but it’s Mr. Weasley out here. Ron’s father.”

Hearing Ron’s name gives Hermione the strength that she needs to click the deadbolt to the left as she manages to turn the door handle with her other hand. Pulling the door open, she slowly looks up at the elder Weasley.

“Is—is everything okay?” Her voice is raw and weak, and she’s sure the shock is the only thing preventing the tears from pooling in her eyes.

“Er, no, it’s not. May I come in?” His eyes dart around, as if he doesn’t want to discuss the matter out in the open.

Hermione opens the door wider to let him in and manages to shut it when he’s through the entryway. Her free hand fiddles with her wand that’s still inside her pocket—just in case—though she fears no imminent threat from Ron’s father.

"Ms. Granger, I’m sorry for calling so late. I wouldn’t be here at all, actually, if it wasn’t for Harry mentioning—ah, well, that’s no matter...” 

Mr. Weasley is rambling, and Hermione has trouble processing his words. Her breath catches at the mention of Harry’s name, which draws Mr. Weasley’s attention to her, helping him get to the point of his late-night visit.

“Ron’s been gravely injured. He’s at St. Mungo’s now. They brought him in an hour or so ago. Molly and I met Harry and Ginny there as soon as we heard. He’s stable for now, but the Healers are unsure if it will hold.” 

Hermione grasps the back of the couch to keep from collapsing to the ground. A sob bursts from her throat as the tears that threatened moments ago now spill freely down her cheeks.

“Wh-what happened?” 

The words are spoken with great effort.

“We don’t have many details. The Aurors are still trying to clean up loose ends on the mission, but it sounds like the operation was successful thanks to Ron’s efforts. One of the target’s accomplices hit Ron with an unknown spell before he was caught.”

Even through Hermione’s own devastation, she can hear the tremor in Ron’s father’s voice. He’s scared, though he’s hiding it well as he continues to explain what he knows. There’s a sheen in his eyes as the moisture appears, emotions raw as he finishes bringing Hermione up to speed.

“Everyone was apprehended, and Ron appears to be the only one who got hurt. We should know more in the coming hours.”

Hermione can only offer a blank stare as she processes the information. His letter said it would be a dangerous mission. He didn’t sound as if he was hopeful that he’d come back alive. Or maybe he was hoping—no, don’t think like that. It was her fault that he’d gone in the first place. By some miracle, he was still hanging on, and the haziness of Hermione’s previous decisions about their relationship begins to give way. The fact that his father is there in her flat informing her has to mean something.

“Why are you here?”

It comes out harsher than Hermione intends, but after their less than amicable meeting at the gala, Hermione can’t be bothered with pleasantries. Even if his wife’s behavior was ruder than his own.

The older man pulls out a handkerchief and wipes beads of sweat off his brow as he sighs deeply. 

“Ms. Granger—”

“Hermione.”

“Right, yes, Hermione. I am aware that we did not get off on the right foot. I’m sorry I never introduced myself on the night of the gala. We weren’t expecting Ron to have a date. I’ll admit that Molly and I were ignorant in the way we treated you that night, and for that, I am sorry. Nothing can take back our words, nor can it change the way others view you based on your blood status, but please know how wrong we were. 

“Ron was devastated after you broke things off after the gala, and I suppose that was largely due to our behavior. It’s clear to us how much he loves you, and we don’t want to stand in the way of that. So, when Harry mentioned you had asked for news and wanted to come tell you, I insisted that I should be the one to see you. Please don’t let our ignorance stand in the way of your happiness.”

Hermione stands there, listening to Arthur’s apology. While she appreciates the olive branch, part of her can’t help but feel that it’s too little, too late, and a new wave of tears flood her eyes as she sees those exact words in Ron’s letter. She offers a curt nod to let him know she appreciates the gesture, even as her voice can’t find the words.

“I won’t keep you. I should be getting back, but Ron is in room 408. You are on the approved list as a family member if you decide you want to see him, and Molly’s agreed to let you stay with him if you’d like.” 

Arthur gives a weak nod as he dabs his forehead once more before making his way to the door. It takes Hermione a moment to realize what’s happening, and as soon as everything processes, she’s pushing herself off the back of the sofa and calling out to Arthur.

Look at this heart shaped wreckage

What have we done?

We’ve got scars from battles nobody won

We can start over, better

Both of us know if we just let the broken pieces

Let the broken pieces go

“I’m coming! Please, er, if you don’t mind waiting. I just need to get changed—”

“Of course.”

Arthur offers a paternal smile as Hermione rushes into her bedroom and throws on the first thing she can find. She almost forgets to grab her bag as she throws on her coat and locks the door behind her.

Moments later, they’re entering St. Mungo’s, and Mr. Weasley leads the way through the main hall to the lifts. It’s only as the gate shuts that nerves begin to bubble up in her stomach. She’s been running on the adrenaline of the news, and now she can’t help but wonder how the rest of Ron’s family will react when they see her. Or, what’s worse, how Ron will react if and when he wakes up.

When. It has to be when.

As if sensing her trepidation, Mr. Weasley places a reassuring hand on her shoulder. The lift opens, and the first person she sees is Harry in the waiting room. Her feet gravitate toward him of their own accord, and when Harry sees her, he meets her halfway and wraps her in a tight hug.

“He’s going to be okay. He has to,” Harry whispers in her ear.

Hermione nods, forcing her brain to believe his words. When they let go, Ginny hugs Hermione next, which helps her feel more relaxed. 

Maybe this isn’t so bad after all.

After one final squeeze, Ginny lets go so Hermione can follow Arthur down the hall to Ron’s room. He opens the door, and Hermione enters the sterile, white room. The most color she sees is his shock of red hair against the fluffy white pillow that’s cradling his head. Her heart begins beating faster as she spots his mum sitting vigil at his side. 

Mrs. Weasley looks up to see the two standing there. A hard, stony look immediately sets on her face in defense before it softens slightly. She stands and walks over to Hermione. She knows that she’ll have a harder time winning over the Weasley matriarch based on this interaction, but if Ron wakes up—and will take her back—she’s willing to do anything to make it work.

“Let’s give her some privacy, Molly. The healers will call us in if he wakes up,” Arthur coaxes his wife out of the room as he gives Hermione one last reassuring smile.

When the door closes behind them, Hermione walks up to the chair Molly was perched at and takes a seat. She moves the chair closer to the bed as she observes Ron in his sleeping state. A tear slips down her face as her hand reaches out to take his. It isn’t cold, but it’s also not as warm as she’s used to.

“Please wake up. You have to wake up,” she pleads, choking back a fresh wave of tears.

I can’t find you in the dark

Will we get back to who we are?

And I can’t fix this on my own

Our love is still the best thing I’ve ever known

She’s not sure how long she sits there, watching his chest slowly rise and fall as he breathes. No matter how hard she tries, Hermione can’t look away, for fear that his breathing might stop if she does. She’s so focused on his chest, that she doesn’t see his eyes flutter open. 

“Er-my-nee.” 

His voice is breathy, with more rasp than she’s used to, but she’d have given all the gold in her Gringotts vault to hear her name on his lips again if she had to. He lifts the hand that she’s holding, and Hermione leans in closer to press her face into it.

“You came,” he whispers.

Unable to contain herself any longer, she lifts off the seat and leans over him, capturing his lips with hers. They’re cracked and dry, no doubt from being undercover in who knows what kind of conditions, but none of that matters. Ron’s alive, and he’s kissing her back.

Look at this heart shaped wreckage

What have we done?

We’ve got scars from battles nobody won

We can start over, better

Both of us know if we just let the broken pieces

Let the broken pieces go

“I’m so sorry.” The apology seems frail as she mutters the words against his lips.

His other hand reaches up to tuck her hair behind her ear and wipe the tears from her face. “It’s okay.”

“Don’t ever do something that stupid again.”

“Only if you give me a reason not to.”

Let the broken pieces go

Just hold on to each other tonight

“I will, I promise.”

She pulls away to look into his tired, bright blue eyes that carry the hope she feels in her chest.

“Does that mean…?”

“Yes.”

“Are you sure?”

“I don’t know what life is going to throw at me, Ron, but I only want to take it if you’re by my side.”

“It’s about time you came to your senses.”

The hand that’s still cupping her cheek adjusts to pull her back to him as he does his best to crash his lips into hers for a searing, though still tender, kiss. His breath is hot as he groans against her mouth, solidifying their reunification. There’s an unspoken agreement to let the broken pieces of the past go. 

Tonight, they’ll start over, rewriting the stars to match their love story the way it’s meant to be.

[xoruffitup]

Annette: The AD Devotee Review

So I saw Annette on its premiere night in Cannes and I’m still trying to process and make sense of those 2.5 hours of utter insanity. I have no idea where to begin and this is likely going to become an unholy length by the time I’m finished, so I apologize in advance. But BOY I’ve got a lot to parse through!!

Let’s start here: Adam’s made plenty of weird movies. The Dead Don’t Die? The Man Who Killed Don Quixote? There are definitely Terry Gilliam-esque elements of the unapologetically absurd and fantastical in Annette, but NOTHING comes close to this film. To put it bluntly, nothing I write in this post can prepare you for the eccentric phantasmagoria you’re about to sit through.

While the melodies conveying the story – at times lovely and haunting, at times whimsical, occasionally blunt and simple – add a unique sense of the surreal, the fact that it’s all presented in song somehow supplies the medium for this bizarre concoction of disparate elements and outlandish storytelling to all coalesce into a single genre-defying, disbelief-suspending whole. That’s certainly not to say there weren’t a few times when I quietly chortled to myself and mouthed “what the fuck” from behind my mask when things took an exceeding turn to the outrageous. This movie needs to be permitted a bit of leeway in terms of quality judgments, and traditional indicators certainly won’t apply. I would say part of its appeal (and ultimately its success) stems from its lack of interest in appealing to traditional arbiters of film structure and viewing experience. The movie lingers in studies of discomfiture (I’ll return to this theme); it presents all its absurdities with brazen pride rather than temperance; and its end is abrupt and utterly jarring. Yet somehow, at the end of it, I realized I’d been white-knuckling that rollercoaster ride the whole way through and loved every last twist and turn.

