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love-takes-work · 8 months ago

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WHAT WAS THIS SHOW ABOUT?

One thing I really love about Steven Universe is that each of the four major characters kind of got a chance to be What The Show Was About. I would have LOVED spending more time with all of them and delving into who they were and who they became beyond what we got, but what we got was . . . actually pretty special.

STEVEN

As the ACTUAL main character and the show's literal namesake, it's obvious he's the protagonist. Our man has been through a lot and I don't suppose anyone would say he never got his moment considering he was there for the whole show. But except for some pretty important identity stuff that depended on his choices in the last episode of the OG show, a LOT of Steven Universe is stuff that happened to and around Steven. There was so much history and so much baggage that a lot of the story was about how he fended it off, dealt with it, fought it, reasoned with it, and managed everyone's emotions in the process.

Steven is set apart from the others in extraordinary ways: being half human, being extremely young, being Rose Quartz's son, and having Diamond-level powers and a claim to the Pink Diamond throne.

We had to wait for Steven Universe Future before the show was entirely focused on him, his development, his trauma, and his healing.

Some episodes from the original show focused on Steven's mental health and growth as a person--most notably "Mindful Education"--but we just didn't get to linger very long with his development until the epilogue show because plot stuff was always happening, other people's feelings were taking center stage, and worlds needed saving. I'm really glad we got Steven Universe Future for that reason. Some people disagreed, but I felt like it was a long overdue look into the soul of who he is--how his central defining character trait was his selflessness, and how desperately he needed to address that without having it manifest in a toxic way in the tradition of Jasper, White Diamond, or Pink Diamond.

AMETHYST

It could be argued that Amethyst had the most careful, nuanced, significant character growth of the three supporting Gems in the show. And it started immediately in the first season, when she constantly squabbled with Pearl and revealed that she felt judged and stifled and treated like a misbehaving child as early as "Tiger Millionaire."

Amethyst is set apart from the others in extraordinary ways: She's the clear outsider as the one who didn't fight in the war, the only full Gem from Earth in the group, the only Gem who grew up with no Homeworld dogma but also no roots, the only Gem who'd never met another one of her own and longed on some level for that connection.

The show continues to check in with Amethyst's self-worth issues throughout, giving us "An Indirect Kiss," "On the Run," "Maximum Capacity," "Reformed," and even "Cry For Help" (which seemed like an Amethyst episode until Pearl did her thing). We get "Onion Friend" when Amethyst shows us she thinks she's boring and that nobody values her. And we get "Too Far" when Amethyst really starts to internalize her inferiority based on Peridot's assessment of her and revelations of her origin.

With her cooking on that, we end up spending a string of episodes with Amethyst as the focus character. She's still shaking off dust about not doing what she's supposedly made for when a fight with Jasper twists the knife. She's beaten and insulted and almost physically destroyed, having to be rescued by Stevonnie. Steven misguidedly tries to cheer her up by letting her win at video games and she reveals that she thinks she's "the worst Crystal Gem." She finds an ally in him but still wrestles with her inferiority to Jasper. And when she still can't beat her in a rematch, she breaks down and realizes her strength is in togetherness. From there, she begins the process of healing, helped along by additional support from her family and finding some connection with meeting the Famethyst. When "Tiger Philanthropist" comes along and reveals that Amethyst doesn't need the outlet of wrestling anymore because she DOES feel she's good enough, we can reflect on what she's been through and how far she's come, and how that leads to her being the one who doesn't fall apart on Steven in the face of huge revelations about his mother.

GARNET

Garnet kind of peaked early, which is not to say it wasn't great. The final episode of Season 1 revealed her identity as a Fusion and further that she was "made of love," and then everyone was on the "Garnet is awesome" train.

Garnet is set apart from the others in extraordinary ways: being a Fusion all the time, leading the team and generally holding the others at an emotional distance, never asking questions, offering resources to the others for stability and balance, being the only Gem with Future Vision and a massive responsibility to use it well.

"Jailbreak" was a huge defining moment for Garnet, and as the "stable" character whose worst problems were mostly other people's problems, she did not seem to need a character arc. She was the culmination of a love story, always awesome and strong and dependable and everyone leaned on her, and in "Jailbreak" we found out why she has such an amazing foundation. But the show was not done with Garnet. Not by a long shot.

Pearl hurt her badly in "Cry For Help." Garnet's breakdown and subsequent focus on building Pearl back up was a significant look into how Ruby and Sapphire operate as a couple. Garnet is amazing partly because she is the result of all that work, but who is she as a person? As an individual who isn't an individual?

We see some of her struggle with leadership as the show moves on--most notably "Pool Hopping," and some of the last episodes when she can't make decisions in the Diamonds' shadow because everything's become about Steven's choices. But Garnet gets a spotlight again when Ruby and Sapphire feel differently about the Pink Diamond revelations and they worry Garnet only exists because of a lie. Digging into the real answers of who they are together through finally asking "The Question," and defining their fusion in their own image, was a move toward more authentic stability for Garnet. Her wedding made headlines, and watching her spearhead the immediate fight against the Diamonds on the beach was awe-inspiring.

PEARL

Pearl is initially presented as "the perfect one"--she's persnickety, she's organized, she's hyper-competent, and she's all about rules. But something else is going on with her not far beneath the surface. The first Gem to die onscreen--because of overconfidence and a silly mistake. The first (full) Gem to cry onscreen (and then over and over and over), the first to have a breakdown (and then over and over and over), the only one of the four to have faced an impossible choice, a relationship that nearly destroyed her, and a secret that ate her up from the inside. She was the only one who had (nearly) the whole story. All along.

Pearl is set apart from the others in extraordinary ways: the oldest Gem of the group by far, the one who served a Diamond and kept Rose Quartz's secret against her own will, the one who doesn't eat, sleep, or shapeshift. The one who both sat at royalty's right hand and existed as the lowest form of Gem life--created to be a servant, with programming no other type of Gem must live with. Her anxiety, grief, and desperate loneliness makes her one of the most multifaceted and interesting characters in animation history.

We see some minor wigging out from Pearl in "An Indirect Kiss" and a more intense version of it in "Space Race," but we get a much clearer picture that Pearl is Not Okay in "Rose's Scabbard." At that point we assume she thought she was closer to Rose than she really was--that she thought herself special and partial to secrets no one else knew, but that it wasn't true. "Rose's Scabbard" is a different episode on rewatch. Pearl is right that she alone was the one Rose "told everything." She did have a special relationship with her that the others did not.

Pearl's insecurity continues to bite us in the face as the show goes on. She tries to mold Connie into a self-sacrificial super-soldier after her own image in "Sworn to the Sword." Her deep need for someone strong to tell her what to do leads her to betray Garnet in "Cry For Help." Her inability to appropriately make it up to Garnet further complicates our understanding of how she can be so lost. Her jealousy, inertia, and angst frustrate her relationships, with some nice resolution in "Mr. Greg." Peridot's lore drop about Pearls' slave status sheds light on this, and seeing her get underestimated and bossed around by other Homeworld Gems is disheartening as we move on, but when we finally find out that she was Rose's secret accomplice in a false murder that poisoned thousands of their own citizens and led to massive waves of death, and that Pearl's free will to speak about it was also ripped away from her, we finally know, we know why she's been so brittle she could snap all along. She's been trapped inside herself all this time--in an almost literal way--and it's a wonder she's managed to carry on. Pearl's arcs have often been deemed the most emotionally fraught and tinged with gray morality.

These characters all got some very important story arcs focused on them in the midst of moving the plot along. I think the show did a phenomenal job with not only emotional development but with fallout for the other characters. We got to see the Gems' (and other loved ones') reactions when Steven's mental health took a nosedive, and watched them learn more about how to be there for him. We got to see Steven's initially misguided attempts to hype Amethyst up when she was spiraling, leading to him offering her what she actually did need, along with Garnet and Pearl (as Sardonyx) misfiring a bit when they wanted to celebrate Smoky Quartz. We got to see Steven's curiosities and misgivings about Garnet's life as a Fusion, and how Garnet affects others when she does crack under the strain, and how Steven must step up to leadership when Ruby and Sapphire are separated and how Amethyst tries to take care of him while Pearl has a guilt spiral. And we see how Pearl's choices led to Garnet's silent treatment, Amethyst's sulky helplessness, and Steven's attempt to hold the family together; we see how Pearl's confession reformats everyone's understanding of who the Crystal Gems are and why they're even here.

And even when the show is taking careful turns with each character to paint their nuanced feelings and troubles on the screen, it still managed to give us such a worthwhile overall story, with action and backstory and worldbuilding and everything. What's different about it is that the center was always its people--their relationships, their psyches, their evolution and education. I truly love the balance these creators chose, and I remain grateful that we got to experience this story.

#steven universe #my su analysis #character analysis #myblog

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vacantgodling · 2 months ago

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❤️❤️❤️❤️ ramble ACTIVATE

RAMBLE TIME ACTIVATED! i'm gonna do the same thing that you did and do multiple wips :D sooo wheel randomizer here we come lol

(1) atreyus and the black knight (aka the worthless war universe)

so i don't know if i mentioned it to anyone yet, however worthless war is kind of getting a league of other short stories centered around the entire situation and concept of worthless war. these stories are going to stick in specific tenses/POVs to communicate a specific aspect of the story and what it says about them and how they view the world.

so atreyus's pov is always second person (and is the pov character from worthless war proper)--his narrative pronoun will always be "you" because for him, the trauma of the war is an out of body experience; the person on the battlefield doesn't feel like him and he has a hard time connecting to his life after the war, so he uses "you" to create distance between himself and his memories.

the black knight (who will never get a name beyond this btw) is always going to have an "i" narrative pronoun because he is DEEPLY entrenched in his trauma. the ptsd is strong with this one. so every time he thinks about the war and what happened its like he's reliving everything. you can see that in this poem which is apart of the universe: knights on a dangerous quest

lucasta (atreyus's childhood sweetheart/wife) will have one or two short narratives in this as well, and she will always have a third person narrative; and following with the theme its because she didn't experience the war directly, so she has no personal attachment to it. she only sees how it affects atreyus.

(2) broken clouds

welp i was gonna try and find the old art that i had of green just for the sake of having something to put here, but tbh i searched through all my sketchbooks and whilst i know it is there somewhere i can't find where and that is annoying LMAO. ig the only thing i have to ramble about is i still am not sure if i want to add dulce to this wip or not; like i love dulce and he's such a fun character to draw and i do miss drawing him (since broken clouds is less of a wip and more of a bunch of unrelated doodles) but at the same time idk if he'd fit in with the crew. i also feel like i should redesign gator--i've had their design for years, but i just hate drawing their hair LMAO.

(3) the virgin of mt heredosa (aka the star child)

so, the star child and the universe of the virgin of mt heredosa, are something my partner and i recently combined into one universe so its kind of a cowritten endeavor. y'all saw my art of naseer, my ANGEL BOY i would kill for him, but he's the second kind of most important mc here--the main character of the first half of the star child is named hassan and tl;dr he's a demigod--his father is a god of war (who is actually verin from mt heredosa's eldest brother and the only one who did not shift the blame of their father's death onto him. he was unable to overrule the rest of their siblings so after verin was banished he left of his own accord and ended up becoming the main deity of the land that the star child takes place in) and his mother was a human, but became a goddess after she gave birth to him. tl;dr hassan had to be half human bc #prophecy shit.

the biggest issue with the land of the star child is that most of the ethnic groups and tribes are p much under forced occupation and slavery via a tyrant king and hassan basically is a chosen one not really but kinda is that overthrows said tyrant king and ends up becoming the new ruler of the place. he has a band of friends who help him out, as well his eventual wife and future queen, tisana who is actually a lovely trans lady :) they end up being chosen bc they were successful to raise the Actual prophecy tm child naseer because naseer is literally a young god birthed from the stars tm. hence the title, the star child :DD

i love these characters and this story a lot and i get to do So Much worldbuilding for it so i'm real excited about it :DD

(4) gothica

something about gothica is tbh idk if i'm ever gonna change the title the shit is just stuck now 😭😭 i originally gave it that (well, technically gofficka) as a temporary title because i was taking inspiration from kinda... shit written dark romance ya novels and my immortal LMAO and i remember when i read my immortal in one of the chapters she spelled gothic as "goffick" or something like that, so i named it that to be cheeky and then i started spelling it gothica and now idk what else to name it. like i could give it a more usual style title but i think it harks back to the campy roots of this mess so i'm kind of inclined to keep it. idk man LOL.

#thank you again for asking :D #s: the star child #s: the virgin of mount heredosa #s: gofficka #s: broken clouds #s: worthless war

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unicorrrrrn · 1 year ago

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what are your fav kdramas?

Yay! An ask on my main tumblr!! I have SO many favorite k-dramas that I love for different reasons but these are the ones that come to mind that I think about a lot.

Most of My favorite K-dramas:

Extraordinary You/ A Day Found By Chance (fantasy/romance): This magical k-drama has my heart. It plays with all of the predictable tropes and then just goes crazy! While not perfect towards the end, I give this show bonus points for being super creative AND inspiring me to read a LOT of fan fic. I think about this drama more than any other.

Fight for My Way (romcom) I love this drama! The couple is one of my OTPs and it’s really funny and a mostly lighthearted story of a group of friends. It’s down to earth and adorable - I’ve never had anyone complain about this one!

Melo Is My Nature (slice of life): This drama is by far my favorite slice-of-life drama of 2019. Found family, strong and complex characters, I laughed, I cried. Plus a gay character that’s an actual character, with the gay as a casual side note (classy k-drama!!) It was just a perfect show for me. There’s romance, but all of the stories are super interesting.

Shopping King Louie (romcom): Ridiculously fun and lighthearted romp following a spoiled and useless chaebol with amnesia who is being taken care of by a country bumpkin in the city. Very low stakes, super adorable couple, and as many tropes as you can fit in your bag, this one is one of my favorites to recommend.

