#literary movements
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Thanks to everyone who came out to tonight’s Salon! One of our biggest turnouts so far and I even sported my New Wei t-shirt! #salon #salón #literature #literasi #lit #bookstagram #book #bookworm #booklover #booknerd #bookaddict #books #bookstagrammer #ilovebooks #booksbooksbooks #gathering #gatherings #art #artistsoninstagram #comics #comic #comicbooks #comicbook #music #musicians
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French Realism Movement
Balzac Zola
https://newrepublic.com/article/114374/french-realism-balzac-flaubert-zola-and-romanticisms-remains
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I rue the day I ever made a viral post about the romanticism scale. I don’t have the energy to keep explaining to people that Romanticism as I was taking about it is a very specific English literary movement during a very specific time period. The Brontes are not Romantics. They were born too late. Ditto Oscar Wilde and Stoker!!
#to delete later#WHY OSCAR WILDE#WHU DO PEOPLE KEEP ADDING HIM#HE LITERALLY HEADLINED HIS OWN LATER LITERARY MOVEMENT
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December, from The Procession of Months (c.1889). All the poems were written by fifteen-year-old Beatrice Crane and illustrated by her acclaimed artist father, Walter Crane.
via contentinacottage.blogspot on pinterest
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[TEXT ID: "December" by Beatrice Crane.
Now wildly sweeps the wind
And wildly drives the sleet
DECEMBER fast draws nigh
Wrapped close from head to feet.
Her eyes glance restlessly
From shaken tree to plain,
The dark hair 'neath her hood
Is wet with frozen rain.
Her furry cloak she holds
With one hand round her form,
The other one lifts high
A torch to light the storm
Scance tree or shrub doth cheer
The dreary scene around,
Save for the moaning wind,
There is no other sound.
December's eyes grow sad
And fainter still her tread;
One hears a long, low sight
Which tells the year is dead. /end ID]
#beatrice crane#walter crane#illustration#illustration art#english artist#british artist#seasonal poetry#seasonal quotes#literature quotes#lit quotes#literary quotes#literary quotations#arts and crafts style#arts and crafts movement#19th century art#19th century illustration#victorian art#victorian illustration#english poetry#december#december quotes#winter aesthetic#1880s#1880s art
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The Proposal (The Marquis and Griselda)
Artist: Frederic George Stephens (British, 1827-1907)
Date: c. 1850
Medium: OIl on canvas
Collection: TATE Britain
Description
Like many Pre-Raphaelite works, The Proposal critiques the hierarchy of rich and poor, and explores love across social classes. In this scene from Chaucer’s Canterbury Tales, a nobleman has put Griselda through trials, but she has taught him kinder ways. She thinks about her future. The open window suggests she will leave her father’s cottage. The Proposal is the only surviving complete painting by the Pre-Raphaelite painter Frederic Stephens. Griselda was modelled by the artist Elizabeth Siddal.
#painting#genre art#proposal#fine art#oil on canvas#canterbury tales#literature#griselda#pre raphaelite movement#kneeling#standing#interior#frederick george stephens#british painter#chickens#men#woman#table#garden#window#door#literary scene#oil painting#european art#geoffrey chaucer#english literature#artwork#19th century painting#19th century art
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Today's art/literary history lesson is on: Aubrey Beardsley
Beardsley's illustration forms the background for A Power Unbound, which is a cool moment of historical connection and intertextuality
Aubrey Beardsley was a turn-of-the-century artist who was part of the Aesthetic/Decadent movements that challenged Victorian social norms in art and literature. Queerness and eroticism were significant components of these movements, which often incorporated sensation, transgression, and sexuality.
Beardsley's art was considered provocative for its use of the grotesque, the sexual, and the androgynous. (Notably, he drove his editors bonkers by always hiding dicks and other phallic silhouettes in his art.)
Beardsley was the art editor for The Yellow Book, a literary journal printed in the 1890s. It was so named because of its intentionally garish yellow cover, which was meant to mimic the style of lewd French texts.
However, Beardsley is probably best remembered today for his illustrations that accompanied Oscar Wilde's controversial play Salomé. Although Wilde himself was not involved with The Yellow Book, his association with Beardsley through Salomé was so well known that The Yellow Book forced Beardsley out of his position as art editor following Wilde's trial; The Yellow Book did not last much longer after that. Aestheticism overall suffered in the wake of Wilde's trial specifically because of its association with Wilde and queer, transgressive artists.
But, given Beardsley's artistic ethos and the inextricable queerness of those movements as a whole, Beardsley's Decadent art is a fitting choice for the cover of A Power Unbound—which is itself a celebration of unapologetically queer and sexual art (and features its own lewd publications with notably colored covers 😉).