A note on the structure of this post before I dive in: I’ve written out a synopsis of the whole film (for those spoiler-hungry people) and stashed it down at the bottom of this post, so no one trying to avoid spoilers has to scroll through. If you want to read, go ahead and skip down to that before reading the discussion/analysis. If I have to reference a specific plot point, I’ll label it “Spoiler #___” and those who don’t mind being spoiled can check the correlating numbers in my synopsis to see which part I’m referencing. Otherwise, my discussion will be spoiler-free! I do detail certain individual scenes, but hid anything that would give away key developments and/or the ending.

To start, I’ll cut to what I’m sure many of you are here for: THE MUSICAL SEX SCENES. You want detailed descriptions? Well let’s fucking go because these scenes have been living in my head rent-free!!

The first (yes, there are two. Idk whether to thank Mr. Carax or suggest he get his sanity checked??) happens towards the end of “We Love Each Other So Much.” Henry carries Ann to the bed with her feet dangling several inches off the floor while she has her arms wrapped around his shoulders. (I maybe whimpered a tiny bit.) As they continue to sing, you first see Ann spread on her back on the bed, panting a little BUT STILL SINGING while Henry’s head is down between her thighs. The camera angle is from above Ann’s head, so you can clearly see down her body and exactly what’s going on. He lifts his head to croon a line, then puts his mouth right back to work. 

And THEN they fuck – still fucking singing! They’re on their sides with Henry behind her, and yes there is visible thrusting. Yes, the thrusting definitely picks up speed and force as the song reaches its crescendo. Yes, it was indeed EXTREMELY sensual once you got over the initial shock of what you’re watching. Ann kept her breasts covered with her own hands while Henry went down on her, but now his hands are covering them and kneading while they’re fucking and just….. It’s a hard, blazing hot R rating. I also remember his giant hand coming up to turn her head so he can kiss her and ladkjfaskfjlskfj. Bring your smelling salts. I don’t recommend sitting between two older ladies while you’re watching – KINDA RUINED THE BLATANT, SMOKING HOT ADAM PORN FOR ME. Good god, choose your viewing buddy wisely!

The second scene comes sort of out of nowhere – I can’t actually recall which song it was during, but it pops up while Ann is pregnant. Henry is again eating her out and there’s not as much overt singing this time, but he has his giant hands splayed over her pregnant belly while he’s going to town and whew, WHEW TURN ON THE AIR CONDITIONING PLEASE. DID THE THEATER INCREASE IN TEMPERATURE BY 10 DEGREES, YOU’RE DAMN RIGHT IT DID.

Whew. I think you’ll be better primed to ~enjoy~ those scenes when you know they’re coming, otherwise it’s just so shocking that by the time you’ve processed “Look at Adam eating pussy with reckless abandon” it’s halfway over already. God speed, my fellow rats, it’s truly something to witness!!

Okay. Right. Ahem. Moving right on along….

I’ll kick off this discussion with the formal structure of the film. It’s honestly impossible to classify. I have the questionable fortune of having been taken to many a strange avant-garde operas and art exhibitions by my parents when I was younger, and the strongest parallel I found to this movie was melodramatic opera stagings full of flamboyant flourishes, austere set pieces, and prolonged numbers where the characters wallow at length in their respective miseries. This movie has all the elevated drama, spectacle, and self-aggrandizement belonging to any self-professed rock opera. Think psychedelic rock opera films a la The Who’s Tommy, Hair, Phantom of the Paradise, and hell, even Rocky Horror. Yes, this film really is THAT weird.

But Annette is also in large part a vibrant, absurdist performance piece. The film is intriguingly book-ended by two scenes where the lines blur between actor and character; and your own role blurs between passive viewer and interactive audience. The first scene has the cast walking through the streets of LA (I think?), singing “So May We Start?” directly to the camera in a self-aware prologue, smashing the fourth wall from the beginning and setting up the audience to play a direct role in the viewing experience. Though the cast then disburse and take up their respective roles, the sense of being directly performed to is reinforced throughout the film. This continues most concretely through Henry’s multiple stand-up comedy performances.

Though he performs to an audience in the film rather than directly to live viewers, these scenes are so lengthy, vulgar, and excessive that his solo performance act becomes an integral part of defining his character and conveying his arc as the film progresses. These scenes start to make the film itself feel like a one-man show. The whole shtick of Henry McHenry’s “Ape of God” show is its perverse irreverence and swaggering machismo. Over the span of what must be a five minute plus scene, Henry hacks up phlegm, pretends to choke himself with his microphone cord, prances across the stage with his bathrobe flapping about, simulates being shot, sprinkles many a misanthropic, charmless monologues in between, and ends by throwing off his robe and mooning the audience before he leaves the stage. (Yes, you see Adam’s ass within the film’s first twenty minutes, and we’re just warming up from there.) His one-man performances demonstrate his egocentrism, penchant for lowbrow and often offensive humor, and the fact that this character has thus far profited from indulging in and acting out his base vulgarities.

While never demonstrating any abundance of good taste, his shows teeter firmly towards the grotesque and unsanctionable as his marriage and mental health deteriorate. This is what I’m referring to when I described the film as a study in discomfiture. As he deteriorates, the later iterations of his stand-up show become utterly unsettling and at times revolting. The film could show mercy and stop at one to two minutes of his more deranged antics, but instead subjects you to a protracted display of just how insane this man might possibly be. In Adam’s hands, these excessive, indulgent performance scenes take on disturbing but intriguing ambiguity, as you again wonder where the performance ends and the real man begins. When Henry confesses to a crime during his show and launces into an elaborate, passionate reenactment on stage, you shift uncomfortably in your seat wondering how much of it might just be true. Wondering just how much of an animal this man truly is.

Watching this film as an Adam fan, these scenes are unparalleled displays of his range and prowess. He’s in turns amusing and revolting; intolerable and pathetic; but always, always riveting. I couldn’t help thinking to myself that for the casual, non Adam-obsessed viewer, the effect of these scenes might stop at crass and unappealing. But in terms of the sheer range and power of acting on display? These scenes are a damn marvel. Through these scenes alone, his performance largely imbues the film with its wild, primal, and vaguely menacing atmosphere.

His stand-up scenes were, to me, some of the most intense of the film – sometimes downright difficult to endure. But they’re only a microcosm of the R A N G E he exhibits throughout the film’s entirety. Let’s talk about how he’s animalistic, menacing, and genuinely unsettling to watch (Leos Carax described him as “feline” at some point, and I 100% see it); and then with a mere subtle twitch of his expression, sheen of his eyes, or slump of his shoulders, he’s suddenly a lost, broken thing.  

Henry McHenry is truly to be reviled. Twitter might as well spare their breath and announce he’s already cancelled. He towers above the rest of the cast with intimidating, predatory physicality; he is prone to indulgence in his vices; and he constantly seems at risk of releasing some wild, uncontrollable madness lingering just beneath his surface. But as we all well know, Adam has an unerring talent for lending pathos to even the most objectively condemnable characters.

In a repeated refrain during his first comedy show, the audience keeps asking him, “Why did you become a comedian?” He dodges the question or gives sarcastic answers, until finally circling back to the true answer later in the film. It was something to the effect of: “To disarm people. It’s the only way I can tell the truth without it killing me.” Even for all their sick spectacle, there are also moments in his stand-up shows of disarming vulnerability and (seeming) honesty. In a similar moment of personal exposition, he confesses his temptation and “sympathy for the abyss.” (This phrase is hands down my favorite of the film.) He repeatedly refers to his struggle against “the abyss” and, at the same time, his perceived helplessness against it. “There’s so little I can do, there’s so little I can do,” he sings repeatedly throughout the film - usually just after doing something horrific.

Had he been played by anyone else, the first full look of him warming up before his show - hopping in place and punching the air like some wannabe boxer, interspersing puffs of his cigarette with chowing down on a banana – would have been enough for me to swear him off. His archetype is something of a cliché at this point – a brusque, boorish man who can’t stomach or preserve the love of others due to his own self-loathing. There were multiple points when it was only Adam’s face beneath the character that kept my heart cracked open to him. But sure enough, he wedged his fingers into that tiny crack and pried it wide open. The film’s final few scenes show him at his chin-wobbling best as he crumbles apart in small, mournful subtleties.

(General, semi-spoiler ahead as to the tone of the film’s ending – skip this paragraph if you’d rather avoid.) For a film that professes not to take itself very seriously (how else am I supposed to interpret the freaky puppet baby?), it delivers a harsh, unforgiving ending to its main character. And sure enough, despite how much I might have wanted to distance myself and believe it was only what he deserved, I found myself right there with him, sharing his pain. It is solely testament to Adam’s tireless dedication to breathing both gritty realism and stubborn beauty into his characters that Henry sank a hook into some piece of my sympathy.

Not only does Adam have to be the only actor capable of imbuing Henry with humanity despite his manifold wrongs, he also has to be the only actor capable of the wide-ranging transformations demanded of the role. He starts the movie with long hair and his full refrigerator brick house physique. His physicality and size are actively leveraged to engender a sense of disquiet and unpredictability through his presence. He appears in turns tormented and tormentor. There were moments when I found myself thinking of Conan the Barbarian, simply because his physical presence radiates such wild, primal energy (especially next to tiny, dainty Marion and especially with that long hair). Cannot emphasize enough: The raw sex appeal is off the goddamn charts and had me – a veteran fangirl of 3+ years - shook to my damn core.

The film’s progression then ages him – his hair cut shorter and his face and physique gradually becoming more gaunt. By the film’s end, he has facial prosthetics to make him seem even more stark and borderline sickly – a mirror of his growing internal torment. From a muscular, swaggering powerhouse, he pales and shrinks to a shell of a man, unraveling as his face becomes nearly deformed by time and guilt. He is in turns beautiful and grotesque; sensual and repulsive. I know of no other actor whose face (and its accompanying capacity for expressiveness) could lend itself to such stunning versatility.