Just Between Lovers (romance/melo): Slice of Life romance between poor trauma babies just trying to live! The OTP is one of my favorite couples EVER and even as the years go on, very few couples have matched their love in my opinion. There’s a lot of comfort/healing themes with for me is just *chef’s kiss.* Lee Junho became my bias wrecker because of that drama.

The Eighth Sense (bl queer romance): This is the only 2023 drama to make this list! It's super atmospheric and has so much more character development than any korean bl I've ever seen. I loved it so much!

Run On: (rom com) This show follows four people in their daily lives: An athletic, a translator, a CEO and an artist. Soft soft couples!! Y'all know I love this slice of life rom com for so many reasons, but you might not know that Kang Tae Oh’s character (the himbo painter) is like one of my dream boys. BLORBO FROM MY SHOWS. Also there is so much bi nuance and an ace character, just saying!

The Best Hit / Hit The Top (romcom): A famous 90′s boyband dude travels into the future and meets up with his family and friends in this really cute drama featuring Yoon Shi Yoon. I LOVE Yoon Shi Yoon in pretty much everything but this role was made for him - he is hilarious. It’s a slice of life but features the k-pop music industry so the setting is unique.

Into The Ring (workplace/romcom): The perfect slice-of-life rom com! Goo Se Ra has trouble holding down a job due to her passionate personality so after she loses her latest job working for the ML, she decides to run for a small government office position because it pays a salary. Literally she does it for the money which is just *chef’s kiss.* The show is about her dealing with local politics and it’s SO FUNNY and smart and the OTP is the best!

Flower of Evil: A psychological thriller centered around a jewelry maker who is running from his past, and his cop wife (power couple alert!) who doesn’t know his original identity. The chemistry of the couple is amazing and all of the characters are nuanced and interesting. I was on the edge of my seat, AND sobbing! I’m going to be rewatching this in 2021 for sure.

The Smile Has Left Your Eyes (psychological thriller): This drama has a lot of psychological thriller-y aspects but the style of filming is really interesting and the leads could not be more angsty (especially the guy). It takes them a while to get together and while not entirely pleasant, this show is one of my faves.

Healer: Everyone knows healer will always have my heart and it’s a super popular k-drama. Healer is played by Ji Chang Wook (swoon) and he gets involved with a feisty reporter played by Park Min Young (also swoon). It’s an action adventure with some very classic tropes: Rich people scandals, murders and hidden pasts. But it also has some of my favorite tropes: Beta Male Lead, childhood friends to lovers and traumatic pasts.

Cheating because it's a jdrama: Cherry Magic! (30-sai made Dotei Da to Mahotsukai ni Nareru rashii): I know this is a Jdrama but it’s the only drama that got a perfect score from me in 2020! If you’ve never felt like trying a jdrama, Cherry Magic is the one! Every episode was so endearing and sweet, and it even has ace representation, and does it well! I basically smiled the whole time and loved every second. Soft Romance and the best couple!

#i love a list #kdrama recommendations #my top #i know i'm missing at least 10 #lol #ask #dylan-rodrigues

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moss-selfship · 1 year ago

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tell me about itazumi! I've never read her canon before. why do you like her? what's she like? how'd you meet?

ah izutsumi my beloved, she is from the manga "dungeon meshi" (which is getting an anime this january and i highly recommend you read it) as for her canon, she is a girl who when she was very little was cursed to be a beastkin. which means her body and soul are half human as well as half animal (in her case its a cat/panther). she was treated as a freak and carted around in shows before being bought and raised as a guard for a friend of the main cast. she eventually escapes them and travels with the main cast because she is looking for a way to cure herself and remove the animal part of herself and be human.

Personality wise She is self centered and behaves like a genuine cat, only caring about herself and doing whatever she wants, eating whatever she wants, and hating being told what to do. She is genuinely like how cats are where they are stubborn and dead set in doing what they want and gets mad at being told what to do. girls brash and standoffish to say the least but i love it. she also has many cat like behaviors and does things like a cat would as well as be comical

she isnt one of those "sugoi meow uwu" catgirls. She genuinely behaves more like a cat that is a girl. and thats one of the reasons i adore her so much, she has such a unique personality that is so different than literally anything else i have seen in shows. She also is confidant in herself and tries to be self sufficient, having basically had to raise and care for herself growing up. its something i really heavily relate to cause i was in a similar boat so thats another reason i like her. We see her slowly warm up to the rest of the party, but not in a "you guys are my best friends and i love you all" but more in the way a cat does actually warm up to a person. in that they become more tolerable of them and gently opens up to them in there own unique cat like way. its a unique thing that sets her apart from all kinds of other characters i have seen and i adore it. Also i wont lie and say she isnt beautiful, if anything she is the most beautiful character ive ever seen. ever image of her i see is just as stunning as the last. she is so fucking hot to me i cant even lie. there are multiple times we see her with wet fur or basically fully undressed and each time drives me fucking wild

As for how we met, her and the rest of the main group found my insert chained up in a cell at the bottom of a hole in a bandit camp. a sorcerer they had with them created my insert (hence him being half dragon) and they let him out after being told he was used as a weapon and treated like a trophy. izu was the first to try and get me out, relating to how i felt having been a trophy as well. from there we grew close and became a couple. i actually did a fic of it i should post again

#love in the dungeon

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girl4music · 1 year ago

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“You would be forgiven for thinking Willow is not as layered or interesting a character as Buffy until the midpoint of season 2 because she really doesn't get much focus in Season 1, with I Tarzan You Jane being the only real episode that centers around her. She doesn't seem to be anything other than the standard shy best friend / sidekick to the more self-confident main character girl. However that's yet another role Willow plays, because as someone who fears the spotlight, Willow has a tendency to hide in Buffy's shadow.

Willow is a shy introverted teen girl with low self-esteem who's basically only had one friend her entire life, until Buffy suddenly drops into her life in high school. Willow's life suddenly became "special" because Buffy was there and Buffy is special. She transforms from a geek with a few computer skills to a literal magic witch in later seasons. Buffy is the "chosen one" but Buffy chose Willow as her best friend in the first episode when she could have chosen Cordelia. Willow's compromise for wanting the spotlight for herself but being too afraid of it is to cling to Buffy instead, Willow isn't special but she becomes special by being Buffy's friend.

That's why this is the first episode where Willow starts to become her own character so to speak, because when Buffy is rendered useless by the spell into a typical damsel the role of leadership for the group falls onto Willow. When Willow is forced to take charge she's shown to be perfectly capable of doing so as long as Buffy's not around (she also stands up to Giles in Reptile Lizard Boy, and asserts herself more and more later on this season) so the problem isn't really that Willow's not capable of taking charge but she's not usually confident enough to. This is the first episode where Willow becomes the protagonist and Buffy the supporting character.

It's something that will happen again and again later on, Willow attempting to fill in Buffy's shoes. The season 3 opening she makes a pun and tries to stake a vampire the way Buffy does only to fail miserably. When Buffy is gone in season 6, Willow becomes the default head of the group. Willow is always in Buffy's shadow, but she's also shown to be perfectly capable of stepping out of that shadow on several occasions, it's just Willow herself who chooses to stay there.

Which really goes to show how deep Willow's fears and insecurities run. Willow is a hacker, she's smart enough to get into any college she wants, and yet Willow's opinion of herself is abysmally low, she's cripplingly afraid of what other people think of her.

Except on Halloween, the one special night you can choose to dress up like a slut and get away with it judgement free.”

Well written. That’s what I keep saying. Willow is an immensely layered and interesting character. I would say even more than Buffy in some ways actually.

You never see the “true” Willow because she’s always wearing a costume, playing a character and putting on a performance. And yet - through all of that…

You still get just Willow. You still get everything she is because it’s all part of what and who she is anyway.

Which is why what Giles says to her in ‘Lessons’ is so poignant for her character representation and arc.

“You are. In the end we all are who we are no matter how we may appear to have changed.”

“However, on top of that she somehow associates the experience of being a "Real" girl with powerlessness and depending on someone else. That being more traditionally feminine somehow goes hand in hand with weakness. Girls are after all traditionally the victims in horror movies, and when Buffy is playing the role of hero she can't be a victim.”

Yeah, this is the reason why I don’t like this episode. It’s clever in its use of themes and dichotomies and such but just this one thing about it really ruins it for me. I can’t enjoy watching it even if it’s Willow-centric. Because - in a show that praises Buffy for not being gender stereotypical - they still manage to undermine and even insult Buffy as a person for just being a girl. This is probably the only episode where Buffy’s femininity is called into question and it’s not good how they decide to execute her plotline and then resolve it. By basically telling her that being “like that” (aka a traditional girly girl) is something to be ashamed of.

“Ironically, the only man to show a clear preference for Buffy's normal self in the episode is Spike who films her and praises her at the beginning for her strength as a slayer. Then towards the end, when given the opportunity to kill her as the helpless damsel Spike spends way too long lingering on it instead of just snapping her neck, almost as if waiting for her to return to being her usual self.”

Yep. Made that point too. Literally every guy Buffy interacts with either romantically or platonically infantilizes or genderizes her…. Except Spike.

He is the only one that treats her as an equal. Sometimes even more than he is. Beneath her.

“Xander is almost as much of a victim of gendered expectations of the people around him as Buffy is. Xander is insecure about the fact that he's not performing the role of a man correctly, the same way that Buffy thinks she's not being a girl correctly.”

I have said that Xander is the only other main character where the theme of growing up is just as important for him as it is for Buffy. Willow is not so much concerned with growing up as she is with being her own person. Growing up is apart of it, yes, but not a significant amount like it is with Buffy and Xander. Growing up = growing out of immature impulsions. And that’s definitely very significant for Xander because he is constantly dealing with his immaturity.

BUFFY THE VAMPIRE SLAYER: "HALLOWEEN"

The next episode in my episode by episode analysis of Buffy the Vampire Slayer, showing how individual episodes fit into the themes of the seasons they're a part of and the series as a whole. This is the first of several Halloween episodes that use the holiday to take a deeper look into the fears of the characters, and the costumes they wear not just on Halloween but every day in their normal lives.

1. Janus

The central theme of the episode revolves around the roman god Janus. Giles helpfully explains for us here.

Giles: Janus. Roman mythical god. Willow: What does this mean? Giles: Primarily the division of self. Male and female, light and dark. Ethan: (appears) Chunky and creamy. Oh, no, sorry, that's peanut butter.

Janus is the god of beginnings, transitions, dualities, and oorways. He's a two-faced god as shown in the idol that Ethan Rayne uses to cast his spell. More specifically he is the god of doors, the gates of an ancient building in Rome are named after him. As the god of Doors, he represents the middle ground between concrete and abstract dualities. Male/ Female, Light/Dark and Chunky and Creamy. These things are traditionally thought to be two abstract categories but the closer you look at them the more fuzzy the boundary line between them becomes.

A Binary Opposition is a pair of related terms or concepts that are opposite in meaning, where two opposites are strictly defined against one another. Up is defined as being the opposite of down. These are considered to be strict categories that are mutually exclusive from one another.

However, these sets can be seen as complementary forces, rather than contradictory to one another. You can't understand one without understanding the other. An example is one cannot conceive of 'good' if we do not understand 'evil'. These pairs which are seen as distinct opposites are actually complementary pairs which are needed to define each other.

Dualism, is the key word of this episode every single character in this episode has two faces. They are representing two sides of themselves, one is the face they wear on their everyday lives, the other is their hidden side that they only have the confidence to show on Halloween. Which one is the mask, and which is the real face that's first asked this episode and repeated again later on in the series.

The basic premise of this episode is that on Halloween you have the confidence to dress in a way you wouldn't normally dress for the rest of your life. This quote from a completely different show the Venture Bros does a good job of explaining it.

Orpheus: This is a night of true magic. Halloween is the night we discover who we are. Are wepeople who make zombie armies? Are we those who condemn others, or are we beautiful children in resplendent costumes collecting candy? Are our choices in costumes provocative? Do we dress up as our ideal self? Or are we not ready to decide who we want to be? We use this one enchanted night to perform the greatest feat of magic there is. We become ourselves. Halloween is the true magic it is the night we discover who we really are.

For Buffy this means dressing like a normal girl, for Xander it's dressing up like a more traditionally masculine tough guy soldier, and for Willow it's dressing a little slutty (until she loses confidence to do that).

Not only does each costume choice inform us about the characters, the characters are physically flipped. As a result of the spell making the halloween costumes flesh, the characters insides become their outsides and their outsides become their insides. I'll be breaking them down character by character down blow.

2. Willow: The Ghost Girl

Willow's costume for the night is based on that old joke that girls dress up sluttier on Halloween because it's the one night of the year they're allowed to get away from it without being judged.

Buffy: What'd you get? Willow: A time-honored classic! (holds up a ghost costume) Buffy: Okay, Will, can I give you a little friendly advice? Willow: It's not spooky enough? Buffy: It's just... you're never gonna get noticed if you keep hiding. You're missing the whole point of Halloween. Willow: (smiles) Free candy? Buffy: It's come as you aren't night. The perfect chance for a girl to get sexy and wild with no repercussions. Willow: Oh, I don't get wild. Wild on me equals spaz. Buffy: Don't underestimate yourself. You've got it in you.

Buffy mentions that Willow is hiding, which is an interesting word to use here because you could say that shy, introverted Willow spends most of her life hiding from the spotlight. Just a few episodes ago Willow's choice of outfit to wear for the school dance in Inca Mummy Girl is emblematic of this behavior, on a night she can wear anything she chooses to wear a giant snow parka that hides most of her body. To a dance which she was hoping Xander would ask her to, and got jealous when he noticed another girl (the mummy girl) and asked her to the dance instead.

Willow is made up of these two contradictory desires. She wants to stay out of the spotlight, but she wants to be noticed as well. Unlike most of the pairs we're going to discuss in this post these two things are mutually exclusive. As Buffy points out "You're never going to get noticed if you keep hiding."

Male and female don't contradict each other, you can be both male and female because male and female are just made up categories that are more ambiguous than most people believe them to be. However, you can't get noticed if you're hiding yourself, because well you're hidden. It's a having your cake and eating it too sort of deal.