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If you're interested in Beardsley or Decadence/Aestheticism and want to read more, here's a reference list (I'm happy to share PDFs—just let me know!):
Kaye, Richard. 2019. “Aestheticism and Decadence, Nineteenth-Century.” In Global Encyclopedia of Lesbian, Gay, Bisexual, Transgender, and Queer (LGBTQ) History: A-F.
Glick, Elisa. 2014. “Turn-of-the-Century Decadence and Aestheticism.” In The Cambridge History of Gay and Lesbian Literature, 325–43. Cambridge: Cambridge University Press. https://doi.org/10.1017/CHO9781139547376.023.
Brake, Laurel. 2013. “Aestheticism and Decadence: The Yellow Book (1894–7), The Chameleon (1894), and The Savoy (1896).” In The Oxford Critical and Cultural History of Modernist Magazines: Volume I: Britain and Ireland 1880-1955. https://doi.org/10.1093/acprof:osobl/9780199654291.003.0006
Denisoff, Dennis. 2007. “Decadence and Aestheticism.” In The Cambridge Companion to the Fin de Siècle, 31–53. Cambridge: Cambridge University Press. https://doi.org/10.1017/CCOL9780521850636.003
#the last binding#a power unbound#aubrey beardsley#aestheticism#freya marske#I really like Aestheticism and Decadence as a literary movements#so I just uh. read about them a lot For Funsies#.pdf
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the thing that makes you you is simultaneously the worst and the best thing about you and it's up to you to find the right balance
#jo in the tardis*#to me this is also a part of the essence of modernism as a literary movement#but i am focusing on french modernists when i say that more than anyone else#baudelaire or rimbaud don't aim to simply shock. ugly is not beautiful just to irritate and revolt#ugly can easily turn beautiful because it stems from the same place and that place is perception#it's all irrational and non-existent you have to figure out the right amount of everything to make it work
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But honestly i do judge people who use chatgpt for their college work. Literally if you chose to study something, why would you use ai for your work. If you chose something you want to study, doesn't it feel like a waste to not do your own research and work for essays and the like.
#like our lit prof told us today that if she catches a whiff of chatgpt in the essays she'll make the student do an oral exam#and i was flabbergasted bc like#why would i be an english major if i didn't find joy in literary analysis#like i say i hate linguistics but i find joy even in those cursed de saussure and chomsky#it's not my favourite part but i'm here bc i love both the study of language and literature#so like. why would i let an ai steal my fun when i am given permission to do silly lil analysis for a grade ?!?!?!?!?#it's such a neat topic too we have to argue for or against the idea that a novel we did could be taken#as an example of a visual arts movement and it sounds so fun like i can't wait to start doing research for it
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derailing class discussion on frankenstein adaptations so i can talk about german expressionism
#and about how gothic film follows a similar trajectory to the literary trend if you tilt and squint#schauerroman as influence on british gothic lit / german expressionist gothic films influence on hollywood horror#the peak of the gothic + the foundational texts of the genre in 1790s / 1930s adaptations of frankenstein & dracula etc#the gothic in other genres & movements (romanticism particularly) / the arguably gothic undertones of film noir#post-1790s parodic or tropey gothic lit / 50s hammer horror#my theories.
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the way general medievalists completely ignore irish material drives me round the bend. they'll write entire books surveying a topic across different countries and languages and never even mention ireland once even though it has a bunch of texts on that topic. they'll describe a well-known irish text existing in dozens of manuscripts as "obscure" simply bc it's irish, if they acknowledge it at all. anything a bit weird is "celtic" but they don't bother to actually read the texts they're claiming are influencing their material, or any of the recent articles from celtic scholars, they just cite the same unreliable scholar from 60 years ago and never take it any further
and my favourite: they'll talk about how weird and unusual a feature of a medieval english text is... when it's a standard part of the irish genre that the text derives from... because the text was originally irish and the english one is a translation... but they haven't bothered to read a single other irish text from that genre so they don't know this
#just because it's an island doesn't mean it was fucking isolated!#irish monks were all over the place! can't throw a rock in the middle ages without hitting an irish monk!#they're part of the same goddamn literary traditions and movements and culture! oh my god!#anyway never make me listen to english lecturers and students talking about vision of tundale ever again
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Am currently rereading “Wizard of Oz” in prep for running a high school musical based on said book.
Let me tell you, reading an introduction by someone who either did not know of or chose to completely ignore Baum’s feminist beliefs is absolutely WILD.
I finally had to stop when Mr. Barbarese said “Oz is a place where good dominates, but where you will also find that impossible contradiction, the good witch. This is by all evidence Frank Baum’s invention and arguably his lasting contribution to the representational vocabulary of Western Literature.”
EXCUSE you?!
