#literally page 7 and I'm already feeling so many feelings

[i-heart-sad-boys]

In real life, people let you go. That was why people longed for the love from stories, love that felt more real than real love.

-Sarah Rees Brennan from Long Live Evil

[mysticheathenn]

What Harsh Truths Do You Need To Hear Right Now?

Hi there! I hope you all enjoy it and remember to take what resonates and leave what does not. This reading does not supplement your need to go and seek actual therapy or professional help.

Take your time when choosing your pile. Ask yourself the question and choose the picture that you can’t stop looking at. Listen to your intuition.

Pile 1: Deep Inward Journey. You'll be rewarded for the work.

Your Question: How can you alchemize your fear?

Moonology: Embrace the Flow of Life

You're scared to do the thing. Whatever that thing may be for you whether it's writing a book, starting a YouTube channel, becoming an influencer, quitting your job whatever it is for you, you're scared to do it. You have so many ideas going on in your head but you fear on acting on them. Not just fear of acting on them but you lack confidence because you're afraid of being seen (moon card, bottom of the deck). You're afraid of other people seeing you look cringe or worse fail. But the truth is you will never succeed if you never try. You say you want to feel happiness, freedom, financial stability, etc but you're afraid to do the thing that will bring you all of the many wants and needs that you crave. Quotes: "On the other side of fear is the life that you want." "You cannot edit a blank page." "Someone out there needs your content. The way that you can show it." "Time will still pass whether you do it now or later." Unsolicited advice: You've got this. Surround yourself with people who will cheer you on. Give yourself 6 months (literally the bare minimum) and try at the thing you've been dying to do. If after 6 months you still don't see any progress. Take a break, change the plans, but not the goal. With the 8 of pentacles and 9 of cups, you are destined for this. but you first have to try in order to reap the rewards you seek. (Cards: 7 of cups, Awakening in reverse, 9 of swords, 8 of pentacles, Queen of cups (reversed), 9 of cups)

Pile 2: You are a Joy Seeker.

Your Question: What little victories can you celebrate?

Moonology: Step Up and Lead

Pile 2 If you were drawn to Pile 1 I feel this may be either a continuation or an extra tidbit that you need to hear. This pile is all about self-doubt and not standing in your power. I'm hearing the song Boss Ass Bitch by Nicki Minaj ft PTAF specifically the first verse of "I'm a boss @ss b!tch, b!tch, b!tch, b!tch, b!tch." and a quote from a popular vine back in the day that said, "Step ya p*ssy game up." You're crying about the things that have gone wrong or didn't work out in your favor. Some of you are even comparing yourselves to others' finished products. Stop it. You've done so much for you to want to throw in the towel all because one of little minor inconvenience or because something didn't show up how you wanted it to go. Or even for some of you what you are doing is taking too long and you want to reap what you already sowed now. "Brush yourself off and try again" - Aaliyah (Try again) Stand up and look around at the accomplishments that you have done so far. How can you bring more appreciation for yourself? Stop being so hard on yourself all the time. You have time. Stop forcing a time frame on yourself. Stop comparing yourself to others. Stop having FOMO because of what others are doing when you have no idea what they had to do to get what they have (they could be scamming, manipulating, etc). Unsolicited advice: Every time you do something good I want you to celebrate. Whether it's doing a dance, treating yourself out to eat or something, whatever it is on how you celebrate I want you to treat yourself because you're doing amazing sweetie. Even if it doesn't feel that way you are. Do some affirmations because You're amazing. You're doing great things. Everything is going to work out. (Cards: 3 of swords reversed, 9 of pentacles, king of wands, 4 of cups, knight of wands.)

Pile 3: You Cannot Make A Mistake. There Are Infinite Possibilities Available to You.

Your Question: Where is your heart guiding you?

Moonology: Attune to the Divine

Someone is draining you of your power and you're too afraid of cutting them off because of a long history with this person, because you feel a lot of emotions (love, empathy, etc), or because this person might be family but I'm hearing "All Good Things Come to an End" by Nelly Furtado. This person may be a narcissist, or abusive (whether emotionally, or mentally. Not sensing physically but if they are just know there are people and organizations out there willing to help you get out of this situation.) A lot of sneaky and deceptive energy, I'm also hearing energy vampires. Some of you have way too much empathy to give and that is beautiful but also establish some boundaries. It's okay to say no. It's okay to make sure you fill up your own cup first or in some cases fill up only your cup because you give way too much to people who do not deserve you. Every beginning has its end and it's time for you to end this situation once and for all. No good can come of this situation, it's dead. Done. Fin. Stop watering dead flowers and listen to your intuition that's telling you to leave. Some of you may have low self-esteem and believe that you won't have anyone love you or even feel that no one cares about you. When that's not true, there are plenty of people in this world who would love and care for you the way you give to others but you first need to let go of what is dead and not fulfilling. Love yourself enough to leave or if you can't leave because you live with this person at least establish some either healthy or hard boundaries and stick to them. No unsolicited advice was added like piles 1 & 2 because I feel this whole pile is nothing but me fussing at you to do better and want better for yourself. (Cards: Queen of cups reversed, 7 of swords reversed, The star reversed, 6 of swords, & 10 of swords.)

Pile 4: You Create Your Own Reality! What You Want, Wants You Too!

Your Question: What Do You Want To Experience?

Moonology: Make Time for Self-Love | Bonus: Practice Gratitude

I'm hearing "Hang in there." A lot of you in pile 4 want to experience the can't eat, can't sleep, reach for the stars over the fence kind of love, and are slowly starting to feel like that love doesn't exist because of the many toads you're having to deal with regularly. I'm here to tell you to not give up because like your "Inner Peace" card says what you want wants you too, I felt it as I was shuffling the emperor kept wanting to come out but not fully coming out of the deck always interrupting me as I shuffle. It's as if the universe (god, divine, Allah, etc) wants you to focus on yourself first and figure out what exactly you want. Be specific but also realistic because not everyone can be tall dark and handsome and built like Terry Crews with Jeff Bezos's bank account. Maybe you have an idea of what you want but it's not exactly what you need in your next relationship because the things you want tend to be unfulfilling or worse toxic. Focus on yourself first and then love will find you when you least expect it. Unsolicited advice: Take up some hobbies, focus on your career, and work on yourself to become the best version you can be to help bring in this person you are wanting. Sometimes we need to work on ourselves because we have something within us that needs to change that would fumble the relationship that we want. (We all have some sort of toxic trait in us no matter how minor it may be) Focus on shadow work is what I'm also hearing. There are some things for some of you that you need to release like abandonment issues, trust issues, etc. Focus on you is the main thing I am getting. This message is for a few of you but the love you want exists you just need to stop settling for the first slumbag that gives you attention. Message for maybe 2-5 of you but stop flirting with people because you're bored. Stop having sex with people when you really crave intimacy. Fire up that dildo and vibrator. You will be alright. "Break up with your girlfriend." - Ariana Grande.

That's it for all of the piles. I hope you all enjoyed this reading and it wasn't too harsh. Feedback is greatly appreciated. Whether it's what you liked, what you want to see more of, etc.

[warblogs17282]

So, what relationship does Stella and Octavia have with each other exactly?

Short Answer: Evidence points to them having a really bad dynamic with each other.

Long Answer:

Let's just quickly address the fact that we've never seen Stella and Octavia actually interact with each other on screen yet. Yes, I'm aware of this, but I'm making this post thinking about what we actually know so far, and what I've gathered points to Stella not caring about Octavia. To be honest, I think the lack of elaboration on their relationship has been incredibly purposeful, with the purpose being to paint the image of what their relationship actually looks like in a sense.

Evidence 1: Stolas' Assassination Plot.

We know Stella wants Stolas killed, and at no point has Stella actually considered how Stolas' assassination would make Octavia feel, which is best evidenced by the time she screamed she wanted Stolas dead right in front of Octavia (the fact Octavia had headphones on is entirely irrelevant to the point I'm making),

and the conversation with Andrealphus in s2 e4, where both of them also did not give any fucks about how the assassination would make Octavia feel. (I'll get back to this point later on)

Evidence 2: Stella being abusive to Stolas in front of Octavia.

What this proves is that Stella is abusive towards Octavia. Many reputable sources say that what Stella is doing here is child abuse, which I'd like to mention, that it can negatively impact the child in a number of different ways, and I highly advise you check out the Barnardo's page about it if you want to learn more.