Perhaps reflecting how contradictory and complicated Willow's core desires are, she's the only one dressed up as two different costumes. She at first dresses in the more revealing costume Buffy suggests, but then hides it with a traditional white bedsheet ghost costume. Willow is dressed up as two different things because she wants to have it both ways. Giles even comments on the confusing nature of her costume.

Giles: (confused) A-and, uh, your, your costume? Willow: I'm a ghost! Giles: Yes. Um... w, uh, uh, uh, the ghost of what, exactly?

Willow wants to be noticed for who she is, and in general be the kind of self-confident person that Buffy seems to be so naturally, but she's constantly sabotaged by her fear of judgement. When people notice you they will judge you whether you want them to or not. It's not a coincidence that Willow dresses up in costumes again and again, in story. Wearing costumes / theatre / performance is a recurring motife for her, you see Willow's got a bad case of stage fright.

In the first episode where characters deal with their deepest fears, S1E10 Nightmares, Willow's nightmare is being forced to perform the opera Madame Butterfly on stage in front of everyone when she doesn't know the lines.

STAGE MANAGER: Man, I thought you weren't going to show. Aldo's beside himself. M. C.'S VOICE: Ladies and Gentlemen, we are proud to present two of the world's greatest singers… STAGE MANAGER: I hope you're warmed up. It's an ugly crowd. All the reviewers showed up. M.C.'S VOICE …all the way from Firenze, Italy, the one and only Aldo Gianfranco… The stage manager drags Willow to the curtain. She peers out to see: WILLOW'S POV - A RATHER LARGE AUDIENCE is waiting. Willow backs away from the curtain, starting to hyperventilate. M.C.'S VOICE… and all the way from Sunnydale, California, the world's finest soprano, Willow Rosenberg! WILLOW: But… I didn't learn the words…

As I said performance is a recurring motie for her character. The definition of a motif is a distinctive feature or dominant idea in an artistic or literary composition. Willow's character revolves around the idea of theatre and performnace it just keeps coming up with her, later on in the dream symbolism episode of Season 4 "Restless" Willow is once again forced to step up on stage when she doesn't know the lines. Her dream is once again showing up to the first day of drama class only to learn that everyone is putting on a production of Death of Salesman with a cowboy in it, and she doesn't know any of the lines. Giles also has this to say about acting and the word "hiding" is brought up again.

GILES: Acting is not about behaving, it's about hiding. The audience wants to find you, strip you naked, and eat you alive, so hide. GILES: Now, costumes, sets, um, the things that you, uh, you know, uh, you, um... you hold them, you touch them, uh, use them, um... HARMONY: Props? GILES: No. RILEY: Props? GILES: Yes! (Points at Riley) It's all about subterfuge. (To Harmony) That's very annoying. (To everyone) Now go on out there, lie like dogs, and have a wonderful time. Now, if we can stay in focus, keep our heads, and if Willow can stop stepping on everyone's cues, I know this'll be the best production of "Death of a Salesman".

Willow's dream also has this repeating line, said by many different characters.

BUFFY: (to Willow) Your costume is perfect. (Whispers) Nobody's gonna know the truth. You know, about you. WILLOW: (bemused) Costume? BUFFY: (pouting) You're already in character! Oh, I shoulda done that! [...] BUFFY: (straightens up) Play is long over. (Stares at Willow) Why are you still in costume? WILLOW: Okay, still having to explain wherein this is just my outfit. (Gesturing to her clothes) BUFFY: Willow, everybody already knows. Take it off.

People constantly refer to Willow as being "in costume" when she's just wearing her normal everyday clothes. Giles says that acting is just the art of lying and hiding who you are in front of everybody, and Willow's default behavior is to always hide in the shadows. Willow's everyday self is just as much of a costume as the costume she wears on Halloween.

You would be forgiven for thinking Willow is not as layered or interesting a character as Buffy until the midpoint of season 2 because she really doesn't get much focus in Season 1, with I Tarzan You Jane being the only real episode that centers around her. She doesn't seem to be anything other than the standard shy best friend / sidekick to the more self-confident main character girl. However that's yet another role Willow plays, because as someone who fears the spotlight, Willow has a tendency to hide in Buffy's shadow.

Except on Halloween, the one special night you can choose to dress up like a slut and get away with it judgement free.

2. Buffy: The Normal Girl

While Willow gets to play the hero for the night, Buffy gets to be the damsel-in-distress being rescued by others instead of doing the rescuing. Buffy's desire to be a normal girl and how being the slayer keeps her from a normal life where all she has to worry about is which boy she's going to the dance with is a long running theme with her character, but there are some interesting themes with gender going on with Buffy and Xander's characters this episode.

The central "idea" of Buffy is that Buffy as a blonde high schooler would usually be the first victim in a horror movie, the girl running away from the slasher but instead she's the thing monsters run away from. Certain episodes play with this idea by changing her back to her more traditional role and show just how weird and out of character that is for Buffy. This episode she's practically helpless for the entire episode. There's an episode in season 3 where she loses her powers as the slayer, and spends the entire episode losing all confidence in herself because she lacks the strength to fight back against monsters and other men and is made to feel like a victim. In Season 5 there's "Superstar" where Jonathan makes himself the main character of Buffy by using magic to turn the world into his self-insert fanfic, and despite still being around Buffy acts more like a sidekick or "The chick" of the group despite the fact she's supposed to be the slayer.

Buffy is a girl in a main character role that's usually given to guys. It's a thing both the writers and audience are aware of. It shouldn't be weird that the chosen one is a girl, and yet because of the gender imbalance in fiction it sort of is. That's why characters sometimes ask questions like "How come there aren't any boy slayers?"

However, Buffy being a female character occupying a role usually reserved for main characters is also commented upon in universe by the males in her life. Xander's season 1 arc is him dealing with the fact that Buffy is not the love interest to his story and doesn't conform to his desires of her and accepting her as a friend. Xander gets a flash of that tendency of his rearing its ugly head again when Xander gets mad at Buffy for standing up to him when a jock was about to beat him up, because it'd apparently be better to be beaten up then saved by a girl.

Buffy always wants to be a normal girl, but I think it's important to see in this episode why she wants to dress like a princess from the 1800s this episode. It comes from two of the men in her life making her insecure about her femininity. Xander by complaining about a girl rescuing him, and Angel's lack of attention making her believe she needs to act more like the type of girl that he would be into. Buffy's not just trying to dress up as a normal girl this episode but the kind of girl that would be worthy of angel's attention. What she thinks he wants in a girl.

ANGEL: I don't get it Buffy. Why did you think I'd like you better dressed that way? BUFFY: I - I just wanted to be a real girl, for once. The kind of fancy girl you liked when you were my age.

While Angel says that he likes the kind of exciting girl Buffy is now far better, I think it says something about both Angel and Xander that the kind of girl Buffy thinks they want her to be is someone helpless.

XANDER: You're sure she came this way? ANGEL: No. CORDELIA: She'll be okay. ANGEL: BUFFY would be okay. Whoever she is now, she's helpless. Come on.

Which I think says a lot about Buffy that number one being who she is, disqualifies her from being a "real" girl. There's the fact that she naturally as the slayer sees herself as always existing outside of the crowds watching other people live their lives and protecting them while she can't live hers. However, on top of that she somehow associates the experience of being a "Real" girl with powerlessness and depending on someone else. That being more traditionally feminine somehow goes hand in hand with weakness. Girls are after all traditionally the victims in horror movies, and when Buffy is playing the role of hero she can't be a victim.

Which is you know a whole can of worms, but also effective foreshadowing for the second half of the season. Season 2 is so well-written because there are so many red flags for what is going to happen in the midway twist, and yet the characters drive straight past them. The foreshadowing in this episode being that "normal girl" or "princess Buffy" isn't just scared of vampires and everything that moves, she's also scared of Angel despite Cordelia's insistence he's one of the good guy vampires.

BUFFY: (Re: Angel) He's… he's a vampire! CORDELIA: (to Angel) She's got this thing where she thinks - ah, forget it. (humoring her) It's okay. Angel is… a good vampire. He'd never hurt you. BUFFY: He - really?

Cordelia saying Angel is a good vampire who'd never hurt her sounds awfully ominous knowing that Angel becomes the main antagonist of this season.

It's not a coincidence either that the traditional proper kind of girl that Buffy dresses up as looks almost exactly like Drusilla, even wearing a brown wig to match her hair color. Angel even says at the end of this episode that he hated the kind of girl that Buffy dressed up when he was a teenager, and then details to Buffy in the next episode his obsession with corrupting Drusilla's purity.

Buffy like Willow fails to reconcile these two opposing sides of her. She can't be a normal girl if she's the slayer. She can't be a real girl if she's strong enough to make the men in her life feel insecure. It's almost like being a girl is yet another costume, a performance you make in front of an audience and Buffy feels like she's doing that badly. Not only that but men are continually making her feel that way too, either by being completely emotionally unavailable like Angel, or by getting mad at her like Xander for refusing to conform to her expectations.

Ironically, the only man to show a clear preference for Buffy's normal self in the episode is Spike who films her and praises her at the beginning for her strength as a slayer. Then towards the end, when given the opportunity to kill her as the helpless damsel Spike spends way too long lingering on it instead of just snapping her neck, almost as if waiting for her to return to being her usual self.

ON SPIKE & BUFFY: As he looks around him to see that his MINIONS are all SCARED LITTLE TRICK-ORTREATERS (and two high school students). The realization sinks in - and he looks at his hand. It's still holding Buffy's wig, buther head isn't in it. He looks back at Buffy. She's smiling. BUFFY: Hi Honey. I'm home. And she LETS LOOSE on him. All the pent-up rage and frustration from her last defenseless hours comes pouring out. A series of BRUTAL KICKS and PUNCHES send him to the ground. She lifts him back to his feet BUFFY:You know what? It's good to be me.

As Spike is acting as both Buffy's mortal enemy and shadow self, his reluctance to kill her when she's not herself and respect for her real self goes hand in hand with Buffy's self-acceptance when she changes back. Buffy does like and accept her power, and feels confident in that fact, but often represses that side of herself because women aren't really supposed to be confident in themselves in that way. Buffy's desire to be strong and to accept her strength and make it hers is therefore repressed to please the other people in her life and so she can pass off as normal and that repressed aspect of herself manifests in Spike, her shadow self's admiration for that same power.

Spike is even the one who tears off her costume reverting her back to her real self.

The other men in the episode also learn to appreciate the real Buffy after spending the entire episode dealing with the annoying damsel version of her, but they have to learn that lesson where Spike is the only one praising her for her abilities from the start. Because Spike is the shadow self, he's Buffy's self reflection whereas Xander and Angel represent the judgement of other people on her.

One last thing I would like to say is that both sides of Buffy are real, both the normal girl and the slayer. I think there's something deeply sad about this episode that implies that there's a screaming girl inside of Buffy, who does feel scared and helpless in the face of the monsters in her life but she can never allow herself to feel that fear because she has to be strong. The scared little girl half of Buffy is just as real as the strong, self-confident pun-making slayer.

3. Xander: Soldier Guy

This is going to be the shortest section, because Xander, but I would like to note that as a character Xander works best when you realize he basically has no proper masculine role models in his life. His father is abusive, Giles makes it clear he doesn't like him, there's no one at home or school to demonstrate what a normal and healthy adult man acts like.

Teenage boys like Xander don't grow up in a vaccuum, and Xander acts the way he does towards Buffy not out of malice, but out of a deep seeded insecurity. Xander, like Willow is worried about what other people will think. It's better to be beaten up by a school jock then to be rescued by a girl not because he thinks Buffy should be weak, but because he thinks other people will think he is weak.

When Xander's not worrying about what other people think, he's shown to be perfectly fine with having mostly female friends and not dating any of them. Xander is almost as much of a victim of gendered expectations of the people around him as Buffy is. Xander is insecure about the fact that he's not performing the role of a man correctly, the same way that Buffy thinks she's not being a girl correctly.

If Willow is perfectly capable of being a leader and being self confident like Buffy is but usually hides in the shadow, Xander is perfectly capable of being brave. He doesn't need to be soldier guy or to carry a gun because he will jump right into danger alongside Buffy like it's no big deal. The only person who thinks it's a big deal is Xander, because he's suffering under the societal expectation that he needs to be physically strong.

It's like Xander thinks there is an imaginary checklist of things he needs to have to be a proper man and he feels insecure when he doesn't have them. He needs to date a girlfriend in high school. He needs to be the physically strongest. He has an incorrect expectation informed by the society around him. It's not weird that Buffy is the main character and hero, but people think it's weird because the main character usually would have been Xander. The normal high school boy in any other story would hvae turned out to be the chosen one and the girl he liked would have started like him back, but Buffy is not that story.

Xander doesn't need to be soldier boy because he's always someone who will fight by Bufy's die, but just like BUffy and Willow the only time he feels confident enough to dress up like Solider Boy is Halloween.

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spencersstrawberryjello · 3 years ago

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Treat People With Kindness (The BAU)

Summary: Garcia gets Reid into Harry Styles and everyone subsequently loses their minds over it.

Content: Honestly just funny I’m not sure what to call it

MC’s name/pronouns: No alternate main character, just Spencer.

Word Count: 1706

A/N: This whole fic was inspired by the fact that a fan gave Matthew Gray Gubler a Treat People With Kindness pin, which then sparked my friend Emily and I to theorize that Spencer Reid would absolutely be a Harry Styles stan. So yeah, this is literally just the product of one fan interaction lmao

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“I got a good feelin’.”

“... What’s he doing?” Emily leaned over and whispered to JJ, who just shook her head.

“I’m just takin’ it all in.”

“Ok, what happened to Reid?” Morgan joined them, and they both shrugged, watching Spencer walk through the doors of the office.

“Floatin’ up and dreamin’.”

“You know, maybe I need to add him to my drug test list too.” Hotch had stepped out of his office, trying to hide his grin as they saw Spencer making his way to his desk, headphones in and practically dancing over to his seat, mouthing every word of the song he was listening to. He plopped down in it with a little spin, opening a file on his desk without ever taking his headphones out.