Quick note here that he was given a reddish-brown birthmark on the right side of his face for this film?? It becomes more prominent once his hair is shorter in the film’s second half. I’m guessing it was Leos’ idea to make his face even more distinctive and riveting? If so, joke’s on you, Mr. Carax, because we’re always riveted. ☺

I mentioned way up at the beginning that the film is bookended by two scenes where the lines blur between actor and character, and between reality and performance. This comes full circle at the film’s end, with Henry’s final spoken words (this doesn’t give any plot away but skip to the next paragraph if you would rather avoid!) being “Stop watching me.” That’s it. The show is over. He has told his last joke, played out his final act, and now he’s done living his life as a source of cheap, unprincipled laughs and thrills for spectators. The curtain closes with a resounding silence.

Now, I definitely won’t have a section where I talk (of course) about the Ben Solo parallels. He’s haunted by an “abyss” aka darkness inside of him? Bad things happened when he finally gave in and stared into that darkness he knew lived within him? As a result of those tragedies, (SPOILER – Skip to next paragraph to avoid) he then finds himself alone and with no one to love or be loved by? NO I’M DEFINITELY NOT GOING TO TALK ABOUT IT AT ALL, I’M JUST FINE HERE UNDER MY MOUNTAINS OF TISSUES.

Let’s talk about the music! The film definitely clocks in closer to a rock opera than musical, because almost the entire thing is conveyed through ongoing song, rather than self-contained musical numbers appearing here and there. This actually helps the film’s continuity and pacing, by keeping the characters perpetually in this suspended state of absurdity, always propelled along by some beat or melody. Whenever the film seems on the precipice of tipping all the way into the bleak and dark, the next whimsical tune kicks in to reel us all blessedly back. For example, after (SPOILER #1) happens, there’s a hard cut to the bright police station where several officers gather around Henry, bopping about and chattering on the beat “Questions! We have a few questions!”

Adam integrates his singing into his performance in such a way that it seems organic. I realized after the film that I never consciously considered the quality of his singing along the way. For all that I talked about the film maintaining the atmosphere of a fourth wall-defying performance piece, Adam’s singing is so fully immersed in the embodiment of his character that you almost forget he’s singing. Rather, this is simply how Henry McHenry exists. His stand-up scenes are the only ones in the film that do frequently transition back and forth between speaking and singing, but it’s seamlessly par for the course in Henry’s bizarre, dour show. He breaks into his standard “Now laugh!” number with uninterrupted sarcasm and contempt. There were certainly a few soft, poignant moments when his voice warbled in a tender vibrato you couldn’t help noticing – but otherwise, the singing was simply an extension of that full-body persona he manages to convey with such apparent ease and naturalism.

On the music itself: I’ll admit that the brief clip of “We Love Each Other So Much” we got a few weeks ago made me a tad nervous. It seemed so cheesy and ridiculous? But okay, you really can’t take anything from this movie out of context. Otherwise it is, indeed, utterly ridiculous. Not that none of it is ever ridiculous in context either, but I’m giving you assurances right now that it WORKS. Once you’re in the flow of constant singing and weirdness abound, the songs sweep you right along. Some of the songs lack a distinctive hook or melody and are moreso rhythmic vehicles for storytelling, but it’s now a day later and I still have three of the songs circulating pleasantly in my head. “We Love Each Other So Much” was actually the stand out for me and is now my favorite of the soundtrack. It’s reprised a few times later in the film, growing increasingly melancholy each time it is echoed, and it hits your heart a bit harder each time. The final song sung during (SPOILER #2), though without a distinctive melody to lodge in my head, undoubtedly left me far more moved than a spoken version of this scene would have. Adam’s singing is so painfully desperate and earnest here, and he takes the medium fully under his command.

Finally, it does have to be said that parts of this film veer fully towards the ridiculous and laughable. The initial baby version of the Annette puppet-doll was nothing short of horrifying to me. Annette gets more center-stage screen time in the film’s second half, which gives itself over to a few special effects sequences which look to be flying out at you straight from 2000 Windows Movie Maker. The scariest part is that it all seems intentional. The quality special effects appear when necessary (along with some unusual and captivating time lapse shots), which means the film’s most outrageous moments are fully in line with its guiding spirit. Its extravagant self-indulgence nearly borders on camp.

...And with that, I’ve covered the majority of the frantic notes I took for further reflection immediately after viewing. It’s now been a few days, and I���m looking forward to rewatching this movie when I can hopefully take it in a bit more fully. This time, I won’t just be struggling to keep up with the madness on screen. My concluding thoughts at this point: Is it my favorite Adam movie? Certainly not. Is it the most unforgettable? Aside from my holy text, The Last Jedi, likely yes. It really is the sort of thing you have to see twice to even believe it. And all in all, I say again that Adam truly carried this movie, and he fully inhabits even its highest, most ludicrous aspirations. He’s downright abhorrent in this film, and that’s exactly what makes him such a fucking legend.

I plan to make a separate post in the coming days about my experience at Cannes and the Annette red carpet, since a few people have asked! I can’t even express how damn good it feels to be globetrotting for Adam-related experiences again. <3

Thanks so much for reading! Feel free to ask me any further questions at all here or on Twitter! :)

*SYNOPSIS INCLUDED BELOW. DO NOT READ FURTHER IF AVOIDING SPOILERS!*

Synopsis: Comedian Henry McHenry and opera singer Ann Defrasnoux are both at the pinnacle of their respective success when they fall in love and marry. The marriage is happy and passionate for a time, leading to the birth of their (puppet) daughter, Annette. But tabloids and much of the world believe the crude, brutish Henry is a poor match for refined, idolized Ann. Ann and Henry themselves both begin to feel that something is amiss – Henry gradually losing his touch for his comedy craft, claiming that being in love is making him ill. He repeatedly and sardonically references how Ann’s opera career involves her “singing and dying” every night, to the point that he sees visions of her “dead” body on the stage. Meanwhile, Ann has a nightmare of multiple women accusing Henry of abusive and violent behavior towards them, and she begins growing wary in his presence. (He never acts abusively towards her, unless you count that scene when he tickles her feet and licks her toes while she’s telling him to stop??? Yeah I know, WILD.)

The growing sense of unease, that they’re both teetering on the brink of disaster, culminates in the most deranged of Henry’s stand-up comedy performances, when he gives a vivid reenactment of killing his wife by “tickling her to death.” The performance is so maudlin and unsettling that you wonder whether he’s not making it up at all, and the audience strongly rebukes him. (This is the “What is your problem?!” scene with tiddies out. The full version includes Adam storming across the stage, furiously singing/yelling, “What the FUCK is your problem?!”) But when Henry arrives home that night, drunk and raucous, Ann and Annette are both unharmed.

The couple take a trip on their boat, bringing Annette with them. The boat gets caught in a storm, and Henry drunkenly insists that he and Ann waltz in the storm. She protests that it’s too dangerous and begs him to see sense. (SPOILER #1) The boat lurches when Henry spins her, and Ann falls overboard to her death. Henry rescues Annette from the sinking boat and rows them both to shore. He promptly falls unconscious, and a ghost of Ann appears, proclaiming her intention to haunt Henry through Annette. Annette (still a toddler at this point and yes, still a wooden puppet) then develops a miraculous gift for singing, and Henry decides to take her on tour with performances around the world. He enlists the help of his “conductor friend,” who had been Ann’s accompanist and secretly had an affair with her before she met Henry.

Henry slides further into drunken debauchery as the tour progresses, while the Conductor looks after Annette and the two grow close. Once the tour concludes, the Conductor suggests to Henry that Annette might be his own daughter – revealing his prior affair with Ann. Terrified by the idea of anyone finding out and the possibility of losing his daughter, Henry drowns the Conductor in the pool behind his and Ann’s house. Annette sees the whole thing happen from her bedroom window.

Henry plans one last show for Annette, to be held in a massive stadium at the equivalent of the Super Bowl. But when Annette takes the stage, she refuses to sing. Instead, she speaks and accuses Henry of murder. (“Daddy kills people,” are the actual words – not that that was creepy to hear as this puppet’s first spoken words or anything.)

Henry stands trial, during which he sees an apparition of Ann from when they first met. They sing their regret that they can’t return to the happiness they once shared, until the apparition is replaced by Ann’s vengeful spirit, who promises to haunt Henry in prison. After his sentencing (it’s not clear what the sentence was, but Henry definitely isn’t going free), Annette is brought to see him once in prison. Speaking fully for the first time, she declares she can’t forgive her parents for using her: Henry for exploiting her voice for profit and Ann for presumably using her to take vengeance on Henry. (Yes, this is why she was an inanimate doll moving on strings up to this point – there was some meaning in that strange, strange artistic choice. She was the puppet of her parents’ respective egotisms.) The puppet of Annette is abruptly replaced by a real girl in this scene, finally enabling two-sided interaction and a long-missed genuine connection between her and Henry, which made this quite the emotional catharsis. (SPOILER #2) It concludes with Annette still unwilling to forgive or forget what her parents have done, and swearing never to sing again. She says Henry now has “no one to love.” He appeals, “Can’t I love you, Annette?” She replies, “No, not really.” Henry embraces her one last time before a guard takes her away and Henry is left alone.

…..Yes, that is the end. It left me with major emotional whiplash, after the whole film up to this point kept pulling itself back from the total bleak and dark by starting up a new toe-tapping, mildly silly tune every few minutes. But this last scene instead ends on a brutal note of harsh, unforgiving silence.

BUT! Make sure you stick around through the credits, when you see the cast walking through a forest together. (This is counterpart to the film’s opening, when you see the cast walking through LA singing “So May We Start?” directly to the audience) Definitely pay attention to catch Adam chasing/playing with the little girl actress who plays Annette! That imparts a much nicer feeling to leave the theater with. :’)

[val-aquenta]

Last day of Mace Windu Appreciation Week! The prompt: Freeform.

Here on ao3

A little fluffy moment betwen Knight Mace WIndu and Youngling Obi-Wan Kenobi. Thank you all for reading!