Ignoring all feminist folktales in which women use what is traditionally “witchcraft” to save the day, only for it to be labeled something else because the woman is good, or even older tales in which “the witch” is a purely neutral character seen only as an agent of change- ok. Fine. Annoying and dismissive, but expected.
But to completely miss the work done by BAUM’S OWN MOTHER-IN-LAW, Matilda Gage, on the discussions around the word “witch” and how it was used to describe ANY woman of power to dehumanize her, whether she was in the right or no, the very essays that BAUM BASED HIS GOOD WITCH OFF OF- that was too far.
You do not get to mention the shift in public consciousness around the word “witch” without mentioning Matilda. No sir. You have lost all credibility.
I mean, he was already on thing ice for struggling to understand anything basic about Dorothy’s traveling companions- (he recognized the irony without understanding why it was there, like, huh?) but I was willing to look past it for the intriguing contrast and comparisons he was making between Oz, Wonderland, and Neverland. Then he tried to talk character archetypes again and just fell flat on his face.
Like- wow. Way to somehow say “this author had powerful female characters” while also completely leaving women out of the discussion. I just… how???!
This intro read like all my earliest academic essays- trying to prove a point while dismissing or ignoring anything that might refute or confuse the issue, leaving it full of complex academic jargon without much depth.
According to this text- J. T. Barbarese is “an authority on children’s literature, (and) teaches at Rutgers University in Camden New Jersey” as of the publication of this edition in 2005.
I now have some concerns for those who studied Children’s Literature at Rutgers in the early 2000s.
Can we just decide you need to be a woman or at least somewhat queer to try to analyze anything Ozian? Can we make that a ruling?
Sorry- obscure rant over. Please go on with your day. 🙏
#storytelling#character analysis#the wizard of oz#l frank baum#american literature#classic literature#literary analysis#who the hell is J T Barbarese and who gave him permission to ramble through an into to the classic?#feminist literature#feminist movement#Baum was a hard core suffragette and anyone who doesn’t at least mention it didn’t understand his writing#anyone who doesn’t mention Matilda Gage in the same breath is leaving out facts of importance#all 3 of her companions suffer from traditional masculine societal norms and then are set free by a little girl#like- what book have the male scholars been reading?!#my hyperfixations#are children’s literature#and fairytales in particular#can you tell#extended rant
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Reading shit comics kind of sucks but at least I get the satisfaction of proving my own point w this
#like damn if i really was 100% right about this before i even knew what i was talking about#anyways one of the many many problems with new 52 wonder woman is the fact that diana isnt religious enough#also that azzarello and chiang are incapable of imagining a feminist utopia which is the original genre that wonder woman comics were based#in in the same way that batman for example is connected to the noir genre. and the mythological aspects of the og wonder woman comics were#in fact a common framing aspect of the feminist utopia genre of the progressive era (with many of the deeper greek mythology aspects being#established as the foremost ww genre later on)#anyways this failure to understand this layering of genres in the ww mythology i believe is the principle contributor of why this run which#is popular with many and has such a footprint in other more mainstream media is hated by so many longtime wonder woman fans in that it not#only neglects but actively goes against key parts of her premise#a comparison could be made to a superman run that is heavily based in science fiction and exploring deep sci fi genre plots without any#understanding by the creators of why it matters that superman is champion of the oppressed and disrespecting that core part of him by in#some ways making him actually go against that in service of the high sci fi genre plots and conflict#and then ofc to translate better in this reality this run would function like a can of worms in that while dc in comics would eventually#course correct back to the base version the public opinion would become divided and especially adaptations would need all the canon changes#from that run torn viciously out of their hands bc they refuse to LET IT GO#anyways yeah teehee i swore to someone id never read it but i needed it for fic research purposes unfortunately so i started it. only read 6#issues but meh. first one wasnt terrible tbh id read worse but after that i got much more unhappy#anyways they simply dont understand why people like the amazons or why people should like the amazons. which again is like half the freaking#point bc like. feminist utopia genre. but i digress#its bad but its bad in a way that proves me right about why its bad so at least theres that#someday when i post my rebirth ww fic ill post the analysis of nu52 ww and the comparison to the beat movement/ginsberg that ive got in my#drafts. finally get that A in comic book literary analysis#blah
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Maite, have you read something good this year?
my favorite read so far (i've read only 4 books though hehe) is The Time of the Hero (La ciudad y los perros) by Mario Vargas Llosa. the author's FIRST novel and it's so excellent 😮💨 makes me sick. and i should have read it years ago! for school!
what about you? 🤠 anything you wanna recommend?