“Try ‘Dancing with the Stars,’” Emily laughed, and JJ broke away from their group, heading over to his desk.

“Hey Spence,” She rested her arms on the divide between his desk and Emily’s, tapping on it to get his attention.

“Maybe we can find a place to feel good.”

“Spence!” She tapped his arm this time, and he practically jumped out of his skin, turning to face her.

“And we can treat -”

He quickly tore the headphones out of his ears, setting them down on his desk and looking up at her, clearing his throat.

“Sorry. I was listening to something.” He gestured to the headphones still connected to his phone, as if that wasn’t already obvious.

“Yeah, I noticed,” JJ laughed.

“Do we have a case?”

“Nothing yet, you’re good.” She tried fruitlessly to hide her grin, and he gave her a strange look.

“Ok…”

“So,” She plopped down in Emily’s chair, rolling it over to sit near him, “What were you listening to?”

“Oh!” His face lit up, and he grabbed his phone, holding it out for her to see. She put the headphones in her ears, hearing the final moments of the song he’d been jamming to.

“And we can treat people with kindness, find a place to feel good.”

“Harry Styles?” JJ laughed incredulously, handing him back his phone.

“You’ve heard of him?” He asked, taking the phone and sitting it back on his desk and turning back to her.

“I’m pretty sure most people have heard of him, Spence.”

“Ok, well, I hadn’t. But on Saturday I was speaking at the University of Mary Washington with Rossi, and one of the girls gave me this, after the lecture,” He grabbed his bag off the back of the chair, pointing to a round pin clipped on the strap. It was enamel, with light pink on the inside and a red rose in the center, encircled by the phrase “Treat People With Kindness” in black lettering. “And you know, naturally I thought it was a good message so I put it on my bag and I thought that was all it was. But then I ran into Garcia.”

“Oh god.”

“I was walking in yesterday and she saw it and kind of freaked out a little bit, and pulled me into her office and played me the song - the one you just listened to - and it was amazing and so I told her I thought it was amazing, which made her freak out even more and then you called with a case so I left, only to receive a a YouTube playlist a few hours later that she told me I had to watch every video on or she’d stop printing the case files for me.”

“You know she loves you too much to actually do that, right?”

“I mean, the odds were low, but I wasn’t going to risk it. Either way, I sort of listened to every single song on Fine Line and Self-Titled in one night and also a whole bunch of interviews that she sent me and he’s really funny and his music is great and the moral of the story is I kind of love him.”

JJ sent back in her chair, dumbfounded. “Dude… you mean to tell me Garcia made you a Harry Styles fan?”

“Pretty much, yeah.”

“I - Penelope!” JJ left without another word, making her way into Garcia’s office. Spencer just shrugged, returning to the file he was looking at - and his music - as Garcia spun to face JJ.

“Jennifer, my love, to what do I owe the pleasure? New case?” She asked. JJ just shook her head.

“You broke Reid.”

“I did not break Reid!” She defended with a grin. “I merely helped him reach his true form.”

“He willingly used technology, and he came into the office today practically dancing to Treat People With Kindness. So yes, you did break Reid.”

“JJ, dear,” Garcia got up from her chair, taking JJ’s hands in the doorway, “Do you remember when Reid got that adorable little shaggy haircut?”

“Despite the fact that he changes his hair like every month, yes, I do.”

“And do you remember what Hotch said?”

She thought for a moment, then her eyes widened in shock. “You did all of this… because of the boyband joke?”

“Like I said: true form.” Garcia returned to her chair, spinning around with a laugh. “In my defense, I didn’t know he was going to get a Harry Styles pin. I just took advantage of the opportunity when it presented itself. I already failed at teaching him to worship Lady Gaga, I could not miss another chance to try and pull him out of the dark ages.”

“You are ridiculous, you know that?”

“That’s why you love me!”

JJ laughed, leaving Garcia’s office and heading up to hers, ruffling Spencer’s hair on her way by.

“You should grow your hair out again.”

“You think so?” He reached up and fussed with his hair, just as Garcia emerged into the main room.

“Spencer Reid, my beautiful boy genius, did you do what I asked?”

“Garcia, I figured out how to download music to my phone because of you. So yes, I did what you asked.”

“You are officially my new favorite person.”

“Hang on, what is this all about?” Emily asked. Garcia grinned, hardly able to contain her excitement.

“I’m finally bringing the lovely Dr. Reid here into the 21st Century.”

“Penelope,” Emily raised an eyebrow at her, “What did you do?”

“Garcia thinks she did something revolutionary by getting me into Harry Styles’ music,” Spencer clarified. Emily immediately clapped her hand over her mouth, about to respond before Derek piped up from his desk.

“Oh, she converted you too?”

“‘Too’ - you mean to tell me that you, Derek Morgan, are a Harry Styles fan?” Emily was looking between the three of them now, practically in shock. Derek just laughed, holding up his hands.

“What can I say, the guy’s got an incredible voice.”

“And the make up of his songs is so interesting as well; I mean, when you look at the music he’s produced in the last few years in comparison to what he performed while he was a part of One Direction -”

“Oh my god please tell me you’ve also listened to One Direction,” Emily said, laughing when Spencer nodded.

“I don’t understand why you guys are making such a big deal out of this. He’s a singer, it’s not like he doesn’t have fans,” He defended.

“Reid, two months ago you didn’t even know who Lady Gaga was. This is kind of a big deal.”

“Conference room in five,” JJ walked through the group, heading upstairs as everyone else got up to follow her.

“Do not think I am dropping this,” Emily pointed at Derek and Spencer before jogging to catch up with JJ. Derek laughed, falling in step with Reid.

“So, what all did Garcia make you watch?”

“Oh, just a bunch of interviews. I did some of my own reading though -”

“Of course you did.”

“- and what I found really interesting was One Direction’s actual rise to fame. Because the thing is, they didn’t even win X-Factor. They came in third, and yet they became the most famous group to come from that season of the show. In Forever Young - their book - they talked about their time on X-Factor, but it was so strange to me because their first album - Up All Night, that came out not even a full year after they finished the X-Factor live tour - sold 4.5 million copies within the first year. And they just kept growing… Morgan why are you laughing?”

“I’m sorry,” They’d walked into the conference room by now, sitting down next to each other at the table while Derek tried to stop himself from laughing, looking at Reid in disbelief, “You read their book?”

“And their Wikipedia page - I told you I did my own reading!”

“You said you did some of your own reading, you didn’t say you’d memorized everything about their career!”

“Eidetic memory, remember?” He tapped his forehead, and Derek rolled his eyes.

“You never let me forget. I’m assuming you know everything about their solo careers as well?”

“Well I got into Harry’s stuff first, but I ended up reading all of theirs since I didn’t have anything else to do last night. It’s just so interesting to think about what One Direction’s situation reveals about human nature and celebrity culture. I mean, a lot of their fans are dictionary definition erotomaniacs, and yet -”

“I shouldn’t even be surprised that you read this all in one night.”

“Like I said: didn’t have anything else to do.”

“As much as I’m glad you boys are bonding, we have more important things to worry about than Reid’s newfound love for a British boy band,” JJ interrupted.

“Niall Horan’s actually Irish -”

“Spence. The case.” She pulled up the photos on the screen, and Spencer nodded, opening the case file in front of him as JJ began to review everything they needed to know. She finally closed out, and Hotch grabbed his tablet and rose from the table.

“Alright, wheels up in thirty.”

Everyone nodded, gathering up their things and vacating the room. Spencer and Derek trailed out after everyone, Spencer picking up the conversation as soon as JJ finished.

“You know, I’m considering learning how to knit - there’s this cardigan that Harry wore...”

#criminal minds #criminal minds fanfiction #spencer reid #spencer reid fanfiction #bau #bau headcanon #spencer reid headcanon #criminal minds headcanon #bau fanfiction #fanfiction #reid #dr reid #dr spencer reid #writing #harry styles #treat people with kindness #hs #styles

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takehismoneybb · 3 years ago

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Bakugou with drunk affectionate S/O

Summary: you and your boyfriend Bakugou are in a party and maybe you've had a little too much to drink

Spicy fluff??? All is innocent

Note: all characters are older, mature and of legal drinking age

Bakugou Katsuki x fem!reader

Bakugou was already upset because you wore that revealing outfit. It's not like he made you change but he definatly made some comments about it. He was a bit upset anyone at the party can get a clear look at your curves. From the start he was on edge about everything.

It was a hero party. It wasn't huge. A party of like 50 people. The minute you entered the place you b lined the dance floor. Grouped your girl group and had a blast at the center of the party just dancing along with some other people.

Bakugou didn't mind. He already knew you'd do that. He was used to it. Instead he found his own group of friends with Kirishima, Midoriya, Todoroki, Denki and a few more. The group of them found a sofa to sit around and drink some beer. It was a big round circle-like sofa and in the middle there stood a table.

Some time goes by and he's wondering where you are. He noticed some of your friends were coming towards the guys table but you never came.

He had a beer but barely drank at all.

At this point it's been a long while and he starts to really worry. He excuses himself and looks around. More people had gathered and it was quite a big party. Squishing through the rave of people he starts getting frustrated.

Finally in a corner under the stares he finds you dumb drunk. Mina was there with you trying to get you to get up and go home but you were simply ignoring her

- Mina, darling, think you can get me more of that frizzy magic juice?

You winked at her

You were a mess on the floor. Your skin tight dress all wrinkled up almost exposing you.

Mina looks up front to see Bokugou just standing there. She spoke out

- Bakugou, thank god you're here. I think she had one too many drinks.

Bakugou just stood there in pure awe. How did you even manage to get this wasted in such a short time. He was more amazed than anything but eventually he became more frustrated. The biggest thing pissing him off is that most of your skin is showing while you're just wasted on the ground. He walked towards the two of you trying to pick you up.

- STOP

You screamed

- I don't want to be carried. I'm gonna... puke...

- Ugh

He was so annoyed.

- Dumbass, why'd you drink so much then?

- Mina and I are going to the ladies room, right?

You looked at her with a look of hope and desperation. She replied

- Ummm... yeah... we need to freshen up...?

You picked yourself up wobbling away with Mina. Bakugou stood there with his hands in his pockets just confused. You had never gotten this drunk before. He wanted to be mad but he knew it'd just cause a ruckus.

He got back to the table he was sitting previously only to see you already there. Mina as well.

- What the hell, idiot. Didn't you say you need to go to the-

- Shhhhh

You cut him off carrying yourself from the table to him. You wrapped your arm around his neck and the other on his collar. You pulled him into a deep and passionate kiss.

He was so flustered and shocked. A blush on his cheek. The whole sofa was looking at the two of you and that only added to Bakugou's embarrassment.

Midoriya nearly chocked on his drink and the others were just shocked. They knew the two of you were together but y'all were never one for PDA.

You pulled away and looked passionately into his eyes completely oblivious to the staring eyes.

- What the hell are you doing, dumbass?!

He whispered but like .. loudly... he can't whisper.

- Your still gonna call me that? Maybe I'll just have to show you who's really the dummy here-

- That's enough, - he was so embarrassed, - were going home.

- Like hell we aren't. I'm not done here yet

He was so irritated and flustered. Looking angry.

- I said we're going home.

He was literally dragging you from the party away from the main room and away from all your friends. You fought back for freedom. After you got the littlest window to flee you cupped his hands and pinned him to the closest wall.

- I thought I told you I'm not done?

A greedy and flirtatious look on your face. He got so flushed.

- What's with you?

He had never seen you this drunk before.

- Why are you so forward and loud?

- Your about to be the loud one here.

-WHAT

He was confused. He thought you had insulted him. You tightened your grip pulling yourself closer to him. He was very pressed, flustered and frustrated. Then you spoke

- I wanna hear those cute moans of yours

- Y/N!!!

You cut him off with a kiss. One hand still holding his hands above pressed towards the wall. The other on his chin pulling him deeper in the kiss.

It was hard for him to pull back but eventually he freed himself of your lips and your hands. He switched the both of you and pinned you towards the wall.

- You need to think about what your saying, BABE

He sounded aggressive and frustrated and hot......

As he got closer you looked deeper and deeper into his eyes. It became like a silent war of who can hold this gaze longer. Eventually he started to become flustered and annoyed because he knew he's losing.

- Ugh what do you want, dumbass

He grunted

- I want.........you -

Your head fell on his shoulder. You finally knocked out, fast asleep. Safe to say you left Bakugou a mess. He took a few seconds to collect all of you on his back before taking you back home.

In the morning you claimed you remember nothing... but you remember it all... "I'm never drinking again" you say to yourself.

#bakugou fluff #bakugou headcanons #bakugou katsuki #bakugou x y/n #bakugou x you #mha fanfiction #mha fluff #mha x reader #mha headcanons #mha #anime #mha bakugo katsuki #bnha fanfic #bnha fanfiction #bnha #bnha fluff #bnha bakugō #bnha bakugo katsuki #bnha x reader

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raisans-art · 4 years ago

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your fairly odd phil au is giving me life, please, any ideas you’d like to share or small blurbs of the brothers? maybe tommy makes a wish that ends up helping them?

It's 1 am so I don't have the energy to do a bunch of small sketches to accompany this but I shall provide regardless!

Character blurbs:

Tommy I. Soot: Youngest of the Soot brothers at the age of 10. Excitable, loud, and brash, he often picks fights with people who mess with his friends or family. He got his fairy godparent Philza due to neglect he faces at home as his brothers work to keep the household afloat. His wishes range from self-indulgent fantasies to desperate attempts to help his family in friends in any way Da Rulez allow him to. His best friends are Tubbo and Ranboo, though he clings more to Tubbo since they had been friends since diapers. He never had the chance to know his parents, only growing up around his older brothers as his caregivers. Any time Tommy asks, the two would simply say that "Mum and Dad live somewhere else."