Mace had never meant to return to the Temple yet. As a new knight, he was meant to be out and about on missions, resettling into the sway of travelling without a Master, yet here he was. Staring down at a young child who was looking rather tearful. He knelt quickly, one hand lingering on his knee. The boy was red in his face and looked, in Mace’s opinion, positively adorable. “Forgive me, young one, I did not see you there.” There was a soft sniffle and the boy rubbed his face before looking back up, his expressions more in control. He smiled, “There you are. Now, did I hurt you?”

The boy shakes his head, looking at his hands. Oh my Force, he’s so tiny. His hands! Mace thinks watching as the boy stands up and looks up at him. “No, Master…”

Mace gently shakes his head, “I’m a knight, young one, not a Master yet. My name is Mace Windu. What’s yours?” Mace prompts.

“Obi-Wan Kenobi.” The boy, Obi-Wan shifts slightly, looking around before turning and looking back at Mace. 

“Do you have anywhere you’re supposed to be?” He asks, head tilting slightly to the side. 

Obi-Wan looks at him with a soft smile. “Yes? But… Bant left me behind on accident, so I… I think I’m lost.” The boy’s face scrunches up in confusion. “I’ve just been walking around…” 

“And managed to get into the closed-off section?” Mace hums. He stands up. “If you would like, I can take you back to the creche?” Obi-Wan nods, stepping closer to Mace and reaching out to tug on his fingers. 

“Do you think Master Dolan will be angry?” Earnest eyes raised at him. He swears there’s a little sparkle in those eyes. 

“I think he's likely worried, Obi-Wan.” Mace looks around for a second and then begins leading the way out of the closed sector of the Temple. Back when there were more Jedi, these rooms would have been used, but now that their populations dwindled entire sections were closed off as keeping them running simply became too costly for the meagre funds the Republic sent their way. He looks down at Obi-Wan, consciously slowing his pace so that the child can keep up comfortably. Obi-Wan is quiet, remarkably so. His steps are soft little pads on the stone floor. There is a light humming coming from his companion. A song from the creche, he recalls quickly. 

“Knight Windu, how old are you?” Mace raises his brows at Obi-Wan who flushes. “I-I’m sorry Master, you don’t have to answer.” 

“Not to worry, Obi-Wan. I don’t mind, but take note that many other beings do mind.” Obi-Wan nods. “I’m 22.” 

There is a pause before the boy murmurs, “15?” Mace looks down at the boy in confusion, sending a small pulse into the Force. Obi-Wan looks up and startles a little. “Oh… 15 years difference. Between you and me.”

“So you’re… 7?” Obi-Wan nods, seeming very proud of his age. “Very old, huh?”

“Master Dolan says that soon I’ll be able to get my own crystal to build my sabre, though the power will have to be re,” Obi-Wan pauses to suck in a short breath, “regulated. Is your lightsaber regulated, Knight Windu?”

“Sometimes. If I’m sparring with friends for example. Or teaching young 7-year-olds.” He smiles gently, indicating the boy to turn left. “Here we are, just a little bit more.”

“Can I see? Please?” Obi-Wan looks at him. “What colour is it? And what about your hilt design. I’m not sure what I’d want from my hilt, or my regulator or anything, but Master Dolan says that I’ll know when the Force wills it. Did the Force tell you about your sabre, Knight Windu?” Mace blinks, a little shocked before a smile tugs the corners of his lips up. 

“I suppose it did.” He hums thoughtfully. “I had a plan, I suppose, a vague idea of what I wanted the hilt to be made of, the approximate size, the feel of it in my hand, but I had no idea how it would actually look until I made it.” He unclips his sabre, showing the general size and shape. “And the colour of the blade? Now that was a surprise.” Leaning away he thumbs it on, the purple hilt bursting forth with a comforting hum. Obi-Wan’s eyes are wide as plates, shining in the purple light. Mace thumbs it off after a moment, clipping it onto his belt. “But, perhaps you will have a different experience. Shaak, that is Knight Ti, she had a pretty detailed diagram of her lightsaber, though she tweaked it a little when she built it.”

“I don’t think I’ve seen purple. Why is it purple?” Obi-Wan shuffles closer, looking up at him. “I’ve seen all kinds of colours between green and blue and yellow and orange and I think I saw a white blade once, but I’m not sure. I was really small. But I’ve never seen purple.”

“I don’t know why it’s purple. It simply is.” Obi-Wan, if possible, looked even more enthralled. “And you? What blade do you think you will have?”

“Well… when I have visions, I see different blades all the time. Sometimes they’re all black and rough while sometimes they’re gold and silver. Master Yoda says that it's because there are so many futures and I see different ones.” He pauses for a moment. “I do want a type three aurek silver hilt, though. They feel right.”

“Uh-huh.” Mace smiles. The young boy is truly endearing with the way he talks at such a rapid speed, stopping quickly for breaths and breaks. “Oh… we’re almost here. Do you know where you are meant to be?”

Obi-Wan looks up at him. “Well… Master Dolan said we were going to go to visit the archives.” He paused for a moment, hand fiddling with the edge of his sleeve before Obi-Wan looked up. “I don’t know where it is, though.” Mace blinked and smiled softly, projecting a soft reassurance, something that he recalled his creche master doing whenever he was overwhelmed by something. 

“It is no problem, Obi-Wan. I can take you to the archives, and we’ll find Master Dolan together, alright?” He reaches down and offers his hand. 

“Are you… sure?” He speaks with hesitation layering his voice. “I mean, Master Dolan says that Jedi are busy. Aren’t you busy?” Nevertheless, Obi-Wan reaches out and places his small hand in Mace’s trotting along beside Mace as they walk towards the archives.

“I’m on a break,” Mace admits, smiling at a friend who gives them a strange look before shrugging and hurrying along. The pack on their shoulder indicates a new mission.

Obi-Wan goes through the information before nodding seriously. “Master Aliya says that it’s important to have breaks during difficult tasks to not burnout.” The young boy lets out a huff before continuing, “I guess it makes sense you’re resting.” Mace almost wants to laugh, but he fears that the endearingly serious face would lift off of Obi-Wan’s face. 

“I would hope it does,” he offers seriously instead, squeezing Obi-Wan’s hand as they turn a corner almost running right into Master Rancisis. They manage to sidestep, getting a humoured look from the old Master before he slithers down the hallway. They’re almost there, and Mace feels strangely sad about it. The youngling had managed to burrow his way into his heart easily. Kira would say that most things manage to burrow their way into his heart, but he thinks even she would have problems saying no to Obi-Wan’s large eyes. “We’re almost here.”

Obi-Wan perks up, studying the hallway intently, wanting to memorise the route. “Master Yoda told us that the archives are one of the best-kept databases in the Republic. Have you ever seen another like it?” Mace thinks of the seemingly endless rows of blue holos as well as the flimsi copies kept in a more controlled environment to protect them from environmental damage. Indeed, many universities find their way into the database to use it for research. There is an open policy for the archives, though only a select few can change the contents within. He would say that no, he had not seen a library as vast and diverse and well kept as the archives, but he is not sure how much of that statement comes from a healthy fear of Madame Nu should she find out he’d said that. He’d rather not be on the archivist’s bad side. 

“Few have matched the archives' size and wealth of knowledge, though there is a vast library on Alderaan solely composed of original documents.” Obi-Wan looks at him curiously, urging him to continue, “It is more difficult for knowledge to be shared from that library due to the fact that the documents have not been recorded digitally, but it is still a vast library and a sight to behold.” He had visited it twice with Cyslin and the smell of old books paired with the elegant covers had very much seemed Alderaani. “Well, here we are. The archives. Let’s look for Mater Dolan, shall we?” Mace squeezed the hand softly, shooting Obi-Wan a smile. 

Obi-Wan grinned back and followed him, turning the corner. Almost immediately a large wookie was in front of him, and then he was kneeling down and reaching for Obi-Wan. “Thank the Force, Obi-Wan. Where in Force’s name were you? I’ve been worried sick! You and your habit of wandering…” Large hands flutter around, turning Obi-Wan from one side to the other before finally deeming him alright. The reddish-brown fur which had been standing on end in an agitated fashion smoothed down. Master Dolan���s eyes shifted from intently studying Obi-Wan’s face to looking at Mace. “Thank you so much for bringing him here. I was about to call the Temple guards.” The wookie says, head bowing in thanks. 

Mace smiles, “Oh it was no problem. Obi-Wan was a good walking companion.” He shot the boy a smile who still managed to smile back, large hands still resting on his shoulders. Master Dolan begins muttering under breath about how he was ageing prematurely and how ‘all these grey hairs are a result of your habit of wandering, young man.’ Finally, it seemed the wookie truly calmed and stood, towering over Mace though there was a gentleness in his eyes that made it feel calming and comforting. Obi-Wan stood by Master Dolan’s side, head leaning against the Master’s leg with a tired smile. 

“I’m Master Dolan,” he introduced himself, taking in a deep fortifying breath. “I can’t thank you enough, Knight…”

“Ah, Mace. Mace Windu.” Mace bowed a bit in greeting, “And truly, you don’t need to. Obi-Wan is a kind soul, I enjoyed our short walk back.”

“Nevertheless, I thank you.” 

“Ah, well, alright then. But I assure you, it was not an inconvenience at all.” Mace assured. 

The frazzled creche master calmed fully, looking down at the young child and giving him a little poke for attention. “Come now, what do you tell Knight Windu, hmm?” 

Obi-Wan blinked adorably before bowing respectfully, “thank you, Knight Windu, for bringing me back to Master Dolan.” His voice was somewhat soft, but strong still. 

“Well, thank you, Obi-Wan, for your company. I enjoyed our conversation very much.” The young boy perked up before turning to hide a bit behind the wookie Master’s leg, face bright red in embarrassment. Obi-Wan appeared to try and speak, but only a small squeak came out before he retreated further back behind the cover of the legs. 

After a while, though, the young boy found the courage to speak and peeked out, “I like talking with you, too,” he says seriously before retreating even further until he is practically hidden by the Master’s leg. 

“Well, I best be going. Master Dolan, Obi-Wan.” He bows in farewell, receiving one in response from the two. “May the Force be with you.”