Evidence 3: "You leave with Via on weekends."

Notice how this never gets expanded on at all? It's just that, there's no specifics to it or anything, which in my eyes, potentially also points to the fact that Stella doesn't care for Octavia, because it could tell us that there's no attempt made from Stella to actually bond with Octavia, which would explain why that statement is never expanded upon. Plus, Stella literally sidetracks that statement from Stolas with "I like tormenting you. I want to keep reminding you of what you did."

Evidence 4: The beginning of s1 e2.

"Mmph. Via's calling us, Stella."

"You get up."

Notice how Stella is not concerned about the fact that Octavia is actively calling her out, and also when Octavia is clearly upset from the tone of her voice. Which shows us just how little Stella actually cared about Octavia, even when she was just a young child.

Evidence 5: The s2 e4 conversation.

"Because, my dear sister, you've already produced an heir; when he dies, his duties, his possessions, his legions, it'll all pass to.... Via."

"If you kill him, you would…."

"Laugh? Ha-"

Notice how Stella does not even pay Andrealphus any attention whatsoever when he brings up the fact that all of Stolas' stuff will go to Octavia. This alone shows just how much Stella is self-centered within her own desires, which in this specific case, was to have Stolas dead, as shown by the follow up line "Laugh? Ha-".

Which just further shows that Stella is only interested in what she wants, not taking how Octavia would feel about the assassination into consideration yet again, with that and the obvious display of her being self-centered in this scene, both of which showing further that Stella doesn't care about Octavia.

Evidence 6: "What? No! I'm not turning her against you--"

Let's be real here, Stella has already started screaming at Stolas over petty shit, so I highly doubt that Stella said this out of actual concern that he's turning Octavia against her, but instead, she said that to use it as a weaponized statement. Or you could also say that she's weaponizing that sentiment against Stolas.

Evidence 7: "I'm glad one egg fell out of me"

It's always irked me about the fact that Stella refers to Octavia as "an egg" here. Like instead of any other possible way she could possibly phrase that statement, she chooses the one that refers to Octavia as "an egg", instead of her actual name or even daughter for that matter. Which also could point to Stella not really caring about Octavia.

Evidence 8: The paintings.

The Loo Loo Land picture. Just compare Stolas' and Stella's faces in that painting, Stolas looks actually happy in it, most likely because of Octavia, while Stella on the other hand? Her smile looks quite forced to me, it's barely even there, which tells me that Stella doesn't even want to be at the family outing to Loo Loo Land, which further shows how little she actually cares for Octavia.

And if I recall correctly, that's the only picture we see both Stella and Octavia in, as shown by the other paintings where there's only Stolas and Octavia present, which combined with the forced smile in the Loo Loo Land painting, further shows us how little Stella cares for Octavia.

In conclusion: I have shown multiple clues and pieces of evidence that show that Stella most likely doesn't genuinely care for Octavia, with s2 e4 really showing how self-centered Stella is, and just how much she only cares for her own self-interests. While future episodes will most likely show us more about Stella's and Octavia's relationship, the evidence and clues within the show appear to point to the fact that Stella does not genuinely care for Octavia.

[littlestpersimmon]

At my job. I feel I am being micromanaged by several people. I'm given 1 day to draw 1 page with the deadline I have. And this means I do not get a single day off. Ever. And all with a morality clause (if I or the author have "bad behavior" deemed by the publishing house and the book ends up not being published, I have to give back every single cent I make no matter how much work on the book I have already done.) Which means I have to pick up another job while doing this job. When I try to do the industry standard of doing simpler panels while the bigger panels remain very detailed, I will get hit with edit requests to make the panels more detailed, like illustration levels of detail per panel. I have one day to do this. Each panel takes me an hour to two to complete with this kind of work, and so many pages have around 5-6 panels. And I'm also supposed to do the layout and speech bubbles.. but with my past experience in the industry, I was not the one who would draw speech bubbles in and add the text. It was always a layout artist. I feel so confused and lost. I feel so tired and exhausted. Honest question, should I literally just kill myself? Art has been the only reason I live, but with having to draw 7 hours a day while being homeless and then moving to work 3 hours a day on private commissions and then being dead tired and not having the time to do anything else feels so bleak. Commissions I actually enjoy doing, it's the 7 hours every day, without pause, drawing for something that feels like it's never gonna end, is making me sincerely suicidal. Am I just a whiny baby?? I can't imagine another 12 months of this.

[delimeful]

Really? You don’t find passive aggressive comments, such as your tags, do be impolite?

And how, exactly, is an ask button (which YOU enabled) that is commonly known to be used for requesting stories on Tumblr from writing pages impolite? Are you new to writing Tumblr? What do you think a majority of writers on Tumblr use that ask button for?

I’ve been a follower for a while but I’m pretty dissapointed tbh.

Anonymous asked: I noticed a reply from @/gstash So let me address that as well. No, of course I don’t expect everything immediately and for free, and I initially requested this story over a year ago. I also spent over $50 being subscribed to Lime’s Patreon specifically for this story, but I had to stop due to low finances. I was just trying to check on when it may be up soon, but I felt the response was rather rude.

(the added slash is mine, i didn't want to inadvertently @ anyone else in this debacle lol)

this is gonna be my final word on the matter because im sick of getting home from work to asks like these. anything else is gonna be deleted. feel free to go ahead and use your actual blog to reply instead of anon if you still feel that strongly about it.

i dont think my tags weren't passive aggressive they were just plain statements. no, i don't think it's impolite to express a boundary irt people asking me for updates. your indignation about this reflects on you, not me.

to clarify, badgering me for updates (verbatim: "Could you please please please post chapter 7") isn't impolite, just irritating. it was the decision to send another ask chiding me for my response that was impolite. kind of a dick move, as most involved in the tumblr writing community know. i genuinely feel sorry for the writers you follow if you genuinely only see their ask boxes as an opportunity to pester them.

i'm disappointed too, anon. i hoped that maybe keeping calm and sincerely explaining myself would be enough to prompt you to respond with empathy in kind, but instead you doubled down.

it seems like there's been a misunderstanding in regards to my patreon; there is no tier that ensures a specific chapter of a fic is updated within a specific time frame. that would be a commission, which is explicitly listed as a reward for my $30 tier, because those take a lot more time + energy for me.

my $12 patreon tier offers early access to my writing, and the ability to request future chapters be moved up on my to-do list, through polls + priority continuation requests. i can't guarantee any specific chapter update in a month, and i'll explain why.

currently, i have over 50 total WIP fics being worked on. each month, i get around 25 chapter update requests. even assuming that each chapter is 2k, my usual minimum chapter length, i would have to write 50,000 words every single month. if i had the capability for that kind of regular output, i would be churning out books like stephen king instead of constantly struggling for my usual monthly 10-15k like a chump lol.

in essence, don't subscribe to my patreon for a specific story unless you know the next chapter for it is already up there. which it is, because i eventually got to your request. and it'll eventually be up on the blog for free. and during the months you spent subscribed to my patreon, you received at minimum tens of thousands of words of content.

finally, an earnest request: please stop acting like twelve dollars is an exorbitant fee when i'm literally making pennies per word written. like, i could have worked a single 8 hour shift at mcdonalds in texas for minimum wage instead and i would have ended up with $8 more than you paid me for four months of many hours of dedicated work.

(not even a joke: 7.25 x 8 = 58.)

in conclusion, i am a human person with feelings, just like every other writer on this site. please take a moment to remember that when sending asks in the future

[intuitively-her]

How can you improve your finances?

Pile 1-(Page of pentacles, 8 of pentacles, Page of cups, 7 of cups, Knight of swords, 3 of swords, 4 of wands rx, 9 of swords, Death) *angel answers: You're ready! ; communicate clearly with others

You've gotta do some self-improvement babe. Get focused and figure out what career path fits you best. Now is the time to hustle! Separate your needs and wants. Figure out your likes and dislikes. Stop being so unsure of yourself. You've got this! Set small goals, and then move to the bigger ones. Life is not a race. Pace yourself. Stop searching for the "perfect" thing and realize the potential that already surrounds you. Everything you need is right in front of you. Literally at your fingertips! You've got to change your negative thinking and eliminate your fears as well. It seems like you had some type of falling out with someone or maybe there was some drama at a past workplace. It feels like this has caused you to turn cold and not be as receptive to others. You need to connect and put yourself out into the world more. Closing yourself off like this will only create more blockages.

