#literally one what do you know

[touchlikethesun]

every now and again i am hit by the knowledge that i am a deeply cringe, untalented, unmotivated person. and then i just have to go on with my day.

[puppyeared]

who is your favorite AA character? 👁️👁️

ziska… I hope capcom brings her back someday

[egophiliac]

IT WAS ERIC AFTER ALL!!!! I'm so glad we got to meet him (before Vil snaps him away with those Infinity Gauntlets) (can't wait to see what happens when we get the matching Infinity Tiara to go with them, there will be no survivors)

(sorry to be so slow/rough lately, just got a lot of stuff on the ol' brain at the moment! alas, if only I could spend all my time drawing incredibly stupid characters I mean I do but)

[monstrousproductions]

So, I responded to a post over on my personal blog about people behaving "weird" in public and mentioned that being a bit smelly is not, in fact, a moral failure. And I just looked at the comments and feel deeply moved to reiterate:

Smelling bad in public is not a moral failure.

In fact, I'll go one step further:

There is no moral dimension to cleanliness.

There are all sorts of reasons a person might be dirty in public. They might not have access to the facilities or products they need to stay clean, they might be coming home from a dirty activity, they might have mental or physical conditions that make it hard for them to maintain their personal hygiene, they might be dependent on other people for their hygiene needs and those needs aren't being met.

Also, with smells in particular, "bad" is subjective. I'm personally extremely sensitive to perfumes and aftershaves, and while I can sit quite peacefully in a crowded bus that smells of BO, I often have to leave shops or get off buses because someone's perfume, which they no doubt think makes them smell lovely, is actually making me gag.

You don't have to go and huff great, gusting lungfuls of air around the next smelly person you bump into in the corner shop. By all means, breathe through your mouth, change your seat, open the window, wish the situation were different.

But you do need to let go of this idea that a smelly or dirty person is also a bad person. They're literally just a person - just another human animal living in their animal body, trying to get from one day to the next. Sometimes, people are dirty. Sometimes, they smell bad. If that's not something you can encounter without taking personal offence, you need to seriously reassess your own expectations of being in public.

[naturecalls111]

unorthodox murder mystery

[warren-keplers-funk-band]

hi. this,,

is just the spiritual successor to

[chronicowboy]

look i really don't think confessions is going to be canon queer eddie but i don't think it needs to be because well. just for a moment. imagine eddie looking at buck for the first time after letting shannon go for good. imagine ryan guzman as eddie diaz looking at oliver stark as evan buckley for the first time after letting his wife rest finally. imagine it.

[vaguely-concerned]

on the one hand I think inner demons could stand to have a bit more romanced rook specific content, but on the other hand the underlying in-built implication that 'yours is the one true voice of comfort and safety in my inner world' is a sentiment and intimacy so way beyond the romantic or the platonic or any secret third thing you could care to name that it makes me lose my entire poor little mind a bit. it's so big and fundamental — near-existential — that in that exact moment at least the distinctions kind of seem irrelevant.

all the people lucanis' mind conjures up along the way are relationships he has that are unavoidably mixed and fraught in some ways even when they're also full of love (they are fraught BECAUSE they're full of love) — the good in them inseparable from things that hurt him at the same time. (it's about: the basic disorganized attachment patterns this poor guy is dragging around with him. careful with those, they're dellamorte heirlooms. what you love also inevitably hurts you and you won't be allowed to have one without the other, you have to surrender parts of your soul to hold on to what little you have left: this is the story up until now.) and the idea that rook isn't that to him — that beneath the fear of wanting them when romanced (which is more its own separate thing because within this psychology, actively wanting something and not just clinging on for dear life to even a meager status quo lest you lose it is in itself dangerous bordering on catastrophic), this is a relationship where there isn't resentment, or guilt, or shame, or dread, or rage, or self-hate, or any of the other emotions that keep him paralyzed, unable to move this way or that. no debts, nothing owed of yourself and your soul's substance except what you can freely and safely and happily give. love and freedom don't coexist — but, I mean, you're almost starting to make me think........... unless...👀👀👀. the unconditional and undramatic 'you are here and I am here with you, you can be exactly how you are right now with me and it's safe for us both even though you're afraid it won't be, I'm not going anywhere' acceptance rook shows him here that he returns to them in the big romance scene, when it's rook who needs it. the way he's just. standing there in the center of it all, like a child desperately helplessly waiting to be found, hiding in the place he hopes you'll know to look first. (rook does know. it's one of the first things they say in there.)