Master Dolan smiles and replies in the same manner, “And with you.”

“Always. Obi-Wan adds, peeking out and waving his arm goodbye. “Bye, Knight Windu!”

[white-tulips]

I spent most of this morning continuing playing through the hikikomori route, more of my thoughts below!! (major spoilers ahead!!!!!)

if you haven’t but want to read my first post on my hikikomori playthrough, you can see it [here]!! it’s been a month since I last played any, aha...

I played for quite a few hours earlier but I don’t think I really progressed all that much aha. most of my time went towards grinding and wandering around and seeing little things. oh, and also playing through Orange Oasis. I never actually did that in my first run of the game. it was okay.

I really love how many little details and things to go back to that there are, but I’m still a little bitter at just. how long everything is. I talked about this a lot in my previous post, but it irritates me that the first 15-20 hours (give or take depending on how fast you’re able to blast through this game) is just. exactly the same as what you experience in the main route. especially since now my hikikomori save file is even longer than my main story file, and I think I still have a decent ways to go until I finish. I don’t actually know! I haven’t been spoiled for this route, thankfully, so I don’t really know how much is left. I have a vague idea of a couple areas I need to go to, but that’s about it.

ok, on to my thoughts!! this post is probably just going to be me rambling about tiny details I found interesting since I didn’t progress through much plot stuff, I think.

when I opened up my save file, I. completely forgot what I had been doing a month ago and what I wanted to do next, so I decided to go back to the Last Resort. I don’t know what compelled me to go, but there was a lot of fun stuff there so I’m glad that I did!

I had never tried to use Aubrey to go into the girls’ bathroom before? it was very cute, I liked it. I don’t know why, but as soon as I walked in it really reminded me of Basil. I think it’s all the flowers, photos hanging from the wall, and general soft cutesy vibe. I’m not really sure what to make of that, but it was just my general impression. hmmmm.

I have no words for this other than it just made me amused. go get your vacation, king.

also:

I didn’t know Hero had a confirmed age!! all this time I had been assuming he and Mari were 16 years old, so it’s nice to have something set in stone!

I have no words for these, either. seeing all of the Hero pictures just made me laugh out loud a little I loved it.

when I was standing in Jawsum’s office, I noticed that the elevator behind his desk was shaking. I went to examine it, and was surprised when this was where I ended up.

the black space elevator.

something I completely forgot to mention in my last hikikomori post was black space!! it had completely took me by surprise so I can’t believe I forgot to talk about it.

last time I played and went back to Last Resort, there was a completely black car on the highway and it had really freaked me out. as soon as I clicked on it, instead of giving me some kind of prompt Omori just got in and it drove off. I was so shocked because I wasn’t expecting it fhgjdfhgj. it ended up taking Omori back to one of the black space rooms, and I had no clue what to make of it. I wandered around for a little while, and ended up finding this... friend?

I’m... not sure! who are you......

anyways, so I got in the elevator and we’re back here, now with more spiders.

the spider wasn’t interactable. not sure whether to be upset or relieved.

aaaand then there was this guy in the treehouse. I want to know what these black space NPCs are!!! as soon as I tried to interact with it, the screen glitched out (intentionally) and then it was gone. one day I’ll know what it means.

oh, another thing I spent quite a bit of time doing at the Last Resort-

getting statues made of everyone!! RIP to all of my clams, but these are so cute.

cuuute.

I really liked the comment on Mari’s! it made me happy that it highlighted her playful side.

after I was done reexploring Last Resort, I wanted to go back to Sweetheart’s castle. I was walking through Pyrefly Forest, and I noticed one of the picnic blankets had a cooler open (signaling that you can see a new picnic cutscene) so I went to go sit down and have a picnic.

so, when I was going around earlier and doing some stuff, there were a few picnics that I think I had skipped for some reason so I was doing them and mindlessly skipping through the text for no reason other than it would bother be if I just left them. nothing about the conversations was different even though Basil is here now, so I didn’t think anything would be different for the one in Pyrefly Forest, but I was wrong!! I almost completely skipped through everything aha.

it started off the same, with Hero being scared of the spiders, and then Kel prompted Basil to say something positive to try and make him less scared.

it’s pretty insignificant, but I thought it was interesting that he said pretty much the exact same thing he says in the spider room in black space.

when I got to the castle, I went straight to the library. something about the pattern of going to black space, plus being able to go into the barn in Otherworld, just made me feel like there would be something there. and oh boy was I right. the entire place was crawling with Something.

very good.....

I wasn’t able to get screenshots of them, but there were a couple text popups that really stood out to me. my memory is so bad I can’t remember all of them even though it was only this morning,,, but I’m pretty sure one of them had a popup that was just “Liar.” and I was like HM....

it just really had me thinking....

in my previous post, I mentioned that I had a gut feeling that the Something in the barn was supposed to represent Basil, not Mari. this kind of added fuel to that thought!

the barn in Otherworld was only used in the main route in reference to Basil, with it literally showing Omori a vision of him, and also having Stranger walking into it. now, the library also has a lot of connection to Basil! after picking up one of the keys, it shows us another vision of him, and it’s also littered with egret orchids. I don’t think choosing to have all of these Somethings in both of these places is just a coincidence.

now, about the “Liar.” line. in any fight with Something, if there’s a text popup meant to be Something speaking, it’s always done like this-

with the “???:” to indicate character speech. but the “Liar.” popup was just a standalone line. and it instantly reminded me of this room in black space-

and this just kept making my brain whirl.

in this room, there were all of these popups with “Liar.” and then of course there was-

see here how there also weren’t indications of who was saying ‘liar”, but there was for Something? my idea for this room was always that it was Omori repeating it to himself. because we all know by now that Something is Mari, and her saying “I love you”, especially in this form, is nothing but pure torment. and I think here, we have Omori unwilling to believe it. there’s no way Mari could love him/Sunny. she has to be lying.

soooo then, this brings me back to the library. having the “Liar.” popup there, keeping in consideration that the Somethings there might represent Basil, what could that mean?? it could be in reference to Basil’s words “Everything is going to be okay” because clearly everything is not okay. if all of these Somethings are meant to be Basil, it could fit!!!

... so there’s my long winded theory. idk! I think it makes sense, but I could be wrong!! that’s just my first impressions right now, maybe my thoughts will change when I play more!

moving onto the piano room-

this was when I thought “ohhhh so that’s why the wall always felt hallow. it all makes sense now”

and then I spent the next 30 or so minutes fighting all of the Somethings

I LOVED this. this was the first time a fight was put on a time limit, and since Something was so much more powerful, it felt actually stressful. I was stressed! but I managed to make it with 2-3 turns left, and I didn’t die. I did die about 1 or 2 times to arachnophobia and thalassophobia though F. but it’s okay because I got an achievement and also Omori’s suffocate skill is really good.

anyways I did some more mindless walking around (I had to kill time waiting for all my statues to be built, you know!)

this made me really happy. Big Molio I love you you’re the mvp and you deserve the world.

... looking through my screenshots I wish I could forget this one-

,, do I need to even explain it.

I remember a while ago, I saw someone on twitter post this and iirc the caption was something like “isn’t it a bit morbid to have the jumprope there” and, at the time, I had never gone through Orange Oasis, so seeing that tweet I had the wind knocked out of me. I was just sitting there like “fuuuuuuuuck”. and then I went through Orange Oasis today, saw it again, went “fuuuuuuuuck” and then forgot I screenshot it. it’s just a lot.

okay who knows how I filled the rest of the 6 hours I played because I didn’t take many screenshots of the downtime and running around completing sidequests I never did. the last point of interest today was I had went back to Humphrey.

I didn’t do too much, but I did fight Mutantheart.

I adore her!!!! so cute!!! Mutantheart my beloved.

I lost to her once, because I was a bit confused, but once I caught on to the gimmick of her fight, it was actually pretty easy. rest in peace, queen, I love you...

and then, uh. Her-

I tried 3 times. I didn’t win... all of the characters are maxed leveled at 50, but this is so difficult... well, the first half of the fight I found to be pretty easy, actually. but once she switches into full power mode it’s over. I don’t know how I’m supposed to win. farewell my dream of completing the foe facts book, it was a nice goal while it was realistic. 

and then I stopped for the day! I think I needed that month of not playing, because coming back into the game after a lot of my rage and burnout settled was probably best, and I had a lot of fun playing! hopefully it doesn’t take me another month to continue.

if you made it all the way through this post, thank you for reading! I hope you like my thoughts~

I’ll leave on this note-

king shit

[lexiepiper]

Unread

Dani visits the human world and notices some things that have changed since the last time she was there.

Phic Phight Prompt by @idiot-cheesehead-archenemy

Summary: What is there to say?

Dani slipped through the Fenton portal into the world of the living, and was immediately greeted by the feeling of cool air on her skin. She took a deep breath, hovering invisibly in the middle of the lab and slowly cherishing the sensation of fresh, living air filling her lungs.

The lab was… quiet. She frowned and spun on the spot, confirming that she was the only person there. The monitors lining the benches were dull, and there were no typical flashing lights or whirring electronics. The only illumination came from the portal. Dani didn’t know a lot about other people’s labs, but Vlad’s had always been full of soft noise, as machines hummed and blipped little tunes that had always soothed her back to sleep.

She pushed the memory away. Maybe the Fentons’ lab was just quiet when nobody was there? After all, it wasn’t like there were growing life forms that needed constant support and monitoring.

Still. It didn’t quite seem to fit the glimpses of this place that she’d had in the past, no matter how fleeting they’d been.

She phased through the ceiling, and the darkness was replaced by soft natural light that streamed through open windows. The glimpse of sunlight struck her with unexpected surprise, and Dani hissed in a sharp breath as her core hummed deep within her centre. She suddenly wanted nothing more than to fly out into the open sky, feeling the wind in her hair and the sun soaking into her skin for the first time in… wait, how long had it actually been?

She frowned, scrunching her face as she tried to track how long she’d been in the Ghost Zone. Surely it hadn’t been more than a few months, right?