Pile 2-(Temperance, Wheel of fortune, 6 of pentacles rx, Queen of swords, King of swords, The Moon rx, Ace of swords, 8 of cups, 8 of swords) *angel answers: Don't stop! ; Ask your angels

It's time to pour into your own cup for once. Do something nice for yourself. Even if it means a solo date/vacation. Practice discipline with people and certain habits you have. This could include smoking, etc. Learn to say no! Stop hanging out with that certain friend/lover when you know you shouldn't be. This could even be people that come and ask you for money often. Don't be so over extensive to others. Not everyone deserves your time and energy. You need to start seeing people/situations for what they really are. Take your rose-colored glasses off pls. Your environment/whoever you're choosing to spend time with is literally holding you back. You're too distracted and over giving to others right now. Go into hermit mode and focus on yourself for a while.

Pile 3-(The Star, The High Priestess, 9 of pentacles, 4 of pentacles, 5 of pentacles, The Sun, 2 of swords, 5 of wands, Queen of cups, Knight of cups, Page of wands) *angel answers: It's up to you! ; Ask for help from others *angel # confirmation: 555

You need to stay true to yourself and do what you feel is right. Follow your intuition! It's stronger than what you think. I feel like sometimes you let opinions of others affect you. This may cause you to get in your head a lot about whether or not you're doing the right thing. These people could never reach the success that you're meant to reach in this life. So stop giving their opinions so much weight. Stop caring what others think. Stop telling people about your ideas. Just follow your dreams! Whatever creative ideas you have right now, put them into action. Maybe you've been wanting to start a small business or something related? DO IT! I'm also feeling like you don't enjoy a lot of attention and may like to remain in the background. You're meant to be in the spotlight babe! You've gotta get used to it. I think there's actually many people that would want to collaborate with you. You have to express yourself more. BE WHO YOU ARE!🤣 Seriously tho, you need to get comfortable in you own skin. Let people see the real you. You're way too amazing to keep yourself hidden the way you do.😘

*channeled song: Human nature by Madonna

Pile 4-(8 of wands, The Lovers rx, 3 of cups, 2 of cups, 2 of pentacles, 8 of pentacles, 6 of cups, 6 of swords) *angel answers: Wait! ; Romance *angel # confirmation: 888

You need some balance in your life. I'm feeling in your relationships mainly. This could be with family. Maybe there's some loose ends from your past that still need to be tied? You've gotta balance your work and play as well. It's okay to let yourself have fun, but not to the point where the party life controls you. For others, you need to go out and have more fun! Stop keeping yourself so wrapped up in work. Practice having more control in situations and standing your ground. Stop letting others walk all over you. Travel would benefit you as well. Even if it's just an hour or so away. I feel like seeing different walks of life will open your mind to new possibilities. Lastly, you need to go with the flow of life more. I know you're probably tired of hearing that.🤣 Everything will happen as it's supposed to tho. You are right where you need to be. I promise babe.

[hoeratius]

okay, asking this question is maybe the dumbest i've ever felt bc it feels like there should be a straightforward, obvious answer here, but every time i've tried to look it up, i've found nothing but pages upon pages of what feels like people talking in circles and only serving to make me more confused in the end. since you're the most knowledgable person i follow when it comes to the Classics, i figured this might be a good place to ask and maybe get an actual answer? (that being said, it's fine if you don't want to/don't have the time to answer this! obviously!!)

where can i read about the older greek myths? as in pre-trojan war. mostly, i'm interested in theseus but also just pre-trojan war stories in general. i know not everything got the iliad/odyssey treatment and there's probably not any surviving text to point at in a lot of cases, but there must've been something. every time i try to look up where to read about the history of theseus, i'm being directed to a bunch of modern retellings, but google has gotten so bad as a search engine, i literally cannot find anything about the origins of this thing everybody's retelling

from what i understand, theseus was sort of everywhere sticking his nose in everything at all times, so i'm not asking for a comprehensive timeline of his whackass life and everything he ever appeared in or anything, but if you could point me in the direction of anything about him--actual plays or academic texts, anything like that--that's more credible than, like, a self-published, self-described "bold new reimagining" with a stock image of a dude in party city roman cosplay as the cover, it would be MUCH appreciated 😭

(again, sorry about how... basic this question is i guess lol? i'm very new to classics in general and still pretty ignorant about everything, so it's EXTREMELY likely that this is a very dumb question with a very obvious answer, but thank you regardless!)

Hello! What an exciting ask (and apologies for my excited and maybe incoherent answer)!

Since you seem to be most interested in Theseus, I’ll use him as an example but much of this can be applied to other Greek heroes/myths/stories more generally.

As you noted, few get the Iliad/Odyssey treatment. In fact, even Achilles and Odysseus don’t, considering the Iliad spans only 7 weeks or so, and the Odyssey misses out on Odysseus’s actions before and during the Trojan War, and after he came home – and he did a lot after he came home. So where to go to find all the other stories that happened?

Some things to keep in mind:

Writers assumed their audience was familiar with the hero’s greatest deeds already

The big boys – Achilles, Odysseus, Theseus, Perseus, Heracles, Oedipus – had their stories shared in many formats. Think of the Parthenon metopes, which show Theseus’s key deeds in sculpture, or vases, hymns, public performances, bedtime stories, etc. People would encounter these often enough that the outlines of these heroes’ stories were known to them from a young age.

One of the Metopes of the Parthenon, showing (probably) Athena and Theseus.

As a result, ancient texts never show the entire story; they select the moment they want to tell and focus in on that. Hence the Iliad focuses on Achilles’s wrath, the Odyssey emphasises his homecoming, and the Argonautica tells the story of the Golden Fleece. Similarly, tragedies will choose a meaningful moment: not all of Agamemnon and Clytemnestra’s struggles, but his return home in the Agamemnon, or the events that lead directly to Pentheus’s dismemberment in the Bakchai.

So finding one text that will give you a useful overview will be hard!

These heroes are often also connected to so many other famous characters, that sometimes they show up as a side character in their stories, so it depends on which stories capture your interest most.

Pre-Homeric texts are few and far between

But this is not to say there aren’t pre-Trojan-War myths!

There are loads! Anything with Heracles or Theseus is pre-Iliadic, and others, like the house of Pelops, link more to the Trojan War but are also separate from it. Plus, there is Hesiod’s Theogony (roughly contemporary with Homer), which tells of the births of the gods and goes all the way back to the start of the universe.

The Ovid situation

Many Greek texts are lost, and we’ve only got allusions to this or that part of the myth in the existing fragments, etc. etc. So how do we still know so much about so many of these stories?

Enter my fave: Ovid.

Far later than Homer (1st century versus 8th century BC), but with access to all the Greek texts and them some, he wrote a lot of fairly comprehensive stories. These include the Heroides, letters written from the perspective of female characters trying to connect to their male lovers, with letter 10 coming from Ariadne to Theseus, and Metamorphoses 8 with parts of Theseus’s story.

If you’re looking for a high-level overview of what was what in ancient myth, starting with the Metamorphoses will give you all the big boys and many of the smaller ones.

Theseus specifically:

I must admit that Theseus is not my strong suit, but sources I’m familiar with that I would recommend:

Hippolytus, by Euripides and Phaedra by Seneca: these both tell of Theseus’s second wife Phaedra falling for his son Hippolytus and causing his death

Catullus 64: A lament from Ariadne after Theseus has abandoned her on Naxos

Metamorphoses 8, 12, by Ovid: Snippets of Theseus’s life, incl the Minotaur

Ones I’m not as familiar with but might be up your street:

Life of Theseus, Plutarch: a historian/scholar’s biography. He had them in pairs, where he compared the two; Theseus is linked to Romulus

The Argonautica, Apollonius Rhodus: Follows Jason in his quest for the Golden Fleece; Theseus is one of his heroes

Oedipus at Colonnus, Sophocles: apparently Theseus is a major side character here but I don’t remember!

There is also The King must Die by Mary Renault, a modern retelling from the ‘80s that blew me away. The only book set in ancient Greece I’ve ever read that doesn’t shy away from how alien their culture and values are to us today and doesn’t try to sugarcoat things.

And if you’re looking for more heroes: Wikipedia is your friend!

The Classics-related pages are pretty reliable, and they often mention the main sources per character.  