#just linked my storygraph in my bio if you wanna check out my review👍🏻 in case it's not what you're looking for lol#cause recently someone sent me an ask (that i haven't replied) saying one of the books i recommended in a quiz was boring 😐#anyway. this guy‚ Vargas Llosa‚ really knows his shit and he literally started a literary movement 😮💨#💌
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As You Like It - Act IV Scene I - Rosalind Tutoring Orlando in the Ceremony of Marriage or The Mock Marriage of Orlando and Rosalind
Artist: Walter Deverell (American, 1827–1854)
Date: 1850
Medium: Oil on canvas
Collections: Birmingham Museum Trust, Birmingham, United Kingdom
As You Like It is a pastoral comedy by William Shakespeare believed to have been written in 1599 and first published in the First Folio in 1623. The play's first performance is uncertain, though a performance at Wilton House in 1603 (the house having been a focus for literary activity under Mary Sidney for much of the later 16th century) has been suggested as a possibility.
As You Like It follows its heroine Rosalind as she flees persecution in her uncle's court, accompanied by her cousin Celia to find safety and, eventually, love, in the Forest of Arden. In the forest, they encounter a variety of memorable characters, notably the melancholy traveller Jaques, who speaks one of Shakespeare's most famous speeches ("All the world's a stage") and provides a sharp contrast to the other characters in the play, always observing and disputing the hardships of life in the country.
#painting#literary characters#as you like it play#william shakespeare#rosalind#orlando#man#woman#literary scene#fine art#oil on canvas#walter deverell#american painter#pre raphaelite movement#forest#american art#19th century painting#artwork#19th century art
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@coquelicoq tagged me to list 5 topics i can talk on for an hour without preparing any material.......... fascinating!! thank you
animal care at this point i still retain most of the info i learned for my last job. if i had to narrow it: i never got very intimately familiar w small mammals. lizards confused me and have such a wide range of needs per species. invertebrates dont need enough care to talk about for an hour LOL. but almost certainly i still know enough about fish husbandry and tank maintenance to fill up an hour easy peasy without even going in depth on any of it. (or dog/cat food nutrition but only from a 'collating data' viewpoint and not a 'having confident opinions about any of it' one)
the intersection of thematic elements and real-world production circumstances of a small unrelated circle of media lol. the hs-gintama-orv-umi-twig venn diagram that lives in my head at all times.
i transcribed a lecture on baroque and rococo architecture that charmed me enough that i did attempt to replicate it for my roomie. transcribed material was always like. i understand it while working on it but lose it once i try to convey it to someone else lol so it wouldnt be very Coherent but it would be Impassioned. and for top lectures to vicariously listen to its between this one and the biology class one about the function of hormones from pregnancy to birth to childhood to adulthood to old age, and i have an easier time remembering architecture details
hmmmm riffing on yours. put any amv in front of me and i could talk about its choice of song/scenes/editing an hour easy.
ICE OVA
tagging @arytha @istherewifiinhell @yamameta-inc if yall want bc im interested in what ud pick and ofc as always anyone who thinks this'd be fun to do :)
#honorable mentions i used to be able to do this for: the academic literature i was reading about PDs/psychosis spec psych for fun.#john adams and associated. the r/tionalist movement. the history of eugenics and race science <- god i want to get back in here#obvious embarrassing contenders: my elaborate exorcists postcanon mental palace. the career of ishida-san.#wildcard contender no one would ever care about: hotarubi.#topics i would find it so funny to become this: philosophical and literary analysis subjects ive learned about solely to talk about gintama
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It’s probably an inevitability of a franchise being this far reaching and this popular and this long lasting but it is so baffling how much of the wider star wars fanbase tries to “fix” star wars
#this is about the anti jedi movement and the satine criticism and the grey jedi fantasy and and and and and#star wars#I think the root of the issue here is that many people find George Lucas’s morality lesson at the heart of the story boring. and lash out#they see jedi who are supposed to be good and it bores them and they go ‘I will poke holes in that and hold them to unrealistic standards’#because their biggest crime is boring the audience who thinks they’re smarter than the fiction they intake#who cannot extend to the boring good guys the benefit of the doubt because they don’t match the sith or the empire’s rule of cool#which leads to justifying the sith order and the empire as Not As Bad As We’re Told Actually#which leads to misinterpretation and misrepresentation of the jedi#which leads to demonization and flattening of perfectly typical flawed characters and literary devices that promote nuance#I really think that’s what this is#I will never forget arguing with a friend a long time ago about the eu versus Lucas’ definition of the force. we argued for weeks#when in the end the argument boiled down to him saying ‘yeah but I think Lucas’s force is boring as shit’#and I was like ‘see. okay. why couldn’t we have acknowledged this way in the beginning instead of#you wasting precious time trying to convince me how to fix the jedi and why the empire is better than the republic#I think thinking of it all in this way helps me emotionally distance myself from all the discourse#nowadays when people watch star wars what they’re looking for is game of thrones#and they’re not seeing it#which means they have to try to make it that - both in their heads and loudly on the internet
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