Sorry I’m slow on replies !!! I have a main account and lots of life happening but hopefully be queuing things up for the next few days. Side note….aegon is so pretty and I’m not sorry for saying that. Bro has the face of a biblical painting, like it’s giving sexy lucifer statue.
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You know what I realize that people underestimate with Pride & Prejudice is the strategic importance of Jane.
Because like, I recently saw Charlotte and Elizabeth contrasted as the former being pragmatic and the latter holding out for a love match, because she's younger and prettier and thinks she can afford it, and that is very much not what's happening.
The Charlotte take is correct, but the Elizabeth is all wrong. Lizzie doesn't insist on a love match. That's serendipitous and rather unexpected. She wants, exactly as Mr. Bennet says, someone she can respect. Contempt won't do. Mr. Bennet puts it in weirdly sexist terms like he's trying to avoid acknowledging what he did to himself by marrying a self-absorbed idiot, but it's still true. That's what Elizabeth is shooting for: a marriage that won't make her unhappy.
She's grown up watching how miserable her parents make one another; she's not willing to sign up for a lifetime of being bitter and lonely in her own home.
I think she is very aware, in refusing Mr. Collins, that it's reasonably unlikely that anyone she actually respects is going to want her, with her few accomplishments and her lack of property. That she is turning down security and the chance keep the house she grew up in, and all she gets in return may be spinsterhood.
But, crucially, she has absolute faith in Jane.
The bit about teaching Jane's daughters to embroider badly? That's a joke, but it's also a serious potential life plan. Jane is the best creature in the world, and a beauty; there's no chance at all she won't get married to someone worthwhile.
(Bingley mucks this up by breaking Jane's heart, but her prospects remain reasonable if their mother would lay off!)
And if Elizabeth can't replicate that feat, then there's also no doubt in her mind that Jane will let her live in her house as a dependent as long as she likes, and never let it be made shameful or awful to be that impoverished spinster aunt. It will be okay never to be married at all, because she has her sister, whom she trusts absolutely to succeed and to protect her.
And if something eventually happens to Jane's family and they can't keep her anymore, she can throw herself upon the mercy of the Gardeners, who have money and like her very much, and are likewise good people. She has a support network--not a perfect or impregnable one, but it exists. It gives her realistic options.
Spinsterhood was a very dangerous choice; there are reasons you would go to considerable lengths not to risk it.
But Elizabeth has Jane, and her pride, and an understanding of what marrying someone who will make you miserable costs.
That's part of the thesis of the book, I would say! Recurring Austen thought. How important it is not to marry someone who will make you, specifically, unhappy.
She would rather be a dependent of people she likes and trusts than of someone she doesn't, even if the latter is formally considered more secure; she would rather live in a happy, reasonable household as an extra than be the mistress of her own home, but that home is full of Mr. Collins and her mother.
This is a calculation she's making consciously! She's not counting on a better marriage coming along. She just feels the most likely bad outcome from refusing Mr. Collins is still much better than the certain outcome of accepting him. Which is being stuck with Mr. Collins forever.
Elizabeth is also being pragmatic. Austen also endorses her choice, for the person she is and the concerns she has. She's just picking different trade-offs than Charlotte.
Elizabeth's flaw is not in her own priorities; she doesn't make a reckless choice and get lucky. But in being unable to accept that Charlotte's are different, and it doesn't mean there's anything wrong with Charlotte.
Because realistically, when your marriage is your whole family and career forever, and you only get to pick the ones that offer themselves to you, when you are legally bound to the status of dependent, you're always going to be making some trade-offs.
😂 Even the unrealistically ideal dream scenario of wealthy handsome clever ethical Mr. Darcy still asks you to undergo personal growth, accommodate someone else's communication style, and eat a little crow.
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now i've watched a fair amount of d&d i've started to pick up on the differences between dm style i think
like brennan IS all the bad guys. every game he dms is brennan vs the players. he makes npcs and battles that make his friends throw things at him and he smirks the whole time. he makes them tell him their worst fears and then he makes them do it. and it's awful and amazing and really funny
matt IS exandria. his characters and battles never feel written or constructed, they just feel like things that already existed in the world. it's all about verisimilitude with him, and he's amazing at it. he tends to fade into the background and let the players react to the story and it makes everything he does incredibly cinematic
aabria dms like she's just another player at the table reacting to the story, right up until someone gets lulled into a false sense of security and tries to fool around and THEN she throws a curveball by making them deal with the consequences of their choices. she's like oh you think that's funny?? then i'm about to be hilarious, bitch. and she keeps getting away with it bc she's just that good!
basically, brennan's an evil bastard, matt's the world, and aabria's the queen of consequences
or:
brennan - fuck
matt - around
aabria - find out
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i think katsuki just answers his phone by barking out, "bakugou." no hello, probably doesn't even look at the caller id LOL when he hears it's you, though, i think he breathes out the tension he didn't realize was coiled in his shoulders, and says a lil, "hey," 🥺🥺
and i think when he calls you, and you answer with your sweet, "helloooo ??" he is so soft 😌 just mumbles out a quiet, "what'chu doin'?" and listens as you tell him, before saying what he needed to 😌
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Steve and Eddie have a fight and give each other the silent treatment for eight days. Within the week, Eddie is arrested on a multitude of bullshit charges and Uncle Wayne has to pick him up from the sheriff’s department every other day, each time progressively more confused and exasperated. Who the fuck could get arrested for disturbing the peace four times in the same week and why was it apparently Eddie?
Eddie has no idea what he did to warrant all the arrests and assumes that Officer Callahan is on some sort of weird power-trip for that entire week. He doesn’t notice that it stops as soon as he makes up with Steve.
It’s only when he sees Officer Callahan, Officer Asshole as he lovingly refers to him, at Steve’s Christmas dinner that he discovers that they’re brothers. In hindsight, it makes all of Callahan’s hatred make a lot more sense.
Even after he finds out though, Phil still arrests him for various charges whenever he hears that Eddie pissed off Steve. Disturbing the peace, gross negligence, making Phil’s life harder; all reasons that Eddie has been arrested for but never charged with. And yet, the Munson idiot that Phil’s brother is in love with hasn’t yet learned his lesson. Luckily for him, Phil will keep it up until he does.
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The reason Lan Wangji switches to wearing exclusively white as an adult and the reason Jiang Cheng switches to wearing exclusively purples as an adult is bc there was a period as teenagers where they would both sometimes wear light blues on the same day bc light blues are acceptable colors in both their sects and they each independently had the thought “I never want to match that guy on accident ever again” and changed their entire wardrobes to pursue that goal
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can we talk about how the weirdest part of staticmoth isn't even the fact that they're toxic to each other?
it's how they both react to each other's toxicity with nonchalance.
like. first, during val's tantrum, val throws a glass at vox, or well, in his vicinity.
then vox just... steps away like it's nobody's business, barely bothered by it.
and later, when it's vox's turn to be angry, he roughly pulls val down, shakes him, and shouts at his face.
then val just... shrugs it off.
usually when you think of a toxic relationship, you'd probably think of person A being toxic to person B then person B biting back just as toxic until it's a back and forth of toxicity, a full-blown fight.
but that. that's not staticmoth. staticmoth is fucking weird in that when one is acting toxic towards the other, the other acts nonchalant and doesn't retaliate. then they switch roles on who the toxic one is and who the nonchalant one is.
I am not at all denying the toxicity in their relationship, but they certainly are a really fucking weird brand of toxic that is just. so hard to describe.
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