I hope this gets you started but please do hit me up with more questions, I always love diving into these things!

[blaperile]

Homestuck: Beyond Canon (reactions page 666 - "Mindfang's journal" path)

Man, that was yet another amazing update to this page.

So, we're already in year 4 now! I don't remember seeing the year 3 message? I suppose it means her reconciliation with Aradia and Tavros happened during year 3? Then I guess the remaining paths here will be in years 5 to 7 respectively, and Vriska finally gets out at year 8?

Vriska's definitely grown over the years, both figuratively AND literally! Her talksprite's starting to look more like a grown-up compared to the previous conversations, that's so cool.

I love how my theories on who Vriska would talk to during this Mindfang journal path (Eridan or Aranea) proved to be completely wrong.

Nannasprite was DEFINITELY not what I was expecting, and before we got to this page 666 I'd have never thought such a sweet conversation between Vriska and Nannasprite was even a remote possibility.

I've always enjoyed the conversations we got with Nannasprite during Homestuck, it was just a shame how few there really were. But this one's definitely another amazing addition to it.

And hey, I'm not complaining about how many new talksprites we're getting here!

I'm so glad we finally get to see Nannasprite's thoughts on the dark path Candy Jane is on, and more of an insight on her feelings about her own life.

Heh, Vriska calls Nannasprite "a real one". I know what it means in normal conversations, but I can't help again but think about how the ghosts of her past that Vriska meets are all meant to be "fake" imaginations made up of Vriska's memories of them, while for the Sprites it's much less clear.

These conversations with the Sprites feel much more real, so I wouldn't be surprised if the Sprites are REALLY here with Vriska. Which makes Vriska's remark that Nannasprite is "a real one", and Nannasprite's response to it, so much funnier.

The conversation between John and Vriska where they bonded over the similarities with their ancestors was always one of my favorite and most memorable conversations between them, so I love how Vriska referenced it again now.

It's a shame Vriska's conversations with Eridan, John and Kanaya all happened off-screen, those were definitely all people she had special relationships with that could use some sorting out, but I understand that they didn't decide to show it. Knowing what her conversations with Aradia and Tavros were like, you can make somewhat of a guess what it would be like with these people as well. And hey, it's pretty likely we're still going to get more conversations between Vriska and the real John/Kanaya in the future, so that's fine and still something to look forward to.

And then Vriska's conversation with "Momfang"…. Jegus CHRIST.

That was a horrifying combination I never expected, but it makes so much sense. They are her 2 "moms" in a way, who basically made her into who she was. So there was a lot to unpack there and a lot to deal with, and those issues are intricately connected to each other.

The way Spidermom pops up in Mindfang's hair, in her arms, or even replaces her face… It's so creepy, and I love it. It gives me goosebumps.

This way we also finally get to see Spidermom "talk"! I think that's only the second time we ever see a Lusus talk, right? I think Kanaya's Mothersprite was the only other Lusus we ever saw talk on-screen, when she comforted Kanaya (ironically enough because of what Vriska did).

I feel sad for Vriska that Momfang's dialogue confirms that Spidermom never truly cared about her. It confirms that Spidermom truly was a really really bad custodian and only cared about her own survival. I wonder what she was even like as a Sprite, which are SUPPOSED to be helpful and guide the players.

I love how Mindfang talks as a narrator here, the only way Vriska ever knew her. And yet, in some of Mindfang's dialogue it's also like she's not just Mindfang here, but also Vriska's Mindfang PERSONA from her flarping days, referring to the actions Vriska did as something "we did".

Which makes it a bit like Vriska's also talking to her own past self here (which may even get more literal if eventually the 8-ball path on this page does lead to her talking to either her past self or her pre-retcon self).

I also like how Vriska acknowledges that Vrissy's powers are different from hers, that she's capable of doing other things, like manipulating humans.

And I love how Vriska's finally truly rejecting what Spidermom and Mindfang did to her life, how different she could have been. Which makes me wonder what Vriska would have been like on Beforus? What does a Vriska look like who was free to make her own path?

And now Vriska finally gets to walk away from that. I love this.

It all just makes me so curious, what will the cueball path be about?? I'm like at least 88% ( ;) ) sure that Vriska will be talking to Doc Scratch in it (god I'd love to see his smug style again even if just for a little bit, AND to get a talksprite!) and that it will be about his manipulation of her, but what will Vriska gain from it?

Will it also be about Doc Scratch's link with Lord English (which could be an excellent tie-in to Vriska's next conversation after that, with presumably Davepetasprite^2)?

It's also notable how both the flarping manual and Mindfang's journal paths have had conversations with 2 different characters: Tavros and Aradia in the first path, and Nannasprite and Momfang in the second path (ok technically that makes 3 characters in this path but whatever).

So in the cueball path, will Vriska talk to someone else before Doc Scratch first? Who could it be then?

If we're talking about Doc Scratch and Lord English, then I'm of course reminded of how they're partly made up of Gamzee and Arquiusprite, so could it be we're going to see one of them? My guess would be that Arquiusprite is the most likely one, but it's notable that we didn't see him with all the other Sprites before.

Anyway, this was another amazing update and I'm looking forward to how Vriska's journey through hell continues.

[utilitycaster]

could you elucidate on why coffeelocks are bad actually? my friend is a bit obsessed with them right now and i’ve never liked the specific build but i’d love to have concrete reasons that aren’t just opinions!

YES. Somewhere in my archives I think I actually did the math on like, how many short rests you have to take for this to pay any dividends, and it was a LOT, but that was during full lockdown iirc and you do not have to do this much work.

The basic gist of coffeelock for those wondering is that warlocks recharge spell slots on a short rest, and sorcerers can convert sorcery points into spell slots and vice versa. The idea is that if you take Pact of the Tome and then Aspect of the Moon as an eldritch invocation, you never have to long rest again and can just farm sorcery points/spell slots for 8 hours each night.

Now: the most obvious issue is that any reasonable DM who hears about this will look at you and say "I don't care if it's technically legal, I think it's annoying and I'm not going to let you do it." But let's assume your DM does not shut it down.

You have infinite spell slots at level 5. You are warlock 3 sorcerer 2. You know 7 spells total, which is what you'd know had you leveled to level 5 in either of these classes, except you also know 6 level 1 spells and 1 level 2 spell, max. Someone who leveled normally would have fireball, or dispel magic, or counterspell, and if they were divine soul they might even have revivify, but not you! This will eventually get slightly better at higher levels but if you're the party's main arcane caster this sucks and if you're in a party with fewer than like, five people, or perhaps a really caster heavy party, you're putting a lot of burden on other people to do the utility early on so that your dumb ass can cast magic missile 20 times a day or whatever.

I don't actually care for sorlock just generally, in the absence of coffeelock bullshit. Yes, it depends on the same main stat, but a bard or paladin combo will actually significantly broaden your repertoire. Sorcerer and Warlock have a LOT of spell overlap, and metamagic is one of those things that is like, super clutch 0.1% of the time and the rest of the time it's like oh ok (though I guess as a coffeelock you're not even really using metamagic! total waste of being a sorcerer, which is the weakest caster already! great job.). Meanwhile, two of the big strengths of warlock are 1. eldritch blast, a cantrip you can already cast infinite times without spell slots, and 2. eldritch invocations, which you have to level in warlock to get. Dipping into sorcerer means fewer invocations. Basically, all multiclassing is a trade off and I feel like this is at most the sum of its parts, certainly not more. I also think it's very tricky to play this in a way that is narratively interesting and makes sense for your character while also abiding by the specific leveling requirements of coffeelock. This isn't an issue in a one-shot but also in a one-shot you simply might not even take a long rest which renders the entire thing useless.

You have to take Pact of the Tome, which means you are spending all this time and effort and build for infinite spell slots but also you have, without any racial bonuses, literally 9 cantrips (ie, at-will spells) at level 5. And none of them are dispel magic, because that is too high for you for at least another 2 levels and that's only if you choose to continue in warlock. Also, actually, until you reach L9 in specifically divine soul sorcerer, you don't have greater restoration as discussed, so yeah your DM can just be like "oh you don't have to sleep but you do still gain exhaustion."