Shaking her head to clear it, she glanced around the living room. Unease prickled down her spine, dampening her good mood, but Dani couldn’t quite place what was wrong. There was that same old couch and rug, a TV against one wall, and framed photos lining the mantelpiece. 

She was surprised that Danny hadn’t appeared yet. Shouldn’t she have set off his ghost sense by now?

Dani’s heart pounded against her ribcage as she floated up again, phasing through the floor of Danny’s bedroom…

This was Danny’s room, right? No, she must have misjudged the layout of the home. It appeared to be a guest room, with a plain mattress devoid of blankets or sheets on the bed frame, and empty shelves lining the walls with a clear desk tucked in the corner. The curtains were drawn, but they were so threadbare that there was no problem seeing in the bright daylight that shone right through.

She phased through the wall, and ended up in a room with a decidedly teal colour scheme. The curtains were closed in here too but enough light filtered through to make out the details anyway. It was as neat as one of those pictures of perfect homes in magazines, and the framed high school diploma above the study alcove suggested that the room belonged to Jazz. Or… it had? The air felt stale and dusty, like nobody had been in here in a while. Dani drifted over to the dresser and ran her finger across the top, coming away with a fine layer of dust.

She pinched her lower lip between her teeth. Jazz had been pretty close to graduation when Dani had gone into the Ghost Zone, so maybe she was at university now?

Yeah. That made sense.

Unease settled more densely over her, and Dani phased through the wall again. She passed through the linen cupboard and a bathroom in desperate need of a good clean, and then found herself in what was obviously Danny’s parents’ room. This one finally appeared to be lived in, with the duvet crumpled and left unmade, and glasses of water on bedside tables. The curtains were open in here, and the air felt fresher and less dead.

Dani didn’t really want to poke around through Maddie and Jack’s stuff, so she phased back out into the hallway. She tilted her head, scowling as she counted the doors in the hallway.

There were exactly five — one for each bedroom, and one for the bathroom and the linen cupboard.

Dread dropped into her gut, like she’d suddenly swallowed a bowling ball, and Dani crept back into the first room. She pulled back the curtains, and dust motes swirled in the beams of sunlight as the room was fully illuminated. She stood in the middle of the carpet, turning in a slow circle and reaching out tentatively with her core.

There were slightly darker rectangles on the wall where there used to be posters of star charts and band tours, and when she tilted her head back, Dani could just make out the tiny silhouettes where glow in the dark stars had once been stuck to the ceiling and the white paint had faded around them.

She couldn’t sense any other ghosts beside herself. There wasn’t so much as a glimmer of residual spectral activity aside from the steady hum of the portal two floors beneath her.

“Where are you?” she whispered into the still emptiness.

Maybe… maybe she’d been gone longer than she’d thought. Maybe Danny had graduated and gone to college too. She didn’t think he’d have abandoned Amity Park, but maybe he’d moved out with Tucker, or finally gotten together with Sam or Valerie and was living with them? She didn’t really know much about his friends, but that seemed like the kind of thing they’d do, especially if Danny’s parents didn’t know his secret yet. He was probably just too far across town for her to sense.

Dani shot up through the ceiling and broke into the open air. The sunlight enveloped her with sudden life, and despite everything she smiled and gave a deep sigh. The Ghost Zone had been interesting, and it certainly helped to keep her core stable, but her human half delighted in the chance to soak in the energy of the mortal world once more.

Making sure that she stayed invisible, Dani floated above the town in a huge, lazy loop, feeling for any sign of Danny. There was a gentle breeze, and she revelled in the way it stirred her hair and brushed against her exposed skin.

By the time she’d returned to Fentonworks, the contentment of being in the human world had once again been overrun by anxiety.

Dani debated dropping by Valerie’s house, before realising that she didn’t actually know where it was. She scowled, but after a moment of thought began to fly across the town again, this time with a clear destination in mind.

She touched down in the parking lot behind the library, using invisibility to mask herself as she changed into her human form before walking through the front doors just like any normal kid. Nobody even glanced her way, and Dani sidled over to the row of thick computer screens that buzzed almost imperceptibly and played screensavers of what looked like photos of community events. She picked the screen furthest from the library desk, as far away from prying eyes as possible but when she nudged the mouse the screensaver was replaced with a screen prompting her to log in.

Dani frowned and looked toward the desk. She didn’t have a card, but she didn’t really want to sign up for one either. Didn’t you need ID for that kind of thing?

An older man sat down at a vacant computer close to hers, and Dani slid out of her seat and casually strolled to the bookshelf behind him. She pretended to be scanning the titles while he slowly used pointed index fingers to tap out his login details, and Dani carefully repeated the details in her mind as she grabbed a random book and headed back to her seat. Her screen had jumped back to the screensaver, and she doubted that she could log in while the man was already suing his account, so she surreptitiously turned to the back of her book and used a glowing fingertip to etch the man’s username and password into the bottom corner of the final page. She flipped back to the front cover again and raised an eyebrow at the yellow smiley face and the large self-help title in raised gold block letters.

Oh, well. Whatever.

Dani thumbed through her book, skimming through some of the tips in the organisational section while surreptitiously stealing glances at the man on the nearby computer. Her fingers almost itched with anticipation but she held herself steady.

It didn’t take him long to leave, and Dani could only hope that he hadn’t used up all of the allotted time on his account for the day. She flipped back to the details and typed them in, relief pulling a sigh from deep within her as the computer opened up to its main desktop page. The little timer in the top corner indicated that the account still had twenty minutes, so she pushed the book aside and opened the web browser straight away.

It only took a few seconds to log into Facebook, and Dani felt a twinge of guilt at the sheer amount of notifications. She was tempted to check them now, but the steady timer in the corner reminded her to focus and she clicked into the messenger webpage instead.

There were only two conversations — one from Danny, and the other from Valerie. Val’s were bolded and unread, but Danny’s… 

Dani chewed her lip and brushed overlong bangs out of her face, trying to fight through the sudden heart-wrenching betrayal of abandonment.

Danny’s last message to her had been over a year ago, the day she left for the Ghost Zone.

She quickly opened the conversation, double checking that yes, he hadn’t messaged her since she’d left. It didn’t make sense. This was their only form of communication when she wasn’t in town! Did he really think so little of her, that he wouldn’t message her so that she’d have something to come back to? Was she really just a clone to him after all?

That last thought stopped her anger in its tracks. Danny would never think that.

She took a deep, grounding breath, and opened the unread messages from Valerie.

There wasn’t much there, but what Danielle did see turned her blood to ice.

How could I have known when neither of you ever told me?!

I’m sorry

Please, Danielle, I’m sorry!

I didn’t mean it

You have to know I didn’t mean it

I never would have done it if I’d just KNOWN!

I’m sorry

Dani swallowed, hard. Her fingers hovered over the keyboard but for a long moment she just stared at the screen.

She clicked back into her conversation with Danny. The last time he’d messaged her was only a few days before that frantic barrage from Valerie.

Just make sure you stay away from Skulker!

Frostbite will help you if you need it

Or Pandora

At the time, she was amused by his overprotectiveness. Yeah I know. See you later!

He’d responded cheerfully, but then had never messaged her again.

Okay

Stay safe!

I hope you have a blast

She read it again, and panic crept into her core. “No,” she breathed, and clicked back to Facebook’s main page, searching up Danny’s account.

The latest posts were birthday wishes from two months ago.

Dani scrolled down, numb horror cocooning her thoughts. The posts made by his friends and family all blurred together into a collage of soft wishes of peace and somber murmurs of sadness. Below his birthday wishes were a collection of posts from four months ago, and Dani’s hands trembled as she read every single one.

Sixteen months.

The ambient sounds of the library faded into static as she realised that Danny Fenton had been dead and buried for sixteen months.

She swallowed past the sudden tightness in her throat, and it was like fighting past hands that were clenched around her neck. Dani’s eyes burned and she dragged in a shallow breath, sharp with the strain of fighting back tears.

They slipped down her cheeks anyway, and she sniffed and took another strained breath, clicking into her messages once more.

She didn’t know what to say, but Dani knew she had to say something. It wasn’t right, to just leave him hanging like that.

Her hands clenched in her lap, and Dani rubbed the water off her face only to have more tears fall straight away. A sob clawed its way out of her throat and she pressed her fist over her mouth, muffling it as much as she could.

People were looking at her now, and she ducked her head and tried to hold everything in.

This wasn’t fair. How could she have let this happen? How could she have left him?

How could he have left her?

She clenched her teeth together. As tempting as it was to post on his page, she didn’t want to be public about it. What right did she have anyway, to freshly grieve him when he’d already been gone for so long? What right did she have to message his friends, who she barely knew, or his family, who she had never even met?! How could she drag them into her existence when it’d just dredge up the rawness all over again?!

Dani realised that she’d tensed her body so much that she was trembling with the effort and had forgotten to breathe. She took a shaky breath, and her tight muscles snapped into a loud, hiccupping cry.

Gritting her teeth again, tears streaming down her cheeks and dripping into her mouth and off her chin, Dani typed three words into the private message chat box.

I’m so sorry.

She closed the browser, and the screen went black and flicked back to the login screen as the timer hit zero.

Grief crashed into her with the force of a tsunami and Dani pressed her palms over her eyes and wept. Huge, gasping sobs tore from her chest, making her gut ache as her pulse roared in her ears.

“Miss? Are you okay?”

It was probably the stupidest question she’d ever heard, and Dani shook her head mutely, keeping her hands over her eyes as the tears continued to flood through her fingers and snot began to drip from her nose.

Someone nudged her shoulder. “Here,” the same voice offered, and Dani peeked through her fingers to see a tissue box. She squinted up at the librarian, and the tears kept flowing like a tap that had been left running.

Dani pressed her lips together and nodded once, grabbing a handful of tissues and immediately burying her face in them as she was hit by a fresh wave of grief. She knew that eventually she’d have to move, she’d have to stop crying and take the next step, but for now all that mattered was the way her head throbbed with every sob and how her eyes burned hotter and hotter the more she cried. She couldn’t breathe deeper than short, shallow gasps, and every time she tried to think, all she could picture was Danny’s face and her world came crashing down again.