Wilbur E. Soot: The middle child of the Soot brothers and younger than his twin Techno by only 2 minutes, Wilbur is the main breadwinner of the household. While upholding a college schedule, Wilbur works at music store full time and does gigs with his guitar at pubs around the city. He's sharped-tongued and quick-witted, his personality perfectly weathered by Tommy's particular brand of chaos. Unfortunately, his time at home has significantly decreased as time trudged on and his academic needs and the family's financial needs became more prominent time sinks.

Technoblade T. Soot: Eldest of the Soot brothers aging at 16 and the 2 minutes gained on his twin, Wilbur, Techno runs the house. He takes online college courses so that he can maintain the house, be around for any emergencies, and deal with most of the financials. He is often the one to take calls to the school to pick up Tommy, though he is quick to set up appointments with teachers and staff to discuss any issues further so that Wilbur can deal with them. Techno is blunt and rough around the edges, but he's diligent and determined to be a strong base for his brothers to stand on. However, he is lacking in the department of emotional support, often unable to handle or care for Tommy in the way his twin is able to.

Ideas:

Every fairy has their own style of granting wishes. Dream's is centered around taking the request as literally as possible, Karl often resorts to some kind of dimension hopping or time travel, Eret does their best to bend the wish to yield the most fruitful outcome, and Philza focuses on making the wishes realistic and not changing the fundamentals of the world

George and Sapnap go to a different school one town over that has a rivalry with Tommy's school

Tommy, Tubbo, Ranboo, and Fundy all go to the same school

Sam is Tommy's teacher and is fascinated with the prospect of fairy godparents. But, he keeps his research out of the classroom for the most part, fostering a reputation of duality depending of the type of kid you are. If you carelessly disrupt his class and have no regards for him or the other students, he's a cold and calculating authority. To the respectful students earnestly trying their best, he's a sweet-voiced ball of encouragement. Ever-present is his patience

Tommy, even before getting Phil, was one to take the initiative on problems he or others were faced with. With magic on his side, he throws himself into every issue with confidence

Wilbur was friends with a teen named Schlatt. Schlatt had started Wilbur on smoking and the two hung out with a small group of out-of-town kids until Techno pushed for Wilbur to carry his weight around the house. He left the group on bad terms and dropped smoking to focus on his job.

Techno's bed remains neat and orderly, untouched as he often falls asleep at his desk. With enough persuasion, Wilbur can manage to get his twin to get into be for a few hours before Techno is up and back to work again.

For father's day one year, Tommy made Techno a tiny crown out of construction paper and now Techno refuses to take it off (even if the paper has long since lost it's colour)

Tommy has a pair of frames without lenses to fit in with his brothers

#ask raisans #fairly odd phil au #dream smp #dsmp #dream smp au #dsmp tommy #dsmp wilbur #dsmp philza #dsmp techno #dsmp au

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chestnutisland · 2 years ago

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Did you know I made Dragon Ball x Star Wars crossover?

Did you also know the main character who is also a force sensitive saiyan named Alex O’Donnell is literally the chestnut family’s closet family friend?

Did you know he took the role of Krillin’s best friend after Goku’s death after the Cell saga and was asked to be Marron’s Godfather by Eighteen?

Did you also know during Krillin and Eighteen’s wedding General Grievous kidnapped an infant Marron without them even noticing and that #17 , Alex, and the revived Androids #13, #14, #15 had to rush to rescue her in span of 30 minutes before the ceremony was over. Meanwhile, Grievous was spinning his lightsabers in-front of a little baby in at, and all she could was laugh thinking it was a light show, much to his utter frustration.

Oh yes, and after they got to his location he got his ass beaten in so many ways by #17 and Super #13, that even though his body was sith alchemically enhanced to levels of indestructible he legitimately thought he was going to die? The rest of the group that this was too much. Grievous did escape however, mentally scarred though. An infant Marron was returned with non the wiser. However, all the men involved in the rescue party vowed to never tell the couple the events that had transpired in fear of Eighteen’s Wrath.

After Alex O’Donnell fell to the dark-side and became God Emperor Darth Indominus, Marron was discreetly given a holo communicator that had direct communication to his royal nemesis. When she was in school and was being bullied by a group boys and she decided she had enough. She did the thing all children would do if she had an uncle who was the ruler of an empire albeit, evil and waging war against the multiverse. She clicked the button and had him talk to them. Wise words were said, life lessons were learned, they were told to cease their bullying, and Marron was kindly asked to only call him if her life was in mortal peril. Her parents told her they were disappointed in her when she came home though.

As you can tell in a huge K18 fan as you can see and decided to make them part of main character’s life. The manga is a retelling a the 3rd storyline of Fighterz and if I ever make anymore K18 will be front and center once I actually get to the plot. Got a lot to build up before then. Just showed you this little slice from the manga that showed the K18 bit. My illustrator Q10Mark helped me with this, couldn’t have done it without him.

Nope, I did not! Cool concepts and your illustrator seems to be doing a marvelous job drawing your ideas!! Thanks for sharing with us. Any future pages or illustrations are always welcome!

#krillin #android18 #dbz #sw #crossover #fanmanga

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justgottafinishthischapter · 5 years ago

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Writing Romance: Opposites Attract

One of the most widespread among romantic tropes is opposites attract, and with good reason. When a couple are opposites, they’re meant to be one of a few things to each other: 1. An inverse reflection of each other. 2. Compliment each other 3. Cover each other’s shortcomings

In a sense, a good Opposites Attract serves to turn two incomplete people into one solid force. If they’re a battle couple, they’ll tend to fight very well together, often balancing force and finesse, melee and ranged, or physical and magical abilities. If the show or book has a lot of time dedicated to foils and character moments, they are more likely to be the ones that each other lean on, since their opposing characters makes them interesting to react off one another. Their roles, story arcs, and backstories tend to run opposite or parallel to one another depending on the series. If one character’s arc is to mature and become more responsible, likely their partner’s arc might be to learn to loosen up and have fun, learn to trust people, or to face a trauma in their past that made them so mature at a young age.

In terms of design, opposites attract partners tend to be inverse in color schemes. Light and dark hair or eyes, warm and cool color schemes, clashing or complimentary fashion styles, etc. The degree in opposition also varies. Some opposites attract look very similar with only a slight difference, indicating that something small is what set them on different paths in life but are otherwise very similar, almost as two sides of the same coin. Other couples are stark contrasts with virtually nothing in common to really emphasize their differences so that they can better make each other whole, as shown very literally through the character of Garnet in Steven Universe.

Femme and Butch

While typically, you’re mostly going to see this in femmeslash/yuri pairings, this dynamic is actually fairly universal. This divide focuses on a pairing where each couple reflects the values of masculinity and femininity. Although mostly used as lesbian terms, a femme and butch pairing can also be gay or heterosexual. A fashion-loving twink who cries during romantic movies dating a jock who likes sports and drinks beer is still an example of Femme and Butch. Heterosexual is rather obvious, but can also be inversed, with a tough, assertive woman partnered with a sweet, sensitive man, such as Calhoun and Felix in Wreck-It Ralph. A Femme and Butch pairing doesn’t need to check off every box on this list of traits, but these traits tend to be common in these types of relationships.

Brains and Brawn

Also known as Jock and Nerd, this romantic dynamic prioritizes the usefulness of both intelligence and brute strength. Another variation is Book Smarts vs Street Smarts. The Brains will be good at doing research, organizing, and will tend to fight more strategically while the Brawn is primarily going to be good at fighting and likely protecting the Brains from serious harm. Princess and Bodyguard is another possible example of this dynamic, albeit a little less directly.

Hot and Cold

Hot or Warm characters tend to be friendly, outgoing, upbeat, loudmouthed, temperamental, boisterous, and battle-ready. Cold or Cool personalities tend to be shy, calm, quiet, logical, reserved, serious, and emotionally withdrawn. However, while these extreme opposites of hot-head and cold-shoulder balance each other out, it’s worth discussing same heat relationships. Kiribaku is an example of a Hot/Warm relationship, as Bakugou Katsuki is an angry little spitfire with an aggressive streak, while Kirishima Eijirou is a happy-go-lucky sweetheart with a good attitude. This is sort of the same concept, just that both boys are on the warm side of the spectrum, with Kirishima being the cooler counter to Bakugou’s temperamental hot-head. This also works inversely, as the ship Tododeku is a Cold/Cool relationship. Midoriya is a shy, but upbeat young man who tends not to draw too much attention to himself, while Todoroki is stoic, logical, and a bit dense socially. In this case, Midoriya is Cool while Todoriki is Cold, with Midoriya serving as the “Hot” aspect of their relationship as the more friendly and outgoing of the two.

Light and Shadow

This archetype is often used as a “opposite sides of the same coin” format, where the characters serve as foils to one another. In Teen Titans, Raven’s powers are dark and demonic, while Starfire’s are bright and extraterrestrial. Both girls get their powers from their emotions, but where Starfire revels in her emotions to make her powerful, Raven must suppress her emotions to retain control of her powers. As the only two girls, they stick out as the obvious foils of the group. Many times, when this trope appears, it’s in the form of Classic Paragon Hero vs Cynical Anti-Hero. Superman and Batman are a great example. Superman is a boyscout token good guy, while Batman is a brooding loner. One is the hope for justice and goodness to always triumph while the other acknowledges that people are flawed, and maybe not everyone deserves to be saved. Naruto is interesting because he has two dark reflections. The first is Sasuke. While Naruto is the golden-haired idealist who befriends villains almost as often as Steven Universe, Sasuke is a dark counter consumed by a thirst for vengeance and the power to exact it. Naruto’s other dark counter however is Gaara. Both are Jinchuriki, but whereas Naruto eventually found friends and love in his fellow genin, Gaara was very much still alone when he met Naruto, reflecting what Naruto could have become without that love and support in this life.

Protagonist and Rival

Another case of “two sides of the same coin”, most anime protagonists and their rival tend to either have very similar backstories, very similar motivations, or very similar personalities, if not some combination of the three. Both Naruto and Sasuke were abandoned in the world at a young age with the Hokage looking out for them from afar. Naruto started off having nobody, and was always reaching out hoping to connect with anyone. Meanwhile, Sasuke started with a family and lost it, and decided to keep everyone at arm’s length and isolate himself further. Rin Okumura and Ryuji Suguro are practically the same person. Both lost their families and homes due to Satan, both are strong-willed loudmouthed tough guys with a knack for leadership, and both share the goal of killing Satan. Natsu Dragneel is immature and battle-ready, but while Grey Fullbuster at least pretends to be above it, he’ll jump into a fight with Natsu practically unprompted. The main appeal of the anime protagonist and his rival is that they push each other to succeed, often coming from very similar roots, but where they end up is entirely up to the effort they put in and the path they choose to take. They both refuse to lose to each other, and that propells them to constantly want to out-do each other.

Sweet and Sour

My best friend and I are polar opposites in this sense. When we met, she was far too trusting, submissive, and far too forgiving. Meanwhile, I was a lot more cynical, mean-spirited, and unfortunately, a little more closed-minded than I’d like to admit. After five years of friendship, my friend is far more assertive, has a lot more confidence in herself, is a lot better at handling criticism, and rather than just submitting in an argument, she now has the nerve to get in someone’s face and make her point heard. Because of her, I’ve become less stand-offish, more patient and polite, less of a control freak, more aware of valuing other people’s emotions, and more tolerant of a group I hadn’t realized I’d been intolerant toward. We saw the world in such distinctly different ways that we have managed to rub off on each other, and now we’re both such stronger and more complete people for having known each other.

Serious and Goofball

A classic comedy duo, the comedian and the straight man. The Goofball character tends to be immature, a knucklehead, a jokester, and comes off as a bit inexperienced. Meanwhile, the Serious character tends to be mature, responsible, disciplined, but comes off as a bit aloof. The Goofball reminds the Serious character to have a little fun every once in a while, while the Serious character reins in the Goofball before they hurt themselves or somebody else.

Hero and Sidekick

The hero has their act together and the sidekick is just doing their best. This happens a lot in Action movies where the handsome tough guy and the hapless damsel (who he kidnaps a little too often for my liking) is just kind of along for the ride. The two live in entirely different worlds. Sometimes this comes in the variant of Starlet and Manager where one in the relationship takes center stage while the other is content to help them run their life, promote their career, and help them. Another variation is Superstar and Random Extra, wherein one person leads a very visible life in the public eye being adored by millions of fans while their partner works 9-5 in an office dealing with insurance claims. Although they coe from very different worlds and lead very different lives, that doesn’t mean they still haven’t found love in an unlikely place. Often, the reason the hero or big shot loves this random nobody is because they fell in love with them before they ever became famous, or they didn’t know/care who the celebrity was and just liked them as a person without interest in using their celebrity to climb the social ladder.

Loud and Quiet

She’s quirky, outgoing, bubbly, energetic, and talkative. Too talkative. She never shuts up. He’s quiet, simple, down-to-earth, and calm. Too Calm. He never gets excited. This pairing works to push and pull each other until they’ve harmonized. The Quiet one will be pulled out of their shell and learn to be more open and talkative, while the Loud one will learn to think before they act. This couple is divided along lines of Introversion and Extroversion, and together can navigate the anxiety-triggering unease of a social gathering, and finding joy and pleasure in just enjoying each other’s company without needing to fill the silence with pointless chatter.

To be fair, many Opposites Attract couples will fit into more than one of these archetypes, and there’s probably more I didn’t list. But if you’re wanting to create a couple that balances each other out, I hope you find this helpful to you in your writing.

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blogsanscontext · 4 years ago

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A Closer Look at: Momoe Sawaki’s character arc; by a nonbinary (trans) viewer.

CW: Major spoilers for Wonder Egg Priority + mentions and discussion of sexual assault, transphobia, lesbophobia, self-harm; please proceed with caution.

Wonder Egg Priority came as a relatively pleasant surprise for me; I heard about it some time after the first few episodes aired, but I never actively went out of my way to ever try to watch it myself until, that is, a few days ago. I must say, I’m glad to have taken the initiative to experience such anime on my own.