I lied and I did some math. So: you are a L5 coffeelock. let's say you have exhausted all your resources on day 1. You sit down for your little bullshit 8 short rests. You can never have more than two sorcery points, because the PHB page 101 says that you can't exceed the number of sorcery points shown on the table for your level. So every hour you convert one L2 spell slot (recharging) into a L1 spell slot (non-recharging), and repeat this (you can't convert both at once! because then you exceed two sorcery points!) and you end the night with 14 L1 spells and your two L2 warlock spell slots. If you are lucky, you might get like, one short rest if there is a monk or wizard or fighter in the party and they don't hate you so much that they're willing to go without ki points/second winds/arcane recovery, and they might. I guess you just stockpile low level spells indefinitely until you have to sleep finally? if you have a week of downtime do you just. walk around with hundreds of first level spell slots and not think this is the dumbest shit of all time? ooooh look at me i can cast fucking...detect magic for 24 hours straight. can't dispel any of it though!

Leveling up is a bitch too if I recall. You need to level up in sorcerer to get more points so you can eventually convert to higher level spells, and the exchange rate is not generous (like, if you're not sleeping, it's ok, but it's not in your favor as shown with the L2 to L1 conversion) and imo warlock is the superior class, and you're probably not really taking advantage of metamagic anyway so you're barely reaping the benefits of being a sorcerer except for flexible casting. Do you feel good about this? Is this fun for you? Your entire table is watching you count out your spell slots each night and hoping fervently you get audited by the IRS in real life but man you sure showed them by being able to cast chromatic orb a lot!

Also you can't use items that recharge on a long rest, only ones that recharge at dawn. Sucker.

This is all very long because I think coffeelock is an annoying build for people who think they are smart and really aren't, but the gist is that you trade away a great deal of your utility, ability to help the party, and ability to do anything except cast rather low-level spells in comparison to what everyone who made better decisions is doing. Also it's LAUGHABLY easy for the DM to fuck this over for you within the bounds of the rules even if they allowed it. Your patron gets annoyed that you're only leveling in sorcerer. Levels of exhaustion. Your patron, who communicates through dreams, straight up abandons you because you're not picking up their calls. You keep being put in positions where your 75 first level spells won't do shit and a single third level spell would. They taunt you with items that recharge on a long rest.

It's just...well, quantity over quality. Shein haul ass character build.

[spicybylerpolls]

In response to that anon about how sex couldn't possibly have always been heavily tied to and the natural narrative arc the Duffers had in mind for Mike and Will -

Well, for one (and correct me if I'm wrong), if the pandemic hadn't happened, they would've filmed S4 throughout 2020 and likely wrapped post-production sometime in spring/summer of 2021 (possibly later). This means we would've got a late summer or fall of 2021 S4 rather than summer of 2022.

This also means filming for S5 would have likely started in Spring of 2022, or even later if we consider the fact that S4 actually finished in July of 2022 and production PRIOR to the WGA strike was supposed to start in Spring of 2023 (IIRC) That's nearly a year gap. Not only that but if you go onto the wikipedia page for S5, you'll see that because of the pandemic the Duffers were able to completely outline and rework S5. So if the pandemic didn't happen, they would also have to do an outline as well as actually write S5 post S4's drop in the late summer/fall of 2021 (in this magical, theoretical timeline).

Honestly, with this in mind, I wouldn't see filming for S5 commencing until mid 2022, possibly even the early fall.

So basically the theoretical timeline without COVID and the WGA strike would be:

2020: Film S4

End of 2020 - Mid/Late 2021: Post production

Late 2021: S4 Drops

Summer/Early Fall 2022: S5 Filming begins

This would put Noah's age at 17, almost 18 and Finn at 19 almost 20. And presumably the hypothetical sex scene wouldn't happen until the later episodes so by then Noah would be 18 and Finn would be a full 20 years old, and likely almost 21.

Like, say the scene happens in Episode 7. This would be the very tail end of production, as we know they pretty much film in blocks. This would be June of 2023 or around there... Noah nearly 19 and Finn 6ish months away from being able to legally drink anywhere in the world. Lol.

Also, Finn literally has a scene in WYFSTW where his character masturbates, and he was just 18 when he portrayed that. Why are people so disgusted by the idea of him portraying something extremely similar to this but as Mike?! In my opinion this proves it's not just about the actors (and seeing them grow up) because I haven't seen anyone say it was weird for including that scene in that movie ...

BUT REGARDLESS, like spicybylerpolls said - there are a ton of examples, WELL RESPECTED examples at that, of underage actors portraying a storyline involving sex. I mean, look no further than Degrassi. Almost all of the actors are cast as teens (sometimes pre-teens) and almost all of the characters have a storyline to do with sex at some point, most of them when they're underage.

This is a perfect example because the point of these storylines are to educate teens on sex (the same thing Mike and Will's storyline would be doing for many queer kids btw) and also to represent their many, many confusing feelings about sex. And yes, all of the actual sex scenes in Degrassi are implied - which, although people have explained how an explicit scene would be important for Mike and Will's storyline, ultimately it's not absolutely necessary for them. (Although I don't think an implied sex scene in the same vein as Degrassi (or even Jancy) is going to work within the darker tone of S5 but I digress...)

Anyway, there's a ton more examples beyond just Degrassi [Skins is the first that pops to mind] but no I don't think it would be weird for a 17 year old to have a make out and then *implied* sex scene when it's already been done and accepted in the past with absolutely no issue (as long as the actors are comfortable of course).

But this isn't what's happening so who cares. And we have already heard the Duffers state that, although they have had a lot of it planned out, they do write for the actors too. I can even recall them saying how when they got back on set for either S3 or S4 they realized the kids ... weren't kids anymore and they were going to have to write to that.

So yeah, I think it's totally possibly the Duffers imagined that in the end, Mike and Will would overcome their shame about their sexuality by ... having sex together, however that looked on screen, since there are a myriad of ways to do this without showing sex at all.

[chronotsr]

No. 5 - D2, Shrine of the Kuo-Toa (August 1978)

Author(s): Gary Gygax Artist(s): David C. Sutherland III (Cover), David A. Trampier Level range: Average of 10, preferrably party size 7+ players Theme: Underground exploration Major re-releases: D1-2 Descent into the Depths of the Earth, GDQ1-7 Queen of the Spiders

I'm almost speechless. This is the most 1e module cover to ever have 1e'd. It is perfection. The way the combat is perfectly perpendicular to the step pyramid. The bondage gear fishman who has a complete fishhead so you 100% understand he's a fishman. Lobster mommy saluting the troops. It's just….it's what dreams are made of.

So I'm already in love with this module, deeply and irrationally in love with it, before breaking the cover. If you're BORING you might prefer the later Jim Roslof cover art that's got lame things like technical proficiency. Ugh. The shit I have to put up with.

Anyway, there's a lot to talk about with D2! It's a lot of firsts for an official TSR product, and critically it's a lot of GOOD firsts.

It's the debut of the Kuo-Toa, one of the most fun groups of people in D&D! It's the first module that doesn't presume the enemy will be inherently aggressive! It's got a lot of negotiation and learning! The only good type of gnomes debuts with the Svirfneblin! This model of "alien settlement where you are not instantly attacked but you gotta learn the social rules and play along" is just the best. This will be done again in U2 and I adore U2. Yeah it's how it feels to go to a different country, especially one that doesn't speak your language, and just have everything be a little "off" compared to what you're used to, but. To me, it will always be The Autistic Experience. How well and quickly can you learn these bizarro social rules you can't intuit and what's the fewest number of whacks to the head it takes to get there? How long can you swallow your complaints when you see stuff that's obviously cruel, but the people around you don't perceive it as cruel anymore because it's The Way Things Are and they will actively defend the cruelty of it?

Ok, ok, back to your regularly scheduled program.

Gary starts off this week's festivities by telling you to be toxic to your players:

Sometimes it feels like there's three Garys in a trenchcoat and they take turns writing the modules.

So D2 starts in the cave at the immediate end of D1 and, let me derail already by saying that I really, really hate old-style hex maps. I cannot follow them -- I don't mean I don't understand how you're supposed to follow them, I mean it's nearly impossible for me to follow the diagonal to the destination. Your coordinate here is R20. Here is your map. Follow the 20 axis diagonally upward and rightward until you intersect with the R row. Can you do it?