It took her a long time to stop crying, but when she did she was left staring at the pile of soaking tissues next to the keyboard as the bright halogen lights made her eyes sting.

She had no clue what to do now.

He was dead, and she didn’t even get to say goodbye.

[katnissmellarkkk]

Okayyyy chappy seven 🤩 Here we goooo 🥳

Lord, Katniss always had nightmares 😭 even before the games, between her father’s death, her mother’s abandonment and the other traumatizing things she saw in her life, my girl never slept peacefully a day in her life 🥺.

She even indicates that she sometimes has nightmares about past hunger games 😭😭😭. Someone protect my smol child. Please. Someone.... Someone? Anyone? No? Okay 🥺

“I bolt up screaming for my father to run as the mine explodes into a million deadly bits of light.” This is such a powerful image and it really does show that Katniss has literally envisioned all the gory details of her father’s death for the last four years. This is so sad 😞

Also though. Katniss really doesn’t talk much about her father’s death after the first book and definitely doesn’t describe nightmares about it. So .... like basically, the games traumatized her so badly that, her father failing to escape the mines as the collapsed in on him, crushing him into the pits of despair, the possibility of rescuing his corpse deemed unimaginable, pales in comparison? Yes I just tried and failed to phrase that long run on sentence the way Katniss phrases her nightmares about her dad dying, yes that was over the top but you know what? So. Is. Katniss.

“Dawn is breaking through the windows” Twilight reference 😬😬😬. I couldn’t stop myself, y’all. Forgive for please.

“The Capitol has a misty, haunted air.” Katniss, you’re from the butthole of Kentucky, the air you’re used to is probably humid as all get out 😓😓💦😅😅

“I must have bitten into the side of my cheek in the night. My tongue probes the ragged flesh and I taste blood.” 😒😒😒😒 this feeling ..... is .... v v v .... distinct .... and .... familiar 😕🙁☹️

“I end up hopping from foot to foot as alternating jets of icy cold and steaming hot water assault me.” Why is this so funny omg 😂🤣😂🤣😂🤣😂🤣😂😂😅😅😅😅😅 Katniss is just like pressing buttons like, “Ah! Too cold! 🥶 Ah! Too hot! 🥵 Ah!!!!!” All while jumping like a .... cat 🐱🥁

Lemon foam? 🍋 Whatever. I guess there’s weirder flavors of soap we have today but like where’s the Philosophy flavors that give recipes on the bottles??? Surely they’d survive an apocalypse??? Everyone uses those???

I’m so glad Katniss didn’t forget to moisturize, even as she prepares for a death match 😅😅😅😅 even if it’s just as simple as pressing a single button, why is she even taking the time to press it?

I know, I know. She just wants to make sure her skin is so smooth for the arena that the knives and arrows just slide right off 🤣🤣🤣🤣

“This is the first time since the morning of the reaping that I resemble myself.” Lolololol which means Mr. Romantic is gonna be even more turned on by the sight of ya, since he’s crushed on you looking like this for the last decade of his life 🥳😎🤗💁🏼‍♀️. Peeta ain’t even here yet and I’m already making the shipper comments Samantha calm down 🙄😶😑🤐🤐🤐🤐🤐🤐

Seriously there where is Peeta? Did he also have to figure out the temperature controls in the shower? Did he also moisturize? I miss him I wanna know about his morning too 😔. Katty, is it too much to ask for you to go take a lil ... sneak peek into his room for me? 😏😏😏

Twenty dishes seems like a lot for like four people eating? Eh, maybe six people, if we count the stylists who magically pick and choose when they’re coming to a meal... Hmm, I’ll calculate just so no one else has to. 🤓😬🤗 No one else cares, Samantha. 🤐🥱😴😶 Twenty dishes amounts out to about five plates without the stylists and three and a half-ish with so.... idk it’s not that much food I guess but it seems like a lot for one meal, esp if people in the Capitol intend to keep their trim figures. This is why that one prep team girl is chubby. 🤐🤐🤐

Awww Katniss copying Peeta’s weird lil eating quirks 🤗😎🥳. She’s already taking interest in him, she just don’t realize it yet 💁🏼‍♀️🤦🏼‍♀️ shipper comment alert 🚨🚨

But also has anyone actually tried dipping bread on hot chocolate and was it good or does it taste as repulsive as it sounds to me? I hate it when my food even so much as dares to touch though 🤢😡😤😓

Oooo I always forget Prim has to be utilizing her goat, milking the thing every day until it’s dry I’m not a farmer idk how milking animals works ... so she contributes more than I give her credit I suppose.... I’m making an effort for you, Primmers. You seem useless and immature but I’m trying. 😪😶 Taylor Swift voice 🎶 *this is me trying* 🎶

Oh wow it was only two mornings ago? Man. The first book is slow moving. 😅😭 six chapters in and we’ve gotten through one point five days 🤣

“It makes me irritated that Peeta is wearing exactly the same outfit I am.” “Listen, Peeta, one of us has to change, this is getting embarrassing, you have to stop borrowing my clothes!”

“This twins act is going to blow up in out faces once the Games begin.” Ahhaahahahaha blow up 💥 💣 🔥. Get it, get it. 🥁 Because she represents fire. And she also blows things up in Every. Single. Book.

But seriously, did Cinna and Portia and Haymitch all plan on presenting Katniss and Peeta are like, tight friends or whatever, and then Peeta is like “oh b-tee-dubs, I have a massive crush on K-dog” and they just decided it perfectly fit into their plans?

I’m so jealous that their breakfast has bread baskets 😩😩😩 I know they’re headed to the slaughter but still. Bread.

if you like, I'll coach you separately. Decide now." "Why would you coach us separately?" In case one of you ... not naming names .... Peeta .... wants to reveal your lifelong crush on live television 😎😎😎

Also Haymitch is like “make an important decision but take zero time to consider it, I’m tired and hungover, kids, idc for your drama 😒”

Which as an auntie to a wonderful little two year old ... is v relatable 😅🥲🙃🤭

“And I already know what yours is, right? I mean, I've eaten enough of your squirrels." I wanna make a dirty joke here so badly but the lord himself is saying no.

“Town families usually eat expensive butcher meat. Beef and chicken and horse.” Ohhh this is interesting. Katniss believing Peeta and the other merchants live high on the hog while Peeta is later is like “I eat expired bread for every meal, Katniss” I mean, better than starving like her, but also not how she’s painting the picture in her mind. 😶😭

Also Katniss never mentions horses in Twelve, where’s the butcher getting horses from to slaughter and sell? That’s why Katniss never sees them, Samantha, duh 🙄

“I can't do anything. Unless you count baking bread.” "Sorry, I don't.” This was such a quick and matter of fact brush off, poor Peeta 😭😭😭 my baby I’m still rooting for you don’t worry you got this

Also. Lowkey, highkey, that tiny exchange triggered me. 😭😭😭😭😭😭😭😭😭😭. Those awkward moments where people brush me off or glance over me live in my head. Rent free. For life.

I wonder sometimes often times if Katniss’ father and Gale’s father knew each other? Both hunted and worked in the mines. Just a random sidebar 😅🤭🤐🙃

“She’s excellent” He’s so proud of his wife 🤧🤧🤧🤧🤧

So uh.... is it safe to say Mr. Mellark is an Everlark fan? If he likes and admires Katniss and Peeta and him apparently have some kind of close-ish bond (okay, maybe not but maybe) then perhaps he is carrying the shipper banner back in Twelve for them 🥳🥳😎😎

Katniss, you dingaling, of course he noticed you 🙄🙄🙄

Peeta compliments her and her instant reaction is “what are you doing, weirdo?” 😅😭

“Don’t underrate yourself” Peeta, love of my life, take your own advise. Stupid. 😪😪😪

“I've seen you in the market. You can lift hundred-pound bags of flour” Katniss in the market, staring across the way at Peeta, 👁👄👁, watching him lift flour over his shoulder.

“He came in second in our school competition last year, only after his brother." This is criminally undiscussed. Peeta being a wrestler alone is undiscussed but also.... did you go to his matches, Katniss? Miss Anti-Social, Hunting-First-Everything-Else-Later? 😏😏😏 If this ain’t proof of her lil crush idk what is

“All you need is to come up with a knife, and you'll at least stand a chance.” “You'll be living up in some tree eating raw squirrels and picking off people with arrows.” Does no one else realize that Katniss and Peeta literally took the other’s advise for the first part of the games? How did Peeta get in with the Careers? The way she just said. Where is Katniss when Peeta and the Careers discover her? High up in a tree. Okay, this maybe didn’t compute right but I had a thought here so I said it

Peeta’s mother is just a monster. Who says that crap? 😔😔😔 don’t worry, baby, I’m rooting for you

“She said, 'She's a survivor, that one.' She is” Yeah, she is, no thanks to you, Mrs. Mellark 😤. Stingy ho.

Peeta’s got pain in his eyes 🥺🥺🥺🥺🥺

Awww, Katniss accrediting her survival to Peeta’s help 😭😭😭😭. This is so pure. Also kiss now, you little freaks.

“She has no idea. The effect she can have.” This is such an iconic line... but the can has always had me laughing. She can have an effect, if she really wants to. Or not, depending on the day.

Katniss is so stupid, how did she construe that as an insult??? 🤦🏼‍♀️🤦🏼‍♀️🤦🏼‍♀️🤦🏼‍♀️ y’all ever just wanna smack her into a wall?

“In public, I want you by each other's side every minute” If Peeta didn’t have a long life crush, what was the ultimate plan with all this friendship act they’re being forced into? 🤔🤔🤔

Even Peeta’s trying to object to it 😭😭😭😭

“You will be together, you will appear amiable to each other.” You will fall in love. 🤩🥳😎

“I bite my lip and stalk back to my room, making sure Peeta can hear the door slam.” Okay, now imagine how much she’s hurting his feelings right now 😖😣 what a little brat

“But that didn't mean I wanted to do everything with Peeta. Who, by the way, clearly doesn't want to be partnering up with me, either.” Lolololololololol this is so funny in hindsight 🤣🤣🤣. Also if you showed a little enthusiasm, Peeta would probably be happy to partner with you.