With a stunning animation to accompany the heavy subjects this work touches on, I quickly fell in love with it; all the characters feel very grounded in reality, with their struggles (even someone like Neiru’s, who is a literal genius and CEO of her own company) feeling relatable in one way or another. Episode 7 became my favorite due to this very thing, Rika’s problems were things that not only have I seen in other works before, but that I know exist because of the stories told in the news every so often. It only helped, in my opinion, that they gave a character with her background such a hopeful ending.

That being said, Wonder Egg is not a perfect anime, and though I didn’t expect it to be in the first place, I do think talking about why some of the ways it handles a specific character of the main cast are problematic are worth the time. When I mentioned that “all the characters feel very grounded in reality”, I actually only meant three of them, a.k.a.: Ai, Rika and Neiru. The reason Momoe is not included in this group is what I will be discussing in the next paragraphs.

This anime lets you know, right off the bat, that it will not stray away from heavy subjects throughout the duration of its runtime; the show deals with suicidal idealization (and actual suicide as well as its aftermath; in fact, “female suicide” is at the very core of the show and is what essentially moves it forward), self-harm, sexual assault, same-sex relationships, transphobia, and being a gender noncomforming person in a society that punishes you for not adhering to the roles it has imposed on you since childhood. The last points are the ones I took issue with, however, and though they are mostly the show’s fault, they also took it upon themselves to make Momoe be at the center of all three.

See, when we are first introduced to Momoe, we can guess by context that she is a girl, however, the other characters aren’t aware of this fact yet, and so they seemingly go out of their way to call her a boy, which makes her deeply uncomfortable, and this (ie. her reaction to be treated or perceived as a boy) is a running theme throughout her arc. This, in itself, isn’t really the worst creative direction to take with a character, it’s a story that has been told time and time again, but there is a problem with the way Wonder Egg Priority specifically deals with it: Momoe is cisgender, and so far, there hasn’t been a sign of this changing whatsoever, so she will most likely remain cis until the show ends. Normally, a story about a gender noncomforming cis person wouldn’t be seen as anything out of the extraordinary, as I’ve mentioned before, but it seems that they wanted to… “innovate”, so to say, with her character. And it’s this innovation, in my opinion, that which makes Momoe’s struggles miss the mark for me.

Momoe is perceived, almost ridiculously so, as a boy by whoever even so much as stumbles upon her; her followers on Instagram most likely worship her because they’re under the impression that she’s a bishounen, and yet the show goes out of its way to deal with just how uncomfortable this makes her. This is the issue I take with her and her arc: the show has a keen awareness of AFAB people’s issues, and treats them with the respect they deserve (which is not to say some jokes at their expense aren’t made, but in general this tone is kept throughout the duration of the story), and yet the tone-deaf manner in which they deal with her issues feels… disappointing, to say the least.

Momoe’s struggles, though they are valid on their own, are not a societal issue, no matter how one may look at them; if she were a trans person (either a trans girl, boy, or nonbinary), the strong emphasis on her discomfort at being misgendered would have made so much more sense. The reason why ‘switching around’ the stereotype of a tomboy falls flat on its face is that there is no real pressure from society to present feminine, it’s what they want you to, or more accurately, force you to do if you’re perceived as being assigned female at birth; however, this is not where my issues with Momoe’s arc and character end.

At first, I imagined a variety of (albeit vague, still reasonable) reasons as to why this show couldn’t have just made Momoe be trans, and semi-understanding of this decision; that was, of course, until I watched the actual episode mostly focused on her struggles, and that’s when I got slightly mad. Being honest, I still think it was a good episode, and it definitely made Momoe seem way more sympathetic than any of her past appearances, but it also perfectly highlighted my problem with her, and subsequently, the show itself: using queer people’s actual, realistic, problems in order to push her, a cisgender character, forward.

The thing with Wonder Egg Priority is that I love how, despite all these girls literally risking their lives to save a specific person, they still seem to have conflicting feelings about them (ie. Rika’s mocking of Chiemi, Ai’s frustration towards Koito, etc.) but I also take issue with this when it comes to Momoe specifically; Haruka is very much intended to be seen as gay, yet when push comes to shove, we are supposed to be taking Momoe’s side in this conflict. We, the audience, see these events from her point of view, and are therefore made to feel, in one way or another, uncomfortable with Haruka’s attraction for her. Yes, Momoe has worked hard to bring her back to life, but the fact that she’s cis and heterosexual stands; this isn’t just exclusive to Haruka, however, but every egg she’s had to save in order to get her friend back. All of them express a clear attraction for Momoe, “despite her being a girl”, and it’s just very easy to read these attitudes as wlw-phobic, extremely so.

My biggest issue though lies within the very existence of Kaoru’s character, the trans boy she has to protect in the episode mainly focused on her; while he is an endearing and sympathetic character, and I like that despite him presenting ‘majorly female’, Momoe never misgenders him. The thing is: he’s made out to be almost a “parallel” of her own gender-related issues, and this is just a very tone-deaf statement to make; trans people fighting not to be misgendered, fighting to be called their chosen name (something Momoe, while being cis, can just freely enjoy) - trans people’s pain is very much real, which the show is aware of, but Momoe’s is very much an individual’s problem rather than the way society actually works, which Wonder Egg is seemingly unaware of, for whatever reason.

Before I arrive at my last point on why this comparison doesn’t work, I would like to quickly point out the fact that most, if not all, the eggs the girls have had to save until this point were specifically meant to be girls, in one way or another. Therefore, taking this into account, Kaoru makes me feel… a lot of things, the more time I spend thinking about it; the show acknowledges he’s a boy, though not cis of course, but still very much a boy, yet also places him in this very much ‘female’ space; no matter how I looked at it, I could find explanations both for an opinion in favor of this decision (the way a lot of trans men’s problems are defined by our patriarchal society seeing them as women) as well as some for an opinion against this decision (the fact that it could be read as the show ultimately deciding he’s ‘female-aligned’, etc.) and though I won’t be discussing this decision in-depth, I still possess that it’s an event worth examining from different lenses.

Now, onto the actual element that got me heated about Kaoru serving as a parallel to Momoe’s struggles: Kaoru was not only sexually assaulted by a man who’s always thought of him as a ‘pretty, delicate girl’, his death directly relates to the fact that he was abused and then impregnated by this man for not living up to his gross ideal of what a man and a woman are; contrast this to Momoe, who pretty much gets the treatment Kaoru would love to have: she’s pretty much right off the bat seen as a guy, she’s fawned over by women because of this fact as well, they literally call her ‘Momotaro’, etc. Taking all of this into account, it’s simply impossible for me to be okay with a comparison that ultimately decides a cisgender person’s discomfort is, in any sort of way, on equal grounds as a (might I remind you, dead) trans person’s basic human rights.

All in all, though her episode made me take a bigger liking to her character, it also served to almost perfectly highlight the very problem of her existence, as well as the “struggles” she’s intended to represent; I don’t hate Momoe in any sort of way, and though I know there must be someone somewhere who relates to her, I also think that they could’ve done something way more meaningful with her had they just made some changes that made her more realistic (as in, make her at least be LGBT rather than just cis and heterosexual); I will be patiently waiting for the finale, and who knows? Maybe something does change about her in the end, that would be even more of a pleasant surprise.

#wonder egg priority #meta #momoe sawaki

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mikaze-discord · 3 years ago

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OG Heavens: Love letters

For these Heavens posts, I had reached out to a few people who just never ended up responding. With projects like these, please at least hear them out, you don't have to do it because I know its a huge project but at least tell them you won't be doing it instead of ghosting them. But apart from that little road block, this project was really fun!!

Please enjoy under the cut!!!!

EIICHI OTORI

From @milkmateartist:

I have always leaned towards megane characters and Eiichi is no exception. However, it's not often you see idols wearing glasses, and that is something I appreciate about Eiichi's design. His color palette also intrigues me since I love deep shades of blue. His royal blue jacket is very attractive, and the way he pops the collar also makes me go "kya!". His voice is also very sexy as well and is pleasing to the ear uwu. I love how egoistic he is too. Being incredibly ambitious he has been able to reach amazing heights that surpass other idols. The one thing that seems to make him unique though is that he really gets zealous and overly passionate when it comes to the power of music, so much that it makes him physically tremble. You could get high off that shit literally. His entire being is centered around being an idol, and all the components of him go above and beyond the requirements. It's not just a job for him or something that simply makes an earning or brings satisfaction. It's pretty much everything to him. For that reason he has made it to the top. There is also the component where he's lonely and isolated emotionally that interests me. Despite being a beloved idol, he clearly didn't get the love he needed growing up. Even though he had Eiji I feel as though his nature was more to protect Eiji and shield him from whatever terrors would arise. I admire his ability to come through all of that and pay attention to the things he really cared about. Eiichi can be himself, his strange, sexy self, but also he acknowledges the lonesome darkness within too. I think that component makes him incredibly powerful.

Extra Details:

While appearing to be a bad guy in the anime (at least), Eiichi seemed to be that typical bad boy idol that would steal away Haruka from the main group. The time when he approached Haruka and took her by the chin is a perfect example. How dare this new guy just think he can have his way with our protagonist! To be honest I liked that aspect about him a bit. While I can't remember my first impression of Eiichi aside from not knowing how to feel about that, he slowly grew on me. He had the appearance of just another selfish idol, demonstrated by swiping the mic away from the announcer at one of his concerts and immediately declaring their foreseen victory. So far that looked rather bland to me, and I was still cheering for STARISH. They really made him out to look like some bad guy who would not play fair and do whatever he could to take the throne (and the girl). It's not surprising his glasses shine adds to his 'freaky antagonist' vibe that the show seemed to try to give off, but however for me I love the glasses beam, thus having the opposite effect.

And then there is the Next Door episode. Now here's where we got to see more of Eiichi aside from when the HEAVENS Dragon demolished the entire stadium. Aside from kya-ing over the EiichiOtoya content (especially where he goes behind otoya and covers his eyes), I got to see more of him here. It surprised me that someone so cocky and confident was actually the same depressed, lonely person that Otoya was. But it was also evident to me as well that he did care about the effect it had on Otoya as well after he sort-of-well mind broke him. I like how he is ambitious but also still caring, as compared to an antagonist that would stop at nothing to achieve their goal regardless of how much pain they cause.

I also enjoy Eiichi because I feel like I can roleplay him well. Usually for me, roleplay has to achieve some kind of goal since I tend to be business oriented. I think to some degree I'm able to practice being a eboy idol through Eiichi, as I do enjoy charming the fans. It also helps that I can naturally play characters with an inflated ego who enjoy charming people.

From @/egoisticCEO on twt:

July 2019. When Eiichi was first introduced to me via his voice, I hated him from the very beginning. His singing, his appearance, his personality – everything about him made me despise him. It’s funny looking back and seeing how quickly my attitude changed towards him, realising I’d been biased against him because of a friend. Finding more about him, hate turned to interest. It seemed like his life hadn’t been the best. Maybe that was why he acted in such a way? Interest turned to liking him more. Maybe I’d misunderstood him. I’d made the mistake of taking him at surface level.

December 2019. Like was slowly turning to love. More and more, I found myself looking at him instead of my current favourites. I found myself wanting him to actually be a part of Egoistic. Once I started devouring HEAVENS Radio and unveiling his true character, it was shocking how quickly I fell. He truly acted like a father to everyone in his band. Giving them what he never received. Everything was for them to thrive.

2020. With how much I was at home, it only made sense I grew more obsessed. I found Life with Thanks’ translation. “We’re irreplaceable to him,” he tells us, and that made me certain that his heart wasn’t as evil as some people liked to believe. He’s a caretaker, someone who wants everyone to feel like they matter. Even at his own expense. Instead of selfish, he’s selfless.

I related to him more than I have to any character – it was comforting. Seeing someone have no choice but to put on a brave face, even when his confidence was at an all time low. 2020 got a lot harder for me, but when I recovered, Eiichi was like a home to go back to. Time and time again, I’d have to break away, but I’d always be invited back in by that stupid smirk and overexaggerated ego and the warmest heart you could ever find. Every scene I watched with him would make me smile. I’d tease him to myself. I still do.

2021. That brings us to now. I can’t see my love for this one of a kind man dying any time soon. I don’t want it to, either. Just looking at him makes me happy! He’s the type of character with so many facets to his personality that you can keep digging and never reach the end. So, in conclusion, I hope I never stop finding new things out about this wonderful idiot. More than anything, he deserves all the love he gives to others, and I’d love to provide it tenfold.

KIRA SUMERAGI

From Anon:

Many have their reasons to love their favorite characters. As for me, why Kira Sumeragi is my favorite character is because there are several things about him that I can relate myself to and there are a few qualities he has that I like about him. If many do not know about Kira that much, they’d look at who he is. He may look intimidating at first and may not talk much, when in actuality, Kira is a considerate, dependable, and mindful guy. Mainly, he is the type of guy that lets his actions do the explaining. He is a hard worker, as an idol, he looks after his bandmates, HEAVENS, like family. It’s like what Eiichi said in HEAVENS Radio about Kira, “he is HEAVENS’ pride!” Although he may not say much, Kira is very observant of his surroundings and never hesitates in his decisions. The members of HEAVENS understand and acknowledge Kira, knowing that he means well.

You can even tell in his solo music! Although there are only two solo songs for Kira, if you read the lyrics carefully, Kira’s thoughts and feelings are shown. Kira always knew that if he cannot explain his feelings through words, then he’ll let his songs and his actions do it for him for you to see. Although the anime doesn’t show much of Kira, the only way to get to know him more is through HEAVENS Radio, also drama CDs like Paradise Lost, and other media like LINE Messenger Japan. There’s still much that I’d want to know about him, but as a start, these things are what makes Kira my favorite character for HEAVENS.

From Anon:

Aside from my huge bias towards OnoD the first thing that drew my attention to Kira was his design. Dark haired anime boys with bright eyes have such a vibe and I loved how mysterious he was set up to be in season 2. But the thing that really hooked me a lot was the found family that Heavens became over the progression of the anime.

Particularly since people in the fandom have a bunch of funky headcanons about Kira being the mom friend in the group, which is incredibly wholesome. Kira’s very quiet and reserved but clearly holds a deep caring for his group members and does what he can when needed which is one of the reasons why he became so loveable for me.