Personally, I can't. My eye cannot follow that straight line, it will get lost in the mix of blank identical hexes and occasional interest objects. I sat here trying to follow it for 5 minutes and I couldn't do it. I need a straightedge to do it. The correct answer is that if you follow the light blue area from the bottom right towards the top left, it's the hex up and left of the fourth fully black hex you run into -- the leftmost of the two touching black hexes. I tested this against a few guinea pigs and no-one else could mange it either. Later we will admit defeat and that this axial coordinate system for hexmaps is, uh, really fucking bad, and replace it with offset coordinates (or even better, double coordinates) which more closely resemble normal cartesian coordinates, and by extension are not Eye Strain Central. They have the downside of different eyestrain (tiny font) and that you literally cannot fit as many hexes on the page, but the point of a graphic is to communicate information and the axial coordinate hexmap is bad at that unless you're playing on a huge table with like, two DM screens.

Yes this rant should've gone in D1, mea culpa. In my defense, D1-2 is, basically one module in two parts, they're not really separable.

Here's the coordinate lined out for you, since I imagine many of you have the same issue:

So, now that I have a headache trying to read, we can get to the actual text of the adventure again. Now keep in mind that max movement rate is 1 hex per 1 inch of movement for the slowest member of the party (so like, your guy wearing platemail has 60ft of movement, 10ft to the inch: 6 hexes per day). This means you could hypothetically arrive at the final location as quickly as 22/6=4 days of gameplay, 3 if no one including hirelings wore plate. That is, if you beelined to D2 by sheer luck, never got lost, never got distracted, never got slowed down, never had to take a rest day. Which is good because the food in The Depths seems questionable.

The first segment of the adventure is mostly reprinted from D1 -- random tables and maps and the like. We do get the addition of everyone's favorite early DND trope: a slavery table! And also happilly we get some goopy guys to move your eyes away from that shit:

Which, is a lot more my speed. More goopy guys. It's a roper, actually, although I frankly didn't recognize it. It looks more like the monster from Dexter's Lab? Apparently Ropers have changed a lot in the last 50 years.

So it's all random tables teasing that we're going to end up arriving at a shrine soon. There is a special entry in the back for the new Kuo-Toa and Svirfneblin, and oddly the Svirfneblin don't get a header? We don't learn much. We know that they're natural elemental summoners, that they're "natural fighters", and that they live at some unstated cave somewhere. They like their stun gas darts, they "communicate with racial empathy" (which I guess means body language?) outside their own domains, deep gnomish at home, and underworld cant when they're trading, plus earth elemental-ese. So they learn a lot as kids. They love them some traps, too, basically they're the gnomish Rambos and I love them for it.

Meanwhile, our titular Kuo-Toa get a pretty standard write-up. Driven underground, human sacrifice, raiders, like their war parties. Their priests like their mancatchers, which are based on lobster claws, they spawn in pools, they can spontaneously generate lightning by holding hands (???), are too slippery to grab, can see both infrared AND ultraviolent, can see you moving through basically any magical means, immune to poison, paralysis, charming, sleep, and are resistant to magic missile and lightning. This is, very very weird. They are wildly powerful compared to their later versions, and the only upshot is that they're readily blinded by light spells. Apparently they go insane with such regularity that they have a dedicated social role to controlling or killing the crazed? Yeah these people are a piece of work.

We get a little setpiece moment here where, essentially, there's a rogue kuo-toa who will offer you a trip across the river for 10g. He only speaks kuo-toa and he'll sicc his giant fish on you if you don't say yes fast enough. In fact, a lot of ink is spilled on this little moment, which in all likelihood will be a brief conversation and some passing of money.

Before you get into the shrine proper, some svirfneblin offer to help you in the shrine if you go halfsies on treasure (with almost that exact wordchoice).

Finally, we end up in the shrine proper, which is keyed so let us enter Keyed Mode ™️

The whole area is lit by glow-in-the-dark lichens, which is a spooky way to reveal the lobster lady idol up on the pyramid

While the party can choose to politely integrate into the crowd and play along, there's lots of little things to harass them into nonconformity. Leeches, horrifying offerings, offerings of increasing amount, having to correctly pronounce nonsense names (Blibdoolpoolp????????), holding a live lobster, it's a good bit.

You can, in fact, visit the goddess, who will give you a boon (if you give an offering) or a geas (if you don't), which also grants you kuo-toa speech and also a mark of loyalty, which is neat. You can also encounter her if you fuck around in the prince's treasure room, so the odds of meeting her are actually pretty good! Note that this is pre-"Kuo-Toa believe their gods into existence" so in this case they are worshipping a (hypothetically) permanent, naturally-occurring deity. Being that this is 1e and she is a she, she is Extremely Naked. She is later called The Mother of Lusts, which is one hell of a title.

If you fail to get the priest-prince when you meet him, he actually has a pretty rock-solid escape plan and will come back with an army. So, probably whack him if possible. I really like when antagonists have the sense to piss off and come back armed, rather than pridefully stand and die. You get the sense that Va-Guulgh is priest-prince because he plans contingencies like this, whereas other Kuo-Toa simply vibe. That being said, the Kuo-Toa are apparently not equipped for a search, so it's pretty easy to ditch them.

Sigh.

We do not have a dramatic declaration of THE END anymore, which is a terrible shame. We instead get a more reasonable "This is the end of the section."

The magic of D2 is more in the play and less in the overview. Like, look at this map:

This is a pretty naturalistic map. This is just how you'd arrange a major structure, rather than the kind of nonsense layouts you see in a lot of early dungeons. I don't put much stock in "Gygaxian Naturalism", I think Gary presented pretty intensely game-y spaces and they only seemed naturalistic by 1970s published product standards, but nonetheless he was paving the way compared to some of the silliness you got in pre-G1 modules. This map is good, I think, in that it becomes super extremely obvious to the players from the moment you enter that they extremely do not want to provoke a full alarm -- this is a shrine where you want to kill as few Kuo-Toa as you can, and as many of those as you can behind closed-doors -- it's time to straight up bail if the alarm goes off because you are not beating the hundreds of guys here if you you provoke them up front.

We end with some rust monster art, my favorite monster that I never use because I think I'd get shanked if I did. See you next time in D3!

[bugslaststraw]

I want to write but I'm having really bad pain and no creativity so I'll just say this; there is something wrong with the Now Now and not a day goes by that I don't think about it at least a bit. Because what was that phase even about? The plot is so intricate. I guess the idea was "let's stick the guy stopping everyone from being their true free selves in jail n see what happens," right? That's about how Hewlett (or was it Albarn) put it. And from Murdoc's pov it's pretty easy to understand; he's jealous, alone, and going through both literal withdrawal and the horrifying realisation that his band doesn't need him. So far so good, right? (block o' text under cut)

Except that really, nobody actually seemed to have a good time during that phase. Or did they? They seem to want to imply it, since they speak vaguely positively. Saying things are calmer and cleaner and quieter now. That should theoretically be a good thing. Only all the songs are so damn sad, even songs that seem happy have some sort of underlying melancholy to them, and when asked why, Russel says "have you ever woken up from a dream to find out it wasn't real?" Speaking of, why did he trip 2-D over in Humility? We were never told. How come Noodle spends half the time worried that 2-D is possessed by something? Are those two reasons related? Are either of those people even relaxing at all? Did they talk about it? And what's with the sketchbook or notebook or whatever, why does that have so many odd scribbles- and the lyrics, he wrote all of them himself. He calls it his solo album when prompted. Why are those scribbled over pictures of Murdoc in there? There's a sketch of what looks like the clip used from Stylo next to the lyrics for Souk Eye. And what does he mean by "where have you gone"? Why does the demon drawn on one page look so much like the thing Murdoc said saved his life? What did all those slogans mean, like "G is the magic number" and "save us from him" and, actually, how did Murdoc even survive to begin with, since he already sold his own soul off and didn't have any convenient virgins to use instead? Why do Russ and 2-D go total radio silence as soon as he's presumed dead, giving no interviews or social media presence or shows or songs or texts for months while Noodle was in Patagonia? Why doesn't she mention them? What were any of them really feeling during the Now Now? What was going on-?? What is this fucking story even trying to say? That you become unbearably cocky if you don't have someone around to hurl insult at you 24/7, I think not? If that was the case why do they all come off like they're hiding some big awful secret the whole time and just pretending to be happy- gods I don't even know anymore fuck this here are some of the well scanned pages I have

[veliseraptor]

twenty questions for fic writers

tagged by @feralkwe - thank you! I feel like I've done this before but if I have it's been a minute so

1. How many works do you have on AO3? across pseuds I have 1,010 works. with my "current" one I'm at 607. that is more or less my entire oeuvre, though there's a fair number of short fics on tumblr I haven't gotten around to crossposting though I'd ostensibly like to at some point. eventually. maybe.