“But a tiny part of me wonders if this was a compliment. That he meant I was appealing in some way.” No, really, Katniss? A compliment? Who’d give you one of those? 🙄🙄🙄

“It's weird, how much he's noticed me. Like the attention he's paid to my hunting.” A normal person at this point would put together a crush 😅

“And apparently, I have not been as oblivious to him as I imagined, either. [...] I have kept track of the boy with the bread.” Anddd a normal person would figure out their own crush at this point 😅😅.

“I do a quick assessment. Peeta and I are the only two dressed alike.” We stan a matching couple in this house 😎😏

“Almost all of the boys and at least half of the girls are bigger than I am” That means 18 out of 24 tributes tower over my girl here. Smol Katniss. The movies did such erasure on this front I’m still bitter 🤐😒😤😩

“I may be smaller naturally, but overall my family's resourcefulness has given me an edge in that area.” Just a tiny muscular thing standing next to a bunch of tall, lanky kids. 🥰🥰🥰🥰

Awww “Each [Career tribute] must have fifty to a hundred pounds on me.” I mean ... let’s calculate. A muscular girl would probably weigh like 150 pounds... so basically Katniss is at most, 100 pounds. Tiny Katty.

“I'm thinking that it's lucky I'm a fast runner when Peeta nudges my arm and I jump.” This is a random, cute interaction 😍😍😍. Shipper blinders are on and tight.

“Suppose we tie some knots.” “Right you are.” I legitimately just scratched my face, who says right you are? An 87 year old man, that’s who 😅😅😅. Not turning your girl on very well, Peeta baby.

Although it does sound a bit like a backwoods southern thing soooo.... hillbilly Everlark nation rise. 🙋🏼‍♀️🙋🏼‍♀️🙋🏼‍♀️🙋🏼‍♀️

“We concentrate on this one skill for an hour until both of us have mastered it.” Awww, so Peeta knows how to tie a snare? He’s not as clueless as half the fandom acts.

How exactly is frosting cakes equating to amazing camouflager in a death match? Books crack me up with these connections. “I’m an amazing artist because I write birthday cards!”

Lolololol Prim admiring her future brother-in-law’s handiwork 🥰🥰🥰🥰 too bad she dies before they can get together for real for real.

“Somehow the whole thing - his skill, those inaccessible cakes, the praise of the camouflage expert - annoys me.” Dude, you get praised by everyone and their brother while Peeta gets overlooked, give him a moment to shine. 😑🙄 jealous wife much?

Also she’s already picking up on Peeta’s eye for beauty 😅😅😅

“It's lovely. If only you could frost someone to death.” "Don't be so superior. You can never tell what you'll find in the arena. Say it's actually a gigantic cake-“ "Say we move on.” She’s such a little snot. 😒😒😒

But also I love that already in this point of their relationship, Peeta is noticing when she’s being a brat 😭😂😅. “Don’t be so superior.”

“Despite Haymitch's order to appear mediocre, Peeta excels in hand-to-hand combat, and I sweep the edible plants test without blinking an eye.” Lolololol their mentor’s advise went into one ear and right out the other 😂😅🤣.

But also why did the movie make a point in adding an extra scene of Peeta looking weak and the Careers staring at him? That literally took up time and served no purpose at all. 😤😤😤 I’m coming for you, Gary Ross

Awww, everyone but the careers eat alone. But Katniss and Peeta eat together 🥺🥺🥺. It’s like a forced first date 🥳🥳🥳

I like how Katniss says they include bread from every district but she then proceeds to only mention the two districts that later have relevant tributes. 😅😅😅

Lolololol their fake friendship “laugh ... now! Okay, I’ll smile, try to say something interesting”

“Ever since I slammed my door, there's been a chill in the air between us.” Well yeah, you probably hurt his feelings 🥺🥺🥺

Umm, Katniss just casually drops that she was chased by a bear.... how did homegirl live? 😬😳

Peeta knowing Rue’s name and being the one to take notice of her first 🥺🥺🥺. If the games had come down to Katniss, Peeta and Rue, y’all know Everlark would have swallowed the berries and gotten Rue home. 🥺🥺🥺🥺🥺

“Don't. Don't let's pretend when there's no one around.” "All right, Katniss.” He made a single comment to you, ding dong. He didn’t ask for a goodnight kiss 🙄🙄🙄.

Also anyone ever think of how lonely Peeta’s life must be? He’s not close to his family that we can see, Delly’s his only real friend, after he wins he lives in that huge house all alone... I feel sad now. I did this to myself. 😬😭🥺

Katniss’ “Oh! The weapons!” When she sees the bows and arrows is so cute 🥰🥰🥰

Katniss has such a rage built up inside of her. Let it out, girlfriend

See, I’d have done this too but in my rage, I’d probably have shot a real person and not the pig ... goodbye, Plutarch 👋🏻

Andddd I think that’s all for this chapter! Sorry my comments weren’t as interesting as usual 😬.

[eastofthemoon]

So, this is something that I’ve been thinking of doing for awhile. There have been a few new shows that I have been watching mostly because I enjoy the found family feels to them. Since today is Valentine’s Day, I figured I would post this list for the people who don’t want to see romantic love and rather focus on the platonic kind. 

So, here we go:

 The Owl House

Summary: 

Luz is a self-assured teenage human girl who accidentally stumbles upon a portal to another world instead of going to Reality Check Camp. When on the Boiling Isles, which is made from the remains of a dead Titan, she befriends the rebellious witch Eda the Owl Lady and an adorably tiny warrior named King. Despite not having magical abilities and having to pose as a witch due to the prejudice towards humans, Luz pursues her dream of becoming a witch by serving as Eda’s apprentice at the Owl House and ultimately finds a new family in an unlikely setting. (copied from wiki)

Why I like it: 

This is a new show and only about 5 episodes of it have aired so far, but I’m really enjoying it. The characters are fun, the world is both creepy and fun and we’re slowly getting into an actual plot but every episode so far has been useful in setting up more of this world. Also Eda is a badass character and is now becoming one of my favorite witch characters.

If you enjoyed Gravity Falls then I would definitely recommend this show since it has a similar humor and style, which isn’t surprising since Dana Terrace (the creator) worked on Gravity Falls and Alex Hirsch even does voices for two of the characters.

With that said, one of the minor things I like about this set up is that Luz the human girl isn’t stuck there. She does have the option of going home whenever she wants and her mother isn’t worried about her since she believes she’s away at summer camp. It’s nice not having that detail weighing over the character.  Anyway, the found family vibes are just jiving in this show, and the characters are just fun.

Highly recommend.

Kipo and the Age of Wonderbeasts

Summary: 

Kipo Oak, a thirteen-year-old girl, is searching for her father after being forced to flee from her underground city. To do so, she travels through an overgrown post-apocalyptic urban wasteland ruled by sentient mutant animals ("mutes"), together with her new friends Wolf, Mandu, Benson and Dave.(copied from wiki)

Why I like it: 

I’m not usually one to go with post-apocalyptic stories, but this one has a very whimsical vibe which is more my jam. Kipo is a great character, but so is the rest of the cast. I love Kipo’s relationship with the jaded Wolf, but Bensen and Dave also add to the fun. (I will say for Voltron fans that Shiro and Wolf could relate in dealing with traumatic experiences).The world itself is very bright and colourful, but also has a very fun villain in Scarlemagne. He gives me mega Ratigan vibes if that’s any indication.

And one thing I appreciate is that the show does not bait people into thinking a particular ship is going to happen. Nope, this group is all family/friendship and I love it for it.

Add to the fact that this show has a terrific soundtrack and it’s a great watch. 

Infinity Train

Summary: 

Hard to describe the plot for this one without spoilers, but basically a girl named Tulip struggles to deal with her parents divorce and ends up on a mysterious train where each cart is it’s own mini world. Also, she gets accompanied by One-One a both happy and depressing robot, and the King of Corgis.

Why I like it: 

Out of my recommendations this one is strangely probably the darkest of the four. It’s not a show I would recommend for little kids to watch. The show so far has two seasons which flow into each other despite having a different main cast for each one. Some could read a ship into the second season, but I think the cast for both seasons leans towards a more family/friendship feeling. 

The characters for each season are enjoyable to watch, especially Atticus the Corgi King, to the point you feel your heart strings tug due to events that happen near the end of each season. Also One-One is just hilarious to watch.

It’s hard to go deeper without spoilers but the best way to sum them up is the first season has a strong Wizard of Oz/Alice in Wonderland tone, while the second season has a more Pinocchio style to it. It’s a kooky little cartoon that I hope gets a book three because it’s such an interesting set up and since each season is only 10 episodes, that are each only ten minutes, it also doesn’t take long to watch it.

Amphibia

Summary:

The series chronicles the adventures of a self-centered 13-year-old Thai-American girl named Anne Boonchuy. After stealing a mysterious music box on her birthday at the advice of Sasha, she is magically transported to Amphibia, a wild marshland-themed lilypad-shaped island full of anthropomorphic frogs and giant versions of smaller animals. She soon meets and befriends an adventurous 10-year-old frog named Sprig Plantar who will guide her to be a true hero while discovering the first true friendship of her life as she lives with the Plantar family. (copied from wiki)

Why I like it:

Another show where, if you enjoyed Gravity Falls, then you would enjoy due to similar tone in the humor and mystery - likely because the creator Matt Braly also worked on Gravity Falls. Gee, it’s like that show started a trend or something?

What I like about this show is that you not only get to see character development for Anne, but you get to see her bond with both the Plantar family, but also with the frog community as a whole. The plot might be a bit slower paced compared to the other shows on this list, but it has cool monsters and Sprig is very enjoyable to watch. Not to mention that there is an intriguing mystery going on that makes you curious to stick around. It also explores what exactly makes a good or bad/toxic friend, especially for a teen like Anne.

I will say there are a couple of characters that get crushes on some side characters, but the show mostly focuses on the family and those crushes are just mostly a background detail. Overall, a cute show that’s nice to put on for background noise if nothing else.