in short the most important room in his little mind palace for the romance is the very first room — the one where rook isn't. where, in fact, rook cannot be, because they disprove the entire structure of the place with their existence and presence in his life. with everyone else he's putting words in their mouths about what they think of him, and rook is the one who actually gets to come in to speak their own words to him — and have him listen. ('he'll listen to you, he always listens to you', 'your voice is a comfort'.) of course rook isn't present anywhere else in there — at the risk of stating the obvious to a tedious degree, they aren't one of the locks, they're bringing the key. in the very finest 'the messenger and the message' sort of way.

[poorly-drawn-mdzs]

Daddy, don't go.

[First] Prev <–-> Next

[yrsonpurpose]

"such a mouth on you!" 👀👄

[casualavocados]

Learn from who? Learn from you?

Chen Bowen as CHEN YI & Chiang Tien as AI DI KISEKI: DEAR TO ME (2023)

[lotus-pear]

whatever happens, please don’t break

[smthnsmthn-whumpblog]

i would like to see more permanent brain damage in whump please and thank you.

and not just traumatic head injuries, though they are fun, but also shit like hypoxia. you know how much fun you can have with that? like, maybe your whumpee drowns and is fully dead for a hot second, and there’s just. no air inside them for a while. they come to after someone saves their life and they’re just hacking and coughing and spluttering and desperately trying to suck down air, you know the drill. or maybe they get shot, in the liver or something, and they just won’t stop bleeding. when they eventually do, they’ve lost so much blood that they’re on death’s door, and there’s a race to get them a blood transfusion before it’s too late. the team manages, but only just, and whumpee’s brain has been deprived of oxygen for so long that when they eventually wake up, they’re so confused, and weak, and scared. fun stuff, right?

and then you have the brain damage. there is so much fucking potential here for whumpy recovery shit. maybe they can’t talk anymore, maybe they can’t understand people anymore, maybe they can’t move properly anymore, maybe they become a different person entirely, a la phineas gage. and they don’t know what to do. their entire life has just been permanently altered, their fucking brain is different now. they lash out more, they wished they didn’t but they can’t help it. or maybe they just become apathetic, and they can’t feel any emotions strongly so they’re just left with this dull, droning sense of guilt for being such a dick. maybe they start crying every now and then, and they don’t really know why, they just feel so fucking sad. maybe they get consumed by this dreadful feeling of isolation, unable to communicate with their friends like they used to.

and then the team has to try and rehabilitate them.

[egophiliac]

did you know that in one of dorm epel's voicelines he mentions he once got lost in pomefiore and ended up in a creepy basement. it's never mentioned again or given any clarification and i think about it every day

that comes up a couple of times actually! there's just like...a weird creepy dungeon slash old alchemy lab that the Pomefiore castle was built on top of. I think Vil might use it sometimes? but really it serves absolutely no purpose beyond the characters every once in a while being like "oh yeah, there's that secret underground laboratory we all apparently know about" and then never elaborating on it at all.

(I know it's a movie reference, but it's still pretty wild to just. in-universe have a not-so-secret basement alchemy dungeon that never has any relevance beyond a couple of throwaway lines. what other buckwild secrets does NRC hold that the characters just never talk about for some reason)

[sunnymainecoon]

I know damn well I misunderstood the assignment but we roll, I'll understand it some day

It's killer and dust btw. If you couldn't tell. Which you probably couldn't.. forgor to say but shhh 🤫 Killers having a convo with himself..

..I kinda wanna change my url but idk to what

[miiilowo]

more spn ponies :-) rounding off team free will w/ cas and jack