2. What’s your total AO3 word count? 4,873,723. aYIKES. but hey closing in on 5 million! wonder when I'll hit that. I bet I would if I posted my unfinished wips for the mcu tbh

3. What fandoms do you write for? ever or currently? the list of fandoms I have written at least one fic for (not counting ones where the one fic was a crossover) is [deep breath] the mcu, the untamed/mdzs, supernatural, the silmarillion, a song of ice and fire, black jewels trilogy, wheel of time, doctrine of labyrinths, death note, the caliban leandros series, avatar the last airbender, kinnporsche, doctor who, buffy the vampire slayer/angel, gentleman bastard sequence, marvel comics, harry potter, temeraire, good omens, code geass, realm of the elderlings, greek mythology, dragon age, sandman, dexter, lymond chronicles, the firekeeper saga, lucifer (the tv series), crimson peak, kushiel's legacy, the x men movies, chronicles of narnia, twilight, and a couple other small book fandoms.

i used to be a lot more multifandom than i am now in terms of what i wrote for, and have been writing fic for which is how this happened.

4. What are your top five fics by kudos? Not my favorite fics, for the most part. They are:

Life in Reverse (MCU)

With Absolute Splendor (The Untamed)

some good mistakes (The Untamed)

half a league onward (MCU)

The Villain Wrangler (MCU)

5. Do you respond to comments? I do not. I feel bad about it, but (a) I don't know what to say, (b) I feel unbearably self-conscious/self-important trying and (c) I already have too much I'm trying to do in my limited time/too many obligations I have placed upon myself to add another one that will just stress me out. Again, I have all kinds of guilt about this, though, which probably kind of defeats the (c) purpose of not doing it.

6. What’s the fic you wrote with the angstiest ending? Almost certainly Mercy, though it's possible I could dig up others; that's the literal murder-suicide one, though, and I'm pretty sure I've only written one of those. I've written a lot where one character dies but another survives and has to live with the grief, which is arguably worse? but I still think Mercy wins. once there was a way to get back home might give it a run for its money, though.

7. What’s the fic you wrote with the happiest ending? I've actually written a fair amount of fic with happy endings! just mostly they have to suffer to get there. but trying to think of fic with a straight happy ending...I feel like I wrote some fairly fluffy fic in Black Jewels Trilogy fandom that I don't want to link to because I don't think it's very good. Maybe Life in Reverse, honestly? That's a fic where I tied up most things and resolved them in a pretty happy way.

Oh, or actually With Absolute Splendor might qualify.

8. Do you get hate on fics? I have in the past! Not a lot, but it happens every so often. Usually I just delete it, tbh; it doesn't feel worth leaving it there and I'm certainly not going to respond to it.

9. Do you write smut? If so, what kind? Sure do, primarily for pairings that are dysfunctional in one way or another, and for the most part I want the sex to say something about the inner life/psychology of the characters I'm writing. truly plotless smut does happen but I find it weirdly difficult. I have to do so much pre-justification work for my smut, at least in my head if not on page.

a lot of what I write at least has a little bit of kink or D/s flavor to it even if it's not explicitly written as such (and a lot of it is at least a little explicitly written as such). I also like to write about power dynamics (in sex) and sex that's sublimating some other emotion or desire, if that latter makes sense.

10. Do you write crossovers? What’s the craziest one you’ve written? I used to, but not anymore, and I probably won't; I don't know why, but I'm just generally not a crossover fan these days. But I did write a Lord of the Rings/Cthulhu Mythos Morgoth/Cthulhu fic back in the day. No, I'm not going to link it, you can find it if you really want.

The Scarlet Pimpernel/Black Jewels Trilogy might be objectively weirder but it was because of an RP and therefore feels more reasonable to me.

11. Have you ever had a fic stolen? I had forgotten about it until just now, but yes, actually. Including one that actually got reposted on AO3, which takes a particular kind of guts that's not the same as reposting on Wattpad or the like, imo. (I've also had fic scraped off AO3 and reposted on other sites.) The person took it down when I called them out on it.

12. Have you ever had a fic translated? I have been fortunate enough to have a number of fics translated into a few languages! I was curious which ones so I went and looked, and it looks like I've had fic translated into Russian, Chinese, and Japanese.

13. Have you ever co-written a fic before? I've started co-writing a fic but never finished one.

14. What’s your all-time favorite ship? Might have to give this one to xuexiao, though there's a lot of room in my heart for many ships! that's just one that hit an incredible number of my favorite things squarely on the head several times, leaving me concussed and helpless. It's so much, you guys.

15. What’s a WIP you want to finish, but doubt you ever will? There's a number of my MCU wips that I look at and am like "yeah what I have of this is good actually, too bad I'll almost certainly never finish it", among which is Dead Superheroes Walking, the fic about everyone who died in Infinity War being trapped inside the Soul Stone and having to work together to fix the ensnappening from the inside. I have about 3/4 of it written if not more and the remaining quarter will probably remain unfinished. It was Wanda POV and a lot about Wanda and Loki bonding.

another one is the one where Hela decides instead of fighting Odin to strategically back down and plan to overthrow him later, and therefore is around while Loki and Thor are growing up. I really liked what I had of this one, and really enjoyed writing Hela's POV, but again. don't think I'm going to end up finishing it.

I have a whole folder called "MCU Salvage" that's basically my MCU wips that I parsed out because I was like "these are pretty good actually, maybe someday I'll have the motivation to return to them", which is probably delusional but, well. one never knows.

16. What are your writing strengths? I think I'm pretty good at dialogue - I love to write characters having conversations, probably to a fault - and, when it comes to fanfiction, characterization.

17. What are your writing weaknesses? Worldbuilding for sure is one. I hate it, I don't think I'm very good at it. also description - I feel like I lean heavily on dialogue in fic and tend to go light on descriptive language. this is probably partly because I'm not a very imagery-focused reader, so I don't think a lot about creating a "visual" with my writing, but also because I just don't like doing it as much as I like writing about internal thought processes and interpersonal verbal exchanges.

18. Thoughts on writing dialogue in another language for a fic? I almost certainly would not do it, as someone who is monolingual and has zero confidence in my ability to do it right in a way that wouldn't read absolutely awfully. The one exception to this is in Lymond fic, and that's because the canon did it first, so it is fully justifiable for me to have this guy spout off in five languages in one fic. Otherwise...not since I tried writing a fake Phantom of the Opera fic mocking bad Phantom of the Opera fics.

19. First fandom you wrote for? I always say Wheel of Time because that's the first fandom of my heart but technically I wrote a crack Harry Potter fic before I wrote for Wheel of Time. But in my heart it was Wheel of Time. That was certainly my first fandom in any meaningful sense of the word.

20. Favorite fic you’ve ever written? This question is my nemesis. My favorite fic I've ever written changes at least once a month. I have a series for this on AO3 that I'm going to link to as a lazy answer to this question even though that's sort of 50 of my favorite fics, so sue me, I've written a lot of things over the years and I actually do like a fair number of them, even if you have to make me say so.

tagging uhhhh @highladyluck, @curiosity-killed, @ameliarating, @gloriousmonsters, i'm not sure how many people i'm supposed to tag for this but if you want to do it, go ahead?

[ferociouslycreativemystery]

I just finished the Button House Archives and it's SPECTACULAR. Here are some personal highlights:

I love Alison's additions and comments in lots of places. She is fighting tooth and nail to stay on those hinges, and we love to see a character with spunk!