NAGI MIKADO

From @/_PXRFECTIONIST on twt:

If I managed to stan Nagi, so will you.

Greetings. I present to you, once more, a story of how I came to love a character that I wished I threw hands with.

So.

Nagi Mikado.

The possible only utapri character that Shinomiya oshis despise. Thanks to what happened in the anime.

Truth be told, I too was one of them. Until I came to love Both Shinomiya and Nagi. Reason?

Research.

Ya see, it is universally agreed upon that the way Nagi was pushing and pulling at Shinomiya's trauma and DID was… Not okay. So I said "yeah okay what an obnoxious kid i dont think ill ever like him lol" especially since I never come to really warm up to people younger than me.

Boy was I wrong.

My heart really sways easily when I go deep into characters, and why they act the way they are. And also because I chose to roleplay as him, but let's not. Speak of that.

(its actually the main reason i like him in the first place who am i fooling)

Nagi is… Indeed obnoxious, and really has bad manners that are covered up by his cute looks and fame, especially since he's one of the original HEAVENS members, but once you get to really know him.. It makes sense why he's being such a brat. And that is sort of endearing. And knowing how his group is like family to him too, it becomes harder and harder to completely dislike him.

….

He really is a boss man.

He knows what he wants, and how to get it. He knows how to get people to like him without handing over the tiniest sliver of his weaknesses. He acts in his own way that shapes his personality to suit him, yet still manages to be caring and helpful, even if it's hard to see tenderness and good will through his aggression.

Reading his solo lyrics, listening to the drama CDs, even thinking of headcanons due to lack of lore, it all slowly comes together like a lovely parfait to suddenly make you realize..

'Wow…'

'I really do like that rat.

#utapri #utanoprincesama #uta no prince sama #eiichi otori #otori eiichi #Kira Sumeragi #Sumeragi Kira #Nagi Mikado #Mikado Nagi

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papers4me · 4 years ago

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List of Intriguing Golden Kamuy Characters: (part 1)

As I read more chapters of Golden Kamuy, the characters get more fleshed out & layers upon layers of their broken selves get explored.

A general theme: is the the changing mentality of men before, a mid & after wars. How their psyche & mind change as the brutality of war breaks them apart.This manga is very unique in presenting its characters as human with degrees of good & bad in every one of them. None of these men is innocent & naive. They’re all aware of their current position as war soldiers whether deserters, discharged or on duty. Basically it is a manga abt broken men. Asirpa, the sole female protagonist, is presented as an innocent but practical character, but will she stay the same or will the hunt for gold & the worry for Ainu future change her?

Fascinating aspect: the dynamics between characters are one of the most entertaining in anime that I’ve read! truly unique. The characters, thanks to the plot, are forced to change sides & join different groups repeatedly throughout the story & each time, I discover new brilliant dynamics!!! The humor is good with a dash of adult jokes! The deadly hotel dynamics, the circus dynamics, the trip to Abashiri, the trip to Karafatu dynamics! & more, are all well-done.

Below, I’ll write very short & general broad summary of what I find fascinating abt each character. I’ll divide them into groups. ( contains spoilers)

1.Sugimoto's group:

Saichi Sugimoto: the protagonist. A discharged soldier. He is a troubled soul who has very low self worth despite his immense desire to stay alive. His kindness contrast his violent brutality. He kills criminals/soldiers with no mercy yet he’ll put himself in danger for those he cares for. I’m especially interested in his journey to reconcile with past self. I need for him to have a journey away from Asirpa & everybody. A self cleansing path where he accepts that perhaps it’s okay for him to not end up in Hell. His own personal issues with his past & the guilt he carries coupled with his fear that Umeko (his first love & his friend’s widow) will see the monster that he believes he’s become is highly fascinating to me! How will he deal with that? & if he were to ever meet Umeko again will she sense the past Saichi or the blood drenched Sugimoto or if there will be a different Sugimoto when the gold hunt is over? Perhaps, we won’t ever know. Perhaps letting her go & letting all his past go is part of his new journey? Can you start new while ignoring the past? I need to see Sugimoto’s own journey!

Asripa: 12 or 13 year old girl who is independent & capable to sustain herself without the need of any man. This child’s young age is especially important for the story that is full of adult & veteran men of war as she represents the hopeful future. The future is the children who shouldn’t be plagued by their parents’ sins & desires. Her father put her in the center of danger & threw a huge burden on her. His own dream that is conveniently introduced as the salvation of her ppl. A dream that kept changing with every new step he takes, a dream that clashes with other men’s dream & for them to achieve theirs, they need Asripa who is is in the middle of it all. I want Asripa to find a path that is hers, not her father’s. Moreover, I want her to grow independently from Sugimoto whom she now considers the center of her own dream. She needs to see the world & grow up as a woman before she ties herself with others for life.

Shiraish: A comic relief convict with unique escape skills, who in the later chapters has grown immensely without loosing his comic value! I love his growth!! & yet is to come! he’s become the rational one in the group while being super silly! Very satisfying indeed!

2.The 7th Division: (aka the most fascinating set of characters)

Tokushirō Tsurumi: One of the most well-written villains that I’ve recently come across. He’s fluid, entertaining, manipulative & fascinating. You literally can’t predict his moves or even his moods! Can’t tell if what he’s saying is truth or lie. Tsurumi is the writer’s unchained character cuz while Hijikata is tied a bit by historical reference to a real character, Asirpa to the Auni & Sugimoto as her bodyguard. The writer can simply write Tsurumi freely to fit every shape & every mold. There’s even logical reason for his mood swings & erratic behavior; he lost part of his brain in a war explosion & wears a metal plate to cover the open wound. He’s extremely clever, analytical & his schemes go along way into the past. He even molded & exploited his men to his advantage. He has a tragic background & in the later chapter was able to validly show the pros & cons of Wilk & Hijikata’s plan’s while masquerading his as the more logical one. He can be a comic relief, terrifying, genuine, cunning, loving, despicable, handsome, disgusting & above all it creeps me out how alive he seems in the chapters! he’s so animated I feel he’ll leave the manga panel & invade my space!! good stories need well-written antagonist & the writer really hit it with Tsurumi! well-done.

Hyakunosuke Ogata: Another unpredictable character. Like Tsurumi, he’s given a tragic background & just like Tsurumi as well, he makes unexcused & horrible decisions. Clearly he’s mentally unstable (a running theme in GK). Ogata, in addition to being the best sniper in the show & performing well in war, chose to add innocent victims to his list. He shot his brother & even attempted to kill Asipra, any writer will make this as simply a lunatic character, but this writer chose to tie such unexcused behavior to Ogata’s unstable psyche to show that from his own perspective; it makes sense! Afterall, it’s simply “ normal” to not ever feel guilt over killing human. His brother comes to haunt him in one of the most cinematic scenes & even plays with his mind. You’d think Ogata has gone rouge against everybody? Guess again, he’s got allies. Told you it’s hard to predict!

Genjirō Tanigaki: loved, endearing & dumb. lol. he’s simply a “shoujo girl” in a historic war manga. Tanigaki started dark, torn, filled with guilt in one of the tragic background stories, but was released from his tormented soldier persona by a convict who taught him, it is okay to start a new again. Desert the army, let go of the past & start again. he’s rewarded with a wife & a daughter but not before going on a journey with the others to showcase his manly charms & naive persona! love him.

Hajime Tsukishima: Another fascinated character that silently took me off guard with how much I cared for him! I had to go back & see where did he start! He was a background character assisting Tsurumi, then slowly became a prominent character with his own fascinating background story where you feel for him & see the depth of Tsurumi’s manipulation. I can’t even begin to explain Tsukishima mentality & psyche in this short summary! he’s got depth! that’s for sure.

Otonoshin Koito: the youngest in the division & one of the youngest men in the entire cast, but got high army rank thanks to his father & joining a military academy. You wanna know how manipulative Tsurumi is? read Koito’s background story. epic! Koito is impulsive, stubborn, inexperienced & highly skilled. He’s a bit naive at times but not dumb. He’s got amazing comic relief value tied with plot importance! His dynamics with Tsukishima & Ogata & Sugimoto are brilliant! you’ll never get bored!

Tokishige Usami : another unstable character. He shares Ogata’s belief that it’s normal to not feel guilt. Through him the writer argues that whether you come from tragic background (Ogata) or loving family (Usami), not feeling the slightest guilt over killing human is not normal. Ogata kills his mother while Usami kills his friend, both were young when they did their first innocent kill. However, unlike Ogata, Usami is very loyal to Tsurumi & obsessive of him. He’s strong, skilled, deadly & very creepy!! like very~~~~ creeeeepy~

Kōhei Nikaidō: from one of the creepiest sadistic soldiers to a sad, mentally unstable & tormented shell. He’s become such a valuable comic relief! I used to shudder when I see him, now I can’t stop laughing. Hard fall for the sadistic Nikaido! lol.

Kiktua: a new addition. So secretive & appears level headed & has good sense of morals.

Airko: another new addition: Ainu soldier. Appears naive, with high morals yet indecisive.

I could say more abt each character, but this is meant to be a summary. Each character is deep & has broken mentality that led to their decisions whether excused or unexcused. The convicts & Hijikata are next! But I had to start with Sugimoto & the 7th division! cuz that’s the main dish!

#Golden kamuy #my 1st manga!#sugimoto #tsurumi #asirpa #koito #tsukishima #Tanagiki #Usami #Shirashi #Ogata #excited paper

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fugaciousgloom · 4 years ago

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I’m bored, so here’s some of the pregame headcanons asd plotlines I was talking about.

I’m just going to go by who comes to mind first:

Maki:

Collects information for money, mostly about her peers.

Runs a podcast about Danganronpa murders and motives.

Favorite Danganronpa series is Ultra Despair Girls, she thinks it’s criminally underrated.

Only friends with Kaede, Rantaro, and Shuichi, but considered popular because Kaede and Rantaro are.

Carries a switchblade/pocket knife on her at all times.

Has been suspended twice for smoking in the school bathrooms.

She purposefully started acting out after almost getting adopted from the orphanage because she didn’t want to be adopted.

Has made multiple attempts to run away with Shuichi, but has always been caught.

Shuichi:

Kyoko kinny and will fight any haters.

Outcasted at school for strange, obsessive behaviors.

Gets into petty fights a lot and has to have his ass saved by Maki every other day.

Listens to Maki’s podcast religiously.

Sneaks out with Maki and her friends to see Danganronpa episode premieres that play in the town square.

Has every murder, motive, killer, and victim memorized and quotes characters a lot.

Can be really possessive and is aggressive to anyone who gets too close to his close friends and Maki.

Kaede:

Really, really sadistic.

Ibuki and Sayaka were her favorites and she cosplays as them a lot.

Rich Girl™.

Has auditioned for Danganronpa at least three times since Freshmen year.

One of, if not the, most popular girls in school.

Has a twin sister that hates Danganronpa.

Begs Tsumugi to recommend her for Danganronpa.

Himiko:

Most people in school either fear her or hate her.

Will not hesitate to slap a bitch.

Always has candy on her to keep her blood sugar up.

Gets really bored really quickly.

Has no interest in watching Danganronpa, but auditioned anyways just for the thrill of it.

Pretty laid back until you piss her off.

Tsumugi:

Works at Danganronpa studio as a costume designer and advertiser

Is rumored to have killed someone.

People approach her to try and get ahead in casting or meet past killing game participants, even though neither are in her control.

Pulls out her Monokuma and Junko voice randomly to surprise people and amuse her friends.

Hosts Danganronpa servers from multiple platforms and runs the official Danganronpa social media accounts.

Kokichi:

Despises Danganronpa, but pretends to like it to fit in.

Only friends are Shuichi, Himiko, and Angie.

Lumped in with the weird kids.

Cares about everyone a lot, but acts aloof.

Bad Liar™, but lies a lot anyways.

Was friends with Miu and Rantaro in middle school, but stopped when they both became popular.

Has never smoked or drank in his entire life despite the pressure from his friends.

Tenko:

Angie and Rantaro were the ones to introduce her to Danganronpa.

Sakura Stan.

Lives in a very toxic, misogynistic household with her father and three brothers.

Flirts to get her way.

Tried to teach herself Aikido, but quit after her father caught her.

Used to be popular, but an incident occurred between her and Kirumi that made everyone in the school outcast her.

Angie:

Rumored to be possessed by a demon.

Loves the occult.

The school weird kid.

The only open Lebsian in the school.

Monokuma has always and will always be her favorite.

Usually lumped in with people like Korekiyo, Kirumi, and Kokichi.

Korekiyo:

Awkward as fuck.

Covers his face out of shame.

Has violent, angry episodes where he lashes out at anyone nearby.

His classmates are lowkey afraid of him.

Rumored to be a serial killer.

Despises every kid in school besides Angie and Himiko.

Has a sick sister who's been in the hospital since he was a little kid.

Kirumi:

Extremely egotistical and self centered.

Everyone in her school thinks shes a bit of a weirdo.

Auditioned for a main role in Danganronpa.

Often talks about her plot to win Danganronpa and get the prize.

It makes most of her classmates uncomfortable.

Desperate to be popular.

Miu:

Has an attitude and is bot afraid to speak her opinions.

Always wanted to be a scientist, but was made fun of as it contrasted how she presented herself visually.

Soda kinny.

Is grossed out by the thought of sex, but acts as if shes done it a million times before.

Honestly doesn't even like Kaede or her friends, but stays because it keeps the target of bullies off her back.

Makes fun of Kiibo every chance she gets.

Kiibo:

He is a human.

Rarely shows emotion, but he feels a lot of emotions.

His father owns a tech company and is often away. Because of this, they don't talk much and Kiibo doesn't know much about his father.

Bullied harshly. They call him a robot and even go so far as to threaten him.

Smart when it comes to math and science, but has trouble with more creative subjects.

Rantaro:

Rich and popular.

Girls confess their love to him every single day, but he turns them all down.

His parents are literally never home since they travel for work, so he hosts most of the parties.