Mick's facial reconstruction could be the most horrifying thing I have *ever* seen

Mary's bits are some of my absolute favourites. Her speaking/writing voice is just delicious

Pat was just a terrible group leader wasn't he XD the arrow was really just a matter of time. He should have gone orienteering with them first, then he might have lost the kids before they could kill him

HAH I unwittingly picked Kitty's "character quote" to use in my video edit :P I feel validated

Thomas with his painfully literal complaints about other people's poems OMG rip bestie you would have loved tumblr (I haven't listened to the audiobook yet but I swear I can hear his "counted them, did you?" through the page)

I really like the way you can glimpse parts of later documents around the edges of earlier ones (like with Pat's folder, where the layers are removed one at a time, p. 22-23, 40-41, etc)

Hang on, just gotta go put on One Night in Bangkok for Robin (wait, now I need to hear him say that out loud)

Cap's munitions requests and personally penned operations with their TERRIBLE hand drawn maps that he keeps sending to actual Southern Command; I am fascinated by your mind sir. I believe he suffers from the same affliction I had in school where a combination of the dunning-cruger effect regarding general knowledge and teachers not talking to you in person about what you write in hand-ins causes you to just sort of assume everything you do is brilliant and that then it simply disappears into an unknowable void, and therefore you feel basically free to confess to murder in writing without ever thinking of the consequences. Embarrassment and second thoughts are very much face-to-face kinds of emotions (as he. ahem. would come to find out). Like, is written communication even real? Did it ever really leave your head?

Also: his war diaries were published? 1) who chose to publish them and 2) did Havers ever come across them by any chance? (plus: love to see a fellow tiny handwriting person. Cheers!)

The hand lettering on everything is so well made!!! I know a little (heavy emphasis on 'little') about palaeography, and the writing styles are recognisably of their eras, if many of the letter forms have indeed been updated to be readable for modern audiences. Compare for example Arthur Pinhoe's writing from 1575 (p. 8-11) with this actual letter from 1547. Also this actual 1700s writing to Kitty's diary entries from 1779 (p. 70-71 etc). (These samples are in Swedish but minus åäö they're all the same letters.) The writing also follows the pattern of older script being generally more rigid and standardised, while the closer to present day we get the more individual the handwriting becomes, which is a great opportunity for additional characterisation—which has also been very well implemented I think. I'm devouring every page of this, line by line!

REST IN BRIEFS (also the sly tail of the 'y' from the Daily Mail title just visible above the only compassionate headline lmao)

The reason I cannot talk to people is that Fanny's etiquette rules on conversing take over my entire mind from the moment I see another person.

Oh Kitty, I am coming to pick you up—you can be my sister instead of Eleanor's. It was nice to read her final entry though; finally the trick backfired and she got something good out of it while Eleanor suffered. Bieetch.

FANNY. SINCERELY. YOU ARE INSANE. I already knew about the letter where she demands reimbursement for the unsunk 7/8 of the Titanic's journey that she was cheated out of, but to SIGN IT OFF WITH "Would be survisor/victim of the RMS Titanic". Unbelievable.

Pat write a legible word challenge

I have a slight suspicion Julian might have had something to do with the designs for the Boys Adventure Club badges...

The "pictures of the ghosts" will make excellent reference photos for the various rooms, I appreciate them very much (should we make a game out of copying them and filling in the ghosts? There is a lot of potential there)

Humphrey, my guy... do you need a hug? (Sorry.)

FLOOR PLANS FLOOR PLANS FLOOR PLANS THANK YOU SO VERY MUCH I WILL TREASURE THESE WITH MY LIFE

Robin's constellations are impeccable I say we officially replace the zodiac with these no more superstition only bum

Julian's final email was really well written; a single page yet it's oozing with character and story

The behind the scenes pictures at the end are heartwarming. I am slightly alarmed at my ability to pinpoint the precise scene in the specific episode many of them are from though... is it maybe time for a break?

No. Never!

[most-tragic-character-tournament]

Nothing gives me whiplash more than the way my feelings progressed with this poll, also @/ the person talking about "i won't say i'm in love" im howling, you chose the one animated disney song that also happens in a greek lore movie, hitting two olive branch carrying pigeons with one stone. im also impressed for you, OP. You wanted to be tumblr famous and look where you're at lol. I also started reading Antigone and like 3-7 pages in idk it had a table of contents too, and alright, classics stans...I see where you're coming from. But this is giving me ideas. I debated sticking with the old english style of writing, it's not like I can't pull it off, or a modern version of it with the same tone and expressions, but anyone clicking ao3 for this is not going to want 10th grade english flashbacks and it IS a lot of work to keep consistently for however long this might end up so. and that I don't think I can pull of for a fic which is already such an insane concept lol 🫡 I'll go with the easier to read version of the play for how Antigone speaks. type up an outline, then figure out a title. I cannot believe this thing is getting its own fandom and lore. gonna have animatics on youtube and people are gonna be looking at us like they do the fandom for that dream guy like??? same tbh. I want to study this phenomenon under a microscope. My Prof has a PHD in Psych and I may as well ask. Heck, I could turn this into an actual psychological study, we have an honors program for that in College and she can send an email to The Serious Guys In Suits Committee. It'll just need some serious rephrasing to sound like a legit study. I see some issues tho, bc it's one of those you can't solve with an anonymous survey but I'll keep it on the back burner. I think it has some honest potential for furthering other disciplines in historical and social sciences. It's literally a type of conflict resolution, I KNOW people are studying and arguing about that in academia and other gov/research/social work positions. I'm vibrating OP, I don't think you realize how many factors can be nitpicked for a study here. We have a model UN club in the building, and just. the impact of the modern age, with it's evolutionary and environmental aspects on how people respond to conflict is something multi-chaptered.

HOW. JUST—HOW IS THIS HAPPENING

[artemisandhersilverbow]

If there are no fans of Taylor's lyric vids it's because I'm dead. They add so much richness to already elite lyrics. But I was immediately suspicious during The Manuscript video.

Because my understanding of what a manuscript is, is the following:

I had assumed, like many prior to the album drop, this was meant to make us think of books. These days in publishing a manuscript will be typed, but it's not the book in its final form.

In the Tortured Poet's library popups in a couple cities, there were a lot of books. Blank ones, damaged ones, ones with the names of TTPD song titles, and notably a handwritten "Story of Us." That hand written Story of Us then showed up in the Fortnight MV. Interesting...

Of course, any long time fan knows the role Taylor's diaries play in her music making as well. Her music has always sounded confessional and it's been one component of her musical super power. During Lover promo, excerpts from her diaries were sold alongside the album. She's underscored their importance many times.

So imagine my surprise when The Manuscript video... doesn't show a manuscript...

That is a screenplay.

And I click back to the first seconds of the video... looking at those underlined letters and asked myself... is it The Man U Script? *if i was a maaaAAn*

The way she has these lyrics written out in screenplay form... we're watching a scene narrating the "She" character reading something unpublished, perhaps handwritten, perhaps a diary, maybe lyrics. I assume the "HE" which is in voiceover is what she's reading and her lines are spoken.

Anyway, I wont break down the full scene because I haven't watched it in this new light yet. But this tension between the song name at first glance - something unpublished or handwritten. Messy, unfinished, not meant for the public, perhaps even at its most authentic... vs. characters in roles. Men that are scripted... well that's adding a whole knew dimension to it.

I really appreciate how before I watched this, the song feels like it's told in vignettes and time moves dramatically. But I didn't appreciate the play on POV initially (and there's a ton of it in this - very good - album)

Also noteworthy that, yes, there seems to be reference to the ATW short film, which makes even more sense to me now.

But anyway, the narrative about this album has once again become about the men. Which isn't new, but always disappointing. Genuinely, I got something really different out of this album by not focusing on solving those romance riddles with my own confirmation bias. The other story, the one about a singular artist, percolating beneath the surface is far more interesting to me.

It wouldn't be the first time she's called out the people who consume her work in this album and, frankly, it's one of my favorite things about it. It's cutting and it's earned. It's also heartbreaking. But for a song that confused me, is the bonus on all the regular editions of TTPD, I think it would be a lot more satisfying if this is the message she's leaving us with. That once I publish my work, my stories, in it's final constructed/edited form, I've moved from the place I was when I experienced them. And then when its published the truths you seek to dig out from my words don't belong to me - it belongs to you. Just a thought.

Edit:

I think there are a lot of ways to read this. In conversation with the fans/outsiders is the main one, which I touch on before.

But for a more literal reading using some clues from the video, I know how Taylor can’t resist utilizing a number when it’s available for a little clue. Now I think reading each page number by era… is actually a fun (still devastating) way to do that. As you’ll imagine 3 and 4 are where those lines show up.

But we end on 7 where she’s accepting she doesn’t own those albums anymore, but all that she’s left with is the manuscript - which I would guess is her music (published and unpublished) and diaries.

Lover era + promo diary era was her first entirely owned era, but as the song says “looking back” or re-recording/vault tracks/doing it on your terms is the only way to move forward.

Also how about the hard to catch glitch over the words “the actors”?