Kept hanging out with Tenko after she was outcasted because he sympathized with her.

Closeted gay, but openly flirts with guys in his grade (mostly Kaito). Everyone assumes he's joking.

His sisters are also really into Danganronpa and encouraged him when he told them he was auditioning.

Gonta:

Very intimidating.

Always scowling.

He's actually a big teddy bear, but people still avoid him.

The only person that hangs out with him is Ryoma, who sometimes drags Kirumi to sit with them.

Likes bugs because he thinks they are misunderstood like him.

Once saw a student squash a spider and body slammed him.

Afterwards, rumours spread that he would lose control and attack anyone randomly.

Ryoma:

Has given up on life.

Approached Gonta because he didn't care if he was attacked (and was kind of hoping for it, honestly) and accidentally became friends with him.

His girlfriend died because of a local gang and he felt he couldn't do anything about it.

People think he has an addiction to cigarettes, but they're actually just candy cigarettes.

Always liked Leon and Mondo.

Kaito:

Infamous bully.

Targets anyone and everyone that's not in his close friend group.

Has sent multiple people to the hospital.

Secretly has an interest in the stars and can list off useless trivia about space.

A total closet case.

Lives with his grandparents who are very traditional.

Surrounded by toxic masculinity at home, so he puts himself out there as manly.

The only friend he "bullies" is Rantaro because he keeps making passes at him, but he can't bring himself to do anymore than light teasing and it drives him insane.

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linkspooky · 4 years ago

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TogaChako - Good Girl and Bad Girl

Toga Himiko and Uraraka Ochako embody the classic good girl slash bad girl dynamic. It’s a classic dynamic in which one girl will represent what is the traditionally held notions of what a “good girl is” ie/ pure, nice, friendly and the other girl will embody the opposite of that a “bad girl” impure, mean, slutty. Inevitably, these two girls will fight. However, the crux of the good girl bad girl dynamic is that while the girls are total opposites on the outside, inside they’re the same, cuz they’re both girls after all.

Uraraka and Toga are written to be compared, they’re character foils, because the conclusion we’re supposed to come to isn’t one of them is good, one of them is bad, one of them is selfless, one is selfsh. Rather, they’re written so we see it’s the difference in circumstances that made them who they were. Toga became bad because bad things happened to her. Uraraka is good, because she was born into a good life. What makes a bad girl bad and what makes a good girl good? More under the cut.

1. Good Girl

Describe Uraraka Ochako. She’s a normal girl. She’s spunky. She puts other people first. She became a hero to help her parents make money, and feels bad because her motivations aren’t as selfless as say her close friend Izuku Midoriya’s. (But that’s wrong because she literally is being selfless, her reason for becoming a hero has entirely to do with benefitting someone else and not herself). She’s supportive, and friendly. She’s always cheerful and never lets herself get too down.

Uraraka represents the standard of a good girl in hero society. She’s always ready to help her friends, but ultimately she’s kind of passive. She works hard but is not too ambiitous. She’s selfless and always thinks of other people before herself. She has all of these good qualities.

However, I would argue Uraraka is a lot more complex then this. On the surface she seems to be just a good, nice girl who wants to help others, but her internal mechanisms are complex. While yes I agree Uraraka doesn’t have much of an arc so far due to lack of focus, there’s a difference between not having an arc and not being a complex character.

A simple character - what you see is what you get. A complex character - Has internal mechanisms that show the surface isn’t as simple as you thought.

A simple arc - character moves through the plot without changing who they are. A complex arc - character struggles in a way that fores them to change.

Uraraka’s inner mechanisms are complex in that there’s more too her in what we see at the surface, it’s just she hasn’t been challenged in any way. The plot doesn’t address her flaw and try to force her to change.

With that in mind let’s get into Uraraka’s character. Uraraka is defined to her goodness. Uraraka pushes herself to always be good to others. The reason being is that Uraraka is a very sensitive girl who is attune to the feelings of other people.

Uraraka gets serious for just a second, and people remark that she doesn’t seem like her normal self.

Uraraka then immediately backs up and gets embarrassed. She goes out of her way to beat herself up and denigrate herself in front of others, insisting her motivations are much more selfish than people like Ida and Deku.

Uraraka then tells Deku and Iida that she’s not becoming a hero for her own sake, but for someone else’s. Her entire motivation is to help both of her parents live easier lives, because she feels like she’s been a burden on them and pursuing her own dreams would be too selfish.

Uraraka is very secretive of her own feelings. She’s almost afraid to come off as selfish which is why she doesn’t share what her real goal is. Also, when she starts to get a little motivated to accomplish something for herself, everybody around her remarks how different this is from the fun-loving Uraraka they all know. Also, one last detail Uraraka never even talks about herself, and her friends don’t really think to ask, because Uraraka just so naturally makes things about others and not herself.

It’s already been elaborated why the reason Uraraka grew so perceptive. Uraraka’s parents were struggling to make ends meet and she grew up in poverty, and even if she has good parents that try really hard not to let the effect of this struggle show in front of her, Uraraka saw it anyway because kids are always watching their parents.

Uraraka learned to be sensitive to her parents needs, to never demand too much for her parents, her behaviors all became centered around not becoming a burden to others.

Uraraka thinks it’s only natural to put others first and help others before helping herself. That other people’s happiness is more important than her own. Because she’s someone naturally empathic. Because she’s someone naturally able to see the pain and struggle other people go through, because she grew up seeing it. However, the problem with this behavior is it makes Uraraka essentially a support to everyone else.

Uraraka is constantly putting others up on a pedestal and using that as an excuse to lower herself further and further. As cute as her admiration for Deku is, it’s also a bit unhealthy - as she uses it as an excuse to beat herself up. She sees Deku as this amazing person, whose always struggling to help everyone, whose always saving everyone for completely selfless reasons and she always suffers in the comparison.

I think part of Uraraka wants to stand out like Deku does, and has the same desire to go all out to save people, but Uraraka is so used to being secondary in her own life she can’t bring herself to.

Uraraka can’t even cry in front of others. I think, the most telling behavior she has in the entire series is the moment where she breaks down on the phone describing everything she did wrong because this is how Uraraka sees herself. She’s so extremely critical of herself, and constantly apologizing for herself, while at the same time hiding what she really feels from others.

Uraraka has all these self esteem issues that she basically just shelves so she can play the good, nice girl, that gets along well and is friends with everyone.

Uraraka assigns the role of group placater and peacemaker for herself because it’s something she’s so naturally good at and she’s always thinking of others, but because of that, Uraraka herself suffers. Uraraka only knows how to help people by belittling herself and her own role in things.

Uraraka’s greatest fear is being selfish. She doesn’t want to look like a bad girl. That’s the connection between Toga and Uraraka, because what Uraraka is afraid of ultimately is living her life the way Toga does.

2. Bad Girl

Toga is everything that Uraraka is afraid of being, and lives the life that Uraraka is afraid of living. Uraraka is someone so afraid of being selfish, and getting distracted that she is not even allowed to have a crush on a boy. Whereas, Toga lives her life chasing what she loves. Everything Uraraka represses about herself, Toga expresses. That’s the difference between the two of them.

When Uraraka first encounters Toga, her willingness to chase what she loves looks from Uraraka’s perspective to be entirely monstrous. Uraraka sees Toga as a selfish monster, because in part she is afraid of appearing that way.

Toga Himiko the bad girl.

However that’s far from the whole picture of Toga. When we see her away from Uraraka’s perspective she’s entirely different. She’s someone empathic, capable of being kind to others, and thinking about others feelings.

Toga’s just as capable of reading other people and addressing their feelings as Uraraka is. However, there’s still a key difference in their behavior. Uraraka acts to avoid conflict. When she intervenes, what she usually does is act in a way that avoids stepping on toes, and touts the “we should all get along and be friends’ line. Whereas, Toga is someone who directly addresses the conflict and the hurt feelings of others.

For Uraraka the most important thing is getting along with others. For Toga the most important thing is being true to her own emotions. Which is why she’s able to directly address the problem with Twice, she didn’t tell him to bear with it, she told him she knew he was in pain but that the two of them could take down the mafia together.

Even Himiko’s most selfish monster moments aren’t really that monstrous. Himiko’s reason for stalking both Uraraka and Deku is not because she’s weird and creepy, but because she wants to be a normal kid just like them.

Himiko’s reason for sucking the blood of high school girls and taking on their appearances isn’t because she’s preadtory, it’s because she’s been a runaway with no home for two years and she’s terrified of getting caught.

Himiko who is framed as a selfish monster, is actually quite the normal girl. She’s a normal girl reacting to the pressures of the society around her. The kicker is that Himiko isn’t someone who just decided to flip and turn out this way, she is only the way she is because she tried to live like Uraraka did at first.

Himiko tried to push everything down and live like a normal girl. She tried to lie about herself so she’d be a good, nice, harmless girl. She only became so selfish, because she tried to live selflessly first. She only prioritizes herself, because she was used to putting herself down before this. We see her classmates react to her, they all describe Himiko was the kind of girl that Uraraka is right now.

However, behaviors in Uraraka that are self-defeating and unhealthy, are absolutely ruinous in Himiko. Himiko has no sense of self, because she spent so long trying to be what others wanted her to be. Himiko is who she is, in reaction to the pressures of everyone around her.

When Himiko tries to figure herself out, she always gets the same response. Why do you have be so selfish? Why can’t you just act normal? Which completely ignores the fact that she TRIED and that’s what got her here.

The main difference between Uraraka and Toga is not one of them being good, and the other being bad. Toga’s been through way harsher life circumstances. Uraraka has parents that affirm her identity, and Toga’s parents deny her over and over again.

The point of the good girl bad girl dynamic is that they’re both girls in the end. Yes, Uraraka’s never reacted as badly as Himiko has. However, Uraraka’s also never been pushed so far. In fact someone as empathic as Uraraka can be oblivious to the suffering of others.

Uraraka doesn’t see what Himiko is going through, because she hasn’t suffered the way Himiko has.

It’s like. When you have a good sibling and a bad sibling. The good sibling always behaves because they conform to the pressure their parents put on them. The bad sibling acts out in response to that pressure, and because of that their parents have to discipline them and they end up soaking up most of the parent’s attention. In that situation the good sibling can come to ressent the bad sibling for acting out and needing attention in the first place.

Reasonable child and unreasonable child. There exist these black and white categories to define children into where one looks good and one looks bad, that actually totally fail to address the child’s behavior because people are complex and therefore don’t fit into black and white categories. But, Uraraka is still working with that black and white logic when it comes to heroes and villains. Even though she’s usually so good at sussing out the complex nuance of other people’s feelings.

This is what’s happening here in this chapter. You can apply the dynamic between the two of them to the conflict at large. Toga is selfish for acting out and causing problems for others, because she wants her own personal grievances to be addressed. Uraraka is sefless because all she cares about right now is helping the most amount of people. Uraraka is willing to repress herself, and put others needs before her own, because what’s most important is everybody gets along.

However, Uraraka insinuates, the same way that Himiko’s parents once insinuated that Himiko’s acting out just makes her selfish.

We’ve seen this conflict before. Himiko literally went into the conflict to ask this question. Do problem children like her count as “everyone”. However, no matter what happens this arc, no matter what critcisisms the villains levvy against the heroes we get the same hollow repettition of “Heroes save everyone”. Which is why Himiko looks just about to snap here.

Uraraka who is used to brushing conflicts aside and avoiding them for the sake of “everyone gettling along” sees the girl who can’t get along with “everyone” and calls her selfish. To Himiko, this is the same words she’s been hearing her entire life. “Why are you making a fuss? Why can’t you just be normal.”

From one perspective, yes Uraraka is the one fighting seflessly because she’s just trying to save as many people as she can and Himiko is getting in the way of things. However, Himiko is someone who grasps the bigger picture. Himiko addresses the problem directly rather than sweeping it under the rug, there are people who aren’t saved by the hero system. Those people are just as in need of saving as what heroes deem to be innocent people. You can’t claim to save everyone and then ignore the suffering of people you deem as “bad”. Himiko seems like she’s acting selfishly, but then again she’s acting for the sake of people like Jin who died because heroes insisted that his life was less important.

Uraraka is at the same time very perceptive to the suffering of others, and also very oblivious, and it has much more to do with personal hangups than anything else. She doesn’t want to see Himiko as someone similiar to her, because Uraraka is someone so deathly afraid of coming off as selfish. To the point that she treats people with genuine grievances against society as selfish childrens making demands for atttention.

Uraraka is the one who can’t face herself, and therefore the answer she gives Himiko is to the effect of “Shut up and deal with it.” It’s a very personal thing for Uraraka once you realize that Uraraka has also been shutting herself up all this time, pushing herself down, always letting people walk all over. Uraraka is capable of putting herself aside for the sake of others, so as a result she sees people who can’t put themselves aside as selfish.

“I can do it, so why can’t you? Why can’t you be normal?”

I hammer down so hard on this point because there’s a difference between placating and conflict resolution.

Placating comes from a place of “I want the conflict to go away” or “I want the hurt feelings to go away.” Placating is just saying whatever you think the person you’re talking to wants to hear in order to please them. It’s behavior that’s based entirely around avoiding conflict. Uraraka placates, she sweeps it under the rug, she swallows her grievances for the point of everyone happily getting along together.

This placating also applies to the hero system at large. It’s not really designed to save everyone, so much as make the vast majority of people feel safe at the cost of the minority.

When there is a problem does Hero society directly address the issue? Or do they sweep it under the rug for the appearance of everyone getting along?

I think the fact that every time a villain brings up a problem this arc, the heroes just shout “Heros save everyone” and “Heroes never give up” is evidence of the latter. That’s why, when Uraraka says it, when Hawks says it, “Heroes save everyone” just comes off as hollow because in the very same breath they both make it clear that Toga and Twice are not part of the everyone who gets saved.

#himiko toga #uraraka ochako #mha meta #my hero academia meta #my hero academia #mha 288 #mha 288 spoilers #bnha 288 #bnha 288 spoilers #himiko #uraraka #ochaco #ochaco uraraka #toga himiko

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